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This is like the King Kong of sing- songs. Last week, Tom and Will's | :00:11. | :00:15. | |
artists knew their future on The Voice hung on just one performance. | :00:15. | :00:22. | |
One song between glory and going home. And one singer from each team | :00:22. | :00:28. | |
was saved by your votes. It's Ruth. Jazz. Leaving their coaches to save | :00:28. | :00:37. | |
just one more... I must go with Leanne. Tyler. This weekend it's | :00:37. | :00:41. | |
Team Jessie and Team Danny whose numbers will be halved. This week | :00:41. | :00:46. | |
I'll be losing two artists. I don't want to say goodbye to anybody. | :00:46. | :00:49. | |
the first time they'll be joined on stage with their coaches for two | :00:49. | :00:56. | |
unique numbers. It's going to be They're prepared to strike. And go | :00:56. | :01:00. | |
full throttle. But for four of these artists, tonight's | :01:00. | :01:04. | |
performances will be the last in this arena. It's going to be the | :01:05. | :01:09. | |
survival of the fittest. Are you in this to win it? The semifinals | :01:09. | :01:14. | |
await. Now is going to be the time to give a performance no-one is | :01:14. | :01:18. | |
going to forget. But who goes on? And who goes home? This is The | :01:18. | :01:28. | |
:01:28. | :01:40. | ||
Good evening, and welcome to The Voice. We're now just one week away | :01:40. | :01:44. | |
from our semifinal. And if Jessie and Danny's artists want to book a | :01:44. | :01:48. | |
place, they'll have to sing each other out of the competition. | :01:48. | :01:51. | |
the first time, these teams will be performing with their very own | :01:51. | :01:56. | |
coaches. Let's meet the A-listers. He's the man who can be moved and | :01:56. | :02:02. | |
often is, it's Danny O'Donoghue. Look up "legend" on Wikipedia and | :02:02. | :02:08. | |
his face pops up or should do - it's Sir Tom Jones. Surrounded by | :02:08. | :02:13. | |
the boys, but always making her voice heard, it's Jessie J. | :02:13. | :02:15. | |
Reinventing the English language every Saturday night - this is how | :02:15. | :02:25. | |
:02:25. | :02:27. | ||
Now, this weekend your votes will guarantee the top artists from each | :02:27. | :02:30. | |
team a place in next week's semifinal. Then from their | :02:30. | :02:34. | |
remaining three singers Jessie and Danny can only save one. This won't | :02:34. | :02:38. | |
be easy for anybody. You're moments away from performing with your team. | :02:38. | :02:46. | |
How are you feeling about that? am so excited. I can't wait. I'm | :02:46. | :02:52. | |
watching him. We're going to arm wrestle later. I'm blatantly going | :02:52. | :02:57. | |
to lose, but bring it on! Danny, your artists can't afford to be | :02:57. | :03:00. | |
anything less than spectacular tonight, right? They can't. I got | :03:00. | :03:05. | |
no money, nothing in my pockets, no. You can see the nerves - very, very | :03:05. | :03:12. | |
steady, very steady tonight. Good, fighting talk! Now, last week, if | :03:12. | :03:15. | |
you looked over there, you would have seen it was filled with Will | :03:15. | :03:22. | |
and Tom's teams but look. They barely fill a row. You OK, guys? | :03:22. | :03:27. | |
Remember, this evening it's all about Team Jessie and Team Danny. | :03:27. | :03:31. | |
And they're in our V room to get focused to let some steam off and | :03:31. | :03:35. | |
get focused before their performances. Hello. You all right | :03:35. | :03:45. | |
:03:45. | :03:47. | ||
tonight? The V room is where you Or say what you think on our | :03:47. | :03:54. | |
official Facebook page, or Tweet us. With their team performance on the | :03:54. | :03:57. | |
way, let's find out how Jessie's team artists cope competing as a | :03:57. | :04:07. | |
:04:07. | :04:10. | ||
Bowling is my secret fun thing to do. Yeah, bowling! She's very | :04:10. | :04:16. | |
serious about this. Come on! Tom, you think you've got us on dinosaur | :04:16. | :04:24. | |
I think it's really important before the group performance, we | :04:24. | :04:28. | |
get to know each other outside of work. We nearly kissed, it was | :04:28. | :04:34. | |
weird. The most entertaining is Vince. You need to do is focus on | :04:34. | :04:39. | |
the middle. Vince was nuts the way he was smashing it on the floor. | :04:39. | :04:43. | |
Becky is definitely a bowler that reflects her personality. It's | :04:43. | :04:49. | |
quite out there, it's quite all over the place. I can't take them | :04:49. | :04:56. | |
anywhere, I'm so embarrassed. This is Toni Warne. Take it away. I am | :04:56. | :05:00. | |
more of a Scrabble girl. That was good. You ain't going to beat me at | :05:00. | :05:05. | |
Scrabble, darling. Behind me, Cassius is getting rather agitated. | :05:05. | :05:11. | |
Boom! Jessie tried to psych me out. This is it. This is it. This is | :05:11. | :05:17. | |
your time. Her game plan didn't work. Oh! Strike on my last one! | :05:17. | :05:25. | |
Yeah! Jessie was all right. She was all right. She definitely sings | :05:25. | :05:32. | |
better than she bowls. All hail the champion that is, first place - | :05:32. | :05:42. | |
:05:42. | :05:48. | ||
It's going to be a boom-bastic You'll not see this anywhere else - | :05:48. | :05:51. | |
for the first time performing as a group, it's Vince, Becky, Cassius, | :05:51. | :06:01. | |
:06:01. | :06:07. | ||
My mic isn't on. I'm sorry. I'm sorry to do this on live TV. I'm | :06:07. | :06:13. | |
sorry. Can we start again because I want to make it perfect. I'm sorry. | :06:13. | :06:17. | |
My mic isn't on. I did ask. I apologise to everybody at home, but | :06:17. | :06:24. | |
this is live TV. This is how Team Jessie does it. It's not on. Can | :06:24. | :06:31. | |
someone come and check my pack, please? I'm really, really serious. | :06:31. | :06:36. | |
I don't have anything in my ears. There we go. Now I'm on. There we | :06:36. | :06:46. | |
So guys, you can see we have had a slight technical problem. It is | :06:46. | :06:49. | |
live telly. Jessie wants it to be absolutely perfect for her team. | :06:49. | :06:55. | |
You can see tonight everything counts. So are we ready? Please | :06:55. | :07:05. | |
:07:05. | :07:07. | ||
# Give me a second # Getting higher than | :07:07. | :07:13. | |
# My seat's been taken by some sunglasses asking 'bout a scar | :07:13. | :07:17. | |
# And I know I gave it to you months ago | :07:17. | :07:20. | |
# I know you're trying to forget | :07:20. | :07:26. | |
# But between the drinks and subtle things | :07:26. | :07:28. | |
# The holes in my apologies | :07:28. | :07:30. | |
# You know I'm trying hard to take it back | :07:30. | :07:34. | |
# So if by the time the bar closes And you feel like falling down | :07:34. | :07:39. | |
# I'll carry you home | :07:39. | :07:42. | |
# Tonight | :07:42. | :07:44. | |
# We are young | :07:44. | :07:49. | |
# So let's set the world on fire | :07:49. | :07:54. | |
# We can burn brighter than the sun... # | :07:54. | :08:00. | |
Team Jessie! | :08:00. | :08:03. | |
# ..Tonight | :08:03. | :08:06. | |
# We are young | :08:06. | :08:10. | |
# So let's set the world on fire | :08:10. | :08:15. | |
# We can burn brighter than the sun | :08:15. | :08:22. | |
# Now I know that I'm not all that you've got | :08:22. | :08:28. | |
# I guess that I just thought | :08:28. | :08:31. | |
# Maybe we could find new ways to fall apart | :08:31. | :08:34. | |
# But our friends are back So let's raise a cup | :08:34. | :08:39. | |
# Cos I found someone to carry me home | :08:39. | :08:44. | |
# Tonight | :08:44. | :08:47. | |
# We are young | :08:47. | :08:51. | |
# So let's set the world on fire | :08:51. | :08:56. | |
# We can burn brighter than the sun | :08:56. | :09:03. | |
# Tonight | :09:03. | :09:09. | |
# Na na na na na na | :09:09. | :09:10. | |
# I have no reason to run | :09:10. | :09:13. | |
# So will someone come and carry me home | :09:13. | :09:15. | |
# Tonight | :09:15. | :09:17. | |
# Na na na na na na | :09:17. | :09:19. | |
# The angels never arrived | :09:19. | :09:20. | |
# But I can hear the choir | :09:20. | :09:22. | |
# Na na na na na na | :09:22. | :09:29. | |
# Tonight, we are young | :09:30. | :09:34. | |
# So let's set the world on fire | :09:34. | :09:38. | |
# We can burn brighter than the sun | :09:38. | :09:45. | |
# We are young. # | :09:45. | :09:55. | |
:09:55. | :10:01. | ||
APPLAUSE | :10:01. | :10:08. | |
Give | :10:08. | :10:08. | |
Give it | :10:08. | :10:08. | |
Give it up | :10:08. | :10:14. | |
Give it up one more time. It's Team Jessie. OK. It's time to go solo | :10:14. | :10:21. | |
and first up from Team Danny, it's Personally I thought Max's live | :10:21. | :10:25. | |
performance of Free Falling was flawless. | :10:25. | :10:28. | |
You came out just on guitar, and you did everything I said for you | :10:28. | :10:35. | |
to do. I always thought I would be in the bottom two, so it wasn't a | :10:35. | :10:41. | |
massive surprise for me. Danny, it is time to make your decision. | :10:41. | :10:46. | |
reason I chose Max is... Max Milner... He's a one-man band. I | :10:46. | :10:50. | |
just think it would be a shame for the UK to lose someone so talented | :10:50. | :10:58. | |
so soon. Max could have came back licking his wounds, but he didn't, | :10:58. | :11:01. | |
and you have to applaud that. I know he has something in store for | :11:01. | :11:05. | |
us this week. As well as singing, Max wants to use a loop pedal as | :11:05. | :11:08. | |
part of his performance. A loop pedal a piece of equipment, so when | :11:08. | :11:12. | |
you play guitar into it, it plays back what you just played, so it | :11:12. | :11:15. | |
allows you to play and harmonise over yourself. | :11:15. | :11:20. | |
Then stop that - stop. Stop that. I'm scared. I have never done this | :11:20. | :11:25. | |
in a gig in front of five people in a bar let alone millions. | :11:25. | :11:29. | |
anything goes wrong, that's it. We're off in the deep end, and | :11:29. | :11:31. | |
you've got two-and-a-half minutes of television you're wishing you | :11:31. | :11:35. | |
didn't do. I know it's going to be a massive challenge doing it on the | :11:35. | :11:39. | |
night, so I thought I would go and perform it in front of my old | :11:39. | :11:42. | |
theatre company. I'm a bit more confident now maybe | :11:42. | :11:46. | |
- at least now I've seen a reaction to it. I'm Max's sister, I came to | :11:46. | :11:52. | |
watch him tonight. I thought he was phenomenal. If the loop pedal goes | :11:52. | :11:56. | |
wrong it's going to be a train wreck, but if he gets it right, it | :11:56. | :12:06. | |
:12:06. | :12:30. | ||
could be his one-way ticket to the # Well, my heart knows me | :12:30. | :12:38. | |
# So I'm gonna let it # I came across a place | :12:38. | :12:48. | |
:12:48. | :12:49. | ||
# With a big black horse # It said don't look back | :12:49. | :12:58. | |
# When the big black horse said # He said, hey there, lady, will you | :12:58. | :13:08. | |
:13:08. | :13:25. | ||
# I said no, no, no # Cos with the lyrics | :13:25. | :13:29. | |
# At stadium heights with Damien Rice | :13:29. | :13:30. | |
# On red carpets Now I'm on Arabian Nights | :13:30. | :13:32. | |
# Because I'm young and all my brothers gonna give me advice | :13:33. | :13:35. | |
# Long nighter, short height and I gone hyper | :13:35. | :13:37. | |
# Never be anything but a singer-songwriter | :13:37. | :13:39. | |
# The game's over but now I'm on a new level | :13:39. | :13:42. | |
# Watch how I step on the track without a loop pedal | :13:42. | :13:49. | |
# Big black horse and a cherry tree | :13:49. | :13:53. | |
# I can't quite get there cos my heart's forsaken me | :13:53. | :13:56. | |
# Big black horse and a cherry tree | :13:57. | :14:01. | |
# I can't quite get there cos my heart's forsaken me | :14:01. | :14:11. | |
:14:11. | :14:12. | ||
Ladies | :14:12. | :14:12. | |
Ladies and | :14:12. | :14:12. | |
Ladies and gentlemen, | :14:12. | :14:16. | |
Ladies and gentlemen, give it up for Max. | :14:16. | :14:26. | |
:14:26. | :14:27. | ||
I think you might have just flashed my knickers to the nation! I'll | :14:27. | :14:30. | |
forgive you because you took a massive risk tonight. That was | :14:30. | :14:34. | |
amazing. Nobody knew what was going to happen with that pedal. You | :14:34. | :14:37. | |
always had faith in yourself, but actually, it could have gone | :14:37. | :14:40. | |
horribly wrong, couldn't it? Absolutely. I haven't done it a lot, | :14:40. | :14:43. | |
to be honest, but it's something I've always wanted to do, and I | :14:43. | :14:50. | |
think it's quite me, so I thought "yeah". Well, it paid off. Danny? | :14:50. | :14:54. | |
Um, you know, the reason why I'm standing is, to get something that | :14:54. | :14:57. | |
you have never got, you have to do something you have never done | :14:57. | :15:01. | |
before. You came back. You were in the bottom two last week, and I | :15:01. | :15:05. | |
just came out, and I felt that you smashed it, Max! That was amazing - | :15:05. | :15:11. | |
smashed it! That's all I have to say. I want to hear what everyone | :15:11. | :15:15. | |
else has to say about that. Let's do it. Let's go to Will. Am I | :15:15. | :15:25. | |
supposed to tell you how I feel? Yeah. # I feel good! No, honest, | :15:25. | :15:28. | |
honest, I think it was a great performance, but these are, like, | :15:28. | :15:34. | |
the finals, and the song selection probably wasn't the smartest. | :15:34. | :15:40. | |
BOOING. Hey! I'm sorry. I'm sorry. I'm just | :15:40. | :15:45. | |
speaking from the bottom of my heart. What would you have sung? | :15:45. | :15:51. | |
wouldn't have sung that song. BOOING. OK, Jessie, what do you | :15:52. | :15:55. | |
think? Come on, we don't boo here. I applaud to you because you just | :15:55. | :16:00. | |
saw what can happen on live TV. Sometimes things go wrong. I | :16:00. | :16:03. | |
applaud you for that because it could so easily have gone wrong, | :16:03. | :16:08. | |
and it didn't. It was also nice to see you go back to what we saw on | :16:08. | :16:15. | |
the blind auditions, you, the guitar and you playing the drums. | :16:15. | :16:18. | |
It's really important now for you to showcase to the world what you | :16:18. | :16:23. | |
can do. But I do agree that the song choice for me you chose was | :16:23. | :16:26. | |
too similar to what someone that's already doing this, very well, and | :16:26. | :16:31. | |
I felt that Danny and yourself could have spun it better. We gave | :16:31. | :16:35. | |
them the loop pedal and a rap. it was similar to Ed Sheeran what | :16:35. | :16:39. | |
you did on the blinds, but the song selection you chose on the blinds | :16:39. | :16:45. | |
was one billion times better than what you did on that one. That's | :16:45. | :16:51. | |
all I am saying - blinds, not the blinds. Open the blinds... Close | :16:51. | :17:01. | |
:17:01. | :17:02. | ||
the blinds. Not blind. Blind. Not blind. I'm sorry. Wait. Wait, wait, | :17:02. | :17:05. | |
wait, wait. Wait, wait, wait, wait, wait. You want to talk about blind? | :17:06. | :17:09. | |
All I know is my home boy Tyler had visuals similar to that last week. | :17:09. | :17:17. | |
Get out of here. OK. Let's get some constructive | :17:17. | :17:21. | |
advice off Tom because it's good to take a risk. I'll tell you exactly | :17:21. | :17:26. | |
what I think - right now. As far as I am concerned, Max entertained me. | :17:26. | :17:33. | |
I loved it. And you know, as an artist, it's easier to take the | :17:33. | :17:36. | |
path you know, really, what you're comfortable with, but sometimes you | :17:36. | :17:40. | |
have to go off-road, if you like, and Max went off-road tonight in a | :17:40. | :17:50. | |
:17:50. | :17:50. | ||
good way as far as I was concerned. So hey, I loved it. Thank you very | :17:50. | :18:00. | |
:18:00. | :18:04. | ||
OK, next up from Team Jessie, it's The first live show, and I loved | :18:04. | :18:09. | |
every moment of it, but I wasn't fully happy with my vocal. I just | :18:09. | :18:12. | |
sat back and enjoyed you becoming the artist that you really deserve | :18:12. | :18:17. | |
to be. Jessie gets me. She understands what I'm trying to do, | :18:17. | :18:24. | |
and she's even got an idea of what I could do. | :18:24. | :18:30. | |
I am singing Adele, Turning Tables. If I do this well, it can be a big | :18:30. | :18:37. | |
moment for me. I just think you have to believe in it more. You've | :18:37. | :18:41. | |
just got to let go, Cassius. That's it. You're just like a little | :18:41. | :18:44. | |
Michelin man. Cassius has a tendency to get tense. He needs to | :18:44. | :18:50. | |
relax. Just let go. If it doesn't come out, don't worry. Jessie can | :18:50. | :18:54. | |
see something in me. She reads me. She knows there is something | :18:54. | :19:02. | |
holding me back. Run around like - # All that I have is on the floor. | :19:02. | :19:05. | |
# Get used to the movement because otherwise, you'll get on stage and | :19:05. | :19:08. | |
sing like this. Cassius has to get out there and make Cassius Henry | :19:08. | :19:18. | |
:19:18. | :19:26. | ||
Cassius Clay. I'll do whatever it This could be my last performance. | :19:26. | :19:30. | |
I had threatened vocal punches, hopefully smash my way to the semi- | :19:30. | :19:35. | |
final. The stakes are definitely high and only two people get to | :19:35. | :19:38. | |
stay, whether he goes through or not, I want to make sure he gives a | :19:38. | :19:48. | |
:19:48. | :20:01. | ||
performance that is an # God only knows | :20:01. | :20:11. | |
:20:11. | :20:28. | ||
# I can't keep up with # I won't let you close enough | :20:28. | :20:38. | |
:20:38. | :20:47. | ||
# And I won't rescue you # It's time to say goodbye | :20:47. | :20:57. | |
:20:57. | :21:03. | ||
# I can't keep up with # Under your thumb | :21:03. | :21:10. | |
# I won't let you close enough to hurt me | :21:10. | :21:16. | |
# I won't rescue, I won't rescue you | :21:16. | :21:20. | |
# For you to just desert me | :21:20. | :21:23. | |
# I can't give you, you, you, you The heart you think you gave me | :21:23. | :21:29. | |
# It's time to say goodbye | :21:29. | :21:34. | |
# To turning tables | :21:34. | :21:40. | |
# Hmmm | :21:40. | :21:45. | |
# Turning, turning tables | :21:45. | :21:49. | |
# Yeah | :21:49. | :21:58. | |
Let's | :21:58. | :21:58. | |
Let's hear | :21:58. | :21:59. | |
Let's hear it | :21:59. | :22:05. | |
Let's hear it one more time for Cassius. | :22:05. | :22:13. | |
APPLAUSE Of Well done, you. It's paying off. You came out fighting. | :22:13. | :22:17. | |
Yeah, I had to. Jessie said it's a big night for me. She just wanted | :22:17. | :22:21. | |
me to let go. Sometimes I'm a bit tense, but I followed her advice, | :22:21. | :22:25. | |
and I hope I knocked it out. I hope I did well tonight. I can tell you, | :22:25. | :22:29. | |
Jessie, I saw the look on your face as he was doing that. You enjoyed | :22:29. | :22:32. | |
it, right? You've worked so hard, and I'm so honest with my team | :22:32. | :22:34. | |
about constructive criticism and being honest. Cassius's vocal is | :22:34. | :22:38. | |
sometimes trapped because he sometimes gets very tense. You just | :22:38. | :22:42. | |
let go, and there was no pitching problems. You hit the notes very | :22:42. | :22:46. | |
well. I would have - to be constructive to my team, I would | :22:46. | :22:50. | |
have liked to have seen you turn around and face us more. I think | :22:50. | :22:56. | |
you was a bit scared to move in case you fell off. I get dizzy. | :22:56. | :23:02. | |
Other than that, Cassius, I am so proud of you, congratulations. | :23:02. | :23:06. | |
glad Jessie is proud of me, because she believes in me a lot and my | :23:06. | :23:10. | |
family, my mum - I'm proud that they're here. I hope they're proud | :23:10. | :23:13. | |
of me tonight. Tom, Cassius is building up his vocal stamina this | :23:13. | :23:19. | |
week. It looks like it pays off. Definitely. For the first time I | :23:19. | :23:22. | |
heard him sing, I thought he was strong anyway. Thank you. Whatever | :23:22. | :23:26. | |
he has been doing, it has paid off because he seems stronger and | :23:26. | :23:30. | |
stronger. To take a well-known song like that and do it your own way I | :23:30. | :23:34. | |
think it's more power to you. And Jessie saying with the walking - he | :23:34. | :23:37. | |
looked like - when I walk around these steps, I'm always looking | :23:37. | :23:46. | |
down and seeing what's going on. You might fall. Exactly. It's | :23:46. | :23:50. | |
better to not fall and concentrate on the voice as far as I am | :23:50. | :23:56. | |
concerned, and you did that. Thank you, Tom. Danny, let's come to you. | :23:56. | :23:59. | |
I know you're going to watch it back, and there was a couple of | :23:59. | :24:04. | |
pitch - tuning issues. I would have liked you to get down off it | :24:04. | :24:07. | |
earlier in the performance so you had that connection with the crowd | :24:07. | :24:12. | |
and with us as well. Are you dizzy, by the way? A little, Danny. I have | :24:12. | :24:17. | |
seen you come on week by week. Was that a strong enough performance to | :24:17. | :24:21. | |
get you into the next one? I don't know. I don't know, in fairness. | :24:21. | :24:27. | |
You think so? I might be right. I might be wrong. I think they might | :24:27. | :24:32. | |
disagree with you in here. Let's come to Will. Out of all of the | :24:32. | :24:35. | |
singers on Team Jessie, I'm - you - you're one of my favourites out of | :24:35. | :24:43. | |
all the singers on her team. Thank you. And you - it's your first - | :24:43. | :24:46. | |
because, you know, music - you didn't really have that sensibility | :24:46. | :24:55. | |
today. I think you coming out or releasing music is what the music | :24:55. | :24:58. | |
industry needs, someone with your sensibility and capability, and I | :24:58. | :25:01. | |
hate to use the word "swag" because it's overplayed, but you're like, | :25:01. | :25:11. | |
:25:11. | :25:16. | ||
"yo" the way you roll. I feel you. Yeah, it's dope. It is dope. Your | :25:16. | :25:21. | |
performance today was spectacular. I don't know if you was spinning | :25:21. | :25:28. | |
too much. I wasn't even tripping on the spinning. We did have a | :25:28. | :25:32. | |
discussion about the spinning. cool. I would have threw up right | :25:32. | :25:42. | |
:25:42. | :25:49. | ||
there - Urgh! But you pulled it off. It's Cassius! Next up from Team | :25:49. | :25:55. | |
Danny, it's Bo. # Make a deal with God.# The one thing that sums up | :25:55. | :25:59. | |
her performance was Kate Bush on her website had a letter to Bo | :25:59. | :26:01. | |
saying, "Watched the show, congratulations. I wish you the | :26:01. | :26:05. | |
best of luck." Kate Bush saw what I did and liked it and liked it | :26:05. | :26:08. | |
enough to say that she was proud of me - it's amazing. I didn't really | :26:08. | :26:18. | |
:26:18. | :26:19. | ||
expect to get through that song. So I feel really kind of shocked | :26:19. | :26:28. | |
and proud that I managed to do it and not wobble. Got the first live | :26:28. | :26:32. | |
show out of the way. On her first performance, it was very fragile. | :26:32. | :26:36. | |
We've seen her being blown around the stage like a feather. This one | :26:36. | :26:40. | |
she has to stand there, be like a brick wall. We have to go bigger | :26:40. | :26:43. | |
than this one definitely. I am singing Rihanna, Love The Way You | :26:43. | :26:48. | |
Lie. I think it's such an emotionally charged song, but it's | :26:49. | :26:55. | |
strong. "Stand there and watch me burn!" I'm doing this, I can do | :26:55. | :27:04. | |
life on my own. I need to show my feist. Bo was great in rehearsals. | :27:04. | :27:07. | |
The one thing that always surprises me is her lack of confidence. How | :27:07. | :27:10. | |
are you feeling? I feel pressure. About the performance, or this | :27:10. | :27:17. | |
song? Both. It's so important to me. I feel the pressure to really nail | :27:17. | :27:20. | |
it. Only two people can survive, and this performance has got to be | :27:21. | :27:28. | |
the one. I need to stand on that stage and be brave and be a warrior. | :27:28. | :27:38. | |
:27:38. | :28:00. | ||
This time I need to be a rock. # I don't know why I'm | :28:00. | :28:10. | |
:28:10. | :28:29. | ||
# Even angels have # Just gonna stand there | :28:29. | :28:39. | |
:28:39. | :28:39. | ||
# Just gonna stand there and hear me cry | :28:39. | :28:45. | |
# But that's all right because I love the way you lie | :28:45. | :28:51. | |
# Now there's gravel in our voices | :28:51. | :28:56. | |
# Glass is shattered from the fight | :28:56. | :29:02. | |
# In this tug of war you'll always win | :29:02. | :29:08. | |
# Even when I'm right | :29:08. | :29:13. | |
# Just gonna stand there and watch me burn | :29:13. | :29:18. | |
# But that's all right because I like the way it hurts | :29:19. | :29:24. | |
# Just gonna stand there and hear me cry | :29:24. | :29:30. | |
# But that's all right | :29:30. | :29:33. | |
# Because I love the way I love the way | :29:33. | :29:36. | |
# I love the way you lie . # | :29:36. | :29:46. | |
:29:46. | :29:50. | ||
Let's | :29:50. | :29:50. | |
Let's hear | :29:50. | :29:50. | |
Let's hear it | :29:50. | :29:59. | |
Let's hear it for the beautiful Bo! APPLAUSE. | :29:59. | :30:02. | |
OK. Just look in front of you - four superstar coaches on their | :30:02. | :30:08. | |
feet. Tonight you wanted to be a rock here on stage and feel so | :30:08. | :30:13. | |
strong. Find strength in that, surely. I don't know what to say. | :30:13. | :30:21. | |
Yes. Wow, wow. You are pretty wow too, isn't she? That was an amazing | :30:21. | :30:24. | |
performance, you know, Love The Way You Lie, love the way you sing, | :30:24. | :30:30. | |
love the way you look and move around the stage, love everything. | :30:30. | :30:33. | |
I believe you're probably one of the most marketable people in this | :30:33. | :30:37. | |
whole thing. You have an amazing voice, a great ethos, and you sing | :30:37. | :30:44. | |
from here, and everyone feels it. We all feel it. I applaud you. I | :30:44. | :30:48. | |
know you have had a hard time as well, so - and again, she had a bad | :30:48. | :30:52. | |
back all week as well. She gave that performance. You're very | :30:52. | :30:56. | |
special, very, very special, Bo. She is a special lady. Let's come | :30:56. | :31:03. | |
to you. The way you sing is like the kind of stuff I LIKE! Like, | :31:03. | :31:06. | |
from the groups that I like - I love The Cranberries - and the way | :31:06. | :31:10. | |
you sung that song - Rihanna sung it good, but dang, you sung it a | :31:10. | :31:18. | |
whole bunch of times mo'better. Yeah, for real - no disrespect - I | :31:19. | :31:28. | |
:31:29. | :31:30. | ||
don't mean any disrespect by that, but Bo, whoa! I'll take that. | :31:30. | :31:34. | |
thought you were going to say Bo Selecta! I wish I could rhyme like | :31:34. | :31:43. | |
that. I wish I could rhyme like that. Cow. Cow? What rhymes with | :31:43. | :31:53. | |
:31:53. | :31:53. | ||
cow? How now, brown cow? See, got it. Jessie, what do you make of | :31:53. | :31:57. | |
that performance? I love your voice. I look forward to your performances | :31:57. | :32:00. | |
every week, and you are definitely someone who makes this whole | :32:00. | :32:10. | |
:32:10. | :32:10. | ||
competition so versatile, and it's very nice because it's very special. | :32:10. | :32:13. | |
Tom, in the week, I was talking about her nerves, but sometimes | :32:13. | :32:18. | |
nerves can be a great thing, clearly. Well, yeah, nerves is part | :32:18. | :32:22. | |
of being a human being. You know, I mean, we all have nerves, and | :32:22. | :32:25. | |
people come up to me sometimes because I have been around so long, | :32:26. | :32:30. | |
and they say, "I get nervous before I go on stage. Does that ever leave | :32:30. | :32:33. | |
you?" Well, it shouldn't leave you, because if you're nervous, that | :32:34. | :32:39. | |
means you want to do a good job. You're concerned about getting on | :32:39. | :32:44. | |
there and doing the best you can, so being nervous is not bad. Fear | :32:44. | :32:51. | |
is bad. So a little bit of nervousness - yeah. And it didn't | :32:51. | :33:01. | |
:33:01. | :33:03. | ||
show, anyway. If you were nervous, It's Bo. This weekend, Danny and | :33:04. | :33:07. | |
Jessie must say goodbye to two of their artists, so it's up to you to | :33:07. | :33:14. | |
get behind your favourite from each Next up from Team Jessie, it's | :33:14. | :33:22. | |
To perform in front of millions of people, that was best feeling ever. | :33:22. | :33:25. | |
I watched it back, and I'm performing, and then it stops, and | :33:25. | :33:32. | |
I go I was like, what happened? took a song from Elvis and gave a | :33:33. | :33:36. | |
performance that everybody loved. Elvis, he used to make it his own, | :33:36. | :33:40. | |
and you have done exactly that. Family and friends' reaction has | :33:40. | :33:45. | |
been cool. It's nice to make your family proud of you. My little | :33:46. | :33:51. | |
cousins are super-excited. Fraser is a massive, massive Jessie J fan. | :33:51. | :33:58. | |
# Forget about the price tag. It's a shame I couldn't be your backing | :33:58. | :34:03. | |
dancer. I wish you could be my backing dancers. You're good enough. | :34:03. | :34:08. | |
This week Vince is singing Whitney Houston's My Love Is Your Love. | :34:08. | :34:15. | |
It's got reggae, feelgood vibes. I want the feel to be like Carnival. | :34:15. | :34:20. | |
In the coldest May in a hundred years, I need to bring the sunshine. | :34:20. | :34:25. | |
Vince is putting Vince on it. taking on a song by one of the best | :34:25. | :34:33. | |
voices - ever. Her range was crazy. It's a little bit of a risk. Vince | :34:33. | :34:37. | |
needs to stop being scared of his voice and not be like, "Oh, the big | :34:37. | :34:43. | |
note is coming. Oh, no. Am I going to get there?" Go, go, go. You need | :34:43. | :34:47. | |
to have more confidence because you can sing it. I am hoping with this | :34:47. | :34:50. | |
performance I'm going to hit the high notes and bring a little | :34:50. | :34:54. | |
sunshine and just - I want to put a little smile on people's faces. | :34:54. | :35:04. | |
:35:04. | :35:20. | ||
Singing My Love Is Your Love, it's # And the Lord asks me | :35:20. | :35:30. | |
:35:30. | :35:47. | ||
# I will say # And I feel like | :35:47. | :35:57. | |
:35:57. | :35:58. | ||
# Your love is my love And my love is your love | :35:58. | :36:06. | |
# It would take an eternity to break us | :36:06. | :36:11. | |
# And the chains of Amistad couldn't hold us | :36:11. | :36:14. | |
# Your love is my love And my love is your love | :36:14. | :36:18. | |
# It would take an eternity to break us | :36:18. | :36:23. | |
# If I should die this very day | :36:23. | :36:30. | |
# Don't cry cos on earth we wasn't meant to stay | :36:30. | :36:37. | |
# And no matter what the people say | :36:37. | :36:43. | |
# I'll be waiting for you after the Judgment Day... # | :36:43. | :36:48. | |
Everybody, clap your hands! | :36:48. | :36:58. | |
# It would take an eternity to break us | :36:58. | :37:00. | |
# And the chains of Amistad couldn't hold us. # | :37:00. | :37:10. | |
:37:10. | :37:11. | ||
Let | :37:11. | :37:11. | |
Let me | :37:11. | :37:11. | |
Let me hear | :37:11. | :37:19. | |
Let me hear you - for Vince! Well done. Vince, when you sing, it, | :37:19. | :37:24. | |
like, brings the sunshine into the studio. That was amazing. That's | :37:24. | :37:28. | |
what I was hoping for. It's been really cold, and you want to try | :37:28. | :37:32. | |
bopping a vest in this weather. you hit that note - no problems | :37:32. | :37:36. | |
there. Thank you. He did it, didn't he, nailed it? Do you know what I | :37:36. | :37:39. | |
love about Vince - honestly, you don't know how hard he works. Vince | :37:39. | :37:43. | |
came to me with the idea of that, the visuals, how he wants to dress, | :37:43. | :37:47. | |
how he wants to sing, how he wants to set the song out. It's a | :37:47. | :37:52. | |
pleasure working with someone that knows how they want to be. Thank | :37:52. | :37:59. | |
you, babe. I love your hair tonight. Zig-zag parting is coming back! | :37:59. | :38:03. | |
Vince just puts a smile on your face. You just sing your heart out | :38:03. | :38:12. | |
and - yeah. Tom, it's not an easy job taking a song by a female, a | :38:12. | :38:16. | |
very well-known song - and putting your own stamp on it. No, no, it's | :38:16. | :38:19. | |
not, but it's hard taking anybody else's song when they have done it | :38:19. | :38:22. | |
a certain way, but Vince, when he did the Elvis Presley song, he did | :38:23. | :38:28. | |
it his own way, and that's the talent he has. He doesn't sound | :38:28. | :38:34. | |
like anybody else. He sounds like himself. And he's got such - and | :38:34. | :38:43. | |
he's got such a great vocal range that he can do that. I mean, he can | :38:43. | :38:46. | |
sing in the same key - girls sing in different keys to men. I don't | :38:46. | :38:51. | |
know whether you know that or not, but they do. They sing high. For a | :38:51. | :38:54. | |
man to do a duet with a woman, for instance, you have to compromise | :38:54. | :38:58. | |
with the key, but with Vince, he wouldn't have to do that because he | :38:58. | :39:04. | |
can sing that high. He can do a duet himself. Yeah, you can do a | :39:04. | :39:13. | |
duet with yourself, yes. # Hey! # Hiii! | :39:13. | :39:16. | |
# And the lower edges too. He's got a great range. You're very | :39:16. | :39:19. | |
individual, and that's fantastic. Let's get a quick word from Danny. | :39:19. | :39:22. | |
Vince, I love your vocal. You could literally sing the phone book, and | :39:22. | :39:32. | |
:39:32. | :39:37. | ||
it would sound amazing, but I don't The food was a great song, I hope | :39:37. | :39:47. | |
it connected as well at home as it did in the studio. Finally, will? | :39:47. | :39:55. | |
Double time. I'm going to put it out there. Ring the alarm, then so | :39:55. | :40:05. | |
:40:05. | :40:35. | ||
Ok, under the circumstances I will How did you feel about the pedal? | :40:35. | :40:39. | |
It went well this time, I was shocked doing it, but I felt | :40:39. | :40:45. | |
because I was in the bottom two, it needs to take as many boxes as I | :40:45. | :40:50. | |
could. Cassius, you came out fighting on that table. You didn't | :40:50. | :40:57. | |
feel ill? No, I've built fine, enjoying the moment. Just working | :40:57. | :41:03. | |
hard, I want this, so enjoy the playing. How about the fact you are | :41:03. | :41:06. | |
the perfect interview height for Holly? He knows what I'm talking | :41:06. | :41:15. | |
about. Your solo went incredibly well. Later on you were going to be | :41:15. | :41:18. | |
performing with the group, and you get quite close in your performance. | :41:18. | :41:25. | |
It gets uncomfortable. Are you ready? Don't be shy. Are you ready | :41:25. | :41:35. | |
:41:35. | :41:39. | ||
get in personal space? We are ready. Vince Kidd, well done, fella. The | :41:39. | :41:43. | |
vibe of the studio was incredible. Did you enjoy it? I had so, so much | :41:43. | :41:46. | |
fun. It was just a feel-good song. That's all I wanted to do, make | :41:46. | :41:49. | |
people feel good. Madonna, Elvis Presley, and Whitney Houston you | :41:49. | :41:52. | |
have done now. What's next? I don't know, Reggie - make a Beethoven, | :41:52. | :41:58. | |
OK. We'll see how that goes! Give him a round of applause. Wherever | :41:58. | :42:02. | |
you are, you can connect directly to The Voice and let us know what | :42:02. | :42:12. | |
:42:12. | :42:12. | ||
you think. Back to you. Next up, When I performed, I don't even | :42:12. | :42:16. | |
remember it, it's like a big dream. I only wake up when the judges | :42:16. | :42:21. | |
start talking. Ladies and gentlemen, the real Aleks Josh. All I remember | :42:21. | :42:25. | |
is Will.i.am saying that joke. Knock, knock. Michael Buble. | :42:25. | :42:31. | |
Michael Buble who? Exactly. He's growing into a really accomplished | :42:31. | :42:37. | |
artist. It's the first time I've been able to listen to my voice | :42:37. | :42:41. | |
when I am singing, and go, "Yeah, this is good". I've just got to see | :42:41. | :42:50. | |
my fans, OK? Aleks, we love you! He's had lots of marriage proposals | :42:50. | :42:57. | |
and other proposals. All of these girls going, "Can you sign this?" | :42:57. | :43:04. | |
It's weird - it's cool, though. Aleks's session was interesting. I | :43:04. | :43:08. | |
suggested doing a big band session of Jet's Are You Gonna Be My Girl? | :43:08. | :43:14. | |
I thought it was interesting, but my gut wasn't in it. $CYAN So we | :43:14. | :43:17. | |
came with a compromise. I just think my target audience would | :43:17. | :43:23. | |
prefer me to sing Jack Johnson. I chose the song because it brings a | :43:23. | :43:27. | |
smile to my face. Jack Johnson is really down his alley. This | :43:27. | :43:31. | |
competition is a balance between what you think is right to do and | :43:31. | :43:35. | |
what you want to do. I don't want to be the one picked out of the | :43:35. | :43:40. | |
bottom three. I really need that viewers' vote. Aleks Josh knows | :43:40. | :43:44. | |
exactly who he is. Now it's time for the rest of the UK to realise. | :43:44. | :43:54. | |
:43:54. | :44:04. | ||
# There's no combination of words I # No song that I could sing | :44:04. | :44:08. | |
# Our dreams are made out of real things | :44:08. | :44:11. | |
# Like a shoe box of photographs with sepia-toned loving | :44:11. | :44:17. | |
# Love is the answer at least for most of the questions in my heart | :44:17. | :44:21. | |
# Like, why are we here? | :44:21. | :44:23. | |
# And where do we go? | :44:23. | :44:25. | |
# And how come it's so hard? | :44:25. | :44:27. | |
# It's not always easy and sometimes life can be deceiving | :44:27. | :44:30. | |
# I'll tell you one thing | :44:30. | :44:32. | |
# It's always better when we're together | :44:32. | :44:35. | |
# Mmm, it's always better when we're together | :44:35. | :44:40. | |
# Yeah, we'll look at them stars when we're together | :44:40. | :44:43. | |
# Well, it's always better when we're together | :44:43. | :44:47. | |
# Yeah, it's always better when we're together | :44:47. | :44:56. | |
# But if all of these dreams | :44:56. | :44:57. | |
# Might find their way into my day-to-day scene | :44:57. | :45:00. | |
# I'd be under the impression I was somewhere in between | :45:00. | :45:04. | |
# With only two, just me and you | :45:04. | :45:07. | |
# So many things we got to do or places we got to be | :45:07. | :45:11. | |
# We'll sit beneath the mango tree now | :45:11. | :45:15. | |
# I believe in memories They look so so pretty when I sleep | :45:15. | :45:20. | |
# Hey now | :45:20. | :45:22. | |
# And when I wake up, you look so pretty sleeping next to me | :45:22. | :45:30. | |
# But there is not enough time | :45:30. | :45:34. | |
# And there is no No song I can sing | :45:34. | :45:38. | |
# And there is no combination of words | :45:38. | :45:43. | |
# I could say but I will still tell you one thing | :45:43. | :45:47. | |
# We're better together | :45:47. | :45:50. | |
# Still tell you one thing | :45:50. | :45:55. | |
# We're better together. # | :45:55. | :46:04. | |
APPLAUSE | :46:04. | :46:08. | |
Ladies | :46:08. | :46:08. | |
Ladies and | :46:08. | :46:08. | |
Ladies and gentlemen, | :46:08. | :46:13. | |
Ladies and gentlemen, give it up for Aleks. You are so cute. Just | :46:13. | :46:18. | |
tell me, when you're singing that song, who do you think about? | :46:18. | :46:23. | |
Thanks very much. Let's go straight to Danny, shall we? Can you hear | :46:23. | :46:30. | |
that? That's the sound of the whole of the UK's heart breaking. What I | :46:30. | :46:33. | |
love about you is you know what you're good at, and you know, we | :46:33. | :46:36. | |
fought over this song during the week about, you know, how | :46:36. | :46:39. | |
passionate you were about your own music, your own fan base, all the | :46:39. | :46:42. | |
research you have done online has been incredible because we've now | :46:42. | :46:49. | |
come up with this song and the sound. I just - I'm so proud of you. | :46:49. | :46:53. | |
You know, I'm really proud of you. That was a great performance. It | :46:53. | :47:01. | |
really was. Thank you, Danny. Will? I like the whole style and stuff. | :47:01. | :47:09. | |
You know what I'm talking about. Not like that though. I think it's | :47:09. | :47:14. | |
cool. Your whole thing is fresh. Just - one times, two times, three | :47:14. | :47:18. | |
times, four times - the fifth time, I want to see you come out a little | :47:18. | :47:23. | |
more. I want to see different variations. The first time was | :47:23. | :47:27. | |
fresh. The second time was dope. The third time was that cool - the | :47:27. | :47:34. | |
fifth time was, "Dang, that again". I want Danny to push you. It's hard | :47:34. | :47:38. | |
to push someone. He's 17 years old. He's the youngest person in the | :47:38. | :47:46. | |
competition. APPLAUSE Of Now, he knows what | :47:46. | :47:50. | |
songs he wants to do. The staging for this, what you see on TV is | :47:50. | :47:53. | |
he's actually on a beach. There's a lot of close-up shots. That's the | :47:53. | :47:56. | |
type of guy he is. He's not a strong singer. He's a strong tone. | :47:56. | :47:59. | |
And he knows that. You know that more than anybody, don't you, | :47:59. | :48:03. | |
Aleks? Yeah. He made a promise to me last week that if he gets past | :48:04. | :48:07. | |
this stage, then we start to experiment a lot more. He said, | :48:07. | :48:11. | |
"Please let me be in my comfort zone". I just felt the first two | :48:11. | :48:15. | |
shows didn't show what I was about. I just wanted you to get to know | :48:15. | :48:21. | |
what I'm about. Hear, hear. Wait. I totally agree with that, and I | :48:21. | :48:24. | |
respect that, but just because you sing that song doesn't mean it has | :48:24. | :48:29. | |
to be done the way Jack Johnson did it. You could do it your way. | :48:29. | :48:33. | |
Johnson doesn't have a harmonica on him. He wasn't playing the | :48:33. | :48:38. | |
harmonica. The show is called The Voice, not The Harmonica. I am just | :48:38. | :48:42. | |
saying the arrangement could have shown you more. If you were on my | :48:42. | :48:47. | |
team, I would have had it a little more different. That's all it is. | :48:47. | :48:50. | |
Let's hear from Jessie. I think it's very safe, and I found myself | :48:50. | :48:54. | |
doing this, and I was like, "When's it going to get more exciting?" | :48:54. | :49:02. | |
understand. I just feel... No, this is good. We're coaches. That's what | :49:02. | :49:06. | |
it's all about. I am telling you this because I care. I don't have | :49:06. | :49:10. | |
to be here, I want to be honest with you because that's what the | :49:10. | :49:13. | |
industry is, believe me, and I think you've got a great tone. I | :49:13. | :49:17. | |
think you have a great tone, but I would have given you maybe a Ga Ga | :49:17. | :49:22. | |
song and sung it like that. That would have made him go, "Whoa!" And | :49:22. | :49:27. | |
done it different. It was too comfortable. Let's come to Tom. Tom, | :49:27. | :49:34. | |
we have to remind ourselves, he is only 17. 17 - you rock that! He's | :49:34. | :49:38. | |
not 17. You came this far. If you were 17, you would have been out a | :49:38. | :49:43. | |
long time ago. You can't base it on age. Can I say something? When I | :49:43. | :49:49. | |
was 17 I wanted to set the world on fire. You know what I mean? 17 to | :49:49. | :49:56. | |
me is not a time to relax. Ain't time to relax! But you know, you've | :49:56. | :50:00. | |
got to get up there - as far as I was concerned that performance was | :50:00. | :50:07. | |
really relaxed! Relaxed! I am ad- libbing. Then when you say "He's | :50:07. | :50:13. | |
only 17" - I wasn't that relaxed at 17. Yeah! Yeah, I hit puberty. | :50:13. | :50:17. | |
not that relaxed now! But it just seemed too relaxed for me. But | :50:17. | :50:24. | |
Aleks, it's just too safe for you. Well, that is the opinions of the | :50:24. | :50:30. | |
coaches. What did we make of it in here, ladies? I'm so with you lot. | :50:30. | :50:34. | |
Do you want to say something? please. I just want to say, I | :50:34. | :50:37. | |
understand completely where you're coming from. Maybe it was a little | :50:37. | :50:40. | |
bit safe, but I just feel that there's a lot of singers in this | :50:40. | :50:43. | |
competition that are real powerful singers and give a big performance, | :50:43. | :50:46. | |
but for this week for me, for a break, maybe just to have something | :50:46. | :50:54. | |
a little bit more chilled out. knows the score. It's up to you | :50:54. | :50:57. | |
ultimately at home. You've got the phone numbers. If you think Aleks | :50:57. | :51:06. | |
has the voice, you know what to do. Next up from Team Jessie, it's | :51:06. | :51:16. | |
I was quite proud of myself after my first live show. That was a | :51:16. | :51:21. | |
really brave number because you had like the longest cord ever. I am | :51:21. | :51:25. | |
quite glad I didn't fall down the stairs with my microphone lead. | :51:25. | :51:29. | |
would say you're a modern form of Janis Joplin. (I don't know who | :51:29. | :51:33. | |
that is, but I am going to think it's good.) No, she's hungry to | :51:33. | :51:36. | |
learn, her voice is getting better every week, I'm glad the public can | :51:36. | :51:44. | |
sing that. I am singing Seven Nation Army by White Stripes. | :51:44. | :51:52. | |
needs to be quite forceful with this. Who are you singing this to? | :51:52. | :51:58. | |
Everyone who has ever put me down. There we go. I reminded her of | :51:58. | :52:05. | |
anyone who has ever made you feel this big - that's who this is for. | :52:05. | :52:11. | |
# And the message is coming from my heart. | :52:11. | :52:14. | |
I think she's learning a lot about herself. I think she's growing up. | :52:14. | :52:17. | |
Welcome to the real world, Becky Hill. I have lived in my own little | :52:18. | :52:21. | |
town for 18 years. I've never felt like I should be there. I have come | :52:21. | :52:25. | |
down here and met a load of people and felt for the first time, | :52:25. | :52:30. | |
accepted. It must be a different world. It's good, though. I kind of | :52:30. | :52:35. | |
get the feeling that everyone kind of gets on with me. They do. | :52:35. | :52:38. | |
always used to think it was such a big dream that it was never | :52:38. | :52:43. | |
reachable, and now I kind of think it could be. Nothing can hold her | :52:43. | :52:49. | |
back. She's just going to go for it. Here, singing Seven Nation Army for | :52:49. | :52:59. | |
:52:59. | :53:13. | ||
# A seven-nation army # Taking their time | :53:13. | :53:23. | |
:53:23. | :53:26. | ||
# Back and forth through my mind Behind a cigarette | :53:26. | :53:33. | |
# And the message comin' from my eyes says leave it alone | :53:33. | :53:41. | |
# Leave alone | :53:41. | :53:44. | |
# Oh, leave it alone | :53:44. | :53:49. | |
# Leave it alone | :53:49. | :53:53. | |
# Ohhhhh | :53:53. | :54:00. | |
# Don't wanna hear about it | :54:00. | :54:04. | |
# Every single one's got a story to tell | :54:04. | :54:08. | |
# Everyone knows about it | :54:08. | :54:11. | |
# From the Queen of England to the hounds of hell | :54:11. | :54:15. | |
# And if I catch it comin' back my way | :54:15. | :54:19. | |
# I'm gonna serve it to you | :54:19. | :54:22. | |
# And that ain't what you want to hear | :54:22. | :54:26. | |
# But that's what I'll do | :54:26. | :54:31. | |
# And the feeling coming from my bones says, find a home | :54:31. | :54:37. | |
# Find a home | :54:37. | :54:39. | |
# Hey, oh, find a home Yeah | :54:39. | :54:42. | |
# Oh find a home. # | :54:42. | :54:47. | |
# Oh find a home. # | :54:47. | :54:49. | |
Oh, come on! | :54:49. | :54:58. | |
# A seven-nation army couldn't hold me back. # | :54:58. | :55:06. | |
APPLAUSE | :55:06. | :55:10. | |
Ladies | :55:10. | :55:10. | |
Ladies and | :55:10. | :55:11. | |
Ladies and gentlemen, | :55:11. | :55:21. | |
:55:21. | :55:26. | ||
Ladies and gentlemen, let me hear you for Becky. Well done, Becky. | :55:26. | :55:29. | |
You said you didn't realise this dream was achievable. After that | :55:29. | :55:32. | |
performance, do you feel one step closer? I don't know. I don't know. | :55:32. | :55:36. | |
I hope so. Were you not pleased with that? I don't know. There was | :55:36. | :55:39. | |
a lot of things that went wrong. At least I had a microphone lead this | :55:39. | :55:43. | |
time, but there were lots of things to think about. Thanks. I love you | :55:43. | :55:46. | |
too. But I don't know what's going on. Let's get some sense out of | :55:46. | :55:50. | |
Jessie. Becky Hill, look at me. You need to realise how amazing your | :55:50. | :55:58. | |
voice is, really. Seriously. Seriously. Come on. I screwed up so | :55:58. | :56:05. | |
bad. Calm down. Calm down. Take a moment, OK? Thank you. Calm down. | :56:05. | :56:14. | |
You're amazing. OK. That's it. You can move on. She's got bundles of | :56:14. | :56:19. | |
energy. It's about focusing it in the right place. Do you know what | :56:19. | :56:22. | |
I'm excited about with Becky is she hasn't shown everything she's got | :56:22. | :56:26. | |
at all, and she shouldn't have done yet, but I can't wait to get you to | :56:26. | :56:29. | |
sing slow stuff so people can really hear your tone, but for me | :56:29. | :56:33. | |
this week was about people getting to see the way her voice sounds - I | :56:33. | :56:37. | |
got told to explain words I use - do you know what, the way you just | :56:37. | :56:41. | |
got this place on their feet - and I am sure everyone at home was just | :56:41. | :56:51. | |
:56:51. | :56:51. | ||
like loving it eating their dinner, just loving it. Even Tom was up on | :56:51. | :57:01. | |
:57:01. | :57:01. | ||
his feet. I was. Tom, has she done enough? What? Has she done enough? | :57:01. | :57:07. | |
Enough? She always does enough for me every time I see the girl. You | :57:08. | :57:10. | |
know what I was talking about, Aleks being cool and relaxed - | :57:11. | :57:16. | |
Becky is the opposite. She's on fire as far as I am concerned, this | :57:16. | :57:23. | |
girl. You know, she takes it the other way. She takes it to the | :57:23. | :57:27. | |
extreme - so much so that sometimes I get a little concerned in the way | :57:27. | :57:29. | |
that she sings because I am frightened you might hurt your | :57:30. | :57:35. | |
voice. Me too. Just speaking technically as a singer. You have | :57:35. | :57:39. | |
to watch you don't blow it. You're a young girl, so please, try and | :57:39. | :57:45. | |
respect, you know, your voice. I know how you feel inside. You know, | :57:45. | :57:48. | |
you want to rip it apart, and I know that feeling, but always | :57:48. | :57:55. | |
remember that you only have one voice and... Yeah. Try and save it. | :57:55. | :58:00. | |
Danny? By the way, just before I forget because last week I compared | :58:00. | :58:04. | |
you to Janis Joplin, and I think you didn't know who she was. She | :58:04. | :58:09. | |
was a great singer in the '60s, you know. Before my time. That's why. | :58:09. | :58:13. | |
Yeah, and I did a duet with that girl, so that's why I compared you | :58:13. | :58:17. | |
to her because I was up close listening to her sing, and she had | :58:17. | :58:23. | |
the same fire as you've got now. That's why. A huge compliment! | :58:23. | :58:29. | |
Danny? I duetted with a lot in my time. I've duetted with Tom, Jessie, | :58:29. | :58:33. | |
Will, and I would love to duet with you. I think you're a fantastic | :58:33. | :58:37. | |
performer. I think you held the crowd in the palm of your hand. If | :58:37. | :58:41. | |
I didn't know and they put you on stage and said on the results show | :58:41. | :58:44. | |
saying you were the act, I would be stamping my feet and clapping | :58:44. | :58:47. | |
because I think you're pretty much there. Thank you. Will, a quick | :58:47. | :58:52. | |
word from you, please. It was fantastic. Lots of energy, lots of | :58:52. | :58:59. | |
attitude. Every note was on point. It was great. I don't know what | :58:59. | :59:09. | |
:59:09. | :59:14. | ||
you're worried about, but it was This weekend, two artists from each | :59:14. | :59:17. | |
team must leave the competition. The singer with the highest public | :59:17. | :59:20. | |
vote on each team will automatically go through to the | :59:20. | :59:29. | |
semifinal. Your favourite needs you. David Julien got on well in his | :59:29. | :59:32. | |
performance. I had the graphics with the rain and the umbrellas | :59:32. | :59:37. | |
above me. I got to kick the floor and the puddles - that just felt | :59:37. | :59:42. | |
awesome. I could never have done that in a pub gig. I'm the proudest | :59:43. | :59:45. | |
man on earth. It was fantastic. You really done everybody back home | :59:46. | :59:55. | |
:59:56. | :59:56. | ||
proud. Oh! I am at a loss for words. Boom! Oh! Coming into the next | :59:56. | :59:59. | |
stage of the competition, we need a song that has a lyric, something | :59:59. | :00:02. | |
that really means you, something that can relate to your past. I | :00:02. | :00:06. | |
think Maroon 5 She Will Be Loved is going to paint you in the best | :00:06. | :00:11. | |
light. Your embellishment of it will be amazing. I can relate to | :00:11. | :00:15. | |
this song a lot. This song is about wanting someone you can't have. | :00:15. | :00:19. | |
Personally for me, I definitely have been in that situation. It has | :00:19. | :00:23. | |
taken awhile to get over it. When you're willing to do anything you | :00:23. | :00:27. | |
can for this person, and then there is nothing that you can do to try | :00:27. | :00:31. | |
to win her over. When you're actually thinking about a past love, | :00:31. | :00:36. | |
you can't help but really evoke those emotions. Gorgeous, man. When | :00:36. | :00:43. | |
you go to that place, it really shows. David is a hopeless romantic. | :00:43. | :00:46. | |
You can hear it in his voice when he sings a song that means | :00:47. | :00:51. | |
something. There is one specific girl I'll be thinking about. I can | :00:51. | :00:55. | |
see her face. Secretly I'll be hoping she'll hear me singing and | :00:55. | :01:00. | |
know I am singing for her. I hope that person is watching because I | :01:00. | :01:03. | |
think they're really going to get the message. Singing She Will Be | :01:03. | :01:13. | |
:01:13. | :01:20. | ||
# Beauty queen of only 18 # He was always there to help her | :01:20. | :01:30. | |
:01:30. | :01:30. | ||
# I drove for miles and miles and wound up at your door | :01:30. | :01:38. | |
# I've had you so many times but somehow I want more | :01:38. | :01:48. | |
:01:48. | :01:49. | ||
# I don't mind spending every day | :01:49. | :01:52. | |
# Out on your corner in the pouring rain | :01:52. | :01:57. | |
# Look for the girl with the broken smile | :01:57. | :02:01. | |
# Ask her if she wants to stay a while | :02:02. | :02:06. | |
# And she will be loved | :02:06. | :02:10. | |
# And she will be loved | :02:10. | :02:18. | |
# I know where you hide alone in your car | :02:18. | :02:23. | |
# Know all of the things that make you who you are | :02:23. | :02:28. | |
# I know that goodbye means nothing at all | :02:28. | :02:32. | |
# Comes back and begs me to catch her every time she falls | :02:32. | :02:39. | |
# And she will be loved | :02:39. | :02:44. | |
# And she will be loved | :02:44. | :02:49. | |
# And she will be loved | :02:49. | :02:59. | |
:02:59. | :03:14. | ||
Let's hear it one more time for David! Well done you. Thank you. | :03:15. | :03:19. | |
That was so beautiful. I bet your mystery girl, whoever she is, has | :03:19. | :03:25. | |
changed her mind now. I don't know. What do you think? I thought it was | :03:25. | :03:29. | |
amazing. You did beautifully. You always do. Danny? Yeah, probably | :03:29. | :03:33. | |
sitting there going, "How you like me now? How you like me now?" Boom- | :03:33. | :03:38. | |
boom-bow! To be honest, we've kind of went left field with you as well, | :03:38. | :03:42. | |
you know? You've taken every song I've thrown at you, and you really, | :03:42. | :03:45. | |
really have done me very proud. This one we went a little bit | :03:45. | :03:49. | |
straight down the middle. I thought this was a great way to paint you | :03:49. | :03:52. | |
out. You're such an earnest guy. You come from a working class | :03:52. | :03:55. | |
Manchester background. You quit your job to be here. I just thought, | :03:55. | :04:00. | |
what a great way to show the rest of the UK. Honestly, what a | :04:00. | :04:03. | |
fantastic - I really hope whoever you were singing that about was | :04:03. | :04:10. | |
watching. Yeah, get to the back of the queue, love! Will, let's get | :04:10. | :04:20. | |
:04:20. | :04:27. | ||
you. It was cool. LAUGHTER. It was real cool. I liked it. A man of few | :04:27. | :04:31. | |
words tonight, it seems. No, I don't know if I want to be the one | :04:31. | :04:35. | |
that always has to go in and... in. Tell exactly how I feel. You're | :04:35. | :04:41. | |
not here to lie. Go ahead. This is real critical, right? It's a real | :04:42. | :04:45. | |
critical part of the whole show, right? Two of Danny's team are | :04:46. | :04:49. | |
going to leave, and the way that you guys are going about picking | :04:49. | :04:56. | |
songs doesn't seem like it's as dire as it is. I think you guys are | :04:56. | :05:00. | |
just woop-dy do, like you do in the park. You think this isn't a great | :05:01. | :05:08. | |
song? Listen. I am not saying - hold on. Wait. Wait. I didn't say | :05:08. | :05:12. | |
it's not a great song. I said the arrangement and how you guys are | :05:12. | :05:15. | |
performing is not to the level it needs to be at for something this | :05:15. | :05:18. | |
important, depending where you're going to go. Your team were better? | :05:18. | :05:25. | |
I didn't hear what you said? I said your team were better at doing it? | :05:25. | :05:32. | |
No. Hold on. Hold on. No fighting allowed, by the way. No, no, no. | :05:32. | :05:37. | |
It's not that this is not - wait. Will, this is not about Team Jessie | :05:37. | :05:42. | |
or Team Danny. I am not going to make you feel like this is about | :05:42. | :05:46. | |
you against him. It's not whose team is better. It's about being | :05:46. | :05:51. | |
constructive to each individual artist. But when you make | :05:51. | :05:56. | |
outlandish statements. No, but... That's a bad sign? I didn't say, | :05:56. | :06:00. | |
"When I was coaching him", I said I don't know how you guys go about | :06:00. | :06:05. | |
preparing for the show. collaborate. # Stop collaborating, | :06:06. | :06:15. | |
:06:16. | :06:16. | ||
I am going to stop you there. Jessie, we're going to have to stop | :06:16. | :06:26. | |
:06:26. | :06:29. | ||
Here comes the final Team Jessie solo performance. It's Toni. | :06:29. | :06:34. | |
Walking out on that stage was the most amazing feeling. I was a | :06:34. | :06:38. | |
little disappointed at being in the bottom two. The person that I'm | :06:38. | :06:44. | |
going to be saving You don't want it to end. Is Toni. I was so happy | :06:44. | :06:50. | |
Jessie saved me. I want to show her this week that she made the right | :06:50. | :06:53. | |
decision. After the live performance, I went home for a | :06:53. | :06:59. | |
couple of days. My children are a little bit too young to understand | :06:59. | :07:03. | |
The Voice. When you're with your children, there is little time to | :07:03. | :07:06. | |
think about anything else, but then it's also great to come back, | :07:06. | :07:14. | |
because you need time to think purely about Saturday night. Bye! | :07:14. | :07:17. | |
This week Toni is singing Sorry Seems To Be The Hardest Word by | :07:18. | :07:27. | |
:07:28. | :07:28. | ||
Elton John. Come on. Sing through it. Come on. It's real. It's what | :07:28. | :07:33. | |
it is. I'm an emotional person, but this is just another level. | :07:33. | :07:37. | |
need to let it out and know why you're singing and tap into it. | :07:37. | :07:40. | |
just scared to death because I can't be a wreck on stage. You can | :07:40. | :07:44. | |
do it, Toni. You need to sing your heart on to the floor, then close | :07:45. | :07:49. | |
yourself back up and leave the stage. It's about striking a | :07:49. | :07:54. | |
balance. I need to pour out my emotion, but not too much to ruin | :07:54. | :08:04. | |
:08:04. | :08:18. | ||
my performance. Singing Sorry Seems # What have I got to do | :08:18. | :08:28. | |
:08:28. | :08:31. | ||
# Oh, what do I do when lightning strikes me | :08:31. | :08:38. | |
# And I wake to find that you... you're not there? | :08:38. | :08:47. | |
# Oh, what have I got to do to make you want me? | :08:47. | :08:55. | |
# What have I got to do to be heard? | :08:55. | :09:03. | |
# Oh, what do I say when it's all over | :09:03. | :09:11. | |
# And sorry seems to be the hardest word? | :09:11. | :09:19. | |
# Oh, oh | :09:19. | :09:21. | |
# It's sad, so sad It's a sad, sad situation | :09:21. | :09:28. | |
# And it's getting more and more absurd | :09:28. | :09:35. | |
# Oh, yeah | :09:35. | :09:37. | |
# It's sad, so sad | :09:37. | :09:40. | |
# Why can't we talk it over? | :09:40. | :09:46. | |
# Said it seems to me | :09:46. | :09:49. | |
# That sorry seems to be | :09:49. | :09:54. | |
# Said it seems to be the hardest word | :09:54. | :09:59. | |
# Oo-oo-oo-ooh, yeah | :09:59. | :10:06. | |
# The hardest word... # | :10:06. | :10:16. | |
:10:16. | :10:23. | ||
Give | :10:23. | :10:23. | |
Give it | :10:24. | :10:24. | |
Give it up | :10:24. | :10:34. | |
:10:34. | :10:36. | ||
And Well done. So classy and beautiful. You got through it. Are | :10:36. | :10:41. | |
you OK? Don't crumble on me now! How much would it mean to you to | :10:41. | :10:46. | |
get through to the semifinals? Because that's what we're playing | :10:46. | :10:49. | |
for tonight. Oh, my gosh. It would mean the absolute world. This is my | :10:49. | :10:52. | |
life, music. Singing is my life! And thank you so much, everybody. | :10:52. | :10:59. | |
Thank you, Jessie. Thank you - God bless you. OK. Let's go to Jessie. | :10:59. | :11:03. | |
Vocally, I said to Toni, do what you want. Be yourself. I want to | :11:03. | :11:06. | |
see the world, see you fly, which is why there's birds, and it's | :11:06. | :11:10. | |
simple and it's just Toni and her voice, and the one thing I will say, | :11:10. | :11:14. | |
I'm so proud of you - I have tears in my eyes - I believed you, and | :11:14. | :11:19. | |
everyone here and at home, you felt the silence, and it was amazing. | :11:19. | :11:25. | |
You didn't show those nerves. Tom, let's come to you. Yes. Well, I | :11:25. | :11:28. | |
loved it, you know, and I can't say much more than Jessie's already | :11:28. | :11:32. | |
said. You moved me. You got into the song. You have so much emotion | :11:32. | :11:35. | |
when you sing, which I think is wonderful, and you use it to your | :11:35. | :11:40. | |
advantage. You don't let it crush you. You shine with it, and that | :11:40. | :11:49. | |
was great. And it's always a good sign four of them are on their feet. | :11:49. | :11:52. | |
One more time for Toni. All eight artists have performed, so let's | :11:52. | :11:55. | |
get some reactions with Reggie Yates in the V room. | :11:55. | :12:02. | |
Thank you very much. Let's get some reactions from our artists. Now, | :12:02. | :12:04. | |
Aleks, you have the group performance coming up very song. | :12:04. | :12:08. | |
What are you going to be singing? Gotye, Somebody I Used To Know. | :12:08. | :12:11. | |
you going to take your hands out of your pockets for this performance? | :12:11. | :12:16. | |
Yeah. They're not glued in, good. Becky, the semifinals are looming. | :12:16. | :12:20. | |
How do you feel? Do you dare to dream about them right now? | :12:20. | :12:24. | |
know what, I just want to get through so bad. This has been such | :12:24. | :12:27. | |
a wicked experience. I love being here more than anything. I just | :12:27. | :12:32. | |
hope I have done enough. You did great. Now David, this mystery girl, | :12:32. | :12:36. | |
do you think you impressed her tonight? I put as much as I could | :12:36. | :12:41. | |
of me into the song, so I hope so, yeah. Who was that mystery girl? Is | :12:41. | :12:46. | |
it Holly by any chance? Oh, you got me. I think it was Holly. Toni's | :12:46. | :12:50. | |
not here just yet, unfortunately. Let's crack on. There is so much | :12:50. | :12:53. | |
emotion here in the V room, Holly, and remember, your comments come to | :12:53. | :12:59. | |
us directly, so keep on posting. All the details you need are on the | :12:59. | :13:05. | |
screen. Get in here Toni, give her a cheer. Holly, it's back to you. | :13:05. | :13:08. | |
Hello. Before we open the phone lines, it's nearly time for Team | :13:08. | :13:11. | |
Danny the take to the stage with their famous coach, but first, | :13:11. | :13:17. | |
let's check out how he got them all In preparations for this week's | :13:17. | :13:20. | |
group performance, I am bringing them down to the studio to see what | :13:20. | :13:24. | |
it's really like to be in a band. The Script. How you doing? You guys | :13:24. | :13:28. | |
are performing as a group, but I thought in between why don't you | :13:28. | :13:33. | |
perform with our group? Amazing! was magic. We didn't think we'd get | :13:33. | :13:38. | |
to sing with them and hear them do their thing. To hear them singing | :13:38. | :13:43. | |
to me, I couldn't stop smiling. Danny has a great pool of talent, | :13:43. | :13:48. | |
they're all brilliant singers. They all have their own style, which is | :13:48. | :13:51. | |
amazing. This is the most ridiculous experience. I'm loving | :13:51. | :13:56. | |
it. Jamming session done, it's time to take a break from the studio. | :13:56. | :14:02. | |
am going to take you guys go- karting. I am from Stevenage. Lewis | :14:02. | :14:06. | |
Hamilton was from there. Stevenage boys are good at racing. I've got a | :14:06. | :14:09. | |
slipped disc, so I ended up starting the race. Are you ready, | :14:09. | :14:19. | |
:14:19. | :14:20. | ||
Dan and David are having a proper fight. Fun to run him off the road. | :14:21. | :14:25. | |
I ran him off the road. I didn't really see a lot of him to be | :14:25. | :14:30. | |
honest. I was well ahead. Come on! Aleks beforehand thought he had | :14:30. | :14:35. | |
everybody beat, and he kind of came last. I blame it on the car, really, | :14:35. | :14:39. | |
if I am honest. I'm a good loser, you know what I mean? It's all | :14:39. | :14:44. | |
right. Max Milner. The day has been amazing. We all feel like a team, | :14:44. | :14:48. | |
and to perform together is going to be great. If we have as much fun on | :14:48. | :14:56. | |
Saturday as we did today on the track, it's going to be smashing. | :14:56. | :15:00. | |
They can do a circuit, but who is going to go the distance? Here with | :15:00. | :15:10. | |
:15:10. | :15:11. | ||
Somebody I Used To Know, it's Aleks, # Now and then I think of | :15:11. | :15:21. | |
:15:21. | :15:24. | ||
# Told myself that you were right for me | :15:24. | :15:28. | |
# But felt so lonely in your company | :15:28. | :15:32. | |
# But that was love and it's an ache I still remember | :15:32. | :15:39. | |
# You can get addicted to a certain kind of sadness | :15:39. | :15:45. | |
# Like resignation to the end Always the end | :15:45. | :15:54. | |
# So when we found that we could not make sense | :15:54. | :15:58. | |
# Well, you said that we could still be friends | :15:58. | :16:02. | |
# But I'll admit that I was glad it was over | :16:02. | :16:08. | |
# But you didn't have to cut me off | :16:08. | :16:14. | |
# Acting like it never happened and that we were nothing | :16:14. | :16:17. | |
# And I don't even need your love | :16:17. | :16:21. | |
# But you treat me like a stranger and I feel so rough | :16:21. | :16:25. | |
# No, you didn't have to stoop so low | :16:25. | :16:28. | |
# Have your friends collect your records and then change your number | :16:28. | :16:32. | |
# I guess that I don't need that, though | :16:32. | :16:36. | |
# Now you're just somebody that I used to know | :16:36. | :16:44. | |
# Now and then I think of all the times you screwed me over | :16:44. | :16:49. | |
# Part of me believing it was always something that I'd done | :16:49. | :16:57. | |
# I don't wanna live that way | :16:57. | :17:01. | |
# Reading into every word you say | :17:01. | :17:05. | |
# You said that you would let it go | :17:05. | :17:08. | |
# And I wouldn't catch you hung up on somebody that you used to know | :17:08. | :17:15. | |
# But you didn't have to cut me off | :17:15. | :17:17. | |
# Make out like it never happened and that we were nothing | :17:17. | :17:21. | |
# And I don't even need your love | :17:21. | :17:24. | |
# But you treat me like a stranger and I feel so rough | :17:24. | :17:27. | |
# No, you didn't have to stoop so low | :17:27. | :17:31. | |
# Have your friends collect your records and then change your number | :17:31. | :17:35. | |
# I guess that I don't need that, though | :17:35. | :17:38. | |
# Now you're just somebody that I used to know | :17:38. | :17:42. | |
# Somebody | :17:42. | :17:44. | |
# I used to know | :17:44. | :17:45. | |
# Somebody | :17:45. | :17:47. | |
# Now you're just somebody that I used to know. # | :17:47. | :17:55. | |
# Now you're just somebody that I used to know. # | :17:55. | :18:04. | |
Everyone, | :18:04. | :18:04. | |
Everyone, it's | :18:04. | :18:05. | |
Everyone, it's Team | :18:05. | :18:09. | |
Everyone, it's Team Danny. That was so cool - the artists becoming ours. | :18:09. | :18:14. | |
Thanks, guys. By next weekend, only four of tonight's artists will be | :18:15. | :18:19. | |
back on your screens. You know what to do, and you know how to do it | :18:20. | :18:24. | |
because the phone lines are now open. They'll close tonight at | :18:24. | :18:34. | |
:18:34. | :18:39. | ||
8.30pm. Calls cost 25p from BT and As the teams get smaller, the | :18:39. | :18:43. | |
competitions get tougher, but it's still all about the voice. Here's a | :18:43. | :18:53. | |
:18:53. | :18:53. | ||
Apology for the loss of subtitles for 59 seconds | :18:53. | :19:53. | |
reminder about the performances and # I won't let you close enough | :19:53. | :20:03. | |
:20:03. | :20:09. | ||
# And I won't rescue you # It's time to say goodbye | :20:09. | :20:19. | |
:20:19. | :20:59. | ||
# In this tug of war # Just gonna stand there | :20:59. | :21:09. | |
:21:09. | :21:10. | ||
# Just gonna stand there and hear me cry | :21:10. | :21:15. | |
# But that's all right | :21:15. | :21:18. | |
# Because I love the way I love the way | :21:18. | :21:20. | |
# I love the way you lie . # | :21:21. | :21:30. | |
:21:31. | :21:42. | ||
# Your love is my love And my love is your love | :21:42. | :21:44. | |
# It would take an eternity to break us | :21:44. | :21:47. | |
# And the chains of Amistad couldn't hold us | :21:47. | :21:52. | |
# If I should die this very day | :21:52. | :21:56. | |
# Don't cry cos on earth we wasn't meant to stay | :21:56. | :22:02. | |
# And no matter what the people say | :22:02. | :22:08. | |
# I'll be waiting for you after the Judgment Day... # | :22:08. | :22:18. | |
:22:18. | :22:33. | ||
# And when I wake up, you look so pretty sleeping next to me | :22:33. | :22:42. | |
# But there is not enough time | :22:42. | :22:47. | |
# And there is no No song I can sing | :22:47. | :22:51. | |
# And there is no combination of words | :22:51. | :22:55. | |
# I could say but I will still tell you one thing | :22:55. | :22:59. | |
# We're better together | :22:59. | :23:05. | |
# We're better together. # | :23:05. | :23:15. | |
:23:15. | :23:18. | ||
# I'm gonna serve it to you | :23:18. | :23:20. | |
# And that ain't what you want to hear | :23:20. | :23:22. | |
# But that's what I'll do | :23:23. | :23:25. | |
# And the feeling coming from my bones says, find a home | :23:25. | :23:31. | |
# Find a home | :23:31. | :23:38. | |
# Hey, oh, find a home Yeah | :23:38. | :23:41. | |
# Oh find a home. # | :23:42. | :23:43. | |
Oh, come on! | :23:44. | :23:51. | |
# A seven-nation army couldn't hold me back. # | :23:51. | :24:01. | |
:24:01. | :24:05. | ||
# And she will be loved | :24:05. | :24:10. | |
# I know where you hide alone in your car | :24:10. | :24:13. | |
# Know all of the things that make you who you are | :24:13. | :24:16. | |
# I know that goodbye means nothing at all | :24:16. | :24:20. | |
# Comes back and begs me to catch her every time she falls | :24:20. | :24:29. | |
# And she will be loved | :24:29. | :24:32. | |
# And she will be loved | :24:32. | :24:37. | |
# And she will be loved | :24:37. | :24:47. | |
:24:47. | :25:00. | ||
# Oh, what do I say # And sorry seems to be | :25:00. | :25:04. | |
# It's sad, so sad It's a sad, sad situation | :25:04. | :25:11. | |
# And it's getting more and more absurd | :25:11. | :25:18. | |
# Oh, yeah | :25:18. | :25:20. | |
# It's sad, so sad | :25:20. | :25:23. | |
# Why can't we talk it over? | :25:23. | :25:27. | |
# Said it seems to me | :25:27. | :25:31. | |
# That sorry seems to be | :25:31. | :25:38. | |
# Said it seems to be the hardest word | :25:38. | :25:48. | |
:25:48. | :25:49. | ||
So | :25:49. | :25:49. | |
So we | :25:49. | :25:49. | |
So we will | :25:49. | :25:52. | |
So we will see you tomorrow night, we will have some special | :25:52. | :26:02. | |
:26:02. | :26:10. | ||
Wow, what a an amazing night and an Plus, two incredible duets from | :26:10. | :26:13. | |
Team Tom and Team Will as we hear from the cool combination of Tyler | :26:13. | :26:17. | |
and Jazz, and the vocal powerhouses that are Jan and Ruth. We can't | :26:17. | :26:22. | |
wait here in the studio. That is all to come at 7.25pm. Plus, we'll | :26:22. | :26:25. | |
find out which artists from Team Jessie and Team Danny have your | :26:25. | :26:29. | |
support. Remember, vote for your favourite, or there is a chance | :26:29. | :26:35. | |
they won't be back here in next week's semifinal. You have until | :26:35. | :26:39. | |
8.30pm tonight to make your vote. Thanks to the hardest working band | :26:39. | :26:42. |