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MUSIC: "Come Together" by The Beatles | 0:00:08 | 0:00:11 | |
I know what it's like to have a dream. | 0:00:14 | 0:00:17 | |
From a child I just hoped that I could be a singer. | 0:00:17 | 0:00:20 | |
I had this daytime fantasy that I would become a singer. | 0:00:20 | 0:00:23 | |
But I thought that everyone had this kind of fantasy. | 0:00:23 | 0:00:26 | |
Singing into your hairbrush and all that kind of stuff | 0:00:26 | 0:00:28 | |
I remember rapping in the mirror when I was 12 and 13. | 0:00:28 | 0:00:33 | |
There was always one goal and it was never anything else | 0:00:33 | 0:00:36 | |
but being in a band. | 0:00:36 | 0:00:37 | |
You've got to have people to believe in you. | 0:00:37 | 0:00:39 | |
That's why we are all here. | 0:00:39 | 0:00:40 | |
To find the voice and nurture it. | 0:00:40 | 0:00:43 | |
# Come together | 0:00:43 | 0:00:45 | |
# Right now... # | 0:00:46 | 0:00:48 | |
-WILL.I.AM: -There is no such thing as not making a dream happen. | 0:00:50 | 0:00:53 | |
After all I get to sit next to Kylie. | 0:00:53 | 0:00:56 | |
# I should be so lucky... # | 0:00:56 | 0:00:58 | |
-MARVIN HUMES: -True pop royalty with 25 years at the top | 0:00:58 | 0:01:01 | |
of the charts, 65 million records sold | 0:01:01 | 0:01:04 | |
worldwide, a Grammy, three Ivor Novellos and OBE. | 0:01:04 | 0:01:08 | |
Kylie is the queen of big mega pop artists. | 0:01:10 | 0:01:13 | |
She is the wonder from down under. | 0:01:13 | 0:01:15 | |
I think she will get a lot of attention from the boys. | 0:01:15 | 0:01:18 | |
She's classy. She's sassy. She's sexy. | 0:01:20 | 0:01:23 | |
And she's freaking jam-packed with talent. | 0:01:23 | 0:01:26 | |
# I think I'd better dance now... # | 0:01:28 | 0:01:30 | |
-EMMA WILLIS: -He went from the Welsh valleys to superstardom with a career | 0:01:30 | 0:01:34 | |
spanning six decades and 100 million record sales. | 0:01:34 | 0:01:37 | |
Sir Tom - snake hips himself. | 0:01:37 | 0:01:40 | |
# Sex bomb... # | 0:01:40 | 0:01:42 | |
He's the real deal. | 0:01:42 | 0:01:43 | |
I wonder if he knows he's a legend. | 0:01:43 | 0:01:45 | |
# Mama told me not to come... # | 0:01:45 | 0:01:47 | |
He is a national treasure - a bit like Big Ben. | 0:01:47 | 0:01:49 | |
# Hey, hey, hey, hey... # | 0:01:50 | 0:01:53 | |
# Oh my God I can't believe it... # | 0:01:53 | 0:01:57 | |
-MARVIN HUMES: -As the frontman of British indie supergroup the Kaiser Chiefs, he created | 0:01:57 | 0:02:00 | |
the soundtrack to a generation. | 0:02:00 | 0:02:02 | |
Four smash hit albums, three Brits, and an Ivor Novello later, | 0:02:02 | 0:02:06 | |
he was the pinball wizard closing the 2012 London Olympics. | 0:02:06 | 0:02:10 | |
Ricky, he just commands the stage. | 0:02:10 | 0:02:13 | |
He is a performer. | 0:02:15 | 0:02:17 | |
He sells that to you. | 0:02:17 | 0:02:18 | |
When you play at Glastonbury those people are there to get rocked. | 0:02:18 | 0:02:22 | |
That's what Ricky brings. | 0:02:22 | 0:02:25 | |
-EMMA: -Rapper, producer | 0:02:28 | 0:02:30 | |
and all-round global megastar, he's notched up 31 million albums | 0:02:30 | 0:02:34 | |
and also has seven Grammys and an Emmy to his name. | 0:02:34 | 0:02:37 | |
I love to hear will.i.am talk. | 0:02:37 | 0:02:39 | |
After two years I can now speak fluent will. | 0:02:39 | 0:02:42 | |
He thinks outside the box. Not even near the top. | 0:02:43 | 0:02:46 | |
RICKY WILSON: I'm fascinated by him. He does look like a time traveller | 0:02:46 | 0:02:50 | |
and I'd love to visit his version of the future. | 0:02:50 | 0:02:53 | |
I'm dope, I'm fresh, and I'm ready for him. | 0:02:53 | 0:02:56 | |
-WILL.I.AM: -Season one was fun. Season two was cool. | 0:02:58 | 0:03:03 | |
Season three is the bees' knees. | 0:03:03 | 0:03:07 | |
One, two, three, four. | 0:03:09 | 0:03:10 | |
MUSIC: "I predict A Riot by Kaiser Chiefs | 0:03:12 | 0:03:15 | |
# Ah, watching the people get lairy | 0:03:17 | 0:03:21 | |
# It's not very pretty I tell thee | 0:03:21 | 0:03:25 | |
# Walking through town is quite scary | 0:03:25 | 0:03:28 | |
# And not very sensible | 0:03:28 | 0:03:30 | |
# Oh-oh-oh | 0:03:30 | 0:03:33 | |
BOTH: # La-la-la-la-la-la | 0:03:33 | 0:03:35 | |
# Oh-oh-oh-oh-oh | 0:03:35 | 0:03:39 | |
BOTH: # La-la-la-la-la-la | 0:03:39 | 0:03:42 | |
MUSIC: "Can't Get You Out Of My Head" by Cathy Dennis and Rob Davis | 0:03:42 | 0:03:45 | |
# Every night | 0:03:45 | 0:03:48 | |
# Every day | 0:03:48 | 0:03:51 | |
# Just to be there in your arms | 0:03:51 | 0:03:57 | |
# La-la-la | 0:03:58 | 0:03:59 | |
# La-la-la-la-la | 0:03:59 | 0:04:02 | |
# La-la-la | 0:04:02 | 0:04:04 | |
# La-la-la-la-la | 0:04:04 | 0:04:05 | |
# La-la-la | 0:04:05 | 0:04:07 | |
# La-la-la-la-la | 0:04:07 | 0:04:09 | |
# La-la-la | 0:04:09 | 0:04:10 | |
# La-la | 0:04:10 | 0:04:11 | |
# I just can't get you out of my head | 0:04:11 | 0:04:15 | |
# Darling you're the only girl that I think about | 0:04:15 | 0:04:19 | |
# I just can't get you out of my head | 0:04:19 | 0:04:22 | |
# Boy it's more than I dare to think about | 0:04:22 | 0:04:26 | |
RICKY: # Oh-oh-oh | 0:04:26 | 0:04:30 | |
ALL: # La-la-la-la-la-la | 0:04:30 | 0:04:31 | |
RICKY: # Oh-oh-oh | 0:04:31 | 0:04:36 | |
ALL: # La-la-la-la-la-la | 0:04:36 | 0:04:40 | |
# Oh | 0:04:40 | 0:04:41 | |
# Ohhhh | 0:04:41 | 0:04:44 | |
# Whoa | 0:04:44 | 0:04:48 | |
# Whoa | 0:04:48 | 0:04:50 | |
# I predict a riot I predict a riot | 0:04:50 | 0:04:54 | |
# I predict a riot I predict a riot | 0:04:56 | 0:05:00 | |
# And if there's anybody left in here | 0:05:02 | 0:05:05 | |
# That doesn't want to be out there | 0:05:05 | 0:05:08 | |
ALL: # I predict a riot | 0:05:08 | 0:05:09 | |
# I predict a riot | 0:05:11 | 0:05:13 | |
# What you say? | 0:05:13 | 0:05:14 | |
# I predict a riot I predict a riot | 0:05:14 | 0:05:19 | |
# Whoa! # | 0:05:19 | 0:05:22 | |
Yeah! | 0:05:23 | 0:05:25 | |
CHEERING AND APPLAUSE | 0:05:25 | 0:05:28 | |
Please give it up for our four superstar coaches. Ricky Wilson. | 0:05:35 | 0:05:39 | |
Sir Tom Jones. | 0:05:42 | 0:05:44 | |
Kylie Minogue. | 0:05:45 | 0:05:48 | |
And Mr will.i.am. | 0:05:49 | 0:05:51 | |
OK it's time to get the Blind Auditions started. | 0:05:56 | 0:05:59 | |
These chairs are so long. If I sat up properly I'd be like that. | 0:06:08 | 0:06:12 | |
That's why it's got the step. | 0:06:12 | 0:06:14 | |
Yes she's got a little platform now | 0:06:14 | 0:06:16 | |
RICKY: I don't want a step. | 0:06:16 | 0:06:17 | |
KYLIE: You want to be a guy. | 0:06:17 | 0:06:19 | |
You don't want to have a ladies' step. But this is helpful for me. | 0:06:19 | 0:06:22 | |
I'm quite comfy. | 0:06:23 | 0:06:25 | |
I want one of those. Can I get one of those? | 0:06:25 | 0:06:28 | |
LAUGHTER | 0:06:28 | 0:06:31 | |
And first to face the new line-up is 31-year-old sales manager | 0:06:35 | 0:06:39 | |
Lee Glasson from Coventry. | 0:06:39 | 0:06:40 | |
Come on then, Lee. It's time to sell yourself. | 0:06:40 | 0:06:43 | |
I work as a sales manager for a small insurance company. | 0:06:43 | 0:06:47 | |
I run a small team of sales people. | 0:06:47 | 0:06:51 | |
I work long hours. | 0:06:51 | 0:06:53 | |
It can be quite tiring at times | 0:06:53 | 0:06:55 | |
but generally it's a great company. | 0:06:55 | 0:06:57 | |
They look after me and I have a good time at work. | 0:06:57 | 0:07:00 | |
I don't want to be a sales manager for the rest of my life, | 0:07:00 | 0:07:02 | |
but if my boss is watching and this doesn't go any further, | 0:07:02 | 0:07:05 | |
then I'm quite happy to slip back into that role. | 0:07:05 | 0:07:07 | |
Any opportunity that I get to see my whole family is brilliant. | 0:07:09 | 0:07:13 | |
Especially living away from home. | 0:07:13 | 0:07:15 | |
So, still a really tight bond even though you're in different parts of the country? | 0:07:15 | 0:07:18 | |
-Yes. -I think it's made it tighter, the boys living away from home. | 0:07:18 | 0:07:21 | |
Because you ain't got to pick up my dirty pants off the floor. | 0:07:21 | 0:07:24 | |
Having three lads is not fun. | 0:07:26 | 0:07:28 | |
I don't want the visual that I'm having right now. | 0:07:28 | 0:07:31 | |
-What are you singing? -I don't want to give too much away. | 0:07:31 | 0:07:34 | |
-No, don't give anything away. -OK. -Keep me in suspense. -There you go. | 0:07:34 | 0:07:37 | |
And I'll be with your family watching. | 0:07:37 | 0:07:40 | |
-Have you heard what he's going to do? -Yes. It made me cry. | 0:07:40 | 0:07:43 | |
It made me cry. | 0:07:43 | 0:07:45 | |
He laughed at me because I sat there and cried and then he listened | 0:07:45 | 0:07:48 | |
and he started crying too. | 0:07:48 | 0:07:49 | |
You can tell he's the baby of the family. | 0:07:49 | 0:07:52 | |
I have decided I am going to have a go at one of the coach's songs. | 0:07:56 | 0:07:59 | |
It's a massive risk that I'm taking. | 0:08:04 | 0:08:06 | |
They might think that I've completely sabotaged it. | 0:08:09 | 0:08:12 | |
I'm going to be singing one of Kylie's songs. | 0:08:13 | 0:08:16 | |
-There he is. -Go on. -Come on. | 0:08:16 | 0:08:19 | |
-Do you see nerves? -yes, I do. | 0:08:19 | 0:08:21 | |
(This waiting is a killer.) | 0:08:32 | 0:08:35 | |
Yes, I know. | 0:08:35 | 0:08:36 | |
The anticipation. | 0:08:36 | 0:08:37 | |
-FAMILY: He's concentrating. Go on. -You can do this. | 0:08:37 | 0:08:41 | |
# I just can't get you out of my head | 0:08:55 | 0:08:59 | |
# Oh your lovin' is all I think about | 0:08:59 | 0:09:04 | |
# I just can't get you out of my head | 0:09:04 | 0:09:08 | |
# And it's more than I dare to think about | 0:09:08 | 0:09:13 | |
# I just can't get you out of my head | 0:09:13 | 0:09:17 | |
# Ooh, your lovin' is all that I think about | 0:09:17 | 0:09:22 | |
# Every night... # | 0:09:22 | 0:09:24 | |
-Come on, Kylie. Come on. -Turn around. Turn around. | 0:09:24 | 0:09:27 | |
# Every day | 0:09:27 | 0:09:32 | |
# Just to be there | 0:09:32 | 0:09:35 | |
# In your arms | 0:09:35 | 0:09:40 | |
# Won't you stay? | 0:09:40 | 0:09:47 | |
# Won't you stay? | 0:09:49 | 0:09:57 | |
# Stay for ever and ever | 0:09:57 | 0:10:03 | |
# And ever | 0:10:03 | 0:10:07 | |
# La-la-la | 0:10:08 | 0:10:10 | |
# La-la-la-la-la | 0:10:10 | 0:10:12 | |
# La-la-la | 0:10:12 | 0:10:14 | |
# La-la-la-la-la | 0:10:14 | 0:10:17 | |
# La-la-la | 0:10:17 | 0:10:19 | |
# La-la-la-la-la... # | 0:10:19 | 0:10:20 | |
Come on, Kylie! | 0:10:20 | 0:10:21 | |
# Ooh-ooh-ooh | 0:10:21 | 0:10:23 | |
# Ooh-ooh-ooh | 0:10:23 | 0:10:26 | |
# Ooh-ooh-ooh. # | 0:10:26 | 0:10:34 | |
CHEERING AND APPLAUSE | 0:10:34 | 0:10:38 | |
Wow. Wow, wow, wow! | 0:10:55 | 0:10:58 | |
KYLIE: Can't get you out of my head. Wow, wow, wow! | 0:10:59 | 0:11:03 | |
There's a theme. | 0:11:03 | 0:11:04 | |
LEE: How are you? KYLIE: I'm good. How are you? | 0:11:04 | 0:11:07 | |
LEE: I'm good. My name is Lee Glasson. | 0:11:07 | 0:11:10 | |
KYLIE: Hi, Lee. | 0:11:10 | 0:11:11 | |
Lee: I'm from Hertfordshire originally. I now live in Coventry. | 0:11:11 | 0:11:14 | |
I am an insurance manager. | 0:11:14 | 0:11:16 | |
RICKY: The world needs them. | 0:11:17 | 0:11:19 | |
KYLIE: Someone's got to keep things safe. | 0:11:19 | 0:11:21 | |
So how did you arrive at the decision to perform | 0:11:21 | 0:11:24 | |
Can't Get You Out Of My Head? | 0:11:24 | 0:11:25 | |
LEE: I'm talking to Kylie Min-o-gue! What's going on?! | 0:11:25 | 0:11:28 | |
LAUGHTER | 0:11:28 | 0:11:31 | |
Your voice is really arresting. | 0:11:34 | 0:11:36 | |
LEE: Thank you. | 0:11:36 | 0:11:37 | |
It's kind of otherworldly. Kind of amazing, mysterious voice, | 0:11:37 | 0:11:41 | |
but it does that thing that is the thing that we are waiting for. | 0:11:41 | 0:11:46 | |
LEE: Thank you so much. | 0:11:46 | 0:11:48 | |
Whatever happens thank you for that amazing rendition. | 0:11:48 | 0:11:51 | |
LEE: Thank you. | 0:11:51 | 0:11:53 | |
Yes. Well first of all I love what you did with that song. | 0:11:57 | 0:12:01 | |
-Thank you. -To be quite honest with you it wasn't | 0:12:01 | 0:12:03 | |
until quite a way through the song that I realised it was that song. | 0:12:03 | 0:12:08 | |
That was half intentional. | 0:12:08 | 0:12:11 | |
I wanted it to have a bit of mystery before it kicked in | 0:12:11 | 0:12:14 | |
and you think, "That's how I know that song." | 0:12:14 | 0:12:17 | |
-Your voice is great. -Thank you. -And it got me. | 0:12:17 | 0:12:20 | |
And I love the way you sing. | 0:12:20 | 0:12:22 | |
-Thank you. -And that's it. | 0:12:22 | 0:12:24 | |
RICKY: Hey! | 0:12:27 | 0:12:28 | |
Hi, Mr Wilson. | 0:12:28 | 0:12:29 | |
That was incredible. You've got an amazing voice. | 0:12:29 | 0:12:31 | |
I've never heard anything like that before. Song choice was great. | 0:12:31 | 0:12:36 | |
Great song. | 0:12:36 | 0:12:37 | |
We need you on this show. You're what this show is made for. | 0:12:37 | 0:12:41 | |
LEE: Cheers. | 0:12:41 | 0:12:43 | |
CHEERING AND APPLAUSE | 0:12:43 | 0:12:46 | |
-How are you doing? -I'm good. How are you? -I'm actually blown away. | 0:12:47 | 0:12:52 | |
This is careers, right? | 0:12:52 | 0:12:54 | |
Say for example we weren't on this show | 0:12:54 | 0:12:57 | |
and we were stranded on an island somewhere, all four of us. | 0:12:57 | 0:13:00 | |
Who is the best fit for you creatively? | 0:13:00 | 0:13:04 | |
The answer is quite obvious on who you should go with. | 0:13:04 | 0:13:08 | |
AUDIENCE: Kylie! | 0:13:08 | 0:13:12 | |
AUDIENCE: Kylie, Kylie, Kylie! | 0:13:16 | 0:13:20 | |
KYLIE: They know, they know, they know. | 0:13:20 | 0:13:23 | |
It's obvious. | 0:13:23 | 0:13:25 | |
It's one of us four. | 0:13:30 | 0:13:32 | |
I really don't know what to do and I'm not trying to milk it, people, I swear. | 0:13:32 | 0:13:37 | |
I'm so stuck. | 0:13:40 | 0:13:41 | |
SHOUTING FROM AUDIENCE | 0:13:44 | 0:13:47 | |
I don't know. I'm so sorry. | 0:13:47 | 0:13:51 | |
AUDIENCE: Kylie! Kylie! Kylie! Kylie! | 0:13:53 | 0:13:58 | |
I'd give up now. I'd take you and take the rest of the week off. Have done. | 0:14:02 | 0:14:06 | |
LEE: Amazing. | 0:14:06 | 0:14:08 | |
AUDIENCE: Kylie! Kylie! Kylie! | 0:14:11 | 0:14:14 | |
I think I am going to go with Kylie. | 0:14:19 | 0:14:22 | |
Oh, my God. | 0:14:24 | 0:14:26 | |
CHEERING AND APPLAUSE | 0:14:26 | 0:14:28 | |
Yes! | 0:14:32 | 0:14:33 | |
CHEERING AND APPLAUSE | 0:14:37 | 0:14:41 | |
Oh, my God. | 0:14:48 | 0:14:50 | |
-I got one. -You got one. | 0:14:52 | 0:14:55 | |
RICKY: Well done. | 0:14:55 | 0:14:56 | |
-First cab off the rank. -Wah-wah! -Yeah! | 0:14:57 | 0:15:01 | |
I've got one on my team so I feel like I'm out of the stalls. I am beyond happy to have Lee. | 0:15:05 | 0:15:13 | |
-Really proud of him. Extremely proud. -We're so proud of you. -You nailed it. | 0:15:13 | 0:15:17 | |
-Group hug! -Yes! | 0:15:17 | 0:15:20 | |
It's good, isn't it? It's good. The whole thing is good. | 0:15:23 | 0:15:27 | |
I really enjoyed that. | 0:15:27 | 0:15:28 | |
KYLIE: Oh, my God. | 0:15:28 | 0:15:30 | |
To turn or not to turn. That is the question. | 0:15:31 | 0:15:35 | |
MARVIN: Would you turn? | 0:15:37 | 0:15:38 | |
Download The Voice app and you can be a home coach. | 0:15:38 | 0:15:42 | |
# This is the voice. # | 0:15:42 | 0:15:44 | |
Time for our next artist. Who are you? | 0:15:46 | 0:15:50 | |
I'm Sue. I'm from Bristol and I sing in pubs and clubs. | 0:15:50 | 0:15:53 | |
I've been gigging for over ten years. | 0:15:53 | 0:15:56 | |
I love singing so much | 0:15:56 | 0:15:57 | |
and that is where my daughter Christina gets it from. | 0:15:57 | 0:16:00 | |
-MARVIN: -Sorry, rewind. Wrong member of the family. | 0:16:00 | 0:16:04 | |
I'm Christina Marie. I'm 20 years old and I'm from Bristol. | 0:16:04 | 0:16:08 | |
That's you when I was getting ready for a gig. That's me. | 0:16:08 | 0:16:12 | |
My mum is, I believe, a really good singer | 0:16:12 | 0:16:15 | |
and she could have taken it a lot further, | 0:16:15 | 0:16:18 | |
but being a single mum and having to support myself and my younger | 0:16:18 | 0:16:22 | |
sister on her own there was only so far she could go with it. | 0:16:22 | 0:16:25 | |
Even at a young age you were singing with your hairbrush. | 0:16:25 | 0:16:27 | |
I'm very proud of Christina, | 0:16:27 | 0:16:29 | |
considering that she didn't have the best of childhoods. | 0:16:29 | 0:16:32 | |
My mum is very supportive. The pub and club circuit was great for her. | 0:16:32 | 0:16:37 | |
But she wants to see me go further. | 0:16:37 | 0:16:38 | |
-Do you remember that? -Yes. | 0:16:38 | 0:16:40 | |
She has always been there for me, but I think this is her time. | 0:16:40 | 0:16:46 | |
I want her to live her dreams. | 0:16:46 | 0:16:47 | |
She is amazing to me. | 0:16:49 | 0:16:51 | |
I'm going to put everything into this performance today. | 0:16:57 | 0:17:01 | |
I want to do this not only for myself, but my mum too as a sort of | 0:17:01 | 0:17:05 | |
thank you for everything that she's done for me growing up and supporting me. | 0:17:05 | 0:17:09 | |
-Are you all right? -Come on! | 0:17:09 | 0:17:12 | |
# Share my life | 0:17:26 | 0:17:29 | |
# Take me for what I am | 0:17:29 | 0:17:34 | |
# Cos I'll never change | 0:17:35 | 0:17:38 | |
# All my colours for you | 0:17:38 | 0:17:43 | |
# I don't really have to look very much further | 0:17:44 | 0:17:48 | |
# I don't want to have to go where you will follow | 0:17:48 | 0:17:53 | |
# I won't hold it back again | 0:17:53 | 0:17:55 | |
# This passion inside | 0:17:55 | 0:17:57 | |
# I can't run from myself | 0:17:57 | 0:17:59 | |
# There's nowhere to hide | 0:17:59 | 0:18:04 | |
# Don't make me close one more door | 0:18:04 | 0:18:11 | |
# I don't want to hurt any more... # | 0:18:11 | 0:18:14 | |
Come on! | 0:18:14 | 0:18:15 | |
# Stay in my arms if you dare | 0:18:15 | 0:18:19 | |
# Or must I imagine you there? | 0:18:19 | 0:18:23 | |
# Don't walk away from me | 0:18:23 | 0:18:27 | |
# Don't walk away from me | 0:18:27 | 0:18:31 | |
# Don't you dare walk away from me | 0:18:31 | 0:18:35 | |
# No because I have nothing | 0:18:35 | 0:18:40 | |
# Nothing | 0:18:40 | 0:18:44 | |
# If I don't have | 0:18:44 | 0:18:50 | |
# You | 0:18:50 | 0:18:55 | |
# Yeah. # | 0:18:55 | 0:18:59 | |
CHEERING AND APPLAUSE | 0:18:59 | 0:19:03 | |
Yes! Three. | 0:19:16 | 0:19:18 | |
KYLIE: Hi. I don't want to sit down. I am not sitting down. | 0:19:18 | 0:19:23 | |
CHRISTINA: Thank you, Kylie. | 0:19:23 | 0:19:25 | |
KYLIE: Shush, shush, shush! Don't look over there. | 0:19:25 | 0:19:30 | |
How old are you? | 0:19:34 | 0:19:35 | |
CHRISTINA: I'm 20 years old. KYLIE: 20. Awesome. | 0:19:35 | 0:19:39 | |
I know what it's like being a 20-year-old girl. | 0:19:39 | 0:19:42 | |
CHRISTINA: Yes, I can imagine. I can imagine. | 0:19:42 | 0:19:44 | |
I don't know that. | 0:19:44 | 0:19:46 | |
I know how this is going to play out because Ricky is already getting tricky and is going to try | 0:19:46 | 0:19:50 | |
and dazzle you with the blue eyes. | 0:19:50 | 0:19:53 | |
That was amazing. That was amazing. | 0:19:53 | 0:19:56 | |
CHRISTINA: Thanks. | 0:19:57 | 0:20:00 | |
KYLIE: So I'm going to let them have their say and then I'm going to come back. | 0:20:00 | 0:20:04 | |
I didn't turn, not because you weren't amazing, but because you | 0:20:04 | 0:20:09 | |
on one of these coach's teams is going to bring the best out of you. | 0:20:09 | 0:20:13 | |
You've got to pick the right coach to push you. | 0:20:13 | 0:20:16 | |
But I think you on the show is going to raise the bar | 0:20:16 | 0:20:20 | |
on what people need to do. You were awesome. | 0:20:20 | 0:20:23 | |
Tom, tell them what you've got. | 0:20:25 | 0:20:27 | |
All right. Just listening to you sing, | 0:20:27 | 0:20:29 | |
I think you could sing all kinds of songs which is great because I have | 0:20:29 | 0:20:33 | |
all kinds of songs in my head and I would love to share them with you. | 0:20:33 | 0:20:38 | |
I was really holding back, but I could not help myself. | 0:20:38 | 0:20:44 | |
I had to press my button. | 0:20:44 | 0:20:45 | |
Wow! | 0:20:45 | 0:20:48 | |
CHEERING | 0:20:48 | 0:20:52 | |
CHRISTINA: Hello, Ricky. KYLIE: See? | 0:20:53 | 0:20:55 | |
RICKY: I'm just buying time because this is important. | 0:20:55 | 0:20:58 | |
KYLIE: I know. | 0:20:58 | 0:21:00 | |
RICKY: This is a big deal. I really need this. | 0:21:00 | 0:21:03 | |
KYLIE: So do I. | 0:21:03 | 0:21:05 | |
If you go with me I will dig deep, we will work hard and we will get there. | 0:21:05 | 0:21:13 | |
CHRISTINA: Wow! | 0:21:13 | 0:21:14 | |
RICKY: And you can do it. | 0:21:14 | 0:21:16 | |
I would love to hear you sing again and again and again. | 0:21:16 | 0:21:19 | |
KYLIE: And again, and again. | 0:21:19 | 0:21:22 | |
And at the moment I'm not thinking about record sales, | 0:21:29 | 0:21:32 | |
or technique, or playing at arenas at the moment. | 0:21:32 | 0:21:35 | |
I'm still thinking about the voice I just heard | 0:21:35 | 0:21:38 | |
and I'm thinking about the next time I'm going to hear it. | 0:21:38 | 0:21:42 | |
CHRISTINA: Wow! Thank you. Thank you. | 0:21:42 | 0:21:47 | |
Stop, Ricky, stop. | 0:21:49 | 0:21:51 | |
KYLIE: So just to reiterate, I did turn first. | 0:21:51 | 0:21:55 | |
What I would bring to it is a girl's perspective in a largely man's world. | 0:21:55 | 0:22:01 | |
You're going to be in the final. No matter what. | 0:22:01 | 0:22:03 | |
CHRISTINA: Oh, wow! | 0:22:03 | 0:22:05 | |
I have no doubt about that. I think you can do anything. | 0:22:08 | 0:22:11 | |
I'd love to be part of that journey with you. | 0:22:11 | 0:22:13 | |
Thank you so much, Kylie. Thank you. | 0:22:13 | 0:22:15 | |
-I guess it's decision time. -Quick decision before she decides. | 0:22:18 | 0:22:22 | |
She should go with Tom, but I think she will go with Kylie. | 0:22:22 | 0:22:24 | |
I think Kylie. | 0:22:24 | 0:22:26 | |
This is so hard because I just... | 0:22:26 | 0:22:28 | |
AUDIENCE: Kylie! Kylie! Kylie! Kylie! | 0:22:28 | 0:22:34 | |
OK. | 0:22:40 | 0:22:42 | |
OK. Thank you for listening. | 0:22:43 | 0:22:46 | |
But... | 0:22:50 | 0:22:51 | |
I just wanted somebody to turn around and I can't believe that three of you have. | 0:22:51 | 0:22:55 | |
So I guess I just have to go with my gut really. | 0:22:55 | 0:22:59 | |
And I think I'm going to go with Ricky. | 0:23:00 | 0:23:02 | |
RICKY: All right. Well done. | 0:23:25 | 0:23:27 | |
CHEERING AND APPLAUSE | 0:23:27 | 0:23:31 | |
Good job. | 0:23:38 | 0:23:39 | |
Ricky is one very happy guy right now. He is like the cat that got the cream. | 0:23:39 | 0:23:44 | |
I can't do that... | 0:23:44 | 0:23:46 | |
..any more. | 0:23:47 | 0:23:48 | |
It's quite satisfying beating the superstars on my right. | 0:23:48 | 0:23:52 | |
Team Ricky has its first artist meaning the two new coaches | 0:23:52 | 0:23:56 | |
have hit the ground running with one act each for their teams of 12. | 0:23:56 | 0:23:59 | |
-Congratulations. -KYLIE: Well done. | 0:24:01 | 0:24:03 | |
I know Kylie and I know Ricky. | 0:24:03 | 0:24:06 | |
These two people are fresh. Sorry. Fresh. | 0:24:06 | 0:24:09 | |
That's OK, you can borrow it. | 0:24:09 | 0:24:10 | |
MARVIN: And it's time to welcome our next artist who's come | 0:24:14 | 0:24:18 | |
with their own tiny team of one. | 0:24:18 | 0:24:20 | |
-Danielle, welcome to The Voice. -Hello. | 0:24:20 | 0:24:22 | |
-Lovely to see you. -Lovely to meet you. | 0:24:22 | 0:24:23 | |
-This must be your little sister. -No. This is my daughter Anaya. She is six. | 0:24:23 | 0:24:28 | |
-Say hello. -Hi. -Hi. How are you? -I'm fine. -You look very pretty today. | 0:24:28 | 0:24:33 | |
Thank you. | 0:24:33 | 0:24:34 | |
Having Anaya was the best thing | 0:24:34 | 0:24:37 | |
that's ever happened to me and she has motivated me to become the person that I am today. | 0:24:37 | 0:24:42 | |
We are team. | 0:24:42 | 0:24:43 | |
Singing is like something I would do on the side. | 0:24:43 | 0:24:47 | |
I don't gig or anything, but just something I always make | 0:24:47 | 0:24:50 | |
time for which is why I'm here. | 0:24:50 | 0:24:52 | |
-Are you a singer as well? -No. I'm an artist! -You're an artist! | 0:24:52 | 0:24:57 | |
-What type of artist? -A ballet dancer. -A ballet dancer. | 0:24:57 | 0:25:00 | |
OK, cool. | 0:25:00 | 0:25:02 | |
Anaya's a little madam - would be a good way to describe her. | 0:25:02 | 0:25:05 | |
-Marlin... -Marlin? Marvin! | 0:25:05 | 0:25:07 | |
-Marvin, can I ask you a question? -Yes, you can. | 0:25:07 | 0:25:12 | |
Have you met Peter Andre? | 0:25:12 | 0:25:15 | |
-I have met Peter Andre. Many times. -I've met him. -Have you? | 0:25:18 | 0:25:23 | |
-Princess parade. -OK. | 0:25:23 | 0:25:25 | |
And it's exciting to meet Marvin today isn't it? Yeah. | 0:25:25 | 0:25:28 | |
-Are you a fan...? -On my second celebrity meeting. | 0:25:28 | 0:25:33 | |
Your second celebrity meeting. Wow. | 0:25:33 | 0:25:35 | |
To be going from just an ordinary mum, doing the school run, | 0:25:38 | 0:25:43 | |
going to work, to now having the opportunity to be | 0:25:43 | 0:25:46 | |
singing in front of the four coaches. | 0:25:46 | 0:25:48 | |
There's so many things that I'd like to be able to give my daughter | 0:25:48 | 0:25:52 | |
that I can't. | 0:25:52 | 0:25:53 | |
This could be the start of a very exciting journey. | 0:25:53 | 0:25:57 | |
I'm feeling 1,001 emotions. | 0:25:57 | 0:25:59 | |
A bit nervous, a bit anxious, you've got that adrenaline pumping. | 0:25:59 | 0:26:03 | |
-MARVIN: -How do you think she's feeling? Do you think she's nervous? -Mm-hm. | 0:26:05 | 0:26:09 | |
# Whoa | 0:26:31 | 0:26:33 | |
# L is for the way you look at me | 0:26:35 | 0:26:40 | |
# O is for the only one that I see | 0:26:40 | 0:26:45 | |
# V is very, very extraordinary | 0:26:45 | 0:26:50 | |
# E is even more than anyone that you adore | 0:26:50 | 0:26:55 | |
# And love is all that I can give to you | 0:26:55 | 0:26:59 | |
# Love is more than just a game for two... # | 0:26:59 | 0:27:05 | |
Just push the button right now, guys. | 0:27:05 | 0:27:08 | |
# Take my heart and please don't break it | 0:27:08 | 0:27:10 | |
# Love was made for me and you | 0:27:10 | 0:27:15 | |
# L is for the way you look at me | 0:27:15 | 0:27:21 | |
# O is for the only one I see... # | 0:27:21 | 0:27:25 | |
-Push the button. -Push, push, push. | 0:27:25 | 0:27:26 | |
# V is very, very extraordinary... # | 0:27:26 | 0:27:31 | |
-Kylie, yes! Come on, will! -Come on! | 0:27:31 | 0:27:34 | |
# La-la-la-la Love was made for me and you | 0:27:34 | 0:27:40 | |
# Ooh Love was made for me and you. # | 0:27:40 | 0:27:48 | |
CHEERING AND APPLAUSE | 0:27:48 | 0:27:51 | |
Sweet niblets! | 0:28:11 | 0:28:13 | |
-How are you? What's your name? -My name is Danielle. I'm 25 years old. | 0:28:15 | 0:28:20 | |
-Where are you from? -I live in Wembley. | 0:28:20 | 0:28:23 | |
CHEERING AND APPLAUSE | 0:28:23 | 0:28:25 | |
You have a great voice. I think maybe you're nervous or something. | 0:28:25 | 0:28:30 | |
-Yes. -Yes | 0:28:30 | 0:28:33 | |
It happens to a lot of us. | 0:28:33 | 0:28:35 | |
Yes, yes, to be honest I'm so grateful to be here | 0:28:35 | 0:28:38 | |
and to stand here in front of you | 0:28:38 | 0:28:41 | |
and to sing to you today. It's such an blessing, so thank you. | 0:28:41 | 0:28:43 | |
Danielle... Unfortunately nerves are a reality and nerves can be good, | 0:28:47 | 0:28:53 | |
it becomes adrenaline and you can do things that you didn't even know you could do sometimes. | 0:28:53 | 0:28:59 | |
But fear can crush you and... I don't think you were crushed by the way. | 0:28:59 | 0:29:05 | |
DANIELLE: Yes. | 0:29:05 | 0:29:07 | |
KYLIE: So I don't mean to come across that way, | 0:29:07 | 0:29:09 | |
but maybe just a bit wobbly. And it happens to all of us. | 0:29:09 | 0:29:12 | |
DANIELLE: I literally felt fine up to that moment and then... | 0:29:12 | 0:29:15 | |
-This is like the biggest thing I've ever, ever done. -This is pretty big. -It's very big. | 0:29:15 | 0:29:19 | |
APPLAUSE | 0:29:19 | 0:29:22 | |
-DANIELLE: Hi. -Hi, how are you, love? | 0:29:25 | 0:29:28 | |
-DANIELLE: I'm good, thank you. -Nice to see you. | 0:29:28 | 0:29:30 | |
Thank you. | 0:29:30 | 0:29:32 | |
To try and make a song like that into a soul song - | 0:29:32 | 0:29:35 | |
I don't think Aretha Franklin could do it. | 0:29:35 | 0:29:38 | |
That song is a sort of a jolly song. | 0:29:38 | 0:29:40 | |
To attempt that I think is very brave. | 0:29:40 | 0:29:42 | |
Thank you very much. | 0:29:42 | 0:29:45 | |
Hiya. DANIELLE: Hello. Hi, Ricky. | 0:29:48 | 0:29:51 | |
RICKY: The nerves thing, they can become a real problem to the point where | 0:29:51 | 0:29:55 | |
you won't do something because you don't enjoy the feeling of being nervous | 0:29:55 | 0:29:58 | |
and so if you can get over that then I'd like to see you, | 0:29:58 | 0:30:01 | |
I'd like to hear you and then see you again. | 0:30:01 | 0:30:04 | |
Thank you. | 0:30:06 | 0:30:08 | |
I came here today with my daughter. | 0:30:10 | 0:30:13 | |
She's going to cry. | 0:30:13 | 0:30:15 | |
I really want to make her proud. She said can she please come and see you guys? | 0:30:15 | 0:30:20 | |
That would mean a lot. | 0:30:20 | 0:30:22 | |
Yeah. | 0:30:22 | 0:30:23 | |
-ANAYA: -I don't know how to go on the stage. -Shall I take you? | 0:30:23 | 0:30:27 | |
-OK. -Come on, let's go. | 0:30:27 | 0:30:28 | |
Be back in a minute. | 0:30:30 | 0:30:32 | |
-WILL.I.AM: -How old is she? -She's six. | 0:30:32 | 0:30:34 | |
-MARVIN: -You should say, "Kylie, why didn't you turn around for Mummy?" | 0:30:34 | 0:30:37 | |
-What do you think? -How do you get to stay on TV? | 0:30:37 | 0:30:41 | |
I think you should ask her. | 0:30:41 | 0:30:43 | |
-WILL.I.AM: -What's your daughter's name? | 0:30:43 | 0:30:45 | |
-Anaya. -Anaya. | 0:30:45 | 0:30:47 | |
CHEERING AND APPLAUSE | 0:30:47 | 0:30:51 | |
Anaya, take the mic. There's your mummy. | 0:30:56 | 0:31:01 | |
CHEERING AND APPLAUSE | 0:31:01 | 0:31:05 | |
-Hi, Anaya. -Hi. | 0:31:12 | 0:31:14 | |
AUDIENCE: Aw! | 0:31:14 | 0:31:16 | |
-Your mum said you'd know how to sing. -Mm-hm. | 0:31:16 | 0:31:18 | |
-You do? -Yes. | 0:31:18 | 0:31:20 | |
-I like those boots. -ANAYA: -Thank you. | 0:31:20 | 0:31:23 | |
-TOM JONES: -Can she sing? Is she allowed to sing? | 0:31:23 | 0:31:26 | |
-Do you want to sing a little song? -No. -A bit shy. | 0:31:26 | 0:31:30 | |
I mostly want to draw. | 0:31:30 | 0:31:33 | |
LAUGHTER AND APPLAUSE | 0:31:33 | 0:31:36 | |
Can she come and say hello? Shall I take you down? | 0:31:36 | 0:31:40 | |
Hi, Anaya. | 0:31:46 | 0:31:48 | |
AUDIENCE: Aw! | 0:31:48 | 0:31:50 | |
CHEERING AND APPLAUSE | 0:31:54 | 0:31:58 | |
Can I spin it back around? | 0:32:00 | 0:32:02 | |
Hit the button. | 0:32:07 | 0:32:09 | |
LAUGHTER | 0:32:09 | 0:32:12 | |
You're supposed to be in that chair! | 0:32:14 | 0:32:17 | |
KYLIE: I'm going this way, that way, every way. | 0:32:17 | 0:32:21 | |
-DANIELLE: Are you ready? -Hit the button. | 0:32:21 | 0:32:23 | |
CHEERING AND APPLAUSE | 0:32:23 | 0:32:26 | |
Thank you. | 0:32:29 | 0:32:31 | |
-Bye, Anaya. -Thank you very much. It was lovely to meet you. | 0:32:31 | 0:32:36 | |
Thank you so much. Thank you all. | 0:32:36 | 0:32:38 | |
-TOM JONES: -All right, love? Lovely to see you. | 0:32:38 | 0:32:42 | |
-Thank you. -There you go. | 0:32:42 | 0:32:44 | |
OK, if you were going to sing a song which one would you have sung? | 0:32:47 | 0:32:51 | |
-ANAYA: -I don't really know. -You don't have a favourite? | 0:32:51 | 0:32:53 | |
-What about nursery rhymes at school? -They're too babyish. -Too babyish. | 0:32:53 | 0:32:59 | |
You'd rather sing will.i.am's song I'm sure | 0:32:59 | 0:33:02 | |
# My baby shot me down again. # | 0:33:02 | 0:33:06 | |
All right. You take care. | 0:33:08 | 0:33:10 | |
-Bye-bye, love. -Goodbye. | 0:33:10 | 0:33:13 | |
CHEERING AND APPLAUSE | 0:33:13 | 0:33:16 | |
She's skipping away. | 0:33:24 | 0:33:26 | |
Too cute. | 0:33:32 | 0:33:34 | |
-Cute. -Cute. | 0:33:36 | 0:33:37 | |
-How was that? -Cool. -You got to hug everybody. -Mm hm. | 0:33:37 | 0:33:43 | |
Probably the only person smaller than me that's ever going to sit in the chair. | 0:33:43 | 0:33:47 | |
17-year-old music student Anna McLuckie has a first for The Voice. | 0:33:55 | 0:33:59 | |
A stringed secret weapon. | 0:33:59 | 0:34:01 | |
People always associate harps with, like, cherubs | 0:34:04 | 0:34:07 | |
and little girls being like, "Ha!" | 0:34:07 | 0:34:08 | |
So I kind of want to make it more current. | 0:34:08 | 0:34:10 | |
-And then you can just pull it. -Like, outwards? | 0:34:10 | 0:34:13 | |
Yeah, towards your hand. | 0:34:13 | 0:34:14 | |
But it all went at different times, didn't it? | 0:34:16 | 0:34:18 | |
It went "du-du-du-dun" rather than "dun"! | 0:34:18 | 0:34:20 | |
I've got quite a subtle voice. | 0:34:21 | 0:34:23 | |
I know quite a lot of people who go on The Voice have, like, | 0:34:23 | 0:34:25 | |
big, Christina Aguilera, like... | 0:34:25 | 0:34:27 | |
# Ha-a-ah! # | 0:34:27 | 0:34:28 | |
I don't really have anything like that. It's more folky. | 0:34:28 | 0:34:31 | |
But I hope that gives me something, like, original. | 0:34:31 | 0:34:34 | |
-Yeah, that was better. -I did it! | 0:34:36 | 0:34:38 | |
Ultimately, it is a vocal competition | 0:34:41 | 0:34:43 | |
so, hopefully, my voice stands out over the harp. | 0:34:43 | 0:34:47 | |
Er, I'm quite nervous but I've been told that if I, like, | 0:34:47 | 0:34:49 | |
picture my butterflies, like, flying out of my stomach, | 0:34:49 | 0:34:52 | |
then I'll calm down, so I'll try that. | 0:34:52 | 0:34:54 | |
It's pretty crazy thinking that I would be able to be mentored by these people at 17. | 0:35:00 | 0:35:04 | |
Like, they've had, like, | 0:35:04 | 0:35:05 | |
a life's experience in the music industry so it would be amazing. | 0:35:05 | 0:35:08 | |
THEY CHEER | 0:35:10 | 0:35:12 | |
SHE STRUMS HARP | 0:35:31 | 0:35:33 | |
# The legend of the phoenix... # | 0:35:33 | 0:35:36 | |
APPLAUSE | 0:35:37 | 0:35:39 | |
# All ends with beginnings... # | 0:35:40 | 0:35:45 | |
-Wow! -Yes! Come on! | 0:35:45 | 0:35:46 | |
APPLAUSE | 0:35:46 | 0:35:49 | |
# What keeps a planet spinning... # CHEERING AND APPLAUSE | 0:35:49 | 0:35:53 | |
# Is the force of love beginning | 0:35:56 | 0:35:59 | |
# We've come too far | 0:36:02 | 0:36:06 | |
# To give up | 0:36:07 | 0:36:10 | |
# Who we are | 0:36:10 | 0:36:13 | |
# So let's raise the bar... # | 0:36:13 | 0:36:17 | |
I've got goosebumps! | 0:36:17 | 0:36:19 | |
# And our cups to the stars | 0:36:19 | 0:36:23 | |
# Oh | 0:36:23 | 0:36:24 | |
# She's up all night till the sun | 0:36:24 | 0:36:27 | |
# I'm up all night to get some | 0:36:27 | 0:36:29 | |
# She's up all night for good fun | 0:36:29 | 0:36:31 | |
# I'm up all night to get lucky | 0:36:31 | 0:36:33 | |
# I'm up all night till the sun | 0:36:33 | 0:36:36 | |
# I'm up all night to get some | 0:36:36 | 0:36:38 | |
# I'm up all night for good fun | 0:36:38 | 0:36:40 | |
# I'm up all night to get lucky | 0:36:40 | 0:36:42 | |
# I'm up all night to get lucky | 0:36:42 | 0:36:44 | |
# I'm up all night to get lucky | 0:36:44 | 0:36:47 | |
# I'm up all night | 0:36:47 | 0:36:49 | |
# I'm up all night | 0:36:49 | 0:36:53 | |
# We've come too far | 0:36:54 | 0:36:57 | |
# To give up who we are... # | 0:36:59 | 0:37:03 | |
She's incredible. | 0:37:03 | 0:37:05 | |
# So let's raise the bar | 0:37:05 | 0:37:09 | |
# And our cups to the stars | 0:37:09 | 0:37:14 | |
# Oh | 0:37:14 | 0:37:15 | |
# She's up all night till the sun | 0:37:15 | 0:37:18 | |
# I'm up all night to get some | 0:37:18 | 0:37:20 | |
# I'm up all night for good fun | 0:37:20 | 0:37:22 | |
# I'm up all night to get lucky | 0:37:22 | 0:37:24 | |
# I'm up all night till the sun | 0:37:24 | 0:37:27 | |
# I'm up all night to get some | 0:37:27 | 0:37:29 | |
# I'm up all night for good fun | 0:37:29 | 0:37:31 | |
# I'm up all night. # | 0:37:31 | 0:37:35 | |
CHEERING AND APPLAUSE | 0:37:35 | 0:37:38 | |
Hello! | 0:38:03 | 0:38:04 | |
Hi. I'm Anna McLuckie and I'm from Edinburgh. | 0:38:08 | 0:38:12 | |
CHEERING AND APPLAUSE | 0:38:12 | 0:38:14 | |
-Well, that was beautiful. -Thank you. -Really. | 0:38:16 | 0:38:20 | |
CHEERING AND APPLAUSE | 0:38:20 | 0:38:22 | |
I'm not knocking the original or anything, | 0:38:22 | 0:38:24 | |
but that was a thousand times better. | 0:38:24 | 0:38:26 | |
CHEERING AND APPLAUSE | 0:38:26 | 0:38:28 | |
It was just that I couldn't add anything to it. That's all. But it was lovely. | 0:38:28 | 0:38:32 | |
That was absolutely beautiful and the reason I didn't turn is because... | 0:38:35 | 0:38:39 | |
Puppy Dog Eyes over there was a goner. | 0:38:39 | 0:38:43 | |
And then Puppy Dog Eyes Number Two turned around. | 0:38:43 | 0:38:48 | |
So there's a thing in not turning | 0:38:48 | 0:38:51 | |
and knowing that you're safe with someone else. | 0:38:51 | 0:38:54 | |
And if you want, just, girl chat, come to my dressing room. | 0:38:54 | 0:38:58 | |
Cheers! CHEERING AND APPLAUSE | 0:38:58 | 0:38:59 | |
Er, I waited till the very last minute to turn | 0:39:01 | 0:39:05 | |
cos I was thinking, like, "Should I turn? | 0:39:05 | 0:39:09 | |
"Cos she's probably going to go with Ricky." | 0:39:09 | 0:39:12 | |
But you know what? I don't mind losing, trying to win you. | 0:39:12 | 0:39:17 | |
CHEERING AND APPLAUSE | 0:39:17 | 0:39:19 | |
I would, you know, coach you through a whole bunch of song selections, | 0:39:19 | 0:39:24 | |
out of your comfort zone. So... | 0:39:24 | 0:39:27 | |
So that when you're up there in the Battles, you shine, | 0:39:27 | 0:39:32 | |
even when it's not your... | 0:39:32 | 0:39:35 | |
You know, your comfort. | 0:39:35 | 0:39:37 | |
APPLAUSE OK. Thank you. | 0:39:37 | 0:39:39 | |
-Hiya. ANNA: -Hello. -Hi. | 0:39:42 | 0:39:44 | |
The song choice was great but you could have been singing | 0:39:44 | 0:39:46 | |
the Tetris theme and I would have been shaking, still. | 0:39:46 | 0:39:50 | |
Er, it was... | 0:39:50 | 0:39:52 | |
I had to turn around. I couldn't... And then I was transfixed. | 0:39:52 | 0:39:55 | |
I couldn't even smile. I didn't know what to do with myself. | 0:39:55 | 0:39:58 | |
Er, I think you can bring beauty to anything. | 0:39:58 | 0:40:02 | |
Like, Ace Of Spades or something like that. You could just make it into something so beautiful, | 0:40:02 | 0:40:06 | |
people would forget the original and they would just be taken away | 0:40:06 | 0:40:10 | |
to a different place, just like I was then. Yeah, I'd love you on my team. | 0:40:10 | 0:40:14 | |
Thank you. | 0:40:14 | 0:40:16 | |
APPLAUSE | 0:40:16 | 0:40:18 | |
-She has to make up her mind. -I think it was Will.i.am before she came on. | 0:40:19 | 0:40:23 | |
I think now she's thinking Ricky. | 0:40:23 | 0:40:25 | |
I'll fight for you if you are on my team. | 0:40:28 | 0:40:31 | |
I will fight for you right now. | 0:40:31 | 0:40:33 | |
CHEERING | 0:40:36 | 0:40:38 | |
OK, I'll be the girl that walks around going, "Round two!" | 0:40:41 | 0:40:44 | |
Whoo! | 0:40:48 | 0:40:49 | |
-Come on, Anna. -Go on, Anna. | 0:40:51 | 0:40:53 | |
Woo-hoo! | 0:40:54 | 0:40:55 | |
AUDIENCE CHANTS COACHES' NAMES | 0:40:59 | 0:41:01 | |
I think I'm going to go with... | 0:41:07 | 0:41:09 | |
..er... | 0:41:10 | 0:41:12 | |
..Will. Thank you. CHEERING AND APPLAUSE | 0:41:15 | 0:41:19 | |
Sorry! | 0:41:21 | 0:41:22 | |
Oh, Ricky's devastated! | 0:41:30 | 0:41:33 | |
I am sorry. Thank you. | 0:41:35 | 0:41:37 | |
APPLAUSE DROWNS SPEECH | 0:41:37 | 0:41:40 | |
THEY SQUEAL EXCITEDLY | 0:41:54 | 0:41:56 | |
-Oh, what a shame. She was really good. -She was amazing. | 0:41:58 | 0:42:01 | |
Team Will has started. | 0:42:01 | 0:42:04 | |
I don't like "begun", cos I don't like pistols. | 0:42:04 | 0:42:07 | |
HE CLEARS THROAT | 0:42:07 | 0:42:10 | |
RIPPLE OF LAUGHTER | 0:42:10 | 0:42:11 | |
That was bad. | 0:42:12 | 0:42:14 | |
I just thought that Will could... For me, like, production-wise | 0:42:14 | 0:42:18 | |
and choosing songs and doing things a bit different, | 0:42:18 | 0:42:20 | |
I thought maybe he'd have some good ideas. | 0:42:20 | 0:42:22 | |
-Well done. -Thank you. -Absolutely amazing. | 0:42:22 | 0:42:25 | |
-HE RAPS: -Anna with the harp | 0:42:25 | 0:42:28 | |
She was singing and she broke my heart | 0:42:28 | 0:42:29 | |
Fixed it again when she start singing | 0:42:29 | 0:42:31 | |
Got on the drums and I started swinging. | 0:42:31 | 0:42:33 | |
-I think Will did that just to -BLEEP -me off. | 0:42:33 | 0:42:35 | |
# I'm glad that she's on my team | 0:42:35 | 0:42:37 | |
# Aw, shucks, we gonna win it | 0:42:37 | 0:42:40 | |
# Right when she starts playing It begin it. # | 0:42:40 | 0:42:42 | |
Is that Will on the drums? | 0:42:42 | 0:42:43 | |
# Like a angel when she's singing | 0:42:44 | 0:42:47 | |
# Like a angel when she's straight singing. What? # | 0:42:47 | 0:42:50 | |
I'm so glad she's on my team. Really, she's dope. She's dope. | 0:42:50 | 0:42:54 | |
WILL'S DRUMBEAT CONTINUES | 0:42:54 | 0:42:57 | |
Hey. | 0:42:57 | 0:42:59 | |
Hey. | 0:42:59 | 0:43:00 | |
-MARVIN: -And also hoping to make a big impression with our coaches | 0:43:02 | 0:43:05 | |
is our next act, all the way from Wales. | 0:43:05 | 0:43:07 | |
My name is Tara Lewis. I am 44 | 0:43:07 | 0:43:08 | |
and recently, I've started a new job. | 0:43:08 | 0:43:12 | |
MUSIC: "Back In Black" by AC/DC | 0:43:12 | 0:43:14 | |
Oh, Mum, you look fantastic. | 0:43:23 | 0:43:24 | |
I know. I feels it. | 0:43:24 | 0:43:27 | |
I'm a Nessa impersonator, from Gavin & Stacey. | 0:43:28 | 0:43:32 | |
Nessa's all right. Tidy. | 0:43:32 | 0:43:35 | |
Paul, three bag of chips. Don't mess with Ness. | 0:43:35 | 0:43:38 | |
Be a bit quicker, all right? | 0:43:38 | 0:43:40 | |
I don't like waiting. | 0:43:40 | 0:43:42 | |
Once I dress up as Nessa, I get a great reaction | 0:43:42 | 0:43:44 | |
and I can get away with anything. | 0:43:44 | 0:43:46 | |
Crackin'! | 0:43:46 | 0:43:47 | |
-WELSH ACCENT: -It's tidy, that, innit? -"Tid-EE." -"Tid-EE." | 0:43:54 | 0:43:56 | |
-You're getting there. -Getting there. -Slowly. -Slowly. | 0:43:56 | 0:43:59 | |
From the valleys. | 0:43:59 | 0:44:00 | |
The Nessa isn't going to last for ever. | 0:44:03 | 0:44:07 | |
My dream would be to be taken seriously for my singing. | 0:44:07 | 0:44:10 | |
I am absolutely petrified about going out on that stage as me. | 0:44:10 | 0:44:15 | |
You can do it. Come on. Come on, Tara! | 0:44:21 | 0:44:25 | |
SHE SIGHS | 0:44:25 | 0:44:27 | |
SHE SIGHS | 0:44:33 | 0:44:35 | |
SHE CLEARS THROAT | 0:44:36 | 0:44:38 | |
One, two, three, four. | 0:44:43 | 0:44:46 | |
BAND PLAYS INTRO | 0:44:46 | 0:44:48 | |
# What I want you got but it might be hard to handle | 0:44:51 | 0:44:55 | |
# Like a flame that burns the candle | 0:44:55 | 0:44:59 | |
# The candle feeds the flame | 0:44:59 | 0:45:01 | |
# Yeah, yeah | 0:45:01 | 0:45:03 | |
# What I got, a full stock | 0:45:03 | 0:45:05 | |
# Of thoughts and dreams that scatter | 0:45:05 | 0:45:07 | |
# But when you pull them together | 0:45:07 | 0:45:09 | |
# And how I can't explain... # THEY SHOUT ENCOURAGINGLY | 0:45:09 | 0:45:13 | |
# Well, well, you | 0:45:13 | 0:45:17 | |
# You | 0:45:17 | 0:45:18 | |
# You make my dreams come true | 0:45:18 | 0:45:21 | |
# Oh, yeah | 0:45:22 | 0:45:24 | |
# Oh-oh | 0:45:25 | 0:45:27 | |
# At night when bad dreams become a screamer | 0:45:27 | 0:45:31 | |
# When they're messing with a dreamer | 0:45:31 | 0:45:34 | |
# I can laugh it in the face | 0:45:34 | 0:45:37 | |
# Oh, twist and shout my way out | 0:45:37 | 0:45:40 | |
# And wrap yourself around me | 0:45:40 | 0:45:42 | |
# Cos I ain't the way you found me | 0:45:42 | 0:45:45 | |
# And I'll never be the same | 0:45:45 | 0:45:48 | |
# Oh, you | 0:45:48 | 0:45:51 | |
# You-ooh-ooh | 0:45:51 | 0:45:55 | |
# Ooh-ooh-ooh | 0:45:55 | 0:45:59 | |
# Whoa-oh... # | 0:46:00 | 0:46:01 | |
Tom, come on! | 0:46:01 | 0:46:02 | |
# Oh, oh, oh, you make my dreams come | 0:46:04 | 0:46:08 | |
# True. # | 0:46:08 | 0:46:13 | |
APPLAUSE | 0:46:13 | 0:46:15 | |
Man! | 0:46:19 | 0:46:21 | |
CHEERING AND APPLAUSE | 0:46:21 | 0:46:23 | |
Hello, love. | 0:46:38 | 0:46:39 | |
-AS NESSA: All right, Tom? -Very good. I'm all right. | 0:46:39 | 0:46:43 | |
-Are you all right? -What's occurring? LAUGHTER | 0:46:43 | 0:46:46 | |
-Where are you from, then? -Tonyrefail in South Wales. | 0:46:46 | 0:46:48 | |
Tonyrefail - I thought so. | 0:46:48 | 0:46:50 | |
-As soon as you said, "All right, Tom?" -I know. | 0:46:50 | 0:46:54 | |
-You sou... -HE CHUCKLES | 0:46:54 | 0:46:57 | |
You sound like Ruth Jones, you know, on the... | 0:46:57 | 0:46:59 | |
-Gavin & Stacey. -Tidy. | 0:46:59 | 0:47:01 | |
So, anyway...what's occurring? | 0:47:04 | 0:47:07 | |
I'm not going to lie to you, Tom. I feels emotional. | 0:47:07 | 0:47:10 | |
LAUGHTER AND APPLAUSE | 0:47:10 | 0:47:12 | |
-I tell you what - I was almost there. -Oh, Tom, come on! | 0:47:19 | 0:47:22 | |
I'm telling you. I'm being quite honest with you. | 0:47:22 | 0:47:24 | |
-He was. He was almost there. He was. -I should have done it. | 0:47:24 | 0:47:27 | |
-You should have done. -I know. I'm sorry about that. -I feels your pain. | 0:47:27 | 0:47:31 | |
-No, because you did everything right. -Thank you, Tom. | 0:47:33 | 0:47:35 | |
You've got a great tone and the falsetto was as strong as your full voice. | 0:47:35 | 0:47:39 | |
-You did the whole thing and... -Thank you. -And I'm sorry I didn't. | 0:47:39 | 0:47:43 | |
Oh, thanks ever so much. Oh, thank you. | 0:47:43 | 0:47:45 | |
APPLAUSE | 0:47:45 | 0:47:47 | |
And the band was playing great, by the way. | 0:47:49 | 0:47:50 | |
They have been consistently brilliant. | 0:47:50 | 0:47:53 | |
APPLAUSE | 0:47:53 | 0:47:55 | |
Vocally, you can do anything. | 0:47:56 | 0:47:58 | |
It's just, what it couldn't do was, like, make me do that. | 0:47:58 | 0:48:01 | |
And that must have been something... that didn't connect with me. | 0:48:01 | 0:48:04 | |
-Yeah. AUDIENCE: -Aww! | 0:48:04 | 0:48:06 | |
She's smiling at you. | 0:48:09 | 0:48:11 | |
I'm just looking at Tom the whole time. I can't take my eyes off you! | 0:48:11 | 0:48:14 | |
Think I'm in there! | 0:48:16 | 0:48:18 | |
-Let's do it, Tom! -All right, then. | 0:48:19 | 0:48:22 | |
-I'll give you the best night of your life! -Wow! | 0:48:25 | 0:48:29 | |
CHEERING AND APPLAUSE | 0:48:29 | 0:48:31 | |
Hey, what's up? | 0:48:33 | 0:48:35 | |
I thought you were really fresh | 0:48:35 | 0:48:36 | |
but I didn't turn around because I was hoping Tom turned around, | 0:48:36 | 0:48:39 | |
because I thought... | 0:48:39 | 0:48:41 | |
I knew straight from when you were singing that you were probably from Wales. | 0:48:41 | 0:48:44 | |
-OK. -And what's wrong with that, Will? | 0:48:45 | 0:48:47 | |
-That was a lie, that was a lie. -You know what she said? -What? | 0:48:47 | 0:48:51 | |
-"What's wrong with that, Will?" -There's nothing wrong with that. | 0:48:51 | 0:48:55 | |
I just know there's no competition if, you know, | 0:48:55 | 0:48:58 | |
the king of Wales was pitching against us. You... | 0:48:58 | 0:49:02 | |
-You can't even take your eyes off him anyway. -I know. | 0:49:02 | 0:49:05 | |
-Can you blame me? -If I'd turned around and he'd turn around, | 0:49:05 | 0:49:08 | |
-you would've went with Tom and you know it. -Oh, yeah, yeah. | 0:49:08 | 0:49:11 | |
MUSIC: "Give A Little Love" by Tom Jones | 0:49:13 | 0:49:15 | |
KYLIE: We're all coming at you! | 0:49:21 | 0:49:23 | |
RICKY: I'll come in on this one and then you can save the best till last. | 0:49:23 | 0:49:26 | |
-Now you get to Tom. -Oh, my God! | 0:49:27 | 0:49:29 | |
KYLIE: Now the big one. | 0:49:29 | 0:49:30 | |
-Oh! -Oh! -Thank you, Tom, so much. | 0:49:30 | 0:49:33 | |
CHEERING AND APPLAUSE | 0:49:33 | 0:49:36 | |
-It was lovely to see you. -And you. | 0:49:36 | 0:49:37 | |
Great sense of humour. | 0:49:45 | 0:49:47 | |
-And she can sing. -Both national traits. -Yes. | 0:49:47 | 0:49:52 | |
Don't cry! | 0:49:52 | 0:49:54 | |
-Good boy. You're so amazing. -I had a fab time. It was brilliant. | 0:49:54 | 0:49:59 | |
I touched Tom Jones! | 0:49:59 | 0:50:01 | |
It was Tom Jones. It was Tom, sitting in front of me. I didn't see anyone else. | 0:50:01 | 0:50:05 | |
That's quite rude really, innit? But I didn't. | 0:50:05 | 0:50:08 | |
# Give a little love! # | 0:50:08 | 0:50:11 | |
My name's Ryan Green. I'm 16 years old, | 0:50:13 | 0:50:15 | |
I'm from Essex and I'm a music student. | 0:50:15 | 0:50:18 | |
I live at home with my mum, my dad and my 13-year-old sister Lauren. | 0:50:18 | 0:50:23 | |
Right, then, let's eat, everybody. | 0:50:23 | 0:50:24 | |
We are probably as close as you can get as a family. | 0:50:27 | 0:50:30 | |
Couldn't get any closer. | 0:50:30 | 0:50:31 | |
I love them all very much. | 0:50:33 | 0:50:34 | |
I think it's mainly cos we share the love of music. | 0:50:34 | 0:50:36 | |
I think it brings us closer together. | 0:50:36 | 0:50:39 | |
He chose to play the piano at ten. | 0:50:39 | 0:50:41 | |
-He'll try any instrument. -I cry when I hear Ryan sing. | 0:50:41 | 0:50:45 | |
-He touches my soul. -Agree with that one, definitely, yeah. | 0:50:45 | 0:50:48 | |
As well as my music, I've got a massive love for football. | 0:50:51 | 0:50:54 | |
When I was about nine years old, | 0:50:54 | 0:50:55 | |
I started playing for a Sunday League team. | 0:50:55 | 0:50:58 | |
I went to Tottenham for one season and then I ended up at Leyton Orient. | 0:50:58 | 0:51:01 | |
So I was right on the route to a professional footballer. | 0:51:01 | 0:51:04 | |
At 14, I had to make a, sort of, career choice. | 0:51:04 | 0:51:07 | |
And I just felt that music was the right way to go for me, | 0:51:07 | 0:51:11 | |
cos when I sing it's like I'm in my own little world. | 0:51:11 | 0:51:13 | |
As much as I love my football, music is my heart. | 0:51:13 | 0:51:16 | |
Today I want to prove that I made the right decision. | 0:51:20 | 0:51:23 | |
It's really nice knowing I've got my family backstage to support me. | 0:51:23 | 0:51:27 | |
If I get a chair turn, it'll be a way of thanking them | 0:51:28 | 0:51:31 | |
for all they've done for my music so far. | 0:51:31 | 0:51:34 | |
CHEERING AND APPLAUSE | 0:51:34 | 0:51:36 | |
-Go on, Ryan! -Go on, Ryan! | 0:51:36 | 0:51:39 | |
One, two, three, four. | 0:51:55 | 0:51:59 | |
RYAN PLAYS INTRO | 0:51:59 | 0:52:01 | |
# I don't know where you come from... # | 0:52:01 | 0:52:05 | |
CHEERING AND APPLAUSE | 0:52:05 | 0:52:07 | |
# But you're everywhere I go | 0:52:07 | 0:52:11 | |
-# I don't know why you chose me... # -Yes! Come on! | 0:52:12 | 0:52:15 | |
# But as long as you're here | 0:52:17 | 0:52:20 | |
# I don't need to know | 0:52:20 | 0:52:23 | |
# If it weren't for you, how could I confess | 0:52:23 | 0:52:27 | |
# All the things I don't know how else to express? | 0:52:27 | 0:52:33 | |
# Starting in my chest | 0:52:33 | 0:52:35 | |
# Come flying out of my mouth | 0:52:35 | 0:52:38 | |
# You are my freedom | 0:52:38 | 0:52:40 | |
-# Whenever I need some... # -Go on. Really sing it. Come on. | 0:52:40 | 0:52:43 | |
# So don't go | 0:52:43 | 0:52:46 | |
# Don't leave | 0:52:46 | 0:52:48 | |
# Please stay | 0:52:49 | 0:52:51 | |
# With me | 0:52:51 | 0:52:53 | |
# Cos you are the only thing I need | 0:52:54 | 0:52:58 | |
# To get by | 0:52:58 | 0:53:01 | |
# To get by... # | 0:53:01 | 0:53:03 | |
-Go on, Ryan. -Come on, push a button! | 0:53:03 | 0:53:05 | |
# Don't leave me now | 0:53:05 | 0:53:07 | |
# Don't go leave me | 0:53:07 | 0:53:12 | |
# So please don't go | 0:53:12 | 0:53:16 | |
# Don't leave | 0:53:16 | 0:53:19 | |
# Please stay with me | 0:53:19 | 0:53:22 | |
# Cos you are the only thing I need | 0:53:24 | 0:53:29 | |
# To get by | 0:53:29 | 0:53:32 | |
# To get by. # | 0:53:32 | 0:53:36 | |
EMMA AND RYAN'S SUPPORTERS GROAN | 0:53:40 | 0:53:42 | |
Don't worry. It's all right, Ryan. You were brilliant. | 0:53:42 | 0:53:46 | |
CHEERING AND APPLAUSE | 0:53:46 | 0:53:48 | |
KYLIE: Hi. | 0:54:08 | 0:54:10 | |
Hi. My name's Ryan, er, Green. I play the piano and sing. | 0:54:10 | 0:54:14 | |
I'm 16 and I'm from Essex. | 0:54:14 | 0:54:15 | |
CHEERING AND APPLAUSE | 0:54:15 | 0:54:18 | |
Er... | 0:54:23 | 0:54:25 | |
There's a reason why I didn't turn. | 0:54:25 | 0:54:27 | |
I didn't know you were playing the piano but now I feel like an idiot. | 0:54:27 | 0:54:31 | |
You play the piano AND you sing, AND you're 16? | 0:54:31 | 0:54:35 | |
We all made a mistake. | 0:54:35 | 0:54:37 | |
Thank you. | 0:54:37 | 0:54:38 | |
CHEERING AND APPLAUSE | 0:54:38 | 0:54:40 | |
I'm really mad at myself. | 0:54:44 | 0:54:47 | |
- Can't we turn back time? - If we could... | 0:54:47 | 0:54:50 | |
CHEERING | 0:54:50 | 0:54:52 | |
But you are 16 and you clearly have this talent. | 0:54:54 | 0:54:59 | |
Don't listen to any of us. You do what you're doing. | 0:54:59 | 0:55:02 | |
CHEERING AND APPLAUSE | 0:55:02 | 0:55:04 | |
Er... | 0:55:07 | 0:55:08 | |
To me, it felt a bit safe. But it was good, though, | 0:55:08 | 0:55:12 | |
and you sound like a recording artist already. | 0:55:12 | 0:55:14 | |
-You sound like you could make a hit record. -Thank you. | 0:55:14 | 0:55:18 | |
-And good luck to you. -Oh, Ryan! | 0:55:18 | 0:55:20 | |
Right, I think what you should do is take, like, the anger of us | 0:55:22 | 0:55:25 | |
not turning round and put it into, you know, your singing, | 0:55:25 | 0:55:29 | |
to give it more of an edge. | 0:55:29 | 0:55:30 | |
It doesn't matter you're singing someone else's song - you've got to tell that story, get it across. | 0:55:30 | 0:55:35 | |
Maybe some of that was missing, so we didn't instantly go for it. | 0:55:35 | 0:55:38 | |
It was really great but it didn't make me turn my chair. | 0:55:38 | 0:55:41 | |
That's all I can say. Sorry about that. | 0:55:41 | 0:55:43 | |
Thank you. | 0:55:43 | 0:55:44 | |
CHEERING AND APPLAUSE | 0:55:44 | 0:55:46 | |
And also, we shouldn't get all moony about the fact that you're 16 | 0:55:47 | 0:55:50 | |
and really young because that's a positive thing for you. | 0:55:50 | 0:55:53 | |
You know, it's not like, "Oh, he's only 16." It's, "He's 16!" | 0:55:53 | 0:55:56 | |
You've got a lot more time ahead of you than any of us. | 0:55:56 | 0:55:59 | |
CHEERING AND APPLAUSE | 0:55:59 | 0:56:02 | |
Oh, Ryan, you're brilliant, Ryan. Don't worry. | 0:56:02 | 0:56:04 | |
Thank you so much. | 0:56:11 | 0:56:12 | |
Thank you. It was a pleasure meeting you. | 0:56:13 | 0:56:16 | |
- You OK? - Yeah. | 0:56:16 | 0:56:18 | |
-Thank you. -You stick with it. Don't get disappointed. -No, I won't. | 0:56:18 | 0:56:22 | |
Believe me. Cos I can hear what you do and it's great. | 0:56:22 | 0:56:25 | |
-Thank you very much. -Good luck to you. | 0:56:25 | 0:56:27 | |
CHEERING AND APPLAUSE | 0:56:27 | 0:56:31 | |
# My salvation | 0:56:34 | 0:56:37 | |
# My, my. # | 0:56:38 | 0:56:40 | |
-16. -I know. Imagine myself at that age. | 0:56:47 | 0:56:50 | |
Ryan! | 0:56:50 | 0:56:52 | |
We love you. It was fantastic. Absolutely fantastic. | 0:56:56 | 0:57:00 | |
I know you're gutted but it's only the start. | 0:57:00 | 0:57:02 | |
There's moments where I think the four of us are just, | 0:57:03 | 0:57:07 | |
"We are idiots! Wh-Why did no-one press?" | 0:57:07 | 0:57:10 | |
I still feel bad just talking about it. It's awful. | 0:57:10 | 0:57:13 | |
We are a bunch of weirdos for not picking and turning for him. | 0:57:13 | 0:57:19 | |
That guy is just a diamond in the rough and he's already gleaming. | 0:57:19 | 0:57:22 | |
You'll always be the best with us, darling. Don't you worry. | 0:57:24 | 0:57:26 | |
He's got time on his side. He's only 16 years old. | 0:57:26 | 0:57:29 | |
He can play and, er, I liked him. | 0:57:29 | 0:57:32 | |
I envy the acts on The Voice, cos they've got | 0:57:32 | 0:57:35 | |
the most amazing experiences to come. | 0:57:35 | 0:57:37 | |
-MARVIN: -And hoping today will prove to be an amazing experience for her, | 0:57:38 | 0:57:42 | |
it's 16-year-old Yorkshire lass Beth McCarthy. | 0:57:42 | 0:57:45 | |
The driving force behind my music is my dad. | 0:57:46 | 0:57:50 | |
He's, like, my biggest fan | 0:57:50 | 0:57:51 | |
and my roadie. He carries my guitar everywhere. | 0:57:51 | 0:57:55 | |
And he's just really, really great. | 0:57:55 | 0:57:57 | |
Beth often plays in pubs and it's quite a tough crowd, sometimes. | 0:57:58 | 0:58:01 | |
They're not in there necessarily to listen to the music - | 0:58:01 | 0:58:04 | |
-they're having their drinks, having a chat. -I get quite a few comments. | 0:58:04 | 0:58:07 | |
It's always that they don't think | 0:58:07 | 0:58:09 | |
I'm going to be mature enough to handle it, or, er, good. | 0:58:09 | 0:58:13 | |
And then she'll start belting out her first song | 0:58:13 | 0:58:17 | |
and straightaway the glasses go down, the heads turn. | 0:58:17 | 0:58:20 | |
She has the audience then, straight from the start. | 0:58:20 | 0:58:22 | |
Coming on to The Voice kind of gives me a chance to perform | 0:58:26 | 0:58:31 | |
and be myself without the pre-judgement of my age. | 0:58:31 | 0:58:34 | |
The thought of going out on to | 0:58:37 | 0:58:39 | |
a totally silent stage is quite daunting. | 0:58:39 | 0:58:43 | |
Like, just little old me stood still in the middle of it all. | 0:58:43 | 0:58:46 | |
-Oh, look at her, look at her, look at her! -Come on, Beth! | 0:58:47 | 0:58:50 | |
Yeah, she's a bit nervous. She's a little bit nervous. | 0:58:50 | 0:58:53 | |
Sit up. | 0:59:07 | 0:59:08 | |
SHE PLAYS INTRO | 0:59:13 | 0:59:15 | |
# When I walk on by | 0:59:21 | 0:59:23 | |
# Boys be looking like, "Damn, she's fly" | 0:59:23 | 0:59:25 | |
# Pimp to the beat | 0:59:25 | 0:59:27 | |
# Walking down the street in my new lafreak, yeah | 0:59:27 | 0:59:29 | |
# This is how I roll | 0:59:29 | 0:59:30 | |
# Animal print pants out of control | 0:59:30 | 0:59:32 | |
# Redfoo with the big Afro | 0:59:32 | 0:59:34 | |
# And like Bruce Lee, I got the glow | 0:59:34 | 0:59:36 | |
# Ooh, oh, boy, look at that body | 0:59:36 | 0:59:39 | |
# Ooh, oh, boy, look at that body | 0:59:39 | 0:59:43 | |
# Ooh, oh, boy, look at that body | 0:59:43 | 0:59:47 | |
# I-I-I work out | 0:59:47 | 0:59:50 | |
# When I walk in the spot | 0:59:50 | 0:59:53 | |
# This is what I see | 0:59:53 | 0:59:54 | |
# Everybody stops and stares at me... # | 0:59:54 | 0:59:56 | |
Come on! | 0:59:56 | 0:59:57 | |
# I've got passion | 0:59:57 | 1:00:00 | |
# And I ain't afraid to show it, show it, show it | 1:00:00 | 1:00:03 | |
# Oh, oh | 1:00:03 | 1:00:05 | |
# I'm sexy and I know it | 1:00:05 | 1:00:07 | |
# Wiggle, wiggle, wiggle, wiggle... # | 1:00:13 | 1:00:15 | |
THEY CHEER | 1:00:15 | 1:00:17 | |
# Wiggle, wiggle, wiggle, yeah | 1:00:17 | 1:00:20 | |
# Wiggle, wiggle, wiggle, yeah-eah-yeah | 1:00:20 | 1:00:24 | |
# Yay-ay, ya-a-ay | 1:00:24 | 1:00:27 | |
# When I walk in the spot | 1:00:27 | 1:00:30 | |
# This is what I see | 1:00:30 | 1:00:32 | |
# Everybody stopping and staring at me | 1:00:32 | 1:00:35 | |
-# I got passion... # -Come on, Tom! | 1:00:35 | 1:00:37 | |
# And I ain't afraid to show it, show it, show it, show it | 1:00:37 | 1:00:41 | |
# Hey, I'm sexy and I know it. # | 1:00:41 | 1:00:44 | |
THEY CHEER | 1:00:44 | 1:00:46 | |
CHEERING AND APPLAUSE | 1:00:46 | 1:00:48 | |
Thank you. | 1:00:48 | 1:00:50 | |
APPLAUSE DROWNS SPEECH | 1:00:56 | 1:00:58 | |
Thanks. | 1:01:04 | 1:01:05 | |
Hiya. | 1:01:07 | 1:01:08 | |
Hi! | 1:01:08 | 1:01:10 | |
I'm Beth McCarthy, hi. | 1:01:10 | 1:01:12 | |
KYLIE: Where are you from, Beth? | 1:01:12 | 1:01:14 | |
- I'm from York and I'm 16. - Oh, York! | 1:01:14 | 1:01:16 | |
CHEERING | 1:01:16 | 1:01:20 | |
Hold up, wait a minute - you're 16? BETH: Yeah. | 1:01:20 | 1:01:22 | |
That was amazing. How long have you been singing for? | 1:01:24 | 1:01:27 | |
-- I started gigging when I was 13. - What?! -Gigging?! | 1:01:27 | 1:01:30 | |
Yeah. AUDIENCE LAUGHS | 1:01:30 | 1:01:32 | |
Where?! | 1:01:32 | 1:01:34 | |
-In pubs and clubs and stuff. -Pubs?! | 1:01:34 | 1:01:36 | |
LAUGHTER | 1:01:36 | 1:01:38 | |
- Who's your roadie? - My dad. | 1:01:38 | 1:01:40 | |
KYLIE: I thought it might be your dad. | 1:01:40 | 1:01:42 | |
My dad carries my guitar everywhere. | 1:01:43 | 1:01:46 | |
But I love him cos he's, like, my best mate as well. | 1:01:47 | 1:01:50 | |
AUDIENCE: Aww! | 1:01:50 | 1:01:52 | |
KYLIE: That was amazing. - Thanks. | 1:01:52 | 1:01:53 | |
KYLIE: I loved the interpretation of that song. | 1:01:53 | 1:01:56 | |
Thanks. | 1:01:56 | 1:01:57 | |
KYLIE: Rick is gone. Look at him. | 1:01:57 | 1:01:58 | |
He's just like... | 1:01:58 | 1:02:00 | |
"I'm just thinking what I'm going to say to you." | 1:02:00 | 1:02:02 | |
- Yorkshire-bred. - Yeah. | 1:02:03 | 1:02:06 | |
Oh, no! | 1:02:06 | 1:02:07 | |
LAUGHTER | 1:02:07 | 1:02:09 | |
I think being 16 is an advantage, | 1:02:11 | 1:02:15 | |
especially when you're that good | 1:02:15 | 1:02:17 | |
-because you sound experienced. -She's been gigging since she was 13, Tom! | 1:02:17 | 1:02:20 | |
Well, there you go. | 1:02:20 | 1:02:22 | |
So, that's amazing. | 1:02:22 | 1:02:24 | |
APPLAUSE Thanks. | 1:02:24 | 1:02:27 | |
BETH: You have a really cool voice. | 1:02:27 | 1:02:29 | |
It's true, Tom, speaking, talking, even coughing, you sound cool. | 1:02:29 | 1:02:34 | |
-Oh, really? -Yeah. | 1:02:34 | 1:02:35 | |
BETH: You know, when he talks, he sounds a bit like God. | 1:02:35 | 1:02:38 | |
LAUGHTER | 1:02:38 | 1:02:40 | |
Can you imagine, though, if God was talking, you'd be the voice. | 1:02:43 | 1:02:47 | |
-LAUGHTER -Wow. | 1:02:47 | 1:02:49 | |
- Hi. - Hiya | 1:02:53 | 1:02:55 | |
- How are you doing? - All right, thanks, how are you? | 1:02:55 | 1:02:57 | |
- I'm alreet, yeah. - Good. | 1:02:57 | 1:02:59 | |
We do have something else in common, though. | 1:02:59 | 1:03:01 | |
RICKY: Really? | 1:03:01 | 1:03:02 | |
I was looking at your Twitter. | 1:03:02 | 1:03:04 | |
I was looking down your comments and you were like, | 1:03:04 | 1:03:06 | |
"There's a knack to my toilet flush." | 1:03:06 | 1:03:08 | |
I have a knack to my toilet flush as well. | 1:03:08 | 1:03:10 | |
LAUGHTER RICKY: What's your knack? | 1:03:10 | 1:03:12 | |
It's like, you have to... | 1:03:12 | 1:03:14 | |
You have to push it, but, like, just with the right amount of force. | 1:03:16 | 1:03:20 | |
You have to kind of... Then slowly and then you'd do it. | 1:03:20 | 1:03:23 | |
RICKY: Yeah. Mine's one... | 1:03:23 | 1:03:26 | |
- Like this. - Yours is one massive..? Ah, yeah. | 1:03:26 | 1:03:28 | |
APPLAUSE | 1:03:30 | 1:03:33 | |
That's crazy. | 1:03:35 | 1:03:36 | |
Kylie, have you got a toilet? | 1:03:36 | 1:03:38 | |
No. RICKY: No, she doesn't, you see. | 1:03:40 | 1:03:42 | |
-I got toilets. -BETH: Do you? | 1:03:43 | 1:03:46 | |
How about flushing them? | 1:03:46 | 1:03:48 | |
Automatic flushes. | 1:03:48 | 1:03:50 | |
All you got to do is get up and it flushes on its own. | 1:03:50 | 1:03:54 | |
We don't all live in space! | 1:03:54 | 1:03:55 | |
- With Toto toilets! - We're real! | 1:03:57 | 1:04:00 | |
Those toilets are real too. | 1:04:00 | 1:04:02 | |
Real expensive! | 1:04:02 | 1:04:03 | |
-No. -LAUGHTER | 1:04:03 | 1:04:04 | |
-Actually, they're not that expensive. -Oh. | 1:04:04 | 1:04:07 | |
So... | 1:04:07 | 1:04:08 | |
This isn't going where I wanted it to go. | 1:04:08 | 1:04:10 | |
CHEERING | 1:04:10 | 1:04:13 | |
Now, it was amazing. | 1:04:16 | 1:04:19 | |
I'm not going to make a big deal about the fact you're 16. | 1:04:19 | 1:04:22 | |
Apart from the fact that I don't think | 1:04:22 | 1:04:24 | |
I was even allowed on the train into Leeds when I was 16. | 1:04:24 | 1:04:26 | |
I'm not going to make a big deal about the fact | 1:04:26 | 1:04:29 | |
that you're from York, which, obviously, we can relate to, | 1:04:29 | 1:04:32 | |
cos that's just cheating. | 1:04:32 | 1:04:34 | |
You've never been in a soap opera, right? | 1:04:34 | 1:04:37 | |
No. LAUGHTER | 1:04:37 | 1:04:39 | |
What I am going to say is that I feel I'm the closest to you | 1:04:39 | 1:04:43 | |
artistically than anyone else here | 1:04:43 | 1:04:46 | |
and I bet you make your own flyers and I bet you sell your own tickets | 1:04:46 | 1:04:50 | |
and I know you don't carry around a guitar, | 1:04:50 | 1:04:53 | |
but I can understand that and you're through, | 1:04:53 | 1:04:58 | |
whatever happens, and it's going to be amazing | 1:04:58 | 1:05:00 | |
and I look forward to hearing you sing again. | 1:05:00 | 1:05:02 | |
I look forward to hearing you again when we've chosen that song together. | 1:05:02 | 1:05:06 | |
Told you he's got moves! | 1:05:08 | 1:05:11 | |
Just be careful. | 1:05:11 | 1:05:12 | |
Going with Ricky or Kylie, whatever it is, she had to work hard, | 1:05:12 | 1:05:15 | |
so the whole concept of, "Oh, I had to make my own flyers, | 1:05:15 | 1:05:20 | |
"we did that old stuff." | 1:05:20 | 1:05:21 | |
She was privileged to enter, but to sustain it - | 1:05:21 | 1:05:24 | |
It's even harder than coming from the bottom, | 1:05:24 | 1:05:27 | |
so this whole notion of pop or working hard - | 1:05:27 | 1:05:30 | |
-it's hard no matter what it is. -That's true. -So whoever you pick, | 1:05:30 | 1:05:34 | |
it's going to be hard, and you've got to give 1,000%. | 1:05:34 | 1:05:38 | |
CHEERING | 1:05:38 | 1:05:39 | |
FAMILY: They're lovely. | 1:05:39 | 1:05:42 | |
All right, cool. | 1:05:42 | 1:05:44 | |
Ricky! | 1:05:49 | 1:05:50 | |
OK, OK, OK. | 1:05:52 | 1:05:53 | |
AUDIENCE CHANTS: Ricky! Ricky! Ricky! | 1:05:53 | 1:05:56 | |
BETH: Right, yeah. Cool, thank you so much, | 1:05:56 | 1:05:59 | |
cos, like, you're a girl and you're amazing | 1:05:59 | 1:06:03 | |
and you're a bit like me, but male. | 1:06:03 | 1:06:05 | |
LAUGHTER | 1:06:05 | 1:06:07 | |
Erm... | 1:06:09 | 1:06:11 | |
I think... | 1:06:11 | 1:06:13 | |
AUDIENCE CHANTS: Ricky! Ricky! | 1:06:13 | 1:06:15 | |
..that I'll go Ricky. | 1:06:15 | 1:06:17 | |
CHEERING | 1:06:17 | 1:06:20 | |
RICKY: Hi. | 1:06:27 | 1:06:29 | |
- How are you doing? - All right, thank you. | 1:06:29 | 1:06:31 | |
The song was amazing. That blew me away. | 1:06:31 | 1:06:34 | |
You blew us away with your personality as well. | 1:06:34 | 1:06:36 | |
FAMILY: Aww! | 1:06:38 | 1:06:39 | |
You have everything you need | 1:06:41 | 1:06:44 | |
to become a star. Honestly, you've got the whole thing | 1:06:44 | 1:06:47 | |
and you're with a great man here, so don't worry about a thing. | 1:06:47 | 1:06:49 | |
-Thank you. -All right, lass? | 1:06:49 | 1:06:52 | |
APPLAUSE | 1:06:52 | 1:06:55 | |
You're coming with me? Yay! | 1:06:55 | 1:06:57 | |
RICKY: I've got to come back, but mind your guitar. | 1:06:57 | 1:06:59 | |
Your dad would kill me if I ruined that. | 1:06:59 | 1:07:01 | |
Ricky's really good at finding a way to relate to the contestants. | 1:07:01 | 1:07:05 | |
That's why I'm here, because I understand it a little bit more. | 1:07:08 | 1:07:11 | |
This is their opportunity and they've got to take it. | 1:07:11 | 1:07:14 | |
CHEERING AND APPLAUSE | 1:07:15 | 1:07:21 | |
KYLIE: Did he leave you hanging? RICKY: Did I leave you hanging? | 1:07:21 | 1:07:23 | |
Whoa! LAUGHTER | 1:07:25 | 1:07:27 | |
That's never happened. KYLIE: Well done. | 1:07:28 | 1:07:30 | |
I was too excited, sorry. | 1:07:33 | 1:07:34 | |
THEY SHRIEK AND WHOOP | 1:07:34 | 1:07:37 | |
-How are you feeling? -Absolutely as proud as any man has ever felt. | 1:07:42 | 1:07:45 | |
It's just unbelievable. | 1:07:46 | 1:07:49 | |
The grin on his face the whole time watching you was just... | 1:07:49 | 1:07:52 | |
-It was just so lovely. -Oh, wow. | 1:07:52 | 1:07:55 | |
Ricky is doing fantastically well. | 1:07:55 | 1:07:57 | |
He's got two completely different and completely amazing girls. | 1:07:57 | 1:08:02 | |
That's two down. | 1:08:02 | 1:08:03 | |
Ten to go. | 1:08:05 | 1:08:06 | |
I'm going to catch up to him. I am. | 1:08:07 | 1:08:10 | |
Who hasn't got one yet? | 1:08:10 | 1:08:12 | |
-Me! -AUDIENCE: Aww! | 1:08:12 | 1:08:13 | |
Aww! | 1:08:13 | 1:08:15 | |
KYLIE: Oh! | 1:08:15 | 1:08:17 | |
-Well... -LAUGHTER | 1:08:17 | 1:08:20 | |
For 54-year-old Sally Barker from Leicester, | 1:08:23 | 1:08:26 | |
singing is important on more than one level. | 1:08:26 | 1:08:29 | |
Through music I think I express far more about who I am and what I feel | 1:08:29 | 1:08:36 | |
than when I'm face to face with somebody else. | 1:08:36 | 1:08:39 | |
That's a little more difficult for me. | 1:08:39 | 1:08:41 | |
I've been a singer and musician for the last 30-odd years | 1:08:43 | 1:08:47 | |
and it's not an easy profession. | 1:08:47 | 1:08:49 | |
You don't make a lot of money unless you hit the big time. | 1:08:49 | 1:08:52 | |
For a period of about 15 years, | 1:08:54 | 1:08:56 | |
I was quite successful and I toured quite a lot. | 1:08:56 | 1:08:59 | |
I was asked to do supports for various famous acts. | 1:08:59 | 1:09:04 | |
Among those was Bob Dylan and Robert Plant. | 1:09:04 | 1:09:08 | |
It was very exciting. It was... | 1:09:08 | 1:09:10 | |
And it was such a long time ago, I can't really remember! | 1:09:13 | 1:09:16 | |
Hmm... | 1:09:18 | 1:09:19 | |
Then I had kids and things slowed down | 1:09:19 | 1:09:22 | |
because you can't go off and tour for weeks on end when you've got kids. | 1:09:22 | 1:09:28 | |
When the kids were very small, | 1:09:28 | 1:09:30 | |
my husband became ill with cancer... | 1:09:30 | 1:09:33 | |
..so that made my life take on quite a different turn. | 1:09:34 | 1:09:39 | |
I was 42 when my husband died. | 1:09:42 | 1:09:44 | |
MUSIC: "Another Love" by Tom Odell | 1:09:48 | 1:09:51 | |
# I want to cry and I want to love | 1:09:51 | 1:09:54 | |
# But all my tears have been used up... # | 1:09:54 | 1:09:59 | |
It was quite a young age to be a widow... | 1:09:59 | 1:10:02 | |
..with two small kids, but we've survived. | 1:10:04 | 1:10:07 | |
I did try to keep singing and to keep gigging, | 1:10:08 | 1:10:13 | |
but it's quite difficult because you have to think about the kids | 1:10:13 | 1:10:16 | |
and what their needs are and it did pretty much go on to the back burner. | 1:10:16 | 1:10:22 | |
# And my tears have been used all up # | 1:10:22 | 1:10:28 | |
I guess I'm at The Voice because I want to pursue music again. | 1:10:33 | 1:10:38 | |
It's all I've ever wanted to do. It's all I want to do. | 1:10:44 | 1:10:48 | |
# Baby, you understand me now... # | 1:11:23 | 1:11:28 | |
Beautiful. | 1:11:28 | 1:11:30 | |
Come on, Sal. | 1:11:30 | 1:11:31 | |
# If sometimes you see I'm mad | 1:11:31 | 1:11:34 | |
# No-one alive can always be an angel | 1:11:36 | 1:11:41 | |
# When things go wrong | 1:11:43 | 1:11:45 | |
# You see some bad | 1:11:45 | 1:11:48 | |
# But I'm just a soul whose intentions are good | 1:11:48 | 1:11:54 | |
# Oh, Lord, please don't let me be misunderstood | 1:11:54 | 1:12:00 | |
# Sometimes I'm so carefree | 1:12:06 | 1:12:11 | |
# With a joy that's hard to hide | 1:12:11 | 1:12:15 | |
# Sometimes all I have is worry | 1:12:18 | 1:12:24 | |
# And you're bound to see my other side | 1:12:25 | 1:12:30 | |
# I'm just a soul whose intentions are good | 1:12:30 | 1:12:36 | |
# Oh, Lord, please don't let me be misunderstood... # | 1:12:36 | 1:12:43 | |
I think so | 1:12:43 | 1:12:45 | |
THEY SHOUT ENCOURAGEMENT | 1:12:45 | 1:12:47 | |
# Oh, but I'm just a soul whose intentions are good | 1:12:47 | 1:12:53 | |
# Oh, Lord, please don't let me be misunderstood # | 1:12:54 | 1:13:02 | |
Go, push. | 1:13:02 | 1:13:03 | |
AUDIENCE ROARS | 1:13:03 | 1:13:07 | |
FAMILY: Yes! Yes! | 1:13:12 | 1:13:14 | |
Well done, mate, well done. | 1:13:27 | 1:13:30 | |
RICKY: Hello. SALLY: Hi, there. | 1:13:35 | 1:13:36 | |
What's your name? | 1:13:36 | 1:13:38 | |
- I'm Sally. - How long have you been singing for? | 1:13:38 | 1:13:40 | |
I've been singing for over 30 years. | 1:13:40 | 1:13:43 | |
About 35 years, I would say. In front of people. | 1:13:43 | 1:13:47 | |
RICKY: In front of people? | 1:13:47 | 1:13:48 | |
Not in front of the back of four chairs, though. | 1:13:48 | 1:13:50 | |
I have sung in front of... | 1:13:51 | 1:13:52 | |
Well, I've supported major stars like Bob Dylan, Robert Plant. | 1:13:52 | 1:13:57 | |
I've sung in front of 15,000 people. | 1:13:57 | 1:14:00 | |
CHEERING AND APPLAUSE | 1:14:00 | 1:14:04 | |
So in some respects, I've paid my dues. | 1:14:04 | 1:14:07 | |
I think, perhaps, I thought that my time had gone. | 1:14:09 | 1:14:12 | |
RICKY: That was lovely, Sally. | 1:14:14 | 1:14:15 | |
- It was really, really nice. - Thank you. | 1:14:15 | 1:14:18 | |
I was listening to it. | 1:14:18 | 1:14:19 | |
It just felt like you had so much experience | 1:14:19 | 1:14:21 | |
and you're putting it all into the song. | 1:14:21 | 1:14:23 | |
It was really like you were singing it from the heart. | 1:14:23 | 1:14:26 | |
You went for it and I'm glad you did. | 1:14:26 | 1:14:28 | |
APPLAUSE | 1:14:29 | 1:14:33 | |
First off, I have to say you sound amazing. | 1:14:36 | 1:14:41 | |
-Angelic. -Thank you. | 1:14:41 | 1:14:43 | |
APPLAUSE | 1:14:43 | 1:14:45 | |
Tom? | 1:14:45 | 1:14:46 | |
You on Tom's team is like a match made in heaven | 1:14:48 | 1:14:50 | |
and I'm so happy you're part of the show. | 1:14:50 | 1:14:53 | |
Thank you. WHOOPING AND APPLAUSE | 1:14:53 | 1:14:55 | |
-Hi. -Hi, Kylie. -That was so moving. | 1:14:56 | 1:15:00 | |
Thank you. Thank you very much. | 1:15:00 | 1:15:02 | |
And the excitement that I feel | 1:15:02 | 1:15:06 | |
when I feel like I'm matched with the right person, | 1:15:06 | 1:15:08 | |
I'm feeling that excitement for Tom right now. | 1:15:08 | 1:15:11 | |
-Yeah. -I think the three of us instinctively knew you, | 1:15:11 | 1:15:15 | |
as this beautiful dove of a voice, | 1:15:15 | 1:15:19 | |
have to fly that way. | 1:15:19 | 1:15:22 | |
APPLAUSE | 1:15:22 | 1:15:25 | |
Well, first of all, um, for me... | 1:15:26 | 1:15:32 | |
Let me see. | 1:15:32 | 1:15:33 | |
It was just full of emotion. | 1:15:34 | 1:15:37 | |
-It was so beautiful... -Thank you. | 1:15:37 | 1:15:40 | |
..that I couldn't help myself. | 1:15:40 | 1:15:42 | |
APPLAUSE | 1:15:42 | 1:15:45 | |
And, um, you sang so beautiful... | 1:15:47 | 1:15:51 | |
-Thank you. -..that it got to me. | 1:15:51 | 1:15:54 | |
You swept me off my feet. | 1:15:54 | 1:15:56 | |
-Well, off my chair, whichever way I'm going to put it. -Thank you. | 1:15:56 | 1:16:00 | |
APPLAUSE | 1:16:00 | 1:16:03 | |
You have the most beautiful voice that has been on this show so far. | 1:16:05 | 1:16:10 | |
-Thank you. -And that's a fact. -That's praise indeed. | 1:16:10 | 1:16:13 | |
CHEERING AND APPLAUSE | 1:16:13 | 1:16:15 | |
So, unless you have something else to say, | 1:16:15 | 1:16:19 | |
you're with me and we're going to be great together, believe me. | 1:16:19 | 1:16:23 | |
CHEERING AND APPLAUSE | 1:16:23 | 1:16:25 | |
Thank you very much. | 1:16:26 | 1:16:29 | |
-Watch your step, love. -Thank you very much. | 1:16:31 | 1:16:33 | |
-May I hug you? -Of course you can. | 1:16:33 | 1:16:35 | |
Oh, thank you. | 1:16:35 | 1:16:37 | |
That was beautiful. | 1:16:38 | 1:16:40 | |
-You have a really, really beautiful voice. -Thank you so much. | 1:16:40 | 1:16:43 | |
Unbelievable. | 1:16:43 | 1:16:44 | |
-Be careful of this. -I've got more steps? -Yeah, yeah, be careful there. | 1:16:46 | 1:16:49 | |
-Thank you. -OK? | 1:16:51 | 1:16:53 | |
SCREAMING AND CHEERING | 1:16:54 | 1:16:57 | |
KYLIE: That's special. | 1:17:19 | 1:17:21 | |
-That's changed the whole energy here. -Yeah. | 1:17:21 | 1:17:24 | |
-Don't you feel, like, spiritual or mystical? -Yeah, she got me. | 1:17:24 | 1:17:30 | |
-She got you good and proper. -Wow. | 1:17:30 | 1:17:32 | |
-Ah. -Frightening. -Something. | 1:17:32 | 1:17:35 | |
-I mean, good frightening. -Yeah. | 1:17:35 | 1:17:38 | |
-RICKY: I really loved that. -Phew. | 1:17:39 | 1:17:41 | |
Some artists are new to music. Others have already made their mark. | 1:17:46 | 1:17:51 | |
Millions know Leo Ihenacho's voice, | 1:17:51 | 1:17:53 | |
but will our four coaches want to hear more? | 1:17:53 | 1:17:55 | |
-Leo, how's it going, man? -How's it going, mate? | 1:17:55 | 1:17:57 | |
-Good to see you. -You too, man. -You look familiar. | 1:17:57 | 1:18:00 | |
-Where do I know you from? -Crimewatch. | 1:18:00 | 1:18:01 | |
HE LAUGHS | 1:18:01 | 1:18:02 | |
That's right! | 1:18:02 | 1:18:05 | |
'In my early 20s, I joined a band called The Streets | 1:18:05 | 1:18:09 | |
'and it was such an exciting fun time.' | 1:18:09 | 1:18:11 | |
# Dry your eyes, mate | 1:18:11 | 1:18:13 | |
# I know it's hard to take but her mind has been made up. # | 1:18:13 | 1:18:18 | |
You must have had the best time over the years? | 1:18:18 | 1:18:21 | |
Oh, I mean, it was actually one of the best times of my life. | 1:18:21 | 1:18:24 | |
What a great experience. | 1:18:24 | 1:18:25 | |
We welcome The Streets! | 1:18:25 | 1:18:27 | |
APPLAUSE | 1:18:27 | 1:18:28 | |
'Did Jools Holland. Had a number one album, performed at the Brit Awards. | 1:18:28 | 1:18:33 | |
'We pretty much toured everywhere. | 1:18:33 | 1:18:35 | |
'I left the band. I just felt that I was the sidekick of The Streets.' | 1:18:35 | 1:18:41 | |
I don't want to be Robin any more. I want to be Batman. | 1:18:42 | 1:18:45 | |
# Batman. # | 1:18:45 | 1:18:46 | |
Can you superimpose a cape or something like that, a mask? | 1:18:46 | 1:18:50 | |
You're not going to put that on there that I said Batman, are you? | 1:18:52 | 1:18:56 | |
# Has it come to this? # | 1:18:56 | 1:18:58 | |
Right now, like, I'm single. I cook. | 1:18:58 | 1:19:03 | |
I can make a mean bread-and-butter pudding with brandy custard. | 1:19:03 | 1:19:07 | |
I've got two Chihuahuas. | 1:19:07 | 1:19:10 | |
Not really rock'n'roll, this, is it? | 1:19:10 | 1:19:12 | |
I'm supposed to be cool here. That's why I wore this suit, you know. | 1:19:12 | 1:19:15 | |
I'm trying to be like you. | 1:19:15 | 1:19:16 | |
Listen, you've already stepped it up a level. | 1:19:16 | 1:19:18 | |
No, no, I heard that you were doing this and I had to step up. | 1:19:18 | 1:19:21 | |
-I feel under-dressed. You've got the tux on and everything. -Come on now. | 1:19:21 | 1:19:26 | |
-If they turn round you can have the suit. -Wicked. You heard that. | 1:19:28 | 1:19:31 | |
'I think some people might be surprised I'm on this show | 1:19:31 | 1:19:34 | |
'but, like I've always said, you know, who cares?' | 1:19:34 | 1:19:38 | |
HE LAUGHS | 1:19:38 | 1:19:40 | |
Doing a show like The Voice is a fantastic opportunity for me | 1:19:43 | 1:19:48 | |
to showcase, you know, myself as a singer-songwriter, | 1:19:48 | 1:19:54 | |
rather than that guy from The Streets. | 1:19:54 | 1:19:57 | |
Stepping out by myself on stage is going to be quite a lonely affair. | 1:19:58 | 1:20:03 | |
It's going to be me, my footsteps, my heartbeat and a microphone dead on. | 1:20:05 | 1:20:10 | |
I think I'm ready. | 1:20:10 | 1:20:12 | |
MUSIC STARTS | 1:20:21 | 1:20:24 | |
# Holdin' back the years | 1:20:24 | 1:20:27 | |
APPLAUSE | 1:20:27 | 1:20:29 | |
# Thinkin' bout the feeling I've had so long | 1:20:29 | 1:20:33 | |
# When somebody hears | 1:20:35 | 1:20:38 | |
# Listen to the fear that's gone | 1:20:40 | 1:20:45 | |
# I-I-I've | 1:20:46 | 1:20:49 | |
# I've wasted all my tears | 1:20:49 | 1:20:52 | |
# I've wasted all those years | 1:20:54 | 1:20:58 | |
# Cos nothin' feels the same way, baby | 1:21:00 | 1:21:05 | |
# Cos nothin' ever will. # | 1:21:05 | 1:21:08 | |
THEY SHOUT | 1:21:08 | 1:21:11 | |
FALSETTO RIFF | 1:21:11 | 1:21:14 | |
# I'll keep holdin' on | 1:21:14 | 1:21:17 | |
# I'll keep holdin' on, yes | 1:21:19 | 1:21:24 | |
# I'll keep on | 1:21:25 | 1:21:27 | |
# Holdin' on | 1:21:27 | 1:21:29 | |
# Holdin' | 1:21:29 | 1:21:31 | |
# Holdin', holdin' on | 1:21:31 | 1:21:35 | |
# Holdin' on, yeah, yeah | 1:21:36 | 1:21:38 | |
# Oh no | 1:21:38 | 1:21:40 | |
# Holdin' back to you, baby | 1:21:40 | 1:21:44 | |
# I've got to tell you somethin' | 1:21:44 | 1:21:46 | |
# I'm holdin' back for your love, baby | 1:21:46 | 1:21:50 | |
# Just tweet me back | 1:21:50 | 1:21:52 | |
# Please | 1:21:52 | 1:21:54 | |
# I'm holdin' back. # | 1:21:56 | 1:21:57 | |
THEY CHEER | 1:21:57 | 1:21:59 | |
Tom as well! | 1:22:03 | 1:22:05 | |
CHEERING AND APPLAUSE | 1:22:06 | 1:22:09 | |
-KYLIE: -Whoo! | 1:22:11 | 1:22:13 | |
Yeah! | 1:22:13 | 1:22:15 | |
-Wow! -Yeah. | 1:22:20 | 1:22:22 | |
KYLIE SCREAMS | 1:22:22 | 1:22:24 | |
-OK. -Wait a minute. | 1:22:25 | 1:22:27 | |
-Could I ask you what your name is? -My name's Leo. | 1:22:27 | 1:22:30 | |
I don't care what his name is, OK?! | 1:22:30 | 1:22:32 | |
LAUGHTER | 1:22:32 | 1:22:33 | |
I want to know his name... | 1:22:33 | 1:22:36 | |
Sorry, ignore me. I'm just going to be right back here. | 1:22:36 | 1:22:39 | |
When it's my turn I'm going to reappear. | 1:22:39 | 1:22:42 | |
I need to compose myself. | 1:22:42 | 1:22:44 | |
APPLAUSE | 1:22:44 | 1:22:47 | |
-Leo. -Yes, sir. | 1:22:47 | 1:22:49 | |
LAUGHTER | 1:22:50 | 1:22:54 | |
I've got to know your name | 1:22:54 | 1:22:55 | |
because I've got to tell you how great you are. | 1:22:55 | 1:22:57 | |
-RICKY: -I'm going to say something first. How long you been singing? | 1:22:57 | 1:23:01 | |
Mate, since I was like that. | 1:23:01 | 1:23:04 | |
Yeah, I've been singing for a while. | 1:23:04 | 1:23:06 | |
-I used to be in a band thing, in a band, yeah. -What was the band? | 1:23:06 | 1:23:11 | |
-The Streets. -OK. | 1:23:11 | 1:23:12 | |
-WILL: -You were in The Streets with Mike Skinner? | 1:23:12 | 1:23:16 | |
-I like that. -OK, cool, yeah. | 1:23:16 | 1:23:18 | |
-This is just me just trying to come out as myself, as Leo. -Yeah. | 1:23:18 | 1:23:24 | |
-And using this show to get that platform? -Yeah, definitely. | 1:23:24 | 1:23:28 | |
-It's a great opportunity for me. -Well, that just happened. | 1:23:28 | 1:23:30 | |
CHEERING AND APPLAUSE | 1:23:30 | 1:23:33 | |
-WILL: -Where you from, Leo? -I'm from London. South London. | 1:23:34 | 1:23:37 | |
CHEERING | 1:23:37 | 1:23:40 | |
-You sound like a professional singer. -Oh, thank you so much. | 1:23:40 | 1:23:43 | |
-I appreciate that. -Being as strong in falsetto as you are in full voice, | 1:23:43 | 1:23:46 | |
-you know, that's great. -Thank you so much, coming from... Wow! | 1:23:46 | 1:23:50 | |
No, that's a great thing. | 1:23:50 | 1:23:52 | |
CHEERING AND APPLAUSE | 1:23:52 | 1:23:53 | |
So... | 1:23:55 | 1:23:56 | |
And another thing is, you wouldn't only be an asset to my team, | 1:23:58 | 1:24:03 | |
you would be the only male so far which I think is an advantage. | 1:24:03 | 1:24:08 | |
-You know what I mean? -That is an advantage. -Definitely is. | 1:24:08 | 1:24:11 | |
LAUGHTER | 1:24:11 | 1:24:13 | |
So, singing the way you sing, and coming on my team, | 1:24:13 | 1:24:16 | |
which I hope you will do, would be a great thing. | 1:24:16 | 1:24:19 | |
-We could do duets together, you know. -Duets! -We could smash it. | 1:24:19 | 1:24:23 | |
LAUGHTER AND APPLAUSE | 1:24:23 | 1:24:25 | |
No, no, no, no, no, no, no. | 1:24:25 | 1:24:28 | |
That's what I think. | 1:24:30 | 1:24:32 | |
-Oh, go ahead. -Sorry. | 1:24:32 | 1:24:34 | |
LAUGHTER | 1:24:34 | 1:24:36 | |
-Hi. -Hello. | 1:24:38 | 1:24:40 | |
Now then... | 1:24:40 | 1:24:43 | |
that's the first time I've had to hide for a start. | 1:24:43 | 1:24:46 | |
I'm actually blushing right now. | 1:24:46 | 1:24:49 | |
Listen, I know what that feels like, you know what I'm saying? | 1:24:51 | 1:24:54 | |
-We have to say I'm blushing... -Blushing, yeah. | 1:24:54 | 1:24:57 | |
-..or else you ain't going to tell. -Cos no-one would know, right? | 1:24:57 | 1:25:01 | |
LAUGHTER AND APPLAUSE | 1:25:01 | 1:25:03 | |
We have to verbalise it. | 1:25:04 | 1:25:07 | |
You guys just blush. | 1:25:07 | 1:25:08 | |
LAUGHTER | 1:25:08 | 1:25:10 | |
Well, I could be blushing but... | 1:25:10 | 1:25:13 | |
WILL SNORTS | 1:25:13 | 1:25:14 | |
It's hard for me... | 1:25:14 | 1:25:16 | |
It's going to be hard for me to compete with Sir Tom, | 1:25:16 | 1:25:19 | |
but all I can say is that we would have a good time together. | 1:25:19 | 1:25:26 | |
AUDIENCE WHOOPS | 1:25:26 | 1:25:27 | |
-I don't mean... I'm not... -I knew the suit would work! | 1:25:27 | 1:25:31 | |
The suit is... You look... It's a bonus that this is the package. | 1:25:31 | 1:25:35 | |
-Thank you. -I didn't know that, the other... | 1:25:35 | 1:25:38 | |
OK, shut up, Minogue. Just shut up. | 1:25:40 | 1:25:43 | |
LAUGHTER | 1:25:43 | 1:25:44 | |
You sound amazing. You bring... | 1:25:44 | 1:25:46 | |
You've just dazzled me with the voice alone than the rest. | 1:25:46 | 1:25:50 | |
LAUGHTER | 1:25:50 | 1:25:53 | |
But it could be interesting. That's all I can say. | 1:25:53 | 1:25:55 | |
It could be interesting. | 1:25:55 | 1:25:57 | |
APPLAUSE | 1:25:57 | 1:26:00 | |
AUDIENCE SHOUTS | 1:26:04 | 1:26:07 | |
Go on, Tom. | 1:26:07 | 1:26:09 | |
You've got beauty and the beast here. | 1:26:09 | 1:26:11 | |
LAUGHTER | 1:26:11 | 1:26:14 | |
I sang with Bono. I sang with Nick Cave. I sang with Robbie Williams. | 1:26:15 | 1:26:20 | |
Elton John. | 1:26:20 | 1:26:21 | |
This is a BAD move. | 1:26:22 | 1:26:25 | |
Perhaps a bit of name-dropping | 1:26:25 | 1:26:27 | |
but it's the first time I've name-dropped this series. | 1:26:27 | 1:26:29 | |
-Drop the name, drop it! -Drop it, drop it, drop it! | 1:26:29 | 1:26:32 | |
The longer you're on the show, | 1:26:32 | 1:26:34 | |
the more names will come out, believe me. | 1:26:34 | 1:26:36 | |
LAUGHTER AND APPLAUSE | 1:26:36 | 1:26:38 | |
OK. | 1:26:41 | 1:26:43 | |
All right. | 1:26:45 | 1:26:47 | |
AUDIENCE CHANTS: Kylie! Kylie! Kylie! | 1:26:50 | 1:26:52 | |
THEY CHANT: Kylie! Kylie! Kylie! | 1:26:55 | 1:26:58 | |
OK, um, I've made a decision. | 1:27:01 | 1:27:04 | |
Very, very rare. Extremely tough one. | 1:27:06 | 1:27:08 | |
Er... | 1:27:13 | 1:27:16 | |
Sir Tom, you're a legend. | 1:27:16 | 1:27:17 | |
Um... | 1:27:19 | 1:27:21 | |
But you've got to excuse me, | 1:27:21 | 1:27:22 | |
cos I've fancied Charlene since I was this high. | 1:27:22 | 1:27:24 | |
Yeah! | 1:27:24 | 1:27:26 | |
CHEERING AND APPLAUSE | 1:27:26 | 1:27:30 | |
Get out of the way! | 1:27:34 | 1:27:36 | |
Oh, my God! | 1:27:36 | 1:27:37 | |
Thank you so much. I appreciate that. | 1:27:41 | 1:27:43 | |
You did really, really great. You're a great singer, really. | 1:27:43 | 1:27:46 | |
I appreciate that. Thank you. | 1:27:46 | 1:27:48 | |
I look forward to seeing you anyway, cos we're going to be, you know, | 1:27:48 | 1:27:51 | |
we're going to be doing the same things. | 1:27:51 | 1:27:53 | |
-Thank you so much. -Great to see you. | 1:27:53 | 1:27:55 | |
It's meant to be. Look at that. | 1:27:55 | 1:27:58 | |
CHEERING AND APPLAUSE | 1:27:58 | 1:28:00 | |
Yeah! | 1:28:00 | 1:28:02 | |
Yes! | 1:28:09 | 1:28:12 | |
# Oh, oh-oh, oh-oh, oh-oh. # | 1:28:12 | 1:28:14 | |
-I'll be seeing you. -Thank you so much, Kylie. I really appreciate you. | 1:28:14 | 1:28:17 | |
Thank you. | 1:28:17 | 1:28:20 | |
-Well done. Congratulations, darling. -Yay! -Well done. | 1:28:24 | 1:28:29 | |
That was close. | 1:28:29 | 1:28:32 | |
Yes! | 1:28:32 | 1:28:33 | |
APPLAUSE | 1:28:35 | 1:28:38 | |
Got to calm down now. | 1:28:43 | 1:28:46 | |
CHEERING | 1:28:48 | 1:28:51 | |
Leo, congratulations. Well done. | 1:28:56 | 1:28:59 | |
Well, not a bit. A LOT of flirting with Kylie. | 1:28:59 | 1:29:02 | |
-Yes! -I mean, come on, that's a dream come true, right? | 1:29:02 | 1:29:05 | |
Yeah, you know, it's like you're standing | 1:29:05 | 1:29:07 | |
and she's in front of you saying, | 1:29:07 | 1:29:08 | |
"Wow, you're amazing. I just can't wait." | 1:29:08 | 1:29:13 | |
I was like, 20 years ago, I was like, in my room, you know. | 1:29:13 | 1:29:16 | |
Can we cut that? | 1:29:16 | 1:29:19 | |
THEY LAUGH | 1:29:19 | 1:29:20 | |
The search for The Voice 2014 has begun. | 1:29:22 | 1:29:26 | |
And our new coaches are racing ahead. | 1:29:26 | 1:29:29 | |
Kylie's been spinning around and has two acts. | 1:29:29 | 1:29:32 | |
KYLIE: I feel like I'm settling in. | 1:29:32 | 1:29:35 | |
Day one, done. Team Kylie has begun. | 1:29:35 | 1:29:38 | |
And Ricky can't believe it. He also has two. | 1:29:38 | 1:29:41 | |
RICKY: I really enjoyed that. | 1:29:41 | 1:29:44 | |
Good, isn't it? | 1:29:44 | 1:29:45 | |
Will's off the mark with his first team member. | 1:29:45 | 1:29:48 | |
I didn't want to just throw out all my "Orgh!" | 1:29:48 | 1:29:51 | |
I want to save some of my "Orgh!" | 1:29:51 | 1:29:53 | |
So those who don't know what "Orgh" is, that's, like, "Orgh!" | 1:29:53 | 1:29:58 | |
-It's going to be fun. -Neck and neck with Tom, who's also got one. | 1:29:59 | 1:30:02 | |
TOM: I'm not worried about the other teams. I know what I've got. | 1:30:02 | 1:30:06 | |
-Let's see what the next show brings. -Hello? | 1:30:06 | 1:30:09 |