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I think Opus 25 was a tougher task for Chopin, because he'd already done the first set, | 0:00:16 | 0:00:21 | |
so he must have had something more that he wanted to say. | 0:00:21 | 0:00:25 | |
I don't find them as difficult as Opus 10, and certainly not as difficult to run through in one go. | 0:00:28 | 0:00:35 | |
I think you could say there's slightly more music to it. | 0:00:36 | 0:00:41 | |
I guess it's more of a question of the sound that you're producing. | 0:00:41 | 0:00:45 | |
It's not watching your fingers and working at them, | 0:00:45 | 0:00:48 | |
but it's a lot to do with the sound effect that you can create. | 0:00:48 | 0:00:52 | |
No. 1, there you're playing lots of notes, | 0:00:52 | 0:00:58 | |
but you want it to sound almost like a choir. | 0:00:58 | 0:01:01 | |
You want to hear a very beautiful melody being played, | 0:01:01 | 0:01:07 | |
a barbican of shimmering sound coming out from the piano. | 0:01:07 | 0:01:10 | |
That's more where the difficulty lies, rather than just getting through the notes. | 0:01:10 | 0:01:16 | |
MUSIC: "Opus 25, No. 1" | 0:01:19 | 0:01:21 | |
Subtitles by Red Bee Media Ltd | 0:04:16 | 0:04:18 | |
E-mail [email protected] | 0:04:18 | 0:04:20 | |
Utopia - the better place. | 0:04:24 | 0:04:26 | |
Somewhere between fiction and reality. | 0:04:26 | 0:04:28 | |
The idea has exerted | 0:04:28 | 0:04:30 | |
such a hold over us, but why? | 0:04:30 | 0:04:33 | |
Join me, Richard Clay, | 0:04:34 | 0:04:35 |