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Here we go again, hold on tight, it's the semifinals. Have we got a | 0:00:13 | 0:00:18 | |
show for you, tonight, our semifinalists will sing solo and | 0:00:19 | 0:00:21 | |
perform with our superstar coaches. Here they are. From a galaxy far, | 0:00:22 | 0:00:25 | |
far away, the Jedi Master of pop, Obi Wan.i.am. The force is strong | 0:00:26 | 0:00:33 | |
with these two, Sophie May and Jermain. Behave, it's Ricky Wilson! | 0:00:34 | 0:00:45 | |
Doing it for Team Ricky, Chris and Christina-Marie! Bigger than the | 0:00:46 | 0:00:49 | |
mountains, deeper than the valleys. He's the king of Wales, Sir Tom | 0:00:50 | 0:00:55 | |
Jones! Let's hear it for his loyal subjects, Bizzi and Sally! She's | 0:00:56 | 0:01:01 | |
supersonic, electronic and iconic, she is Kylie! Make noise for her | 0:01:02 | 0:01:15 | |
boys, and Jamie. It's the semifinals! | 0:01:16 | 0:01:32 | |
Good evening, Great Britain. Let me hear your voices! Yes, they are | 0:01:33 | 0:01:40 | |
ready, we have liftoff on the biggest show of the series. Tonight, | 0:01:41 | 0:01:44 | |
you and only you can choose four acts to sing in next week's final. | 0:01:45 | 0:01:51 | |
The artists will sing solo and, for the first time, they will perform | 0:01:52 | 0:01:54 | |
with their coaches. It's going to be huge. If that wasn't enough, not | 0:01:55 | 0:01:58 | |
one, but two global superstars are going to be joining us on this very | 0:01:59 | 0:02:03 | |
stage. Shakira is here to shake her thing. And we are joined by Enrique | 0:02:04 | 0:02:13 | |
Iglesias! Are you excited about that? Just a little bit, he's a very | 0:02:14 | 0:02:24 | |
handsome man. Ready for this? It's going to be a good night, I can feel | 0:02:25 | 0:02:29 | |
it. Tom, your team are first to perform. What can we expect? Well, I | 0:02:30 | 0:02:34 | |
want to Sally to be Sally. And I want Bizzi to get busy. As long as | 0:02:35 | 0:02:38 | |
we do what we rehearsed, I think we'll be fine. Thank you very much. | 0:02:39 | 0:02:43 | |
It's time for the first semifinalist. Who would have | 0:02:44 | 0:02:46 | |
thought, Jones would be the fairy godmother in our very own Cinderella | 0:02:47 | 0:02:55 | |
story? Lovely to see you again. I think you are looking younger. It's | 0:02:56 | 0:02:59 | |
the show. I need some of that myself! The more I get to know | 0:03:00 | 0:03:11 | |
Sally, the more I like her. I think I have relaxed into the process. | 0:03:12 | 0:03:18 | |
It's not to do with singing, it's to do with everything else that | 0:03:19 | 0:03:21 | |
surrounds The Voice. I'm going to get pampered, the outfit, the hair, | 0:03:22 | 0:03:24 | |
the make-up, blissful. My mum is here, she has had her hair done | 0:03:25 | 0:03:30 | |
specially. I've had my hair done as well. The hair, make-up, costumes. I | 0:03:31 | 0:03:40 | |
think that's been a transformation. My highlight of the evening was | 0:03:41 | 0:03:43 | |
seeing Sally. She looked really gorgeous. It was really exciting, | 0:03:44 | 0:03:54 | |
singing in the quarterfinals. Who is getting your pass through to the | 0:03:55 | 0:03:58 | |
semifinal? Sally! I thought Sally deserved that first pass because she | 0:03:59 | 0:04:06 | |
sang out there. We are very proud of her, and we think she's done very | 0:04:07 | 0:04:10 | |
well. We can't wait for Saturday night. I am one sing away from the | 0:04:11 | 0:04:19 | |
final. That's exciting, as well as a little bit scary. Great to see you, | 0:04:20 | 0:04:30 | |
good to hear from you, good luck. First into the arena, singing Whole | 0:04:31 | 0:04:31 | |
Of The Moon, it's Sally. # I pictured a rainbow. # You held | 0:04:32 | 0:04:53 | |
it in your hands. # I had flashes. # You saw the plan. # I wandered out | 0:04:54 | 0:05:00 | |
in the world for years. # While you just stayed in your room. # I saw | 0:05:01 | 0:05:09 | |
the crescent. # You saw the whole of the moon. # I was grounded while you | 0:05:10 | 0:05:22 | |
filled the skies. # I was dumbfounded by truths. # And you cut | 0:05:23 | 0:05:32 | |
through the lies. # I saw the rain-dirty valley. # You saw | 0:05:33 | 0:05:41 | |
Brigadoon. # I saw the crescent. # You saw the whole of the moon. # The | 0:05:42 | 0:06:00 | |
whole of the moon. # The whole of the moon .# With a torch in your | 0:06:01 | 0:06:04 | |
pocket. # And the wind at your heels. # You climbed on the ladder | 0:06:05 | 0:06:08 | |
and you. # Know how it feels to get too high. # Too far. # Too soon. # | 0:06:09 | 0:06:17 | |
You climbed on the ladder with the wind in your sails. # You came like | 0:06:18 | 0:06:25 | |
a comet. # Blazing your trail. # Too high. # Too far. # Too soon. # You | 0:06:26 | 0:06:33 | |
saw the whole of the moon. #. Ladies and gentlemen, Sally! | 0:06:34 | 0:06:56 | |
Slightly nerve-wracking. I've got to say, you are rocking the leather | 0:06:57 | 0:07:05 | |
this evening. Never mind the hair. I won't mess up your hair. I am | 0:07:06 | 0:07:10 | |
channelling Ferne Cotton. You look wonderful, what a great way to start | 0:07:11 | 0:07:14 | |
the show. Can we put our hands together for David Tench, and the | 0:07:15 | 0:07:19 | |
brilliant band? Just exceptional, all of the time. We know you played | 0:07:20 | 0:07:23 | |
arenas in the past. How does that compare to programme aggro stage? | 0:07:24 | 0:07:27 | |
That was the most nerve wracking I've ever felt. Is that the right | 0:07:28 | 0:07:33 | |
way of saying it? I'm still shaking. You feel OK, though? Enjoyably nerve | 0:07:34 | 0:07:40 | |
wracking? I'm speechless. Let's let you rest, you just had one hell of a | 0:07:41 | 0:07:44 | |
performance. A slight change of pace, do you enjoy this? A fantastic | 0:07:45 | 0:07:51 | |
change of pace. I feel for you, you've opened the show, what a job. | 0:07:52 | 0:07:58 | |
I thought she was going to faint. I loved hearing another side to your | 0:07:59 | 0:08:05 | |
performance. The glassy eyes, it looked like she pulled on those | 0:08:06 | 0:08:10 | |
emotions again? Always, she always does that. I must congratulate you | 0:08:11 | 0:08:14 | |
on singing that song the way that you sang it. I didn't want to lose | 0:08:15 | 0:08:23 | |
lovely Sally, but she wanted to do something more up-tempo. We found | 0:08:24 | 0:08:27 | |
this song and I thought, great, the structure of it is like a ballad and | 0:08:28 | 0:08:32 | |
then it is moving. She fell right into it and it was fantastic. I love | 0:08:33 | 0:08:45 | |
that! Are you enjoying the new goddess in leather? I am, totally. | 0:08:46 | 0:08:51 | |
She always manages to transport us somewhere, and tonight was no | 0:08:52 | 0:08:53 | |
different. Another flawless performance, so uplifting, which was | 0:08:54 | 0:08:57 | |
great. First performance of the semifinal, give us your first words | 0:08:58 | 0:09:02 | |
of wisdom for the evening. To have someone like Sally kick it off, | 0:09:03 | 0:09:05 | |
surprised everyone with a powerful, up-tempo, like that, singing so | 0:09:06 | 0:09:08 | |
powerful, it looked great, it sounded great. Only a person like | 0:09:09 | 0:09:16 | |
Sally can do that. I liked the risk that you took tonight. You really | 0:09:17 | 0:09:23 | |
thrilled me. Brilliant comments, great way to start the show. | 0:09:24 | 0:09:27 | |
Remember, only one member of Team Tom can go through to the final. If | 0:09:28 | 0:09:31 | |
you think it should be Sally, here are the numbers you will need. | 0:09:32 | 0:09:47 | |
If you would like to vote for free, you can register on the website, | 0:09:48 | 0:09:52 | |
where you will also find terms and conditions. A brilliant start to the | 0:09:53 | 0:09:55 | |
semifinals, please show your love for Sally. | 0:09:56 | 0:10:01 | |
Next up from Team Tom, repeat after me, point at the sky, look to the | 0:10:02 | 0:10:15 | |
stars, yes, you've got him. How are you feeling? It's still not sunk in, | 0:10:16 | 0:10:28 | |
pitch me. Ouch! Now I'm nervous. He can do up-tempo, he can do ballads, | 0:10:29 | 0:10:36 | |
which I love. Gospel. It's Bizzi! Throughout the competition, I've | 0:10:37 | 0:10:39 | |
been doing that, because I've been giving praise. Bizzi praise. This is | 0:10:40 | 0:10:47 | |
a crucial time now, and it's down to the public. When you get the | 0:10:48 | 0:10:51 | |
semifinal, it's like getting a number two record. Like, oh, my God, | 0:10:52 | 0:10:55 | |
one more step and I would have been number one. We have two strong | 0:10:56 | 0:11:02 | |
people from Leicester. We are from the same place, Leicester. I had to | 0:11:03 | 0:11:07 | |
drum up some support for the Vote Bizzi campaign, but I only had 24 | 0:11:08 | 0:11:15 | |
hours to do it. He went out and about in Leicester. They were all | 0:11:16 | 0:11:22 | |
behind him. Very good to see you! You are a real Leicester star, you | 0:11:23 | 0:11:25 | |
really are. Thanks, that deserves another shake. Leicester all the | 0:11:26 | 0:11:31 | |
way. He went up there and tested the waters, he wanted to feel Leicester. | 0:11:32 | 0:11:37 | |
Everywhere he can get up to perform, he did. I'm hoping I've got | 0:11:38 | 0:11:43 | |
Leicester behind me and the UK, because I really don't want to go | 0:11:44 | 0:11:47 | |
home. Are we going to have a Leicester -fest? One thing is for | 0:11:48 | 0:11:50 | |
sure, there will be someone from Leicester in the final. Representing | 0:11:51 | 0:11:55 | |
Team Tom, singing Everything Must Change, it's Bizzi. | 0:11:56 | 0:12:05 | |
# Everything must change. # Nothing stays the same. # Everyone must | 0:12:06 | 0:12:26 | |
change, no-one goes unchanged. # Nothing stays the same. # The young | 0:12:27 | 0:12:38 | |
become the old. # And mysteries do unfold. # Cos that's the way. # Of | 0:12:39 | 0:12:59 | |
time. # Nothing goes unchanged. # There are not many things in life | 0:13:00 | 0:13:12 | |
you can be sure of, ooh. # Except rain comes from the clouds and sun | 0:13:13 | 0:13:19 | |
lights up the sky. # And hummingbirds do fly. # Rain comes | 0:13:20 | 0:13:30 | |
from the clouds. # And sun lights up the sky. # And hummingbird fly, ooh. | 0:13:31 | 0:13:59 | |
# Everything must change. #. The one and only Mr Bizzi Dixon. Well done, | 0:14:00 | 0:14:08 | |
you are just incredible at anything you do. Thank you very much. All | 0:14:09 | 0:14:16 | |
four coaches on their feet for you. Did you enjoy it? I thoroughly | 0:14:17 | 0:14:22 | |
enjoyed it, can I do it again? That's why we love him! You are a | 0:14:23 | 0:14:27 | |
huge Bizzi fun, aren't you? Bizzi gets dizzy. That should be a | 0:14:28 | 0:14:32 | |
hashtag. One thing I like about Bizzi, he knows just how smooth | 0:14:33 | 0:14:46 | |
Bizzi is. When you did the force pose, I was like, bro, you've got | 0:14:47 | 0:14:50 | |
Finesse, on stage, you are making the smoke glide. Bizzi, man, it's a | 0:14:51 | 0:14:58 | |
pleasure to have somebody like you on the show. A slight change this | 0:14:59 | 0:15:08 | |
week, taking it down, as Will said, very smooth. Like honey. Smooth, | 0:15:09 | 0:15:19 | |
yeah. A change, but every change Bizzi makes is a good one. He | 0:15:20 | 0:15:27 | |
delivers week upon week, so good. Tom, again, it looked like you were | 0:15:28 | 0:15:30 | |
getting a little emotional? Yeah. Well I get emotional over my | 0:15:31 | 0:15:33 | |
singers, because they're so great and they touch me. I've got to know | 0:15:34 | 0:15:38 | |
them. They both are beautiful people and great singers. So it means a lot | 0:15:39 | 0:15:46 | |
to me to see somebody come on and do what we worked on. It's tremendous. | 0:15:47 | 0:15:51 | |
I wanted Bizzi to do a ballad this week, because Bizzi can sing | 0:15:52 | 0:15:55 | |
anything he wants to, but I thought this week, and I know he loves that | 0:15:56 | 0:15:59 | |
song, I thought, let Bizzi get busy and do what he wants to do, which is | 0:16:00 | 0:16:08 | |
that song. I think it suited you so well. When you went up for that | 0:16:09 | 0:16:11 | |
falsetto note towards the end, I thought, I hope that you hold it, | 0:16:12 | 0:16:18 | |
you know, strong, and you did. Then you went above that again. Which I | 0:16:19 | 0:16:22 | |
hadn't heard before. But you went for it and you pulled it off. | 0:16:23 | 0:16:31 | |
Wonderful. Did you enjoy it? Of course. Of course I did. Bizzi, he's | 0:16:32 | 0:16:35 | |
always guaranteed to bring a good time. Everyone's got praise for you | 0:16:36 | 0:16:42 | |
Bizzi. We love it. Also, I know you switched it up with a ballad. I'm so | 0:16:43 | 0:16:46 | |
glad you didn't rest on the success of last week. You smash today last | 0:16:47 | 0:16:50 | |
week. You could have carried on with the same thing, but I'm glad to see | 0:16:51 | 0:16:54 | |
another side of him. I hope to see you again. Coaches, thank you very | 0:16:55 | 0:16:59 | |
much. If you want to see Bizzi next week in the final, call: the vote | 0:17:00 | 0:17:07 | |
openers later or go online and register to vote for free or | 0:17:08 | 0:17:13 | |
download The Voice app. Everybody, Team Tom's second artist, Bizzi! | 0:17:14 | 0:17:20 | |
APPLAUSE. Listen, your team is next in the | 0:17:21 | 0:17:45 | |
arena. Let's go with it. Your team is next into the arena. I am doing | 0:17:46 | 0:17:50 | |
this again with you. I want you to do it right this time. What do you | 0:17:51 | 0:17:55 | |
predict? Massive success for both of my finalists. You do it, play with | 0:17:56 | 0:18:06 | |
me. You want me to say "riot? Yes! The first artist is his fast pass | 0:18:07 | 0:18:10 | |
from last week. For this girl, it's been emotional. Ladies and | 0:18:11 | 0:18:19 | |
gentlemen, Christina-Marie. Thank you so much. The morning of the | 0:18:20 | 0:18:23 | |
quarter finals I was so nervous. I was being physically sick. But I | 0:18:24 | 0:18:30 | |
managed to hold my nerve. I thought if I can just get through this song, | 0:18:31 | 0:18:35 | |
it's fine. When Ricky said my name, it was amazing. Fast pass, I chose | 0:18:36 | 0:18:42 | |
you. Now it's up to the public. How do you feel about that? I'm pretty | 0:18:43 | 0:18:45 | |
scared because I want to know what people think about me. Get the | 0:18:46 | 0:18:50 | |
public vote would mean a lot to Christinament she's always been the | 0:18:51 | 0:18:53 | |
one that's supported everyone else. It's time that she gets looked after | 0:18:54 | 0:18:58 | |
a little bit more. I think I was always a bit of a recluse growing | 0:18:59 | 0:19:02 | |
up. I didn't have that many friends at school. So I found a place for | 0:19:03 | 0:19:07 | |
me, where I could fit in. For me, that was music. Whenever I would | 0:19:08 | 0:19:11 | |
have a tough day, I'd go home and just listen to MariaCarey and | 0:19:12 | 0:19:13 | |
Michael Jackson, those amazing people, just listening and learning. | 0:19:14 | 0:19:21 | |
Miss Lambert was the only teacher I felt I could be myself with. This is | 0:19:22 | 0:19:28 | |
where it all began. Do you remember being on the stage? We always knew | 0:19:29 | 0:19:33 | |
she would go on to pursue her dreams. I'm so proud. This week the | 0:19:34 | 0:19:41 | |
decision is in the hands of the public. It could be I'm the only | 0:19:42 | 0:19:45 | |
person in the country that likes her. All I want to do. Chris is | 0:19:46 | 0:19:52 | |
amazing. You need to push them over the edge and make them vote Faure | 0:19:53 | 0:19:57 | |
you. Next singing Bang Bang, it's Christina-Marie. # Bang-bang, I hit | 0:19:58 | 0:20:06 | |
the ground. # Bang-bang, that awful sound. # Bang-bang, my baby shot me | 0:20:07 | 0:20:12 | |
down. # I was five and you were six. # We | 0:20:13 | 0:20:28 | |
rode on horses made of sticks. # I wore black and you wore white. # You | 0:20:29 | 0:20:33 | |
would always win the fight. # Bang-bang, you shot me down. # | 0:20:34 | 0:20:38 | |
Bang-bang, I hit the ground. # Bang-bang, that awful sound. # | 0:20:39 | 0:20:53 | |
Bang-bang, my baby shot me down. # Music played and people sang Just | 0:20:54 | 0:21:05 | |
for me the church bells rang. # After echoes from a gun. # We both | 0:21:06 | 0:21:15 | |
thought that we'd be one. # Now you're gone. # I don't know why. # | 0:21:16 | 0:21:28 | |
Sometimes I cry, you didn't say goodbye. # You didn't take the time | 0:21:29 | 0:21:35 | |
to lie. # Bang-bang, you shot me down. # Bang-bang, I hit the ground. | 0:21:36 | 0:21:46 | |
# Bang-bang, that awful sound. # My baby shot me down. #. CHEERING AND | 0:21:47 | 0:22:09 | |
APPLAUSE. Ladies and gentlemen, Christina-Marie. APPLAUSE. You did | 0:22:10 | 0:22:17 | |
it again. Well done. This time last week, you were a bag of nerves. How | 0:22:18 | 0:22:23 | |
is it this week? Do you know what, this week has been so much better. | 0:22:24 | 0:22:27 | |
I've been so much stronger. I've been having the best time of my | 0:22:28 | 0:22:30 | |
life. I love being here, being on this show is amazing. You give it | 0:22:31 | 0:22:35 | |
100% when you get up here. Yes, I sing right from my gut, and from my | 0:22:36 | 0:22:40 | |
heart. Have you to feel it, you have to do it and you have to drive it. | 0:22:41 | 0:22:45 | |
Will, Bang Bang? Not only did you Bang Bang them, you sliced, sliced | 0:22:46 | 0:22:57 | |
them. I know! They're amazing. Sophie and Jermain, you see what | 0:22:58 | 0:23:01 | |
they're doing over here? They are, they have weapons. Oh, yeah, boy. | 0:23:02 | 0:23:11 | |
You really sliced it tonight. Thank you Will. It was amazing. Kylie, she | 0:23:12 | 0:23:19 | |
had it all going on. There was a lot going on, but it's really you that's | 0:23:20 | 0:23:23 | |
going on. You are just phenomenal. I tell you, every, every week, you | 0:23:24 | 0:23:27 | |
blow my mind. Is there anything you can't do? Seriously. Probably. Can | 0:23:28 | 0:23:34 | |
you cook? Not really. Sally's been trying to teach me. You are just | 0:23:35 | 0:23:39 | |
incredible. I just sit here in awe of what you're doing. Thank you so | 0:23:40 | 0:23:45 | |
much. Tom did you think? Last week, you made my grandson cry. No! In a | 0:23:46 | 0:23:52 | |
good way, though. I have to talk to him after the show and see what you | 0:23:53 | 0:23:56 | |
did to him this week. If you're doing the same to him as you're | 0:23:57 | 0:24:00 | |
doing to me, wow! Oh, wow Sir Tom, thank you. Ricky, have you seen a | 0:24:01 | 0:24:04 | |
change in her since the beginning of the competition? She was sensational | 0:24:05 | 0:24:07 | |
from the start. Can you see someone that good get better? She's been a | 0:24:08 | 0:24:11 | |
star from the beginning. If she could learn anything, it's just that | 0:24:12 | 0:24:14 | |
she doesn't have to do anything on her own. You have family now. It was | 0:24:15 | 0:24:18 | |
amazing. Production and performance aside, this show is called The Voice | 0:24:19 | 0:24:35 | |
and you just heard it. APPLAUSE. So to get behind Christina-Marie when | 0:24:36 | 0:24:38 | |
the vote opens dial: or you can register online and vote for free. | 0:24:39 | 0:24:42 | |
You can't vote until all of the artists have performed their solo | 0:24:43 | 0:24:45 | |
numbers. Please go crazy for the wonderful, Christina-Marie. | 0:24:46 | 0:25:00 | |
APPLAUSE. Now Ricky's next artist was like a church mouse. Now he has | 0:25:01 | 0:25:10 | |
the confidence to be a powerhouse. The first live show was so amazing. | 0:25:11 | 0:25:18 | |
My heart was going boom, boom, boom. # Holy cow I love your eyes... # I | 0:25:19 | 0:25:23 | |
loved every moment of it and it went so fast. The artist with the most | 0:25:24 | 0:25:33 | |
public votes is... Chris. Getting the public vote, it means that the | 0:25:34 | 0:25:36 | |
public actually like you. That's what you want. The transformation in | 0:25:37 | 0:25:39 | |
Chris has been incredible. He believes that he deserves to be | 0:25:40 | 0:25:43 | |
here. You needed not just me being behind you, but now the public | 0:25:44 | 0:25:50 | |
agree. Can you do that? I can't. I'd like to be able to do it. Just to be | 0:25:51 | 0:25:57 | |
at this stage now it's so fonome... I can't say that word. It's amazing. | 0:25:58 | 0:26:01 | |
I've come a long way from my blind audition. There have been tough | 0:26:02 | 0:26:07 | |
times too. I never really spoke about it before, but two days before | 0:26:08 | 0:26:11 | |
my battle, my dad passed away. He was quite ill for a while. Was still | 0:26:12 | 0:26:17 | |
emotional, he was upset. But he gave it his all. I just remember him | 0:26:18 | 0:26:22 | |
looking forward to watching it. That's what is the hardest thing, | 0:26:23 | 0:26:31 | |
you know, that he's not, still here. Being on The Voice has helped me | 0:26:32 | 0:26:34 | |
long. Ricky's been amazing. He's gone from like a coach to a life | 0:26:35 | 0:26:38 | |
coach. I just want to step out on the stage and give it everything. I | 0:26:39 | 0:26:43 | |
just want to say how proud I am. I think we're onto a winner. I hope | 0:26:44 | 0:26:47 | |
it's a winner for you. From team Ricky, singing Smile. It's Chris. | 0:26:48 | 0:26:56 | |
# Smile, though your heart is aching. # Smile even though it's | 0:26:57 | 0:27:08 | |
breaking. # When there are clouds in the sky you'll get by. # if you | 0:27:09 | 0:27:19 | |
smile through your fear and sorrow. # Smile and maybe tomorrow. # You'll | 0:27:20 | 0:27:28 | |
see the Sun come shining through. # For you. # Light up your face with | 0:27:29 | 0:27:36 | |
gladness. # Hide every trace of sadness. # although a tear may be | 0:27:37 | 0:27:49 | |
ever so near. # That's the time you. # Must keep on trying. # Smile, | 0:27:50 | 0:27:59 | |
what's the use of crying. # You'll find that life is still worthwhile. | 0:28:00 | 0:28:11 | |
# If you just smile. # That's the time you must keep on trying. # | 0:28:12 | 0:28:18 | |
Smile, what's the use of. # Crying you'll find that life is still worth | 0:28:19 | 0:28:34 | |
while. # If you just smile. #. CHEERING AND APPLAUSE. Ladies and | 0:28:35 | 0:28:53 | |
gentleman, the wonderful, Chris! APPLAUSE. Are you OK? I'm fine. | 0:28:54 | 0:29:01 | |
Again, all four coaches on their feet. I'm speechless. I just love | 0:29:02 | 0:29:09 | |
this performance. I have been wanting to do something that I love, | 0:29:10 | 0:29:12 | |
like I love jazz and blues and stuff. I was grateful to come on the | 0:29:13 | 0:29:16 | |
stage and be able to perform that for the lovely people. Thank you. | 0:29:17 | 0:29:20 | |
Was it the most nervewracking week this week? It was nervewracking, but | 0:29:21 | 0:29:27 | |
I was excited this week. I can't wait to get on this stage. | 0:29:28 | 0:29:30 | |
Everything was great. I loved every moment of this week. It was cool. | 0:29:31 | 0:29:33 | |
There's always plenty to smile about with Chris, Kylie? I was smiling | 0:29:34 | 0:29:37 | |
from the first note, because you looked amazing, and I could just | 0:29:38 | 0:29:40 | |
feel that, as you were saying, you were in your zone that. Was a place | 0:29:41 | 0:29:44 | |
you wanted to be. You deserved that, at this stage of the competition, to | 0:29:45 | 0:29:48 | |
say what you want and be able to deliver with confidence and passion. | 0:29:49 | 0:29:55 | |
It was just stunning. Tom, was that the performance of a finalist? Yeah, | 0:29:56 | 0:29:59 | |
I think so. I think he can get into the final with that performance. On | 0:30:00 | 0:30:04 | |
-- honestly, it's one of my favourite songs. Charlie Chaplin | 0:30:05 | 0:30:07 | |
wrote it. It's a wonderful song. You did a great job on that tonight and | 0:30:08 | 0:30:11 | |
to control, it I must tell you this, I must tell the people this, because | 0:30:12 | 0:30:15 | |
the control of that song, the way you controlled it, in and out of | 0:30:16 | 0:30:20 | |
falsetto and you never panicked. You just kept to it. Good on you for | 0:30:21 | 0:30:25 | |
that. It's fantastic. Ricky, the public have a tough choice on their | 0:30:26 | 0:30:30 | |
hands when it comes to your team. Yeah, Chris, I'm glad we chose that | 0:30:31 | 0:30:35 | |
song. I'm glad you chose that song. There's a simplicity to your | 0:30:36 | 0:30:41 | |
brilliance. Your inner ears didn't work, you didn't need them. I had to | 0:30:42 | 0:30:46 | |
take them off, I couldn't hear a thing. I saw. The show must go on. | 0:30:47 | 0:30:54 | |
You still delivered a genuine and gentle performance. All along I was | 0:30:55 | 0:30:57 | |
hoping to find an artist and tonight, we've found one. Will, it's | 0:30:58 | 0:31:03 | |
a song that's been covered many times, but what due think to Chris' | 0:31:04 | 0:31:08 | |
version? Mr Chris, your voice today was like crystallised and boiling | 0:31:09 | 0:31:11 | |
hot. It was like freaking fresh, play on words, play on name. That | 0:31:12 | 0:31:29 | |
was awesome. . If you think Chris should be Ricky's one and only | 0:31:30 | 0:31:32 | |
finist, here are the numbers you need when the vote opens later:You | 0:31:33 | 0:31:35 | |
can also download versions of each tonight's solo performances, with | 0:31:36 | 0:31:38 | |
20p per download going to the BBC Performing Arts Fund. Let's give it | 0:31:39 | 0:31:42 | |
up for Chris, heading to the room with Marvin. | 0:31:43 | 0:32:01 | |
There is a lot of love going on over there. Come into the green room. | 0:32:02 | 0:32:07 | |
Make some noise for Chris. We have Team Will here as well. They have | 0:32:08 | 0:32:11 | |
been looking at the comments on line. Christina, that was | 0:32:12 | 0:32:17 | |
sensational. How much fun have you had this week? Loads of fun. It's | 0:32:18 | 0:32:21 | |
amazing, I'm in the semifinals so I've been trying to enjoy it. Just | 0:32:22 | 0:32:28 | |
amazing. A lot of male dancers as well? How amazing were they? Ninja | 0:32:29 | 0:32:31 | |
star. Rocking out, I felt like Cher tonight. What can we expect from | 0:32:32 | 0:32:40 | |
your performance later? You can expect rock and roll. I really want | 0:32:41 | 0:32:44 | |
to go rock and roll, throwaway few things up. We are live, do whatever | 0:32:45 | 0:32:53 | |
you want, it's fine! Team Ricky, I have to say, there fan Wall was | 0:32:54 | 0:32:57 | |
definitely the most rock and roll. Ricky is definitely representing for | 0:32:58 | 0:33:01 | |
the ladies, he's got the most ladies on the wall. They have signed up | 0:33:02 | 0:33:06 | |
through The Voice app. Team Tom, don't be jealous, you've got your | 0:33:07 | 0:33:14 | |
own as well. Bizzi, all of these weeks down the line, have you got | 0:33:15 | 0:33:18 | |
used to being coached by Sir Tom? That's something that will never | 0:33:19 | 0:33:21 | |
wear off, living legend, I pinch myself every day I'm with him. | 0:33:22 | 0:33:25 | |
Sally, you have released your inner rock chick, where was that hiding | 0:33:26 | 0:33:28 | |
customer It was lurking all along, it just needed some encouragement to | 0:33:29 | 0:33:36 | |
come out. Let's take a look at this video right now. What's going on? Is | 0:33:37 | 0:33:45 | |
your head not hurting? It was hurting, but it was a good hurt. We | 0:33:46 | 0:33:53 | |
have had loads of tweets. Team Ricky, Hollyoaks say that Team Ricky | 0:33:54 | 0:33:57 | |
has the best team, because he has the cat that got the cream. Team Tom | 0:33:58 | 0:34:08 | |
is like a cake, one piece isn't enough, you have to have it all | 0:34:09 | 0:34:15 | |
because it's that good. But it doesn't work like that, we can only | 0:34:16 | 0:34:19 | |
have one slice, only one of you can go through. Made a best man or woman | 0:34:20 | 0:34:23 | |
win tonight. If there is something you want to ask, you can send your | 0:34:24 | 0:34:26 | |
questions through programme Acra website, Facebook or Twitter, using | 0:34:27 | 0:34:32 | |
the hashtag #marvinasks. Back to you, honey, Emma. From one pair of | 0:34:33 | 0:34:41 | |
sweet cheeks to another pair, your team are up next. You are performing | 0:34:42 | 0:34:49 | |
with your boys tonight. Are you excited? So excited, absolutely | 0:34:50 | 0:34:56 | |
thrilled. How are they feeling? I think they are feeling good. There | 0:34:57 | 0:35:00 | |
seems to be a feeling that, yes, there are going to be nervous, but | 0:35:01 | 0:35:04 | |
to make it this far they seem elated. I hope they enjoy the | 0:35:05 | 0:35:09 | |
semifinals. Everybody seems to be enjoying it more and having more | 0:35:10 | 0:35:12 | |
fun. Yeah, that's what I want for them. Here is the first artist from | 0:35:13 | 0:35:17 | |
Team Tinkerbell, still in shock from last week. The quarterfinals. Before | 0:35:18 | 0:35:28 | |
the quarterfinals, we kind of accepted the fact it was the end of | 0:35:29 | 0:35:39 | |
the road for me. I had literally packed my bags to go home. The | 0:35:40 | 0:35:42 | |
artist with a place in next week's semifinal...! It's Lee. So close to | 0:35:43 | 0:35:48 | |
the finish line, so much for me to take in. How are you feeling with | 0:35:49 | 0:35:57 | |
moving to the semifinals? Nervous. That's normal. Kind of in two minds | 0:35:58 | 0:36:05 | |
at the moment. Let's hear it. Lee is a natural worrier. I don't think I'm | 0:36:06 | 0:36:10 | |
feeling it, I don't know if it's the key... I'm so stressed out. I know, | 0:36:11 | 0:36:18 | |
it's a tough environment. Especially for you. Kylie gave me a bit of a | 0:36:19 | 0:36:23 | |
talking to. I think it's what I needed. Now is not the time to be | 0:36:24 | 0:36:40 | |
questioning your ability. I think I broke through. You got here on the | 0:36:41 | 0:36:44 | |
public vote. OK? I want Lee to believe in himself, that he can | 0:36:45 | 0:36:50 | |
deliver this, because I know he can. Stop the press! Cheers. You all | 0:36:51 | 0:37:01 | |
right? Now get out of the! First for Team Kylie, singing Strong, it's | 0:37:02 | 0:37:14 | |
Lee. # Excuse me for a while. # While I'm wide eyed and so down. # | 0:37:15 | 0:37:18 | |
While I'm wide eyed and so down, caught in the middle. # I excused | 0:37:19 | 0:37:26 | |
you for a while. # While I'm wide eyed and so down. # And a lion, a | 0:37:27 | 0:37:46 | |
lion, roars. # Would you not listen? # If a child, a child cries would | 0:37:47 | 0:37:52 | |
you not forgive them? You not forgive them? # Yeah, and man seems | 0:37:53 | 0:38:05 | |
so strong. # Yeah, man speak so long. # Man never been so wrong. # | 0:38:06 | 0:38:13 | |
Man never been so wrong. # Yeah, I might seem so strong. # Yeah, I | 0:38:14 | 0:38:17 | |
might seem so strong. # Yeah man speak so long. # I've never been so | 0:38:18 | 0:38:23 | |
wrong. # Excuse me for a while. # While I'm wide eyed and so down, | 0:38:24 | 0:38:33 | |
caught in the middle. # Have you wondered for a while. # I have a | 0:38:34 | 0:38:39 | |
feeling deep down you're caught in the middle. # Yeah, and man seems so | 0:38:40 | 0:38:51 | |
strong. # Yeah, man speak so long. # Man never been so wrong. # Yeah, and | 0:38:52 | 0:39:00 | |
man seems so strong. # Yeah, man speak so long. # Man never been so | 0:39:01 | 0:39:29 | |
wrong. # APPLAUSE. Are you OK? Yeah, I'm good. It's been a mad week and | 0:39:30 | 0:39:33 | |
I've been so on edge all week, so worried. But... You were incredibly | 0:39:34 | 0:39:40 | |
nervous about that performance, weren't you? It's kind of take me | 0:39:41 | 0:39:47 | |
out of my comfort zone, which is what I needed. But we've had issues | 0:39:48 | 0:39:53 | |
with finding my key, and stuff. It's just been kind of difficult. But, | 0:39:54 | 0:39:59 | |
you know... Kylie has been aside me the whole way, and I can't thank you | 0:40:00 | 0:40:04 | |
enough. Are you happy with how it went? I think that's the best I've | 0:40:05 | 0:40:15 | |
done it, yeah. What did you think? I think what Lee is its resting now is | 0:40:16 | 0:40:20 | |
what we love about you, you are so passionate, such a perfectionist, | 0:40:21 | 0:40:23 | |
emotion is a big part of your performance. It's OK to not feel | 0:40:24 | 0:40:26 | |
fantastic, but I think you did fantastically. That was absolutely | 0:40:27 | 0:40:29 | |
stunning. I'm so proud of you, really. Tom, do you think he seemed | 0:40:30 | 0:40:36 | |
nervous during the performance? Not to me, I've seen him more nervous | 0:40:37 | 0:40:44 | |
than that. It seemed like you had been more nervous in the past, | 0:40:45 | 0:40:47 | |
especially when you have the microphone, like he wanted to | 0:40:48 | 0:40:50 | |
strangle somebody. I think you are going to go far, but not in that | 0:40:51 | 0:40:56 | |
car. I imagine that's a difficult song to pull off. What have you done | 0:40:57 | 0:41:07 | |
to Jamie's car? I thought the song choice, a current song choice, it | 0:41:08 | 0:41:10 | |
works well with you. It's where I see you go anyway, perfect. What did | 0:41:11 | 0:41:22 | |
you think? It's like a suffix. What I mean by that is, it was | 0:41:23 | 0:41:27 | |
wonderfully powerfully, musically... You can't say dopeily. Honestly that | 0:41:28 | 0:41:40 | |
was surprising-Lee brilliant. I'm so pleased with that. Thanks. I've | 0:41:41 | 0:41:48 | |
never seen anybody strangle the microphone. You are really feeling | 0:41:49 | 0:42:08 | |
that... Sorry. HE SWEARS TRANSLATE WE KNOW THAT WILL HAS BEEN VERY | 0:42:09 | 0:42:12 | |
GOOD, SO WE APOLOGISE IF ANYONE WAS OFFENDED. | 0:42:13 | 0:42:38 | |
Are you all right, Will? You good? My mum just sent me a text, she's | 0:42:39 | 0:43:02 | |
upset. Show your love for Lee. Next up, a guy who's managed turn an icon | 0:43:03 | 0:43:04 | |
into his very own superstar roadie. Who is getting your Fast Pass | 0:43:05 | 0:43:18 | |
straight through to the semifinals? Jamie is back in the semifinals. I | 0:43:19 | 0:43:24 | |
promised I would be his roadie. Kylie Minogue is going to be my | 0:43:25 | 0:43:33 | |
roadie. Did you get the schedule? I've got five gigs this week, two | 0:43:34 | 0:43:41 | |
next week. What? Are you able to do a couple? I'm not very busy, it's | 0:43:42 | 0:43:49 | |
all right. Headed, were going to be late. I'm your roadie, not your | 0:43:50 | 0:44:04 | |
driver. Let's go! CU, suckers! All right, Jamie. Never again! You don't | 0:44:05 | 0:44:10 | |
see a roadie in high heels very often. Just for special occasions. | 0:44:11 | 0:44:14 | |
Don't worry about me, I'm fine. For a petite lady, she is very strong. | 0:44:15 | 0:44:28 | |
How's that for you? He's come so far since his blind audition. It's a joy | 0:44:29 | 0:44:36 | |
to see him developing and maturing. He's done himself so proud. I'm one | 0:44:37 | 0:44:40 | |
step away from the final, I'd love to be the last person on Kylie's | 0:44:41 | 0:44:44 | |
team. I've never wanted something so bad in my life. Jamie Johnson! # | 0:44:45 | 0:45:07 | |
Turn down the lights, turn down the bed. # Turn down these voices inside | 0:45:08 | 0:45:16 | |
my head head. # Lay down with me, tell me no lies. # Just hold me | 0:45:17 | 0:45:23 | |
close, don't patronize patronize. # Don't patronise me. # Cos I can't | 0:45:24 | 0:45:47 | |
make you love me if you don't. # Morning will come and I'll do what's | 0:45:48 | 0:45:56 | |
right. # Just give me till then to give up this fight this fight. # And | 0:45:57 | 0:46:11 | |
I will give up this fight. # Cos I can't make you love me if you don't. | 0:46:12 | 0:46:18 | |
# You can't make your heart feel something it won't. # Here in the | 0:46:19 | 0:46:31 | |
dark, in these final hours. # I will lay down my heart and I'll feel the | 0:46:32 | 0:46:35 | |
power feel the power. # But you won't, no you won't. # Cos I can't | 0:46:36 | 0:46:54 | |
make you love me, if you don't. #. CHEERING AND APPLAUSE. Show your | 0:46:55 | 0:47:04 | |
love for the wonderful Jamie! APPLAUSE. All four coaches on their | 0:47:05 | 0:47:16 | |
feet again. That was so incredibly emotional. You looked incredibly | 0:47:17 | 0:47:20 | |
emotional as well. Yeah, it's definitely different to what I've | 0:47:21 | 0:47:24 | |
done so far. It's just nice to be able to do something that I can | 0:47:25 | 0:47:28 | |
really put my heart into and feel. It's definitely an upsetting one, | 0:47:29 | 0:47:35 | |
but it's, yeah... It has a meaning for you? It really does, yeah. Let's | 0:47:36 | 0:47:41 | |
go to the coaches. Will, how was it for you? I think you made everyone | 0:47:42 | 0:47:47 | |
love the way you were singing. Great song selection. Great, elegant set | 0:47:48 | 0:47:57 | |
up. You executed today flawlessly. It was a ship. I heard you, thanks | 0:47:58 | 0:48:09 | |
Will. Kylie, you gave Jamie your fast pass last week. Has he proved | 0:48:10 | 0:48:13 | |
exactly why? Yeah, now I'm finding it hard to speak. I've tried my best | 0:48:14 | 0:48:18 | |
to be strong for my guys, you and Lee, so close and now that you've | 0:48:19 | 0:48:22 | |
both performed, I might just fall to pieces a little, because well, so | 0:48:23 | 0:48:29 | |
fantastic. The fast pass you deserved it. You just deliver every | 0:48:30 | 0:48:33 | |
time. That was so beautiful to hear you sing something so emotional. | 0:48:34 | 0:48:40 | |
Tom, it's a much loved song. What do you think Jamie brought to it? I | 0:48:41 | 0:48:45 | |
think he made it his own. I've heard a couple of versions of it. But that | 0:48:46 | 0:48:49 | |
was really strong. To be 19 years old and sing with that emotion. You | 0:48:50 | 0:48:54 | |
sound, when you sing, that you've lived it. That you've lived that | 0:48:55 | 0:48:59 | |
song. That's great. I must say, I told you last week, and I'm going to | 0:49:00 | 0:49:03 | |
tell you again this week, you remind me of me. Because last week, you | 0:49:04 | 0:49:15 | |
came up with that up-tempo thing. Now this ballad, hopefully I could | 0:49:16 | 0:49:21 | |
sing it as well as you did. Ricky, did you enjoy it? If you want to be | 0:49:22 | 0:49:28 | |
more like Tom, undo a few more buttons. It's such an open and | 0:49:29 | 0:49:32 | |
honest lyric. It allowed us to see you. You had nothing to hide behind. | 0:49:33 | 0:49:40 | |
I really enjoyed it. Well done. You at home can choose the final | 0:49:41 | 0:49:43 | |
line-up. If you'd like to see Jamie next week, here are the numbers that | 0:49:44 | 0:50:01 | |
you'll need: But please do not call now. Remember, you can download | 0:50:02 | 0:50:03 | |
versions of tonight's solo performances. Head to the website | 0:50:04 | 0:50:07 | |
for the details. At least 20 p per download goes to the BBC's | 0:50:08 | 0:50:13 | |
performing arts fund charity. Please raise the roof for Jamie! APPLAUSE. | 0:50:14 | 0:50:29 | |
Hi Will, what's up? What's up. On your best behaviour now? I'm a | 0:50:30 | 0:50:39 | |
little shell shocked. OK. Your team are about to come ou. -- out. What | 0:50:40 | 0:50:44 | |
can we expect? You can expect Jermain to burn the roof down. And | 0:50:45 | 0:50:52 | |
you can expect Sophie May to be as cool as an igloo. OK. This week, | 0:50:53 | 0:50:59 | |
Will's first artist managed to take his foot off The Voice accelerator | 0:51:00 | 0:51:02 | |
long enough for quality time with his family. I can't believe I'm in | 0:51:03 | 0:51:11 | |
the semifinals. I am buzzing right now. I'm taking Jermain through. I | 0:51:12 | 0:51:21 | |
was like, huh? What? Me? Thank you so much nor opportunity. Thank you. | 0:51:22 | 0:51:28 | |
It was just so, so, so amazing. I had so much fun. Family is one of | 0:51:29 | 0:51:35 | |
the most important things to me. There's nothing better than going | 0:51:36 | 0:51:38 | |
home and seeing all the people you love. I'm one of five. I have three | 0:51:39 | 0:51:42 | |
older brothers and one twin sisters. She's three minutes older. She never | 0:51:43 | 0:51:48 | |
lets me forget that. From when we were young, he would just jump up | 0:51:49 | 0:51:52 | |
and dance in front of the TV, even though he can't dance. You can't | 0:51:53 | 0:51:57 | |
dance though, you can do one, two, one, two. He's the biggest mummy's | 0:51:58 | 0:52:01 | |
boy I know. I'm a mummy's boy. I love my mum. We go shopping. We go | 0:52:02 | 0:52:07 | |
out. We always love to chill. My older brothers are hard. They don't | 0:52:08 | 0:52:13 | |
want to show no emotion. I'm like, guys, I got through! They're like, | 0:52:14 | 0:52:21 | |
yeah, yeah, yeah. I'm proud of Jermain. But I carry the nerves for | 0:52:22 | 0:52:25 | |
both of us. He never shows the nerves. Jermain, I am your father. | 0:52:26 | 0:52:36 | |
What? Just kidding. I'm joking. I'm loving being on The Voice. I could | 0:52:37 | 0:52:42 | |
never have done it without the support, love and care of my family. | 0:52:43 | 0:52:46 | |
I will go out tonight and make my family proud. | 0:52:47 | 0:52:54 | |
# I can't win, I can't reign. # I will never win this game # I will | 0:52:55 | 0:53:04 | |
never win this game # Without you, without you # Without you, without | 0:53:05 | 0:53:09 | |
you # I am lost, I am vain # I am lost, I am vain # I will never be | 0:53:10 | 0:53:13 | |
the same # I will never be the same # Without you, without you # You - | 0:53:14 | 0:53:19 | |
ou - ou # You - ou - ou # You - ou - ou # You - ou - ou # You - ou - ou # | 0:53:20 | 0:53:26 | |
With - ou - ou - out # Can't erase, so I'll take blame # | 0:53:27 | 0:53:42 | |
# Can't erase, so I'll take blame. # But I can't accept that we're | 0:53:43 | 0:53:54 | |
estranged estranged # Without you, without you. # Without you, without | 0:53:55 | 0:54:06 | |
you. # Yeah, yeah, yeah # I can't quit now, this can't be right # I | 0:54:07 | 0:54:10 | |
can't take one more sleepless night night # Without you, without you. # | 0:54:11 | 0:54:15 | |
I am lost, I am vain # I will never be the same. # I will never be the | 0:54:16 | 0:54:23 | |
same # Without you, without you # Without you, without you # Without | 0:54:24 | 0:55:00 | |
you. #. CHEERING AND APPLAUSE. Let's hear it for Jermain! APPLAUSE. You | 0:55:01 | 0:55:13 | |
were in the nightclub tonight. We have to go to Will first. He is on | 0:55:14 | 0:55:20 | |
his chair. Man! Man! I take it you're happy. First off, when I said | 0:55:21 | 0:55:27 | |
it was cool, you saw the snow. Then, he heated it up, brought the fire. | 0:55:28 | 0:55:31 | |
You all saw the flames. Then a man that loves to entertain, took his | 0:55:32 | 0:55:35 | |
time and hit you with the flame on the long note. I time today, I was | 0:55:36 | 0:55:40 | |
like, OK, hold it. Hold it. Hold it. Explode it. Bam! APPLAUSE. You've | 0:55:41 | 0:55:49 | |
got to be happy with that. Different side to another of our artists | 0:55:50 | 0:55:55 | |
tonight. Who are you Jermain? ! Did this work for you? Jermain! You keep | 0:55:56 | 0:55:59 | |
surprising us. I loved that. Loved it. I needed a dance. Tom, he's got | 0:56:00 | 0:56:13 | |
an incredible range, hasn't he? Yes. Well that's what's so appealing | 0:56:14 | 0:56:17 | |
about you. This range, I mean you sound like a baritone down there, | 0:56:18 | 0:56:21 | |
then like a tenor when you go up there, all wrapped into one. | 0:56:22 | 0:56:31 | |
Fantastic. Ricky, did you enjoy it? CHEERING. First there was a snow. | 0:56:32 | 0:56:37 | |
Then there was the flames... Was the flames... LAUGHTER. Yeah, you know, | 0:56:38 | 0:56:41 | |
always super confident performance from Jermain. Confident performance | 0:56:42 | 0:56:44 | |
from Jermain. Always doing it. Keep on doing it. Thank you so much | 0:56:45 | 0:56:50 | |
coaches. If you think Jermain deserves to be here next week, | 0:56:51 | 0:56:53 | |
representing Team Will, these are the numbers you need: Or go online | 0:56:54 | 0:56:57 | |
and vote for free. Remember, only one singer from each team can make | 0:56:58 | 0:57:00 | |
it through to next week's final. Please put your hands together for | 0:57:01 | 0:57:03 | |
Will's ice man, Jermain! Jermain! APPLAUSE. | 0:57:04 | 0:57:24 | |
Now remember, our coaches aren't just commenting tonight, after our | 0:57:25 | 0:57:27 | |
next performance, those superstars will be getting up here and singing | 0:57:28 | 0:57:34 | |
with their teams. I have seen rehearsals and you are in for a | 0:57:35 | 0:57:41 | |
treat! Right, OK, since Will has described his second artist as retro | 0:57:42 | 0:57:43 | |
futuristic sophistication, really difficult to say, it could be only | 0:57:44 | 0:57:45 | |
one girl. I were like delirious last night. | 0:57:46 | 0:57:59 | |
It's Sophie May. I'm buzzing. I am buzzing! I said buzzing. | 0:58:00 | 0:58:03 | |
I've never used that word in my life. | 0:58:04 | 0:58:07 | |
Are you ready for this week? Yes. Do you know what song you want to sing? | 0:58:08 | 0:58:11 | |
I don't want to box myself in. I want to do something more modern and | 0:58:12 | 0:58:16 | |
make it retro. I want to do a modern song this weekend, because I haven't | 0:58:17 | 0:58:19 | |
done any modern songs in the show. What about Royals? I like that idea, | 0:58:20 | 0:58:24 | |
but it's modern but I can make it retro. Yeah retro futuristic. | 0:58:25 | 0:58:34 | |
What does that even mean? We put some sophistication on it. It's | 0:58:35 | 0:58:39 | |
going to be cool. . I wanted to test it on different crowds to get | 0:58:40 | 0:58:42 | |
responses. Could have just stayed at home and practised in the bathroom. | 0:58:43 | 0:58:50 | |
That is adorable. It's lovely to hear someone young with an old soul | 0:58:51 | 0:58:54 | |
to their voice. I'm sticking to my jazz roots, which | 0:58:55 | 0:58:57 | |
appeals to the older generation, as well. | 0:58:58 | 0:59:06 | |
It's a lovely, lovely song and she sang it beautifully. For 17 years | 0:59:07 | 0:59:10 | |
old, she's a marvellous young lady. She's different. She's not yelling | 0:59:11 | 0:59:13 | |
into the microphone. I love making people smile. It gives | 0:59:14 | 0:59:17 | |
me the drive to do it even more. Everybody was enjoying themselves. | 0:59:18 | 0:59:27 | |
We'll have her back any day of the week. | 0:59:28 | 0:59:31 | |
From Team Will, Sophie May, singing Royals. | 0:59:32 | 0:59:41 | |
# I've never seen a diamond in the flesh. | 0:59:42 | 0:59:49 | |
# I cut my teeth on wedding rings in the movies. # And I'm not proud of | 0:59:50 | 0:59:57 | |
my address, # In the torn up town. # In the torn up town. # No post code | 0:59:58 | 1:00:05 | |
envy. # But every song's like gold teeth, grey goose, trippin' in the | 1:00:06 | 1:00:08 | |
bathroom. # Blood stains, ball gowns, trashin' the hotel room. # We | 1:00:09 | 1:00:12 | |
don't care, we're driving Cadillacs in our dreams. # But everybody's | 1:00:13 | 1:00:16 | |
like Cristal, Maybach, diamonds on your timepiece. # Jet planes, | 1:00:17 | 1:00:20 | |
islands, tigers on a gold leash. # We don't care, we aren't caught up | 1:00:21 | 1:00:24 | |
in your love affair in your love affair. | 1:00:25 | 1:00:28 | |
# And we'll never be royals. # It don't run in our blood, # That | 1:00:29 | 1:00:32 | |
kind of luxe just ain't for us # That kind of luxe just ain't for us. | 1:00:33 | 1:00:38 | |
# We crave a different kind of buzz. # Let me be your ruler, # You can | 1:00:39 | 1:00:42 | |
call me Queen Bee. # And baby I'll rule, I'll rule, | 1:00:43 | 1:00:46 | |
I'll rule, I'll rule I'll rule, I'll rule. # Let me live that fantasy. | 1:00:47 | 1:00:53 | |
# But every song's like gold teeth, grey goose, trippin' in the | 1:00:54 | 1:00:57 | |
bathroom. # Blood stains, ball gowns, trashin' | 1:00:58 | 1:01:00 | |
the hotel room, # We don't care, we're driving Cadillacs in our | 1:01:01 | 1:01:04 | |
dreams. # But everybody's like Cristal, | 1:01:05 | 1:01:07 | |
Maybach, diamonds on your timepiece. # Jet planes, islands, tigers on a | 1:01:08 | 1:01:11 | |
gold leash. # We don't care, we aren't caught up in your love | 1:01:12 | 1:01:18 | |
affair. # And we'll never be royals. | 1:01:19 | 1:01:22 | |
# It don't run in our blood, # That kind of luxe just ain't for us # | 1:01:23 | 1:01:26 | |
That kind of luxe just ain't for us. # We crave a different kind of buzz. | 1:01:27 | 1:01:31 | |
# Let me be your ruler, # You can call me Queen Bee. # And baby I'll | 1:01:32 | 1:01:35 | |
rule. # Let me live that fantasy. | 1:01:36 | 1:01:40 | |
# APPLAUSE. The incredibly gorgeous Sophie May. | 1:01:41 | 1:01:57 | |
Wow. You normally look to the past, but it seems Mr futuristic over | 1:01:58 | 1:02:02 | |
there is rubbing off on you. A little bit, it's really an | 1:02:03 | 1:02:06 | |
elaborate, I really like it. You were dancing throughout, upon your | 1:02:07 | 1:02:09 | |
chair again now, you'll love this girl? I was online, looking at what | 1:02:10 | 1:02:15 | |
everybody is saying about her. Everybody is, like, she looks | 1:02:16 | 1:02:18 | |
fantastic, she's doing a great version of that song. You seem like | 1:02:19 | 1:02:29 | |
the artist that comes to perform in the intermission, but is already a | 1:02:30 | 1:02:30 | |
big star. We are looking for somebody with the | 1:02:31 | 1:02:50 | |
voice and star quality. Is that somebody Sophie May? That could very | 1:02:51 | 1:02:56 | |
well be Sophie May. You are dressed in something like I would wear. | 1:02:57 | 1:03:06 | |
That's what I thought! We love it. Will was busting out some brand-new | 1:03:07 | 1:03:13 | |
dance moves here. You're a superstar. Can you sum her up in one | 1:03:14 | 1:03:22 | |
word? It's got to be a couple. You look like a star on tonight you | 1:03:23 | 1:03:30 | |
sound like a star. Ricky? I've not been on the internet like Will, but | 1:03:31 | 1:03:34 | |
I just got a telegram and it says, a star is born. You know I've always | 1:03:35 | 1:03:42 | |
adored you, but tonight you were a secret surprise for me, it gave me | 1:03:43 | 1:03:45 | |
an insight into the career you will have. The coaches have no power. | 1:03:46 | 1:03:54 | |
It's you that can take Sophie May to the finals. Here are the numbers you | 1:03:55 | 1:03:56 | |
need. The vote will be opening shortly. | 1:03:57 | 1:04:13 | |
If you want to download a version of Sophie's Royals, along with the | 1:04:14 | 1:04:16 | |
other performances, go to the website. At least 20p goes to the | 1:04:17 | 1:04:23 | |
BBC Performing Arts Fund charity. Martin is waiting in the green room. | 1:04:24 | 1:04:25 | |
Show your love for Sophie May. What a performance! | 1:04:26 | 1:04:44 | |
Come on, Sophie May. Come to the green room. Everybody please make | 1:04:45 | 1:04:49 | |
some noise for Sophie. We have Team Tom and Team Ricky | 1:04:50 | 1:04:53 | |
checking comments online. I'm joined by the incredible Sophie May. That | 1:04:54 | 1:04:57 | |
production was incredible. What was the best bit for you? I haven't seen | 1:04:58 | 1:05:01 | |
it properly yet, but I imagine the screen behind me was really cool. I | 1:05:02 | 1:05:08 | |
love the whole thing. It was an amazing picture at the back of the | 1:05:09 | 1:05:12 | |
stage, was that something you came up with, or was that William's idea? | 1:05:13 | 1:05:18 | |
Like an album cover. You did something a minute ago that I've | 1:05:19 | 1:05:21 | |
never seen anybody doing a history of stage performances. Can you give | 1:05:22 | 1:05:26 | |
us a performance again? I was like... | 1:05:27 | 1:05:33 | |
I know you're going to be performing in just a minute, go and get | 1:05:34 | 1:05:35 | |
changed, Team Will, everyone. Now to Team Kylie. First, Lee. I | 1:05:36 | 1:05:45 | |
heard you have been a little bit of a traitor this week. I heard that | 1:05:46 | 1:05:50 | |
you switched allegiances with a certain Mr Wilson. Let's look at | 1:05:51 | 1:05:54 | |
this. What's going on here? What is this | 1:05:55 | 1:05:59 | |
about? I'm really sorry, Kylie. But we've got a new boyfriend. We are | 1:06:00 | 1:06:08 | |
seven, eight, nine. I'm a size nine. That will be fine. You've got a new | 1:06:09 | 1:06:12 | |
roadie, what will be happening with Kylie? She's been brilliant, she's | 1:06:13 | 1:06:22 | |
taking over the role from my sister. I might have to let her have the | 1:06:23 | 1:06:27 | |
week off next week. You're a gentleman, Jamie. | 1:06:28 | 1:06:35 | |
You can send your questions to the semifinalists and coaches using the | 1:06:36 | 1:06:38 | |
hashtag #marvinasks. We have been trending number one worldwide with | 1:06:39 | 1:06:40 | |
#marvinasks! Twitter, Facebook or The Voice | 1:06:41 | 1:06:46 | |
website, even Kylie is posting. Emma, back to you, Angel face. | 1:06:47 | 1:06:54 | |
Cheers, cuddles! We are seconds away from opening the vote. Ask yourself | 1:06:55 | 1:06:58 | |
who has the presence, performance and voice of a troop star. -- true | 1:06:59 | 1:07:07 | |
star. Whose album would you buy? Who's concert would you queue up | 1:07:08 | 1:07:11 | |
for? Who is a ready-made pop star? You are voting for your favourite | 1:07:12 | 1:07:14 | |
artist from each team to go through to the final. It's time to decide. | 1:07:15 | 1:07:20 | |
The vote is now open! Calls cost 50p from a mobile or BT | 1:07:21 | 1:07:24 | |
landline, other networks may vary. To vote for free, visit the website | 1:07:25 | 1:07:28 | |
where you can also find terms and conditions. The vote will close | 1:07:29 | 1:07:32 | |
after all of the artists have sung with their coaches and here are the | 1:07:33 | 1:07:34 | |
numbers that you need. The vote will close later in the | 1:07:35 | 1:08:16 | |
show. They are all counting on you, so get behind your favourites. | 1:08:17 | 1:08:19 | |
It's been a great night so far. But all of this is still to come. Take a | 1:08:20 | 1:08:23 | |
look. Still to come... | 1:08:24 | 1:08:26 | |
Global megastar Shakira turns up the heat with a stage shaking | 1:08:27 | 1:08:32 | |
performance. Try to stay calm, the arena gets | 1:08:33 | 1:08:36 | |
even hotter with Grammy- winning Larsson sensation Enrique Iglesias. | 1:08:37 | 1:08:44 | |
And the coaches finally join their team 's onstage for exclusive | 1:08:45 | 1:08:48 | |
performances that will bring us to boiling point. | 1:08:49 | 1:08:54 | |
Up until this moment, all of our artists have performed so low. -- | 1:08:55 | 1:09:03 | |
solo. Now it is time for them to do what others can only dream of and | 1:09:04 | 1:09:06 | |
sing with a superstar. Sounds good to me! This week was a | 1:09:07 | 1:09:10 | |
high-class affair for Team Will. In fact, it was the icing on the cake. | 1:09:11 | 1:09:15 | |
Where are we going? Top secret. To the Moon, Mars? Buckingham Palace? | 1:09:16 | 1:09:27 | |
Too obvious. Look at the doorman, how smart is | 1:09:28 | 1:09:31 | |
he? Welcome to the Savoy. Mr will.i.am | 1:09:32 | 1:09:41 | |
will meet you within. I brought them here to relax. I thought, great, | 1:09:42 | 1:09:44 | |
I've been invited to such a prestigious place. I felt like a | 1:09:45 | 1:09:47 | |
movie star inside. I wanted to introduce you to some people that | 1:09:48 | 1:09:51 | |
will help you further your career. I thought, OK, it will be someone | 1:09:52 | 1:10:00 | |
like a record company CEO. We were, like, who will we meet? Prince? | 1:10:01 | 1:10:07 | |
Super managers? We didn't know what they were | 1:10:08 | 1:10:11 | |
talking about. I was, like, Mum? It was amazing to | 1:10:12 | 1:10:17 | |
see my mummy. Seeing as it's Mother's Day, how about some | 1:10:18 | 1:10:21 | |
Mother's Day's T? Thank you for raising wonderful, | 1:10:22 | 1:10:22 | |
talented children. This boy can eat, you know. Here we | 1:10:23 | 1:10:36 | |
go! When you have parents who support | 1:10:37 | 1:10:39 | |
your dream, that can be everything you need to succeed. Let's do a | 1:10:40 | 1:10:46 | |
toast to all of the mothers for Mother's Day and congratulate your | 1:10:47 | 1:10:51 | |
super managers today. To mothers and Mother's Day. | 1:10:52 | 1:10:55 | |
Singing Let's Dance, please welcome Jermain, Sophie May and will.i.am. | 1:10:56 | 1:11:08 | |
# Let's dance! # Put on your dancing shoes and | 1:11:09 | 1:11:17 | |
dance the blues. # Let's dance, to the song that's | 1:11:18 | 1:11:24 | |
playing on the radio. # Let's sway # While colour lights | 1:11:25 | 1:11:38 | |
up your face. # Let's sway # Sway through the crowd to an empty space. | 1:11:39 | 1:11:52 | |
# If you say run, I'll run with you. # If you say hide, we'll hide. | 1:11:53 | 1:12:03 | |
# Because my love for you. # Would break my heart in two.# If | 1:12:04 | 1:12:11 | |
you should fall # Into my arms. # And tremble like a flower. | 1:12:12 | 1:12:33 | |
# Let's dance. # Let's dance for fear # That grace | 1:12:34 | 1:12:42 | |
should fall. # Let's dance, for fear tonight is all. | 1:12:43 | 1:12:56 | |
# If you say run, I'll run with you. # If you say hide, we'll hide. # | 1:12:57 | 1:13:08 | |
Because my love for you. # Would break my heart in two. | 1:13:09 | 1:13:16 | |
# If you should fall. # Into my arms # And tremble like a flower # Let's | 1:13:17 | 1:13:18 | |
dance # Let's dance. Ladies and gentleman, the amazing | 1:13:19 | 1:13:50 | |
Team Will! APPLAUSE. | 1:13:51 | 1:13:54 | |
Now if you're a rock star, you have to work hard. But you can also play | 1:13:55 | 1:13:58 | |
hard. As Christina-Marie and Chris found out. | 1:13:59 | 1:14:04 | |
This weekend we're singing a song together, but before that, we're | 1:14:05 | 1:14:12 | |
going to Manchester. I'm going up to Manchester to go on Blue Peter and | 1:14:13 | 1:14:15 | |
I'm doing BBC Breakfast. I'm showing them a taste of what is to come. It | 1:14:16 | 1:14:20 | |
can be hard, but it can be really good fun. Let's see new Manchester. | 1:14:21 | 1:14:23 | |
Cut to that now. Hello, we're in MediaCity; as if by | 1:14:24 | 1:14:28 | |
magic. It's lovely to see Ricky doing his | 1:14:29 | 1:14:32 | |
job. We're so used to having him watch us doing ours. Ive Chris and | 1:14:33 | 1:14:37 | |
Kristina along to show them how hard it is being in a band. Stop, blue | 1:14:38 | 1:14:41 | |
Peter! We were in rehearsals and our | 1:14:42 | 1:14:49 | |
manager came in, "Do you want to go to blue Peter? Do we get a badge? | 1:14:50 | 1:14:54 | |
Watching him rocking out was really good. We found out something else | 1:14:55 | 1:15:00 | |
about Ricky, not only is he an indie rock God, but he's actually quite | 1:15:01 | 1:15:03 | |
good at making things out of balloons. | 1:15:04 | 1:15:09 | |
He made a poodle. If he doesn't do well after the | 1:15:10 | 1:15:14 | |
show, he could always be a children's entertainer. | 1:15:15 | 1:15:18 | |
On the train it was nice to spend that down time with Ricky, even | 1:15:19 | 1:15:25 | |
though I did fall asleep. I was hoping for conversation. I love | 1:15:26 | 1:15:28 | |
sleep. I feel comfortable around Ricky. That's why I didn't mind five | 1:15:29 | 1:15:33 | |
dribbled. At the end of the day, we went to | 1:15:34 | 1:15:37 | |
the Brixton Academy to see the NME awards tour. I wanted to show them | 1:15:38 | 1:15:41 | |
that it's hard work but the best fun you can ever have. | 1:15:42 | 1:15:47 | |
Remember the vote is still open. There are just four places in next | 1:15:48 | 1:15:51 | |
week's final. So don't forget to support your favourite artist from | 1:15:52 | 1:15:54 | |
each team. Nobody is guaranteed a place in the final. And only your | 1:15:55 | 1:15:58 | |
votes can help put them there. OK, this is where Ricky and his team are | 1:15:59 | 1:16:02 | |
happiest, on stage, with the band turned up to 11. | 1:16:03 | 1:16:06 | |
Go wild for Chris, Christina-Marie and Mr Ricky Wilson! | 1:16:07 | 1:16:19 | |
# Girl, you really got me goin'. # You got me so I don't know what I'm | 1:16:20 | 1:16:27 | |
doin' now. # Yeah, you really got me now # You | 1:16:28 | 1:16:33 | |
got me so I can't sleep at night. # Oh yeah, you really got me now # | 1:16:34 | 1:16:38 | |
You got me so I don't know what I'm doin, now. # Oh yeah, you really got | 1:16:39 | 1:16:43 | |
me now. # You got me so I can't sleep at | 1:16:44 | 1:16:46 | |
night. # You really got me # You really got | 1:16:47 | 1:16:48 | |
me. # You really got me. | 1:16:49 | 1:16:55 | |
# See, don't ever set me free # I always wanna be by your side. | 1:16:56 | 1:17:04 | |
# Girl, you really got me now # You got me so I can't sleep at night. | 1:17:05 | 1:17:11 | |
# Oh yeah, you really got me now # You got me so I don't know what I'm | 1:17:12 | 1:17:16 | |
doin, now. # Oh yeah, you really got me now # | 1:17:17 | 1:17:20 | |
You got me so I can't sleep at night. | 1:17:21 | 1:17:24 | |
# You really got me # You really got me. # You really got me # You really | 1:17:25 | 1:17:26 | |
got me. # See, don't ever set me free # I | 1:17:27 | 1:17:54 | |
always wanna be by your side. # Girl, you really got me now # You | 1:17:55 | 1:18:02 | |
got me so I can't sleep at night. # Oh yeah, you really got me now # | 1:18:03 | 1:18:06 | |
You got me so I don't know what Im doin, now. | 1:18:07 | 1:18:11 | |
# Oh yeah, you really got me now # You got me so I can't sleep at | 1:18:12 | 1:18:14 | |
night. # You really got me # You really got | 1:18:15 | 1:18:17 | |
me. # You really got me # You really got | 1:18:18 | 1:18:23 | |
me. CHEERING AND APPLAUSE. | 1:18:24 | 1:18:30 | |
Ladies and gentleman, the rocking Team Ricky! CHEERING. | 1:18:31 | 1:18:39 | |
OK, next to sing with their coach, it's Team Tom. To toughen them up, | 1:18:40 | 1:18:43 | |
the legend took them to one of the meanest, hardest areas of London. | 1:18:44 | 1:18:50 | |
This week we're going to be singing Dancing in the Street. What a better | 1:18:51 | 1:18:55 | |
way to prepare that busking. Let's go busking. | 1:18:56 | 1:19:01 | |
Performing in the street is different. Even for me. It's still, | 1:19:02 | 1:19:11 | |
oohhh. This is as raw as we get. Team Tom! | 1:19:12 | 1:19:20 | |
# I see the light of your smile... Busking in Covent Garden is a very | 1:19:21 | 1:19:23 | |
surreal experience. Bizzi as just Bizzi. It didn't faze | 1:19:24 | 1:19:27 | |
him. He was, to use a Will expression, fresh. | 1:19:28 | 1:19:34 | |
Sally played guitar, you know. I got to hear Sally do a rock-and-roll | 1:19:35 | 1:19:49 | |
song, that was cool. Wow, Sally, who knew. | 1:19:50 | 1:19:53 | |
To come out without a microphone and sing to people, that's a test of | 1:19:54 | 1:19:58 | |
true talent. They have it. # Don't have to be beautiful # To | 1:19:59 | 1:20:07 | |
turn me on. When they saw Sir Tom Jones was there, they couldn't | 1:20:08 | 1:20:09 | |
believe their eyes. Loved it. Once in a lifetime | 1:20:10 | 1:20:17 | |
experience. Absolutely. I thought it was Tom Jones. We were | 1:20:18 | 1:20:23 | |
on the top and this lady said, "It is Tom Jones." Oh, my goodness. | 1:20:24 | 1:20:27 | |
Team Tom's performance is going to be hot, baby. | 1:20:28 | 1:20:30 | |
Put your hands together for Team Tom! | 1:20:31 | 1:20:45 | |
# Calling out around the world # Are you ready for a brand new beat? | 1:20:46 | 1:20:55 | |
# Well the summer's here and the time is right # For dancing in the | 1:20:56 | 1:20:59 | |
street. # They're dancing in Chicago # Down | 1:21:00 | 1:21:10 | |
in New Orleans # In New York City. # All we need is music, sweet music # | 1:21:11 | 1:21:19 | |
There'll be music everywhere. # They'll be swinging and swaying. | 1:21:20 | 1:21:21 | |
# And records playing. # Dancing in the street # It doesn't | 1:21:22 | 1:21:26 | |
matter what you wear # Just as long as you are there. | 1:21:27 | 1:21:35 | |
# So come on, every guy, grab a girl # Everywhere around the world. | 1:21:36 | 1:21:42 | |
# They'll be dancing. # They're dancing in the street. | 1:21:43 | 1:21:48 | |
# It's an invitation. # Across the nation. # A chance for | 1:21:49 | 1:21:55 | |
folks to meet. # They'll be laughing, singing. | 1:21:56 | 1:21:58 | |
# And music swinging. # Dancing in the street # | 1:21:59 | 1:22:04 | |
Philadelphia, PA. # Baltimore and DC now. | 1:22:05 | 1:22:11 | |
# Can't forget the Motor City. # All we need is music, sweet music. | 1:22:12 | 1:22:19 | |
# There'll be music everywhere. # They'll be swinging and swaying # | 1:22:20 | 1:22:23 | |
And records playing. # Dancing in the street. | 1:22:24 | 1:22:29 | |
# It doesn't Matter what you wear. # Just as long as you are there. | 1:22:30 | 1:22:36 | |
# So come on, every guy, grab a girl., # Everywhere around the | 1:22:37 | 1:22:42 | |
world. # We'll be dancing. # We're dancing in the street. | 1:22:43 | 1:22:50 | |
# We'll be dancing. # We're dancing in the street. | 1:22:51 | 1:22:56 | |
# We're dancing in the street # We're dancing in the street. | 1:22:57 | 1:22:58 | |
CHEERING AND APPLAUSE. The sensational Team Tom! The | 1:22:59 | 1:23:11 | |
sensational Team Tom! APPLAUSE. It's like a party in here tonight. I | 1:23:12 | 1:23:15 | |
love it. Everybody's dancing. So to our last team. Here's how Kylie, | 1:23:16 | 1:23:18 | |
introduced Lee and Jamie to several hundred of her closest friends. | 1:23:19 | 1:23:26 | |
This week I get to sing with my semifinalists. After Saturday | 1:23:27 | 1:23:32 | |
night's live show, I organised a surprise for them. You two are | 1:23:33 | 1:23:38 | |
coming with me to a gig I'm doing in Central London tonight, I've got my | 1:23:39 | 1:23:44 | |
coat. No way! One on each arm. Here we go. | 1:23:45 | 1:23:49 | |
A minute ago, we were on stage, now we've been invited to watch Kylie | 1:23:50 | 1:23:58 | |
perform. Loving it. The crowd was awesome. We had people | 1:23:59 | 1:24:07 | |
taking photos, brilliant. Big smile. We were back stage, in dialy's | 1:24:08 | 1:24:13 | |
dressing room. I showed Lee and Jamie one of the very important | 1:24:14 | 1:24:16 | |
props we were using in my show. She has this move, where you roll | 1:24:17 | 1:24:22 | |
across the ball, kicking your legs. She's just done it and looked really | 1:24:23 | 1:24:28 | |
hot. What am I doing? I'm in a waist coat and a shirt. Was it a success? | 1:24:29 | 1:24:34 | |
Hmmm... They weren't the most graceful shall | 1:24:35 | 1:24:35 | |
we say. Kylie is like the best performer | 1:24:36 | 1:24:56 | |
I've ever seen live. She is amazing. Kylie Minogue is stood next to you | 1:24:57 | 1:25:00 | |
singing her song and I'm thinking, I'm singing with her in the | 1:25:01 | 1:25:03 | |
semifinals this Saturday, it's an honour. I can't wait to hear us all | 1:25:04 | 1:25:09 | |
together. It's very exciting. Remember, you don't have long to | 1:25:10 | 1:25:13 | |
make up your mind and vote for your favourites on each team. If you | 1:25:14 | 1:25:17 | |
don't get behind them now, there's a chance they won't be here next week. | 1:25:18 | 1:25:23 | |
Remember, if there's a question that you are desperate to ask our | 1:25:24 | 1:25:26 | |
coaches, then send them in via #Marvinasks. He will put them to our | 1:25:27 | 1:25:29 | |
superstars. Because he is a gentleman. | 1:25:30 | 1:25:31 | |
It's time to dress for dinner, singing Into the Blue. Put your | 1:25:32 | 1:25:34 | |
hands together for Jamie, Lee and their coach, Kylie! | 1:25:35 | 1:25:47 | |
# I drew the smile upon my face. # I paved the road that would one | 1:25:48 | 1:25:55 | |
day leave me lonely. # No angel's too good to fall from | 1:25:56 | 1:25:59 | |
grace. # If she lets go of whatever keeps | 1:26:00 | 1:26:02 | |
her holy. # But I'm still here, holding on too | 1:26:03 | 1:26:07 | |
tight. # To everything that I left behind. | 1:26:08 | 1:26:13 | |
# And I don't care if the world is mine. | 1:26:14 | 1:26:18 | |
# Cos this is all I know. # When I got my back up against the | 1:26:19 | 1:26:23 | |
wall. # Don't need no-one to rescue me # | 1:26:24 | 1:26:27 | |
Cos I ain't waiting up for no miracle. | 1:26:28 | 1:26:30 | |
# Yeah, tonight I'm running free # Into the blue. | 1:26:31 | 1:26:43 | |
# Into the blue. # With nothing to lose. | 1:26:44 | 1:26:53 | |
# Into the blue. # I'll go where nobody knows. | 1:26:54 | 1:27:04 | |
# Wherever the wind is blowing. # Even if I'm alone # When I got my | 1:27:05 | 1:27:29 | |
back up against the wall. # Don't need no-one to rescue me. | 1:27:30 | 1:27:36 | |
# Cos I ain't waiting up for no miracle. | 1:27:37 | 1:27:42 | |
# Yeah, tonight I'm running free. # Into the blue. | 1:27:43 | 1:27:49 | |
# Into the blue. # With nothing to lose. | 1:27:50 | 1:27:53 | |
# Into the blue. That's how Team Kylie do it. Thank | 1:27:54 | 1:28:17 | |
you guys. Give it up for Team Kylie! You guys. Give it up for Team Kylie! | 1:28:18 | 1:28:22 | |
APPLAUSE. OK, there are eight semifinalists | 1:28:23 | 1:28:28 | |
and just four places in the final. So, who gets your vote? | 1:28:29 | 1:28:33 | |
To help keep your favourite from each team in the competition, here | 1:28:34 | 1:28:35 | |
are the numbers you need. Remember, one artist from each team | 1:28:36 | 1:29:13 | |
with the most public votes will go through to next week's final. If you | 1:29:14 | 1:29:17 | |
haven't voted already, you've got about ten minutes. | 1:29:18 | 1:29:20 | |
To help you decide, here is a reminder of all of tonight's | 1:29:21 | 1:29:22 | |
performances. # Like a rocket, burning your | 1:29:23 | 1:29:32 | |
trails. # Too hard. | 1:29:33 | 1:29:37 | |
# Too far. # Too soon. | 1:29:38 | 1:29:39 | |
# You saw the whole of the moon. # All we need is music, sweet music. | 1:29:40 | 1:30:08 | |
# Music everywhere. # There'll be swinging, swaying, and | 1:30:09 | 1:30:11 | |
records playing. # And dancing in the street! | 1:30:12 | 1:30:32 | |
# Light of your face with gladness. # Hide every trace of sadness. | 1:30:33 | 1:30:43 | |
# Although a tear may be ever so near. | 1:30:44 | 1:30:48 | |
# You've really got me now. # You've got me so I don't know what | 1:30:49 | 1:30:53 | |
I'm doing now. # Yeah, you've really got me now. # | 1:30:54 | 1:31:01 | |
You've got me so I can't sleep at night. | 1:31:02 | 1:31:03 | |
# You really got me # You really got me. | 1:31:04 | 1:31:06 | |
# You really got me # You really got me! | 1:31:07 | 1:31:10 | |
# Man seen so strong. # Yeah, man speaks so long. # Man never been so | 1:31:11 | 1:31:16 | |
wrong. # I can't make you Love me. | 1:31:17 | 1:31:36 | |
# You can't make your heart feel. # Got my back up against the wall. | 1:31:37 | 1:31:44 | |
# Don't need no one to rescue me. # So I'm facing up to a miracle. | 1:31:45 | 1:31:50 | |
# Tonight I'm running free. # Can't take one more sleepless | 1:31:51 | 1:31:54 | |
night without you. # We don't care. | 1:31:55 | 1:32:15 | |
# We're not caught up in your love affair.. | 1:32:16 | 1:32:17 | |
# And we'll never be Royals. # It don't run in our blood. | 1:32:18 | 1:32:24 | |
# We crave a different kind of buzz. # Let's sway. | 1:32:25 | 1:32:28 | |
# While the colour lights up your face. | 1:32:29 | 1:32:36 | |
# Let's sway. # Sway through the crowd to an empty | 1:32:37 | 1:32:38 | |
space. Such incredible performances. Calls | 1:32:39 | 1:32:58 | |
cost 15p from a BT line and mobile. You, the viewers, will decide who | 1:32:59 | 1:33:02 | |
goes on to the final. Now we are going to head to the coaches and put | 1:33:03 | 1:33:06 | |
them on the spot little bit. Based on tonight's performances, we would | 1:33:07 | 1:33:10 | |
to know who you think deserves to go through to next week's final. | 1:33:11 | 1:33:12 | |
I know! It's harsh. Will, we would like to | 1:33:13 | 1:33:18 | |
start with you. Have you guys closed the votes? Not | 1:33:19 | 1:33:28 | |
yet? Well, I refuse to say. You seem quite adamant? Well, it's | 1:33:29 | 1:33:35 | |
not fair. Those aren't the rules. If that was the case, I would have | 1:33:36 | 1:33:41 | |
treated it a long time ago. -- tweeted. Fair enough. Kylie, I know | 1:33:42 | 1:33:45 | |
it's tough. Should it be Jamie or Lee? Listen, I think the audience | 1:33:46 | 1:33:50 | |
need to vote with their hearts. I can't do it. I will say Jamlee! I | 1:33:51 | 1:34:03 | |
think there will be a theme, let's just try Tom. Who do you think | 1:34:04 | 1:34:10 | |
should go through? I wouldn't be able to decide. They both did a | 1:34:11 | 1:34:14 | |
great job tonight and they are both great in their own right. You can't | 1:34:15 | 1:34:20 | |
pick one over the other. I can't, anyway. | 1:34:21 | 1:34:24 | |
Thank you. Mr Wilson, I know you hate this part, are you going to | 1:34:25 | 1:34:30 | |
give us a name? Of course I'm not! Everybody keeps telling me that this | 1:34:31 | 1:34:34 | |
show needs a hit, I know in the last eight people I've seen it in there. | 1:34:35 | 1:34:40 | |
And I know it's in my team! Someone in my team. | 1:34:41 | 1:34:49 | |
Will? I lied, I can tell you who should go through. | 1:34:50 | 1:34:55 | |
Well, we tried, you are too nice, which is testament to you. Why are | 1:34:56 | 1:35:07 | |
you still here? What he meant? Go back into the V Room. You have been | 1:35:08 | 1:35:11 | |
sending your questions to the semifinalists, I'm now going to get | 1:35:12 | 1:35:13 | |
some answers. Make some noise! They are all here, fresh from their | 1:35:14 | 1:35:28 | |
performance. Let's start with Team Kylie. This is an #marvinasks, by | 1:35:29 | 1:35:31 | |
the way. We were trending worldwide, by the way. Jamie and Lee, I've seen | 1:35:32 | 1:35:38 | |
the bromance from day one, but is there competition? I wouldn't say | 1:35:39 | 1:35:47 | |
competition. Maybe there is competition for the bathroom in the | 1:35:48 | 1:35:53 | |
morning, this man takes ages! Lee always has to put on his fake tan. | 1:35:54 | 1:36:05 | |
To Team Tom, who is the craziest coach of the four? | 1:36:06 | 1:36:12 | |
Indisputable, isn't it? It is Sir Tom Jones. | 1:36:13 | 1:36:15 | |
Team Will, Amy says, what has been the best moment of far for Team | 1:36:16 | 1:36:24 | |
Will? You saw it on stage. The banter, the fun, how we get along. | 1:36:25 | 1:36:31 | |
It was brilliant. I have to disagree with your family, you've got some | 1:36:32 | 1:36:34 | |
moves. That's what I'm trying to say! They shouldn't keep trying to | 1:36:35 | 1:36:40 | |
bring me down all the time. Final one, what is the best tip | 1:36:41 | 1:36:48 | |
Ricky has given you from the start? Ricky has always told me to be | 1:36:49 | 1:36:52 | |
myself. If you want a great tip, ask him to make a poodle from a balloon. | 1:36:53 | 1:36:58 | |
We'll get on that. If you want more gossip, Zoe Ball has it all and more | 1:36:59 | 1:37:02 | |
on The Voice: Louder on Two, weekdays, at 6:30. | 1:37:03 | 1:37:08 | |
I am very excited to welcome our first guest. She has two jobs, one | 1:37:09 | 1:37:14 | |
is a coach on The Voice US, the other is a global superstar, whose | 1:37:15 | 1:37:17 | |
last album was number one in 62 countries. | 1:37:18 | 1:37:22 | |
With an exclusive performance, singing Empire, please shake it for | 1:37:23 | 1:37:23 | |
Shakira! # Take off all of your skin. # And | 1:37:24 | 1:37:38 | |
brave when you are free. # Shake off all of your sins. | 1:37:39 | 1:37:44 | |
# And give them to me. # Close up, let me back in. | 1:37:45 | 1:37:49 | |
# I wanna be yours, wanna be your hero. | 1:37:50 | 1:37:57 | |
# And my heart beats. # Like the empires of the world | 1:37:58 | 1:38:01 | |
unite. # We are alive. | 1:38:02 | 1:38:10 | |
# And the stars make love to the universe. | 1:38:11 | 1:38:12 | |
# You're my wildfire. # Every single night. | 1:38:13 | 1:38:20 | |
# We are alive. # And the stars make love to the | 1:38:21 | 1:38:23 | |
universe. # And you touch me and I'm like, and | 1:38:24 | 1:38:28 | |
I'm like, and I'm like # And I'm like. | 1:38:29 | 1:38:53 | |
# I will follow you down wherever you go. | 1:38:54 | 1:39:01 | |
# Baby, I'm bound to you and do you know? | 1:39:02 | 1:39:07 | |
# Closer, pull me in tight # I wanna be yours, wanna be your hero. | 1:39:08 | 1:39:17 | |
# And my heart beats. # Like the empires of the world | 1:39:18 | 1:39:23 | |
unite. # We are alive. | 1:39:24 | 1:39:32 | |
# And the stars make love to the universe. | 1:39:33 | 1:39:34 | |
# You're my wildfire # Every single night. | 1:39:35 | 1:39:41 | |
# We are alive. # And the stars make love to the | 1:39:42 | 1:39:44 | |
universe. # And you touch me and I'm like, and | 1:39:45 | 1:39:47 | |
I'm like, and I'm like like. # We are alive # I'm just gonna | 1:39:48 | 1:39:56 | |
raise my head. # Welcome to the final edge. | 1:39:57 | 1:40:26 | |
# And I'm gonna fall. # I'm just gonna raise my head and | 1:40:27 | 1:40:31 | |
hold you close. # Like the empires of the world | 1:40:32 | 1:40:37 | |
unite. # We are alive. | 1:40:38 | 1:40:44 | |
# And the stars make love to the universe. | 1:40:45 | 1:40:45 | |
# You're my wildfire. # Every single night. | 1:40:46 | 1:40:52 | |
# We are alive. # And the stars make love to the | 1:40:53 | 1:40:56 | |
universe. # And you touch me and I'm like, and | 1:40:57 | 1:41:01 | |
I'm like, and I'm like # And I'm like... | 1:41:02 | 1:41:07 | |
APPLAUSE. Ladies and gentlemen, Shakira! | 1:41:08 | 1:41:43 | |
I'm really good, how are you? I'm great. Welcome. What an audience! | 1:41:44 | 1:41:48 | |
They are fantastic, and they. Welcome to The Voice UK. Are you | 1:41:49 | 1:41:53 | |
having a good time? I'm having a blast. Normally you are in one of | 1:41:54 | 1:42:02 | |
those chairs. You have Kylie's spot? Actually, it feels kind of strange | 1:42:03 | 1:42:07 | |
to be on the other side of those red chairs. What is it like performing | 1:42:08 | 1:42:12 | |
in front of superstars? You are a superstar anyway, but instead of | 1:42:13 | 1:42:15 | |
sitting as a superstar and watching somebody else? Nerve wracking. Here | 1:42:16 | 1:42:19 | |
is where you think about and put yourself in the shoes of those | 1:42:20 | 1:42:25 | |
contestants. It is really a nerve wracking job. But you guys make it | 1:42:26 | 1:42:32 | |
so easy on us. Thank you so much, you're an amazing audience. You made | 1:42:33 | 1:42:35 | |
it look effortless, absolutely sensational. Thank you so much for | 1:42:36 | 1:42:38 | |
being here. Shakira! Do you think it's too late for me to | 1:42:39 | 1:42:49 | |
ask Shakira if I can sing with her? Unfortunately I'm first in line! | 1:42:50 | 1:42:58 | |
I've always wanted to do this. Stand-by, lighting. Stand-by, sound. | 1:42:59 | 1:43:02 | |
Let's get dramatic. If you haven't voted by now, you are | 1:43:03 | 1:43:04 | |
too late. The vote now closed! Please don't vote now, it won't | 1:43:05 | 1:43:15 | |
count and you still may be charged. This year's final four are about to | 1:43:16 | 1:43:21 | |
be announced. But if you think you can get the votes next year, here is | 1:43:22 | 1:43:25 | |
how you can apply for programme at 2015. Do you think you've got what | 1:43:26 | 1:43:29 | |
it takes to get those chairs spinning around? You know where your | 1:43:30 | 1:43:34 | |
voice needs to be next year? Right here. | 1:43:35 | 1:43:37 | |
The talent has been pretty freaking crazy. If you are sitting at home | 1:43:38 | 1:43:45 | |
thinking, I can do that... Get off yourselfer. -- sober. Go to the | 1:43:46 | 1:43:52 | |
website to apply. The winner of The Voice 2015 is... | 1:43:53 | 1:44:00 | |
Insert your name here! People could be downloading your | 1:44:01 | 1:44:08 | |
voice next year. 20p per download goes to the BBC performing arts | 1:44:09 | 1:44:12 | |
charity. This is how some of the money you raised through the last | 1:44:13 | 1:44:15 | |
series made a difference to this very special charity. | 1:44:16 | 1:44:21 | |
When you download a track from the Voice... You're helping to support | 1:44:22 | 1:44:28 | |
talented people all over the UK. The performing arts fund is a | 1:44:29 | 1:44:31 | |
charity that helps young, creative people. Lastory's votes raised over | 1:44:32 | 1:44:40 | |
?200,000. That's benefitted amazing projects across the UK. Saturday All | 1:44:41 | 1:44:44 | |
sorts is a music group for young people in Manchester. This project | 1:44:45 | 1:44:47 | |
is really important to this area. It's open to all creative young | 1:44:48 | 1:44:52 | |
people. We make music, and record it in the studio. I'm getting the | 1:44:53 | 1:45:03 | |
resources I need to do what I love. No matter what type of music you're | 1:45:04 | 1:45:06 | |
passionate about, the performing arts fund can get the started. Last | 1:45:07 | 1:45:11 | |
year Ailee Roberts received funding. Allowed me to develop as a composer, | 1:45:12 | 1:45:15 | |
to work with new people and without that funding, that wouldn't have | 1:45:16 | 1:45:21 | |
been possible. The Cotton Shed theatre offers a creative outlet for | 1:45:22 | 1:45:26 | |
people, like Cameron. It helps people with disabilities and | 1:45:27 | 1:45:29 | |
able-bodied people be able to do drama. | 1:45:30 | 1:45:35 | |
It means so much to me. It kind of like transforms my life, in a sense. | 1:45:36 | 1:45:41 | |
I'm not being overly dramatic. I'm being honest with you. It brings so | 1:45:42 | 1:45:45 | |
much joy, not only to the participants, but to their families | 1:45:46 | 1:45:49 | |
and just knowing that they're a part of a group that accepts them for who | 1:45:50 | 1:45:54 | |
they are. Thank you for helping these dreamers | 1:45:55 | 1:45:57 | |
keep their dream alive. We don't want to kill no dreams, do we? | 1:45:58 | 1:46:02 | |
See you guys. Bye. They're future stars in the making. | 1:46:03 | 1:46:06 | |
You have been helping them on their way. Whilst we count and verify the | 1:46:07 | 1:46:10 | |
results, I have one on one time with the coaches. Make some noise for our | 1:46:11 | 1:46:13 | |
coaches. APPLAUSE. | 1:46:14 | 1:46:16 | |
Kylie, you were the last to perform with your acts. How was it for you? | 1:46:17 | 1:46:20 | |
Amazing. I've spent so much time with them and to be on the stage | 1:46:21 | 1:46:27 | |
together where we all love to be was home to send in questions, viate | 1:46:28 | 1:46:31 | |
hash -- via "When fans say I'm going to marry you, I love sow much -- I | 1:46:32 | 1:46:35 | |
love you so much, what's your reaction? Yeah, what is your | 1:46:36 | 1:46:44 | |
reaction? The same thing as if like a | 1:46:45 | 1:46:51 | |
girlfriend asks... What? Just kidding. I'm just joking, you | 1:46:52 | 1:46:56 | |
know, I'm cool. It's flattering. And I blush. You | 1:46:57 | 1:47:04 | |
blush. OK. Turn purple. OK. Thank you all. Kylie, Ellie says, | 1:47:05 | 1:47:08 | |
think carefully about this, "Who do you prefer, Yeam or Marvin? -- Emma | 1:47:09 | 1:47:13 | |
or Marvin. How could you? We have a bit of | 1:47:14 | 1:47:22 | |
history. We did perform, us, JLS. We D but Emma is such a... What did you | 1:47:23 | 1:47:27 | |
call her? Sweet cheeks? Everything. When I get one of those names, in | 1:47:28 | 1:47:32 | |
I'll choose you. Blown out by Kylie Minogue live on | 1:47:33 | 1:47:34 | |
TV. Sir Tom, Sarah said, "If you could | 1:47:35 | 1:47:38 | |
coach a team of famous artists, pick three, who would you choose and why? | 1:47:39 | 1:47:49 | |
Oh, my God, that's hard. I think Whitney Houston had the best voice I | 1:47:50 | 1:47:53 | |
ever heard. Still rock-and-roll people, Jerry | 1:47:54 | 1:47:55 | |
Lee Lewis, Little Richard, people like that. | 1:47:56 | 1:48:01 | |
How about Marvin from JLS? Who's that? What's the name of the band | 1:48:02 | 1:48:04 | |
again? Oh, no! Thanks Tom. | 1:48:05 | 1:48:14 | |
Ricky, from Sharon Evans, "What's the first record you ever bought? I | 1:48:15 | 1:48:19 | |
cannot tell a lie, and she won't thank me for that, it's Kylie | 1:48:20 | 1:48:22 | |
Minogue's first record, my second record was cooler though. It was her | 1:48:23 | 1:48:29 | |
second record. It wasn't the first though. | 1:48:30 | 1:48:34 | |
No. Thank you Ricky. Thank you coaches. Earlier on, we asked the | 1:48:35 | 1:48:38 | |
people playing along on the app, who has the strongest team. I have the | 1:48:39 | 1:48:41 | |
answer here. Are you nervous? What was it? I'm going to tell you, right | 1:48:42 | 1:48:45 | |
now, they went for... Team Will. | 1:48:46 | 1:48:55 | |
Oh, my gosh. It was online, Tom, don't worry. It's not real. | 1:48:56 | 1:49:00 | |
Do I thank them. You can give thank yous. I'd like to thank all the | 1:49:01 | 1:49:05 | |
people that supported me. I want to thank my managers. | 1:49:06 | 1:49:13 | |
Thank you so much Will. All my friends and family... | 1:49:14 | 1:49:17 | |
Here's a treat especially for you guys now. Kylie's going online after | 1:49:18 | 1:49:21 | |
the show to answer your questions. Send them through Facebook, Twitter | 1:49:22 | 1:49:24 | |
or the website, using the #askKylie. You can get the exclusives over on | 1:49:25 | 1:49:27 | |
BBC Two with Zoe Ball, weekdays at six. 30pm. These naughty coaches. | 1:49:28 | 1:49:46 | |
I want you to join me for The Voice Louder on two, it's worth turning | 1:49:47 | 1:49:52 | |
for. See what I did there? Yeah. We're moments away from revealing | 1:49:53 | 1:49:56 | |
who you want to see in the final of The Voice 2014. Let's see how | 1:49:57 | 1:49:57 | |
tonight went for Tom's terrific two. # Went like a rocket # Burning your | 1:49:58 | 1:50:07 | |
trails. # Too high, too far, too soon. | 1:50:08 | 1:50:20 | |
# All we need is music, sweet music. # There'll be music everywhere. | 1:50:21 | 1:50:45 | |
# They'll be swinging and swaying. # And records playing. | 1:50:46 | 1:50:47 | |
# And dancing in the streets. Absolutely sensational. OK, two | 1:50:48 | 1:50:57 | |
started, but only one can sing again in next week's final. The wait is | 1:50:58 | 1:51:03 | |
over for Sally and Bizzi. One of them will go on, but the other must | 1:51:04 | 1:51:05 | |
go home. This is it. Sally, earlier you sang Whole of the | 1:51:06 | 1:51:15 | |
Moon. Ricky said you always manage to transport us somewhere. | 1:51:16 | 1:51:20 | |
Bizzi, earlier you sang Everything Must Change and Will said, it's a | 1:51:21 | 1:51:23 | |
pleasure to have someone of your quality here. | 1:51:24 | 1:51:28 | |
But who has the support of the nation? The artist from Team Tom | 1:51:29 | 1:51:33 | |
with the most public votes, securing them a place in next week's final | 1:51:34 | 1:51:38 | |
is... Sally! | 1:51:39 | 1:51:51 | |
APPLAUSE Sally, it's very difficult, I know, because you and Bizzi are | 1:51:52 | 1:52:04 | |
getting on so well. But you are through to the final. | 1:52:05 | 1:52:09 | |
Congratulations. Thank you. I can't really believe it, because he's so | 1:52:10 | 1:52:13 | |
great. He's so great. APPLAUSE. Come on, | 1:52:14 | 1:52:22 | |
give it up! I hate to think that I've knocked out somebody who's also | 1:52:23 | 1:52:26 | |
from Leicester, we've travelled this journey from the first pre-audition | 1:52:27 | 1:52:31 | |
together. We've been at each stage together. | 1:52:32 | 1:52:35 | |
And it's fitting that we've been standing on the stage together. | 1:52:36 | 1:52:43 | |
Sally, you were absolutely sensational tonight. Congratulations | 1:52:44 | 1:52:45 | |
and we'll see you sing again next week. | 1:52:46 | 1:52:53 | |
Everybody, Sally! APPLAUSE. Bizzi, you have been absolutely | 1:52:54 | 1:52:55 | |
brilliant. You're a complete gentleman. What's The Voice | 1:52:56 | 1:52:58 | |
experience been like for you? The whole experience has been fantastic. | 1:52:59 | 1:53:02 | |
I'd like to say thank you to all the coaches. They've been brilliant. | 1:53:03 | 1:53:05 | |
Tom, you've taught me many things, which I will hold on to. The reason | 1:53:06 | 1:53:09 | |
I done this was to give myself some exposure, but I'm so glad Sally is | 1:53:10 | 1:53:13 | |
there to fly the flag for Leicester. Thank you for the support, I've | 1:53:14 | 1:53:16 | |
thoroughly enjoyed the experience, thank you. You're a great man. Let's | 1:53:17 | 1:53:25 | |
hear it for Mr Bizzi Dickson. APPLAUSE. | 1:53:26 | 1:53:34 | |
Team Ricky are next to discover who has won your support. How they took | 1:53:35 | 1:53:38 | |
on the semifinals. # After echoes are gone. # We both | 1:53:39 | 1:53:41 | |
found that we'd be one. # Light up your face with gladness. | 1:53:42 | 1:54:07 | |
# Hide every trace of sadness. # Although a tear may be ever so | 1:54:08 | 1:54:09 | |
near. # You really got me now. # You got | 1:54:10 | 1:54:19 | |
me so I don't know what I'm doing now. | 1:54:20 | 1:54:24 | |
# Oh, yeah, you really got me now. # You got me so I can't sleep at | 1:54:25 | 1:54:27 | |
night. # You really got me. | 1:54:28 | 1:54:29 | |
# You really got me. So Christina-Marie and Chris both | 1:54:30 | 1:54:39 | |
want to become finalists. That decision has already been made by | 1:54:40 | 1:54:44 | |
you at home. One of these two artists is about to sing again in | 1:54:45 | 1:54:47 | |
the final, representing Team Ricky. This is it. | 1:54:48 | 1:54:50 | |
Christina-Marie, earlier you sang Bang Bang and Ricky said, this show | 1:54:51 | 1:54:53 | |
is called The Voice and you've just heard it. | 1:54:54 | 1:55:00 | |
Chris, earlier you sang Smile and Tom said he thought you could get | 1:55:01 | 1:55:03 | |
into the final with that performance. But did the viewers | 1:55:04 | 1:55:07 | |
agree? The artist from Team Ricky with the | 1:55:08 | 1:55:11 | |
most public votes, securing them a place in next week's final is... | 1:55:12 | 1:55:21 | |
Congratulations. She won't let me go. You're shaking like a leaf. Did | 1:55:22 | 1:55:44 | |
you really not expect that? No, because Chris is absolutely amazing. | 1:55:45 | 1:55:47 | |
She's so consistent. In every rehearsal he just smashed it. | 1:55:48 | 1:55:56 | |
Well, you have clearly smashed it today too. Thank you so much to | 1:55:57 | 1:56:00 | |
everybody that voted. You don't know what it means to me. I'm in the | 1:56:01 | 1:56:03 | |
final, oh, my gosh! Please put your hands | 1:56:04 | 1:56:05 | |
Chris, you've been a pleasure to be around. You're such an incredible | 1:56:06 | 1:56:10 | |
artist. How are you feeling right now? Do you know what, I kind of | 1:56:11 | 1:56:14 | |
knew this was going to happen. I wasn't disappointed. I'm so pleased | 1:56:15 | 1:56:18 | |
I got this far. I'm going to use this platform to show case me as an | 1:56:19 | 1:56:22 | |
artist. I'm going to go out there and do it. Can I say thank you to | 1:56:23 | 1:56:26 | |
the team on this show, because the team of people that work with you | 1:56:27 | 1:56:30 | |
are so great. This wouldn't have been possible without this guy right | 1:56:31 | 1:56:33 | |
here. Massive thank you to Ricky. Big respect to Chris! CHEERING AND | 1:56:34 | 1:56:38 | |
APPLAUSE. We have two more crucial results to | 1:56:39 | 1:56:50 | |
reveal for Kylie and Will. First, time for a Grammy winning, global | 1:56:51 | 1:56:53 | |
chart hero. You have my permission to scream. Marvin. Please welcome, | 1:56:54 | 1:56:58 | |
Enrique Eglesias. # I try to let it go! | 1:56:59 | 1:57:28 | |
# I try to let it go # But I'm addicted to her chemicals. | 1:57:29 | 1:57:32 | |
# I got a taste, I want an overdose. # I love the way she gets so | 1:57:33 | 1:57:35 | |
physical. # Loves like an animal. | 1:57:36 | 1:57:40 | |
# Day and night I just imagine how you put your love on me. | 1:57:41 | 1:57:47 | |
# Lights off, lights on. # Ready for some action. | 1:57:48 | 1:57:52 | |
# Baby come and give it to me. # Cos I'm a freak. | 1:57:53 | 1:57:57 | |
# The way you pop it and drop it. # All over me. | 1:57:58 | 1:58:00 | |
# No, I don't want you to stop it. # Yeah, I'm a freak. | 1:58:01 | 1:58:03 | |
# Baby I can't lie. # When you move like that I got a | 1:58:04 | 1:58:11 | |
one track mind # Cos I'm a freak. # Cos I'm a freak. | 1:58:12 | 1:58:20 | |
# Yeah, I'm a freak. # Yeah, I'm a freak. | 1:58:21 | 1:58:25 | |
# Yeah, baby, there you go. # Stealing my heart just like a | 1:58:26 | 1:58:28 | |
criminal. # No turning back cause time is | 1:58:29 | 1:58:32 | |
critical. # Yeah, move your body like a | 1:58:33 | 1:58:36 | |
miracle. # Baby, here we go. | 1:58:37 | 1:58:40 | |
# Day and night I just imagine how you put your love on me. | 1:58:41 | 1:58:47 | |
# Lights off, lights on. # Ready for some action. | 1:58:48 | 1:58:52 | |
# Baby come and give it to me. # Cos I'm a freak. # The way you pop | 1:58:53 | 1:58:59 | |
it and drop it. # All over me. | 1:59:00 | 1:59:02 | |
# No, I don't want you to stop it. # Yeah, I'm a freak. | 1:59:03 | 1:59:05 | |
# Baby I can't lie. # When you move like that I got a | 1:59:06 | 1:59:08 | |
one track mind. # Cos I'm a freak. | 1:59:09 | 1:59:16 | |
# Yeah, I'm a freak. # Cos I'm a freak. | 1:59:17 | 1:59:22 | |
# Yeah, I'm a freak. # From the hotel room to the DJ | 1:59:23 | 1:59:27 | |
booth, on the bathroom sink. # When the sun goes down. | 1:59:28 | 1:59:37 | |
# Got to let it out. # Baby don't be mean. # I'm just a | 1:59:38 | 1:59:40 | |
freak. Get up, come on! You with me? | 1:59:41 | 1:59:47 | |
# Cos I'm a freak. # The way you pop it and drop it, | 1:59:48 | 1:59:52 | |
all over me. # No, I don't want you to stop it. | 1:59:53 | 1:59:54 | |
# Yeah I'm a freak. # Baby, I can't lie. | 1:59:55 | 1:59:58 | |
# When you move like that, I got a one-track mind. | 1:59:59 | 2:00:02 | |
# Cos I'm a freak. # Yeah, I'm a freak. | 2:00:03 | 2:00:10 | |
# Yeah I'm a freak. # Guess I'm just a freak. # When the | 2:00:11 | 2:00:23 | |
sun goes down. # Got to let it out. | 2:00:24 | 2:00:29 | |
# Baby, don't blame me. # Baby, don't blame me. # I'm just a | 2:00:30 | 2:00:31 | |
freak. Enrique, everybody! | 2:00:32 | 2:00:46 | |
Back to the all-important results, Team Will and Team Kylie are waiting | 2:00:47 | 2:00:49 | |
for your decisions. First, here is how the evening | 2:00:50 | 2:00:51 | |
shaped up for them. # Yeah, man seems so strong. | 2:00:52 | 2:01:02 | |
# Never been so wrong.. # Cause I can't make you love me. # | 2:01:03 | 2:01:20 | |
You can't make your heart feel something that it won't. | 2:01:21 | 2:01:29 | |
# Got my back up against the wall. # Don't need no one to rescue me. | 2:01:30 | 2:01:36 | |
# Tonight I'm running free. Which artist will be back here as a | 2:01:37 | 2:01:55 | |
finalist next week. They both gave it everything, but | 2:01:56 | 2:02:05 | |
only one can sing on. This is it. Lee, earlier use an Strong, Will | 2:02:06 | 2:02:16 | |
said it was brilliant. You sang Can't Make You Love Me. , | 2:02:17 | 2:02:20 | |
Kylie said you got it right every time. | 2:02:21 | 2:02:23 | |
Amazing opinions from the judges, but only the viewers' opinions | 2:02:24 | 2:02:26 | |
count. The player with the most votes, securing them a place in the | 2:02:27 | 2:02:27 | |
final, is... It means a lot to you tonight, | 2:02:28 | 2:03:05 | |
right? I can't believe it, Lee is my best friend, we have become best | 2:03:06 | 2:03:08 | |
mates over the last couple of weeks. Everyone keep supporting Lee as much | 2:03:09 | 2:03:12 | |
as you can, he is probably the best guy you'll ever meet. | 2:03:13 | 2:03:19 | |
I love you, man. I hope we stay best mates. Jamie, such a nice lad. | 2:03:20 | 2:03:23 | |
Please put your hands together for Team Kylie's final list, Jamie | 2:03:24 | 2:03:25 | |
Johnson. Lee, have you had as great a time as | 2:03:26 | 2:03:35 | |
you've looked like you had? You know what, it's been quite a test, I've | 2:03:36 | 2:03:39 | |
learned so much about myself, but it has been incredible. I need to thank | 2:03:40 | 2:03:44 | |
Kylie so much, but I need to thank everybody that works on the show, | 2:03:45 | 2:03:47 | |
Claire, Sam, Dominick, the band, everyone. And Jamie to win! | 2:03:48 | 2:04:01 | |
You are amazing, you know that. I am always coming to you for cuddles as | 2:04:02 | 2:04:09 | |
well. He does good cuddles as well. We are going to be hearing so much | 2:04:10 | 2:04:16 | |
more from him. Please show your love for Lee! | 2:04:17 | 2:04:24 | |
We need to add just one last name to the roll call of finalists. Let's | 2:04:25 | 2:04:30 | |
see how the night panned out for Team Will. | 2:04:31 | 2:04:37 | |
# Can't take one more sleepless night # Without you. | 2:04:38 | 2:04:52 | |
# We don't care, we aren't caught up in your love affair. | 2:04:53 | 2:04:59 | |
# We'll never be royals. # That kind of luxe ain't for us. | 2:05:00 | 2:05:12 | |
# While the colour lights up your face. | 2:05:13 | 2:05:17 | |
# Let's sway through the crowds to an empty space. | 2:05:18 | 2:05:30 | |
We are about to reveal who has the last place on Team Will. The viewers | 2:05:31 | 2:05:37 | |
have voted and it is between Jermain and Sophie May. | 2:05:38 | 2:05:47 | |
This is it. Jermain, earlier you sang Without You. Ricky said you | 2:05:48 | 2:05:50 | |
always give a super-confident performance. | 2:05:51 | 2:05:55 | |
Sophie May, earlier you sang royals and Tom said you look and sound like | 2:05:56 | 2:05:58 | |
a star. The ultimate judgement comes from | 2:05:59 | 2:06:02 | |
the viewers. The artist from Team Will with the most of your votes, | 2:06:03 | 2:06:06 | |
securing a place in next week's final is... | 2:06:07 | 2:06:14 | |
You are a finalist, we are going to be seeing you next week. How do you | 2:06:15 | 2:06:41 | |
feel? Oh... Thank you so much, British public. Thank you so much, | 2:06:42 | 2:06:45 | |
Will. I have to do the Bizzi praise, without him I would not be here now. | 2:06:46 | 2:06:49 | |
Give it up for Will's finalist. Sophie, it's tough leaving at this | 2:06:50 | 2:07:01 | |
stage, we know. Is there anything you would like to say? Will clearly | 2:07:02 | 2:07:05 | |
adores you. I have the best experience, the best time, thank you | 2:07:06 | 2:07:11 | |
to Will for supporting me. Any words for Sophie? I want to work with | 2:07:12 | 2:07:16 | |
Sophie. I think she has what it takes to be an artist that we all | 2:07:17 | 2:07:20 | |
stand in line to go see, to listen to, driving to work and just doing | 2:07:21 | 2:07:24 | |
what we do, listening to music, you are fantastic. | 2:07:25 | 2:07:36 | |
So sorry to lose you, you have been amazing. Please put your hands | 2:07:37 | 2:07:38 | |
together for Sophie May. That's it, we have our final | 2:07:39 | 2:07:46 | |
line-up. You have been doing the voting tonight, that in a year's | 2:07:47 | 2:07:49 | |
time, you could be doing the singing. There's still time for you | 2:07:50 | 2:07:54 | |
yet, Emma! There really isn't. Here is all you need to know. | 2:07:55 | 2:08:02 | |
Have you got The Voice? Think you've got what it takes to get the chairs | 2:08:03 | 2:08:06 | |
spinning around? You know where your voice needs to be next year? Right | 2:08:07 | 2:08:13 | |
here. The talent has been pretty freaking | 2:08:14 | 2:08:17 | |
crazy. If you were sitting at home thinking, I could do that... Get off | 2:08:18 | 2:08:21 | |
your sofa... Tell me what to do! Head to the website to apply. | 2:08:22 | 2:08:28 | |
We don't have time to be messing around | 2:08:29 | 2:08:32 | |
The winner of The Voice 2015 is... Insert your name here! | 2:08:33 | 2:08:42 | |
We have our finalists, but now they face the toughest week yet, with | 2:08:43 | 2:08:45 | |
just seven days to prepare for the final of The Voice, next Saturday at | 2:08:46 | 2:08:50 | |
7pm. I've got to say a massive thanks to David Tench and our | 2:08:51 | 2:08:55 | |
brilliant band! Look how good they look. Amazing. | 2:08:56 | 2:08:59 | |
And let's hear it for our coaches and their incredible finalists, | 2:09:00 | 2:09:05 | |
representing Ricky, Christina-Marie! Singing for Kylie, Jamie. | 2:09:06 | 2:09:12 | |
For Sir Tom, it's Sally. Doing it for Will, it's a Jermain! | 2:09:13 | 2:09:20 | |
We'll be back next Saturday for the final at 7pm. | 2:09:21 | 2:09:23 | |
Our finalists will be singing with their coaches in dream performances | 2:09:24 | 2:09:26 | |
that you don't want to miss. You'll finish your mission to find | 2:09:27 | 2:09:30 | |
The Voice 2014. Have a good night. Good night! | 2:09:31 | 2:09:36 |