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This is the Olympics of singing. Our fewer superstar coaches started | :00:16. | :00:24. | |
the live shows -- four superstar coaches started the live show with | :00:24. | :00:28. | |
four artists. Now Will, Jessie, Danny and Tom are left with just | :00:28. | :00:33. | |
four. Tonight, Team Will and Tom are performing for your votes. | :00:33. | :00:40. | |
We're stronger than ever. Team Will, champions. This week Tom's team | :00:40. | :00:45. | |
face the biggest challenge yet. Dinosaur mini golf. And have Team | :00:45. | :00:49. | |
Will bitten off more than they can chew. I heard there were hungry | :00:49. | :00:52. | |
singers here. They've hung out together and | :00:52. | :00:57. | |
tonight, for the first time, they'll sing together. As coaches | :00:57. | :01:01. | |
join artists live. It's like a dream come true. It doesn't get | :01:01. | :01:05. | |
better than that You're going to love it. At this crucial stage of | :01:05. | :01:11. | |
the competition, they need to shine like true stars. Pressure. Because | :01:11. | :01:16. | |
this weekend, each team must lose not one, but two artists. | :01:16. | :01:22. | |
Only the very best will survive. You can't all win. As we take one | :01:23. | :01:32. | |
:01:33. | :01:41. | ||
step closer to finding... The Voice. Good evening and welcome to The | :01:41. | :01:46. | |
Voice. We're live and the crowd are going wild because Team Will and | :01:46. | :01:50. | |
Team Tom are back singing for glory. Now just a few moments ago, all of | :01:50. | :01:54. | |
our artists were dreaming of performing for millions and now | :01:54. | :01:58. | |
it's happening. Here in TV's biggest arena. If that wasn't | :01:58. | :02:02. | |
enough, tonight for the first time, Tom and Will are singing with their | :02:02. | :02:08. | |
artists live. Yes, now the singers could be just three weeks away from | :02:08. | :02:11. | |
the final. They'll still need your votes and the support of the people | :02:11. | :02:14. | |
who put them here in the first place, our coaches. With opinions | :02:14. | :02:19. | |
as big as his hair, it's Danny O'Donoghue. | :02:19. | :02:23. | |
If he hasn't met you, you're not worth meeting, Sir Tom Jones. | :02:24. | :02:30. | |
truth, the whole truth and nothing but the truth from Jessie J. | :02:30. | :02:34. | |
there's some pretty dope trousers on will.i.am. | :02:35. | :02:38. | |
They didn't get where they are today without the support of the | :02:38. | :02:43. | |
public. Yes, this weekend, Tom and Will are losing not one, but two of | :02:43. | :02:47. | |
their artists. You can help save your favourites by voting for them. | :02:47. | :02:50. | |
Only the artists with the most public votes is guaranteed a place | :02:50. | :02:54. | |
in the semi-finals. That will leave Tom and Will with three artists in | :02:54. | :02:58. | |
danger. They can only save one of them. All of those decisions will | :02:58. | :03:02. | |
be revealed on Sunday night's show. Tom, tonight the artists are going | :03:02. | :03:06. | |
to have to dig deep and bring everything to the table. Yes. I | :03:06. | :03:12. | |
think they should think of this as like a World Tour. But they've | :03:12. | :03:17. | |
still got countries to visit yet. So, they have to bring 100%. You | :03:17. | :03:22. | |
can't be tired. You've got to bring 100% every night. If they don't do | :03:22. | :03:26. | |
that, they're in the wrong business. This is where it counts. Yes. | :03:26. | :03:31. | |
Now Will you've played stadiums, toured the world, how are you | :03:31. | :03:36. | |
feeling about performing in The Voice arena? Hmmm... Let's see. No, | :03:36. | :03:43. | |
I'm really, really looking forward to this. I told my team when we | :03:43. | :03:48. | |
were hanging out a couple days ago, let's treat this as our big moment, | :03:48. | :03:53. | |
our big show. Like, let's pretend we're in a group. I know what it | :03:53. | :03:56. | |
feels like to be in a group with four people. Pretend that this is a | :03:56. | :04:03. | |
group of five. And we are about to go out there and stay alive. I just | :04:03. | :04:08. | |
had a rhyme, that was bad. Thank you very much Will. I can't wait | :04:08. | :04:13. | |
for that later on. Team Danny and Team Jessie are there. Have you | :04:13. | :04:18. | |
recovered from last week? Yeah! They're looking good. You need to | :04:18. | :04:22. | |
watch carefully as you'll be back here next week. It's a big night | :04:22. | :04:26. | |
for Team Tom and Team Will, which means we have some very excited but | :04:26. | :04:29. | |
shaky singers back stage in the V Room. Guys, are you ready? How are | :04:29. | :04:34. | |
you feeling? They're looking good. That is where I'll be with the | :04:34. | :04:38. | |
teams before and after their performances. Remember you can | :04:38. | :04:42. | |
advise, comment and critique. Go to our website and comment on the blog. | :04:42. | :04:50. | |
Or say what you think on our official Facebook page. First up | :04:50. | :04:58. | |
from Team Tom it's Leanne. The first live show was incredible. | :04:58. | :05:03. | |
Leanne took on a song that was out of her comfort song. I was thinking | :05:03. | :05:09. | |
like, oh, God I'm going to have to pull it out of the bag for this one. | :05:09. | :05:18. | |
But she did it and ripped it. It was perfect. Yes! This week she's | :05:18. | :05:24. | |
singing Put A Spell On You. Then you do what you do. I sung this | :05:24. | :05:28. | |
probably about nine or ten years ago. My husband, when we were | :05:28. | :05:31. | |
boyfriend and girlfriend, we had split up for a little while. I find | :05:31. | :05:35. | |
it really hard to sing because it choked you up. It's always | :05:35. | :05:40. | |
interesting to hear what the singer feels when she is singing that song. | :05:40. | :05:44. | |
We're married now, so it's fine. I met my husband just over ten years | :05:44. | :05:48. | |
ago at the holiday resort where we both work. I met Leanne when she | :05:48. | :05:53. | |
was in one of the shows. I saw her singing and thought "Wow, who's | :05:53. | :05:58. | |
that?" Every time it gives me goose bumps when I hear her. I know I | :05:58. | :06:01. | |
have a lot of support at the resort. It was great to go back and see | :06:01. | :06:05. | |
everyone. I don't think you realise how much | :06:05. | :06:10. | |
we actually miss you. Stop it. Leanne is so good. You wouldn't | :06:10. | :06:14. | |
believe that someone like her would be working at a holiday resort. | :06:14. | :06:19. | |
Everybody here is making sure that each guest that leaves is in full | :06:19. | :06:22. | |
support of Leanne. She's been singing at this holiday park, she's | :06:22. | :06:25. | |
had a lot of experience there. But now it's time to move into the big | :06:26. | :06:29. | |
time. This weekend two people have to go home, if you sing it like | :06:29. | :06:33. | |
that, I don't think you'll have any trouble. Thank you. Singing Put A | :06:33. | :06:43. | |
:06:43. | :06:43. | ||
Apology for the loss of subtitles for 73 seconds | :06:43. | :07:57. | |
# The way you're always # Oh, you better stop | :07:57. | :08:07. | |
:08:07. | :08:07. | ||
Apology for the loss of subtitles for 73 seconds | :08:07. | :09:03. | |
# And I don't care Ladies and gentleman, let's hear it | :09:03. | :09:11. | |
for Leanne! CHEERING AND APPLAUSE Well done. Wow, I think some of | :09:11. | :09:15. | |
those notes, you've cast a spell on the whole audience. Did you enjoy | :09:15. | :09:21. | |
that? Yeah. Oh, my God, yes, thank you. That was ridiculously good. | :09:22. | :09:25. | |
The coaches are on their feet. That's pressure. She just opened | :09:25. | :09:30. | |
the show. Later she's performing with you. It doesn't affect her. | :09:30. | :09:36. | |
well, it only becomes pressure if you can't handle it. She can | :09:36. | :09:42. | |
definitely handle it. APPLAUSE | :09:42. | :09:46. | |
Leanne opened the show, but she could close the show. She could do | :09:46. | :09:49. | |
anything she wants to because she has such a fantastic voice. When | :09:49. | :09:54. | |
she started she was lacking a little confidence, well, she's got | :09:54. | :10:03. | |
that. Oh, yeah. She's winning right there. Plenty of confidence. Danny? | :10:03. | :10:07. | |
When you first started, I'm sure everybody felt the same, you were | :10:08. | :10:12. | |
looking right at me, I was oh, my God stop looking at me. She was | :10:12. | :10:18. | |
looking at me. She was looking at me! Fisty cuffs at dawn. Genuinely, | :10:18. | :10:24. | |
you cast a spell right over me. I was here the whole performance. I | :10:24. | :10:27. | |
know you had confidence issues but they're all gone now. What a way to | :10:28. | :10:37. | |
:10:38. | :10:40. | ||
open the show. Will, let's come to you? Are you Spelbound? | :10:40. | :10:46. | |
# She put a spell on me # Really, you really put a spell on | :10:46. | :10:50. | |
me, I was like, those riffs and runs you were doing - wow. Out of | :10:50. | :10:55. | |
this world. Thank you Will. You know what's so | :10:56. | :10:59. | |
nice, I remember when we saw you in the blind auditions and your | :10:59. | :11:05. | |
control was like, your head voice to your chest belt was really | :11:05. | :11:08. | |
different. Now it's so smooth and that was my favourite performance | :11:09. | :11:14. | |
from you by far so far. Fantastic comments. You've got to | :11:14. | :11:18. | |
be pleased. Yeah, I'm really pleased, thank you. Well done you. | :11:18. | :11:26. | |
It's Leanne! APPLAUSE | :11:26. | :11:30. | |
Next up from Team Will, it's Frances. | :11:30. | :11:35. | |
The first artist saved is... Frances Wood. I genuinely thought I | :11:35. | :11:40. | |
were going to be in the bottom two. It's amazing to know that people | :11:40. | :11:46. | |
cared enough to pick up the phone. It did make me feel a bit like a | :11:46. | :11:51. | |
superstar. Dancing with boys oh, aye. You got a little comfortable | :11:51. | :11:56. | |
with the boys there. I felt like they fancied me. I don't know. | :11:56. | :12:05. | |
so proud. It's the best experience I've had in my life so far. | :12:05. | :12:09. | |
Everyone has been so supportive. If you live in Wakefield, there's a | :12:09. | :12:13. | |
good chance you will have met Rob and Donna, my mum and dad. I'm her | :12:13. | :12:18. | |
number one fan. I like to give her the best support we can. Wouldn't | :12:18. | :12:23. | |
hand a few of these out for us. tell everyone about Frances on The | :12:23. | :12:28. | |
Voice. My mum and dad won't rest those posters are all round the | :12:28. | :12:33. | |
city. You couldn't do us a favour and put these up around college. | :12:33. | :12:38. | |
the dog could give out posters, he'd be doing it too. Thanks to mum | :12:38. | :12:42. | |
and dad this weekend I don't only have to make Will proud, but the | :12:42. | :12:48. | |
whole of Yorkshire proud. Good luck Frances. Boom, check me out, I'm | :12:49. | :12:57. | |
Frances. Frances is having fun. She surprises me. Anything you put her | :12:57. | :13:02. | |
up against, she come was it. You sound great. I wanted to do this | :13:02. | :13:05. | |
performance and people to just enjoy it. Mum and dad will be there. | :13:05. | :13:09. | |
They will be dancing. I don't just want them to be dancing. I'm hoping | :13:09. | :13:13. | |
I can get the whole place dancing. Next up from Team Will, it's | :13:13. | :13:23. | |
:13:23. | :13:38. | ||
# Whoa, whoa, whoa # Heartbreaks and promises | :13:38. | :13:48. | |
:13:48. | :13:54. | ||
# What I need is somebody who really cares | :13:54. | :14:02. | |
# I really need a lover A lover that wants to be there | :14:02. | :14:09. | |
# So, baby, if you want me | :14:09. | :14:13. | |
# Hey-hey! You've got to show me love | :14:13. | :14:18. | |
# Words are so easy to say | :14:18. | :14:21. | |
# Oh, yeah, yeah You've got to show me love | :14:22. | :14:25. | |
# Show me love | :14:25. | :14:27. | |
# You've got to give it to me Give it to me, Give it to me, yeah | :14:28. | :14:31. | |
# Whoo-ah! | :14:31. | :14:35. | |
# I'm tired of getting caught up in those one-night affairs | :14:35. | :14:41. | |
# What I really need is somebody who will always be there | :14:41. | :14:50. | |
# So, baby, if you want me | :14:50. | :14:53. | |
# Hey-hey! You've got to show me love | :14:53. | :14:58. | |
# Words are so easy to say All right, yeah | :14:58. | :15:03. | |
# You've got to show me love | :15:03. | :15:06. | |
# So, baby, if you want me | :15:06. | :15:09. | |
# Hey-hey You've got to show me love | :15:09. | :15:15. | |
# Words are so easy to say All right, yeah | :15:16. | :15:18. | |
# You've got to show me love | :15:18. | :15:21. | |
# And show me love. # | :15:21. | :15:23. | |
CHEERING AND APPLAUSE | :15:23. | :15:32. | |
Let's | :15:32. | :15:32. | |
Let's hear | :15:32. | :15:32. | |
Let's hear if | :15:32. | :15:38. | |
Let's hear if for Frances! APPLAUSE | :15:38. | :15:45. | |
What a tune. I loved that. Well done you. Thank you. I don't know | :15:45. | :15:50. | |
whether it's hello Wembley, but hello Wakefield! So much support | :15:50. | :15:54. | |
for you. Does that feel good? amazing. The whole of the north has | :15:54. | :15:58. | |
been like so supportive, posters and everywhere really. You don't | :15:58. | :16:02. | |
think people care that much. It's amazing, yeah. One of your biggest | :16:02. | :16:08. | |
supporters is stood up there. Will, let's come to you first. | :16:08. | :16:12. | |
APPLAUSE I thought you did great. You held | :16:12. | :16:16. | |
it down. You were strong. Every note was amazing. It was youthful. | :16:16. | :16:23. | |
It was lots of energy. You did me proud. Awesome. Thank you. Jessie? | :16:23. | :16:27. | |
I think you did a really good job. I think it was, I would have liked | :16:27. | :16:32. | |
to hear it even higher than that. I think your voice can handle that. I | :16:32. | :16:36. | |
would like to have heard it maybe in a higher key. I'd like to see | :16:36. | :16:39. | |
you sing stuff that's more up there. It was very comfortable. It was | :16:39. | :16:43. | |
nice, but I think you can take more risk. You did a really good job of | :16:43. | :16:46. | |
making that song, current now and I'm loving the whole look, thing. | :16:46. | :16:54. | |
It's cool. Can you go up there? I'll give it a try. I want to, | :16:54. | :16:59. | |
that's why I'm here to push myself. Exactly, 100%. Tom, there was a big | :16:59. | :17:03. | |
old light show in the background. Did she have a big voice to match? | :17:03. | :17:09. | |
Oh, yes. But I mean she could get up with just a torch to light it | :17:09. | :17:13. | |
you know. There were parts there that looked a bit like Star Wars. | :17:14. | :17:19. | |
There again, you know, she's the Princess Leia and the force was | :17:19. | :17:25. | |
with you. And Danny, let's come to you | :17:25. | :17:32. | |
finally. OK, you've got Frances, she prances, she dances, she takes | :17:32. | :17:40. | |
some chances (as will.i.am) APPLAUSE | :17:40. | :17:45. | |
I'm not going to lie, I didn't think it was your best performance | :17:45. | :17:49. | |
vokally. I thought the staging was brilliant. Your stage presence as | :17:49. | :17:52. | |
well. You could come out a little bit more. But the growth I've seen | :17:52. | :17:56. | |
so far working with Will has been great. Again, I don't know if that | :17:56. | :17:59. | |
was enough to gept you into the next part, but it was a great | :17:59. | :18:04. | |
performance. Well done you. You look beautiful. | :18:04. | :18:07. | |
Let's hear it one more time for Frances. | :18:07. | :18:13. | |
APPLAUSE From the blind auditions to the | :18:13. | :18:17. | |
battles to the live shows, with each stage of this competition, the | :18:17. | :18:20. | |
teams face new challenges. Luckily they have their coaches and | :18:20. | :18:24. | |
incredible live band to support them. Using only music can you tell | :18:24. | :18:31. | |
me how you're feeling? MUSIC: Ice Ice Baby | :18:31. | :18:35. | |
Under pressure. You should try being our artists tonight. Thank | :18:35. | :18:42. | |
you. Next up from Team Tom it's Matt and Sueleen. | :18:42. | :18:45. | |
Wow. Performing on the live show, it's about as good as it gets. | :18:45. | :18:49. | |
Loved every minute of being up there. | :18:49. | :18:54. | |
Their elation didn't last for long. It was really hard being in the | :18:54. | :18:58. | |
bottom two, standing next to Sam. I was like, man we don't have a | :18:58. | :19:02. | |
chance here. There's that big pause before he says who he's going | :19:02. | :19:07. | |
choose, it's like the world stands still. I think I'm going to take | :19:07. | :19:12. | |
Matt and Sueleen. Then he said our names. It was like being hit by a | :19:12. | :19:17. | |
brick. A nice brick. A Tom-shaped brick. It was lovely. You want to | :19:17. | :19:21. | |
prove to him he's made the right decision. It adds to the pressure. | :19:21. | :19:25. | |
After the trauma of the live show, it was nice going back to | :19:25. | :19:35. | |
:19:35. | :19:37. | ||
Canterbury. Before, it would be like, "Gand alf. "Now it's like | :19:37. | :19:40. | |
"All right mate." We have massive support from family and friends. | :19:41. | :19:47. | |
They're so proud. This week they're singing a song called Missing. | :19:47. | :19:54. | |
We've taken a song and put our own slight slant on it. It sounds very | :19:54. | :19:57. | |
different now. I think what's happened now because you've changed | :19:57. | :20:02. | |
the arm niz, that they're clashing against some of the chords. In | :20:02. | :20:07. | |
order to get that song across you can't go too far from the original | :20:07. | :20:12. | |
structure of the song. It still has to be audience friendly. This week | :20:12. | :20:16. | |
they go from four acts to two, we really need to connect more with | :20:16. | :20:20. | |
the audience. If you work on that a little bit more, ufr won't have any | :20:20. | :20:24. | |
problems. Let's hope so. Singing for your votes with Missing, it's | :20:24. | :20:34. | |
:20:34. | :20:47. | ||
# It's years since # And now you've disappeared | :20:47. | :20:57. | |
:20:57. | :21:35. | ||
# You've found yourself # And now you've disappeared | :21:35. | :21:45. | |
:21:45. | :22:12. | ||
# You've found yourself # Yeah | :22:12. | :22:22. | |
:22:22. | :22:33. | ||
Let's hear it for Matt and Sueleen. APPLAUSE | :22:33. | :22:40. | |
You go that side. Well done. How was that? Was there more pressure | :22:40. | :22:43. | |
on you? Last time you were in the bottom two. Coming out again | :22:43. | :22:47. | |
tonight, there's a lot riding on this. Yeah, I can feel Sueleen | :22:47. | :22:51. | |
shaking right now. I'm not much better. It must have been odd, for | :22:51. | :22:54. | |
the first time you weren't stood next to each other, in fact you | :22:54. | :22:57. | |
didn't look at each other, did that change things? It's a really good | :22:57. | :23:01. | |
test to see if we can work with each other back-to-back and I think | :23:01. | :23:09. | |
that we can do that. It worked. Let's come to Tom first of all. | :23:09. | :23:11. | |
Everybody talks about their harmonies and how tight they are, | :23:11. | :23:17. | |
did it work tonight? I think so, definitely. They take chances. | :23:17. | :23:20. | |
APPLAUSE You know they flipped it, they | :23:20. | :23:25. | |
flipped the song. They made it their own. Those harmonies are not | :23:25. | :23:28. | |
easy. I've done duets myself with numerous people... | :23:29. | :23:34. | |
LAUGHTER Oh, really? Aretha Franklin... | :23:34. | :23:42. | |
a few. Gladys Knight. Me! And you too! The harmonies are fantastic. I | :23:42. | :23:47. | |
wouldn't have been brave enough to try harmonies like that. You should | :23:47. | :23:54. | |
be applauded for that alone. We can do that. Danny? For me personally, | :23:54. | :23:58. | |
harmony to me is all about connecting. I personally found it a | :23:58. | :24:01. | |
bit strange that you weren't looking at each other considering | :24:01. | :24:05. | |
that is your bond. You're so strong together. I don't know if that took | :24:05. | :24:08. | |
a bit away, because some of the harmonies were a little bit offment | :24:08. | :24:11. | |
it is a difficult song to kind of pick out the third on top. But | :24:11. | :24:16. | |
again, you guys take chances. You came in and made that song your own, | :24:16. | :24:19. | |
it's your own version. I have to commend you on that. Well done. | :24:19. | :24:29. | |
:24:29. | :24:30. | ||
Will? You guys just proved that you know, the kind of group that you | :24:31. | :24:35. | |
guys are, it's like I would love to hear more from you guys, if you tok | :24:35. | :24:42. | |
a song and exist and made it sound like it's your own music, that was | :24:42. | :24:47. | |
amazing. Two, it looked amazing. I don't know whose idea it was to sit | :24:47. | :24:54. | |
on a park bench. Whose idea was that? I have no idea. I think back | :24:54. | :24:59. | |
stage. That was amazing. It looked amazing, like straight from, I | :24:59. | :25:04. | |
thought it was like a Harry Potter moment, it was really just, it | :25:04. | :25:10. | |
looked fantastic. Tom said my team, Frances looked like Star Wars. That | :25:10. | :25:14. | |
was... That's old school like Lord of the Rings. I think Tom had a | :25:14. | :25:24. | |
hand as well. I'm still trying to make my mind up on how I feel about | :25:24. | :25:28. | |
that, to be honest. I think it was great. I loved the fact it was such | :25:28. | :25:32. | |
a risk. Buff I don't know if it showed you off to your full | :25:32. | :25:36. | |
potential. I feel like harmonies like that haven't really been done | :25:36. | :25:39. | |
a lot before. It was nice to hear that. It was refreshing. I kind of | :25:39. | :25:44. | |
agree with Danny, it was weird that you weren't. I think it's great for | :25:44. | :25:47. | |
like a music video, but for this, I want to see that connection that | :25:47. | :25:52. | |
you have. I think the reason why that happened was because the | :25:52. | :25:55. | |
lyrical content of the song, about not seeing the person there, so we | :25:55. | :26:02. | |
tried to separate it and give a dream-like quality. I totally saw | :26:02. | :26:08. | |
that. Because the lyrics said "I miss you like a desert misses the | :26:08. | :26:13. | |
rain." The story has an ending. I was expecting an ending. Due want a | :26:13. | :26:22. | |
kiss Danny? No. The last word was "Like the desert misses the rain". | :26:22. | :26:28. | |
They were separated like that, when did you last see the rain in the | :26:28. | :26:37. | |
desert. Thank you so much, off they APPLAUSE | :26:37. | :26:45. | |
Next up from Team Will it's Joelle. When I was up there on that stage, | :26:45. | :26:51. | |
I absolutely felt I belonged there. If she keeps doing performances | :26:52. | :26:57. | |
like this, we're going to pay a lot of money to see this girl. Despite | :26:57. | :27:01. | |
such high praise, Joelle found herself in the bottom two. My heart | :27:01. | :27:05. | |
felt it was breaking. This is the hardest thing. I couldn't believe | :27:05. | :27:11. | |
it could be ending right now. going to take Joelle. She has | :27:11. | :27:15. | |
everything it takes for the public to vote for her. Given the correct | :27:15. | :27:18. | |
opportunity I think the public will be wowed by her. There's a song | :27:18. | :27:28. | |
:27:28. | :27:31. | ||
that means so much to me, called I Surrender by Celine Dion. I like | :27:31. | :27:35. | |
that song. You sing is wonderfully. But we're in a battle. Do you that | :27:35. | :27:41. | |
I that's the one to knock people out? My coaching tactics make her | :27:41. | :27:44. | |
realise that song selection is the most important thing. Figure out | :27:44. | :27:48. | |
why you didn't connect and if I sing that, am I going to make the | :27:48. | :27:55. | |
same mistake again? Having taken on board Will's concerns, Joelle | :27:55. | :28:00. | |
returns to rehearsals with a new song. I can't see myself on stage | :28:00. | :28:05. | |
singing a song that you've told me you don't like. I'm singing | :28:05. | :28:10. | |
Stronger. It's up tempo, that's dope. You like it better? Oh, yeah | :28:10. | :28:17. | |
like a billion times. I am so happy that me and Will are on the same | :28:17. | :28:24. | |
page. Now all I need to concentrate on is giving a great performance. | :28:24. | :28:34. | |
:28:34. | :28:36. | ||
# You know the bed feels warmer # You know I sleep in colour | :28:36. | :28:44. | |
# Think you got the best of me Think you've had the last laugh | :28:45. | :28:50. | |
# Bet you think that everything good is gone | :28:50. | :28:53. | |
# Think you left me broken down Think that I'd come running back | :28:53. | :28:58. | |
# Baby, you don't know me cos you're dead wrong | :28:58. | :29:01. | |
# What doesn't kill you makes me stronger | :29:01. | :29:05. | |
# Stand a little taller | :29:05. | :29:07. | |
# Doesn't mean I'm lonely when I'm alone | :29:07. | :29:11. | |
# What doesn't kill you makes a fighter | :29:11. | :29:13. | |
# Footsteps even lighter | :29:13. | :29:16. | |
# Doesn't mean I'm over cos you're gone | :29:16. | :29:19. | |
# What doesn't kill you makes you stronger, stronger | :29:19. | :29:24. | |
# Just me, myself and I | :29:24. | :29:28. | |
# Thanks to you I got a new thing started | :29:28. | :29:33. | |
# Thanks to you I'm not the broken-hearted | :29:33. | :29:37. | |
# Thanks to you I'm finally thinking 'bout me | :29:37. | :29:41. | |
# You know in the end, the day you left was just my beginning | :29:41. | :29:47. | |
# What doesn't kill you makes you stronger | :29:47. | :29:55. | |
# Fighter | :29:55. | :30:01. | |
# Whoo-hoo-hoo | :30:01. | :30:04. | |
# No, no, no, no | :30:04. | :30:06. | |
# Stronger, stronger | :30:06. | :30:10. | |
# Just me, myself and I | :30:10. | :30:13. | |
# Oh-oh-oh-oh | :30:13. | :30:18. | |
# Oh-oh-oh-oh | :30:18. | :30:22. | |
# What doesn't kill you makes you stronger! # | :30:22. | :30:24. | |
CHEERING AND APPLAUSE | :30:25. | :30:34. | |
:30:35. | :30:36. | ||
Let's | :30:36. | :30:36. | |
Let's hear | :30:37. | :30:37. | |
Let's hear it | :30:37. | :30:47. | |
:30:47. | :30:47. | ||
Let's hear it for Joelle! CHEERING AND APPLAUSE Wow, talk about life | :30:47. | :30:50. | |
imitating art. You were in the bottom two before then you came out | :30:50. | :30:57. | |
like that, well done. Thank you. Thank you guys. You're a great | :30:57. | :31:01. | |
audience. Not just the audience are enjoying it. Will you were pulling | :31:01. | :31:06. | |
some moves. I tell you why. He's loving it. I'm taking this real | :31:06. | :31:13. | |
serious. Like, when we go out and tour and we do a festival, I check | :31:13. | :31:17. | |
to see what the other bands are doing to see what their stage | :31:17. | :31:22. | |
presence is like. Then I go back to tell our crew to amp it up. A lot | :31:22. | :31:27. | |
of times like, your voice is great. There's not much I can do to help | :31:27. | :31:31. | |
you get your voice even better than it is. When it comes to stage | :31:31. | :31:35. | |
designing and lights, that's why I asked did you have anything to do | :31:35. | :31:38. | |
with stage selection. Because I make sure the camera blocking is | :31:38. | :31:42. | |
right, make sure your face is up there, oh, I want her face at the | :31:42. | :31:44. | |
top and the lights and the splashes and explosions. | :31:44. | :31:48. | |
APPLAUSE Like that! I get into it, man. I | :31:48. | :31:54. | |
get into it. I get into it. We can tell. Yes. You know what, after | :31:54. | :31:59. | |
that little thing, what just happened. You going, woo-hoo. | :31:59. | :32:03. | |
you see the explosions she said # Stronger # | :32:03. | :32:09. | |
And it was like, do, do, do, do. APPLAUSE | :32:09. | :32:14. | |
You know what, I'm just excited, that was great, vokally great. I | :32:14. | :32:18. | |
feel like the performance like I just want to see you let go more. | :32:18. | :32:24. | |
Let go, there were explosions! but, all right. But I just want you | :32:24. | :32:30. | |
to look your voice is amazing. It's great. But I can't wait to see what | :32:30. | :32:34. | |
you're going to do later with your team. You don't know. I got | :32:34. | :32:38. | |
explosions coming out of my ears. I'm going to be singing like... | :32:38. | :32:45. | |
can't wait for that. Tom? She was a fighter tonight. Definitely. She | :32:45. | :32:50. | |
reminded me of Mohammed Ali. Mohammed Ali. He sung with Mohammed | :32:50. | :32:54. | |
Ali! LAUGHTER | :32:54. | :32:58. | |
No, you're strong. You might have felt down because you were in the | :32:58. | :33:05. | |
bottom two. But like Ali, you can go down but not out. You came out | :33:05. | :33:07. | |
here tonight... APPLAUSE | :33:07. | :33:13. | |
Thank you Tom. Danny? You know, I kind of agree with Jessie, if you | :33:13. | :33:17. | |
had started as well as you finished, it would have been a flawless | :33:17. | :33:20. | |
performance. It was shaky to start off with. Again, like Will, | :33:20. | :33:23. | |
congratulations you know, it was a great job. He took everything that | :33:23. | :33:27. | |
I did last week in our team and applied it to his own. Thank you | :33:27. | :33:34. | |
Danny. I'm glad he went with staging and couraging. It was a | :33:34. | :33:37. | |
brilliant effort. Cracked on a couple of the high notes, all in | :33:37. | :33:42. | |
all it was great. You didn't crack. Give it up for Joelle! | :33:42. | :33:47. | |
APPLAUSE The lines open later in the show, | :33:47. | :33:50. | |
remember only the artists with the most public votes in each team will | :33:50. | :33:54. | |
be guaranteed a place in the semi- finals. Let's get some of your | :33:54. | :33:59. | |
thoughts and theirs in the V Room. Now apart from our amazing artists, | :33:59. | :34:04. | |
the most talked about topic online is our own Holly Willoguhby. You Go | :34:04. | :34:09. | |
Girl. I won't say that again. Team Tom and Will have got the evening | :34:09. | :34:13. | |
started. You can't relax too much because you're performing with your | :34:13. | :34:17. | |
coaches soon. Leanne, you opened the show. What did it feel like on | :34:17. | :34:22. | |
what is the biggest night of your singing career so far? Yeah, it is! | :34:22. | :34:25. | |
I was really worried about going first. Because you just like, | :34:25. | :34:29. | |
you're not sure what to expect, like let it build up a bit. It was | :34:29. | :34:32. | |
all right. It's the first time they've all stood up. That's cool. | :34:32. | :34:37. | |
In the a bad reaction. A few weeks ago you were a girl from Wakefield. | :34:37. | :34:41. | |
Today, you're kind of still a girl from Wakefield, but one who's going | :34:41. | :34:45. | |
to sing with will.i.am later on. Did you ever imagine something that | :34:45. | :34:50. | |
amazing would happen to you? the time! No, I'm joking. No, it's | :34:50. | :34:52. | |
amazing, like, you never think something like that's going to | :34:52. | :34:57. | |
happen. The fact it is, he tells us enjoy it. It makes you feel really | :34:58. | :35:03. | |
fun. You get to see us in these numbers as well. Green looks good. | :35:03. | :35:06. | |
Brings out of cheekbones. I don't know what I'm talking about! Now | :35:06. | :35:10. | |
the pressure must be definitely on. Obviously, you are One Show away | :35:10. | :35:14. | |
from getting to the semi-finals, how do you feel about it? I try not | :35:14. | :35:19. | |
to think about. It I try to focus on getting the job done. It's just | :35:19. | :35:22. | |
such high pressure. There's a million things going through your | :35:22. | :35:26. | |
head. You have to blank it out and just give it everything you've got. | :35:26. | :35:30. | |
Then if you do your best, that's all you can do. You're fantastic. | :35:30. | :35:35. | |
And it's Joelle! Give me a cuddle. It happened in rehearsal, just | :35:35. | :35:39. | |
caught myself on your shoulder blade. It's a weapon. You've been | :35:39. | :35:43. | |
in the bottom two before, but you got amazing feet back that time. | :35:43. | :35:46. | |
How do you feel? Great. I feel happy with that performance. I've | :35:46. | :35:50. | |
got everything crossed. Nice. Thank you very much. And good luck to | :35:50. | :35:55. | |
everyone. You can connect directly to The Voice. Keep the comments | :35:55. | :36:00. | |
coming in. Sorry, thank you very much! We all know that artists can | :36:00. | :36:05. | |
sing live to millions, but can they do it with an established star? | :36:05. | :36:09. | |
This is what I'm talking about. This week away from the arena Tom | :36:09. | :36:14. | |
and Will have been giving a new meaning to hands-on coaching. | :36:14. | :36:18. | |
Because tonight, Will, Tom and their teams are giving us unique | :36:18. | :36:23. | |
performances. Those global superstars will sing side by side | :36:23. | :36:28. | |
with artists hoping to follow in their footsteps. Can the teams hold | :36:28. | :36:33. | |
their own with two legends? The coaches, the teams - together, | :36:34. | :36:39. | |
tonight! Yeah, you heard, later in the show Tom and Will are joining | :36:39. | :36:45. | |
their teams for two amazing group performances. I cannot wait. Right | :36:45. | :36:48. | |
now singing slowlyo from Team Tom it's Ruth. | :36:48. | :36:57. | |
-- solo. Ruth Brown has an incredible voice. The live | :36:57. | :37:03. | |
performance I thought she did a hell of a job. I was expecting the | :37:03. | :37:12. | |
audience just to like it. I didn't realise they'd like it that much. | :37:12. | :37:19. | |
If you were being judged on applause, you would win. Ruth, how | :37:19. | :37:24. | |
are you darling? Feeling good? This week I'm singing Next To Me by | :37:24. | :37:30. | |
Emeli Sande. After her performance on the show, Ruth took the | :37:30. | :37:35. | |
opportunity to catch up back stage. How are you? Fine. It was good | :37:35. | :37:38. | |
speaking to Emeli Sande. Remember why you're singing it and what the | :37:38. | :37:44. | |
lyrics mean. She gave me good advice. Nice to meet you. How are | :37:44. | :37:49. | |
you feeling about the song? Excited. I've got a few ideas. I've noticed | :37:49. | :37:56. | |
a change in Ruth. She has more confidence. I wanted to have three | :37:56. | :38:00. | |
backing singers. He'll go bang, bang, bang and it builds to the | :38:01. | :38:08. | |
chorus. The show's given me confidence to try new things. | :38:08. | :38:16. | |
feel fantastic for Ruth because she's getting stronger every day. I | :38:16. | :38:19. | |
thought that was great. Are you happy? Yeah, I feel lick a musician | :38:19. | :38:25. | |
now. I don't feel like a singer any more. -- I feel like a musician now. | :38:25. | :38:30. | |
I don't feel like a singer any more. Singing for your votes with Next To | :38:30. | :38:37. | |
# You won't find him # Rolling dice | :38:37. | :38:47. | |
# You won't ever find him being unfaithful | :38:47. | :38:51. | |
# You will find him You'll find him next to me | :38:51. | :38:57. | |
# You won't find him trying to chase the devil | :38:57. | :39:01. | |
# For money, fame, for power Out of grief | :39:01. | :39:06. | |
# You won't ever find him where the rest go | :39:06. | :39:11. | |
# You will find him You'll find him next to me | :39:11. | :39:16. | |
# Next to me, oo-ooh Next to me, oo-ooh | :39:16. | :39:25. | |
# Next to me, oo-ooh | :39:25. | :39:31. | |
# Yes, you'll find him You'll find him next to me | :39:31. | :39:36. | |
# When the money's gone and all my friends have vanished | :39:36. | :39:41. | |
# And I can't seem to find no love or help for free | :39:41. | :39:45. | |
# I know there's no need for me to panic | :39:45. | :39:50. | |
# Cos I'll find him I'll find him next to me | :39:50. | :39:55. | |
# When the skies are grey and all the doors are closing | :39:55. | :40:00. | |
# And the rising pressure makes it hard to breathe | :40:00. | :40:05. | |
# All I need is a helping hand to stop the tears from falling | :40:05. | :40:10. | |
# And you'll find him next to me | :40:10. | :40:15. | |
# Next to me, oo-ooh Next to me | :40:15. | :40:25. | |
# Oh, baby, yeah Next to me Baby, o-oh | :40:25. | :40:30. | |
# Oh you'll find him You'll find him next to me. # | :40:30. | :40:36. | |
CHEERING AND APPLAUSE | :40:36. | :40:46. | |
:40:46. | :40:48. | ||
Ladies | :40:48. | :40:48. | |
Ladies and | :40:48. | :40:48. | |
Ladies and gentleman, | :40:48. | :40:58. | |
:40:58. | :41:02. | ||
Ladies and gentleman, Ruth Brown! Listen to that. CHEERING AND | :41:02. | :41:09. | |
APPLAUSE Wow! Wow, wow, wow. Something happened to you this week, | :41:09. | :41:12. | |
didn't it? You were in control. You were saying I want this, I want | :41:12. | :41:18. | |
that. Are you feeling more comfortable and more confident? | :41:18. | :41:24. | |
Well, I'm just embracing what I love doing and just sharing my | :41:24. | :41:29. | |
ideas with Tom and he just happens to like them, so we worked together. | :41:29. | :41:36. | |
It's just a joy to hear you sing. Tom, are you all right? Yeah. | :41:36. | :41:44. | |
CHEERING When I hear Ruth sing, I get choked | :41:44. | :41:49. | |
up. So we're going to be singing later today and I hope that I don't | :41:49. | :41:55. | |
get choked up too much so I'll be able to do it. I've sung with a lot | :41:55. | :41:56. | |
of people and... LAUGHTER | :41:56. | :42:03. | |
I have! And I've heard some amazing voices throughout my career, but | :42:03. | :42:07. | |
this girl has got something that I have never, ever heard before in my | :42:07. | :42:16. | |
life! CHEERING AND APPLAUSE Danny? Take it in. | :42:16. | :42:26. | |
:42:26. | :42:30. | ||
That's for you. I didn't even hear. As Tom said, we know, he's sung | :42:30. | :42:33. | |
with legends. I believe you're going to go down on one. All the | :42:33. | :42:37. | |
hair on my hands, even my hair up here is standing on end. Every time | :42:37. | :42:40. | |
you sing I'm the same. You're the reason why, again, I got involved | :42:41. | :42:47. | |
in this show to find people just like you. Give it up! | :42:47. | :42:56. | |
CHEERING . Amazing. Will? So... | :42:56. | :42:59. | |
LAUGHTER You sing incredible, right, we all | :42:59. | :43:05. | |
know that, like wow. And each time you sing, each time you perform | :43:05. | :43:11. | |
again it gets better and better, to the point where the stage seems so | :43:11. | :43:15. | |
boring, because you sing, you don't need explosions right. You don't. | :43:16. | :43:23. | |
But when you was like... If you put some missiles and stuff coming out, | :43:23. | :43:26. | |
I would like to design that for you, you know what I'm saying. Don't you | :43:27. | :43:34. | |
start. A whole power ranger theme. I was like missiles. That would be | :43:34. | :43:44. | |
:43:44. | :43:44. | ||
out of this world. Does she need that? No, you don't. I don't know | :43:44. | :43:48. | |
if everyone heard, you said "I'm embracing what I love. That's what | :43:48. | :43:55. | |
I'm seeing. That's a joy. How old are you, like 17, 18? 20. Oh, well! | :43:55. | :44:02. | |
Sorry. She just turned 20. Missiles! Stop it. I know, I'm here | :44:02. | :44:10. | |
as well. Come on Will. Go on Jessie. You know what it's so nice to see | :44:10. | :44:14. | |
you exploring your voice, like the way you're using it and you're a | :44:14. | :44:18. | |
soul singer. Like you go to church and you see people sing like you | :44:18. | :44:24. | |
and it's from within. Honestly, as Will said... I'm just going to stop, | :44:24. | :44:30. | |
because I've had a moment. You just make me so like... Tremendous. Irk | :44:30. | :44:40. | |
:44:40. | :44:42. | ||
I hope that Emili Sunday, Sunday? Yes. Emeli Sande. Sunday, | :44:42. | :44:49. | |
Saturday... She was on and a great singer herself. Ruth takes it | :44:49. | :44:53. | |
somewhere else. I hope she was watching tonight. She is a special | :44:53. | :44:56. | |
girl. They're going to raze this roof when I say this, Ruth, off you | :44:56. | :45:06. | |
:45:06. | :45:09. | ||
CHEERING AND APPLAUSE This weekend, Tom and will.i.am must say goodbye | :45:09. | :45:12. | |
to two artists. It's up to you to get behind your favourites from | :45:12. | :45:16. | |
each team. You'll find out who stays and who goes on Sunday's | :45:16. | :45:24. | |
Results Show. Next up from Team Will, it's Tyler. | :45:24. | :45:29. | |
Tyler proved that he's a headliner. The first live show was so | :45:29. | :45:32. | |
nervewracking, at the same time, you realise just how lucky you are | :45:32. | :45:38. | |
to be there. I do believe you're an artist. You're really strong. | :45:38. | :45:45. | |
was relly, really special moment for me. I am singing Sign Your Name | :45:45. | :45:49. | |
by Terence Trent D'Arby. It's probably one of my favourite songs | :45:49. | :45:54. | |
ever. How are you feeling? Nervous as always, but... What are you | :45:54. | :45:58. | |
nervous about? I feel the pressure and I get nervous. I just do. | :45:58. | :46:02. | |
fear your nerves. It's cool to be nervous, that just means you're | :46:02. | :46:05. | |
alive. It's because it means so much to me that I don't want to | :46:05. | :46:10. | |
mess it up. Fergie was starting her solo project. She was really | :46:10. | :46:15. | |
nervous. I was like, well, pretend everybody is your best friend. | :46:15. | :46:19. | |
horrible to go through nerves every time before I go on. If I could | :46:19. | :46:22. | |
skip them all together, then I would. The worst that's going to | :46:22. | :46:26. | |
happen is you mess up. You're singing and snot comes down your | :46:26. | :46:29. | |
nose. We know that's not going to happen. My friends are really | :46:29. | :46:33. | |
important to me. They're very good at keeping me calm. So, I just try | :46:33. | :46:38. | |
to spend as much time with them as possible. This experience, so far, | :46:38. | :46:41. | |
it's already starting to change my life. It's the first time in ages | :46:41. | :46:45. | |
that I can genuinely say that I feel happy. I don't know what Tyler | :46:45. | :46:49. | |
was like before the competition, but something tells me that Tyler | :46:49. | :46:55. | |
is Tyler again. When I go out on stage, I'll take all of Will's | :46:55. | :46:58. | |
advice and I will imagine that everyone's my friend and everyone's | :46:58. | :47:06. | |
there to support me. Hopefully people will feel that too. | :47:06. | :47:16. | |
:47:16. | :47:28. | ||
# Fortunately you have that someone # But the thought of you | :47:28. | :47:38. | |
:47:38. | :47:39. | ||
Apology for the loss of subtitles for 73 seconds | :47:39. | :48:19. | |
# First ever look into the sun # Showering in the room | :48:19. | :48:29. | |
:48:29. | :48:29. | ||
Apology for the loss of subtitles for 73 seconds | :48:29. | :49:25. | |
Ladies and gentleman, let's hear it for Tyler! CHEERING AND APPLAUSE | :49:25. | :49:31. | |
Well done. I love the choir of Tyler behind you. Did you enjoy | :49:31. | :49:37. | |
that? Yeah, I was really nervous. You just do not show it. Are you | :49:37. | :49:46. | |
feeling better now? Yes. Let's come to Will. You're a true, like, | :49:46. | :49:50. | |
you're an artist man. Like working with you in rehearsal and hanging | :49:50. | :49:54. | |
with you and the way you work out your nerves, if you were nervous I | :49:54. | :49:59. | |
couldn't tell. The stage looked like art, right. Sign Your Name | :49:59. | :50:04. | |
across my heart with the flag, representing your country. Your | :50:04. | :50:10. | |
country should be honoured to have a soulful, smooth, fashion singer | :50:10. | :50:16. | |
like you, for real. Amazing. So amazing, so cool. | :50:16. | :50:25. | |
very cool. Very cool. I want to like chill with you. Yeah, I do. | :50:25. | :50:31. | |
Wow. That's a turn up for the book. I'm getting picked on tonight. No, | :50:31. | :50:36. | |
I think your voice is smooth. From last week to this week and I've | :50:36. | :50:40. | |
enjoyed every time you've sung. I would happily buy an album of your | :50:40. | :50:45. | |
voice. It's that. Can you feel those nerves drift ago | :50:45. | :50:51. | |
way now? Yeah. A bit. And let's go out for dinner. Definitely. Jessie, | :50:51. | :50:55. | |
get to the back of the queue! Tom, let's come to you, when you sing a | :50:55. | :50:59. | |
song like that, that everybody knows, you have a tough job to make | :50:59. | :51:07. | |
it your own. Yeah. I've said this before, your falsetto is as strong | :51:07. | :51:10. | |
as your full voice, which is incredible. I have to... | :51:10. | :51:20. | |
:51:20. | :51:20. | ||
APPLAUSE After doing a song so well known as | :51:20. | :51:24. | |
that, you didn't do a Terence Trent D'Arby, you did it yourself. Like | :51:24. | :51:31. | |
for instance, when I did Kiss, you know, I heard Prince wrote the song | :51:31. | :51:35. | |
but I didn't try to copy him. Prince did Prince and I did me. You | :51:35. | :51:40. | |
do the same thing when you sing. Thank you, Tom. Doesn't get much | :51:40. | :51:46. | |
better than that. When you're singing in false eto, it's such a | :51:46. | :51:50. | |
pin point sound it's very easy to tell if you go off pitch. It's | :51:50. | :51:53. | |
brave to sing up that high for a whole song. I didn't hear any | :51:54. | :51:59. | |
pitching issues at all. Staging was perfect. The violins, I thought | :51:59. | :52:04. | |
movement attracts attention, a-- attention will attract votes. You | :52:04. | :52:10. | |
have a strong artist there, man. Very strong. All those faces, was | :52:10. | :52:15. | |
that me or you? I think both of us. I can't tell, it's the same hair. | :52:15. | :52:18. | |
Thank you coaches. Tyler, well done you. Off you go. | :52:18. | :52:28. | |
APPLAUSE Next up from Team Tom, it's Adam. | :52:28. | :52:33. | |
The first live show, for me, was crazy, because I was doing a | :52:33. | :52:37. | |
controversial song. It was a risk. He pulled it off. To me, you know, | :52:37. | :52:44. | |
mission accomplished. I was rocking out going yeah boy, yeah. You're so | :52:44. | :52:49. | |
adorable the way you're leaning over to the mic. I blush very | :52:50. | :52:58. | |
easily. So I don't know what to say about that really. Adam's got the | :52:58. | :53:02. | |
whole thing. The girls like the way he looks and sings. The fellas | :53:02. | :53:07. | |
would like to look like that and sing like that. Have you been | :53:07. | :53:11. | |
getting any reaction from the ladies? I had marriage proposals. | :53:11. | :53:17. | |
It goes with the territory. It's very nice that I've had so many | :53:17. | :53:24. | |
great messages from the ladies. I am taken. Sorry about that. He's | :53:24. | :53:28. | |
started getting a lot of female attention. I can understand why. If | :53:28. | :53:33. | |
I wasn't with him, I'd probably have a massive crush on him as well. | :53:33. | :53:38. | |
He's a lovely guy. And he's handsome. I'm lucky to have her | :53:38. | :53:42. | |
there supporting me I'm very proud of Adam. Everybody wants to see him | :53:42. | :53:46. | |
when he come back to Exeter. When I walked in it was like a surprise | :53:46. | :53:50. | |
party. I was worried that I would cry actually. Thanks for coming | :53:50. | :53:55. | |
down everyone. Hopefully they'll like my performance on Saturday | :53:55. | :54:02. | |
night. If the lovely ladies like it too, that would be great. | :54:03. | :54:12. | |
:54:13. | :54:25. | ||
# I bet you think that's # Watching all the | :54:25. | :54:35. | |
:54:35. | :54:46. | ||
# You'd kill yourself # You're turning into | :54:46. | :54:56. | |
:54:56. | :55:03. | ||
# Don't leave me high # Don't leave me high | :55:03. | :55:13. | |
:55:13. | :55:18. | ||
# It's the best thing # The best thing that you've | :55:18. | :55:25. | |
# It's the best thing that you've ever had | :55:25. | :55:29. | |
# The best thing you have ever, ever had | :55:29. | :55:34. | |
# Don't leave me high Don't leave me dry | :55:34. | :55:44. | |
# Don't leave me high Don't leave me dry | :55:44. | :55:54. | |
:55:54. | :55:54. | ||
# Don't leave me high Don't leave me dry. # | :55:55. | :56:04. | |
:56:05. | :56:06. | ||
CHEERING AND APPLAUSE | :56:06. | :56:14. | |
Let's | :56:14. | :56:15. | |
Let's hear | :56:15. | :56:15. | |
Let's hear it | :56:15. | :56:22. | |
Let's hear it for Adam! APPLAUSE | :56:22. | :56:28. | |
Well done. Thank you. How was that? It was cool. Yeah, I enjoyed the | :56:28. | :56:34. | |
song. You enjoyed the song. I think everybody enjoyed you. How many | :56:34. | :56:38. | |
marriage proposals have you had? haven't been counting, but there's | :56:38. | :56:43. | |
been a few. It's very flattering. It seems the ladies-a bit of Adam. | :56:43. | :56:45. | |
Am I right? CHEERING | :56:45. | :56:49. | |
Tom, it seems like you've got competition for the ladies? Yeah, | :56:49. | :56:54. | |
but that's OK. He's a younger version of me. No, but with Adam, | :56:54. | :57:02. | |
he's got a very honest voice. Again, the false eto is as strong as his | :57:02. | :57:07. | |
full voice. I think the girls, some woman would like to mother him. | :57:07. | :57:12. | |
Other women would like to do other things. You know, I think maybe men | :57:12. | :57:14. | |
might envy him for that. But I know the feeling. | :57:14. | :57:18. | |
LAUGHTER More power to you. | :57:18. | :57:25. | |
I love that. Danny? Personally I don't think it was your best | :57:25. | :57:32. | |
performance. When you come into the chorus, that chorus, you need a | :57:32. | :57:36. | |
fearless falsetto. You needed to go higher. It lacked a bit of even | :57:36. | :57:39. | |
emotion or projection. Even if you move closer on the mic it could | :57:39. | :57:43. | |
have stuck out more. I enjoyed it, but I was hoping for a bit more. | :57:44. | :57:47. | |
You know again, I commend you on doing a great choice in song. | :57:47. | :57:57. | |
:57:57. | :58:00. | ||
Really good. Will? I thought it was dope. Thanks Will. I don't just say | :58:00. | :58:05. | |
it's dope when I don't mean it. I really take that word seriously. | :58:05. | :58:10. | |
appreciate that very much. Thank you. Yes, siry, let's finish with | :58:10. | :58:16. | |
you. You have a gorgeous tone. Rarely are you pitchy or off tune. | :58:16. | :58:20. | |
That's really nice to hear. I kind of agree with Danny. I felt like | :58:20. | :58:24. | |
you could have given more. You know it's a real big part of the | :58:24. | :58:29. | |
competition now. You have to bring it. We've got to see growth. For me | :58:29. | :58:33. | |
personally, last week you really kind of came forward and this week, | :58:33. | :58:38. | |
I'm just hoping that was enough to keep you here. Did you notice that | :58:38. | :58:43. | |
he took the advice. Yeah I did and how's your arm? It feels better. | :58:43. | :58:47. | |
His voice seems more open. Definitely, up there, much better. | :58:48. | :58:51. | |
I've been experimenting this week. The last song was so weird, so I | :58:51. | :58:55. | |
thought I'd like to come out and sing a nice song. It was really | :58:55. | :59:01. | |
nice. We all love today in here. Coaches, thank you for your | :59:01. | :59:07. | |
comments. Off he goes. It's Adam! APPLAUSE | :59:07. | :59:16. | |
Next up from Team Will it's Jaz. The first live show, if I have to | :59:16. | :59:25. | |
sum up it up -- sum it up in a word it would be unreal. There was this | :59:25. | :59:30. | |
hickory Dickery trictery dock. Sometimes it's a bit middle of the | :59:30. | :59:35. | |
road. His name is Jaz ladies and gentleman. I think I did it well. | :59:35. | :59:38. | |
Definitely the proudest moment of my life so far. It's recently been | :59:38. | :59:43. | |
me and my wife's first anniversary. To add to that, we're having a baby. | :59:43. | :59:48. | |
We're here to hopefully find out the sex of our baby. Let's listen | :59:48. | :59:54. | |
to the heart beating. There you go. That is nuts. There you go, a baby | :59:54. | :59:58. | |
boy. Very happy. That baby scan has put a lot of things in perspective. | :59:59. | :00:04. | |
I'm doing it for little man, I can say that now I know what I'm having. | :00:04. | :00:09. | |
This week I'm doing a mash up of billow Joel's Just The Way You Are | :00:09. | :00:16. | |
the way you are and Bruno Mars too. When you got crazy Jaz skills ain't | :00:16. | :00:21. | |
no such thing as safe. You're a stunt man. Imagine a stunt man | :00:21. | :00:24. | |
playing it safe on the set of Mission Impossible. Ain't going to | :00:24. | :00:29. | |
happen. There's a lot going on in his life. He's getting ready to be | :00:29. | :00:33. | |
a daddy. Singing a song like this, I think he should dedicate it to | :00:33. | :00:38. | |
his wife and new baby coming. That's going to be fresh. When I | :00:38. | :00:44. | |
sing this song, it's going to be sang to her and her alone. I have | :00:44. | :00:48. | |
to step on the stage and give it what I've got. Singing just the way | :00:48. | :00:58. | |
:00:58. | :01:00. | ||
# Don't go changing # You never let me down before | :01:00. | :01:06. | |
# I'll take the good times, I'll take the bad times | :01:06. | :01:13. | |
# I'll take you just the way you are | :01:13. | :01:23. | |
:01:23. | :01:24. | ||
# When I see your face | :01:24. | :01:27. | |
# There's not a thing that I would change | :01:27. | :01:32. | |
# Cos you're amazing just the way you are | :01:32. | :01:39. | |
# Yeah, yeah | :01:39. | :01:41. | |
# Her eyes, her eyes make the stars look like they're not shining | :01:41. | :01:46. | |
# Her hair, her hair falls perfectly without her trying | :01:46. | :01:50. | |
# She's so beautiful, and I tell her every day, oo-oh | :01:50. | :01:57. | |
# I know, I know when I compliment her she won't believe me | :01:57. | :02:03. | |
# And it's so, it's so sad to think that she don't see | :02:03. | :02:06. | |
# What I see every time she asks, me do I look OK? | :02:06. | :02:11. | |
# I say oh oh | :02:11. | :02:14. | |
# When I see your face | :02:14. | :02:17. | |
# There's not a thing that I would change | :02:17. | :02:22. | |
# Cos you're amazing just the way you are | :02:22. | :02:30. | |
# The way you are The way you are | :02:30. | :02:40. | |
:02:40. | :02:43. | ||
# Cos you're amazing Just the way you are. # | :02:43. | :02:50. | |
CHEERING AND APPLAUSE | :02:50. | :03:00. | |
:03:00. | :03:01. | ||
Ladies | :03:01. | :03:01. | |
Ladies and | :03:01. | :03:01. | |
Ladies and gentleman, | :03:01. | :03:11. | |
:03:11. | :03:12. | ||
Ladies and gentleman, it's Jaz! CHEERING AND APPLAUSE Oh, Jaz. | :03:12. | :03:18. | |
First of all, I mean, everybody back stage is crying. That was so | :03:18. | :03:22. | |
beautiful. That was for your wife. I can't imagine how she is feeling | :03:22. | :03:26. | |
at this moment. What do you want to say to her? Happy anniversary. Love | :03:26. | :03:33. | |
you. She's all hormonal and you come out | :03:33. | :03:37. | |
here being cute and lovey-dovey, what are you trying to do. So | :03:37. | :03:40. | |
amazing. Did you enjoy that? Helped having that inspiration? Definitely. | :03:40. | :03:44. | |
I mean, I said to Will this is a hard song, man, this song's going | :03:45. | :03:49. | |
to be a challenge. But you know, when I focused on thinking of her, | :03:49. | :03:57. | |
it just came out. Will, let's come to you. | :03:57. | :04:05. | |
So, I'm going to speak from my heart, so my mum's a single mum. | :04:05. | :04:10. | |
That song by Billy Joel just the way you are, I wish that my mum had | :04:10. | :04:14. | |
someone in her life that she could share life with, that could sing | :04:15. | :04:18. | |
that song to her like you just did her wife, amazing. | :04:18. | :04:26. | |
APPLAUSE Thank you. Jessie? First of all, | :04:26. | :04:35. | |
congratulations. Congratulations. Thank you. The most amazing thing | :04:35. | :04:38. | |
about music is that when someone writes a song, it's mostly personal | :04:38. | :04:42. | |
for them. Then they give it to the world an the world can take it and | :04:42. | :04:45. | |
adapt it to their own lives. That was what was beautiful about that. | :04:45. | :04:49. | |
It was so personal to you and you made it your own about your own | :04:49. | :04:53. | |
life and situation. You know, that was just lovely. That was a lovely | :04:53. | :05:00. | |
way to end the show. It was lovely. Tom? It helps when | :05:00. | :05:05. | |
you have someone in the back of your mind? Yeah, it all depends | :05:05. | :05:10. | |
what kind of song you're singing. If you're singing an up tempo song | :05:10. | :05:16. | |
or a crowd pleasing song, then you work the crowd. When you are | :05:16. | :05:20. | |
singing like Jaz is tonight, I mean, he's thinking about somebody and | :05:20. | :05:24. | |
it's plain, it's his wife, of course. It's plain to see that he | :05:24. | :05:29. | |
has somebody in mind. But he didn't only do that to one person. He did | :05:29. | :05:36. | |
it to the whole audience as well. Specially when he went into the | :05:36. | :05:40. | |
second song. You've got two love songs and you've got two crowd | :05:40. | :05:46. | |
pleasers. So the whole thing is wrapped up into one. You did a won | :05:46. | :05:53. | |
-- wonderful job. Who did you have in the back of your mind when you | :05:53. | :05:58. | |
wrote Sex Bomb? Maybe leave that for later. Honestly, I'm glad you | :05:58. | :06:04. | |
took my advice from last week and that was a fantastic performance. I | :06:04. | :06:09. | |
was here with my book to critique and I left it. I shut my eyes and | :06:10. | :06:13. | |
sat back. You're special, really special. Are you special. More of | :06:13. | :06:17. | |
you with the group performances later on, when all of our teams are | :06:17. | :06:20. | |
singing with their coaches. Jaz, will you go and give your wife a | :06:20. | :06:28. | |
big old kiss for me. Off he goes! APPLAUSE | :06:28. | :06:35. | |
All eight have performed their solo numbers. They're back soon with | :06:35. | :06:39. | |
their coaches for that special group performance. Not to be missed. | :06:39. | :06:43. | |
The job's half done and their night isn't over by a long way. | :06:43. | :06:48. | |
Everyone online is talking about Tyler and Jessie J's dinner date. | :06:48. | :06:53. | |
Both you and the coaches have had plenty to say about performances. | :06:53. | :06:57. | |
Now Ruth you came out of your shell this week, but that reaction was | :06:57. | :07:02. | |
phenomenal. Was it overwhelming on stage hearing such huge applause? | :07:02. | :07:06. | |
enjoyed it. I wanted everyone else to enjoy it too. You did that. You | :07:06. | :07:09. | |
should be proud. Now Tyler, you were talking about feeling happier | :07:09. | :07:14. | |
in the lead up to tonight's performance. On stage, due feel | :07:14. | :07:17. | |
that way? Yeah, this is such an amazing experience. It's changing | :07:17. | :07:22. | |
my life, so yeah, it's making me really happy. Are you taking Jessie | :07:22. | :07:25. | |
on a date any time soon? I don't know. This is suddenly getting very | :07:25. | :07:32. | |
weird isn't it? Yes. Let's move on. Quickly over to Adam. You are | :07:32. | :07:35. | |
moments away from taking the stage with your coach. How are you | :07:35. | :07:38. | |
feeling about that, is that pressure? Yeah, it is. But it's a | :07:38. | :07:43. | |
wonderful thing. If I think about it too much, maybe no sound will | :07:43. | :07:47. | |
come out of my mouth at all. It's Sir Tom Jones! But I'm looking | :07:47. | :07:53. | |
forward it. Me asking you this question is making you more nervous | :07:53. | :08:00. | |
is that what's happen sning That's right, yes. Here's Jaz everyone! | :08:00. | :08:05. | |
Man, you made everyone cry. You made your wife cry. You're a bad | :08:05. | :08:09. | |
person. I'd like to think I'm a good guy, come on man. You made her | :08:09. | :08:13. | |
cry for the right reasons. It was beautiful. Congratulations. You're | :08:13. | :08:18. | |
going to be a daddy and a boy. very excited to have a boy. He will | :08:18. | :08:24. | |
sing better than me. Any chance of calling him Reginald? Erm... That's | :08:24. | :08:29. | |
a no. One more time for Jaz. Good luck to everyone with all of your | :08:30. | :08:32. | |
performances. Tomorrow only four artists will remain in the | :08:32. | :08:35. | |
competition. Remember your questions and comments come direct | :08:35. | :08:38. | |
to us. All the contact details you need are on the screen now. What | :08:38. | :08:41. | |
started off as a big night is about to get bigger. We can't wait any | :08:42. | :08:47. | |
longer. Back to you. I'm so excited too. This weekend | :08:47. | :08:51. | |
two artists from each team must leave. The person with the highest | :08:51. | :08:54. | |
public vote on each team will automatically go through to the | :08:54. | :08:58. | |
semi-finals. It's over to you. The phone lines are now open. | :08:58. | :09:08. | |
:09:08. | :09:08. | ||
They will close tonight at 8.15pm. For each vote a min up of 10p goes | :09:08. | :09:15. | |
to the BBC performing arts fund. Don't forget, we're minutes away | :09:15. | :09:18. | |
from seeing will.i.am and Tom Jones singing with their artists on this | :09:18. | :09:23. | |
very stage. Before that, to help you decide here's a reminder of | :09:23. | :09:29. | |
tonight's performances. # Because I love you | :09:29. | :09:35. | |
# I love you # I love you any how | :09:35. | :09:40. | |
# And I don't care if you don't want me | :09:40. | :09:50. | |
:09:50. | :09:55. | ||
# I'm yours right now # I put a spell on you | :09:55. | :10:05. | |
:10:05. | :10:09. | ||
# Because you're mine # # What I really need is somebody | :10:09. | :10:17. | |
who will always be there # So, baby, if you want me | :10:18. | :10:25. | |
# You've got to show me love # And words are so easy to say | :10:25. | :10:32. | |
# You've got to show me love # So baby, if you want me | :10:32. | :10:42. | |
:10:42. | :10:44. | ||
# Hey, your words are so easy to # You've got to show me love | :10:44. | :10:51. | |
# And show me love # # Step off the train | :10:51. | :10:58. | |
# Walking down your street again # Past your door | :10:58. | :11:07. | |
# But you don't live there any more # It's years since you've been | :11:07. | :11:09. | |
there # And now you've disappeared | :11:09. | :11:14. | |
somewhere # Like outer space | :11:14. | :11:19. | |
# Find yourself some better place # And I miss you | :11:19. | :11:23. | |
# Yeah, like the deserts miss the rain | :11:23. | :11:33. | |
:11:33. | :11:34. | ||
# And I miss you, yeah # Like the deserts miss the rain # | :11:34. | :11:44. | |
:11:44. | :11:46. | ||
# What doesn't kill you makes you stronger | :11:46. | :11:53. | |
# Hoo -hoo, # No, no, no, no | :11:53. | :12:01. | |
# Stronger, stronger # Just me myself and I | :12:01. | :12:07. | |
# Oohhh, oh, oh, oh, # Yeeaahh | :12:07. | :12:10. | |
# What doesn't kill you makes you stronger! # | :12:11. | :12:18. | |
# What the money's gone and all my friends have ened it | :12:18. | :12:26. | |
# And I can see the final there # I know there's no need for me to | :12:26. | :12:29. | |
panic # Because I'll find him, I'll find | :12:29. | :12:34. | |
him next to me # When the skies are grey and all | :12:34. | :12:44. | |
:12:44. | :12:45. | ||
the doors are closing in # All I need is stop things from | :12:45. | :12:49. | |
falling # You'll find him, you'll find him | :12:49. | :12:57. | |
next to me # # Never look into the sun before | :12:57. | :13:02. | |
the day is done # Always spend our days showering | :13:03. | :13:12. | |
:13:13. | :13:14. | ||
in the room that makes the rain # Sign your name across my heart | :13:14. | :13:23. | |
# I want you to be my baby # Sign your name across my heart | :13:23. | :13:33. | |
:13:33. | :13:35. | ||
# I want you to be my lady # # Don't leave me high | :13:35. | :13:45. | |
:13:45. | :13:45. | ||
# Don't leave me dry # Don't leave me high | :13:45. | :13:55. | |
:13:55. | :13:56. | ||
# Don't leave me dry # Don't leave me high | :13:56. | :14:06. | |
:14:06. | :14:07. | ||
# Don't leave me dry # # When I see your face, yeah, yeah | :14:07. | :14:11. | |
# There's not a thing that I would change | :14:11. | :14:19. | |
# Because you're amazing, just the way you are | :14:19. | :14:29. | |
:14:29. | :14:33. | ||
# The way you are # Kuz you're amazing, just the way | :14:33. | :14:43. | |
:14:43. | :14:45. | ||
It's up to you. So this is it. You've seen them all perform solo. | :14:45. | :14:51. | |
Now they're about to work as a team. Take one legendary artist, in a | :14:51. | :14:54. | |
career lasting over six decades, add four new comers who dream of | :14:54. | :14:58. | |
doing exactly the same. To get them working as one, he took them for a | :14:58. | :15:02. | |
spot of team bonding. This week my team is performing all | :15:02. | :15:06. | |
together for the first time. I want this performance to be first class. | :15:06. | :15:11. | |
So today, I'm taking my team to a place where they're going to learn | :15:11. | :15:16. | |
the biggest lesson of their lives. Dinosaur mini golf! | :15:16. | :15:23. | |
MUSIC: Theme to Jurassic Park. we're going to nail this group | :15:23. | :15:26. | |
number, we have to spend some quality time together as a team. | :15:26. | :15:31. | |
The first one that gets a hole in one buys the bear. | :15:31. | :15:35. | |
# Everybody walk the dinosaur... # It's important to get to know Tom | :15:35. | :15:39. | |
but also for him to get to know us more. I'll show you how to do it. | :15:39. | :15:46. | |
I've never played golf before. We were on an even keel. I would give | :15:46. | :15:53. | |
myself two out of continue. Tom was about a one. I'm a lot better than | :15:53. | :15:59. | |
him. That's not fair. Look what you made me do. Tom is probably the | :15:59. | :16:02. | |
worst golfer I've ever seen, apart from you. I think there was a bit | :16:02. | :16:12. | |
:16:12. | :16:13. | ||
of cheating going on. A team effort. Individually we are nothing. I was | :16:13. | :16:18. | |
the only one that got a hole in one. I think it was a lucky shot. We can | :16:19. | :16:23. | |
go and have a pint now, right? I'm pleased my team are better at | :16:23. | :16:27. | |
singing than playing golf. I'm looking forward to getting back to | :16:27. | :16:30. | |
doing what we can do, that's sing on Saturday night. It's good to | :16:30. | :16:40. | |
show you're rubbish at something Correct me if I'm wrong, is that | :16:40. | :16:45. | |
not the best thing you've ever seen. That has made my life. The silver | :16:45. | :16:50. | |
bear playing golf. For the first time on screen his team get to sing | :16:50. | :17:00. | |
:17:00. | :17:04. | ||
with the man himself. Now with Hit # And don't you come back | :17:04. | :17:14. | |
:17:14. | :17:16. | ||
# Hit the road, Jack, and don't you # And don't you come back | :17:16. | :17:23. | |
# Whoa woman, oh woman Don't you treat me so mean | :17:24. | :17:27. | |
# You're the meanest old woman I have ever seen | :17:27. | :17:29. | |
# I guess if you say so I've got to pack my things and go | :17:29. | :17:34. | |
# That's right | :17:34. | :17:35. | |
# Hit the road, Jack | :17:35. | :17:37. | |
# And don't you come back no more, no more, no more, no more | :17:37. | :17:39. | |
# Hit the road Jack and don't you come back no more | :17:39. | :17:44. | |
# What you say? | :17:44. | :17:46. | |
# Hit the road, Jack | :17:46. | :17:47. | |
# And don't you come back no more, no more, no more, no more | :17:47. | :17:51. | |
# Hit the road, Jack, and don't you come back no more | :17:51. | :17:56. | |
# Well, baby, oh baby Don't ya treat me this way | :17:56. | :17:59. | |
# Got to get back on my feet some day | :17:59. | :18:02. | |
# I don't care if you do cos it's understood | :18:02. | :18:05. | |
# You ain't got no money You just no good | :18:05. | :18:07. | |
# I guess if you say so I'll have to pack my things and go | :18:07. | :18:12. | |
# That's right | :18:12. | :18:13. | |
# Hit the road, Jack | :18:13. | :18:15. | |
# And don't you come back no more, no more, no more, no more | :18:15. | :18:18. | |
# Hit the road, Jack, and don't you come back no more | :18:18. | :18:23. | |
# Whoa woman, oh woman Don't you treat me so mean | :18:23. | :18:27. | |
# You're the meanest old woman I have ever seen | :18:27. | :18:30. | |
# I guess if you say so, you'd better pack your things and go | :18:30. | :18:34. | |
# That's right | :18:34. | :18:35. | |
# Hit the road, Jack | :18:36. | :18:37. | |
# And don't you come back no more, no more, no more, no more | :18:37. | :18:39. | |
# Hit the road, Jack, and don't you come back no more | :18:39. | :18:43. | |
# What you say? | :18:43. | :18:46. | |
# Hit the road, Jack | :18:46. | :18:48. | |
# And don't you come back no more, no more, no more, no more | :18:48. | :18:51. | |
# Hit the road, Jack, and don't you come back no more | :18:51. | :18:54. | |
# Ohh | :18:54. | :18:56. | |
# Don't you come back no more | :18:56. | :18:57. | |
# Don't be so mean | :18:57. | :18:59. | |
# Don't you come back no more | :18:59. | :19:00. | |
# That's cold love | :19:00. | :19:02. | |
# Don't you come back no more | :19:02. | :19:03. | |
# Are you sure about that? | :19:03. | :19:04. | |
# Don't you come back no more | :19:04. | :19:06. | |
# I'm not getting this | :19:06. | :19:07. | |
# Don't you come back no more | :19:07. | :19:08. | |
# Hey! | :19:09. | :19:10. | |
# Don't you come back no more | :19:10. | :19:11. | |
# Well, well, well | :19:11. | :19:12. | |
# Don't you come back no more | :19:12. | :19:16. | |
# Huh, I'm all out... # | :19:16. | :19:19. | |
CHEERING AND APPLAUSE | :19:19. | :19:24. | |
# Well, I got a woman way over town | :19:24. | :19:32. | |
One | :19:32. | :19:32. | |
One word, | :19:32. | :19:32. | |
One word, three | :19:32. | :19:41. | |
One word, three letters - -W-O-W! The phone lines are open to vote | :19:41. | :19:45. | |
for your favourites from each team. Next Team Will. He's a producer, | :19:45. | :19:50. | |
arranger, writer, engineer, rapper, designer, side parting lover. Now | :19:50. | :19:54. | |
he's added coach to those talents. What did Mr Do it all have planned | :19:54. | :19:59. | |
for his team? He rustled up a couple of 12 inches. | :19:59. | :20:03. | |
When I was thinking where we should get together, the first and only | :20:03. | :20:08. | |
thing that came to my mind was my house. At my house just happens to | :20:08. | :20:15. | |
be my studio. You want to record a track? Yeah man. Dope. Just | :20:15. | :20:17. | |
casually record with will.i.am nothing big. I want them to be | :20:17. | :20:25. | |
rocking it. Oh, Lord. I don't actually know what he's doing. It's | :20:25. | :20:29. | |
incredible watching him. The same place where the vocals was, give me | :20:29. | :20:34. | |
a variation on the melody. I feel like we're getting to know him | :20:34. | :20:38. | |
better seeing him in his natural environment. This is what we want | :20:38. | :20:41. | |
to be doing: While Will mixes the vocals, he's arranged a treat for | :20:41. | :20:49. | |
his team. I heard there were hungry singers here. Come in, I didn't | :20:49. | :20:53. | |
know it was Jamie Oliver. I'm a fan of the show. When I heard Team Will | :20:53. | :20:57. | |
was here, I thought I had to come down and feed them some food. | :20:57. | :21:02. | |
What's the score tonight? Recording with Will. Also Jamie Oliver has | :21:02. | :21:06. | |
just brought me pizza. I don't think I can handle any more | :21:06. | :21:10. | |
surprises in one day. Back to work and it's the boys' turn to lay down | :21:10. | :21:14. | |
some vocals. Hanging out with Will is amazing. I think we're all a bit | :21:14. | :21:20. | |
overwhelmed, but loving it. That's dope Tyler. Now it's Jaz's | :21:20. | :21:24. | |
turn. Never did I think I would work with him on this level any way. | :21:24. | :21:30. | |
He's a genius. Put the Jaz on the tail and whip it out with the | :21:30. | :21:34. | |
chorus. I thought the session was phenomenal. Let's go out and | :21:34. | :21:37. | |
perform so that the rest of the UK know what's team is on top right | :21:37. | :21:45. | |
now. Now for the first and only time, the four remaining members of | :21:45. | :21:49. | |
Team Will are taking to the stage with their coach. I give you five | :21:49. | :21:58. | |
times dope - Jaz, Frances, Joelle # Well, I got a woman | :21:58. | :22:08. | |
:22:08. | :22:17. | ||
# Said I got a woman # She gives me money | :22:17. | :22:27. | |
:22:27. | :22:39. | ||
# Yeah, she's a kind of friend # She saves her lovin' | :22:39. | :22:49. | |
:22:49. | :22:57. | ||
# Oh yeah, she saves her lovin' just for me | :22:57. | :23:03. | |
# Ah she loves me, so tenderly | :23:03. | :23:09. | |
# I got a woman, way over town | :23:09. | :23:14. | |
# She's good to me Oh yeah-eh-eh | :23:14. | :23:19. | |
# Get down | :23:19. | :23:22. | |
# Get down, girl Go head get down | :23:22. | :23:23. | |
# Get down | :23:23. | :23:25. | |
# Get down, girl Go head get down | :23:25. | :23:26. | |
# Get down | :23:27. | :23:28. | |
# Get down, girl Go head get down | :23:28. | :23:29. | |
# Get down | :23:29. | :23:31. | |
# Get down, girl Go head get down | :23:31. | :23:34. | |
# Honey got her sexy on steamin' She give the hotness a new meanin' | :23:34. | :23:36. | |
# Perfection, mami, you gleamin' | :23:36. | :23:39. | |
# Inception, you got a brother dreamin', dreamin' | :23:39. | :23:42. | |
# Damn, baby, I'm fiendin' I'm tryin to holler at you | :23:42. | :23:46. | |
# I'm screamin' | :23:46. | :23:48. | |
# Let me love you down this evenin' | :23:48. | :23:50. | |
# Lovey, lovey, yeah You know you are my demon | :23:50. | :23:52. | |
# Girl, we could form a team | :23:52. | :23:55. | |
# And I could be the king You could be queen | :23:55. | :23:57. | |
# And my mind's dirty and it don't need cleanin' | :23:57. | :24:00. | |
# I love you long time so you know the meanin' | :24:00. | :24:02. | |
# Oh, baby, I can't come down so please come help me out | :24:02. | :24:07. | |
# You got me feelin' high and I can't step off the cloud | :24:07. | :24:11. | |
# And I just can't get enough | :24:11. | :24:15. | |
# Boy, I think about it every night and day | :24:15. | :24:18. | |
# I'm addicted Want to jump inside your love | :24:18. | :24:22. | |
# I wouldn't want to have it any other way | :24:22. | :24:28. | |
# I'm addicted | :24:28. | :24:30. | |
# And I just can't get enough | :24:30. | :24:33. | |
# I just can't get enough | :24:33. | :24:35. | |
# Boy, I think about it every night and day | :24:35. | :24:39. | |
# I'm addicted Want to jump inside your love | :24:39. | :24:44. | |
# I wouldn't want to have it any other way | :24:44. | :24:49. | |
# I'm addicted and I just can't get enough | :24:49. | :24:54. | |
# I just can't get enough I just can't get enough | :24:54. | :24:58. | |
# I just can't get enough I just can't get enough | :24:59. | :25:03. | |
# I just can't get enough I just can't get enough. # | :25:03. | :25:08. | |
CHEERING AND APPLAUSE | :25:09. | :25:18. | |
:25:19. | :25:22. | ||
That's | :25:22. | :25:22. | |
That's how | :25:22. | :25:22. | |
That's how we | :25:22. | :25:26. | |
That's how we do it. Bang, bang, bang, bang, bang, bang, bang! | :25:26. | :25:32. | |
CHEERING AND APPLAUSE They've done all they can, now it's over to you. | :25:32. | :25:35. | |
Remember lines close tonight. The public are voting to put their | :25:35. | :25:39. | |
favourite from each team into the semi-final. Tom, that is not going | :25:39. | :25:43. | |
to be easy, is it? No, it's going to be very, very difficult. Such a | :25:43. | :25:47. | |
high standard tonight. LAUGHTER | :25:47. | :25:51. | |
Yeah... He says it like it is, you know. We all feel the same way. | :25:51. | :25:55. | |
This is the hardest part of the show for me, since we started this | :25:55. | :25:59. | |
thing. It's getting harder. You have to let more people go. I | :25:59. | :26:04. | |
thought everybody did a really strong performance tonight. It's | :26:04. | :26:07. | |
going to be hard. Will, how do you think your team did tonight? | :26:07. | :26:13. | |
think each one of my team members, Tyler, little Miss Frances, Joelle | :26:13. | :26:16. | |
and Jaz I'm so proud of them and I'm so happy that we were able to | :26:17. | :26:21. | |
share a fun moment, you know, this is what it's all about, just having | :26:21. | :26:26. | |
fun. You did. Thank you. Thank you again to all our coaches. We'll see | :26:26. | :26:30. | |
you back here for the Results Show, straight after this programme. | :26:30. | :26:34. | |
Where we'll have very special performances. | :26:35. | :26:38. | |
She's helped coach Jessie's artists... Bring what it is that he | :26:38. | :26:43. | |
can't do, because you want to beat him. And vice versa. And now | :26:43. | :26:47. | |
Anamantronic is back in the voice aVienna with the kings of the dance | :26:47. | :26:52. | |
floor, -- voice arena with the kings of the dance floor, Scissor | :26:52. | :26:59. | |
Sisters. It's your chance to see team Jezy and Team Danny as teams | :26:59. | :27:03. | |
of four with two special group performances. | :27:03. | :27:07. | |
That is all to come tomorrow. Most importantly, we'll find out which | :27:07. | :27:11. | |
of Will and Tom's artists have won your support. Remember your votes | :27:11. | :27:15. | |
can only save one artist from each team. You have to get behind your | :27:15. | :27:18. | |
favourites, or there's a chance they won't be in the semi-final. | :27:18. | :27:23. | |
You have until 8.15pm to make that call. Two artists from each team | :27:23. | :27:27. | |
must leave. Make sure you have your say. Thanks to the hardest working | :27:27. | :27:30. | |
band on TV, our incredible artists and of course, our four superstar | :27:30. | :27:37. |