Browse content similar to 03/01/1985. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Just when you thought the party
season was over we've got | 0:00:17 | 0:00:20 | |
another reason to celebrate. | 0:00:20 | 0:00:22 | |
Top Of The Pops
is 21 years old today. | 0:00:22 | 0:00:23 | |
And we're going into a new year with
a brand-new shape to the programme. | 0:00:23 | 0:00:26 | |
We'll tell you more about that later
on but we've got a great start | 0:00:26 | 0:00:29 | |
to this programme. This is
Police Officer, Smiley Culture. | 0:00:29 | 0:00:31 | |
# Every time me drive me
car police stop me superstar | 0:00:34 | 0:00:37 | |
# True me drive a Fiat and a Merc,
sell weh me Lancia | 0:00:37 | 0:00:39 | |
# So more time when me go a east
London to check some cockneys | 0:00:39 | 0:00:42 | |
# Them tell me to produce insurance,
licence and MOT | 0:00:42 | 0:00:45 | |
# But me say, police officer,
no give me producer | 0:00:45 | 0:00:49 | |
# Police officer,
no bother give me producer | 0:00:49 | 0:00:51 | |
# Police officer no give me producer | 0:00:51 | 0:00:54 | |
# Police officer
no bother give me producer | 0:00:54 | 0:00:56 | |
# To everybody in the dance
I dedicate this style | 0:00:56 | 0:00:59 | |
# Whether you be a lawbreaker
or you a informer | 0:00:59 | 0:01:02 | |
# You could be a PC,
CID or inspector | 0:01:02 | 0:01:05 | |
# Me no charge for murder, failing
to produce is what me charge for | 0:01:05 | 0:01:08 | |
# So police officer
no give me producer | 0:01:08 | 0:01:10 | |
# Police officer
no bother give me producer | 0:01:10 | 0:01:13 | |
# Call me a Smiley Culture,
used to drive up a Lancia | 0:01:13 | 0:01:16 | |
# And me a drive car
from me a teenager | 0:01:16 | 0:01:19 | |
# Police officer,
me is an expert driver | 0:01:19 | 0:01:21 | |
# So if you see me,
no shout or no holler | 0:01:21 | 0:01:24 | |
# No stand up in the road with
a torch and try pull me over | 0:01:24 | 0:01:27 | |
# Ca' if it's a dark night
by yourself you will get run over | 0:01:27 | 0:01:30 | |
# No come behind me in a Rover
and start flash your flasher | 0:01:30 | 0:01:33 | |
# Or come rev, rev, rev it
beside me 'pon your scooter | 0:01:33 | 0:01:36 | |
# Ca' me is a man who
would just ride faster | 0:01:36 | 0:01:38 | |
# And when me feel like it,
me would pull up on a corner | 0:01:38 | 0:01:41 | |
# Before you ask any question,
me already have an answer | 0:01:41 | 0:01:44 | |
# And any answer you get,
you know it would be formula | 0:01:44 | 0:01:47 | |
# Police officer no give me producer | 0:01:47 | 0:01:49 | |
# Police officer
no bother give me producer | 0:01:49 | 0:01:52 | |
# Police officer no give me producer | 0:01:52 | 0:01:55 | |
# Police officer
no bother give me producer | 0:01:55 | 0:01:58 | |
# One me way a people's club
me pass through Victoria | 0:01:58 | 0:02:00 | |
# And through me, an entertainer say
no tax 'pon me window | 0:02:00 | 0:02:03 | |
# As me go through the light
the whole road take over | 0:02:03 | 0:02:06 | |
# And as me drive nearer could see
clearer it was a Black Maria | 0:02:06 | 0:02:09 | |
# With six or seven
plain clothes police officers | 0:02:09 | 0:02:11 | |
# Them didn't look the type
of police me could give a fiver | 0:02:11 | 0:02:14 | |
# First thing that come into me
head, good thing me hide me ganja! | 0:02:14 | 0:02:17 | |
# Next thing that happen them wave,
in other words pull me over | 0:02:17 | 0:02:20 | |
# All me could do is sigh
and shrug me shoulder | 0:02:20 | 0:02:22 | |
# And as them approach me,
start wind down me window | 0:02:22 | 0:02:25 | |
# Me a go tell you how me answer | 0:02:25 | 0:02:28 | |
# Every question them fire | 0:02:28 | 0:02:30 | |
# Well, what's your name then, son? | 0:02:30 | 0:02:32 | |
# My name Smiley Culture | 0:02:32 | 0:02:33 | |
# Where do you think
you're coming from lad? | 0:02:33 | 0:02:36 | |
# From seeing me mother | 0:02:36 | 0:02:37 | |
# What's the registration
of the car? | 0:02:37 | 0:02:39 | |
# I can't remember | 0:02:39 | 0:02:40 | |
# What you got in the boot then,
son? | 0:02:40 | 0:02:42 | |
# A cassette recorder,
would like to have a look? | 0:02:42 | 0:02:44 | |
# Shut your bloody mouth,
we ask, you answer | 0:02:44 | 0:02:46 | |
# Now take the keys out the car
and step out of the motor | 0:02:46 | 0:02:48 | |
# Me and my colleague
have a few questions to ask you | 0:02:48 | 0:02:50 | |
# You'll be on your way as soon
as we get an answer | 0:02:50 | 0:02:53 | |
# As me come out of the car,
me think and me wonder | 0:02:53 | 0:02:56 | |
# What police officers could want
with Smiley Culture | 0:02:56 | 0:02:59 | |
# With them torch them a search
the interior | 0:02:59 | 0:03:01 | |
# But whatever them looking for
me hiding place superior | 0:03:01 | 0:03:04 | |
# But the way them search me
had to ask them what they look for | 0:03:04 | 0:03:07 | |
# But me try handle them coarse,
them just handle me coarser | 0:03:07 | 0:03:09 | |
# Then one draw handcuff,
put him hand 'pon my shoulder | 0:03:09 | 0:03:12 | |
# And say,
we ain't got time to waste, | 0:03:12 | 0:03:14 | |
# We don't think you have neither | 0:03:14 | 0:03:16 | |
# Just give us what we want,
the real sensimania | 0:03:16 | 0:03:18 | |
# Me never had a choice,
me draw out me ganja | 0:03:18 | 0:03:20 | |
# As me do that,
start to rub them hands together | 0:03:20 | 0:03:24 | |
# One say, shall we put him in the
van or in the back of the Rover? | 0:03:24 | 0:03:26 | |
# Me say, you can't do that
cause my name's Smiley Culture | 0:03:26 | 0:03:29 | |
# You what? Did you do that record,
Cockney Translator? | 0:03:29 | 0:03:32 | |
# In the reggae charts,
number one was its number | 0:03:32 | 0:03:35 | |
# My kids love it
and so does my mother | 0:03:35 | 0:03:38 | |
# Tell you what I'll do,
a favour for a favour | 0:03:38 | 0:03:40 | |
# Just sign your autograph
on this piece of paper | 0:03:40 | 0:03:43 | |
# Me cut him short
and me draw out me Parker | 0:03:43 | 0:03:46 | |
# 'Pon the producer,
me just sign Smiley Culture | 0:03:46 | 0:03:49 | |
# Them never lie, them never bother | 0:03:49 | 0:03:51 | |
# Arrest me or take me ganja. # | 0:03:51 | 0:03:54 | |
APPLAUSE | 0:03:54 | 0:03:56 | |
It's great to see
that in the charts. | 0:03:58 | 0:04:01 | |
That's Smiley Culture
and Police Officer, wasn't it? Yes. | 0:04:01 | 0:04:04 | |
In a dance hall style. | 0:04:04 | 0:04:05 | |
We're going to go straight
to the charts a bit early | 0:04:05 | 0:04:07 | |
but there's a good reason for it. | 0:04:07 | 0:04:09 | |
At number 40, So Near To Christmas,
Alvin Stardust. | 0:04:12 | 0:04:16 | |
39, Hard Habit To Break, Chicago. | 0:04:16 | 0:04:18 | |
Number 38, Let It All Blow,
Dazz Band. | 0:04:19 | 0:04:21 | |
A chart entry at number 37, San
Damiano (Heart And Soul), Sal Solo. | 0:04:23 | 0:04:26 | |
I Wish It Could Be Christmas Day
Every Day. Roy Wood at 36. | 0:04:26 | 0:04:30 | |
A chart re-entry,
Freedom from Wham! is 35. | 0:04:30 | 0:04:33 | |
Brand-new at 34,
Police Officer, Smiley Culture. | 0:04:34 | 0:04:38 | |
33, Treat Her Like A Lady,
the Temptations. | 0:04:38 | 0:04:40 | |
A chart re-entry at 32.
Agadoo, Black Lace. | 0:04:41 | 0:04:44 | |
Number 31, Respect Yourself,
the Kane Gang. | 0:04:44 | 0:04:47 | |
A chart entry at 30.
Step Off, Grand Master Melle Mel. | 0:04:49 | 0:04:52 | |
29, All Join Hands, Slade. | 0:04:52 | 0:04:55 | |
Soul Deep from the
Council Collective is 28. | 0:04:55 | 0:04:57 | |
Louise at 27 for the Human League. | 0:04:59 | 0:05:01 | |
At number 26,
the Wild Boys, Duran Duran. | 0:05:03 | 0:05:05 | |
It's back to number 37 now
for the first solo hit from Sal Solo | 0:05:06 | 0:05:10 | |
who used to be in Classix Noveaux. | 0:05:10 | 0:05:11 | |
This is San Damiano. | 0:05:11 | 0:05:13 | |
# Only you San Damiano | 0:05:22 | 0:05:25 | |
# Lady of the roses own | 0:05:25 | 0:05:28 | |
# Only you San Damiano | 0:05:28 | 0:05:32 | |
# Far from here but close to home | 0:05:32 | 0:05:38 | |
# I want you to go | 0:05:41 | 0:05:43 | |
# Same as me | 0:05:45 | 0:05:47 | |
# I want you to know | 0:05:48 | 0:05:51 | |
# All I've seen | 0:05:52 | 0:05:55 | |
# All corners of the world | 0:05:55 | 0:06:00 | |
# A message to be heard | 0:06:00 | 0:06:03 | |
# With heart and soul,
heart and soul | 0:06:03 | 0:06:08 | |
# Heart and soul, heart and soul | 0:06:08 | 0:06:12 | |
# Only you San Damiano | 0:06:12 | 0:06:17 | |
# Lady of the roses own | 0:06:17 | 0:06:21 | |
# Only you San Damiano | 0:06:21 | 0:06:25 | |
# Far from here but close to home | 0:06:25 | 0:06:30 | |
# Oh, tranquillity | 0:06:32 | 0:06:36 | |
# All around | 0:06:36 | 0:06:39 | |
# Peace and mystery | 0:06:39 | 0:06:44 | |
# To be found | 0:06:44 | 0:06:47 | |
# Travel the world and still | 0:06:47 | 0:06:51 | |
# Can other places fill | 0:06:51 | 0:06:55 | |
# Your heart and soul,
heart and soul | 0:06:55 | 0:06:59 | |
# Heart and soul, heart and soul | 0:06:59 | 0:07:02 | |
# Only you San Damiano | 0:07:03 | 0:07:09 | |
# Lady of the roses own | 0:07:09 | 0:07:13 | |
# Only you San Damiano | 0:07:13 | 0:07:17 | |
# Far from here but close to home | 0:07:17 | 0:07:22 | |
# Oh-oh-oh-oh | 0:07:25 | 0:07:28 | |
# Oh-oh-oh-oh | 0:07:28 | 0:07:32 | |
# Oh-oh-oh-oh | 0:07:32 | 0:07:36 | |
# Oh-oh-oh-oh | 0:07:36 | 0:07:39 | |
# Corner of paradise | 0:07:44 | 0:07:47 | |
# A golden chain has tied | 0:07:47 | 0:07:51 | |
# Us heart and soul | 0:07:51 | 0:07:53 | |
# Heart and soul, heart and soul | 0:07:53 | 0:07:57 | |
# Heart and soul | 0:07:57 | 0:08:00 | |
# Only you San Damiano | 0:08:00 | 0:08:04 | |
# Lady of the roses own | 0:08:04 | 0:08:08 | |
# Only you San Damiano | 0:08:08 | 0:08:12 | |
# Far from here but close to home | 0:08:12 | 0:08:17 | |
# Ah, ah, ah, ah | 0:08:21 | 0:08:24 | |
# Ah, ah, ah, ah | 0:08:25 | 0:08:28 | |
# Ah, ah, ah, ah | 0:08:29 | 0:08:32 | |
# Ah, ah, ah, ah. # | 0:08:33 | 0:08:37 | |
APPLAUSE | 0:08:41 | 0:08:43 | |
That's San Damiano,
Sal Solo and some lads | 0:08:45 | 0:08:47 | |
who are here as part of a Top Of
The Pops youth training scheme. | 0:08:47 | 0:08:50 | |
Right, we're going to have more
charts for you. | 0:08:50 | 0:08:53 | |
Let's get on with it. | 0:08:53 | 0:08:54 | |
At number 25, it's Alison Moyet
and Invisible. | 0:08:57 | 0:09:00 | |
At 24, It Ain't Necessarily So,
that's Bronksi Beat. | 0:09:00 | 0:09:04 | |
Stevie Wonder's at 23,
I Just Called To Say I Love You. | 0:09:04 | 0:09:07 | |
And Alvin Stardust at 22,
I Won't Run Away. | 0:09:07 | 0:09:10 | |
At 21, I Feel For You. Chaka Khan. | 0:09:11 | 0:09:13 | |
At 20,
it's good old Shaky, Teardrops. | 0:09:15 | 0:09:18 | |
19, Jim Diamond with
I Should Have Known Better. | 0:09:18 | 0:09:22 | |
At 18, Round And Round
with Spandau Ballet. | 0:09:22 | 0:09:26 | |
Eurythmics at 17, Sexcrime 1984. | 0:09:26 | 0:09:29 | |
And the Thompson Twins at
number 16, Lay Your Hands On Me. | 0:09:29 | 0:09:33 | |
At 15 it's One Night
in Bangkok, Murray Head. | 0:09:33 | 0:09:36 | |
Kool & The Gang
are at 14 with Fresh. | 0:09:36 | 0:09:39 | |
At 13, one of my favourites,
Do The Conga, Black Lace. | 0:09:39 | 0:09:43 | |
Gary Glitter's at 12,
another Rock 'n' Roll Christmas. | 0:09:44 | 0:09:47 | |
And at number 11,
The Riddle, Ipswich's Nik Kershaw. | 0:09:47 | 0:09:50 | |
And as we hinted at the beginning
of the programme there are one | 0:09:50 | 0:09:53 | |
or two changes in format
on this week's Top Of The Pops. | 0:09:53 | 0:09:56 | |
Richard is now going to explain all.
It look like this you see. | 0:09:56 | 0:09:58 | |
We went out to find out what you
wanted from Top Of The Pops. | 0:09:58 | 0:10:01 | |
The overwhelming request
was more top hits. | 0:10:01 | 0:10:04 | |
So from this week,
we count down the Top Ten, | 0:10:04 | 0:10:06 | |
starting with
Foreigner at number 10. | 0:10:06 | 0:10:08 | |
# To change this lonely life | 0:10:08 | 0:10:13 | |
# I want to know what love is | 0:10:13 | 0:10:18 | |
# I want you to show me | 0:10:20 | 0:10:24 | |
# I wanna feel what love is | 0:10:26 | 0:10:29 | |
# I know you can show me | 0:10:32 | 0:10:36 | |
# Hey... # | 0:10:39 | 0:10:40 | |
Everything Must Change
but Paul Young stayed at number 9 | 0:10:43 | 0:10:46 | |
but emphatically, emphatically. | 0:10:46 | 0:10:48 | |
# Everything must change | 0:10:57 | 0:11:00 | |
# I was never one
to back out of an argument | 0:11:07 | 0:11:12 | |
# And say, I was wrong | 0:11:12 | 0:11:15 | |
# Even when I'd seen the other side | 0:11:16 | 0:11:19 | |
# I'd hide my foolishness
and carry on | 0:11:19 | 0:11:24 | |
# But still I'd be embarrassed | 0:11:29 | 0:11:32 | |
# Cos they'd seen what happened
and they're playing along | 0:11:32 | 0:11:37 | |
# Until I backed
myself into a corner | 0:11:38 | 0:11:42 | |
# I will only realise
when they had gone | 0:11:42 | 0:11:46 | |
# And like a dream alive | 0:11:51 | 0:11:54 | |
# A reason | 0:11:54 | 0:11:56 | |
# Everything must change | 0:11:56 | 0:11:58 | |
# Everything, everything must change | 0:11:58 | 0:12:01 | |
# And like a world,
this earth and seasons | 0:12:03 | 0:12:07 | |
# Everything must change | 0:12:09 | 0:12:11 | |
# Everything, everything must change | 0:12:11 | 0:12:15 | |
# In the same way when we disagree | 0:12:15 | 0:12:18 | |
# I wouldn't be the one to back down | 0:12:18 | 0:12:23 | |
# Still I'd know
that you had faith in me | 0:12:25 | 0:12:28 | |
# Tell me something | 0:12:28 | 0:12:30 | |
# Am I letting you down? | 0:12:30 | 0:12:32 | |
# Cos when I woke up
and I saw the note | 0:12:38 | 0:12:41 | |
# You'd pressed to the mirror frame | 0:12:42 | 0:12:45 | |
# But it was easy to be angry at you | 0:12:46 | 0:12:50 | |
# But deep inside
I know we share the blame | 0:12:50 | 0:12:54 | |
# And now I'm like a dream alive | 0:12:57 | 0:13:02 | |
# A reason | 0:13:02 | 0:13:04 | |
# Everything must change | 0:13:04 | 0:13:07 | |
# Everything, everything must change | 0:13:07 | 0:13:10 | |
# Like a world,
this earth and seasons | 0:13:12 | 0:13:16 | |
# Everything must change | 0:13:16 | 0:13:19 | |
# Everything, everything must | 0:13:19 | 0:13:23 | |
# Change | 0:13:23 | 0:13:26 | |
# I'm going back to the top
to start myself off | 0:13:30 | 0:13:33 | |
# But first of all,
some things I need to know | 0:13:33 | 0:13:38 | |
# When I'm scared
of being wrong again | 0:13:39 | 0:13:42 | |
# Won't you be the one I turn to | 0:13:42 | 0:13:45 | |
# To let me know | 0:13:45 | 0:13:47 | |
# Oh, let me know | 0:13:49 | 0:13:51 | |
# Ooooh | 0:13:51 | 0:13:53 | |
# Please let me be right for once | 0:13:53 | 0:13:55 | |
# Cos right now all I feel | 0:13:55 | 0:13:58 | |
# I do is wrong | 0:13:58 | 0:14:01 | |
# And it's never too late
to learn about love | 0:14:01 | 0:14:04 | |
# And this victim needs your hand | 0:14:04 | 0:14:08 | |
# To hold on | 0:14:10 | 0:14:12 | |
# And like a dream alive | 0:14:17 | 0:14:19 | |
# A reason | 0:14:19 | 0:14:22 | |
# Everything must change | 0:14:22 | 0:14:24 | |
# Everything, everything must change | 0:14:24 | 0:14:28 | |
# Like the world,
the earth and seasons | 0:14:29 | 0:14:34 | |
# Everything must change | 0:14:34 | 0:14:36 | |
# Everything, everything must change | 0:14:36 | 0:14:41 | |
# Oo-oo-oo-oo-oo. # | 0:14:46 | 0:14:48 | |
STUDIO APPLAUSE | 0:14:52 | 0:14:55 | |
Everything Must Change,
that's Paul Young. | 0:14:55 | 0:14:58 | |
We've done number 10,
we've done number 9. | 0:14:58 | 0:15:00 | |
Now we move inexorably up
to number 8 - Tears For Fears. | 0:15:00 | 0:15:03 | |
APPLAUSE | 0:15:04 | 0:15:06 | |
# Shout, shout, let it all out | 0:15:08 | 0:15:12 | |
# These are the things
I can do without | 0:15:12 | 0:15:16 | |
# Come on | 0:15:16 | 0:15:18 | |
# I'm talking to you | 0:15:19 | 0:15:21 | |
# Come on | 0:15:21 | 0:15:23 | |
# Shout, shout, let it all out | 0:15:27 | 0:15:31 | |
# These are things
I could do without | 0:15:31 | 0:15:36 | |
# Come on | 0:15:36 | 0:15:37 | |
# I'm talking to you | 0:15:39 | 0:15:41 | |
# Come on | 0:15:41 | 0:15:43 | |
# In violent times | 0:15:46 | 0:15:49 | |
# You shouldn't have to
sell your soul | 0:15:50 | 0:15:54 | |
# In black and white | 0:15:56 | 0:15:58 | |
# They really, really ought to know | 0:16:00 | 0:16:03 | |
# Those one track minds | 0:16:06 | 0:16:08 | |
# That took you for a working boy | 0:16:10 | 0:16:13 | |
# Kiss them goodbye | 0:16:15 | 0:16:18 | |
# You shouldn't have to jump for joy | 0:16:19 | 0:16:23 | |
# You shouldn't have
to shout for joy | 0:16:25 | 0:16:28 | |
# Let it all out | 0:16:28 | 0:16:30 | |
# These are the things
I can do without | 0:16:30 | 0:16:34 | |
# Come on | 0:16:34 | 0:16:37 | |
# I'm talking to you | 0:16:37 | 0:16:39 | |
# Come on | 0:16:39 | 0:16:41 | |
# They gave you life | 0:16:45 | 0:16:47 | |
# And in return you gave them hell | 0:16:49 | 0:16:52 | |
# As cold as ice | 0:16:54 | 0:16:57 | |
# I hope we live to tell the tale | 0:16:59 | 0:17:01 | |
# I hope we live to tell the tale | 0:17:03 | 0:17:06 | |
# Shout, shout | 0:17:06 | 0:17:07 | |
# Let it all out | 0:17:07 | 0:17:10 | |
# These are the things
I can do without | 0:17:10 | 0:17:13 | |
# Come on | 0:17:13 | 0:17:15 | |
# I'm talking to you | 0:17:16 | 0:17:18 | |
# Come on | 0:17:18 | 0:17:20 | |
# Shout, shout | 0:17:24 | 0:17:26 | |
# Let it all out | 0:17:26 | 0:17:28 | |
# These are the things
I can do without | 0:17:29 | 0:17:33 | |
# Come on | 0:17:33 | 0:17:36 | |
# I'm talking to you | 0:17:36 | 0:17:38 | |
# Come on... # | 0:17:38 | 0:17:40 | |
AUDIENCE CHEERS | 0:17:46 | 0:17:48 | |
# Shout, shout | 0:18:18 | 0:18:20 | |
# Let it all out | 0:18:20 | 0:18:22 | |
# These are the things
I can do without | 0:18:23 | 0:18:27 | |
# Come on | 0:18:27 | 0:18:28 | |
# I'm talking to you | 0:18:30 | 0:18:32 | |
# Come on | 0:18:32 | 0:18:33 | |
# And when you've
taken down your guard | 0:18:41 | 0:18:45 | |
# If I could change your mind | 0:18:47 | 0:18:51 | |
# I'd really love to
break your heart | 0:18:51 | 0:18:54 | |
# I'd really love to
break your heart | 0:18:56 | 0:18:58 | |
# Shout, shout | 0:18:58 | 0:19:00 | |
# Let it all out | 0:19:00 | 0:19:02 | |
# These are the things
I can do without | 0:19:02 | 0:19:06 | |
# Come on | 0:19:06 | 0:19:08 | |
# I'm talking to you | 0:19:10 | 0:19:11 | |
# Come on. # | 0:19:11 | 0:19:14 | |
APPLAUSE | 0:19:14 | 0:19:16 | |
From the West Country to
the number 8 position, | 0:19:18 | 0:19:20 | |
that's Tears For Fears and Shout. | 0:19:20 | 0:19:22 | |
This is the Top of Pops top ten
countdown, and down two places | 0:19:22 | 0:19:26 | |
to number 7 this week,
it's the Power Of Love from Frankie. | 0:19:26 | 0:19:30 | |
# The power of love | 0:19:30 | 0:19:33 | |
# A force from above | 0:19:33 | 0:19:38 | |
# Cleaning my soul | 0:19:38 | 0:19:40 | |
# Flame on burn desire | 0:19:44 | 0:19:48 | |
# Love with tongues on fire | 0:19:48 | 0:19:51 | |
# Purge the soul | 0:19:52 | 0:19:55 | |
# Make love your goal... # | 0:19:55 | 0:19:58 | |
# If you're seeing things... # | 0:20:00 | 0:20:02 | |
This has been revitalised by the
success of the Ghostbusters film. | 0:20:02 | 0:20:05 | |
From 15 to number 6, Ray Parker Jr.
Come on, out of that bed, you. | 0:20:05 | 0:20:09 | |
We need the sheets. | 0:20:09 | 0:20:11 | |
# ..sleeping in your bed | 0:20:11 | 0:20:12 | |
# Who you gonna call? | 0:20:12 | 0:20:15 | |
# Ghostbusters | 0:20:15 | 0:20:16 | |
# I ain't afraid of no ghost | 0:20:23 | 0:20:25 | |
# I ain't afraid of no ghost... # | 0:20:32 | 0:20:34 | |
STUDIO APPLAUSE | 0:20:34 | 0:20:37 | |
First time I saw these
they were at The Bell in Horton. | 0:20:37 | 0:20:39 | |
Now they're number 5 in the charts.
The Toy Dolls, Nellie The Elephant. | 0:20:39 | 0:20:43 | |
APPLAUSE | 0:20:43 | 0:20:45 | |
# To Bombay | 0:20:49 | 0:20:51 | |
# A travelling circus came | 0:20:51 | 0:20:53 | |
# They brought
an intelligent elephant | 0:20:53 | 0:20:55 | |
# And Nellie was her name | 0:20:55 | 0:20:57 | |
# One dark night | 0:20:58 | 0:21:00 | |
# She slipped her iron chain | 0:21:00 | 0:21:03 | |
# And off she ran to Hindustan | 0:21:03 | 0:21:05 | |
# And was never seen again... # | 0:21:05 | 0:21:08 | |
AUDIENCE: Oooooooooooooo. | 0:21:11 | 0:21:14 | |
# Nellie the elephant
packed her trunk | 0:21:19 | 0:21:21 | |
# And said goodbye to the circus | 0:21:21 | 0:21:23 | |
# Off she rode
with a trumpety trump | 0:21:23 | 0:21:25 | |
# Trump, trump, trump | 0:21:25 | 0:21:26 | |
# Nellie the elephant packed her
trunk and trundled off to the jungle | 0:21:26 | 0:21:29 | |
# Off she rode
with a trumpety trump | 0:21:29 | 0:21:31 | |
# Trump, trump, trump | 0:21:31 | 0:21:33 | |
# Night by night
she danced to the circus band | 0:21:33 | 0:21:36 | |
# When Nellie
was leading the big parade | 0:21:36 | 0:21:38 | |
# She looked so proud and grand | 0:21:38 | 0:21:41 | |
# No more tricks
for Nellie to perform | 0:21:41 | 0:21:44 | |
# They taught her how to take a bow | 0:21:44 | 0:21:47 | |
# And she took
the crowd by storm... # | 0:21:47 | 0:21:49 | |
AUDIENCE: Oooooooooooo! | 0:21:50 | 0:21:56 | |
# Nellie the
elephant packed her trunk | 0:22:00 | 0:22:02 | |
# And said goodbye to the circus | 0:22:02 | 0:22:04 | |
# Off she went with a trumpety
trump | 0:22:04 | 0:22:06 | |
# Trump, trump, trump | 0:22:06 | 0:22:07 | |
# Nellie the elephant packed her
trunk and trundled off to the jungle | 0:22:07 | 0:22:10 | |
# Off she rode with
a trumpety trump | 0:22:10 | 0:22:12 | |
# Trump, trump, trump | 0:22:12 | 0:22:14 | |
# Nellie the elephant packed her
trunk and said goodbye to the circus | 0:22:15 | 0:22:18 | |
# Off she rode with a trumpety
trump | 0:22:18 | 0:22:20 | |
# Trump, trump, trump | 0:22:20 | 0:22:22 | |
# Nellie the elephant packed her
trunk and trundled off to the jungle | 0:22:22 | 0:22:25 | |
# Off she rode with a trumpety
trump | 0:22:25 | 0:22:26 | |
# Trump, trump, trump | 0:22:26 | 0:22:28 | |
# The head of the herd
was calling far, far away | 0:22:28 | 0:22:31 | |
# They met one night in silver
light on the road to Mandalay... # | 0:22:31 | 0:22:34 | |
AUDIENCE: Ooooooooooooooooo. | 0:22:42 | 0:22:47 | |
# Nellie the elephant packed her
trunk and said goodbye to the circus | 0:22:51 | 0:22:54 | |
# Off she went with a trumpety
trump | 0:22:54 | 0:22:56 | |
# Trump, trump, trump | 0:22:56 | 0:22:57 | |
# Nellie the elephant packed her
trunk and trundled out of the jungle | 0:22:57 | 0:23:01 | |
# Off she went with a trumpety
trump | 0:23:01 | 0:23:02 | |
# Trump, trump, trump | 0:23:02 | 0:23:05 | |
# Nellie the elephant packed her
trunk and said goodbye to the circus | 0:23:06 | 0:23:10 | |
# Off she went with a trumpety
trump | 0:23:10 | 0:23:12 | |
# Trump, trump, trump | 0:23:12 | 0:23:13 | |
# Nellie the elephant packed her
trunk and trundled off to the jungle | 0:23:13 | 0:23:16 | |
# Off she rode with a trumpety
trump | 0:23:16 | 0:23:18 | |
# Trump | 0:23:18 | 0:23:19 | |
# Trump | 0:23:19 | 0:23:21 | |
# Trump. # | 0:23:21 | 0:23:24 | |
APPLAUSE | 0:23:24 | 0:23:26 | |
They're mad. Number 5,
The Toy Dolls, Nellie the Ellie. | 0:23:29 | 0:23:32 | |
Here's the number 4 sound now. | 0:23:32 | 0:23:34 | |
It's an American chart topper for
Madonna and it's just Like A Virgin. | 0:23:34 | 0:23:38 | |
APPLAUSE | 0:23:39 | 0:23:41 | |
# I made it through the wilderness | 0:23:48 | 0:23:50 | |
# Somehow I made it through | 0:23:52 | 0:23:54 | |
# Didn't know how lost I was | 0:23:56 | 0:23:59 | |
# Until I found you | 0:23:59 | 0:24:02 | |
# I was beat, incomplete | 0:24:03 | 0:24:06 | |
# I'd been had, I was sad and blue | 0:24:07 | 0:24:11 | |
# But you made me feel | 0:24:12 | 0:24:14 | |
# Yeah, you made me feel | 0:24:16 | 0:24:19 | |
# Shiny and new | 0:24:19 | 0:24:22 | |
# Like a virgin | 0:24:24 | 0:24:26 | |
# Touched for the very first time | 0:24:27 | 0:24:30 | |
# Like a virgin | 0:24:31 | 0:24:35 | |
# When you heart beats
next to mine | 0:24:35 | 0:24:40 | |
# Gonna give you all my love,
boy | 0:24:40 | 0:24:43 | |
# My fear is fading fast | 0:24:43 | 0:24:46 | |
# Been saving it all for you | 0:24:49 | 0:24:51 | |
# Cos only love can last | 0:24:51 | 0:24:54 | |
# You're so fine and you're mine | 0:24:55 | 0:24:59 | |
# Make me strong,
yeah, you make me bold | 0:24:59 | 0:25:04 | |
# Oh, your love thawed out | 0:25:04 | 0:25:06 | |
# Yeah, your love thawed out | 0:25:08 | 0:25:12 | |
# What was scared and cold | 0:25:12 | 0:25:15 | |
# Like a virgin | 0:25:15 | 0:25:18 | |
# Hey | 0:25:18 | 0:25:19 | |
# Touched for the very first time | 0:25:19 | 0:25:23 | |
# Like a virgin | 0:25:23 | 0:25:26 | |
# With your heartbeat next to mine | 0:25:28 | 0:25:32 | |
# Whoa, whoa, hooo | 0:25:35 | 0:25:37 | |
# Whoa, whoa, hooo | 0:25:39 | 0:25:42 | |
# Whoa, whoa, hooo | 0:25:44 | 0:25:46 | |
# You're so fine and you're mine | 0:25:48 | 0:25:52 | |
# I'll be yours | 0:25:52 | 0:25:54 | |
# Till the end of time | 0:25:54 | 0:25:56 | |
# Cos you make me feel | 0:25:56 | 0:25:59 | |
# Yeah, you make me feel | 0:26:00 | 0:26:03 | |
# I've nothing to hide | 0:26:03 | 0:26:07 | |
# Like a virgin, hey | 0:26:08 | 0:26:11 | |
# Touched for the very first time | 0:26:11 | 0:26:15 | |
# Like a virgin | 0:26:16 | 0:26:20 | |
# With your heartbeat next to mine | 0:26:20 | 0:26:24 | |
# Like a virgin | 0:26:24 | 0:26:26 | |
# Oooh, like a virgin | 0:26:26 | 0:26:30 | |
# Feels so good inside | 0:26:31 | 0:26:33 | |
# When you hold me... # | 0:26:35 | 0:26:39 | |
STUDIO APPLAUSE | 0:26:39 | 0:26:41 | |
Staying at number 3 in our top
ten rundown, a bit of quality, | 0:26:43 | 0:26:46 | |
We All Stand Together, Paul
McCartney and the Frog Chorus. | 0:26:46 | 0:26:49 | |
# But what's the point
on a beautiful night? | 0:26:50 | 0:26:54 | |
# Arm in arm | 0:26:54 | 0:26:56 | |
# Hand in hand | 0:26:56 | 0:26:59 | |
# We all stand together | 0:26:59 | 0:27:02 | |
# Laaaaa, laaaaa | 0:27:09 | 0:27:13 | |
# Keeping us warm in the night | 0:27:13 | 0:27:16 | |
# Bom, bom-bom-bom-bom | 0:27:16 | 0:27:18 | |
# La-la-la, laaaaaaaa | 0:27:18 | 0:27:22 | |
# Walk in the night | 0:27:22 | 0:27:25 | |
# You'll get it right | 0:27:25 | 0:27:29 | |
# Win or lose, sink or swim | 0:27:30 | 0:27:33 | |
# One thing is certain,
we'll never give in | 0:27:35 | 0:27:39 | |
# Arm in arm | 0:27:39 | 0:27:41 | |
# Hand in hand | 0:27:41 | 0:27:44 | |
# We all stand together... # | 0:27:44 | 0:27:47 | |
APPLAUSE | 0:27:49 | 0:27:52 | |
That's Paul McCartney
with the Frog Chorus. | 0:27:53 | 0:27:56 | |
OK, to the number 2 spot
now and it's Wham! | 0:27:56 | 0:27:59 | |
They have turned their record
over this week, the new A side, | 0:27:59 | 0:28:02 | |
Everything She Wants.
They're here live. | 0:28:02 | 0:28:04 | |
APPLAUSE | 0:28:04 | 0:28:06 | |
# Uh-huh-huh | 0:28:22 | 0:28:25 | |
# Oh, yeah | 0:28:25 | 0:28:28 | |
# Somebody told me | 0:28:36 | 0:28:39 | |
# "Boy, everything
she wants is everything she sees" | 0:28:40 | 0:28:43 | |
# I guess I must have loved you | 0:28:45 | 0:28:48 | |
# Because I said you were
the perfect girl for me | 0:28:48 | 0:28:51 | |
# Baby | 0:28:51 | 0:28:53 | |
# And now we're six months older | 0:28:53 | 0:28:55 | |
# And everything you want
and everything you see | 0:28:57 | 0:29:00 | |
# Is out of reach, not good enough | 0:29:01 | 0:29:04 | |
# I don't know what the hell
you want from me, oh | 0:29:05 | 0:29:08 | |
# Aha, aha | 0:29:09 | 0:29:11 | |
# Ooo-ooo | 0:29:11 | 0:29:13 | |
# Aha, aha | 0:29:13 | 0:29:15 | |
# Doo-doo, la-la-la-la | 0:29:15 | 0:29:18 | |
# Aha-aha, ooo-ooo | 0:29:18 | 0:29:21 | |
# Aha, aha | 0:29:21 | 0:29:23 | |
# Doo-doo, la-la-la-la | 0:29:23 | 0:29:26 | |
# Somebody tell me | 0:29:29 | 0:29:32 | |
# Won't you tell me | 0:29:32 | 0:29:34 | |
# Why I work so hard for you? | 0:29:36 | 0:29:40 | |
# All to give you money | 0:29:40 | 0:29:42 | |
# Oh! | 0:29:42 | 0:29:44 | |
# Some people work for a living | 0:30:00 | 0:30:02 | |
# Some people work for fun | 0:30:03 | 0:30:05 | |
# Girl, I just work for you | 0:30:05 | 0:30:07 | |
# They told me marriage
was a give and take | 0:30:08 | 0:30:11 | |
# Well, show me you can take | 0:30:11 | 0:30:13 | |
# You've got some giving to do | 0:30:13 | 0:30:16 | |
# And now you tell me
that you're having my baby | 0:30:16 | 0:30:20 | |
# I'll tell you that I'm happy
if you want me to | 0:30:20 | 0:30:23 | |
# One step further
and my back will break | 0:30:24 | 0:30:27 | |
# If my best isn't good enough | 0:30:27 | 0:30:30 | |
# Then how can it be good
enough for two? | 0:30:30 | 0:30:33 | |
# Aha, aha | 0:30:33 | 0:30:34 | |
# Ooo-ooo | 0:30:34 | 0:30:36 | |
# Aha, aha | 0:30:36 | 0:30:38 | |
# I can't work any harder than I do | 0:30:38 | 0:30:41 | |
# Ooo-ooo | 0:30:41 | 0:30:44 | |
# Aha, aha | 0:30:44 | 0:30:46 | |
# Doo-doo-doo | 0:30:46 | 0:30:48 | |
# La-la-la-la | 0:30:48 | 0:30:50 | |
# Somebody tell me | 0:30:52 | 0:30:55 | |
# Won't you tell me | 0:30:55 | 0:30:58 | |
# Why I work so hard for you | 0:30:59 | 0:31:02 | |
# Give you money | 0:31:02 | 0:31:04 | |
# All to give you money | 0:31:04 | 0:31:05 | |
# Oh! | 0:31:05 | 0:31:07 | |
# Aw! | 0:31:22 | 0:31:24 | |
# Why do I do the things I do? | 0:31:25 | 0:31:27 | |
# I'd tell you if I knew | 0:31:29 | 0:31:32 | |
# My God | 0:31:34 | 0:31:36 | |
# I don't even think that I love you | 0:31:36 | 0:31:40 | |
# To give you money,
all to give you money | 0:31:44 | 0:31:47 | |
# Ooh! | 0:31:47 | 0:31:48 | |
# Aha-aaaaaa! | 0:31:51 | 0:31:53 | |
# Tell me | 0:31:58 | 0:32:00 | |
# Tell me | 0:32:02 | 0:32:03 | |
# How could you
settle for a boy like me? | 0:32:05 | 0:32:08 | |
# When all I can see
is the end of the week | 0:32:08 | 0:32:11 | |
# All the things we sign | 0:32:11 | 0:32:14 | |
# And the things you buy | 0:32:14 | 0:32:16 | |
# Ain't gonna keep us together | 0:32:16 | 0:32:18 | |
# It's just a matter of time | 0:32:18 | 0:32:22 | |
# La-la-la-la | 0:32:27 | 0:32:29 | |
# Just a matter of | 0:32:29 | 0:32:31 | |
# Oh-oh-oh | 0:32:31 | 0:32:33 | |
# Aha, aha | 0:32:33 | 0:32:35 | |
# Doo-doo, la-la-la-la | 0:32:35 | 0:32:38 | |
# Somebody tell me | 0:32:40 | 0:32:43 | |
# Won't you tell me | 0:32:44 | 0:32:46 | |
# Somebody | 0:32:46 | 0:32:47 | |
# Why I work so hard for you | 0:32:48 | 0:32:51 | |
# Give you money,
all to give you money... # | 0:32:51 | 0:32:54 | |
APPLAUSE | 0:32:54 | 0:32:57 | |
Everything She Wants. That's Wham!
still at number two. Ricardo. | 0:32:58 | 0:33:02 | |
Did you realise that George and
Andrew are both the same age
as Top Of The Pops? | 0:33:02 | 0:33:05 | |
They're 21. It's our birthday today.
This is our number one, Band Aid. | 0:33:05 | 0:33:09 | |
# It's Christmas time | 0:33:09 | 0:33:11 | |
# There's no need to be afraid | 0:33:13 | 0:33:16 | |
# At Christmas time | 0:33:18 | 0:33:19 | |
# We let in light
and we banish shade | 0:33:19 | 0:33:24 | |
# And in our world of plenty | 0:33:26 | 0:33:29 | |
# We can spread a smile of joy | 0:33:29 | 0:33:33 | |
# Throw your arms around the world | 0:33:34 | 0:33:37 | |
# At Christmas time | 0:33:37 | 0:33:39 | |
# But say a prayer | 0:33:42 | 0:33:44 | |
# Pray for the other ones | 0:33:46 | 0:33:49 | |
# At Christmas time | 0:33:51 | 0:33:53 | |
# It's hard
but when you're having fun | 0:33:53 | 0:33:58 | |
# There's a world
outside your window | 0:33:59 | 0:34:03 | |
# And it's a world of dread and fear | 0:34:03 | 0:34:07 | |
# Where the only water flowing | 0:34:08 | 0:34:11 | |
# Is the bitter sting of tears | 0:34:11 | 0:34:15 | |
# And the Christmas bells
that ring there | 0:34:16 | 0:34:19 | |
# Are the clanging chimes of doom | 0:34:19 | 0:34:24 | |
# Well, tonight thank God it's them | 0:34:24 | 0:34:27 | |
# Instead of you | 0:34:27 | 0:34:30 | |
# And there won't be snow in Africa
this Christmas time | 0:34:33 | 0:34:39 | |
# The greatest gift they'll
get this year is life | 0:34:41 | 0:34:46 | |
# Oooh-oh | 0:34:48 | 0:34:49 | |
# Where nothing ever grows | 0:34:49 | 0:34:52 | |
# No rain or rivers flow | 0:34:52 | 0:34:57 | |
# Do they know it's
Christmas time at all | 0:34:58 | 0:35:03 | |
# Here's to you | 0:35:07 | 0:35:08 | |
# Raise a glass for everyone | 0:35:08 | 0:35:11 | |
# Here's to them | 0:35:11 | 0:35:12 | |
# Underneath that burning sun | 0:35:12 | 0:35:15 | |
# Do they know it's
Christmas time at all... # | 0:35:15 | 0:35:20 | |
INSTRUMENTAL | 0:35:23 | 0:35:26 | |
# Feed the world | 0:35:36 | 0:35:40 | |
# Feed the world | 0:35:44 | 0:35:48 | |
# Feed the world | 0:35:52 | 0:35:56 | |
# Let them know it's
Christmas time again | 0:35:56 | 0:36:01 | |
# Feed the world | 0:36:01 | 0:36:05 | |
# Let them know it's
Christmas time again | 0:36:05 | 0:36:09 | |
# Feed the world | 0:36:09 | 0:36:13 | |
# Let them know it's
Christmas time again | 0:36:13 | 0:36:17 | |
# Feed the world | 0:36:17 | 0:36:21 | |
# Let them know it's
Christmas time again | 0:36:21 | 0:36:26 | |
# Feed the world | 0:36:26 | 0:36:30 | |
# Let them know it's
Christmas time again | 0:36:30 | 0:36:34 | |
# Feed the world. # | 0:36:34 | 0:36:37 | |
APPLAUSE | 0:36:37 | 0:36:40 | |
I hope you enjoyed the new format
and you'll write
and tell us all about it. | 0:36:40 | 0:36:43 | |
We're going to play you out
with Grand Master Melle Mel.
This is Step Off. | 0:36:43 | 0:36:46 | |
Good night. Happy New Year. | 0:36:46 | 0:36:48 | |
CHEERING | 0:36:48 | 0:36:50 | |
# Let me fill you with my charms | 0:36:50 | 0:36:52 | |
# Chaka, cos you know that I'm
the one to keep you warm, Chaka | 0:36:52 | 0:36:55 | |
# I'll make you more
than just a physical spell | 0:36:55 | 0:36:57 | |
# I want to rock you Chaka, baby
cos my name is Melle Mel | 0:36:57 | 0:36:59 | |
# Step, step, step, step, step off | 0:36:59 | 0:37:01 | |
# Because you got to get lost
because you know you're soft | 0:37:01 | 0:37:04 | |
# Step, step, step, step, step off | 0:37:04 | 0:37:05 | |
# Because you got to get lost
because you know you're soft | 0:37:05 | 0:37:08 | |
# I was sitting on the corner
just a-wasting my time | 0:37:08 | 0:37:10 | |
# When I realised I was
the king of the rhyme | 0:37:10 | 0:37:13 | |
# I got on the microphone
and what do you see | 0:37:13 | 0:37:15 | |
# The rest was my legacy | 0:37:15 | 0:37:17 | |
# I was born to be the king
of the be-bop swing | 0:37:17 | 0:37:20 | |
# To have stallions and medallions,
big diamond rings | 0:37:20 | 0:37:22 | |
# To own a castle and a yacht,
two million in gold | 0:37:22 | 0:37:25 | |
# Cos rap is the game
that I control | 0:37:25 | 0:37:27 | |
# I'm like Shakespeare,
I'm a pioneer | 0:37:27 | 0:37:29 | |
# Because I made rap something
people wanted to hear | 0:37:29 | 0:37:31 | |
# See, before my reign
it was the same old same | 0:37:31 | 0:37:34 | |
# "To the bop with the bop"
that street-talk game | 0:37:34 | 0:37:36 | |
# So if you ever,
let me make this clear | 0:37:36 | 0:37:39 | |
# If you ever think that
we're stepping out of here | 0:37:39 | 0:37:41 | |
# You ever think you're getting up,
down, around or in | 0:37:41 | 0:37:43 | |
# You better think again, my friend | 0:37:43 | 0:37:45 | |
# Because the door is closed
and we're in town | 0:37:45 | 0:37:48 | |
# And the only place you can go
is down | 0:37:48 | 0:37:51 | |
# Step, step, step, step, step off | 0:37:53 | 0:37:55 | |
# Well, I'm Keith Cowboy
and you're my cow | 0:37:55 | 0:37:57 | |
# So what ya MC's going to do now | 0:37:57 | 0:37:59 | |
# It's going to be a slaughter
and here's my plan | 0:37:59 | 0:38:02 | |
# You won't even
get bread and water, my man | 0:38:02 | 0:38:04 | |
# Goin' to put you on the racks
like a pair of slacks | 0:38:04 | 0:38:06 | |
# With another wack rapper
tied to your back | 0:38:06 | 0:38:09 | |
# And if you want to hang yourself
out to dry | 0:38:09 | 0:38:11 | |
# It's the beautiful
round up in the sky | 0:38:11 | 0:38:14 | |
# I'm the carry-out kid
when my trigger's in cock | 0:38:14 | 0:38:16 | |
# I'll be carrying out bodies
stiff as a rock | 0:38:16 | 0:38:18 | |
# Carrying out a million dollars
in my pockets and hand | 0:38:18 | 0:38:21 | |
# But I carry out orders from no man | 0:38:21 | 0:38:23 | |
# Cos anything you want to do
I already did | 0:38:23 | 0:38:25 | |
# You used to see me rock the house
when you was a kid | 0:38:25 | 0:38:28 | |
# But in my MC school
my class was packed | 0:38:28 | 0:38:30 | |
# And tricks were for kids
so I left your ass back | 0:38:30 | 0:38:32 | |
# The bow-legged brother,
there'll never be another | 0:38:32 | 0:38:35 | |
# I'll buy a mansion for my mother | 0:38:35 | 0:38:37 | |
# The 24-7, the Kool-Aid smile | 0:38:37 | 0:38:39 | |
# Say, "Hey, crack a lemon and
look at my pile" | 0:38:39 | 0:38:42 | |
# Step, step, step, step, step off | 0:38:42 | 0:38:44 | |
# Because you got to get lost
because you know you're soft | 0:38:44 | 0:38:46 | |
# Step, step, step, step, step off | 0:38:46 | 0:38:48 | |
# Because you got to get lost
because you know you're soft | 0:38:48 | 0:38:51 | |
# Step, step, step, step, step off | 0:38:51 | 0:38:53 | |
# Because you got to get lost
because you know you're soft | 0:38:53 | 0:38:56 | |
# Come on, now you know
just who I am | 0:38:56 | 0:38:58 | |
# And what I do
because I'm in demand | 0:38:58 | 0:39:00 | |
# Because I look good,
do you hear my man? | 0:39:00 | 0:39:03 | |
# And if you can't take that
ya chump ya own hand | 0:39:03 | 0:39:05 | |
# You one-girl-at-a-time
getting MC | 0:39:05 | 0:39:07 | |
# So how could you think
that you rank with me | 0:39:07 | 0:39:10 | |
# If you only did your homework
you would surely find | 0:39:10 | 0:39:12 | |
# When Scorp' get girls,
they all be fine | 0:39:12 | 0:39:15 | |
# And the only girl
that you could take of mine | 0:39:15 | 0:39:17 | |
# Is the one that I left way behind | 0:39:17 | 0:39:19 | |
# And plus you're cheap,
you're petty, your music is trash | 0:39:19 | 0:39:22 | |
# You need to go to the bank
and get some cash | 0:39:22 | 0:39:24 | |
# Because talking don't pay,
you're drifting away | 0:39:24 | 0:39:26 | |
# When I see you on a stage
I'm-a blow you away | 0:39:26 | 0:39:29 | |
# You're right, there is no
difference between me and you | 0:39:29 | 0:39:31 | |
# Except I look good
and you look through | 0:39:31 | 0:39:33 | |
# Take that | 0:39:33 | 0:39:35 | |
# Step, step, step, step, step off | 0:39:38 | 0:39:40 | |
# Because you got to get lost
because you know you're soft | 0:39:40 | 0:39:43 | |
# Step, step, step, step, step off | 0:39:43 | 0:39:45 | |
# Because you got to get lost
because you know you're soft. # | 0:39:45 | 0:39:47 |