Browse content similar to 22/12/1983. Check below for episodes and series from the same categories and more!
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CHEERING AND APPLAUSE | 0:00:18 | 0:00:20 | |
Hello, fans, and welcome to another live Top Of The Pops. | 0:00:20 | 0:00:23 | |
As you can see, because it's the Christmas season, | 0:00:23 | 0:00:25 | |
-we're all dressed up in fancy dress. I like yours. -Thanks very much. | 0:00:25 | 0:00:28 | |
We've really gone all the way for this one and we're going to | 0:00:28 | 0:00:30 | |
kick off in a party mood with Slade and Merry Christmas, Everybody. | 0:00:30 | 0:00:34 | |
CHEERING | 0:00:34 | 0:00:36 | |
# Are you hanging up a stocking | 0:00:40 | 0:00:44 | |
# On your wall? | 0:00:44 | 0:00:46 | |
# It's the time that every Santa | 0:00:48 | 0:00:51 | |
# Has a ball | 0:00:51 | 0:00:54 | |
# Does he ride a red-nosed reindeer? | 0:00:56 | 0:00:59 | |
# Does a ton-up on his sleigh? | 0:00:59 | 0:01:03 | |
# Do the fairies keep him sober | 0:01:03 | 0:01:06 | |
# For a day? | 0:01:06 | 0:01:09 | |
# So here it is, Merry Christmas | 0:01:10 | 0:01:14 | |
# Everybody's having fun | 0:01:14 | 0:01:18 | |
# Look to the future now | 0:01:18 | 0:01:22 | |
# It's only just begun | 0:01:22 | 0:01:29 | |
# Are you waiting for the family | 0:01:29 | 0:01:33 | |
# To arrive? | 0:01:33 | 0:01:34 | |
# Are you sure you got the room | 0:01:37 | 0:01:40 | |
# To spare inside? | 0:01:40 | 0:01:43 | |
# Does your granny always tell ya | 0:01:44 | 0:01:48 | |
# That the old songs are the best? | 0:01:48 | 0:01:51 | |
# Then she's up and rock 'n' rollin' | 0:01:51 | 0:01:55 | |
# With the rest | 0:01:55 | 0:01:58 | |
# So here it is, Merry Christmas | 0:01:58 | 0:02:02 | |
# Everybody's having fun | 0:02:02 | 0:02:06 | |
# Look to the future now | 0:02:07 | 0:02:10 | |
# It's only just begun | 0:02:10 | 0:02:17 | |
# What will your daddy do | 0:02:18 | 0:02:21 | |
# When he sees your mama | 0:02:21 | 0:02:23 | |
# Kissin' Santa Claus? | 0:02:23 | 0:02:25 | |
# Ah, ah, ah | 0:02:25 | 0:02:29 | |
# Are you hanging up a stocking | 0:02:29 | 0:02:32 | |
# On your wall? | 0:02:32 | 0:02:34 | |
# Are you hoping that the snow | 0:02:36 | 0:02:39 | |
# Will start to fall? | 0:02:39 | 0:02:43 | |
# Do you ride on down the hillside | 0:02:44 | 0:02:47 | |
# In a buggy you have made? | 0:02:47 | 0:02:51 | |
# Then you land upon your head | 0:02:51 | 0:02:54 | |
# And you've been sleighed | 0:02:54 | 0:02:57 | |
# So here it is, Merry Christmas | 0:02:57 | 0:03:02 | |
# Everybody's having fun | 0:03:02 | 0:03:05 | |
# Look to the future now | 0:03:06 | 0:03:10 | |
# It's only just begun | 0:03:10 | 0:03:16 | |
# So here it is, Merry Christmas | 0:03:16 | 0:03:20 | |
# Everybody's having fun | 0:03:20 | 0:03:24 | |
# Look to the future now | 0:03:25 | 0:03:28 | |
# It's only just begun | 0:03:28 | 0:03:34 | |
# So here it is, Merry Christmas | 0:03:34 | 0:03:38 | |
# Everybody's having fun | 0:03:38 | 0:03:42 | |
# Look to the future now | 0:03:42 | 0:03:47 | |
# It's only just begun | 0:03:47 | 0:03:54 | |
# So here it is, Merry Christmas | 0:03:54 | 0:03:57 | |
# Everybody's having fun... # | 0:03:57 | 0:04:01 | |
It's Christmas! | 0:04:01 | 0:04:06 | |
# It's only just begun. # | 0:04:06 | 0:04:14 | |
APPLAUSE | 0:04:14 | 0:04:15 | |
Incredibly, it was ten years ago this week that that record went | 0:04:17 | 0:04:21 | |
straight to number one. | 0:04:21 | 0:04:22 | |
Slade also in the charts, of course, at number two with My Oh My. | 0:04:22 | 0:04:25 | |
At number three, it's Culture Club. Here they are with Victims. | 0:04:25 | 0:04:29 | |
# Take a ride into unknown pleasure | 0:04:29 | 0:04:36 | |
# Feel like a child on a dark night | 0:04:36 | 0:04:40 | |
# Wishing there was some kind of heaven | 0:04:40 | 0:04:44 | |
# Oh, I could be warm with you smiling | 0:04:44 | 0:04:47 | |
# Hold out your hand for a while | 0:04:47 | 0:04:50 | |
# The victims, we know them so well | 0:04:50 | 0:04:56 | |
# So well | 0:04:57 | 0:05:00 | |
# The victims we know so well | 0:05:36 | 0:05:39 | |
# They shine in your eyes when they kiss and tell | 0:05:39 | 0:05:43 | |
# Strange places we never see | 0:05:43 | 0:05:46 | |
# But you're always there like a ghost in my dream | 0:05:46 | 0:05:50 | |
# And I keep on telling you | 0:05:50 | 0:05:53 | |
# Please don't do the things you do | 0:05:53 | 0:05:56 | |
# When you do those things | 0:05:56 | 0:05:59 | |
# Pull my puppet strings | 0:05:59 | 0:06:01 | |
# I have the strangest void for you | 0:06:01 | 0:06:05 | |
# Show my heart some devotion | 0:06:13 | 0:06:18 | |
# Push aside those that whisper never | 0:06:18 | 0:06:21 | |
# Feel like a child on a dark night | 0:06:21 | 0:06:25 | |
# Wishing we could spend it together | 0:06:25 | 0:06:29 | |
# Oh, I could be warm with you smiling | 0:06:29 | 0:06:33 | |
# Hold out your hand for a while | 0:06:33 | 0:06:35 | |
# The victims | 0:06:35 | 0:06:37 | |
# We know them so well | 0:06:37 | 0:06:42 | |
# So well. # | 0:06:42 | 0:06:45 | |
APPLAUSE AND CHEERING | 0:07:44 | 0:07:45 | |
Victims. That's Culture Club, | 0:07:46 | 0:07:47 | |
with Boy George as the Creature from the Black Lagoon. | 0:07:47 | 0:07:50 | |
And here come Tears For Fears. | 0:07:50 | 0:07:53 | |
# Going far, getting nowhere | 0:08:07 | 0:08:10 | |
# Going far, the way you are | 0:08:10 | 0:08:14 | |
# Going far, getting nowhere | 0:08:14 | 0:08:17 | |
# Going far, the way you are | 0:08:17 | 0:08:21 | |
# Going far, getting nowhere | 0:08:21 | 0:08:26 | |
# The way you are | 0:08:26 | 0:08:28 | |
# Going far, getting nowhere | 0:08:28 | 0:08:33 | |
# The way you are | 0:08:33 | 0:08:36 | |
# These fingers aren't my fingers | 0:08:37 | 0:08:41 | |
# These hands are not my hands | 0:08:41 | 0:08:45 | |
# No-one sees and no-one cares | 0:08:46 | 0:08:52 | |
# What gets broken | 0:08:52 | 0:08:54 | |
# Not for rhyme and not for reason | 0:08:54 | 0:08:59 | |
# What gets broken | 0:08:59 | 0:09:01 | |
# What gets broken | 0:09:02 | 0:09:05 | |
# Going far, getting nowhere | 0:09:05 | 0:09:08 | |
# Going far, the way you are | 0:09:08 | 0:09:11 | |
# Going far, getting nowhere | 0:09:11 | 0:09:15 | |
# Going far, the way you are | 0:09:15 | 0:09:19 | |
# Going far, getting nowhere | 0:09:19 | 0:09:24 | |
# The way you are | 0:09:24 | 0:09:26 | |
# Going far, getting nowhere | 0:09:26 | 0:09:31 | |
# The way you are | 0:09:31 | 0:09:33 | |
# In the river my machinery | 0:09:36 | 0:09:42 | |
# Slows to a heartbeat | 0:09:42 | 0:09:46 | |
# Echoing ghost just laid by | 0:09:46 | 0:09:49 | |
# Those who whistle while they work | 0:09:49 | 0:09:55 | |
# Out of time and out of season | 0:09:55 | 0:10:00 | |
# What gets broken | 0:10:00 | 0:10:03 | |
# Going far, getting nowhere | 0:10:03 | 0:10:06 | |
# Going far, the way you are | 0:10:06 | 0:10:09 | |
# Going far, getting nowhere | 0:10:09 | 0:10:13 | |
# Going far, the way you are | 0:10:13 | 0:10:17 | |
# Going far, getting nowhere | 0:10:17 | 0:10:22 | |
# The way you are | 0:10:22 | 0:10:24 | |
# Going far, getting nowhere | 0:10:24 | 0:10:29 | |
# The way you are | 0:10:29 | 0:10:31 | |
# The way you are | 0:10:31 | 0:10:34 | |
# The way you, way you are | 0:10:34 | 0:10:40 | |
# Going far, getting nowhere | 0:11:08 | 0:11:11 | |
# Going far, the way you are | 0:11:11 | 0:11:14 | |
# Going far, getting nowhere | 0:11:14 | 0:11:18 | |
# Going far, the way you are | 0:11:18 | 0:11:22 | |
# Going far, getting nowhere | 0:11:22 | 0:11:27 | |
# The way you are | 0:11:27 | 0:11:29 | |
# Going far, getting nowhere | 0:11:29 | 0:11:34 | |
# The way you are | 0:11:34 | 0:11:36 | |
# The way you are | 0:11:36 | 0:11:38 | |
# The way you are | 0:11:40 | 0:11:42 | |
# The way you are | 0:11:43 | 0:11:47 | |
# The way you, way you are. # | 0:11:47 | 0:11:52 | |
APPLAUSE AND CHEERING | 0:11:52 | 0:11:54 | |
The Way You Are, Tears For Fears, | 0:11:57 | 0:11:58 | |
who now are going to leave by helicopter | 0:11:58 | 0:12:00 | |
for a gig tonight at Poole in Dorset. Good luck, guys. | 0:12:00 | 0:12:03 | |
Next up it's Billy Joel, Tell Her About It. | 0:12:03 | 0:12:05 | |
This is an old American re-creation of a TV variety show. | 0:12:05 | 0:12:08 | |
APPLAUSE AND CHEERING | 0:12:09 | 0:12:11 | |
Ready with the camera, please. | 0:12:11 | 0:12:13 | |
Camera, please. | 0:12:13 | 0:12:14 | |
Thank you, Topo Gigio. | 0:12:16 | 0:12:19 | |
Now, right here on our stage, | 0:12:19 | 0:12:21 | |
BJ And The Affordables. | 0:12:21 | 0:12:24 | |
# Ooh, ooh, ooh | 0:12:27 | 0:12:29 | |
# Ooh, ooh, ooh | 0:12:32 | 0:12:34 | |
# Listen, boy, I don 't want to see you let a good thing slip away | 0:12:35 | 0:12:39 | |
-# Slip away -# You know I don't like watching | 0:12:39 | 0:12:41 | |
# Anybody make the same mistakes I made | 0:12:41 | 0:12:45 | |
# She's a real nice girl and she's always there for you | 0:12:45 | 0:12:48 | |
# But a nice girl wouldn't tell you what you should do | 0:12:50 | 0:12:54 | |
# Listen, boy, I'm sure that you think you got it all under control | 0:12:56 | 0:13:01 | |
# You don't want somebody telling you | 0:13:01 | 0:13:03 | |
# The way to stay in someone's soul | 0:13:03 | 0:13:06 | |
# You're a big boy now and you'll never let her go | 0:13:06 | 0:13:10 | |
# You'll never let her go | 0:13:10 | 0:13:12 | |
# But that's just the kind of thing she ought to know | 0:13:12 | 0:13:17 | |
# Tell her about it Tell her everything you feel | 0:13:17 | 0:13:22 | |
# Give her every reason to accept that you're for real | 0:13:22 | 0:13:28 | |
# Tell her about it Tell her all your crazy dreams | 0:13:28 | 0:13:33 | |
# Let her know you need her Let her know how much she means | 0:13:33 | 0:13:38 | |
-# Doo-doo, doo-doo -Ooh-ooh | 0:13:38 | 0:13:41 | |
# Doo-doo, doo-doo | 0:13:41 | 0:13:43 | |
-# Doo-doo, doo-doo -Ooh, ooh, ooh | 0:13:44 | 0:13:47 | |
# Doo-doo, doo-doo | 0:13:47 | 0:13:49 | |
# Listen, boy, it's not automatically a certain guarantee | 0:13:49 | 0:13:53 | |
-# Certain guarantee -To insure yourself | 0:13:53 | 0:13:55 | |
# You've got to provide communication constantly | 0:13:55 | 0:13:59 | |
# When you love someone you're always insecure | 0:13:59 | 0:14:03 | |
# And there's only one good way to reassure | 0:14:05 | 0:14:09 | |
# Tell her about it Let her know how much you care | 0:14:09 | 0:14:15 | |
# When she can't be with you # Tell her you wish you were there | 0:14:16 | 0:14:21 | |
# Tell her about it Every day before you leave | 0:14:21 | 0:14:26 | |
# Pay her some attention Give her something to believe | 0:14:26 | 0:14:30 | |
# Cos now and then She'll get to worrying | 0:14:32 | 0:14:36 | |
# Just because you haven't spoken for so long | 0:14:36 | 0:14:41 | |
# Though you may not have done anything | 0:14:43 | 0:14:47 | |
# Will that be a consolation when she's gone? | 0:14:47 | 0:14:52 | |
# Listen, boy, it's good information from a man who's made mistakes | 0:14:52 | 0:14:58 | |
# Just a word or two that she gets from you | 0:14:58 | 0:15:00 | |
# Could be the difference that it makes | 0:15:00 | 0:15:02 | |
# She's a trusting soul She's put her trust in you | 0:15:02 | 0:15:06 | |
-# You know she put her trust in you -But a girl like that won't tell you | 0:15:06 | 0:15:10 | |
# What you should do | 0:15:10 | 0:15:13 | |
# Tell her about it Tell her everything you feel | 0:15:13 | 0:15:19 | |
# Give her every reason to accept that you're for real | 0:15:19 | 0:15:24 | |
# Tell her about it Tell her all your crazy dreams | 0:15:24 | 0:15:29 | |
# Let her know you need her Let her know how much she means | 0:15:29 | 0:15:35 | |
# Tell her about it Tell her how you feel right now | 0:15:35 | 0:15:40 | |
# Just tell her about it | 0:15:40 | 0:15:42 | |
# The girl don't want to wait too long | 0:15:42 | 0:15:45 | |
# You got to tell her about it... # | 0:15:45 | 0:15:47 | |
CHEERING AND APPLAUSE | 0:15:49 | 0:15:51 | |
That's Billy Joel, and isn't it great | 0:15:51 | 0:15:53 | |
that he's got two records in the top 14? | 0:15:53 | 0:15:55 | |
Here are Dennis Waterman and George Cole. | 0:15:55 | 0:15:58 | |
CHEERING AND APPLAUSE | 0:15:58 | 0:16:01 | |
DOG BARKS Oh, listen to that, Arthur. | 0:16:02 | 0:16:05 | |
That's your actual Bow Bells! | 0:16:05 | 0:16:06 | |
BRASS BAND PLAYS "IN THE BLEAK MIDWINTER" | 0:16:06 | 0:16:08 | |
-Yeah, listen to that. -It's a disgrace on the public thoroughfare. | 0:16:08 | 0:16:11 | |
Should be reported to the noise abatement society. | 0:16:11 | 0:16:13 | |
Do leave off, it's Christmas, innit? Time of goodwill. | 0:16:13 | 0:16:16 | |
Time to make your will, you mean. | 0:16:16 | 0:16:17 | |
I've only just got over £1.50 for the guy, mister. | 0:16:17 | 0:16:20 | |
Used to be a penny in my day. | 0:16:20 | 0:16:22 | |
Yeah, well, Queen Victoria's dead, in't she? | 0:16:22 | 0:16:24 | |
And now I suppose it's going to be GBH | 0:16:24 | 0:16:26 | |
of the ear'oles from carol singers. | 0:16:26 | 0:16:28 | |
Go on, cheer up, will ya? Cor, moan, moan, moan, | 0:16:28 | 0:16:31 | |
That's all I ever get from you. | 0:16:31 | 0:16:33 | |
It's tough and it's lonely in top management! | 0:16:33 | 0:16:35 | |
Look, don't give me no earache, you don't even pay your rent! | 0:16:35 | 0:16:38 | |
I've got a lock-up with no lock on and it's snowing outside | 0:16:38 | 0:16:41 | |
If you don't get her no present soon, there'll be nowhere to hide. | 0:16:41 | 0:16:45 | |
I've got a lovely furry coat. I could tell 'er it's mink. | 0:16:45 | 0:16:47 | |
Nah, she'll suss it's skunk, don't half pen and ink. | 0:16:47 | 0:16:50 | |
-It don't! -It do. -You'd know? -I would. | 0:16:50 | 0:16:53 | |
-Here's a turn-up for the books! -What? -Hold on, here comes Chisholm. | 0:16:53 | 0:16:56 | |
He's giving me a funny look. What now? | 0:16:56 | 0:16:58 | |
Sing - he don't know one carol from another! | 0:16:58 | 0:17:00 | |
# What'll I get for Christmas for 'er indoors? # | 0:17:00 | 0:17:03 | |
I don't see it as my problem, really. In fact... | 0:17:03 | 0:17:06 | |
# Don't give me no problems, cos this one's yours. # | 0:17:06 | 0:17:09 | |
-Oh... -What? -That's typical. -Right. -You've no respect. | 0:17:09 | 0:17:13 | |
-You make me laugh, you do. -No, Terence, please... | 0:17:13 | 0:17:15 | |
-Just leave me out! -After all I've done for you? | 0:17:15 | 0:17:18 | |
BOTH: # What're we gonna get for 'er indoors? # | 0:17:18 | 0:17:21 | |
Whatever I get, it's gonna cost me an arm and a leg. | 0:17:21 | 0:17:23 | |
Well, you got four of 'em, in't ya? Even you can afford one of them! | 0:17:23 | 0:17:26 | |
A typewriter with ribbons that was worn by Lady Di? | 0:17:26 | 0:17:29 | |
A lovely sirloin steak for when she whacks you in the eye! | 0:17:29 | 0:17:32 | |
-She wouldn't. -She would. -You know? -How much? -All right, I will concede. | 0:17:32 | 0:17:35 | |
But we're standing here with nothing, | 0:17:35 | 0:17:37 | |
-and it's nearly Christmas Eve! -So? | 0:17:37 | 0:17:39 | |
'Ere, what about that perfume I purchased down the Winch? | 0:17:39 | 0:17:42 | |
-You spilt it on the counter, and it blistered every inch. -Oh, yeah. | 0:17:42 | 0:17:45 | |
We could bottle it and call it "The Elixir of Life". | 0:17:45 | 0:17:47 | |
If you do that, my son, next year you'll need a new wife. | 0:17:47 | 0:17:50 | |
Yeah, that wouldn't be very nice, would it? | 0:17:50 | 0:17:52 | |
It's not for me to comment. | 0:17:52 | 0:17:53 | |
# What'll I get for Christmas for 'er indoors? # | 0:17:53 | 0:17:57 | |
I don't really care an awful lot. | 0:17:57 | 0:18:00 | |
# Don't give me no problems, cos this one's yours. # | 0:18:00 | 0:18:03 | |
-There you go again. -There I go again, eh? -That's typical. | 0:18:03 | 0:18:06 | |
-You've no respect. -You make me laugh, you do. | 0:18:06 | 0:18:09 | |
-Oh, Terence, please... -Look, leave me out! -After all I've done for you! | 0:18:09 | 0:18:12 | |
BOTH: # What're we gonna get for 'er indoors? # | 0:18:12 | 0:18:15 | |
-Money? Nah... -Terence! -Sorry about that. It's despicable... | 0:18:17 | 0:18:20 | |
I've got some lovely Hong Kong made genuine Paris knickers. | 0:18:20 | 0:18:23 | |
Yeah! She can wear them with that fourteen pair of left-foot kickers! | 0:18:23 | 0:18:27 | |
Wives St Lawrence, Chan-nel Five, I've gone right through the card. | 0:18:27 | 0:18:29 | |
-'Ere, what about that Cartier watch? -Nah, fell off the lorry too hard. | 0:18:29 | 0:18:33 | |
-An iron? -Leave off! -Saucepan? -Arthur? | 0:18:33 | 0:18:34 | |
I'll throw 'er a Tupperware party. | 0:18:34 | 0:18:36 | |
That's like getting a telly that only shows Russell Harty. | 0:18:36 | 0:18:39 | |
Oh, Terence, this is serious, we've got to do something soon. | 0:18:39 | 0:18:41 | |
-MUSIC STOPS 'Ere, why don't you just not go home? -Eh? | 0:18:41 | 0:18:45 | |
-She'd be over the moon! Ha-ha-ha! -That is very wounding, Terence. | 0:18:45 | 0:18:48 | |
-MUSIC RESTARTS Yeah. -Wounding and ungrateful, that's what you are. | 0:18:48 | 0:18:51 | |
I'm entitled to be, the money you don't pay me! | 0:18:51 | 0:18:53 | |
-You do all right. -Do I? No thanks to you... | 0:18:53 | 0:18:55 | |
# What're we gonna get for 'er indoors? # | 0:18:55 | 0:18:59 | |
-Money! -Terence! That's typical. | 0:18:59 | 0:19:01 | |
-Right. -You've no respect. -You make me laugh, you do. | 0:19:01 | 0:19:04 | |
-No, Terence, please... -Look, just leave me out. | 0:19:04 | 0:19:06 | |
After all I've done for you? | 0:19:06 | 0:19:08 | |
BOTH: # What're we gonna get for 'er indoors? # | 0:19:08 | 0:19:10 | |
-I wish it was January 2nd. -Ha-ha! | 0:19:10 | 0:19:13 | |
# What're we gonna get for 'er indoors? # | 0:19:13 | 0:19:17 | |
-'Ere, ain't that carol singing? -Yeah, I wish she'd stop. | 0:19:17 | 0:19:20 | |
Come on, I got a cotchel | 0:19:20 | 0:19:21 | |
of Army Surplus christmas puddings I want shifting. | 0:19:21 | 0:19:24 | |
Come on! Christmas?! | 0:19:24 | 0:19:25 | |
CHEERING | 0:19:25 | 0:19:29 | |
Well, that was Dennis Waterman and George Cole. That reminds me, | 0:19:29 | 0:19:32 | |
-have you got MY Christmas present yet? -Er, you know, it's... | 0:19:32 | 0:19:35 | |
It's in the post, you know what I mean? Pathetic, innit? | 0:19:35 | 0:19:38 | |
Are you ready to do the charts? | 0:19:38 | 0:19:39 | |
I think so, here we go, from number 30... | 0:19:39 | 0:19:41 | |
At number 30 this week, The Assembly, Never Never. | 0:19:43 | 0:19:47 | |
Still at 29, The Way You Are from Tears For Fears. | 0:19:47 | 0:19:50 | |
Eurythmics are at number 28, Right By Your Side. | 0:19:50 | 0:19:53 | |
Roland Rat goes up one to 27, with Rat Rapping. | 0:19:54 | 0:19:57 | |
At 26, a chart entry, What Are We Going To Get 'Er Indoors? | 0:19:58 | 0:20:01 | |
At 25, Say Say Say from McCartney & Jackson. | 0:20:01 | 0:20:04 | |
At 24, Cry Just A Little Bit, Shakin Stevens. | 0:20:05 | 0:20:08 | |
Marilyn's at number 23, Calling Your Name. | 0:20:08 | 0:20:11 | |
At 22, a chart entry from Paul McCartney, Pipes Of Peace. | 0:20:11 | 0:20:15 | |
And at 21, Club Fantastic Megamix from Wham! | 0:20:15 | 0:20:19 | |
But let's go back to number 22 now, OK? You don't mind, do you? | 0:20:19 | 0:20:21 | |
At number 22, we're going to join Paul McCartney, this is his latest | 0:20:21 | 0:20:24 | |
video, we're going to join him in the trenches for Pipes Of Peace. | 0:20:24 | 0:20:28 | |
-Coming up now... -CHEERING AND APPLAUSE | 0:20:28 | 0:20:31 | |
Hey, one of your favourites, I know! | 0:20:31 | 0:20:32 | |
ORCHESTRA TUNES UP | 0:20:40 | 0:20:42 | |
DISTANT BOOMS | 0:20:44 | 0:20:47 | |
# I light a candle to our love | 0:20:59 | 0:21:04 | |
# In love our problems disappear | 0:21:04 | 0:21:09 | |
# But all in all, we soon discover | 0:21:09 | 0:21:15 | |
# That one and one is all we long to hear | 0:21:15 | 0:21:22 | |
# All round the world | 0:21:25 | 0:21:28 | |
# Little children being born to the world | 0:21:28 | 0:21:33 | |
# Got to give them all we can till the war is won | 0:21:33 | 0:21:39 | |
# Then will the work be done | 0:21:40 | 0:21:45 | |
-# Help them to learn -Help them to learn | 0:21:45 | 0:21:49 | |
# Songs of joy instead of burn, baby, burn | 0:21:49 | 0:21:52 | |
# Burn, baby, burn | 0:21:52 | 0:21:54 | |
# Let us show them how to play the pipes of peace | 0:21:54 | 0:22:00 | |
# Play the pipes of peace | 0:22:00 | 0:22:07 | |
# Help me to learn songs of joy Instead of burn, baby, burn | 0:22:24 | 0:22:31 | |
-# Won't you show me how to play -How to play | 0:22:31 | 0:22:35 | |
-# The pipes of peace -Pipes of peace | 0:22:35 | 0:22:39 | |
# Play the pipes of peace | 0:22:39 | 0:22:47 | |
-# What do you say -What do you say | 0:22:52 | 0:22:55 | |
# Will the human race be run in a day | 0:22:55 | 0:22:59 | |
# In a day | 0:22:59 | 0:23:00 | |
# Or will someone save this planet we're playing on | 0:23:00 | 0:23:05 | |
# Is it the only one | 0:23:07 | 0:23:11 | |
# What are we gonna do? | 0:23:11 | 0:23:13 | |
-# Help them to see -Help them to see | 0:23:13 | 0:23:16 | |
# That the people here are like you and me | 0:23:16 | 0:23:19 | |
# Like you and me | 0:23:19 | 0:23:21 | |
-# Let us show them how to play -How to play | 0:23:21 | 0:23:24 | |
-# The pipes of peace -Pipes of peace | 0:23:24 | 0:23:27 | |
# Play the pipes of peace | 0:23:27 | 0:23:35 | |
# Ooh, ooh, ooh, ooh | 0:23:35 | 0:23:40 | |
# I light a candle to our love | 0:23:40 | 0:23:46 | |
# In love our problems disappear | 0:23:46 | 0:23:51 | |
# But all in all, we soon discover | 0:23:51 | 0:23:57 | |
# That one and one is all we long to hear | 0:23:57 | 0:24:05 | |
CHEERING AND APPLAUSE | 0:24:13 | 0:24:15 | |
That Paul McCartney, he's a bit of a philosopher, isn't he? | 0:24:15 | 0:24:18 | |
Now we're going to go back to the chart, | 0:24:18 | 0:24:20 | |
and it's going to be me reading it. | 0:24:20 | 0:24:22 | |
A chart entry at number 20, from Slade, Merry Christmas, Everybody. | 0:24:23 | 0:24:26 | |
At 19, Kool & The Gang and Straight Ahead. | 0:24:26 | 0:24:30 | |
At 18, That's All, from Genesis. | 0:24:30 | 0:24:33 | |
At 17, Barry Manilow, hear him and weep... | 0:24:33 | 0:24:37 | |
At 16, UB40, Many Rivers To Cross. | 0:24:37 | 0:24:40 | |
The Pretenders are at 15, 2,000 Miles, go on, count 'em. | 0:24:40 | 0:24:44 | |
Billy Joel at 14, Uptown Girl, moving gradually downtown... | 0:24:44 | 0:24:48 | |
At 13, it's Thriller, that's Michael Jackson. | 0:24:48 | 0:24:51 | |
At 12, the ubiquitous Tracey Ullman, Move Over Darling. | 0:24:51 | 0:24:54 | |
And number 11, What Is Love? The unanswerable question. | 0:24:54 | 0:24:57 | |
Here's Howard Jones. CHEERING AND APPLAUSE | 0:24:57 | 0:25:01 | |
# I love you whether or not you love me | 0:25:17 | 0:25:20 | |
# I love you even if you think that I don't | 0:25:22 | 0:25:26 | |
# Sometimes I find you doubt my love for you, but I don't mind | 0:25:26 | 0:25:32 | |
# Why should I mind, why should I mind? | 0:25:32 | 0:25:36 | |
# What is love anyway? | 0:25:36 | 0:25:40 | |
# Does anybody love anybody anyway? | 0:25:40 | 0:25:46 | |
# What is love anyway? | 0:25:46 | 0:25:50 | |
# Does anybody love anybody anyway? | 0:25:50 | 0:25:55 | |
# Whoa, oh | 0:25:55 | 0:25:57 | |
# Can anybody love anyone so much that they will never fear | 0:26:04 | 0:26:09 | |
# Never worry, never be sad? | 0:26:09 | 0:26:13 | |
# The answer is they cannot love this much, nobody can | 0:26:14 | 0:26:19 | |
# This is why I don't mind you doubting | 0:26:19 | 0:26:23 | |
# What is love anyway? | 0:26:23 | 0:26:27 | |
# Does anybody love anybody anyway? | 0:26:27 | 0:26:32 | |
# What is love anyway? | 0:26:32 | 0:26:38 | |
# Does anybody love anybody anyway? | 0:26:38 | 0:26:42 | |
-# Whoa, oh -Whoa, oh, oh | 0:26:42 | 0:26:45 | |
# Whoa, oh Whoa, oh | 0:26:45 | 0:26:49 | |
# And maybe love is letting people be just what they want to be | 0:27:01 | 0:27:06 | |
# The door always must be left unlocked | 0:27:06 | 0:27:10 | |
# To love when circumstance may lead someone away from you | 0:27:11 | 0:27:16 | |
# And not to spend the time just doubting | 0:27:16 | 0:27:20 | |
# What is love anyway? | 0:27:20 | 0:27:24 | |
# Does anybody love anybody anyway? | 0:27:24 | 0:27:29 | |
# What is love anyway? | 0:27:29 | 0:27:34 | |
# Does anybody love anybody anyway? | 0:27:34 | 0:27:39 | |
-# Whoa, oh -Whoa, oh | 0:27:39 | 0:27:42 | |
-# Whoa, oh, oh -Whoa, oh, oh | 0:27:42 | 0:27:44 | |
# Whoa, oh | 0:27:44 | 0:27:47 | |
# What is love anyway? | 0:27:47 | 0:27:52 | |
# Does anybody love anybody anyway? | 0:27:52 | 0:27:56 | |
-# Whoa, oh -Whoa, oh | 0:27:56 | 0:27:59 | |
-# Whoa, oh, oh -Whoa, oh, oh | 0:27:59 | 0:28:02 | |
# Whoa, oh | 0:28:02 | 0:28:04 | |
# What is love anyway? | 0:28:04 | 0:28:09 | |
# Does anybody love anybody anyway? | 0:28:09 | 0:28:14 | |
# What is love anyway? | 0:28:14 | 0:28:19 | |
# Does anybody love anybody anyway? | 0:28:19 | 0:28:24 | |
# What is love anyway... # | 0:28:24 | 0:28:28 | |
CHEERING AND APPLAUSE | 0:28:28 | 0:28:30 | |
There he goes, Howard Jones, another graduate of night-time Radio 1. | 0:28:30 | 0:28:33 | |
What do you think of the chart so far? | 0:28:33 | 0:28:35 | |
Hey, I think it's a really great Christmas chart. | 0:28:35 | 0:28:37 | |
Gets you right there! | 0:28:37 | 0:28:38 | |
At number 10, it's Cliff Richard, Please Don't Fall In Love. | 0:28:38 | 0:28:42 | |
At 9, Tina Turner, Let's Stay Together. | 0:28:42 | 0:28:45 | |
At 8, Islands In The Stream, Kenny Rogers & Dolly Parton. | 0:28:45 | 0:28:49 | |
Billie Joel's at number 7, up one from last week, | 0:28:49 | 0:28:52 | |
Tell Her About It. | 0:28:52 | 0:28:53 | |
At 6, those yummy Thompson Twins, Hold Me Now. | 0:28:53 | 0:28:57 | |
Status Quo move up 20 places to number 5, with Marguerita Time. | 0:28:57 | 0:29:01 | |
At 4, Love Of The Common People, with Paul Young. | 0:29:01 | 0:29:04 | |
At number 3, up one, Culture Club and Victims. | 0:29:04 | 0:29:07 | |
At 2, it's Slade, My Oh My. | 0:29:07 | 0:29:10 | |
And still at number one, our Christmas number one, | 0:29:10 | 0:29:13 | |
The Flying Pickets, and here they are, with Only You. | 0:29:13 | 0:29:16 | |
-CHEERING AND APPLAUSE -# Ba-ra-ra-ra | 0:29:16 | 0:29:18 | |
# Ba-ra-ra-ra Ba-ra-ra-ra | 0:29:18 | 0:29:22 | |
# Ba-ra-ra-ra Ba-ra-ra-ra | 0:29:22 | 0:29:26 | |
# Ba-ra-ra-ra Ba-ra-ra-ra | 0:29:26 | 0:29:31 | |
# Looking from a window above | 0:29:32 | 0:29:35 | |
# It's like a story of love | 0:29:35 | 0:29:38 | |
# Can you hear me? | 0:29:38 | 0:29:42 | |
# Came back only yesterday | 0:29:42 | 0:29:45 | |
# I'm moving further away | 0:29:45 | 0:29:48 | |
# Want you near me | 0:29:48 | 0:29:52 | |
# All I needed was the love you gave | 0:29:52 | 0:29:56 | |
# All I needed for another day | 0:29:56 | 0:30:00 | |
# And all I ever knew, only you | 0:30:00 | 0:30:06 | |
# Ba-ba-ba-ba-ba Ba-ba-ba-ba-ba | 0:30:06 | 0:30:09 | |
# Ba-ba-ba-ba-ba | 0:30:09 | 0:30:11 | |
# Sometimes when I think of your name | 0:30:11 | 0:30:14 | |
# And it's only a game | 0:30:14 | 0:30:17 | |
# And I need you | 0:30:17 | 0:30:20 | |
# Listening to the words that you say | 0:30:20 | 0:30:23 | |
# It's getting harder to stay | 0:30:23 | 0:30:27 | |
# When I see you | 0:30:27 | 0:30:30 | |
# All I needed was the love you gave | 0:30:30 | 0:30:35 | |
# All I needed for another day | 0:30:35 | 0:30:39 | |
# And all I ever knew, only you | 0:30:39 | 0:30:45 | |
# Ba-ba-ba-ba-ba | 0:30:45 | 0:30:47 | |
# Ba-ba-ba-ba-ba | 0:30:47 | 0:30:49 | |
# Ba-ra, ba-ra, ba-ra-ra-ra | 0:30:49 | 0:30:54 | |
# Ba-ra-ra-ra | 0:30:54 | 0:30:57 | |
# Ba-ra-ra, ba-ra-ra, Ba-ra-ra-ra | 0:30:57 | 0:30:59 | |
# Ba-ra, ba-ra, ba-ra, ba-ra | 0:30:59 | 0:31:02 | |
# Ba-ra-ra-ra, ba-ra-ra-ra | 0:31:02 | 0:31:04 | |
# Ba-ra-ra-ra | 0:31:04 | 0:31:06 | |
# Ba-ra-ra-ra-ra-ra-ra-ra | 0:31:06 | 0:31:10 | |
# All I needed was the love you gave | 0:31:10 | 0:31:14 | |
# All I needed for another day | 0:31:14 | 0:31:18 | |
# And all I ever knew, only you | 0:31:18 | 0:31:23 | |
# Ba-ra-ra-ra, ba-ra-ra-ra | 0:31:23 | 0:31:26 | |
# This is going to take a long time | 0:31:28 | 0:31:31 | |
# And I wonder what's mine | 0:31:31 | 0:31:35 | |
# Can't take no more | 0:31:35 | 0:31:38 | |
# Wonder if you'll understand | 0:31:38 | 0:31:41 | |
# It's just the touch of your hand | 0:31:41 | 0:31:44 | |
# Behind a closed door | 0:31:44 | 0:31:48 | |
# All I needed was the love you gave | 0:31:48 | 0:31:52 | |
# All I needed for another day | 0:31:52 | 0:31:57 | |
# And all I ever knew, only you | 0:31:57 | 0:32:02 | |
# Ba-ra-ra-ra, ba-ra-ra-ra | 0:32:04 | 0:32:07 | |
# Ba-ra-ra-ra | 0:32:07 | 0:32:09 | |
# Ba-ra-ra-ra | 0:32:09 | 0:32:12 | |
# Ba-ra-ra-ra | 0:32:12 | 0:32:14 | |
# Ba-ra-ra-ra | 0:32:14 | 0:32:16 | |
# Ba-ra-ra-ra | 0:32:16 | 0:32:19 | |
# Ba-ra-ra-ra | 0:32:19 | 0:32:21 | |
# Ba-ra-ra-ra Ba-ra-ra-ra. # | 0:32:21 | 0:32:24 | |
CHEERING AND APPLAUSE | 0:32:24 | 0:32:26 | |
That's your Christmas number one for 1983, | 0:32:26 | 0:32:28 | |
The Flying Pickets and Only You. | 0:32:28 | 0:32:30 | |
Don't forget, the Christmas Day Top Of The Pops special, | 0:32:30 | 0:32:32 | |
Sunday afternoon at two o'clock. | 0:32:32 | 0:32:34 | |
Hey, we've got to get back to night-time Radio 1. | 0:32:34 | 0:32:36 | |
-Have a Merry Christmas. -And a happy New Year. Goodnight! -Goodnight! | 0:32:36 | 0:32:38 | |
CHEERING AND APPLAUSE | 0:32:39 | 0:32:42 | |
MUSIC: Rat Rapping, by Roland Rat | 0:32:42 | 0:32:46 | |
ROLAND: It's all the rage, Kev! He-he! First you find the flea, | 0:32:46 | 0:32:49 | |
preferably under the armpit, then chase it, Kev, | 0:32:49 | 0:32:52 | |
round your shoulder blade... # And scratch! | 0:32:52 | 0:32:55 | |
# Yeah! Rat rapping | 0:32:55 | 0:32:57 | |
-# Scratch! -Yeah! Rat rapping | 0:32:57 | 0:33:01 | |
-KEVIN: -Right, first you find the flea. | 0:33:01 | 0:33:04 | |
You've got it, Kev. | 0:33:04 | 0:33:05 | |
I've got a problem, Roland, I can't find one! | 0:33:05 | 0:33:07 | |
-Don't be stupid, Kevin, you're riddled with 'em! -Am I, Roland? | 0:33:07 | 0:33:11 | |
# Course you are, don't question me I'm a superstar par excellence | 0:33:11 | 0:33:15 | |
# Heavy on style, I'm your main man | 0:33:15 | 0:33:17 | |
# So come on, Kev, my number one fan... | 0:33:17 | 0:33:19 | |
-# Scratch! -Yeah! Rat rapping | 0:33:19 | 0:33:23 | |
-# Scratch! -Yeah! Rat rapping | 0:33:23 | 0:33:28 | |
-# Scratch! -Yeah! Rat rapping | 0:33:28 | 0:33:33 | |
-# Scratch! -Yeah! # | 0:33:33 | 0:33:36 |