Live Show 4 The Voice UK


Live Show 4

Similar Content

Browse content similar to Live Show 4. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

This is like the King Kong of sing- songs. Last week, Tom and Will's

:00:11.:00:15.

artists knew their future on The Voice hung on just one performance.

:00:15.:00:22.

One song between glory and going home. And one singer from each team

:00:22.:00:28.

was saved by your votes. It's Ruth. Jazz. Leaving their coaches to save

:00:28.:00:37.

just one more... I must go with Leanne. Tyler. This weekend it's

:00:37.:00:41.

Team Jessie and Team Danny whose numbers will be halved. This week

:00:41.:00:46.

I'll be losing two artists. I don't want to say goodbye to anybody.

:00:46.:00:49.

the first time they'll be joined on stage with their coaches for two

:00:49.:00:56.

unique numbers. It's going to be They're prepared to strike. And go

:00:56.:01:00.

full throttle. But for four of these artists, tonight's

:01:00.:01:04.

performances will be the last in this arena. It's going to be the

:01:05.:01:09.

survival of the fittest. Are you in this to win it? The semifinals

:01:09.:01:14.

await. Now is going to be the time to give a performance no-one is

:01:14.:01:18.

going to forget. But who goes on? And who goes home? This is The

:01:18.:01:28.
:01:28.:01:40.

Good evening, and welcome to The Voice. We're now just one week away

:01:40.:01:44.

from our semifinal. And if Jessie and Danny's artists want to book a

:01:44.:01:48.

place, they'll have to sing each other out of the competition.

:01:48.:01:51.

the first time, these teams will be performing with their very own

:01:51.:01:56.

coaches. Let's meet the A-listers. He's the man who can be moved and

:01:56.:02:02.

often is, it's Danny O'Donoghue. Look up "legend" on Wikipedia and

:02:02.:02:08.

his face pops up or should do - it's Sir Tom Jones. Surrounded by

:02:08.:02:13.

the boys, but always making her voice heard, it's Jessie J.

:02:13.:02:15.

Reinventing the English language every Saturday night - this is how

:02:15.:02:25.
:02:25.:02:27.

Now, this weekend your votes will guarantee the top artists from each

:02:27.:02:30.

team a place in next week's semifinal. Then from their

:02:30.:02:34.

remaining three singers Jessie and Danny can only save one. This won't

:02:34.:02:38.

be easy for anybody. You're moments away from performing with your team.

:02:38.:02:46.

How are you feeling about that? am so excited. I can't wait. I'm

:02:46.:02:52.

watching him. We're going to arm wrestle later. I'm blatantly going

:02:52.:02:57.

to lose, but bring it on! Danny, your artists can't afford to be

:02:57.:03:00.

anything less than spectacular tonight, right? They can't. I got

:03:00.:03:05.

no money, nothing in my pockets, no. You can see the nerves - very, very

:03:05.:03:12.

steady, very steady tonight. Good, fighting talk! Now, last week, if

:03:12.:03:15.

you looked over there, you would have seen it was filled with Will

:03:15.:03:22.

and Tom's teams but look. They barely fill a row. You OK, guys?

:03:22.:03:27.

Remember, this evening it's all about Team Jessie and Team Danny.

:03:27.:03:31.

And they're in our V room to get focused to let some steam off and

:03:31.:03:35.

get focused before their performances. Hello. You all right

:03:35.:03:45.
:03:45.:03:47.

tonight? The V room is where you Or say what you think on our

:03:47.:03:54.

official Facebook page, or Tweet us. With their team performance on the

:03:54.:03:57.

way, let's find out how Jessie's team artists cope competing as a

:03:57.:04:07.
:04:07.:04:10.

Bowling is my secret fun thing to do. Yeah, bowling! She's very

:04:10.:04:16.

serious about this. Come on! Tom, you think you've got us on dinosaur

:04:16.:04:24.

I think it's really important before the group performance, we

:04:24.:04:28.

get to know each other outside of work. We nearly kissed, it was

:04:28.:04:34.

weird. The most entertaining is Vince. You need to do is focus on

:04:34.:04:39.

the middle. Vince was nuts the way he was smashing it on the floor.

:04:39.:04:43.

Becky is definitely a bowler that reflects her personality. It's

:04:43.:04:49.

quite out there, it's quite all over the place. I can't take them

:04:49.:04:56.

anywhere, I'm so embarrassed. This is Toni Warne. Take it away. I am

:04:56.:05:00.

more of a Scrabble girl. That was good. You ain't going to beat me at

:05:00.:05:05.

Scrabble, darling. Behind me, Cassius is getting rather agitated.

:05:05.:05:11.

Boom! Jessie tried to psych me out. This is it. This is it. This is

:05:11.:05:17.

your time. Her game plan didn't work. Oh! Strike on my last one!

:05:17.:05:25.

Yeah! Jessie was all right. She was all right. She definitely sings

:05:25.:05:32.

better than she bowls. All hail the champion that is, first place -

:05:32.:05:42.
:05:42.:05:48.

It's going to be a boom-bastic You'll not see this anywhere else -

:05:48.:05:51.

for the first time performing as a group, it's Vince, Becky, Cassius,

:05:51.:06:01.
:06:01.:06:07.

My mic isn't on. I'm sorry. I'm sorry to do this on live TV. I'm

:06:07.:06:13.

sorry. Can we start again because I want to make it perfect. I'm sorry.

:06:13.:06:17.

My mic isn't on. I did ask. I apologise to everybody at home, but

:06:17.:06:24.

this is live TV. This is how Team Jessie does it. It's not on. Can

:06:24.:06:31.

someone come and check my pack, please? I'm really, really serious.

:06:31.:06:36.

I don't have anything in my ears. There we go. Now I'm on. There we

:06:36.:06:46.

So guys, you can see we have had a slight technical problem. It is

:06:46.:06:49.

live telly. Jessie wants it to be absolutely perfect for her team.

:06:49.:06:55.

You can see tonight everything counts. So are we ready? Please

:06:55.:07:05.
:07:05.:07:07.

# Give me a second # Getting higher than

:07:07.:07:13.

# My seat's been taken by some sunglasses asking 'bout a scar

:07:13.:07:17.

# And I know I gave it to you months ago

:07:17.:07:20.

# I know you're trying to forget

:07:20.:07:26.

# But between the drinks and subtle things

:07:26.:07:28.

# The holes in my apologies

:07:28.:07:30.

# You know I'm trying hard to take it back

:07:30.:07:34.

# So if by the time the bar closes And you feel like falling down

:07:34.:07:39.

# I'll carry you home

:07:39.:07:42.

# Tonight

:07:42.:07:44.

# We are young

:07:44.:07:49.

# So let's set the world on fire

:07:49.:07:54.

# We can burn brighter than the sun... #

:07:54.:08:00.

Team Jessie!

:08:00.:08:03.

# ..Tonight

:08:03.:08:06.

# We are young

:08:06.:08:10.

# So let's set the world on fire

:08:10.:08:15.

# We can burn brighter than the sun

:08:15.:08:22.

# Now I know that I'm not all that you've got

:08:22.:08:28.

# I guess that I just thought

:08:28.:08:31.

# Maybe we could find new ways to fall apart

:08:31.:08:34.

# But our friends are back So let's raise a cup

:08:34.:08:39.

# Cos I found someone to carry me home

:08:39.:08:44.

# Tonight

:08:44.:08:47.

# We are young

:08:47.:08:51.

# So let's set the world on fire

:08:51.:08:56.

# We can burn brighter than the sun

:08:56.:09:03.

# Tonight

:09:03.:09:09.

# Na na na na na na

:09:09.:09:10.

# I have no reason to run

:09:10.:09:13.

# So will someone come and carry me home

:09:13.:09:15.

# Tonight

:09:15.:09:17.

# Na na na na na na

:09:17.:09:19.

# The angels never arrived

:09:19.:09:20.

# But I can hear the choir

:09:20.:09:22.

# Na na na na na na

:09:22.:09:29.

# Tonight, we are young

:09:30.:09:34.

# So let's set the world on fire

:09:34.:09:38.

# We can burn brighter than the sun

:09:38.:09:45.

# We are young. #

:09:45.:09:55.
:09:55.:10:01.

APPLAUSE

:10:01.:10:08.

Give

:10:08.:10:08.

Give it

:10:08.:10:08.

Give it up

:10:08.:10:14.

Give it up one more time. It's Team Jessie. OK. It's time to go solo

:10:14.:10:21.

and first up from Team Danny, it's Personally I thought Max's live

:10:21.:10:25.

performance of Free Falling was flawless.

:10:25.:10:28.

You came out just on guitar, and you did everything I said for you

:10:28.:10:35.

to do. I always thought I would be in the bottom two, so it wasn't a

:10:35.:10:41.

massive surprise for me. Danny, it is time to make your decision.

:10:41.:10:46.

reason I chose Max is... Max Milner... He's a one-man band. I

:10:46.:10:50.

just think it would be a shame for the UK to lose someone so talented

:10:50.:10:58.

so soon. Max could have came back licking his wounds, but he didn't,

:10:58.:11:01.

and you have to applaud that. I know he has something in store for

:11:01.:11:05.

us this week. As well as singing, Max wants to use a loop pedal as

:11:05.:11:08.

part of his performance. A loop pedal a piece of equipment, so when

:11:08.:11:12.

you play guitar into it, it plays back what you just played, so it

:11:12.:11:15.

allows you to play and harmonise over yourself.

:11:15.:11:20.

Then stop that - stop. Stop that. I'm scared. I have never done this

:11:20.:11:25.

in a gig in front of five people in a bar let alone millions.

:11:25.:11:29.

anything goes wrong, that's it. We're off in the deep end, and

:11:29.:11:31.

you've got two-and-a-half minutes of television you're wishing you

:11:31.:11:35.

didn't do. I know it's going to be a massive challenge doing it on the

:11:35.:11:39.

night, so I thought I would go and perform it in front of my old

:11:39.:11:42.

theatre company. I'm a bit more confident now maybe

:11:42.:11:46.

- at least now I've seen a reaction to it. I'm Max's sister, I came to

:11:46.:11:52.

watch him tonight. I thought he was phenomenal. If the loop pedal goes

:11:52.:11:56.

wrong it's going to be a train wreck, but if he gets it right, it

:11:56.:12:06.
:12:06.:12:30.

could be his one-way ticket to the # Well, my heart knows me

:12:30.:12:38.

# So I'm gonna let it # I came across a place

:12:38.:12:48.
:12:48.:12:49.

# With a big black horse # It said don't look back

:12:49.:12:58.

# When the big black horse said # He said, hey there, lady, will you

:12:58.:13:08.
:13:08.:13:25.

# I said no, no, no # Cos with the lyrics

:13:25.:13:29.

# At stadium heights with Damien Rice

:13:29.:13:30.

# On red carpets Now I'm on Arabian Nights

:13:30.:13:32.

# Because I'm young and all my brothers gonna give me advice

:13:33.:13:35.

# Long nighter, short height and I gone hyper

:13:35.:13:37.

# Never be anything but a singer-songwriter

:13:37.:13:39.

# The game's over but now I'm on a new level

:13:39.:13:42.

# Watch how I step on the track without a loop pedal

:13:42.:13:49.

# Big black horse and a cherry tree

:13:49.:13:53.

# I can't quite get there cos my heart's forsaken me

:13:53.:13:56.

# Big black horse and a cherry tree

:13:57.:14:01.

# I can't quite get there cos my heart's forsaken me

:14:01.:14:11.
:14:11.:14:12.

Ladies

:14:12.:14:12.

Ladies and

:14:12.:14:12.

Ladies and gentlemen,

:14:12.:14:16.

Ladies and gentlemen, give it up for Max.

:14:16.:14:26.
:14:26.:14:27.

I think you might have just flashed my knickers to the nation! I'll

:14:27.:14:30.

forgive you because you took a massive risk tonight. That was

:14:30.:14:34.

amazing. Nobody knew what was going to happen with that pedal. You

:14:34.:14:37.

always had faith in yourself, but actually, it could have gone

:14:37.:14:40.

horribly wrong, couldn't it? Absolutely. I haven't done it a lot,

:14:40.:14:43.

to be honest, but it's something I've always wanted to do, and I

:14:43.:14:50.

think it's quite me, so I thought "yeah". Well, it paid off. Danny?

:14:50.:14:54.

Um, you know, the reason why I'm standing is, to get something that

:14:54.:14:57.

you have never got, you have to do something you have never done

:14:57.:15:01.

before. You came back. You were in the bottom two last week, and I

:15:01.:15:05.

just came out, and I felt that you smashed it, Max! That was amazing -

:15:05.:15:11.

smashed it! That's all I have to say. I want to hear what everyone

:15:11.:15:15.

else has to say about that. Let's do it. Let's go to Will. Am I

:15:15.:15:25.

supposed to tell you how I feel? Yeah. # I feel good! No, honest,

:15:25.:15:28.

honest, I think it was a great performance, but these are, like,

:15:28.:15:34.

the finals, and the song selection probably wasn't the smartest.

:15:34.:15:40.

BOOING. Hey! I'm sorry. I'm sorry. I'm just

:15:40.:15:45.

speaking from the bottom of my heart. What would you have sung?

:15:45.:15:51.

wouldn't have sung that song. BOOING. OK, Jessie, what do you

:15:52.:15:55.

think? Come on, we don't boo here. I applaud to you because you just

:15:55.:16:00.

saw what can happen on live TV. Sometimes things go wrong. I

:16:00.:16:03.

applaud you for that because it could so easily have gone wrong,

:16:03.:16:08.

and it didn't. It was also nice to see you go back to what we saw on

:16:08.:16:15.

the blind auditions, you, the guitar and you playing the drums.

:16:15.:16:18.

It's really important now for you to showcase to the world what you

:16:18.:16:23.

can do. But I do agree that the song choice for me you chose was

:16:23.:16:26.

too similar to what someone that's already doing this, very well, and

:16:26.:16:31.

I felt that Danny and yourself could have spun it better. We gave

:16:31.:16:35.

them the loop pedal and a rap. it was similar to Ed Sheeran what

:16:35.:16:39.

you did on the blinds, but the song selection you chose on the blinds

:16:39.:16:45.

was one billion times better than what you did on that one. That's

:16:45.:16:51.

all I am saying - blinds, not the blinds. Open the blinds... Close

:16:51.:17:01.
:17:01.:17:02.

the blinds. Not blind. Blind. Not blind. I'm sorry. Wait. Wait, wait,

:17:02.:17:05.

wait, wait. Wait, wait, wait, wait, wait. You want to talk about blind?

:17:06.:17:09.

All I know is my home boy Tyler had visuals similar to that last week.

:17:09.:17:17.

Get out of here. OK. Let's get some constructive

:17:17.:17:21.

advice off Tom because it's good to take a risk. I'll tell you exactly

:17:21.:17:26.

what I think - right now. As far as I am concerned, Max entertained me.

:17:26.:17:33.

I loved it. And you know, as an artist, it's easier to take the

:17:33.:17:36.

path you know, really, what you're comfortable with, but sometimes you

:17:36.:17:40.

have to go off-road, if you like, and Max went off-road tonight in a

:17:40.:17:50.
:17:50.:17:50.

good way as far as I was concerned. So hey, I loved it. Thank you very

:17:50.:18:00.
:18:00.:18:04.

OK, next up from Team Jessie, it's The first live show, and I loved

:18:04.:18:09.

every moment of it, but I wasn't fully happy with my vocal. I just

:18:09.:18:12.

sat back and enjoyed you becoming the artist that you really deserve

:18:12.:18:17.

to be. Jessie gets me. She understands what I'm trying to do,

:18:17.:18:24.

and she's even got an idea of what I could do.

:18:24.:18:30.

I am singing Adele, Turning Tables. If I do this well, it can be a big

:18:30.:18:37.

moment for me. I just think you have to believe in it more. You've

:18:37.:18:41.

just got to let go, Cassius. That's it. You're just like a little

:18:41.:18:44.

Michelin man. Cassius has a tendency to get tense. He needs to

:18:44.:18:50.

relax. Just let go. If it doesn't come out, don't worry. Jessie can

:18:50.:18:54.

see something in me. She reads me. She knows there is something

:18:54.:19:02.

holding me back. Run around like - # All that I have is on the floor.

:19:02.:19:05.

# Get used to the movement because otherwise, you'll get on stage and

:19:05.:19:08.

sing like this. Cassius has to get out there and make Cassius Henry

:19:08.:19:18.
:19:18.:19:26.

Cassius Clay. I'll do whatever it This could be my last performance.

:19:26.:19:30.

I had threatened vocal punches, hopefully smash my way to the semi-

:19:30.:19:35.

final. The stakes are definitely high and only two people get to

:19:35.:19:38.

stay, whether he goes through or not, I want to make sure he gives a

:19:38.:19:48.
:19:48.:20:01.

performance that is an # God only knows

:20:01.:20:11.
:20:11.:20:28.

# I can't keep up with # I won't let you close enough

:20:28.:20:38.
:20:38.:20:47.

# And I won't rescue you # It's time to say goodbye

:20:47.:20:57.
:20:57.:21:03.

# I can't keep up with # Under your thumb

:21:03.:21:10.

# I won't let you close enough to hurt me

:21:10.:21:16.

# I won't rescue, I won't rescue you

:21:16.:21:20.

# For you to just desert me

:21:20.:21:23.

# I can't give you, you, you, you The heart you think you gave me

:21:23.:21:29.

# It's time to say goodbye

:21:29.:21:34.

# To turning tables

:21:34.:21:40.

# Hmmm

:21:40.:21:45.

# Turning, turning tables

:21:45.:21:49.

# Yeah

:21:49.:21:58.

Let's

:21:58.:21:58.

Let's hear

:21:58.:21:59.

Let's hear it

:21:59.:22:05.

Let's hear it one more time for Cassius.

:22:05.:22:13.

APPLAUSE Of Well done, you. It's paying off. You came out fighting.

:22:13.:22:17.

Yeah, I had to. Jessie said it's a big night for me. She just wanted

:22:17.:22:21.

me to let go. Sometimes I'm a bit tense, but I followed her advice,

:22:21.:22:25.

and I hope I knocked it out. I hope I did well tonight. I can tell you,

:22:25.:22:29.

Jessie, I saw the look on your face as he was doing that. You enjoyed

:22:29.:22:32.

it, right? You've worked so hard, and I'm so honest with my team

:22:32.:22:34.

about constructive criticism and being honest. Cassius's vocal is

:22:34.:22:38.

sometimes trapped because he sometimes gets very tense. You just

:22:38.:22:42.

let go, and there was no pitching problems. You hit the notes very

:22:42.:22:46.

well. I would have - to be constructive to my team, I would

:22:46.:22:50.

have liked to have seen you turn around and face us more. I think

:22:50.:22:56.

you was a bit scared to move in case you fell off. I get dizzy.

:22:56.:23:02.

Other than that, Cassius, I am so proud of you, congratulations.

:23:02.:23:06.

glad Jessie is proud of me, because she believes in me a lot and my

:23:06.:23:10.

family, my mum - I'm proud that they're here. I hope they're proud

:23:10.:23:13.

of me tonight. Tom, Cassius is building up his vocal stamina this

:23:13.:23:19.

week. It looks like it pays off. Definitely. For the first time I

:23:19.:23:22.

heard him sing, I thought he was strong anyway. Thank you. Whatever

:23:22.:23:26.

he has been doing, it has paid off because he seems stronger and

:23:26.:23:30.

stronger. To take a well-known song like that and do it your own way I

:23:30.:23:34.

think it's more power to you. And Jessie saying with the walking - he

:23:34.:23:37.

looked like - when I walk around these steps, I'm always looking

:23:37.:23:46.

down and seeing what's going on. You might fall. Exactly. It's

:23:46.:23:50.

better to not fall and concentrate on the voice as far as I am

:23:50.:23:56.

concerned, and you did that. Thank you, Tom. Danny, let's come to you.

:23:56.:23:59.

I know you're going to watch it back, and there was a couple of

:23:59.:24:04.

pitch - tuning issues. I would have liked you to get down off it

:24:04.:24:07.

earlier in the performance so you had that connection with the crowd

:24:07.:24:12.

and with us as well. Are you dizzy, by the way? A little, Danny. I have

:24:12.:24:17.

seen you come on week by week. Was that a strong enough performance to

:24:17.:24:21.

get you into the next one? I don't know. I don't know, in fairness.

:24:21.:24:27.

You think so? I might be right. I might be wrong. I think they might

:24:27.:24:32.

disagree with you in here. Let's come to Will. Out of all of the

:24:32.:24:35.

singers on Team Jessie, I'm - you - you're one of my favourites out of

:24:35.:24:43.

all the singers on her team. Thank you. And you - it's your first -

:24:43.:24:46.

because, you know, music - you didn't really have that sensibility

:24:46.:24:55.

today. I think you coming out or releasing music is what the music

:24:55.:24:58.

industry needs, someone with your sensibility and capability, and I

:24:58.:25:01.

hate to use the word "swag" because it's overplayed, but you're like,

:25:01.:25:11.
:25:11.:25:16.

"yo" the way you roll. I feel you. Yeah, it's dope. It is dope. Your

:25:16.:25:21.

performance today was spectacular. I don't know if you was spinning

:25:21.:25:28.

too much. I wasn't even tripping on the spinning. We did have a

:25:28.:25:32.

discussion about the spinning. cool. I would have threw up right

:25:32.:25:42.
:25:42.:25:49.

there - Urgh! But you pulled it off. It's Cassius! Next up from Team

:25:49.:25:55.

Danny, it's Bo. # Make a deal with God.# The one thing that sums up

:25:55.:25:59.

her performance was Kate Bush on her website had a letter to Bo

:25:59.:26:01.

saying, "Watched the show, congratulations. I wish you the

:26:01.:26:05.

best of luck." Kate Bush saw what I did and liked it and liked it

:26:05.:26:08.

enough to say that she was proud of me - it's amazing. I didn't really

:26:08.:26:18.
:26:18.:26:19.

expect to get through that song. So I feel really kind of shocked

:26:19.:26:28.

and proud that I managed to do it and not wobble. Got the first live

:26:28.:26:32.

show out of the way. On her first performance, it was very fragile.

:26:32.:26:36.

We've seen her being blown around the stage like a feather. This one

:26:36.:26:40.

she has to stand there, be like a brick wall. We have to go bigger

:26:40.:26:43.

than this one definitely. I am singing Rihanna, Love The Way You

:26:43.:26:48.

Lie. I think it's such an emotionally charged song, but it's

:26:49.:26:55.

strong. "Stand there and watch me burn!" I'm doing this, I can do

:26:55.:27:04.

life on my own. I need to show my feist. Bo was great in rehearsals.

:27:04.:27:07.

The one thing that always surprises me is her lack of confidence. How

:27:07.:27:10.

are you feeling? I feel pressure. About the performance, or this

:27:10.:27:17.

song? Both. It's so important to me. I feel the pressure to really nail

:27:17.:27:20.

it. Only two people can survive, and this performance has got to be

:27:21.:27:28.

the one. I need to stand on that stage and be brave and be a warrior.

:27:28.:27:38.
:27:38.:28:00.

This time I need to be a rock. # I don't know why I'm

:28:00.:28:10.
:28:10.:28:29.

# Even angels have # Just gonna stand there

:28:29.:28:39.
:28:39.:28:39.

# Just gonna stand there and hear me cry

:28:39.:28:45.

# But that's all right because I love the way you lie

:28:45.:28:51.

# Now there's gravel in our voices

:28:51.:28:56.

# Glass is shattered from the fight

:28:56.:29:02.

# In this tug of war you'll always win

:29:02.:29:08.

# Even when I'm right

:29:08.:29:13.

# Just gonna stand there and watch me burn

:29:13.:29:18.

# But that's all right because I like the way it hurts

:29:19.:29:24.

# Just gonna stand there and hear me cry

:29:24.:29:30.

# But that's all right

:29:30.:29:33.

# Because I love the way I love the way

:29:33.:29:36.

# I love the way you lie . #

:29:36.:29:46.
:29:46.:29:50.

Let's

:29:50.:29:50.

Let's hear

:29:50.:29:50.

Let's hear it

:29:50.:29:59.

Let's hear it for the beautiful Bo! APPLAUSE.

:29:59.:30:02.

OK. Just look in front of you - four superstar coaches on their

:30:02.:30:08.

feet. Tonight you wanted to be a rock here on stage and feel so

:30:08.:30:13.

strong. Find strength in that, surely. I don't know what to say.

:30:13.:30:21.

Yes. Wow, wow. You are pretty wow too, isn't she? That was an amazing

:30:21.:30:24.

performance, you know, Love The Way You Lie, love the way you sing,

:30:24.:30:30.

love the way you look and move around the stage, love everything.

:30:30.:30:33.

I believe you're probably one of the most marketable people in this

:30:33.:30:37.

whole thing. You have an amazing voice, a great ethos, and you sing

:30:37.:30:44.

from here, and everyone feels it. We all feel it. I applaud you. I

:30:44.:30:48.

know you have had a hard time as well, so - and again, she had a bad

:30:48.:30:52.

back all week as well. She gave that performance. You're very

:30:52.:30:56.

special, very, very special, Bo. She is a special lady. Let's come

:30:56.:31:03.

to you. The way you sing is like the kind of stuff I LIKE! Like,

:31:03.:31:06.

from the groups that I like - I love The Cranberries - and the way

:31:06.:31:10.

you sung that song - Rihanna sung it good, but dang, you sung it a

:31:10.:31:18.

whole bunch of times mo'better. Yeah, for real - no disrespect - I

:31:19.:31:28.
:31:29.:31:30.

don't mean any disrespect by that, but Bo, whoa! I'll take that.

:31:30.:31:34.

thought you were going to say Bo Selecta! I wish I could rhyme like

:31:34.:31:43.

that. I wish I could rhyme like that. Cow. Cow? What rhymes with

:31:43.:31:53.
:31:53.:31:53.

cow? How now, brown cow? See, got it. Jessie, what do you make of

:31:53.:31:57.

that performance? I love your voice. I look forward to your performances

:31:57.:32:00.

every week, and you are definitely someone who makes this whole

:32:00.:32:10.
:32:10.:32:10.

competition so versatile, and it's very nice because it's very special.

:32:10.:32:13.

Tom, in the week, I was talking about her nerves, but sometimes

:32:13.:32:18.

nerves can be a great thing, clearly. Well, yeah, nerves is part

:32:18.:32:22.

of being a human being. You know, I mean, we all have nerves, and

:32:22.:32:25.

people come up to me sometimes because I have been around so long,

:32:26.:32:30.

and they say, "I get nervous before I go on stage. Does that ever leave

:32:30.:32:33.

you?" Well, it shouldn't leave you, because if you're nervous, that

:32:34.:32:39.

means you want to do a good job. You're concerned about getting on

:32:39.:32:44.

there and doing the best you can, so being nervous is not bad. Fear

:32:44.:32:51.

is bad. So a little bit of nervousness - yeah. And it didn't

:32:51.:33:01.
:33:01.:33:03.

show, anyway. If you were nervous, It's Bo. This weekend, Danny and

:33:04.:33:07.

Jessie must say goodbye to two of their artists, so it's up to you to

:33:07.:33:14.

get behind your favourite from each Next up from Team Jessie, it's

:33:14.:33:22.

To perform in front of millions of people, that was best feeling ever.

:33:22.:33:25.

I watched it back, and I'm performing, and then it stops, and

:33:25.:33:32.

I go I was like, what happened? took a song from Elvis and gave a

:33:33.:33:36.

performance that everybody loved. Elvis, he used to make it his own,

:33:36.:33:40.

and you have done exactly that. Family and friends' reaction has

:33:40.:33:45.

been cool. It's nice to make your family proud of you. My little

:33:46.:33:51.

cousins are super-excited. Fraser is a massive, massive Jessie J fan.

:33:51.:33:58.

# Forget about the price tag. It's a shame I couldn't be your backing

:33:58.:34:03.

dancer. I wish you could be my backing dancers. You're good enough.

:34:03.:34:08.

This week Vince is singing Whitney Houston's My Love Is Your Love.

:34:08.:34:15.

It's got reggae, feelgood vibes. I want the feel to be like Carnival.

:34:15.:34:20.

In the coldest May in a hundred years, I need to bring the sunshine.

:34:20.:34:25.

Vince is putting Vince on it. taking on a song by one of the best

:34:25.:34:33.

voices - ever. Her range was crazy. It's a little bit of a risk. Vince

:34:33.:34:37.

needs to stop being scared of his voice and not be like, "Oh, the big

:34:37.:34:43.

note is coming. Oh, no. Am I going to get there?" Go, go, go. You need

:34:43.:34:47.

to have more confidence because you can sing it. I am hoping with this

:34:47.:34:50.

performance I'm going to hit the high notes and bring a little

:34:50.:34:54.

sunshine and just - I want to put a little smile on people's faces.

:34:54.:35:04.
:35:04.:35:20.

Singing My Love Is Your Love, it's # And the Lord asks me

:35:20.:35:30.
:35:30.:35:47.

# I will say # And I feel like

:35:47.:35:57.
:35:57.:35:58.

# Your love is my love And my love is your love

:35:58.:36:06.

# It would take an eternity to break us

:36:06.:36:11.

# And the chains of Amistad couldn't hold us

:36:11.:36:14.

# Your love is my love And my love is your love

:36:14.:36:18.

# It would take an eternity to break us

:36:18.:36:23.

# If I should die this very day

:36:23.:36:30.

# Don't cry cos on earth we wasn't meant to stay

:36:30.:36:37.

# And no matter what the people say

:36:37.:36:43.

# I'll be waiting for you after the Judgment Day... #

:36:43.:36:48.

Everybody, clap your hands!

:36:48.:36:58.

# It would take an eternity to break us

:36:58.:37:00.

# And the chains of Amistad couldn't hold us. #

:37:00.:37:10.
:37:10.:37:11.

Let

:37:11.:37:11.

Let me

:37:11.:37:11.

Let me hear

:37:11.:37:19.

Let me hear you - for Vince! Well done. Vince, when you sing, it,

:37:19.:37:24.

like, brings the sunshine into the studio. That was amazing. That's

:37:24.:37:28.

what I was hoping for. It's been really cold, and you want to try

:37:28.:37:32.

bopping a vest in this weather. you hit that note - no problems

:37:32.:37:36.

there. Thank you. He did it, didn't he, nailed it? Do you know what I

:37:36.:37:39.

love about Vince - honestly, you don't know how hard he works. Vince

:37:39.:37:43.

came to me with the idea of that, the visuals, how he wants to dress,

:37:43.:37:47.

how he wants to sing, how he wants to set the song out. It's a

:37:47.:37:52.

pleasure working with someone that knows how they want to be. Thank

:37:52.:37:59.

you, babe. I love your hair tonight. Zig-zag parting is coming back!

:37:59.:38:03.

Vince just puts a smile on your face. You just sing your heart out

:38:03.:38:12.

and - yeah. Tom, it's not an easy job taking a song by a female, a

:38:12.:38:16.

very well-known song - and putting your own stamp on it. No, no, it's

:38:16.:38:19.

not, but it's hard taking anybody else's song when they have done it

:38:19.:38:22.

a certain way, but Vince, when he did the Elvis Presley song, he did

:38:23.:38:28.

it his own way, and that's the talent he has. He doesn't sound

:38:28.:38:34.

like anybody else. He sounds like himself. And he's got such - and

:38:34.:38:43.

he's got such a great vocal range that he can do that. I mean, he can

:38:43.:38:46.

sing in the same key - girls sing in different keys to men. I don't

:38:46.:38:51.

know whether you know that or not, but they do. They sing high. For a

:38:51.:38:54.

man to do a duet with a woman, for instance, you have to compromise

:38:54.:38:58.

with the key, but with Vince, he wouldn't have to do that because he

:38:58.:39:04.

can sing that high. He can do a duet himself. Yeah, you can do a

:39:04.:39:13.

duet with yourself, yes. # Hey! # Hiii!

:39:13.:39:16.

# And the lower edges too. He's got a great range. You're very

:39:16.:39:19.

individual, and that's fantastic. Let's get a quick word from Danny.

:39:19.:39:22.

Vince, I love your vocal. You could literally sing the phone book, and

:39:22.:39:32.
:39:32.:39:37.

it would sound amazing, but I don't The food was a great song, I hope

:39:37.:39:47.

it connected as well at home as it did in the studio. Finally, will?

:39:47.:39:55.

Double time. I'm going to put it out there. Ring the alarm, then so

:39:55.:40:05.
:40:05.:40:35.

Ok, under the circumstances I will How did you feel about the pedal?

:40:35.:40:39.

It went well this time, I was shocked doing it, but I felt

:40:39.:40:45.

because I was in the bottom two, it needs to take as many boxes as I

:40:45.:40:50.

could. Cassius, you came out fighting on that table. You didn't

:40:50.:40:57.

feel ill? No, I've built fine, enjoying the moment. Just working

:40:57.:41:03.

hard, I want this, so enjoy the playing. How about the fact you are

:41:03.:41:06.

the perfect interview height for Holly? He knows what I'm talking

:41:06.:41:15.

about. Your solo went incredibly well. Later on you were going to be

:41:15.:41:18.

performing with the group, and you get quite close in your performance.

:41:18.:41:25.

It gets uncomfortable. Are you ready? Don't be shy. Are you ready

:41:25.:41:35.
:41:35.:41:39.

get in personal space? We are ready. Vince Kidd, well done, fella. The

:41:39.:41:43.

vibe of the studio was incredible. Did you enjoy it? I had so, so much

:41:43.:41:46.

fun. It was just a feel-good song. That's all I wanted to do, make

:41:46.:41:49.

people feel good. Madonna, Elvis Presley, and Whitney Houston you

:41:49.:41:52.

have done now. What's next? I don't know, Reggie - make a Beethoven,

:41:52.:41:58.

OK. We'll see how that goes! Give him a round of applause. Wherever

:41:58.:42:02.

you are, you can connect directly to The Voice and let us know what

:42:02.:42:12.
:42:12.:42:12.

you think. Back to you. Next up, When I performed, I don't even

:42:12.:42:16.

remember it, it's like a big dream. I only wake up when the judges

:42:16.:42:21.

start talking. Ladies and gentlemen, the real Aleks Josh. All I remember

:42:21.:42:25.

is Will.i.am saying that joke. Knock, knock. Michael Buble.

:42:25.:42:31.

Michael Buble who? Exactly. He's growing into a really accomplished

:42:31.:42:37.

artist. It's the first time I've been able to listen to my voice

:42:37.:42:41.

when I am singing, and go, "Yeah, this is good". I've just got to see

:42:41.:42:50.

my fans, OK? Aleks, we love you! He's had lots of marriage proposals

:42:50.:42:57.

and other proposals. All of these girls going, "Can you sign this?"

:42:57.:43:04.

It's weird - it's cool, though. Aleks's session was interesting. I

:43:04.:43:08.

suggested doing a big band session of Jet's Are You Gonna Be My Girl?

:43:08.:43:14.

I thought it was interesting, but my gut wasn't in it. $CYAN So we

:43:14.:43:17.

came with a compromise. I just think my target audience would

:43:17.:43:23.

prefer me to sing Jack Johnson. I chose the song because it brings a

:43:23.:43:27.

smile to my face. Jack Johnson is really down his alley. This

:43:27.:43:31.

competition is a balance between what you think is right to do and

:43:31.:43:35.

what you want to do. I don't want to be the one picked out of the

:43:35.:43:40.

bottom three. I really need that viewers' vote. Aleks Josh knows

:43:40.:43:44.

exactly who he is. Now it's time for the rest of the UK to realise.

:43:44.:43:54.
:43:54.:44:04.

# There's no combination of words I # No song that I could sing

:44:04.:44:08.

# Our dreams are made out of real things

:44:08.:44:11.

# Like a shoe box of photographs with sepia-toned loving

:44:11.:44:17.

# Love is the answer at least for most of the questions in my heart

:44:17.:44:21.

# Like, why are we here?

:44:21.:44:23.

# And where do we go?

:44:23.:44:25.

# And how come it's so hard?

:44:25.:44:27.

# It's not always easy and sometimes life can be deceiving

:44:27.:44:30.

# I'll tell you one thing

:44:30.:44:32.

# It's always better when we're together

:44:32.:44:35.

# Mmm, it's always better when we're together

:44:35.:44:40.

# Yeah, we'll look at them stars when we're together

:44:40.:44:43.

# Well, it's always better when we're together

:44:43.:44:47.

# Yeah, it's always better when we're together

:44:47.:44:56.

# But if all of these dreams

:44:56.:44:57.

# Might find their way into my day-to-day scene

:44:57.:45:00.

# I'd be under the impression I was somewhere in between

:45:00.:45:04.

# With only two, just me and you

:45:04.:45:07.

# So many things we got to do or places we got to be

:45:07.:45:11.

# We'll sit beneath the mango tree now

:45:11.:45:15.

# I believe in memories They look so so pretty when I sleep

:45:15.:45:20.

# Hey now

:45:20.:45:22.

# And when I wake up, you look so pretty sleeping next to me

:45:22.:45:30.

# But there is not enough time

:45:30.:45:34.

# And there is no No song I can sing

:45:34.:45:38.

# And there is no combination of words

:45:38.:45:43.

# I could say but I will still tell you one thing

:45:43.:45:47.

# We're better together

:45:47.:45:50.

# Still tell you one thing

:45:50.:45:55.

# We're better together. #

:45:55.:46:04.

APPLAUSE

:46:04.:46:08.

Ladies

:46:08.:46:08.

Ladies and

:46:08.:46:08.

Ladies and gentlemen,

:46:08.:46:13.

Ladies and gentlemen, give it up for Aleks. You are so cute. Just

:46:13.:46:18.

tell me, when you're singing that song, who do you think about?

:46:18.:46:23.

Thanks very much. Let's go straight to Danny, shall we? Can you hear

:46:23.:46:30.

that? That's the sound of the whole of the UK's heart breaking. What I

:46:30.:46:33.

love about you is you know what you're good at, and you know, we

:46:33.:46:36.

fought over this song during the week about, you know, how

:46:36.:46:39.

passionate you were about your own music, your own fan base, all the

:46:39.:46:42.

research you have done online has been incredible because we've now

:46:42.:46:49.

come up with this song and the sound. I just - I'm so proud of you.

:46:49.:46:53.

You know, I'm really proud of you. That was a great performance. It

:46:53.:47:01.

really was. Thank you, Danny. Will? I like the whole style and stuff.

:47:01.:47:09.

You know what I'm talking about. Not like that though. I think it's

:47:09.:47:14.

cool. Your whole thing is fresh. Just - one times, two times, three

:47:14.:47:18.

times, four times - the fifth time, I want to see you come out a little

:47:18.:47:23.

more. I want to see different variations. The first time was

:47:23.:47:27.

fresh. The second time was dope. The third time was that cool - the

:47:27.:47:34.

fifth time was, "Dang, that again". I want Danny to push you. It's hard

:47:34.:47:38.

to push someone. He's 17 years old. He's the youngest person in the

:47:38.:47:46.

competition. APPLAUSE Of Now, he knows what

:47:46.:47:50.

songs he wants to do. The staging for this, what you see on TV is

:47:50.:47:53.

he's actually on a beach. There's a lot of close-up shots. That's the

:47:53.:47:56.

type of guy he is. He's not a strong singer. He's a strong tone.

:47:56.:47:59.

And he knows that. You know that more than anybody, don't you,

:47:59.:48:03.

Aleks? Yeah. He made a promise to me last week that if he gets past

:48:04.:48:07.

this stage, then we start to experiment a lot more. He said,

:48:07.:48:11.

"Please let me be in my comfort zone". I just felt the first two

:48:11.:48:15.

shows didn't show what I was about. I just wanted you to get to know

:48:15.:48:21.

what I'm about. Hear, hear. Wait. I totally agree with that, and I

:48:21.:48:24.

respect that, but just because you sing that song doesn't mean it has

:48:24.:48:29.

to be done the way Jack Johnson did it. You could do it your way.

:48:29.:48:33.

Johnson doesn't have a harmonica on him. He wasn't playing the

:48:33.:48:38.

harmonica. The show is called The Voice, not The Harmonica. I am just

:48:38.:48:42.

saying the arrangement could have shown you more. If you were on my

:48:42.:48:47.

team, I would have had it a little more different. That's all it is.

:48:47.:48:50.

Let's hear from Jessie. I think it's very safe, and I found myself

:48:50.:48:54.

doing this, and I was like, "When's it going to get more exciting?"

:48:54.:49:02.

understand. I just feel... No, this is good. We're coaches. That's what

:49:02.:49:06.

it's all about. I am telling you this because I care. I don't have

:49:06.:49:10.

to be here, I want to be honest with you because that's what the

:49:10.:49:13.

industry is, believe me, and I think you've got a great tone. I

:49:13.:49:17.

think you have a great tone, but I would have given you maybe a Ga Ga

:49:17.:49:22.

song and sung it like that. That would have made him go, "Whoa!" And

:49:22.:49:27.

done it different. It was too comfortable. Let's come to Tom. Tom,

:49:27.:49:34.

we have to remind ourselves, he is only 17. 17 - you rock that! He's

:49:34.:49:38.

not 17. You came this far. If you were 17, you would have been out a

:49:38.:49:43.

long time ago. You can't base it on age. Can I say something? When I

:49:43.:49:49.

was 17 I wanted to set the world on fire. You know what I mean? 17 to

:49:49.:49:56.

me is not a time to relax. Ain't time to relax! But you know, you've

:49:56.:50:00.

got to get up there - as far as I was concerned that performance was

:50:00.:50:07.

really relaxed! Relaxed! I am ad- libbing. Then when you say "He's

:50:07.:50:13.

only 17" - I wasn't that relaxed at 17. Yeah! Yeah, I hit puberty.

:50:13.:50:17.

not that relaxed now! But it just seemed too relaxed for me. But

:50:17.:50:24.

Aleks, it's just too safe for you. Well, that is the opinions of the

:50:24.:50:30.

coaches. What did we make of it in here, ladies? I'm so with you lot.

:50:30.:50:34.

Do you want to say something? please. I just want to say, I

:50:34.:50:37.

understand completely where you're coming from. Maybe it was a little

:50:37.:50:40.

bit safe, but I just feel that there's a lot of singers in this

:50:40.:50:43.

competition that are real powerful singers and give a big performance,

:50:43.:50:46.

but for this week for me, for a break, maybe just to have something

:50:46.:50:54.

a little bit more chilled out. knows the score. It's up to you

:50:54.:50:57.

ultimately at home. You've got the phone numbers. If you think Aleks

:50:57.:51:06.

has the voice, you know what to do. Next up from Team Jessie, it's

:51:06.:51:16.

I was quite proud of myself after my first live show. That was a

:51:16.:51:21.

really brave number because you had like the longest cord ever. I am

:51:21.:51:25.

quite glad I didn't fall down the stairs with my microphone lead.

:51:25.:51:29.

would say you're a modern form of Janis Joplin. (I don't know who

:51:29.:51:33.

that is, but I am going to think it's good.) No, she's hungry to

:51:33.:51:36.

learn, her voice is getting better every week, I'm glad the public can

:51:36.:51:44.

sing that. I am singing Seven Nation Army by White Stripes.

:51:44.:51:52.

needs to be quite forceful with this. Who are you singing this to?

:51:52.:51:58.

Everyone who has ever put me down. There we go. I reminded her of

:51:58.:52:05.

anyone who has ever made you feel this big - that's who this is for.

:52:05.:52:11.

# And the message is coming from my heart.

:52:11.:52:14.

I think she's learning a lot about herself. I think she's growing up.

:52:14.:52:17.

Welcome to the real world, Becky Hill. I have lived in my own little

:52:18.:52:21.

town for 18 years. I've never felt like I should be there. I have come

:52:21.:52:25.

down here and met a load of people and felt for the first time,

:52:25.:52:30.

accepted. It must be a different world. It's good, though. I kind of

:52:30.:52:35.

get the feeling that everyone kind of gets on with me. They do.

:52:35.:52:38.

always used to think it was such a big dream that it was never

:52:38.:52:43.

reachable, and now I kind of think it could be. Nothing can hold her

:52:43.:52:49.

back. She's just going to go for it. Here, singing Seven Nation Army for

:52:49.:52:59.
:52:59.:53:13.

# A seven-nation army # Taking their time

:53:13.:53:23.
:53:23.:53:26.

# Back and forth through my mind Behind a cigarette

:53:26.:53:33.

# And the message comin' from my eyes says leave it alone

:53:33.:53:41.

# Leave alone

:53:41.:53:44.

# Oh, leave it alone

:53:44.:53:49.

# Leave it alone

:53:49.:53:53.

# Ohhhhh

:53:53.:54:00.

# Don't wanna hear about it

:54:00.:54:04.

# Every single one's got a story to tell

:54:04.:54:08.

# Everyone knows about it

:54:08.:54:11.

# From the Queen of England to the hounds of hell

:54:11.:54:15.

# And if I catch it comin' back my way

:54:15.:54:19.

# I'm gonna serve it to you

:54:19.:54:22.

# And that ain't what you want to hear

:54:22.:54:26.

# But that's what I'll do

:54:26.:54:31.

# And the feeling coming from my bones says, find a home

:54:31.:54:37.

# Find a home

:54:37.:54:39.

# Hey, oh, find a home Yeah

:54:39.:54:42.

# Oh find a home. #

:54:42.:54:47.

# Oh find a home. #

:54:47.:54:49.

Oh, come on!

:54:49.:54:58.

# A seven-nation army couldn't hold me back. #

:54:58.:55:06.

APPLAUSE

:55:06.:55:10.

Ladies

:55:10.:55:10.

Ladies and

:55:10.:55:11.

Ladies and gentlemen,

:55:11.:55:21.
:55:21.:55:26.

Ladies and gentlemen, let me hear you for Becky. Well done, Becky.

:55:26.:55:29.

You said you didn't realise this dream was achievable. After that

:55:29.:55:32.

performance, do you feel one step closer? I don't know. I don't know.

:55:32.:55:36.

I hope so. Were you not pleased with that? I don't know. There was

:55:36.:55:39.

a lot of things that went wrong. At least I had a microphone lead this

:55:39.:55:43.

time, but there were lots of things to think about. Thanks. I love you

:55:43.:55:46.

too. But I don't know what's going on. Let's get some sense out of

:55:46.:55:50.

Jessie. Becky Hill, look at me. You need to realise how amazing your

:55:50.:55:58.

voice is, really. Seriously. Seriously. Come on. I screwed up so

:55:58.:56:05.

bad. Calm down. Calm down. Take a moment, OK? Thank you. Calm down.

:56:05.:56:14.

You're amazing. OK. That's it. You can move on. She's got bundles of

:56:14.:56:19.

energy. It's about focusing it in the right place. Do you know what

:56:19.:56:22.

I'm excited about with Becky is she hasn't shown everything she's got

:56:22.:56:26.

at all, and she shouldn't have done yet, but I can't wait to get you to

:56:26.:56:29.

sing slow stuff so people can really hear your tone, but for me

:56:29.:56:33.

this week was about people getting to see the way her voice sounds - I

:56:33.:56:37.

got told to explain words I use - do you know what, the way you just

:56:37.:56:41.

got this place on their feet - and I am sure everyone at home was just

:56:41.:56:51.
:56:51.:56:51.

like loving it eating their dinner, just loving it. Even Tom was up on

:56:51.:57:01.
:57:01.:57:01.

his feet. I was. Tom, has she done enough? What? Has she done enough?

:57:01.:57:07.

Enough? She always does enough for me every time I see the girl. You

:57:08.:57:10.

know what I was talking about, Aleks being cool and relaxed -

:57:11.:57:16.

Becky is the opposite. She's on fire as far as I am concerned, this

:57:16.:57:23.

girl. You know, she takes it the other way. She takes it to the

:57:23.:57:27.

extreme - so much so that sometimes I get a little concerned in the way

:57:27.:57:29.

that she sings because I am frightened you might hurt your

:57:30.:57:35.

voice. Me too. Just speaking technically as a singer. You have

:57:35.:57:39.

to watch you don't blow it. You're a young girl, so please, try and

:57:39.:57:45.

respect, you know, your voice. I know how you feel inside. You know,

:57:45.:57:48.

you want to rip it apart, and I know that feeling, but always

:57:48.:57:55.

remember that you only have one voice and... Yeah. Try and save it.

:57:55.:58:00.

Danny? By the way, just before I forget because last week I compared

:58:00.:58:04.

you to Janis Joplin, and I think you didn't know who she was. She

:58:04.:58:09.

was a great singer in the '60s, you know. Before my time. That's why.

:58:09.:58:13.

Yeah, and I did a duet with that girl, so that's why I compared you

:58:13.:58:17.

to her because I was up close listening to her sing, and she had

:58:17.:58:23.

the same fire as you've got now. That's why. A huge compliment!

:58:23.:58:29.

Danny? I duetted with a lot in my time. I've duetted with Tom, Jessie,

:58:29.:58:33.

Will, and I would love to duet with you. I think you're a fantastic

:58:33.:58:37.

performer. I think you held the crowd in the palm of your hand. If

:58:37.:58:41.

I didn't know and they put you on stage and said on the results show

:58:41.:58:44.

saying you were the act, I would be stamping my feet and clapping

:58:44.:58:47.

because I think you're pretty much there. Thank you. Will, a quick

:58:47.:58:52.

word from you, please. It was fantastic. Lots of energy, lots of

:58:52.:58:59.

attitude. Every note was on point. It was great. I don't know what

:58:59.:59:09.
:59:09.:59:14.

you're worried about, but it was This weekend, two artists from each

:59:14.:59:17.

team must leave the competition. The singer with the highest public

:59:17.:59:20.

vote on each team will automatically go through to the

:59:20.:59:29.

semifinal. Your favourite needs you. David Julien got on well in his

:59:29.:59:32.

performance. I had the graphics with the rain and the umbrellas

:59:32.:59:37.

above me. I got to kick the floor and the puddles - that just felt

:59:37.:59:42.

awesome. I could never have done that in a pub gig. I'm the proudest

:59:43.:59:45.

man on earth. It was fantastic. You really done everybody back home

:59:46.:59:55.
:59:56.:59:56.

proud. Oh! I am at a loss for words. Boom! Oh! Coming into the next

:59:56.:59:59.

stage of the competition, we need a song that has a lyric, something

:59:59.:00:02.

that really means you, something that can relate to your past. I

:00:02.:00:06.

think Maroon 5 She Will Be Loved is going to paint you in the best

:00:06.:00:11.

light. Your embellishment of it will be amazing. I can relate to

:00:11.:00:15.

this song a lot. This song is about wanting someone you can't have.

:00:15.:00:19.

Personally for me, I definitely have been in that situation. It has

:00:19.:00:23.

taken awhile to get over it. When you're willing to do anything you

:00:23.:00:27.

can for this person, and then there is nothing that you can do to try

:00:27.:00:31.

to win her over. When you're actually thinking about a past love,

:00:31.:00:36.

you can't help but really evoke those emotions. Gorgeous, man. When

:00:36.:00:43.

you go to that place, it really shows. David is a hopeless romantic.

:00:43.:00:46.

You can hear it in his voice when he sings a song that means

:00:47.:00:51.

something. There is one specific girl I'll be thinking about. I can

:00:51.:00:55.

see her face. Secretly I'll be hoping she'll hear me singing and

:00:55.:01:00.

know I am singing for her. I hope that person is watching because I

:01:00.:01:03.

think they're really going to get the message. Singing She Will Be

:01:03.:01:13.
:01:13.:01:20.

# Beauty queen of only 18 # He was always there to help her

:01:20.:01:30.
:01:30.:01:30.

# I drove for miles and miles and wound up at your door

:01:30.:01:38.

# I've had you so many times but somehow I want more

:01:38.:01:48.
:01:48.:01:49.

# I don't mind spending every day

:01:49.:01:52.

# Out on your corner in the pouring rain

:01:52.:01:57.

# Look for the girl with the broken smile

:01:57.:02:01.

# Ask her if she wants to stay a while

:02:02.:02:06.

# And she will be loved

:02:06.:02:10.

# And she will be loved

:02:10.:02:18.

# I know where you hide alone in your car

:02:18.:02:23.

# Know all of the things that make you who you are

:02:23.:02:28.

# I know that goodbye means nothing at all

:02:28.:02:32.

# Comes back and begs me to catch her every time she falls

:02:32.:02:39.

# And she will be loved

:02:39.:02:44.

# And she will be loved

:02:44.:02:49.

# And she will be loved

:02:49.:02:59.
:02:59.:03:14.

Let's hear it one more time for David! Well done you. Thank you.

:03:15.:03:19.

That was so beautiful. I bet your mystery girl, whoever she is, has

:03:19.:03:25.

changed her mind now. I don't know. What do you think? I thought it was

:03:25.:03:29.

amazing. You did beautifully. You always do. Danny? Yeah, probably

:03:29.:03:33.

sitting there going, "How you like me now? How you like me now?" Boom-

:03:33.:03:38.

boom-bow! To be honest, we've kind of went left field with you as well,

:03:38.:03:42.

you know? You've taken every song I've thrown at you, and you really,

:03:42.:03:45.

really have done me very proud. This one we went a little bit

:03:45.:03:49.

straight down the middle. I thought this was a great way to paint you

:03:49.:03:52.

out. You're such an earnest guy. You come from a working class

:03:52.:03:55.

Manchester background. You quit your job to be here. I just thought,

:03:55.:04:00.

what a great way to show the rest of the UK. Honestly, what a

:04:00.:04:03.

fantastic - I really hope whoever you were singing that about was

:04:03.:04:10.

watching. Yeah, get to the back of the queue, love! Will, let's get

:04:10.:04:20.
:04:20.:04:27.

you. It was cool. LAUGHTER. It was real cool. I liked it. A man of few

:04:27.:04:31.

words tonight, it seems. No, I don't know if I want to be the one

:04:31.:04:35.

that always has to go in and... in. Tell exactly how I feel. You're

:04:35.:04:41.

not here to lie. Go ahead. This is real critical, right? It's a real

:04:42.:04:45.

critical part of the whole show, right? Two of Danny's team are

:04:46.:04:49.

going to leave, and the way that you guys are going about picking

:04:49.:04:56.

songs doesn't seem like it's as dire as it is. I think you guys are

:04:56.:05:00.

just woop-dy do, like you do in the park. You think this isn't a great

:05:01.:05:08.

song? Listen. I am not saying - hold on. Wait. Wait. I didn't say

:05:08.:05:12.

it's not a great song. I said the arrangement and how you guys are

:05:12.:05:15.

performing is not to the level it needs to be at for something this

:05:15.:05:18.

important, depending where you're going to go. Your team were better?

:05:18.:05:25.

I didn't hear what you said? I said your team were better at doing it?

:05:25.:05:32.

No. Hold on. Hold on. No fighting allowed, by the way. No, no, no.

:05:32.:05:37.

It's not that this is not - wait. Will, this is not about Team Jessie

:05:37.:05:42.

or Team Danny. I am not going to make you feel like this is about

:05:42.:05:46.

you against him. It's not whose team is better. It's about being

:05:46.:05:51.

constructive to each individual artist. But when you make

:05:51.:05:56.

outlandish statements. No, but... That's a bad sign? I didn't say,

:05:56.:06:00.

"When I was coaching him", I said I don't know how you guys go about

:06:00.:06:05.

preparing for the show. collaborate. # Stop collaborating,

:06:06.:06:15.
:06:16.:06:16.

I am going to stop you there. Jessie, we're going to have to stop

:06:16.:06:26.
:06:26.:06:29.

Here comes the final Team Jessie solo performance. It's Toni.

:06:29.:06:34.

Walking out on that stage was the most amazing feeling. I was a

:06:34.:06:38.

little disappointed at being in the bottom two. The person that I'm

:06:38.:06:44.

going to be saving You don't want it to end. Is Toni. I was so happy

:06:44.:06:50.

Jessie saved me. I want to show her this week that she made the right

:06:50.:06:53.

decision. After the live performance, I went home for a

:06:53.:06:59.

couple of days. My children are a little bit too young to understand

:06:59.:07:03.

The Voice. When you're with your children, there is little time to

:07:03.:07:06.

think about anything else, but then it's also great to come back,

:07:06.:07:14.

because you need time to think purely about Saturday night. Bye!

:07:14.:07:17.

This week Toni is singing Sorry Seems To Be The Hardest Word by

:07:18.:07:27.
:07:28.:07:28.

Elton John. Come on. Sing through it. Come on. It's real. It's what

:07:28.:07:33.

it is. I'm an emotional person, but this is just another level.

:07:33.:07:37.

need to let it out and know why you're singing and tap into it.

:07:37.:07:40.

just scared to death because I can't be a wreck on stage. You can

:07:40.:07:44.

do it, Toni. You need to sing your heart on to the floor, then close

:07:45.:07:49.

yourself back up and leave the stage. It's about striking a

:07:49.:07:54.

balance. I need to pour out my emotion, but not too much to ruin

:07:54.:08:04.
:08:04.:08:18.

my performance. Singing Sorry Seems # What have I got to do

:08:18.:08:28.
:08:28.:08:31.

# Oh, what do I do when lightning strikes me

:08:31.:08:38.

# And I wake to find that you... you're not there?

:08:38.:08:47.

# Oh, what have I got to do to make you want me?

:08:47.:08:55.

# What have I got to do to be heard?

:08:55.:09:03.

# Oh, what do I say when it's all over

:09:03.:09:11.

# And sorry seems to be the hardest word?

:09:11.:09:19.

# Oh, oh

:09:19.:09:21.

# It's sad, so sad It's a sad, sad situation

:09:21.:09:28.

# And it's getting more and more absurd

:09:28.:09:35.

# Oh, yeah

:09:35.:09:37.

# It's sad, so sad

:09:37.:09:40.

# Why can't we talk it over?

:09:40.:09:46.

# Said it seems to me

:09:46.:09:49.

# That sorry seems to be

:09:49.:09:54.

# Said it seems to be the hardest word

:09:54.:09:59.

# Oo-oo-oo-ooh, yeah

:09:59.:10:06.

# The hardest word... #

:10:06.:10:16.
:10:16.:10:23.

Give

:10:23.:10:23.

Give it

:10:24.:10:24.

Give it up

:10:24.:10:34.
:10:34.:10:36.

And Well done. So classy and beautiful. You got through it. Are

:10:36.:10:41.

you OK? Don't crumble on me now! How much would it mean to you to

:10:41.:10:46.

get through to the semifinals? Because that's what we're playing

:10:46.:10:49.

for tonight. Oh, my gosh. It would mean the absolute world. This is my

:10:49.:10:52.

life, music. Singing is my life! And thank you so much, everybody.

:10:52.:10:59.

Thank you, Jessie. Thank you - God bless you. OK. Let's go to Jessie.

:10:59.:11:03.

Vocally, I said to Toni, do what you want. Be yourself. I want to

:11:03.:11:06.

see the world, see you fly, which is why there's birds, and it's

:11:06.:11:10.

simple and it's just Toni and her voice, and the one thing I will say,

:11:10.:11:14.

I'm so proud of you - I have tears in my eyes - I believed you, and

:11:14.:11:19.

everyone here and at home, you felt the silence, and it was amazing.

:11:19.:11:25.

You didn't show those nerves. Tom, let's come to you. Yes. Well, I

:11:25.:11:28.

loved it, you know, and I can't say much more than Jessie's already

:11:28.:11:32.

said. You moved me. You got into the song. You have so much emotion

:11:32.:11:35.

when you sing, which I think is wonderful, and you use it to your

:11:35.:11:40.

advantage. You don't let it crush you. You shine with it, and that

:11:40.:11:49.

was great. And it's always a good sign four of them are on their feet.

:11:49.:11:52.

One more time for Toni. All eight artists have performed, so let's

:11:52.:11:55.

get some reactions with Reggie Yates in the V room.

:11:55.:12:02.

Thank you very much. Let's get some reactions from our artists. Now,

:12:02.:12:04.

Aleks, you have the group performance coming up very song.

:12:04.:12:08.

What are you going to be singing? Gotye, Somebody I Used To Know.

:12:08.:12:11.

you going to take your hands out of your pockets for this performance?

:12:11.:12:16.

Yeah. They're not glued in, good. Becky, the semifinals are looming.

:12:16.:12:20.

How do you feel? Do you dare to dream about them right now?

:12:20.:12:24.

know what, I just want to get through so bad. This has been such

:12:24.:12:27.

a wicked experience. I love being here more than anything. I just

:12:27.:12:32.

hope I have done enough. You did great. Now David, this mystery girl,

:12:32.:12:36.

do you think you impressed her tonight? I put as much as I could

:12:36.:12:41.

of me into the song, so I hope so, yeah. Who was that mystery girl? Is

:12:41.:12:46.

it Holly by any chance? Oh, you got me. I think it was Holly. Toni's

:12:46.:12:50.

not here just yet, unfortunately. Let's crack on. There is so much

:12:50.:12:53.

emotion here in the V room, Holly, and remember, your comments come to

:12:53.:12:59.

us directly, so keep on posting. All the details you need are on the

:12:59.:13:05.

screen. Get in here Toni, give her a cheer. Holly, it's back to you.

:13:05.:13:08.

Hello. Before we open the phone lines, it's nearly time for Team

:13:08.:13:11.

Danny the take to the stage with their famous coach, but first,

:13:11.:13:17.

let's check out how he got them all In preparations for this week's

:13:17.:13:20.

group performance, I am bringing them down to the studio to see what

:13:20.:13:24.

it's really like to be in a band. The Script. How you doing? You guys

:13:24.:13:28.

are performing as a group, but I thought in between why don't you

:13:28.:13:33.

perform with our group? Amazing! was magic. We didn't think we'd get

:13:33.:13:38.

to sing with them and hear them do their thing. To hear them singing

:13:38.:13:43.

to me, I couldn't stop smiling. Danny has a great pool of talent,

:13:43.:13:48.

they're all brilliant singers. They all have their own style, which is

:13:48.:13:51.

amazing. This is the most ridiculous experience. I'm loving

:13:51.:13:56.

it. Jamming session done, it's time to take a break from the studio.

:13:56.:14:02.

am going to take you guys go- karting. I am from Stevenage. Lewis

:14:02.:14:06.

Hamilton was from there. Stevenage boys are good at racing. I've got a

:14:06.:14:09.

slipped disc, so I ended up starting the race. Are you ready,

:14:09.:14:19.
:14:19.:14:20.

Dan and David are having a proper fight. Fun to run him off the road.

:14:21.:14:25.

I ran him off the road. I didn't really see a lot of him to be

:14:25.:14:30.

honest. I was well ahead. Come on! Aleks beforehand thought he had

:14:30.:14:35.

everybody beat, and he kind of came last. I blame it on the car, really,

:14:35.:14:39.

if I am honest. I'm a good loser, you know what I mean? It's all

:14:39.:14:44.

right. Max Milner. The day has been amazing. We all feel like a team,

:14:44.:14:48.

and to perform together is going to be great. If we have as much fun on

:14:48.:14:56.

Saturday as we did today on the track, it's going to be smashing.

:14:56.:15:00.

They can do a circuit, but who is going to go the distance? Here with

:15:00.:15:10.
:15:10.:15:11.

Somebody I Used To Know, it's Aleks, # Now and then I think of

:15:11.:15:21.
:15:21.:15:24.

# Told myself that you were right for me

:15:24.:15:28.

# But felt so lonely in your company

:15:28.:15:32.

# But that was love and it's an ache I still remember

:15:32.:15:39.

# You can get addicted to a certain kind of sadness

:15:39.:15:45.

# Like resignation to the end Always the end

:15:45.:15:54.

# So when we found that we could not make sense

:15:54.:15:58.

# Well, you said that we could still be friends

:15:58.:16:02.

# But I'll admit that I was glad it was over

:16:02.:16:08.

# But you didn't have to cut me off

:16:08.:16:14.

# Acting like it never happened and that we were nothing

:16:14.:16:17.

# And I don't even need your love

:16:17.:16:21.

# But you treat me like a stranger and I feel so rough

:16:21.:16:25.

# No, you didn't have to stoop so low

:16:25.:16:28.

# Have your friends collect your records and then change your number

:16:28.:16:32.

# I guess that I don't need that, though

:16:32.:16:36.

# Now you're just somebody that I used to know

:16:36.:16:44.

# Now and then I think of all the times you screwed me over

:16:44.:16:49.

# Part of me believing it was always something that I'd done

:16:49.:16:57.

# I don't wanna live that way

:16:57.:17:01.

# Reading into every word you say

:17:01.:17:05.

# You said that you would let it go

:17:05.:17:08.

# And I wouldn't catch you hung up on somebody that you used to know

:17:08.:17:15.

# But you didn't have to cut me off

:17:15.:17:17.

# Make out like it never happened and that we were nothing

:17:17.:17:21.

# And I don't even need your love

:17:21.:17:24.

# But you treat me like a stranger and I feel so rough

:17:24.:17:27.

# No, you didn't have to stoop so low

:17:27.:17:31.

# Have your friends collect your records and then change your number

:17:31.:17:35.

# I guess that I don't need that, though

:17:35.:17:38.

# Now you're just somebody that I used to know

:17:38.:17:42.

# Somebody

:17:42.:17:44.

# I used to know

:17:44.:17:45.

# Somebody

:17:45.:17:47.

# Now you're just somebody that I used to know. #

:17:47.:17:55.

# Now you're just somebody that I used to know. #

:17:55.:18:04.

Everyone,

:18:04.:18:04.

Everyone, it's

:18:04.:18:05.

Everyone, it's Team

:18:05.:18:09.

Everyone, it's Team Danny. That was so cool - the artists becoming ours.

:18:09.:18:14.

Thanks, guys. By next weekend, only four of tonight's artists will be

:18:15.:18:19.

back on your screens. You know what to do, and you know how to do it

:18:20.:18:24.

because the phone lines are now open. They'll close tonight at

:18:24.:18:34.
:18:34.:18:39.

8.30pm. Calls cost 25p from BT and As the teams get smaller, the

:18:39.:18:43.

competitions get tougher, but it's still all about the voice. Here's a

:18:43.:18:53.
:18:53.:18:53.

Apology for the loss of subtitles for 59 seconds

:18:53.:19:53.

reminder about the performances and # I won't let you close enough

:19:53.:20:03.
:20:03.:20:09.

# And I won't rescue you # It's time to say goodbye

:20:09.:20:19.
:20:19.:20:59.

# In this tug of war # Just gonna stand there

:20:59.:21:09.
:21:09.:21:10.

# Just gonna stand there and hear me cry

:21:10.:21:15.

# But that's all right

:21:15.:21:18.

# Because I love the way I love the way

:21:18.:21:20.

# I love the way you lie . #

:21:21.:21:30.
:21:31.:21:42.

# Your love is my love And my love is your love

:21:42.:21:44.

# It would take an eternity to break us

:21:44.:21:47.

# And the chains of Amistad couldn't hold us

:21:47.:21:52.

# If I should die this very day

:21:52.:21:56.

# Don't cry cos on earth we wasn't meant to stay

:21:56.:22:02.

# And no matter what the people say

:22:02.:22:08.

# I'll be waiting for you after the Judgment Day... #

:22:08.:22:18.
:22:18.:22:33.

# And when I wake up, you look so pretty sleeping next to me

:22:33.:22:42.

# But there is not enough time

:22:42.:22:47.

# And there is no No song I can sing

:22:47.:22:51.

# And there is no combination of words

:22:51.:22:55.

# I could say but I will still tell you one thing

:22:55.:22:59.

# We're better together

:22:59.:23:05.

# We're better together. #

:23:05.:23:15.
:23:15.:23:18.

# I'm gonna serve it to you

:23:18.:23:20.

# And that ain't what you want to hear

:23:20.:23:22.

# But that's what I'll do

:23:23.:23:25.

# And the feeling coming from my bones says, find a home

:23:25.:23:31.

# Find a home

:23:31.:23:38.

# Hey, oh, find a home Yeah

:23:38.:23:41.

# Oh find a home. #

:23:42.:23:43.

Oh, come on!

:23:44.:23:51.

# A seven-nation army couldn't hold me back. #

:23:51.:24:01.
:24:01.:24:05.

# And she will be loved

:24:05.:24:10.

# I know where you hide alone in your car

:24:10.:24:13.

# Know all of the things that make you who you are

:24:13.:24:16.

# I know that goodbye means nothing at all

:24:16.:24:20.

# Comes back and begs me to catch her every time she falls

:24:20.:24:29.

# And she will be loved

:24:29.:24:32.

# And she will be loved

:24:32.:24:37.

# And she will be loved

:24:37.:24:47.
:24:47.:25:00.

# Oh, what do I say # And sorry seems to be

:25:00.:25:04.

# It's sad, so sad It's a sad, sad situation

:25:04.:25:11.

# And it's getting more and more absurd

:25:11.:25:18.

# Oh, yeah

:25:18.:25:20.

# It's sad, so sad

:25:20.:25:23.

# Why can't we talk it over?

:25:23.:25:27.

# Said it seems to me

:25:27.:25:31.

# That sorry seems to be

:25:31.:25:38.

# Said it seems to be the hardest word

:25:38.:25:48.
:25:48.:25:49.

So

:25:49.:25:49.

So we

:25:49.:25:49.

So we will

:25:49.:25:52.

So we will see you tomorrow night, we will have some special

:25:52.:26:02.
:26:02.:26:10.

Wow, what a an amazing night and an Plus, two incredible duets from

:26:10.:26:13.

Team Tom and Team Will as we hear from the cool combination of Tyler

:26:13.:26:17.

and Jazz, and the vocal powerhouses that are Jan and Ruth. We can't

:26:17.:26:22.

wait here in the studio. That is all to come at 7.25pm. Plus, we'll

:26:22.:26:25.

find out which artists from Team Jessie and Team Danny have your

:26:25.:26:29.

support. Remember, vote for your favourite, or there is a chance

:26:29.:26:35.

they won't be back here in next week's semifinal. You have until

:26:35.:26:39.

8.30pm tonight to make your vote. Thanks to the hardest working band

:26:39.:26:42.

Download Subtitles

SRT

ASS