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APPLAUSE | 0:00:12 | 0:00:15 | |
Hello and welcome to the first 3D Top of the Pops. | 0:00:15 | 0:00:17 | |
Hold on a minute, that's my beer! | 0:00:17 | 0:00:19 | |
What's he's trying to say is that tonight, | 0:00:19 | 0:00:20 | |
the show is very, very live. | 0:00:20 | 0:00:22 | |
He's influenced by Tomorrow's World. | 0:00:22 | 0:00:23 | |
Over here, these very, very live and wonderful Tears for Fears! | 0:00:23 | 0:00:26 | |
# Welcome to your life | 0:00:36 | 0:00:40 | |
# There's no turning back | 0:00:40 | 0:00:44 | |
# Even while we sleep | 0:00:44 | 0:00:48 | |
# We will find you | 0:00:48 | 0:00:51 | |
# Acting on your best behaviour | 0:00:51 | 0:00:55 | |
# Turn your back on Mother Nature | 0:00:55 | 0:00:59 | |
# Everybody wants to rule the world | 0:00:59 | 0:01:04 | |
# It's my own design | 0:01:14 | 0:01:17 | |
# It's my own remorse | 0:01:18 | 0:01:23 | |
# Help me to decide | 0:01:23 | 0:01:27 | |
# Help me make the most | 0:01:27 | 0:01:30 | |
# Of freedom and of pleasure | 0:01:30 | 0:01:33 | |
# Nothing ever lasts forever | 0:01:33 | 0:01:38 | |
# Everybody wants to rule the world | 0:01:38 | 0:01:42 | |
# There's a room where the light won't find you | 0:01:42 | 0:01:47 | |
# Holding hands while the walls come tumbling down | 0:01:47 | 0:01:51 | |
# When they do I'll be right behind you | 0:01:51 | 0:01:55 | |
# So glad we've almost made it | 0:01:55 | 0:02:00 | |
# So sad they had to fade it | 0:02:00 | 0:02:03 | |
# Everybody wants to rule the world | 0:02:03 | 0:02:09 | |
# I can't stand this indecision | 0:02:55 | 0:02:59 | |
# Married with a lack of vision | 0:02:59 | 0:03:03 | |
# Everybody wants to rule the world | 0:03:03 | 0:03:08 | |
# Say that you'll never, never, never, never need it | 0:03:08 | 0:03:12 | |
# One headline - why believe it? | 0:03:12 | 0:03:16 | |
# Everybody wants to rule the world | 0:03:16 | 0:03:22 | |
# All for freedom and for pleasure | 0:03:29 | 0:03:33 | |
# Nothing ever lasts forever | 0:03:33 | 0:03:37 | |
# Everybody wants to rule the world. # | 0:03:37 | 0:03:43 | |
Tears for Fears. Do you know what? | 0:04:02 | 0:04:04 | |
They're live on stage in Birmingham in two hours' time. | 0:04:04 | 0:04:06 | |
OK, it is spot-the-stars time because at number 7 this week, | 0:04:06 | 0:04:10 | |
it is USA for Africa. | 0:04:10 | 0:04:12 | |
# There comes a time when we heed a certain call | 0:04:12 | 0:04:18 | |
# When the world must come together as one | 0:04:18 | 0:04:23 | |
# There are people dying | 0:04:25 | 0:04:28 | |
# Oh and it's time to lend a hand to life | 0:04:28 | 0:04:33 | |
# The greatest gift of all | 0:04:33 | 0:04:39 | |
# We can't go on | 0:04:39 | 0:04:40 | |
# Pretending day by day | 0:04:42 | 0:04:45 | |
# That someone, somewhere will soon make a change | 0:04:45 | 0:04:50 | |
# We are all a part of God's great big family | 0:04:52 | 0:04:58 | |
# And the truth, you know love is all we need | 0:04:58 | 0:05:04 | |
# We are the world | 0:05:04 | 0:05:06 | |
# We are the children | 0:05:08 | 0:05:10 | |
# We are the ones who make a brighter day | 0:05:11 | 0:05:14 | |
# So let's start giving | 0:05:14 | 0:05:16 | |
# There's a choice we're making | 0:05:18 | 0:05:21 | |
# We're saving our own lives | 0:05:21 | 0:05:25 | |
# It's true we'll make a better day | 0:05:25 | 0:05:27 | |
# Just you and me | 0:05:27 | 0:05:30 | |
# Well send them your heart | 0:05:34 | 0:05:35 | |
# So they'll know that someone cares | 0:05:38 | 0:05:41 | |
# And their lives will be stronger and free | 0:05:41 | 0:05:46 | |
# As God has shown us | 0:05:48 | 0:05:51 | |
# By turning stone to bread | 0:05:51 | 0:05:54 | |
# And so we all must lend a helping hand | 0:05:54 | 0:06:00 | |
# We are the world | 0:06:00 | 0:06:04 | |
# We are the children | 0:06:04 | 0:06:07 | |
# We are the ones who make a brighter day | 0:06:07 | 0:06:10 | |
# So let's start giving | 0:06:10 | 0:06:14 | |
# Whoa, there's a choice we're making | 0:06:14 | 0:06:18 | |
# We're saving our own lives | 0:06:18 | 0:06:21 | |
# It's true we'll make a better day | 0:06:21 | 0:06:24 | |
# Just you and me | 0:06:24 | 0:06:28 | |
# When you're down and out, there seems no hope at all | 0:06:28 | 0:06:34 | |
# But if you just believe there's no way we can fall | 0:06:34 | 0:06:39 | |
# Well, well, well, let's realise | 0:06:39 | 0:06:43 | |
# Oh, that a change can only come | 0:06:43 | 0:06:47 | |
# When we stand together as one | 0:06:47 | 0:06:53 | |
# We are the world | 0:06:53 | 0:06:57 | |
# We are the children | 0:06:57 | 0:07:00 | |
# We are the ones who make a brighter day | 0:07:00 | 0:07:03 | |
# So let's start giving | 0:07:03 | 0:07:07 | |
# There's a choice we're making | 0:07:07 | 0:07:11 | |
# We're saving our own lives | 0:07:11 | 0:07:14 | |
# It's true we'll make a better day | 0:07:14 | 0:07:16 | |
# Just you and me | 0:07:16 | 0:07:19 | |
# We are the world | 0:07:20 | 0:07:23 | |
# We are the children | 0:07:23 | 0:07:26 | |
# We are the ones who make a brighter day | 0:07:26 | 0:07:30 | |
# So let's start giving | 0:07:30 | 0:07:33 | |
# There's a choice we're making | 0:07:33 | 0:07:36 | |
# We're saving our own lives | 0:07:37 | 0:07:40 | |
# It's true we'll make a better day | 0:07:40 | 0:07:43 | |
# Just you and me | 0:07:43 | 0:07:45 | |
-# We are the world -# We are the world | 0:07:46 | 0:07:50 | |
-# We are the children -# We are the children | 0:07:50 | 0:07:53 | |
# We are the ones who make a brighter day | 0:07:53 | 0:07:56 | |
-# So let's start giving -# So let's start giving | 0:07:56 | 0:08:00 | |
# There's a choice we're making | 0:08:00 | 0:08:04 | |
# We're saving our own lives | 0:08:04 | 0:08:07 | |
# It's true we'll make a better day | 0:08:07 | 0:08:09 | |
# Just you and me. # | 0:08:09 | 0:08:11 | |
Who'd like to help me figure out who sings which bit of it anyway? | 0:08:14 | 0:08:17 | |
This next is for St Helena's, Chesterfield and it's also | 0:08:17 | 0:08:20 | |
for Jeremy who is watching us in hospital. | 0:08:20 | 0:08:22 | |
One of his favourites, in fact, this is The Rah Band. | 0:08:22 | 0:08:24 | |
MESSAGE TONE | 0:08:30 | 0:08:31 | |
Good evening. This is the intergalactic operator. | 0:08:31 | 0:08:35 | |
Can I help you? | 0:08:35 | 0:08:36 | |
Yes. I'm trying to reach flight commander PR Johnson | 0:08:36 | 0:08:40 | |
on Mars, Flight 2-4-7. | 0:08:40 | 0:08:43 | |
Very well, hold on, please. | 0:08:45 | 0:08:47 | |
BLEEPING AND BLOOPING | 0:08:47 | 0:08:50 | |
You're through. | 0:08:50 | 0:08:51 | |
Thank you, operator. | 0:08:51 | 0:08:52 | |
# Hi, darling | 0:08:54 | 0:08:56 | |
# How you doing? | 0:08:57 | 0:08:58 | |
# Hey, baby | 0:08:59 | 0:09:00 | |
# Were you sleeping? | 0:09:01 | 0:09:02 | |
# Oh I'm sorry, but I've been really missing you | 0:09:04 | 0:09:08 | |
# Hi, darling | 0:09:13 | 0:09:14 | |
# How's the weather? | 0:09:15 | 0:09:16 | |
# Say, baby, is that cold better now? | 0:09:18 | 0:09:21 | |
# Oh, I'm sorry, is there someone there with you? | 0:09:22 | 0:09:27 | |
# Oh, since you went away there's nothing going right | 0:09:31 | 0:09:36 | |
# I just can't sleep alone at night | 0:09:36 | 0:09:40 | |
# I'm not ashamed to say I badly need a friend | 0:09:41 | 0:09:46 | |
# Or it's the end | 0:09:46 | 0:09:48 | |
# Now, when I look at the clouds across the moon | 0:09:49 | 0:09:54 | |
# Here in the night I just hope and pray that soon | 0:09:54 | 0:09:58 | |
# Oh, baby, you'll hurry home to me | 0:09:59 | 0:10:05 | |
# Hi, darling | 0:10:10 | 0:10:11 | |
# The kids say they love you | 0:10:11 | 0:10:13 | |
# Hey, baby | 0:10:14 | 0:10:16 | |
# Is everything fine with you? | 0:10:16 | 0:10:18 | |
# Please forgive me, but I'm trying not to cry | 0:10:19 | 0:10:24 | |
# Oh, I've had a million different offers on the phone | 0:10:28 | 0:10:33 | |
# But I just stay right here at home | 0:10:33 | 0:10:36 | |
# I don't think that I can take it any more | 0:10:38 | 0:10:43 | |
# This crazy war | 0:10:43 | 0:10:46 | |
# Now, when I look at the clouds across the moon | 0:10:46 | 0:10:51 | |
# Here in the night I just hope and pray that soon | 0:10:51 | 0:10:56 | |
# Oh darling, you'll hurry home to me... # | 0:10:56 | 0:11:02 | |
MESSAGE TONE | 0:11:06 | 0:11:07 | |
I'm sorry to interrupt your conversation, | 0:11:07 | 0:11:09 | |
but we are experiencing violent storm conditions | 0:11:09 | 0:11:12 | |
in the asteroid belt at this time. | 0:11:12 | 0:11:16 | |
We may lose this valuable deep space communication link. | 0:11:16 | 0:11:20 | |
Please be as brief as possible. | 0:11:20 | 0:11:23 | |
Thank you. | 0:11:23 | 0:11:24 | |
# Oh, since you went away there's nothing going right | 0:11:24 | 0:11:30 | |
# I just can't sleep alone at night | 0:11:30 | 0:11:32 | |
# I'm not ashamed to say I badly need a friend | 0:11:35 | 0:11:40 | |
# Or it's... | 0:11:40 | 0:11:41 | |
# ..it's... # | 0:11:41 | 0:11:42 | |
Hello? | 0:11:44 | 0:11:45 | |
BUZZING SOUND | 0:11:45 | 0:11:46 | |
Hello, operator? | 0:11:46 | 0:11:48 | |
Yes, I seem to have lost the connection. | 0:11:48 | 0:11:50 | |
Could you try again, please? | 0:11:51 | 0:11:53 | |
I'm sorry, but I'm afraid we've lost contact | 0:11:53 | 0:11:56 | |
with Mars 2-4-7 at this time. | 0:11:56 | 0:11:59 | |
# Now, when I look at the clouds across the moon... | 0:12:02 | 0:12:04 | |
OK, well, thank you very much. | 0:12:04 | 0:12:05 | |
# Here in the night I just hope and pray that soon... | 0:12:07 | 0:12:09 | |
I-I'll try again next year. | 0:12:09 | 0:12:12 | |
# Oh, baby... | 0:12:12 | 0:12:13 | |
Next year... | 0:12:13 | 0:12:15 | |
# You'll hurry home to me... # | 0:12:15 | 0:12:16 | |
Next year... | 0:12:16 | 0:12:17 | |
There you are, you see, that's what happens | 0:12:22 | 0:12:24 | |
when you privatise the telephone system. | 0:12:24 | 0:12:26 | |
I'm trying to work out which one is Rah? | 0:12:26 | 0:12:29 | |
-Er, is it that one over there? -Could be. | 0:12:29 | 0:12:31 | |
No, it's the Top 40 Breakers. | 0:12:31 | 0:12:33 | |
At 39, here is Foreigner, | 0:12:38 | 0:12:40 | |
runners-up in the Los Angeles Young Businessman of the Year competition, | 0:12:40 | 0:12:43 | |
1974. | 0:12:43 | 0:12:44 | |
# ...that I counted on | 0:12:44 | 0:12:47 | |
# How could I watch you walk away | 0:12:47 | 0:12:50 | |
# I'd give anything to have you here today | 0:12:50 | 0:12:55 | |
# But now I stand alone with my pride | 0:12:55 | 0:13:01 | |
# And dream that you're still by my side | 0:13:03 | 0:13:11 | |
# But that was yesterday | 0:13:11 | 0:13:13 | |
# I had the world in my hands | 0:13:14 | 0:13:19 | |
# But it's not the end of my world | 0:13:19 | 0:13:23 | |
# Just a slight change of plans... # | 0:13:23 | 0:13:26 | |
# Stand back, Superman... # | 0:13:26 | 0:13:28 | |
At 34, it's Super Gran, Billy Connolly, | 0:13:28 | 0:13:30 | |
who's been on so many chat shows, he's lost the use of his legs. | 0:13:30 | 0:13:33 | |
# Don't wanna cause a ruckus, but BA Baracas | 0:13:33 | 0:13:36 | |
# Have I got a match for you | 0:13:36 | 0:13:40 | |
# She makes them look like a bunch of fairies | 0:13:40 | 0:13:43 | |
# She's got more bottle than United Dairies | 0:13:43 | 0:13:47 | |
# Hang about | 0:13:48 | 0:13:50 | |
# Look out! | 0:13:50 | 0:13:51 | |
# For Super Gran | 0:13:51 | 0:13:53 | |
# Shoop shoop, Super Gran... # | 0:13:53 | 0:13:56 | |
And it's some super songwriters who are up to 32 this week. | 0:13:57 | 0:14:01 | |
China Crisis with Black Man Ray. | 0:14:01 | 0:14:04 | |
# And we the people | 0:14:04 | 0:14:06 | |
# Who can but try | 0:14:06 | 0:14:08 | |
# Forever learn | 0:14:08 | 0:14:10 | |
# As time goes by | 0:14:10 | 0:14:12 | |
# Yes, yes, I could be wrong | 0:14:13 | 0:14:17 | |
# Why, why, should I pretend? | 0:14:22 | 0:14:26 | |
# God only knows in the end... # | 0:14:27 | 0:14:30 | |
# I know there'll never be a time... # | 0:14:30 | 0:14:32 | |
At 27, it's Phil Collins with One More Night | 0:14:32 | 0:14:35 | |
and will somebody please, please fill this guy's glass? | 0:14:35 | 0:14:38 | |
# And I know it's only words | 0:14:38 | 0:14:41 | |
# But if you change your mind | 0:14:44 | 0:14:48 | |
# You know that I'll be here | 0:14:48 | 0:14:51 | |
# And maybe we both can learn | 0:14:51 | 0:14:56 | |
# Give me just one more night Give me just one more night | 0:14:56 | 0:15:04 | |
# Oh, one more night | 0:15:04 | 0:15:07 | |
# Cos I can't wait forever | 0:15:07 | 0:15:11 | |
And at number 25 on this live Top of the Pops, | 0:15:14 | 0:15:16 | |
it's The Dream Academy and Life in a Northern town. | 0:15:16 | 0:15:19 | |
# The Salvation Army band played | 0:15:35 | 0:15:37 | |
# And the children drunk lemonade | 0:15:39 | 0:15:42 | |
# And the morning lasted all day | 0:15:42 | 0:15:46 | |
# All day | 0:15:46 | 0:15:50 | |
# And through an open window came | 0:15:50 | 0:15:54 | |
# Like Sinatra in a younger day | 0:15:54 | 0:15:59 | |
# Pushing the town away | 0:15:59 | 0:16:02 | |
# Oh | 0:16:02 | 0:16:05 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:16:06 | 0:16:10 | |
# Ah hey ma ma ma hey-y-yah | 0:16:10 | 0:16:16 | |
# Life in a northern town | 0:16:16 | 0:16:19 | |
# Ah hey ma ma ma ma | 0:16:19 | 0:16:21 | |
# They sat on the stony ground | 0:16:22 | 0:16:25 | |
# And he took a cigarette out | 0:16:26 | 0:16:30 | |
# And everyone else came down | 0:16:30 | 0:16:33 | |
# To listen | 0:16:33 | 0:16:35 | |
# He said in winter 1963 | 0:16:37 | 0:16:42 | |
# It felt like the world would freeze | 0:16:42 | 0:16:46 | |
# With John F Kennedy | 0:16:46 | 0:16:47 | |
# And The Beatles | 0:16:49 | 0:16:53 | |
# Yeah, yeah, yeah | 0:16:53 | 0:16:54 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:16:54 | 0:16:58 | |
# Ah hey ma ma ma hey-y-yah | 0:16:58 | 0:17:03 | |
# Life in a northern town | 0:17:03 | 0:17:06 | |
# Hey ma ma ma ma | 0:17:06 | 0:17:08 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:17:09 | 0:17:13 | |
# Ah hey ma ma ma hey-y-yah | 0:17:13 | 0:17:19 | |
# All the work shut down | 0:17:19 | 0:17:22 | |
# The evening turned to rain | 0:17:25 | 0:17:29 | |
# Watched the water roll down the drain | 0:17:29 | 0:17:31 | |
# As we followed him down | 0:17:33 | 0:17:35 | |
# To the station | 0:17:36 | 0:17:39 | |
# And though he never would wave goodbye | 0:17:40 | 0:17:44 | |
# You could see it written in his eyes | 0:17:44 | 0:17:46 | |
# As the train rolled out of sight | 0:17:48 | 0:17:52 | |
# Bye-bye | 0:17:53 | 0:17:57 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:18:01 | 0:18:05 | |
# Ah hey ma ma ma hey-y-yah | 0:18:05 | 0:18:10 | |
# Life in a northern town | 0:18:10 | 0:18:13 | |
# Ah hey ma ma ma ma | 0:18:13 | 0:18:16 | |
-# Ah hey ma ma mommy doo-din-nie-ya -# A northern town | 0:18:16 | 0:18:20 | |
-# Ah hey ma ma ma hey-y-yah -# The work shut down | 0:18:20 | 0:18:26 | |
# Life in a northern town | 0:18:26 | 0:18:28 | |
-# Ah hey ma ma ma ma -# Where you going to... | 0:18:28 | 0:18:32 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:18:32 | 0:18:36 | |
# Ah hey ma ma ma hey-y-yah | 0:18:36 | 0:18:43 | |
# Ah hey ma ma ma ma | 0:18:44 | 0:18:46 | |
# Make it easy on yourself | 0:18:46 | 0:18:48 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:18:48 | 0:18:52 | |
-# Ah hey ma ma ma hey-y-yah -# Just a Northern town | 0:18:52 | 0:19:00 | |
# Ah hey ma ma ma ma | 0:19:00 | 0:19:02 | |
# Make it easy on yourself | 0:19:02 | 0:19:04 | |
# Ah hey ma ma mommy doo-din-nie-ya | 0:19:04 | 0:19:08 | |
# Ah hey ma ma ma hey-y-yah | 0:19:08 | 0:19:13 | |
# Ah hey ma ma ma ma. # | 0:19:16 | 0:19:19 | |
The Dream Academy. | 0:19:23 | 0:19:24 | |
You're looking really fit, tanned and healthy. | 0:19:24 | 0:19:26 | |
What have you been doing? | 0:19:26 | 0:19:27 | |
This is my George Michael home suntan kit. | 0:19:27 | 0:19:29 | |
A little humour for you, listeners. | 0:19:29 | 0:19:31 | |
-Can you sing like him? -Even better. The charts! | 0:19:31 | 0:19:33 | |
At 40, it's Change - Let's Go Together. | 0:19:36 | 0:19:38 | |
Chart entry at 39, Foreigner - That Was Yesterday. | 0:19:39 | 0:19:43 | |
Down to 38, it's Shakespeare's Sister from The Smiths. | 0:19:43 | 0:19:47 | |
At 37, Bruce Springsteen - Dancing In The Dark. | 0:19:47 | 0:19:50 | |
And at 36, Somebody - Bryan Adams. | 0:19:50 | 0:19:52 | |
The Commodores are at number 35 with Nightshift. | 0:19:54 | 0:19:56 | |
Super Billy Connolly up to 34 with Super Gran. | 0:19:58 | 0:20:01 | |
At 33, Janice's favourite, David Cassidy - The Last Kiss. | 0:20:01 | 0:20:05 | |
Phwoar. China Crisis and Black Man Ray up to 32. | 0:20:05 | 0:20:08 | |
At 31, Third World - Now That We've Found Love. | 0:20:08 | 0:20:12 | |
And at 30, You Spin Me Round (Like A Record) - Dead Or Alive. | 0:20:12 | 0:20:16 | |
At 29, it's Big Daddy with the Dancing In The Dark EP. | 0:20:16 | 0:20:19 | |
And Between The Wars EP from Billy Bragg at 28. | 0:20:19 | 0:20:23 | |
A new entry at number 27, Phil Collins - One More Night. | 0:20:23 | 0:20:26 | |
Up to 26, it's ABC and Be Near Me. | 0:20:26 | 0:20:30 | |
Not for a bet, dear. | 0:20:30 | 0:20:31 | |
At 25, Dream Academy and Life In A Northern Town. | 0:20:31 | 0:20:34 | |
And King at 24, Won't You Hold My Hand Now. | 0:20:34 | 0:20:37 | |
Not likely. | 0:20:37 | 0:20:38 | |
23, Love Is A Battlefield - Pat Benetar. | 0:20:38 | 0:20:41 | |
Grimly Fiendish from The Damned at 22. | 0:20:41 | 0:20:43 | |
-And at 21, Power Station - Some, Janice, Like It Hot. -Oh, yeah. | 0:20:44 | 0:20:49 | |
Cover Me from Bruce Springsteen at 20. | 0:20:49 | 0:20:51 | |
At 19, REO Speedwagon - Can't Fight This Feeling. | 0:20:52 | 0:20:55 | |
And the meaningful Clouds Across The Moon from the Rah Band at 18. | 0:20:55 | 0:20:59 | |
At 17, Loose Ends - Hanging On A String. | 0:20:59 | 0:21:01 | |
Yep. | 0:21:01 | 0:21:02 | |
Prince's girlfriend Madonna's at 16 with Material Girl. | 0:21:02 | 0:21:06 | |
-At 15, Kiss Me - Stephen 'Tintin' Duffy. -Mwah! | 0:21:06 | 0:21:10 | |
The Heat Is On from Glen Frey at 14. | 0:21:10 | 0:21:13 | |
You're an animal. | 0:21:13 | 0:21:14 | |
13, The Cool Notes - Spend The Night. | 0:21:14 | 0:21:17 | |
And at 12, it's Jermaine Jackson and Do What You Do. | 0:21:17 | 0:21:21 | |
Oh, later. | 0:21:21 | 0:21:22 | |
At 11, former jazz-rocker Nik Kershaw, it's Wide Boy. | 0:21:22 | 0:21:26 | |
AUDIENCE CHEERS | 0:21:26 | 0:21:27 | |
But it's back to King, who's at Capital after this, | 0:21:27 | 0:21:29 | |
and on Dutch television tonight. They're here now, | 0:21:29 | 0:21:32 | |
Won't You Hold My Hand Now! | 0:21:32 | 0:21:33 | |
# These are heavy times | 0:21:48 | 0:21:51 | |
# So won't you show your hand | 0:21:51 | 0:21:54 | |
# I don't mean kiss and tell | 0:21:54 | 0:21:58 | |
# Mm, I'm such a jealous man | 0:21:58 | 0:22:03 | |
# I throw a flush | 0:22:03 | 0:22:04 | |
# I reveal my ace | 0:22:04 | 0:22:07 | |
# The heart's my trump | 0:22:07 | 0:22:08 | |
# I don't need no picture face | 0:22:08 | 0:22:10 | |
# I'm laying my cards out on the table place | 0:22:10 | 0:22:15 | |
# Won't you take my hand | 0:22:15 | 0:22:18 | |
# Won't you hold my hand now | 0:22:18 | 0:22:22 | |
# These are heavy times | 0:22:22 | 0:22:25 | |
# Won't you hold my hand now | 0:22:25 | 0:22:29 | |
# These are heavy times | 0:22:29 | 0:22:32 | |
# Well these are heavy times | 0:22:32 | 0:22:35 | |
# There's all clamps and parking fines | 0:22:36 | 0:22:39 | |
# There's too much north and too much south | 0:22:39 | 0:22:42 | |
# And too much of the knaves versus the spades | 0:22:42 | 0:22:47 | |
# I throw a flush | 0:22:47 | 0:22:49 | |
# I reveal my ace | 0:22:49 | 0:22:51 | |
# The heart's my trump | 0:22:51 | 0:22:52 | |
# I don't need no picture face | 0:22:52 | 0:22:55 | |
# I'm laying my cards out on the table place | 0:22:55 | 0:22:59 | |
# Won't you take my hand | 0:22:59 | 0:23:02 | |
# Won't you hold my hand now | 0:23:02 | 0:23:06 | |
# These are heavy times | 0:23:06 | 0:23:10 | |
# Won't you hold my hand now | 0:23:10 | 0:23:13 | |
# These are heavy times | 0:23:13 | 0:23:15 | |
# Oh these are heavy times | 0:23:15 | 0:23:19 | |
# Hoo, hah, hah! | 0:23:19 | 0:23:21 | |
# From a circus ring | 0:23:35 | 0:23:37 | |
# To a band of gold | 0:23:39 | 0:23:42 | |
# Sometimes there's safety nets | 0:23:42 | 0:23:44 | |
# Well, sometimes | 0:23:44 | 0:23:47 | |
# But there's no golden rule | 0:23:47 | 0:23:50 | |
# I throw a flush | 0:23:50 | 0:23:51 | |
# I reveal my ace | 0:23:51 | 0:23:54 | |
# The heart's my trump | 0:23:54 | 0:23:55 | |
# I don't need no picture face | 0:23:55 | 0:23:57 | |
# I'm laying my cards out on the table place | 0:23:57 | 0:24:01 | |
# Won't you take my hand | 0:24:01 | 0:24:05 | |
# Won't you hold my hand now | 0:24:05 | 0:24:09 | |
-# La la la la la la -# Won't you hold my hand now | 0:24:11 | 0:24:15 | |
# Now | 0:24:15 | 0:24:17 | |
# Won't you hold my hand now | 0:24:27 | 0:24:30 | |
That's King and I have to get their autograph for Alexandra. | 0:24:37 | 0:24:39 | |
Do you think you could get me Paul King's suit? | 0:24:39 | 0:24:41 | |
-Cos I think it's really good. -For your bedroom wall, is that? | 0:24:41 | 0:24:44 | |
Tell you what, let's have a look at the Top 10-selling videos. | 0:24:44 | 0:24:47 | |
APPLAUSE | 0:24:47 | 0:24:49 | |
Up to number 10, | 0:24:50 | 0:24:51 | |
it's Could I Be... Could It Be that I'm Falling In Love, | 0:24:51 | 0:24:53 | |
David Grant and Jaki Graham. | 0:24:53 | 0:24:55 | |
# And darling, you'll always be the only one for me | 0:24:56 | 0:25:01 | |
# Heaven made you especially, hee | 0:25:01 | 0:25:06 | |
# Could it be I'm falling in love? Could it be I'm falling in love? | 0:25:06 | 0:25:15 | |
# Could it be I'm falling in love?... # | 0:25:15 | 0:25:20 | |
At 9, it's the hunky voice. | 0:25:21 | 0:25:23 | |
It's Paul Young and Every Time You Go Away. | 0:25:23 | 0:25:27 | |
# You take a piece of me with you... # | 0:25:27 | 0:25:31 | |
Up to number 8, this is Phyllis Nelson and Move Closer. | 0:25:33 | 0:25:36 | |
# Move your body real close until we | 0:25:38 | 0:25:43 | |
# Feel like we're really making love | 0:25:45 | 0:25:52 | |
# Whoa, whoa, move closer | 0:25:54 | 0:25:59 | |
# Move your body real close until we | 0:26:02 | 0:26:07 | |
# Feel like we're really making love... # | 0:26:09 | 0:26:16 | |
# We are the world... # | 0:26:17 | 0:26:18 | |
At 7, it's USA For Africa and We Are The World. | 0:26:18 | 0:26:22 | |
# We are the children | 0:26:22 | 0:26:23 | |
# We are the ones who make a brighter day | 0:26:23 | 0:26:26 | |
-# So let's start giving -So let's start giving... -# | 0:26:26 | 0:26:30 | |
Down to number 6, I'm afraid, | 0:26:32 | 0:26:33 | |
Alison Moyet - That Ole Devil Called Love. | 0:26:33 | 0:26:36 | |
# ...called love again... # | 0:26:36 | 0:26:37 | |
# We close our eyes... # | 0:26:39 | 0:26:40 | |
And up to 5, We Close Our Eyes from Go West. | 0:26:40 | 0:26:43 | |
# Imagination never lets us take the blame | 0:26:43 | 0:26:46 | |
# We close our eyes to see the final frame | 0:26:46 | 0:26:49 | |
# We close our eyes and we can talk to strangers | 0:26:49 | 0:26:54 | |
# We are burning with the spark | 0:26:54 | 0:26:58 | |
# And we can walk on water | 0:26:58 | 0:27:00 | |
# We are tigers in the dark, the dark... # | 0:27:01 | 0:27:05 | |
Down to number 4, Pie Jesu - | 0:27:06 | 0:27:08 | |
Sarah Brightman and Paul Miles, Kingston, Surrey. | 0:27:08 | 0:27:11 | |
Why do we have to give his address? | 0:27:11 | 0:27:12 | |
# Everybody wants to... # | 0:27:14 | 0:27:16 | |
Tears For Fears and Everybody Wants To Rule The World at 3. | 0:27:16 | 0:27:19 | |
# Moving at one million... # | 0:27:20 | 0:27:22 | |
Still at number 2, the excellent Frankie Goes to Hollywood - | 0:27:22 | 0:27:24 | |
Welcome To The Pleasuredome. | 0:27:24 | 0:27:26 | |
# Using my power | 0:27:26 | 0:27:27 | |
# I sell it by the hour | 0:27:27 | 0:27:29 | |
# I have it so I market it | 0:27:29 | 0:27:31 | |
# You really can't afford it, yeah | 0:27:31 | 0:27:34 | |
# Really can't afford it | 0:27:35 | 0:27:37 | |
# Shooting stars never stop | 0:27:37 | 0:27:40 | |
# Even when they reach the top | 0:27:40 | 0:27:42 | |
# Shooting stars never stop | 0:27:42 | 0:27:44 | |
# Even when they reach the top | 0:27:44 | 0:27:46 | |
# There goes a supernova | 0:27:46 | 0:27:48 | |
# What a pushover, yeah | 0:27:48 | 0:27:50 | |
# There goes a supernova | 0:27:50 | 0:27:52 | |
# What a pushover | 0:27:52 | 0:27:54 | |
# We're a long way from home | 0:27:54 | 0:27:56 | |
# Welcome to the Pleasuredome | 0:27:56 | 0:27:59 | |
# On our way home | 0:27:59 | 0:28:01 | |
# Going home where lovers roam | 0:28:01 | 0:28:03 | |
# Long way from home | 0:28:03 | 0:28:05 | |
# Welcome to the Pleasuredome | 0:28:05 | 0:28:09 | |
CHEERING | 0:28:09 | 0:28:10 | |
This is our sexual chemistry shot. She's unquenchable! | 0:28:10 | 0:28:13 | |
When are you going to build me a Pleasuredome? | 0:28:13 | 0:28:15 | |
Er, at number 1 this week, it seems to have been there for ages, | 0:28:15 | 0:28:18 | |
it's Phil Bailey and it's Phil Collins and this is Easy Lover. | 0:28:18 | 0:28:21 | |
APPLAUSE | 0:28:21 | 0:28:23 | |
# Easy lover | 0:28:31 | 0:28:33 | |
# She'll get a hold on you, believe it | 0:28:33 | 0:28:36 | |
# Like no other | 0:28:38 | 0:28:39 | |
# Before you know it you'll be on your knees | 0:28:40 | 0:28:43 | |
# She's an easy lover | 0:28:44 | 0:28:45 | |
# She'll take your heart but you won't feel it | 0:28:47 | 0:28:50 | |
# She's like no other | 0:28:52 | 0:28:54 | |
# And I'm just trying to make you see | 0:28:54 | 0:28:56 | |
# She's the kind of girl you dream of | 0:28:58 | 0:29:00 | |
# Dream of keeping hold of | 0:29:02 | 0:29:05 | |
# You'd better forget it | 0:29:05 | 0:29:06 | |
# You'll never get it | 0:29:08 | 0:29:10 | |
# She will play around and leave you | 0:29:12 | 0:29:14 | |
# Leave you and deceive you | 0:29:16 | 0:29:19 | |
# Better forget it | 0:29:19 | 0:29:20 | |
# Oh, you'll regret it | 0:29:22 | 0:29:24 | |
# No you'll never change her so leave it, leave it | 0:29:27 | 0:29:31 | |
# Get out quick cos seeing is believing | 0:29:31 | 0:29:34 | |
# It's the only way | 0:29:34 | 0:29:36 | |
# You'll ever know, oh | 0:29:37 | 0:29:41 | |
# She's an easy lover | 0:29:41 | 0:29:42 | |
# She'll get a hold on you, believe it | 0:29:44 | 0:29:47 | |
# Like no other | 0:29:49 | 0:29:52 | |
# Before you know it you'll be on your knees | 0:29:52 | 0:29:54 | |
# She's an easy lover | 0:29:56 | 0:29:58 | |
# She'll take your heart but you won't feel it | 0:29:58 | 0:30:02 | |
# She's like no other | 0:30:03 | 0:30:06 | |
# And I'm just trying to make you see | 0:30:06 | 0:30:09 | |
# You're the one that wants to hold her | 0:30:09 | 0:30:12 | |
# Hold her and control her | 0:30:13 | 0:30:16 | |
# You'd better forget it | 0:30:16 | 0:30:18 | |
# You'll never get it... # | 0:30:19 | 0:30:22 | |
All right, are you ready? | 0:30:22 | 0:30:24 | |
Here we go, go! | 0:30:24 | 0:30:25 | |
-Wait, wait... -That'll work good, Phil! | 0:30:27 | 0:30:29 | |
Wait, I'm trying to figure out how... | 0:30:29 | 0:30:31 | |
# Better forget it | 0:30:31 | 0:30:32 | |
# Oh, you'll regret it | 0:30:34 | 0:30:36 | |
# And don't try to change her, just leave it, leave it | 0:30:38 | 0:30:42 | |
# You're not the only one Ooh, seeing is believing | 0:30:42 | 0:30:46 | |
# It's the only way | 0:30:46 | 0:30:47 | |
# You'll ever know, oh | 0:30:48 | 0:30:52 | |
# Ahhh | 0:30:52 | 0:30:55 | |
# Now don't try to change her, just leave it, leave it | 0:31:32 | 0:31:36 | |
# You're not the only one, cos seeing is believing | 0:31:36 | 0:31:39 | |
# It's the only way | 0:31:39 | 0:31:42 | |
# You'll ever know, oh | 0:31:42 | 0:31:46 | |
# She's an easy lover | 0:31:46 | 0:31:49 | |
# She'll get a hold on you, believe it | 0:31:49 | 0:31:52 | |
# She's like no other | 0:31:54 | 0:31:56 | |
# Before you know it you'll be on your knees | 0:31:56 | 0:31:59 | |
# You'll be down on your knees | 0:31:59 | 0:32:01 | |
# She's an easy lover | 0:32:01 | 0:32:04 | |
# She'll take your heart but you won't feel it | 0:32:04 | 0:32:07 | |
# She's like no other | 0:32:08 | 0:32:11 | |
# And I'm just trying to make you see | 0:32:11 | 0:32:14 | |
# Trying to make you see, yeah | 0:32:14 | 0:32:16 | |
# She's an easy lover | 0:32:16 | 0:32:18 | |
# She'll get a hold on you, believe it | 0:32:18 | 0:32:20 | |
# Get a hold on you | 0:32:20 | 0:32:21 | |
# And like no other | 0:32:23 | 0:32:25 | |
# Before you know it you'll be on your knees | 0:32:25 | 0:32:28 | |
# You'll be on your knees... # | 0:32:28 | 0:32:30 | |
CHEERING AND APPLAUSE | 0:32:30 | 0:32:31 | |
We'll leave you with Pat Benetar and Love Is A Battlefield. | 0:32:31 | 0:32:34 | |
What did you promise me later? | 0:32:34 | 0:32:36 | |
I'd take you to see Liverpool at Wembley. | 0:32:36 | 0:32:39 | |
Bye! | 0:32:39 | 0:32:40 | |
# We are young We are young | 0:32:43 | 0:32:44 | |
# Heartache to heartache Heartache to heartache | 0:32:44 | 0:32:46 | |
# We stand We stand | 0:32:46 | 0:32:49 | |
# No promises No promises | 0:32:49 | 0:32:52 | |
# No demands No demands | 0:32:52 | 0:32:54 | |
# Love is a battlefield Love is a battlefield | 0:32:54 | 0:32:58 | |
# Whoooo-oh-oh-oh-oh-oh-oh-oh-oh | 0:32:58 | 0:33:02 | |
# We are strong | 0:33:02 | 0:33:05 | |
# No-one can tell us we're wrong | 0:33:06 | 0:33:09 | |
# Searching our hearts for so long | 0:33:11 | 0:33:15 | |
# Both of us knowing | 0:33:17 | 0:33:19 | |
# Love is a battlefield | 0:33:22 | 0:33:25 | |
# You're begging me to go | 0:33:35 | 0:33:38 | |
# Then making me stay | 0:33:38 | 0:33:40 | |
# Why do you hurt me so bad? | 0:33:41 | 0:33:45 | |
# It would help me to know | 0:33:46 | 0:33:48 | |
# Do I stand in your way?... # | 0:33:48 | 0:33:52 | |
# Or am I the best thing you've had? # | 0:33:52 | 0:33:53 |