Browse content similar to 05/01/1984. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Well, hello, fans. Now, you might think what we've got here | 0:00:20 | 0:00:22 | |
is some kind of tribute to Mike Read, but actually, | 0:00:22 | 0:00:24 | |
what we're celebrating is the 20th anniversary of Top Of The Pops. | 0:00:24 | 0:00:28 | |
And I think we really look fab here. | 0:00:28 | 0:00:30 | |
Yeah, there is that. This is very 1984, though, this. | 0:00:30 | 0:00:32 | |
-Frankie Goes To Hollywood. -Take it away, boys. | 0:00:32 | 0:00:35 | |
# Guess what's happening now? | 0:00:38 | 0:00:42 | |
# Well | 0:00:44 | 0:00:46 | |
# Whoa | 0:00:49 | 0:00:52 | |
# Well | 0:00:53 | 0:00:55 | |
# Relax, don't do it | 0:00:57 | 0:01:00 | |
# When you want to go to it | 0:01:00 | 0:01:02 | |
# Relax, don't do it | 0:01:02 | 0:01:04 | |
# When you want to come | 0:01:04 | 0:01:06 | |
# Relax, don't do it | 0:01:06 | 0:01:08 | |
# When you want to suck it to it | 0:01:08 | 0:01:10 | |
# Relax, don't do it | 0:01:10 | 0:01:12 | |
# When you want to come | 0:01:13 | 0:01:15 | |
# When you want to come | 0:01:17 | 0:01:19 | |
# Relax, don't do it | 0:01:22 | 0:01:25 | |
# When you want to go to it | 0:01:25 | 0:01:27 | |
# Relax, don't do it | 0:01:27 | 0:01:29 | |
# When you want to come | 0:01:29 | 0:01:31 | |
# Relax, don't do it | 0:01:31 | 0:01:33 | |
# When you want to suck it to it | 0:01:33 | 0:01:35 | |
# Relax, don't do it | 0:01:35 | 0:01:37 | |
# When you want come | 0:01:38 | 0:01:40 | |
# Come on | 0:01:43 | 0:01:46 | |
# Oh-whoa-oh | 0:01:46 | 0:01:51 | |
# But shoot it in the right direction | 0:01:54 | 0:01:58 | |
# Make making it your intention | 0:01:58 | 0:02:02 | |
# Live those dreams | 0:02:02 | 0:02:04 | |
# Scheme those schemes | 0:02:04 | 0:02:06 | |
-# Got to hit me -Hit me | 0:02:06 | 0:02:08 | |
-# Hit me -Hit me | 0:02:08 | 0:02:09 | |
# Hit me with your laser beams | 0:02:09 | 0:02:13 | |
# Laser beams | 0:02:17 | 0:02:20 | |
# Relax | 0:02:27 | 0:02:29 | |
# Don't do it | 0:02:32 | 0:02:34 | |
# Relax | 0:02:36 | 0:02:37 | |
# When you want to come | 0:02:43 | 0:02:45 | |
# Ah-ah-ah-ah-ah-ah | 0:02:54 | 0:02:56 | |
# I'm coming, I'm coming, hey, hey, hey, hey, hey | 0:02:57 | 0:03:02 | |
# Relax, don't do it | 0:03:05 | 0:03:07 | |
-# Rushing inside of me -When you want to go to it | 0:03:07 | 0:03:09 | |
# Relax, don't do it | 0:03:09 | 0:03:11 | |
# When you want to come | 0:03:11 | 0:03:13 | |
# Relax, don't do it | 0:03:13 | 0:03:15 | |
# When you want to suck it to it | 0:03:15 | 0:03:17 | |
-# Relax, don't do it -Love | 0:03:17 | 0:03:21 | |
# When you want to come | 0:03:21 | 0:03:22 | |
# When you want to come | 0:03:25 | 0:03:27 | |
# When you want to come | 0:03:29 | 0:03:31 | |
# Come | 0:03:34 | 0:03:35 | |
# Relax, don't do it | 0:03:55 | 0:03:57 | |
# When you want to go to it | 0:03:57 | 0:03:59 | |
# Relax, don't do it | 0:03:59 | 0:04:00 | |
# Relax, don't do it | 0:04:03 | 0:04:05 | |
# When you want to suck it to it | 0:04:05 | 0:04:07 | |
# Relax, don't do it | 0:04:07 | 0:04:09 | |
# One sound on sound time | 0:04:11 | 0:04:14 | |
# Come. # | 0:04:20 | 0:04:22 | |
Yet more graduates of night-time Radio 1. | 0:04:26 | 0:04:28 | |
From Liverpool, Frankie Goes To Hollywood, and that was Relax, | 0:04:28 | 0:04:30 | |
their Top Of The Pops debut. | 0:04:30 | 0:04:32 | |
And now, fellow Scotsman, Rod Stewart at Number 32 with Sweet Surrender. | 0:04:32 | 0:04:36 | |
# You come to me with open arms | 0:04:43 | 0:04:48 | |
# Trying to rectify my charms | 0:04:51 | 0:04:55 | |
# You say tonight I'm to be your lover | 0:04:58 | 0:05:02 | |
# And by the morning light I'm to discover | 0:05:05 | 0:05:09 | |
# Everything that you've held inside of you | 0:05:12 | 0:05:17 | |
# What's a man like me supposed to do | 0:05:20 | 0:05:23 | |
# Sweet, oh sweet surrender | 0:05:26 | 0:05:31 | |
# Sweet, sweet surrender | 0:05:33 | 0:05:38 | |
# You tell me that you're lonely and you're sad | 0:05:48 | 0:05:53 | |
# And tonight I'm to be your only man | 0:05:55 | 0:06:01 | |
# You wear those things that turn my head | 0:06:03 | 0:06:07 | |
# You ruffle my ego but not my bed | 0:06:09 | 0:06:14 | |
# Seems like summer when you're close at hand | 0:06:17 | 0:06:21 | |
# If I seem eager then you'll understand | 0:06:24 | 0:06:30 | |
# Sweet, sweet surrender | 0:06:30 | 0:06:35 | |
# Sweet, sweet surrender | 0:06:38 | 0:06:43 | |
# Heart is tired and full of doubt | 0:07:15 | 0:07:19 | |
# Now you've sucked me in don't spit me out | 0:07:21 | 0:07:26 | |
# Lay your head down next to mine | 0:07:29 | 0:07:33 | |
# And in each others arms we'll entwine | 0:07:36 | 0:07:40 | |
# Look me straight in the eyes and tell me | 0:07:43 | 0:07:47 | |
# Between your heart and mind I see | 0:07:50 | 0:07:54 | |
# Sweet, oh sweet surrender. # | 0:07:56 | 0:08:01 | |
Well, that's Rod Stewart, of course, | 0:08:02 | 0:08:04 | |
and a few years ago he came to my wedding, actually. | 0:08:04 | 0:08:06 | |
As did this man here. | 0:08:06 | 0:08:07 | |
A legendary name in British broadcasting, Alan Freeman, | 0:08:07 | 0:08:10 | |
who introduced some of those very early "Top Of The Popses", or whatever the plural is. | 0:08:10 | 0:08:13 | |
Do you have any anecdotes about those early programmes, Alan? | 0:08:13 | 0:08:16 | |
No, not really, John, no. | 0:08:16 | 0:08:17 | |
Well, would you like to introduce the next part of the programme? | 0:08:17 | 0:08:20 | |
No, I don't think so, no. | 0:08:20 | 0:08:21 | |
-Would you like a cup of tea? -No, not really, but I would like to say | 0:08:21 | 0:08:24 | |
-it's great to be back. -INTERRUPTING: -Let's press on. | 0:08:24 | 0:08:26 | |
BEAT MUSIC | 0:08:26 | 0:08:27 | |
The Rolling Stones, Let's Spend The Night Together. Your place or mine? | 0:08:46 | 0:08:49 | |
On second thoughts... | 0:08:49 | 0:08:52 | |
-# Let's spend the night together -Together now... # | 0:08:52 | 0:08:55 | |
Whiter Shade Of Pale from Procol Harum. Dig those threads, man(!) | 0:08:57 | 0:09:01 | |
# As the miller told his tale | 0:09:05 | 0:09:08 | |
# That her face, at first just ghostly | 0:09:11 | 0:09:14 | |
# Turned a whiter shade of pale. # | 0:09:16 | 0:09:22 | |
Lulu and Love Loves To Love Love. Catchy. | 0:09:22 | 0:09:25 | |
They look as though they're enjoying themselves. | 0:09:26 | 0:09:29 | |
# Love loves to love love, to love love, to love love | 0:09:30 | 0:09:34 | |
# Love loves to love love, to love love, to love love. # | 0:09:34 | 0:09:39 | |
Here's Engelbert. What a hunk, eh? This is The Last Waltz. | 0:09:39 | 0:09:43 | |
# ..waltz with you | 0:09:43 | 0:09:45 | |
# Two lonely people together | 0:09:47 | 0:09:52 | |
# I fell in love with you | 0:09:54 | 0:10:01 | |
# The last waltz should last forever... # | 0:10:01 | 0:10:06 | |
Alan Price and Don't Stop The Carnival. | 0:10:06 | 0:10:09 | |
And the carnival continues here on Top Of The Pops with more of | 0:10:09 | 0:10:12 | |
the great hits of the past 20 years. | 0:10:12 | 0:10:14 | |
# You'll never find a better way | 0:10:14 | 0:10:16 | |
# No, don't stop the carnival | 0:10:16 | 0:10:19 | |
# You dance and sing the night and day away | 0:10:19 | 0:10:21 | |
# No, don't stop the carnival | 0:10:21 | 0:10:24 | |
Peter Sarstedt, Where Do You Go To My Lovely. Easy, Peter. | 0:10:24 | 0:10:28 | |
# ..when you're alone in your bed? | 0:10:28 | 0:10:32 | |
# Won't you tell me the thoughts that surround you? | 0:10:32 | 0:10:36 | |
# I want to look inside your head, yes, I do... # | 0:10:36 | 0:10:40 | |
# I'm sorry Suzanne, believe me, I was wrong | 0:10:44 | 0:10:50 | |
# And I knew I was all along | 0:10:50 | 0:10:54 | |
# Forgive me... # | 0:10:54 | 0:10:56 | |
Now here's a really cute bunch of kids... | 0:10:56 | 0:10:58 | |
# And if our backs should ever be against a wall | 0:11:01 | 0:11:06 | |
# We'll be together, together you and I... # | 0:11:06 | 0:11:15 | |
# And her life's a mystery | 0:11:18 | 0:11:20 | |
# Oh but love grows where my Rosemary goes | 0:11:21 | 0:11:26 | |
# And nobody knows like me... # | 0:11:26 | 0:11:31 | |
# Well, you're wasting you're time, they're not stupid like he is | 0:11:34 | 0:11:38 | |
# Meanwhile leaves are still falling, you're too blind to see | 0:11:38 | 0:11:43 | |
# You won't find it easy now, it's only fair... # | 0:11:45 | 0:11:53 | |
Everybody Get Together by those masters of melody, | 0:11:53 | 0:11:56 | |
The Dave Clark Five. | 0:11:56 | 0:11:59 | |
# ..get together, try to love one another right now. # | 0:11:59 | 0:12:03 | |
Now here's a good 'un. Thin Lizzy and Whisky In The Jar. | 0:12:05 | 0:12:09 | |
# Whack for my daddy, oh | 0:12:10 | 0:12:13 | |
# Whack for my daddy, oh | 0:12:13 | 0:12:17 | |
# There's whisky in the jar, oh... # | 0:12:17 | 0:12:20 | |
Sweet and their epic Blockbuster. | 0:12:28 | 0:12:31 | |
# We just haven't got a clue what to do | 0:12:31 | 0:12:35 | |
# Does anyone know the way? There's got to be a way | 0:12:35 | 0:12:39 | |
# To Blockbuster... # | 0:12:39 | 0:12:41 | |
Finally, The Beatles summing up a decade of music - | 0:12:41 | 0:12:44 | |
All You Need Is Love. | 0:12:44 | 0:12:46 | |
# All you need is love | 0:12:46 | 0:12:48 | |
# All you need is love, love Love is all you need... # | 0:12:51 | 0:12:57 | |
Not exactly The Black And White Minstrel Show, | 0:13:03 | 0:13:05 | |
but rather a Top Of The Pops look at the 1960s. | 0:13:05 | 0:13:07 | |
We'll look at the '70s a little later. | 0:13:07 | 0:13:09 | |
But now Top Of The Pops veterans Status Quo, | 0:13:09 | 0:13:11 | |
this week at Number 5, with Marguerita Time. | 0:13:11 | 0:13:13 | |
# Captured my heart | 0:13:28 | 0:13:30 | |
# Captured my memory | 0:13:32 | 0:13:34 | |
# Captured a time for me | 0:13:35 | 0:13:38 | |
# I could see | 0:13:38 | 0:13:40 | |
# A time for me | 0:13:40 | 0:13:42 | |
# Is gonna be | 0:13:42 | 0:13:43 | |
# Deep in my heart | 0:13:45 | 0:13:46 | |
# Deep in my memory | 0:13:48 | 0:13:51 | |
# Deep in a part of me | 0:13:52 | 0:13:54 | |
# Heart of me | 0:13:54 | 0:13:56 | |
# Meant to be history | 0:13:56 | 0:14:00 | |
# Could it be that I'm still wondering? | 0:14:00 | 0:14:04 | |
# I never knew what had happened to me | 0:14:04 | 0:14:07 | |
# I didn't think it was true | 0:14:07 | 0:14:11 | |
# That I could be just like anyone else | 0:14:11 | 0:14:15 | |
# I'll take my chance with you | 0:14:15 | 0:14:17 | |
# Picture a dream | 0:14:24 | 0:14:27 | |
# Picture a fantasy | 0:14:28 | 0:14:31 | |
# Picture a mood of me | 0:14:32 | 0:14:35 | |
# Mystery You and me, a mystery | 0:14:35 | 0:14:40 | |
# Lost in a dream | 0:14:41 | 0:14:43 | |
# Lost in a fantasy | 0:14:45 | 0:14:49 | |
# Lost in what seemed to be | 0:14:49 | 0:14:51 | |
# Dreams to be | 0:14:51 | 0:14:53 | |
# Seemed to be | 0:14:53 | 0:14:55 | |
# Had to be | 0:14:55 | 0:14:57 | |
# Couldn't find no other reason | 0:14:57 | 0:15:01 | |
# I never knew what had happened to me | 0:15:01 | 0:15:04 | |
# I didn't think it was true | 0:15:04 | 0:15:08 | |
# That I could be just like anyone else | 0:15:08 | 0:15:11 | |
# I'll take my chance with you | 0:15:11 | 0:15:14 | |
# Let's have a drink | 0:15:29 | 0:15:30 | |
# It's Marguerita time | 0:15:32 | 0:15:35 | |
# It's Marguerita time | 0:15:36 | 0:15:39 | |
# After nine | 0:15:39 | 0:15:41 | |
# Summer time | 0:15:41 | 0:15:42 | |
# Any time | 0:15:42 | 0:15:45 | |
# You'll still always find me wondering | 0:15:45 | 0:15:48 | |
# I never knew what had happened to me | 0:15:48 | 0:15:52 | |
# I didn't think it was true | 0:15:52 | 0:15:54 | |
# That I could be just like anyone else | 0:15:55 | 0:15:59 | |
# I'll take my chance with you. # | 0:15:59 | 0:16:02 | |
Oh, the show goes on, eh? That's Status Quo and Marguerita Time. | 0:16:36 | 0:16:40 | |
Back in the 1970s Top Of The Pops was introduced by Whole Lotta Love | 0:16:40 | 0:16:43 | |
by CCS, and this was a band that was led by Alexis Korner, | 0:16:43 | 0:16:47 | |
who died recently. | 0:16:47 | 0:16:48 | |
He was a good man, and he'll be very much missed. | 0:16:48 | 0:16:50 | |
Going to go back to those memories, now. | 0:16:50 | 0:16:52 | |
One or two sequences in colour, and I think you're going to find | 0:16:52 | 0:16:55 | |
this very interesting, a little nostalgia. | 0:16:55 | 0:16:57 | |
MUSIC: Whole Lotta Love by CCS | 0:16:58 | 0:17:01 | |
We start with 1970 and Deep Purple with one of the year's biggies, | 0:17:16 | 0:17:19 | |
Black Night. | 0:17:19 | 0:17:21 | |
# ..a rough sea | 0:17:21 | 0:17:23 | |
# I can't feel, I can't see | 0:17:23 | 0:17:26 | |
# Maybe I'll find on the way down the line that I'm free | 0:17:26 | 0:17:30 | |
# Free to be me | 0:17:32 | 0:17:34 | |
# Black night is a long way from home... # | 0:17:37 | 0:17:42 | |
Slade, now back in the charts of course - Cos I Luv You. | 0:17:42 | 0:17:46 | |
# ..love you | 0:17:46 | 0:17:49 | |
# You make me out a clown and you put me down | 0:17:49 | 0:17:52 | |
# How I love you | 0:17:52 | 0:17:56 | |
# I just like the things you do... # | 0:17:57 | 0:18:01 | |
# Put out your tongue, put your hand in the air | 0:18:08 | 0:18:10 | |
# Make a V sign like you just don't care | 0:18:10 | 0:18:13 | |
# Now you feel free, you gotta lose control | 0:18:13 | 0:18:15 | |
# Everybody got a little bit of soul | 0:18:15 | 0:18:17 | |
# Won't have to think, you don't have to move a muscle | 0:18:17 | 0:18:20 | |
# Do the brow-beating, heavy leather resurrection shuffle... # | 0:18:20 | 0:18:25 | |
Roy Wood, Wizzard, and the Ball Park Incident. | 0:18:25 | 0:18:27 | |
# ..it can't much matter to you | 0:18:30 | 0:18:31 | |
# I found her lying, yeah, yeah, yeah | 0:18:33 | 0:18:37 | |
# Near the ball park down at school... # | 0:18:37 | 0:18:41 | |
Here's another unforgettable haircut... | 0:18:41 | 0:18:43 | |
# Yes, I really do | 0:18:46 | 0:18:48 | |
# Night time's a lonely time | 0:18:48 | 0:18:52 | |
# When you're gone I'm starting to cry | 0:18:52 | 0:18:55 | |
# But you know that you're on my mind | 0:18:55 | 0:18:58 | |
# Oh honey be my coo-ca-choo... # | 0:18:58 | 0:19:01 | |
Roxy Music, this is All I Want Is You. | 0:19:01 | 0:19:03 | |
# Why should I try to talk correct | 0:19:07 | 0:19:10 | |
# Like they do in lovers' scenes? # | 0:19:10 | 0:19:13 | |
Bye Bye Baby - the Bay City Rollers, | 0:19:13 | 0:19:16 | |
one of the biggest bands of the 1970s. | 0:19:16 | 0:19:18 | |
# Bye-bye baby, don't make me cry... # | 0:19:20 | 0:19:25 | |
This is Cliff, of course, and Devil Woman. | 0:19:27 | 0:19:29 | |
# I found myself on the floor | 0:19:29 | 0:19:32 | |
# Then I looked in those big green eyes | 0:19:34 | 0:19:37 | |
# And I wondered what I came there for | 0:19:37 | 0:19:41 | |
# She's just a devil woman | 0:19:42 | 0:19:44 | |
# With evil on her mind | 0:19:44 | 0:19:46 | |
# Beware the devil woman | 0:19:46 | 0:19:48 | |
# She's going to get you... # | 0:19:48 | 0:19:50 | |
# Das ist gut, c'est fantastique | 0:19:54 | 0:19:57 | |
# Hit me, hit me, hit me | 0:19:57 | 0:19:59 | |
# Hit me with your rhythm stick | 0:19:59 | 0:20:01 | |
# It's nice to be a lunatic... # | 0:20:01 | 0:20:03 | |
Here's pouting Gary Numan and Cars. | 0:20:03 | 0:20:06 | |
# I can listen to you, it keeps me stable for days | 0:20:07 | 0:20:10 | |
# In cars... # | 0:20:10 | 0:20:12 | |
Here are more of the artistes who made the hits of the 1970s. | 0:20:12 | 0:20:16 | |
The Rolling Stones, | 0:20:16 | 0:20:17 | |
Sandy Shaw, The Drifters, | 0:20:17 | 0:20:19 | |
Elvis Costello, Boney M, | 0:20:19 | 0:20:20 | |
and David Essex. | 0:20:20 | 0:20:22 | |
Moving ever onward, here are some of the chart names of the 1980s. | 0:20:22 | 0:20:25 | |
# Coming up | 0:20:27 | 0:20:29 | |
# Coming up | 0:20:31 | 0:20:33 | |
# Like a flower... # | 0:20:33 | 0:20:34 | |
What a treat, eh? | 0:20:35 | 0:20:37 | |
# Now I run from you | 0:20:38 | 0:20:41 | |
# This tainted love you've given | 0:20:41 | 0:20:43 | |
# I give you all a boy could give you | 0:20:43 | 0:20:47 | |
# Take my tears and that's not nearly all | 0:20:47 | 0:20:51 | |
# Tainted love... # | 0:20:51 | 0:20:53 | |
And finally, Dexy's Midnight Runners and Come On Eileen. | 0:20:53 | 0:20:57 | |
Play that banjo, son. | 0:20:57 | 0:20:59 | |
# You in that dress | 0:21:01 | 0:21:02 | |
-# My thoughts -I confess | 0:21:02 | 0:21:04 | |
# Verge on dirty | 0:21:04 | 0:21:06 | |
# Come on, Eileen... # | 0:21:06 | 0:21:08 | |
STUDIO AUDIENCE CHEERS | 0:21:19 | 0:21:22 | |
Ah, memories. | 0:21:23 | 0:21:24 | |
Such memories, and we apologise if your favourites weren't there. | 0:21:24 | 0:21:27 | |
Actually, my favourites weren't there, either. | 0:21:27 | 0:21:29 | |
He still misses The Osmonds, especially Little Jimmy. | 0:21:29 | 0:21:32 | |
Now let's look at our new expanded Top 40. | 0:21:32 | 0:21:34 | |
Bird Of Paradise | 0:21:36 | 0:21:38 | |
All Night Long | 0:21:38 | 0:21:40 | |
Christmas Spectre | 0:21:41 | 0:21:44 | |
Superman | 0:21:44 | 0:21:47 | |
Running With The Night | 0:21:48 | 0:21:52 | |
Waterfront | 0:21:55 | 0:21:57 | |
I Can Help | 0:21:58 | 0:22:01 | |
Sweet Surrender | 0:22:03 | 0:22:06 | |
Right By Your Side | 0:22:07 | 0:22:09 | |
Karma Chameleon | 0:22:09 | 0:22:11 | |
Say Say Say | 0:22:13 | 0:22:16 | |
The Way You Are | 0:22:17 | 0:22:20 | |
That's All | 0:22:20 | 0:22:22 | |
Christmas Countdown | 0:22:23 | 0:22:27 | |
Dear Nuala, your generosity knows no bounds. | 0:22:33 | 0:22:36 | |
A partridge, two turtle doves, three French hens and four calling birds. | 0:22:36 | 0:22:40 | |
When the five gold rings arrived I was scared stiff that it | 0:22:40 | 0:22:42 | |
might be more birds, because their droppings keeps falling down | 0:22:42 | 0:22:46 | |
in me poor old mother's hair when she's watching the telly. | 0:22:46 | 0:22:48 | |
However, I don't want to seem ungrateful for the beautiful rings. | 0:22:48 | 0:22:51 | |
Your affectionate friend, Gobnait O'Lunasa. | 0:22:51 | 0:22:54 | |
Day Six. Nuala, what are you trying to do to us? | 0:22:54 | 0:22:57 | |
The six geese have not alone nearly murdered the calling birds, but | 0:22:57 | 0:23:01 | |
they've laid their eggs on top of the vet's head from the pear tree, | 0:23:01 | 0:23:03 | |
and his bill was £68 in cash. | 0:23:03 | 0:23:06 | |
The mother is munching 68 grains of Valium | 0:23:06 | 0:23:08 | |
a day and talking to herself in a most alarming way. | 0:23:08 | 0:23:12 | |
You must keep your feelings for me in check. Gobnait. | 0:23:12 | 0:23:15 | |
Day Seven. | 0:23:15 | 0:23:16 | |
Nuala, seven swans a-swimming is a most romantic idea, | 0:23:16 | 0:23:19 | |
but not in the bath of a private house. | 0:23:19 | 0:23:21 | |
We cannot use the bathroom now, as they have gone completely | 0:23:21 | 0:23:24 | |
savage, and rush the bathroom every time we try to enter. | 0:23:24 | 0:23:27 | |
If things go on this way, | 0:23:27 | 0:23:28 | |
the mother and I will smell as bad as the living room carpet. | 0:23:28 | 0:23:31 | |
Please lay off. It's not fair. Gobnait. | 0:23:31 | 0:23:33 | |
Day Eight. | 0:23:34 | 0:23:35 | |
Nuala, who the hell do you think gave you the right to send | 0:23:35 | 0:23:38 | |
eight hefty maids a-milking here to eat us out of house and home? | 0:23:38 | 0:23:41 | |
The swans invaded the living room in a sneak attack, | 0:23:41 | 0:23:44 | |
and the ensuing battle between them and the turtle doves, | 0:23:44 | 0:23:46 | |
French hens, calling birds and partridge made | 0:23:46 | 0:23:48 | |
the Battle of the Somme seem like Crackerjack. | 0:23:48 | 0:23:51 | |
The mother is on a bottle of whisky a day as well as the 68 grains | 0:23:51 | 0:23:54 | |
of Valium. I'm very annoyed with you. Gobnait. | 0:23:54 | 0:23:57 | |
Day Nine. Listen, you louser. | 0:23:57 | 0:24:00 | |
There's enough pandemonium in this place without nine drummers | 0:24:00 | 0:24:03 | |
drumming while the eight maids a-milking is beating my poor | 0:24:03 | 0:24:06 | |
old alcoholic mother out of her own kitchen and gobbling everything in sight. | 0:24:06 | 0:24:09 | |
I'm warning you. You're making an enemy of me. Gobnait. | 0:24:09 | 0:24:12 | |
Day Ten. Listen, manure-face. | 0:24:12 | 0:24:15 | |
I hope you'll be haunted by the strains of the ten pipers | 0:24:15 | 0:24:17 | |
piping, which was sent to torment us last night. | 0:24:17 | 0:24:20 | |
They were aided in their evil work by those nine maniac drummers, | 0:24:20 | 0:24:23 | |
and the eight hefty maids a-milking was pogoing around to the | 0:24:23 | 0:24:26 | |
ensuing punk rock uproar. | 0:24:26 | 0:24:28 | |
Me mother has just finished her third bottle of whisky on | 0:24:28 | 0:24:30 | |
top of 124 grains of Valium. | 0:24:30 | 0:24:33 | |
You'll get yours. Gobnait O'Lunasa. | 0:24:33 | 0:24:36 | |
Day 11. You have scandalised my mother, you dirty jezebel. | 0:24:36 | 0:24:40 | |
It is bad enough to have eight maids a-milking dancing to punk music on | 0:24:40 | 0:24:43 | |
the front lawn, but now they've been joined by your friends, | 0:24:43 | 0:24:46 | |
the 11 lords a-leaping, | 0:24:46 | 0:24:47 | |
and the antics of the whole lot of them would leave the most | 0:24:47 | 0:24:50 | |
decadent days of the Roman Empire looking like the Epilogue. | 0:24:50 | 0:24:53 | |
I'll get you yet, you owl-bag. | 0:24:53 | 0:24:55 | |
Day 12. Listen, slurry-head. You've ruined our lives. | 0:24:55 | 0:25:00 | |
The 12 maidens dancing turned up last night and beat the | 0:25:00 | 0:25:02 | |
living daylights out of the eight maids a-milking because they | 0:25:02 | 0:25:05 | |
found them carrying on with the 11 lords a-leaping. | 0:25:05 | 0:25:07 | |
Meanwhile, the swans got out of the living room, | 0:25:07 | 0:25:09 | |
where they've been hiding since the big battle and savaged the | 0:25:09 | 0:25:12 | |
hell out of the lords and all the maids. | 0:25:12 | 0:25:13 | |
There were eight ambulances here last night, | 0:25:13 | 0:25:15 | |
and the local Civil Defence as well. | 0:25:15 | 0:25:17 | |
The mother is in a home for the bewildered, | 0:25:17 | 0:25:19 | |
and I'm sitting here up to me neck in bird droppings, empty whisky | 0:25:19 | 0:25:22 | |
and Valium bottles, birds' blood and feathers, | 0:25:22 | 0:25:24 | |
while the flaming cows eats the flaming pear tree! | 0:25:24 | 0:25:27 | |
I'm a broken man! | 0:25:27 | 0:25:29 | |
HE SOBS | 0:25:29 | 0:25:31 | |
CHEERING AND APPLAUSE | 0:25:31 | 0:25:36 | |
That's Frank Kelly and, well, the eight days of Christmas. | 0:25:36 | 0:25:39 | |
Drastically reduced to clear. Back to those charts. | 0:25:39 | 0:25:42 | |
Club Fantastic, the mega mix, of course. | 0:25:44 | 0:25:47 | |
Calling Your Name | 0:25:47 | 0:25:51 | |
Read 'Em and Weep. Bitter tears. | 0:25:51 | 0:25:53 | |
Cry Just A Little Bit | 0:25:54 | 0:25:57 | |
What Are We Going to Get 'Er Indoors | 0:25:58 | 0:26:02 | |
Merry Christmas Everybody | 0:26:02 | 0:26:05 | |
Straight Ahead | 0:26:05 | 0:26:08 | |
Rat Rapping. It ain't nothing but fun. | 0:26:08 | 0:26:11 | |
Many Rivers To Cross | 0:26:13 | 0:26:16 | |
2,000 Miles | 0:26:16 | 0:26:19 | |
Move Over Darling | 0:26:19 | 0:26:22 | |
Uptown Girl | 0:26:22 | 0:26:24 | |
Please Don't Fall In Love | 0:26:25 | 0:26:28 | |
Let's Stay Together | 0:26:29 | 0:26:31 | |
Thriller | 0:26:33 | 0:26:35 | |
And now, something your Rhythm Pals first did a couple of years ago. | 0:26:36 | 0:26:38 | |
You're not going to tell them about the trusses, are you? Don't tell them about the trusses... | 0:26:38 | 0:26:42 | |
No, no, no. The video Top 10, and here's the first one of the new year. | 0:26:42 | 0:26:45 | |
Here it comes. Look. | 0:26:45 | 0:26:47 | |
At Number 10 it's one-man band Howard Jones and What Is Love? | 0:26:47 | 0:26:51 | |
# Never worry, never be sad | 0:26:51 | 0:26:53 | |
# The answer is they cannot love this much, nobody can | 0:26:55 | 0:27:00 | |
# This is why I don't mind you doubting | 0:27:00 | 0:27:04 | |
# What is love anyway? | 0:27:04 | 0:27:09 | |
# Does anybody love anybody anyway? | 0:27:10 | 0:27:13 | |
# What is love anyway? | 0:27:14 | 0:27:19 | |
# Does anybody love anybody anyway? # | 0:27:19 | 0:27:23 | |
# What do you say? # | 0:27:24 | 0:27:26 | |
At Number 9, lurching up from 22, | 0:27:26 | 0:27:28 | |
it's Pipes of Peace - Paul McCartney. | 0:27:28 | 0:27:30 | |
Sock it to 'em, Paul. | 0:27:30 | 0:27:32 | |
# Or will someone save this planet we're playing on? | 0:27:32 | 0:27:37 | |
# Is it the only one? | 0:27:39 | 0:27:42 | |
# What are we going to do? | 0:27:42 | 0:27:44 | |
-# Help them to see -Help them to see | 0:27:44 | 0:27:46 | |
# That the people here are like you and me | 0:27:47 | 0:27:52 | |
# Let us show them how to play | 0:27:52 | 0:27:56 | |
# The pipes of peace | 0:27:56 | 0:27:59 | |
# Play the pipes of peace... # | 0:27:59 | 0:28:06 | |
The ever-popular Thompson Twins are at Number 8 with Hold Me Now. | 0:28:10 | 0:28:13 | |
# Stay with me | 0:28:16 | 0:28:19 | |
# Let loving start, let loving start... # | 0:28:20 | 0:28:24 | |
At Number 7, it's Islands In The Stream - Kenny Rogers and | 0:28:27 | 0:28:29 | |
Dolly Parton. | 0:28:29 | 0:28:31 | |
That's Ken on the right. | 0:28:31 | 0:28:32 | |
# How can we be wrong? | 0:28:32 | 0:28:33 | |
# Sail away with me | 0:28:33 | 0:28:36 | |
# To another world | 0:28:36 | 0:28:39 | |
# And we rely on each other, ah-ah... # | 0:28:39 | 0:28:42 | |
# Tell her about it... | 0:28:43 | 0:28:45 | |
Billy Joel shaking a tail feather at Number 6, and Tell Her About It. | 0:28:45 | 0:28:49 | |
# Give her every reason to accept that you're for real | 0:28:49 | 0:28:53 | |
# Tell her about it | 0:28:53 | 0:28:56 | |
# Tell her all your crazy dreams | 0:28:56 | 0:28:59 | |
# Let her know you need her | 0:28:59 | 0:29:00 | |
# Let her know how much she means... # | 0:29:00 | 0:29:04 | |
Status Quo at Number 5, with Marguerita Time. | 0:29:04 | 0:29:08 | |
# ..think it was true | 0:29:08 | 0:29:11 | |
# That I could be just like anyone else | 0:29:11 | 0:29:15 | |
# I'll take my chance with you... # | 0:29:15 | 0:29:17 | |
At 4 it's Victims from Culture Club and co. | 0:29:20 | 0:29:22 | |
# Please don't do the things you do | 0:29:22 | 0:29:24 | |
# When you do those things, pull my puppet strings | 0:29:26 | 0:29:30 | |
# I have the strangest void for you... # | 0:29:30 | 0:29:33 | |
# And we're living of the love of the common people... # | 0:29:35 | 0:29:38 | |
1983 was a splendid year for Paul Young, and '84 is off to | 0:29:38 | 0:29:41 | |
a good start, with Love Of The Common People at Number 3. | 0:29:41 | 0:29:44 | |
# Mama's going to love you just as much as she can | 0:29:44 | 0:29:47 | |
# And she can | 0:29:49 | 0:29:51 | |
# Yes, we're living in the love of the common people | 0:29:51 | 0:29:54 | |
# Smiles from the heart of a family man | 0:29:54 | 0:29:57 | |
# Daddy's going to buy you a dream to cling to | 0:29:57 | 0:29:59 | |
# Mama's going to love you just as much as she can... # | 0:29:59 | 0:30:02 | |
And still at Number 2 it's Slade, and here they are with My Oh My. | 0:30:02 | 0:30:06 | |
# I believe in woman, my oh my | 0:30:18 | 0:30:23 | |
# I believe in lovin', my oh my | 0:30:25 | 0:30:30 | |
# Don't a woman need a man? | 0:30:31 | 0:30:35 | |
# Try and catch one if you can | 0:30:35 | 0:30:38 | |
# I believe in woman, my oh my | 0:30:38 | 0:30:44 | |
# We all need someone to talk to, my oh my | 0:30:45 | 0:30:50 | |
# We all need someone to talk to, my oh my | 0:30:52 | 0:30:57 | |
# You need a shoulder to cry on | 0:30:59 | 0:31:03 | |
# Call me, I'll be standing by | 0:31:03 | 0:31:06 | |
# We all need someone to talk to, my oh my | 0:31:06 | 0:31:11 | |
# We all need a lotta lovin', my oh my | 0:31:13 | 0:31:18 | |
# Yeah, a whole lotta lovin', my oh my | 0:31:20 | 0:31:27 | |
# I can lend a helping hand | 0:31:27 | 0:31:31 | |
# If you ain't got nothing planned | 0:31:31 | 0:31:34 | |
# We all need some lovin', my oh my | 0:31:34 | 0:31:40 | |
# Oh yeah | 0:31:40 | 0:31:43 | |
# Oh yeah | 0:31:53 | 0:31:56 | |
# So let's all swing together, my oh my | 0:32:08 | 0:32:14 | |
# We can all swing together, my oh my | 0:32:15 | 0:32:21 | |
# You got troubles of your own | 0:32:22 | 0:32:25 | |
# No need to face them all alone | 0:32:25 | 0:32:29 | |
# We can all swing together, my oh my | 0:32:29 | 0:32:34 | |
# So let's all pull together, my oh my | 0:32:36 | 0:32:42 | |
# Yeah, let's all pull together, my oh my | 0:32:43 | 0:32:48 | |
# We can ride the stormy weather | 0:32:50 | 0:32:53 | |
# If we all get out and try | 0:32:53 | 0:32:57 | |
# So let's all pull together, my oh my | 0:32:57 | 0:33:03 | |
# Yeah, let's all pull together, my oh my. # | 0:33:03 | 0:33:11 | |
I must say, it's always good to see Slade on Top Of The Pops. | 0:33:42 | 0:33:45 | |
Hey, Peely, what's Number 1? | 0:33:45 | 0:33:46 | |
What's been Number 1 since you and I were about that tall? | 0:33:46 | 0:33:48 | |
-What, Flying Pickets? -Flying Pickets. | 0:33:48 | 0:33:51 | |
# Ba da da da | 0:33:53 | 0:33:55 | |
# Ba da da da | 0:33:55 | 0:33:57 | |
# Ba da da da | 0:33:57 | 0:33:59 | |
# Ba da da da | 0:33:59 | 0:34:02 | |
# Ba da da da | 0:34:02 | 0:34:04 | |
# Ba da da da | 0:34:04 | 0:34:07 | |
# Ba da da da | 0:34:07 | 0:34:09 | |
# Ba da da da | 0:34:09 | 0:34:12 | |
# Looking from a window above | 0:34:12 | 0:34:15 | |
# It's like a story of love | 0:34:15 | 0:34:17 | |
# Can you hear me? | 0:34:18 | 0:34:21 | |
# Came back only yesterday | 0:34:21 | 0:34:25 | |
# Moving further away | 0:34:25 | 0:34:27 | |
# Won't you hear me? | 0:34:27 | 0:34:32 | |
# All I needed was the love you gave | 0:34:32 | 0:34:35 | |
# All I needed for another day | 0:34:36 | 0:34:40 | |
# All I ever knew | 0:34:41 | 0:34:45 | |
# Only you | 0:34:45 | 0:34:46 | |
# Sometimes when I think of your name | 0:34:50 | 0:34:54 | |
# And it's only a game | 0:34:54 | 0:34:55 | |
# And I need you | 0:34:57 | 0:35:00 | |
# Listening to the words that you say | 0:35:00 | 0:35:03 | |
# Getting harder to stay | 0:35:03 | 0:35:05 | |
# When I see you | 0:35:06 | 0:35:09 | |
# All I needed was the love you gave | 0:35:10 | 0:35:14 | |
# All I needed for another day | 0:35:15 | 0:35:19 | |
# All I ever knew | 0:35:19 | 0:35:23 | |
# Only you | 0:35:23 | 0:35:25 | |
# Ba da ba da | 0:35:29 | 0:35:31 | |
# Ba da da da | 0:35:31 | 0:35:34 | |
# Ba da da da | 0:35:34 | 0:35:36 | |
# Ba da da da | 0:35:36 | 0:35:39 | |
# Ba da ba da | 0:35:39 | 0:35:41 | |
# Ba da da da | 0:35:41 | 0:35:42 | |
# Ba da da da | 0:35:43 | 0:35:46 | |
# Ba da da da | 0:35:46 | 0:35:47 | |
# All I needed was the love you gave | 0:35:49 | 0:35:52 | |
# All I needed for another day | 0:35:54 | 0:35:57 | |
# All I ever knew | 0:35:58 | 0:36:01 | |
# Only you | 0:36:02 | 0:36:04 | |
# This is gonna take a long time | 0:36:08 | 0:36:11 | |
# And I wonder what's mine | 0:36:11 | 0:36:13 | |
# Can't take no more | 0:36:14 | 0:36:17 | |
# Wonder if you'll understand | 0:36:17 | 0:36:20 | |
# It's just the touch of your hand | 0:36:20 | 0:36:23 | |
# Behind a closed door | 0:36:23 | 0:36:28 | |
# All I needed was the love you gave | 0:36:28 | 0:36:31 | |
# All I needed for another day | 0:36:33 | 0:36:37 | |
# All I ever knew | 0:36:37 | 0:36:41 | |
# Only you | 0:36:41 | 0:36:42 | |
# Ba da da da | 0:36:46 | 0:36:49 | |
# Ba da da da | 0:36:49 | 0:36:51 | |
# Ba da da da | 0:36:51 | 0:36:54 | |
# Ba da da da | 0:36:54 | 0:36:56 | |
# Ba da da da | 0:36:56 | 0:36:58 | |
# Ba da da da. # | 0:36:58 | 0:37:00 | |
Well, will it still be at Number 1 next week? | 0:37:03 | 0:37:05 | |
You'll have to watch Top Of The Pops with Mike Read and | 0:37:05 | 0:37:07 | |
Steve Wright to find out. | 0:37:07 | 0:37:08 | |
Well, we hope you've enjoyed the 20th anniversary of this programme. | 0:37:08 | 0:37:11 | |
Unfortunately, we've got to take the suits back, | 0:37:11 | 0:37:13 | |
make our way back to night-time Radio 1. We'll see you soon. | 0:37:13 | 0:37:16 | |
Here's Kool & The Gang. Goodnight. | 0:37:16 | 0:37:17 | |
# Straight ahead | 0:37:30 | 0:37:34 | |
# Straight ahead | 0:37:38 | 0:37:41 | |
# So you started from the bottom but you always saw the light | 0:37:46 | 0:37:53 | |
# And now you're ready for your journey, one direction reaching high | 0:37:54 | 0:38:00 | |
# Keep the feeling of the spirit always present as you climb | 0:38:02 | 0:38:09 | |
# One direction | 0:38:09 | 0:38:12 | |
# One vibration... # | 0:38:12 | 0:38:13 |