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Welcome to the best of The Quay Sessions. | 0:00:06 | 0:00:08 | |
I'm Edith Bowman, and I'm right by the River Clyde in Glasgow, | 0:00:08 | 0:00:12 | |
which is where we film our weekly BBC Radio Scotland show. | 0:00:12 | 0:00:16 | |
Coming up tonight, performances from... | 0:00:16 | 0:00:19 | |
..Idlewild... | 0:00:20 | 0:00:22 | |
..Frazey Ford... | 0:00:23 | 0:00:25 | |
..Turin Brakes... | 0:00:27 | 0:00:29 | |
..Lanterns On The Lake... | 0:00:31 | 0:00:33 | |
..Ibeyi... | 0:00:35 | 0:00:37 | |
..Jesse Malin... | 0:00:39 | 0:00:40 | |
First up, a young man who came and performed for us at the end | 0:00:42 | 0:00:46 | |
of last year, complete with twinkly lights across the Clyde. | 0:00:46 | 0:00:50 | |
This is the joyous sound of Newton Faulkner. | 0:00:50 | 0:00:54 | |
# You | 0:01:06 | 0:01:08 | |
# Have gotta slow down | 0:01:08 | 0:01:11 | |
# I'm hitting the ground | 0:01:12 | 0:01:15 | |
# And I know it isn't right | 0:01:15 | 0:01:17 | |
# To scratch and fight another day | 0:01:17 | 0:01:20 | |
# You are all that I want | 0:01:23 | 0:01:25 | |
# But you're not what I need | 0:01:26 | 0:01:28 | |
# And I know it's probably time | 0:01:29 | 0:01:32 | |
# To find another melody | 0:01:32 | 0:01:34 | |
# Come on, come on I got to get away | 0:01:34 | 0:01:37 | |
# Save all the trouble for another day | 0:01:37 | 0:01:41 | |
# Get me a ticket and an alibi | 0:01:41 | 0:01:44 | |
# There's nothing holding me down so teach me how to fly | 0:01:44 | 0:01:47 | |
# Come on, come on I got to get away | 0:01:47 | 0:01:51 | |
# Save all the trouble for another day | 0:01:51 | 0:01:54 | |
# Get me a ticket and an alibi | 0:01:54 | 0:01:57 | |
# There's nothing holding me down so teach me how to fly | 0:01:57 | 0:02:01 | |
# Here we go | 0:02:01 | 0:02:02 | |
# Up, up and away | 0:02:02 | 0:02:04 | |
# Here we go | 0:02:04 | 0:02:05 | |
# Up, up and away | 0:02:05 | 0:02:07 | |
# Here we go | 0:02:07 | 0:02:09 | |
# Up, up and away | 0:02:09 | 0:02:10 | |
# Away, away, away, away-ee-oo | 0:02:10 | 0:02:14 | |
# You, get out of my way | 0:02:16 | 0:02:18 | |
# Get out of my face | 0:02:19 | 0:02:22 | |
# And I know it isn't right | 0:02:22 | 0:02:24 | |
# To hold so tight to yesterday | 0:02:24 | 0:02:27 | |
# I go wherever I want | 0:02:27 | 0:02:31 | |
# Wherever I please | 0:02:32 | 0:02:34 | |
# And I know it's probably time | 0:02:36 | 0:02:38 | |
# To find another melody | 0:02:38 | 0:02:40 | |
# Come on, come on I got to get away | 0:02:40 | 0:02:43 | |
# Save all the trouble for another day | 0:02:43 | 0:02:47 | |
# G-get me a t-ticket and an alibi | 0:02:47 | 0:02:50 | |
# There's nothing holding me down so teach me how to fly | 0:02:50 | 0:02:53 | |
# Come on, come on I got to get away | 0:02:53 | 0:02:57 | |
# Save all the trouble for another day | 0:02:57 | 0:03:00 | |
# G-get me a t-ticket and an alibi | 0:03:00 | 0:03:03 | |
# There's nothing holding me down so teach me how to fly | 0:03:03 | 0:03:06 | |
# Here we go | 0:03:06 | 0:03:08 | |
# Up, up and away | 0:03:08 | 0:03:10 | |
# Here we go | 0:03:10 | 0:03:11 | |
# Up, up and away | 0:03:11 | 0:03:13 | |
# Here we go | 0:03:13 | 0:03:15 | |
# Up, up and away | 0:03:15 | 0:03:16 | |
# Away, away, away, away-ee-ee | 0:03:16 | 0:03:22 | |
# Ee-ee-ee-ee-ee | 0:03:22 | 0:03:25 | |
# Ee-ee-ee-ee-ee | 0:03:25 | 0:03:28 | |
# Ee-ee-ee-ee-ee | 0:03:28 | 0:03:31 | |
# Come on, come on I got to get away | 0:03:33 | 0:03:36 | |
# Save all the trouble for another day | 0:03:36 | 0:03:40 | |
# G-get me a t-ticket and an alibi | 0:03:40 | 0:03:44 | |
# Nothing holding me down so teach me how to fly | 0:03:44 | 0:03:47 | |
# Come on, come on I got to get away | 0:03:47 | 0:03:50 | |
# Save all the trouble for another day | 0:03:50 | 0:03:53 | |
# G-get me a t-ticket and an alibi | 0:03:53 | 0:03:57 | |
# There's nothing holding me down so teach me how to fly | 0:03:57 | 0:04:00 | |
# Here we go | 0:04:00 | 0:04:01 | |
# Up, up and away | 0:04:01 | 0:04:03 | |
# Here we go | 0:04:03 | 0:04:04 | |
# Up, up and away | 0:04:04 | 0:04:07 | |
# Here we go | 0:04:07 | 0:04:08 | |
# Up, up and away | 0:04:08 | 0:04:10 | |
# Away, away, away, away-ee. # | 0:04:10 | 0:04:14 | |
APPLAUSE AND CHEERING | 0:04:14 | 0:04:18 | |
Oh, thank you very much indeed. | 0:04:19 | 0:04:22 | |
# Hey! | 0:04:25 | 0:04:26 | |
# Hey! | 0:04:38 | 0:04:40 | |
# Brah-brah brah | 0:04:43 | 0:04:44 | |
# Go, go, go, go | 0:04:48 | 0:04:49 | |
# Come to your river | 0:04:49 | 0:04:51 | |
# I will come to your river | 0:04:51 | 0:04:54 | |
# I will come to your river | 0:04:55 | 0:04:57 | |
# Wash my soul again | 0:04:57 | 0:05:00 | |
# Go, go, go, go | 0:05:00 | 0:05:01 | |
# Come to your river | 0:05:01 | 0:05:03 | |
# Wash my soul | 0:05:03 | 0:05:04 | |
# I will come to your river | 0:05:04 | 0:05:05 | |
# Wash my soul | 0:05:05 | 0:05:07 | |
# I will come to your river | 0:05:07 | 0:05:09 | |
# Wash my soul again | 0:05:09 | 0:05:13 | |
# Carry away my dead leaves | 0:05:13 | 0:05:16 | |
# Let me baptize my soul with the help of your waters | 0:05:16 | 0:05:20 | |
# Sink my pains and complaints | 0:05:20 | 0:05:22 | |
# Let the river take them, river drown them | 0:05:22 | 0:05:26 | |
# My ego and my pain | 0:05:26 | 0:05:28 | |
# Let me baptize my soul with the help of your waters | 0:05:28 | 0:05:32 | |
# Those old mes, so ashamed | 0:05:32 | 0:05:34 | |
# Let the river take them, river drown them | 0:05:34 | 0:05:38 | |
# Go, go, go, go | 0:05:47 | 0:05:49 | |
# Come to your river | 0:05:49 | 0:05:51 | |
# I will come to your river | 0:05:51 | 0:05:54 | |
# I will come to your river | 0:05:54 | 0:05:57 | |
# Go, go, go, go | 0:06:00 | 0:06:01 | |
# Come to your river | 0:06:01 | 0:06:03 | |
# Wash my soul | 0:06:03 | 0:06:04 | |
# I will come to your river | 0:06:04 | 0:06:07 | |
# I will come to your river | 0:06:07 | 0:06:10 | |
# Wash my soul again | 0:06:10 | 0:06:13 | |
# Carry away my dead leaves | 0:06:13 | 0:06:16 | |
# Let me baptize my soul with the help of your waters | 0:06:16 | 0:06:20 | |
# Sink my pains and complaints | 0:06:20 | 0:06:22 | |
# Let the river take them, river drown them | 0:06:22 | 0:06:26 | |
# My ego and my pain | 0:06:26 | 0:06:28 | |
# Let me baptize my soul with the help of your waters | 0:06:28 | 0:06:32 | |
# Those old mes, so ashamed | 0:06:32 | 0:06:34 | |
# Let the river take them, river drown them | 0:06:34 | 0:06:38 | |
# Go, go, go, go | 0:06:47 | 0:06:49 | |
THEY SING IN YORUBA | 0:06:49 | 0:06:53 | |
APPLAUSE AND CHEERING | 0:07:18 | 0:07:22 | |
-Thank you very much! -Thank you. | 0:07:22 | 0:07:23 | |
So, we're going to play a song off our new record. | 0:07:29 | 0:07:33 | |
It was a kind of recentish single. | 0:07:33 | 0:07:36 | |
It's called Faultlines. | 0:07:36 | 0:07:38 | |
This is for that person that went, "Yeees!" | 0:07:40 | 0:07:42 | |
AUDIENCE MEMBER SHOUTS OUT | 0:07:42 | 0:07:44 | |
For the two people that went, "Yeees!" | 0:07:44 | 0:07:46 | |
# Full-blooded, words like knives | 0:07:52 | 0:07:56 | |
# But it's not the same since the old girl died | 0:07:58 | 0:08:03 | |
# You know, I used to see | 0:08:04 | 0:08:07 | |
# The city's white glow from up here | 0:08:07 | 0:08:15 | |
# Oh, my, look at all that rain | 0:08:19 | 0:08:23 | |
# Money's tighter now and they keep us tame | 0:08:24 | 0:08:29 | |
# But you know you're done | 0:08:31 | 0:08:34 | |
# When the TV's watching you | 0:08:34 | 0:08:42 | |
# It's not what it seems like | 0:08:46 | 0:08:49 | |
# Where we are | 0:08:49 | 0:08:56 | |
# But I'm loyal to the cause | 0:08:57 | 0:09:01 | |
# If you are | 0:09:01 | 0:09:02 | |
# Fractured lives like fault lines | 0:09:08 | 0:09:13 | |
# Unto the breach, my friends, if you will | 0:09:13 | 0:09:18 | |
# But it's rude to stare | 0:09:19 | 0:09:22 | |
# At the ceiling while I beg you | 0:09:22 | 0:09:28 | |
# Sweet sleep don't call my name | 0:09:34 | 0:09:37 | |
# I've got miles to go | 0:09:39 | 0:09:41 | |
# And wars to wage | 0:09:41 | 0:09:44 | |
# When this thing is done | 0:09:46 | 0:09:49 | |
# I'll crawl back into your womb | 0:09:49 | 0:09:57 | |
# It's not what it seems like | 0:10:01 | 0:10:05 | |
# Where we are | 0:10:05 | 0:10:10 | |
# But I'm loyal to the cause | 0:10:12 | 0:10:15 | |
# If you are | 0:10:15 | 0:10:17 | |
# If you are | 0:10:21 | 0:10:24 | |
# If you a-a-a-a-a-re | 0:10:24 | 0:10:30 | |
# If you are | 0:10:31 | 0:10:34 | |
# If you a-a-a-a-a-re | 0:10:34 | 0:10:39 | |
# If you are | 0:10:41 | 0:10:43 | |
# If you a-a-a-a-a-re | 0:10:43 | 0:10:50 | |
# If you are. # | 0:10:54 | 0:10:55 | |
Thank you. | 0:11:51 | 0:11:52 | |
APPLAUSE AND CHEERING | 0:11:52 | 0:11:57 | |
The incredible Lanterns On The Lake. | 0:11:57 | 0:12:00 | |
I really hope they go on to bigger and better things | 0:12:00 | 0:12:03 | |
over the next couple of years. Spine-tingling stuff. | 0:12:03 | 0:12:06 | |
Now, for the first time we upped and moved from this stage | 0:12:06 | 0:12:09 | |
and headed over to Glasgow city centre to be part of | 0:12:09 | 0:12:13 | |
the Celtic Connections Festival. | 0:12:13 | 0:12:15 | |
It was a wonderful month of live music from all over the world. | 0:12:15 | 0:12:19 | |
Here's just a small selection of some of our favourites, | 0:12:19 | 0:12:24 | |
starting off with the brilliant Turin Brakes, | 0:12:24 | 0:12:27 | |
who covered a Scottish classic. | 0:12:27 | 0:12:29 | |
# When I first saw you | 0:12:48 | 0:12:50 | |
# Something stirred within me | 0:12:50 | 0:12:53 | |
# Standing sultry in the rain | 0:12:53 | 0:12:56 | |
# If I could've held you | 0:12:57 | 0:12:59 | |
# I would've held you | 0:12:59 | 0:13:02 | |
# Rip it up and start again | 0:13:02 | 0:13:05 | |
# Oh, rip it up and start again | 0:13:06 | 0:13:09 | |
# I said, rip it up and start again | 0:13:10 | 0:13:14 | |
# I hope to God you're not as dumb as you make out | 0:13:16 | 0:13:20 | |
# I hope to God | 0:13:20 | 0:13:22 | |
# I hope to God | 0:13:22 | 0:13:24 | |
# And I hope to God I'm not as numb as you make out | 0:13:24 | 0:13:29 | |
# I hope to God | 0:13:29 | 0:13:31 | |
# I hope to God | 0:13:31 | 0:13:33 | |
# And when I next saw you | 0:13:43 | 0:13:45 | |
# My heart reached out for you | 0:13:45 | 0:13:48 | |
# But my arms stuck like glue to their sides | 0:13:48 | 0:13:51 | |
# If I could've held you | 0:13:52 | 0:13:55 | |
# I would've held you | 0:13:55 | 0:13:57 | |
# But I'd choke rather than swallow my pride | 0:13:57 | 0:14:00 | |
# Oh, rip it up and start again | 0:14:01 | 0:14:05 | |
# I said, rip it up and start again | 0:14:05 | 0:14:09 | |
# I hope to God you're not as dumb as you make out | 0:14:10 | 0:14:15 | |
# I hope to God | 0:14:15 | 0:14:17 | |
# I hope to God | 0:14:17 | 0:14:19 | |
# And I hope to God I'm not as numb as you make out | 0:14:19 | 0:14:24 | |
# I hope to God | 0:14:24 | 0:14:25 | |
# I hope to God | 0:14:27 | 0:14:28 | |
# And there were times I'd take my pen | 0:14:46 | 0:14:49 | |
# And feel obliged to start again | 0:14:49 | 0:14:51 | |
# I do profess | 0:14:51 | 0:14:53 | |
# There's things in life I can't quite express | 0:14:53 | 0:14:56 | |
# So, look at me, I'm playing dumb-dumb-dumb | 0:14:56 | 0:15:01 | |
# And this scene is very humdrum | 0:15:01 | 0:15:05 | |
# And my favourite song's called Boredom | 0:15:06 | 0:15:13 | |
# Rip it up and start again | 0:15:15 | 0:15:17 | |
# I said, rip it up and start again | 0:15:18 | 0:15:23 | |
# I said, rip it up and start again | 0:15:23 | 0:15:26 | |
# I said, rip it up and start again | 0:15:27 | 0:15:32 | |
# Oh, rip it up and start again | 0:15:50 | 0:15:53 | |
# I said, rip it up and start again | 0:15:54 | 0:15:58 | |
# I said | 0:15:58 | 0:16:00 | |
# Rip it up and start again | 0:16:00 | 0:16:03 | |
# I said, rip it up and start again. # | 0:16:03 | 0:16:10 | |
APPLAUSE AND CHEERING | 0:16:11 | 0:16:15 | |
EDITH: The awesome Turin Brakes, everyone! | 0:16:23 | 0:16:26 | |
# You better get up for your mama | 0:16:44 | 0:16:49 | |
# You better grab the best of your life | 0:16:53 | 0:16:58 | |
# I know you're ready | 0:16:59 | 0:17:01 | |
# To get over | 0:17:03 | 0:17:06 | |
# Anyhow | 0:17:07 | 0:17:10 | |
# Well, all you have to do is wander | 0:17:17 | 0:17:22 | |
# Over fields of dark time | 0:17:25 | 0:17:32 | |
# Until you find yourself | 0:17:32 | 0:17:35 | |
# Feeling lonesome | 0:17:35 | 0:17:39 | |
# Until you are in your body and your mind | 0:17:40 | 0:17:46 | |
# Day on Earth by streets at night | 0:17:50 | 0:17:55 | |
# Oh, yeah | 0:17:55 | 0:17:56 | |
# Saw you passing | 0:17:58 | 0:18:01 | |
# By the street light | 0:18:01 | 0:18:03 | |
# Do you have, yeah | 0:18:05 | 0:18:09 | |
# A home for the morning | 0:18:09 | 0:18:11 | |
# And are you holding | 0:18:13 | 0:18:17 | |
# Holding on so tight | 0:18:17 | 0:18:20 | |
# You say that's what you have been given | 0:18:28 | 0:18:33 | |
# A whole lot of nothing for your time | 0:18:36 | 0:18:42 | |
# Well, hell, you've spent it | 0:18:42 | 0:18:45 | |
# Down in your bones | 0:18:46 | 0:18:49 | |
# Do you toss and turn and turn at night | 0:18:51 | 0:18:56 | |
# And are you holding | 0:18:59 | 0:19:02 | |
# Holding on so tight | 0:19:02 | 0:19:05 | |
# And do you toss and turn and turn at night | 0:19:07 | 0:19:13 | |
# And are you holding | 0:19:15 | 0:19:18 | |
# Holding on so tight. # | 0:19:18 | 0:19:21 | |
APPLAUSE AND CHEERING | 0:19:56 | 0:19:58 | |
# This is a film about the future | 0:20:21 | 0:20:24 | |
# It is the future of your life | 0:20:24 | 0:20:28 | |
# Which you think is certain | 0:20:28 | 0:20:30 | |
# Nothing is certain | 0:20:30 | 0:20:32 | |
# Nothing is certain, nothing is certain | 0:20:32 | 0:20:36 | |
# I know what you think | 0:20:46 | 0:20:47 | |
# You think this film is about you | 0:20:47 | 0:20:50 | |
# Well, it's not about you | 0:20:50 | 0:20:51 | |
# Yeah, it's not about you | 0:20:51 | 0:20:53 | |
# I know what you think | 0:20:53 | 0:20:55 | |
# You think this film is about you | 0:20:55 | 0:20:57 | |
# This is a film about the future | 0:21:01 | 0:21:04 | |
# It is the future of your life | 0:21:04 | 0:21:07 | |
# But you think it's certain | 0:21:07 | 0:21:10 | |
# Nothing is certain | 0:21:10 | 0:21:11 | |
# Nothing is certain, nothing is certain | 0:21:11 | 0:21:16 | |
# I know what you think | 0:21:25 | 0:21:27 | |
# You think this film is about you | 0:21:27 | 0:21:30 | |
# And it's not about you | 0:21:30 | 0:21:32 | |
# Yeah, it's not about you | 0:21:32 | 0:21:33 | |
# I know what you think | 0:21:33 | 0:21:35 | |
# You think this film is about you. # | 0:21:35 | 0:21:38 | |
APPLAUSE AND CHEERING | 0:22:46 | 0:22:48 | |
Thank you, all. Have a great weekend. | 0:22:51 | 0:22:54 | |
And there is plenty more where that came from. | 0:23:07 | 0:23:10 | |
If you'd like to watch more of the brilliant | 0:23:10 | 0:23:13 | |
performances from our time at Celtic Connections Festival, | 0:23:13 | 0:23:16 | |
or indeed some more archive sets, | 0:23:16 | 0:23:18 | |
all you've got to do is head to: | 0:23:18 | 0:23:24 | |
And, don't forget, the Quay Sessions is broadcast every Thursday night | 0:23:24 | 0:23:27 | |
on BBC Radio Scotland at 9pm. | 0:23:27 | 0:23:31 | |
And, so, to close us tonight, | 0:23:31 | 0:23:33 | |
a pretty special performance from Jesse Malin. | 0:23:33 | 0:23:36 | |
He came all the way | 0:23:36 | 0:23:37 | |
from New York's Queens to our very own Quay stage, | 0:23:37 | 0:23:40 | |
and he left us in style, which is what | 0:23:40 | 0:23:42 | |
we'd like to do for you tonight. | 0:23:42 | 0:23:43 | |
So, enjoy and thank you very much for watching. | 0:23:43 | 0:23:47 | |
Thanks for listening to me, I'm Jesse Malin. This is my band. | 0:23:47 | 0:23:49 | |
This is called You Know It's Dark When Atheists Start To Pray. | 0:23:49 | 0:23:53 | |
# Joey was a man from the other side | 0:23:53 | 0:23:56 | |
# Came across the sea for a better life | 0:23:56 | 0:23:58 | |
# When he got close they made him change his name | 0:23:58 | 0:24:02 | |
# Push along a cart through the market place | 0:24:04 | 0:24:07 | |
# Keep it in your heart when you're getting spades | 0:24:07 | 0:24:09 | |
# But that was so many years ago | 0:24:09 | 0:24:13 | |
# I lived in many places, I've fallen out of graces | 0:24:15 | 0:24:20 | |
# I tried to feed the fire for so long | 0:24:20 | 0:24:23 | |
# Hey, man, where you going | 0:24:25 | 0:24:28 | |
# Up town the river's flowing | 0:24:28 | 0:24:31 | |
# The sun comes, I'll be on my way | 0:24:31 | 0:24:34 | |
# Let's go | 0:24:34 | 0:24:36 | |
# I played in churches and I played in bars | 0:24:47 | 0:24:49 | |
# A young kid with a sad guitar | 0:24:49 | 0:24:52 | |
# To get close I had to go far away | 0:24:52 | 0:24:56 | |
# Well, I became a drifter | 0:24:57 | 0:25:00 | |
# Sent postcards to my sister | 0:25:00 | 0:25:03 | |
# Can hear her smile even when I'm far away | 0:25:03 | 0:25:07 | |
# Hey, man, where you going | 0:25:08 | 0:25:11 | |
# Up town the river's flowing | 0:25:11 | 0:25:14 | |
# The sun comes, I'll be on my way | 0:25:14 | 0:25:17 | |
# Well, I drank with kings and I danced with whores | 0:25:19 | 0:25:22 | |
# On mountain tops and distant shores | 0:25:22 | 0:25:24 | |
# But you made me feel like someone I wished to be | 0:25:24 | 0:25:28 | |
# I tried to wear my father's clothes | 0:25:30 | 0:25:32 | |
# I planted seeds that didn't grow | 0:25:32 | 0:25:35 | |
# With a handful of thorns and I thought that I was free | 0:25:35 | 0:25:38 | |
# Well, I worked in a bank, drove a diesel van | 0:25:40 | 0:25:43 | |
# Even Sonny Wortzik had a plan | 0:25:43 | 0:25:46 | |
# Do your time and get out of society | 0:25:46 | 0:25:49 | |
# Oh, hey, man, where you going | 0:25:51 | 0:25:54 | |
# Up town the river's flowing | 0:25:54 | 0:25:57 | |
# The sun comes, I'll be on my way | 0:25:57 | 0:26:00 | |
# Now you're sitting in an office, never seen the world | 0:26:13 | 0:26:15 | |
# Gonna blame it on the government or a girl | 0:26:15 | 0:26:18 | |
# But there's somewhere else you know you'd rather be | 0:26:18 | 0:26:21 | |
# Well, you're scratching off the numbers in a liquor store | 0:26:23 | 0:26:26 | |
# Dreaming of picking up a .44 | 0:26:26 | 0:26:29 | |
# Tell me more about your fantasy | 0:26:29 | 0:26:32 | |
# Oh, hey, man, where you going | 0:26:34 | 0:26:37 | |
# Up town the river's flowing | 0:26:37 | 0:26:40 | |
# The sun comes, I'll be on my way | 0:26:40 | 0:26:43 | |
# Boxes in the corner neatly stacked | 0:26:46 | 0:26:48 | |
# Parts of me, paper and wax | 0:26:48 | 0:26:51 | |
# For a headline day to ride in that Cadillac | 0:26:51 | 0:26:54 | |
# And when that's over and I've had my fill | 0:26:57 | 0:26:59 | |
# Gonna put my body up on Cypress Hill | 0:26:59 | 0:27:02 | |
# Near Houdini for the final disappearing act | 0:27:02 | 0:27:06 | |
# Oh, yeah | 0:27:06 | 0:27:08 | |
# Hey, man, where you going | 0:27:08 | 0:27:10 | |
# Up town the river's flowing | 0:27:10 | 0:27:13 | |
# The sun comes, I'll be on my way | 0:27:13 | 0:27:16 | |
# Hey, man, what you doing | 0:27:19 | 0:27:21 | |
# All along the road to ruin | 0:27:21 | 0:27:24 | |
# You know it's dark when atheists start to pray | 0:27:24 | 0:27:27 | |
# From the foxholes | 0:27:31 | 0:27:34 | |
# To the quarter | 0:27:34 | 0:27:35 | |
# Got your mojo workin' | 0:27:37 | 0:27:39 | |
# Or whatever you believe in | 0:27:39 | 0:27:42 | |
# All your voodoo | 0:27:42 | 0:27:44 | |
# And the river runs deep | 0:27:44 | 0:27:47 | |
# And the river runs wide. # | 0:27:47 | 0:27:50 | |
Everybody, on your feet! | 0:28:17 | 0:28:19 | |
We need you guys today. | 0:28:19 | 0:28:22 | |
BRASS ENDS | 0:28:50 | 0:28:53 | |
APPLAUSE AND CHEERING | 0:28:53 | 0:28:56 |