Opus 25, No 7 The Chopin Etudes
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Transcript
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You know, so often you've got the melody at the top, | 0:00:15 | 0:00:19 | |
the melody is always in the right hand | 0:00:19 | 0:00:21 | |
and the left hand is the accompaniment. | 0:00:21 | 0:00:24 | |
You find that all the way through music. | 0:00:24 | 0:00:27 | |
I think this etude, Chopin again, it's a study of sound. | 0:00:27 | 0:00:31 | |
He wanted to write a melody for the left hand | 0:00:31 | 0:00:34 | |
which always gets neglected. | 0:00:34 | 0:00:36 | |
So, um, this one, it really lets the left hand take the lead role | 0:00:36 | 0:00:42 | |
in the drama and I think it shows what a good player | 0:00:42 | 0:00:49 | |
the left hand can be for melody. | 0:00:49 | 0:00:51 | |
HE PLAYS OPUS 25 NO.7 | 0:00:56 | 0:00:59 | |
Subtitles by Red Bee Media Ltd | 0:07:04 | 0:07:05 | |
E-mail [email protected] | 0:07:05 | 0:07:08 |