Browse content similar to 25/12/1979. Check below for episodes and series from the same categories and more!
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# Mary's boy child Jesus Christ | 0:00:02 | 0:00:05 | |
# Was born on Christmas Day | 0:00:05 | 0:00:10 | |
# And man will live for evermore | 0:00:10 | 0:00:15 | |
# Because of Christmas Day | 0:00:15 | 0:00:20 | |
# Long time ago in Bethlehem | 0:00:29 | 0:00:32 | |
# So the Holy Bible says | 0:00:32 | 0:00:36 | |
# Mary's boy child Jesus Christ | 0:00:37 | 0:00:41 | |
# Was born on Christmas Day | 0:00:41 | 0:00:45 | |
# Hark now hear the angels sing | 0:00:47 | 0:00:51 | |
# A king was born today | 0:00:51 | 0:00:56 | |
# And man will live for evermore | 0:00:56 | 0:01:00 | |
# Because of Christmas Day | 0:01:00 | 0:01:04 | |
# Mary's boy child Jesus Christ | 0:01:04 | 0:01:08 | |
# Was born on Christmas Day | 0:01:08 | 0:01:13 | |
# While shepherds watched their flock by night | 0:01:13 | 0:01:16 | |
# They see a bright new shining star | 0:01:16 | 0:01:20 | |
# They hear a choir sing a song | 0:01:21 | 0:01:25 | |
# The music seemed to come from afar | 0:01:25 | 0:01:29 | |
# Hark now hear the angels sing | 0:01:32 | 0:01:36 | |
# A king was born today | 0:01:36 | 0:01:40 | |
# And man will live for evermore | 0:01:40 | 0:01:44 | |
# Because of Christmas Day | 0:01:44 | 0:01:49 | |
THEY HUM | 0:01:49 | 0:01:53 | |
# For a moment the world was aglow | 0:02:06 | 0:02:09 | |
# All the bells rang out | 0:02:09 | 0:02:11 | |
# There were tears of joy and laughter | 0:02:11 | 0:02:14 | |
# People shouted let everyone know | 0:02:14 | 0:02:18 | |
# There is hope for all to find peace | 0:02:18 | 0:02:23 | |
# Oh, my Lord | 0:02:23 | 0:02:25 | |
# You sent your son to save us | 0:02:25 | 0:02:27 | |
# Oh, my Lord | 0:02:27 | 0:02:29 | |
# Your very self you gave us | 0:02:29 | 0:02:31 | |
# Oh, my Lord | 0:02:31 | 0:02:34 | |
# That sin may not enslave us | 0:02:34 | 0:02:36 | |
# And love may reign once more | 0:02:36 | 0:02:39 | |
# Oh, my Lord | 0:02:40 | 0:02:42 | |
# When in the crib they found him | 0:02:42 | 0:02:44 | |
# Oh, my lord | 0:02:44 | 0:02:46 | |
# A golden halo crowned him | 0:02:46 | 0:02:49 | |
# Oh, my Lord | 0:02:49 | 0:02:51 | |
# They gathered all around him | 0:02:51 | 0:02:53 | |
# To see him and adore | 0:02:53 | 0:02:55 | |
# Oh, my Lord | 0:02:57 | 0:02:59 | |
# They had become to doubt you | 0:02:59 | 0:03:01 | |
# Oh, my Lord | 0:03:01 | 0:03:03 | |
# What did they know about you? | 0:03:03 | 0:03:05 | |
# Oh, my Lord... # | 0:03:05 | 0:03:07 | |
APPLAUSE | 0:03:07 | 0:03:09 | |
Boney M and Mary's Boy Child | 0:03:11 | 0:03:13 | |
and that was the record that took us into 1979, | 0:03:13 | 0:03:15 | |
it was a big Christmas hit last year. | 0:03:15 | 0:03:17 | |
On this particular programme, we bring you some of | 0:03:17 | 0:03:20 | |
the number ones and twos of the past year. | 0:03:20 | 0:03:22 | |
-OK, you ready to go? -I'm ready. | 0:03:22 | 0:03:24 | |
It's a warm welcome to the Christmas edition of Top Of The Pops! | 0:03:24 | 0:03:27 | |
MUSIC: Whole Lotta Love by CCS | 0:03:27 | 0:03:30 | |
AUDIENCE CHEERS | 0:05:01 | 0:05:04 | |
Early in the year, you may remember Ian Dury And The Blockheads | 0:05:04 | 0:05:06 | |
and if you do, you'll remember the song Hit Me With Your Rhythm Stick. | 0:05:06 | 0:05:10 | |
# In the deserts of Sudan | 0:05:16 | 0:05:20 | |
# And the gardens of Japan | 0:05:21 | 0:05:24 | |
# From Milan to Yucatan | 0:05:26 | 0:05:29 | |
# Every woman, every man | 0:05:30 | 0:05:34 | |
# Hit me with your rhythm stick | 0:05:35 | 0:05:38 | |
# Hit me! Hit me! | 0:05:38 | 0:05:40 | |
# Je t'adore, ich liebe dich | 0:05:40 | 0:05:42 | |
# Hit me! Hit me! Hit me! | 0:05:42 | 0:05:45 | |
# Hit me with your rhythm stick | 0:05:45 | 0:05:47 | |
# Hit me slowly, hit me quick | 0:05:47 | 0:05:49 | |
# Hit me! Hit me! | 0:05:49 | 0:05:51 | |
# Hit me! | 0:05:51 | 0:05:53 | |
# In the wilds of Borneo | 0:06:02 | 0:06:06 | |
# And the vineyards of Bordeaux | 0:06:07 | 0:06:10 | |
# Eskimo | 0:06:11 | 0:06:12 | |
# Arapaho | 0:06:14 | 0:06:15 | |
# Move their body to and fro | 0:06:16 | 0:06:20 | |
# Hit me with your rhythm stick | 0:06:21 | 0:06:24 | |
# Hit me! Hit me! | 0:06:24 | 0:06:25 | |
# Das ist gut, c'est fantastique | 0:06:25 | 0:06:28 | |
# Hit me! Hit me! Hit me! | 0:06:28 | 0:06:31 | |
# Hit me with your rhythm stick | 0:06:31 | 0:06:33 | |
# It's nice to be a lunatic | 0:06:33 | 0:06:35 | |
# Hit me! Hit me! | 0:06:35 | 0:06:37 | |
# Hit me! | 0:06:37 | 0:06:39 | |
# Hit me! Hit me! Hit...! | 0:06:51 | 0:06:54 | |
# In the dock of Tiger Bay | 0:07:23 | 0:07:26 | |
# On the road to Mandalay | 0:07:27 | 0:07:31 | |
# From Bombay to Santa Fe | 0:07:32 | 0:07:35 | |
# Over hills and far away | 0:07:37 | 0:07:40 | |
# Hit me with your rhythm stick | 0:07:42 | 0:07:44 | |
# Hit me! Hit me! | 0:07:44 | 0:07:46 | |
# C'est si bon, mm? Ist es nicht?! | 0:07:46 | 0:07:49 | |
# Hit me! Hit me! Hit me! | 0:07:49 | 0:07:51 | |
# Hit me with your rhythm stick | 0:07:51 | 0:07:53 | |
# Two fat persons Click, click, click | 0:07:53 | 0:07:55 | |
# Hit me! Hit me! Hit me! | 0:07:55 | 0:07:59 | |
# Hit me! Hit me! Hit me! # | 0:08:02 | 0:08:06 | |
APPLAUSE | 0:08:06 | 0:08:09 | |
Ian Dury And The Blockheads and Hit Me With Your Rhythm Stick. | 0:08:09 | 0:08:13 | |
Well, it was in early summer when Janet Kay | 0:08:13 | 0:08:15 | |
made her Top Of The Pops debut | 0:08:15 | 0:08:17 | |
and she went all the way to number two with Silly Games. | 0:08:17 | 0:08:20 | |
# I've been wanting you | 0:08:50 | 0:08:54 | |
# For so long, it's a shame | 0:08:54 | 0:08:58 | |
# Oh, baby | 0:09:00 | 0:09:03 | |
# Every time I hear your name | 0:09:03 | 0:09:08 | |
# Oh, the pain | 0:09:10 | 0:09:13 | |
# Boy, how it hurts me inside | 0:09:13 | 0:09:18 | |
# Cos every time we meet | 0:09:22 | 0:09:26 | |
# We play hide and seek | 0:09:26 | 0:09:30 | |
# I'm wondering what I should do | 0:09:30 | 0:09:35 | |
# Should I, dear, come up to you | 0:09:35 | 0:09:40 | |
# And say, how do you do? | 0:09:40 | 0:09:44 | |
# Wouldn't you turn me away? | 0:09:46 | 0:09:51 | |
# You're as much to blame | 0:09:54 | 0:09:58 | |
# Cos I know you feel the same | 0:09:58 | 0:10:01 | |
# I can see it in your eyes | 0:10:02 | 0:10:10 | |
# But I've got no time to live this love | 0:10:10 | 0:10:18 | |
# No, I've got no time | 0:10:18 | 0:10:20 | |
# To play your silly games | 0:10:20 | 0:10:30 | |
# Silly games | 0:10:31 | 0:10:38 | |
# Yet, in my mind I say | 0:10:41 | 0:10:45 | |
# If he makes his move today | 0:10:45 | 0:10:49 | |
# I'll just pretend to be shocked | 0:10:49 | 0:10:54 | |
# Oh, baby | 0:10:54 | 0:10:56 | |
# It's a tragedy | 0:10:56 | 0:10:59 | |
# That you hurt me | 0:11:01 | 0:11:05 | |
# We don't even try | 0:11:06 | 0:11:11 | |
# You're as much to blame | 0:11:14 | 0:11:18 | |
# Cos I know you feel the same | 0:11:18 | 0:11:21 | |
# I can see it in your eyes | 0:11:22 | 0:11:30 | |
# But I've got no time to live this love | 0:11:30 | 0:11:38 | |
# No, I've got no time | 0:11:38 | 0:11:41 | |
# To play your silly games. # | 0:11:41 | 0:11:51 | |
APPLAUSE | 0:11:51 | 0:11:53 | |
Janet Kay and Silly Games. | 0:11:53 | 0:11:57 | |
Cars. What kind of cars? | 0:11:57 | 0:11:58 | |
The cars that make hit records and sung for you by Gary Numan. | 0:11:58 | 0:12:02 | |
# Here in my car | 0:12:31 | 0:12:32 | |
# I feel safest of all | 0:12:32 | 0:12:34 | |
# I can lock all my doors | 0:12:34 | 0:12:36 | |
# It's the only way to live | 0:12:36 | 0:12:38 | |
# In cars | 0:12:38 | 0:12:39 | |
# Here in my car | 0:12:42 | 0:12:44 | |
# I can only receive | 0:12:44 | 0:12:46 | |
# I can listen to you | 0:12:46 | 0:12:47 | |
# It keeps me stable for days | 0:12:47 | 0:12:49 | |
# In cars | 0:12:49 | 0:12:51 | |
# Here in my car | 0:13:09 | 0:13:10 | |
# Where the image breaks down | 0:13:10 | 0:13:12 | |
# Will you visit me, please | 0:13:12 | 0:13:14 | |
# If I open my door | 0:13:14 | 0:13:16 | |
# In cars | 0:13:16 | 0:13:17 | |
# Here in my car | 0:13:20 | 0:13:21 | |
# I know I've started to think | 0:13:21 | 0:13:23 | |
# About leaving tonight | 0:13:23 | 0:13:25 | |
# Although nothing seems right | 0:13:25 | 0:13:27 | |
# In cars. # | 0:13:27 | 0:13:28 | |
APPLAUSE | 0:14:20 | 0:14:23 | |
Great single. Number one for two weeks in September. Gary Numan and Cars | 0:14:26 | 0:14:30 | |
and the shape of things to come. It's your turn. | 0:14:30 | 0:14:32 | |
Thank you, more from Gary later. | 0:14:32 | 0:14:33 | |
I'm glad Roxy Music decided to get back together again | 0:14:33 | 0:14:36 | |
because they produced last year | 0:14:36 | 0:14:37 | |
what was one of my very favourite singles - Dance Away. | 0:14:37 | 0:14:40 | |
# Yesterday | 0:14:51 | 0:14:53 | |
# Well, it seemed so cool | 0:14:54 | 0:14:57 | |
# When I walked you home | 0:14:58 | 0:15:01 | |
# Kissed good night | 0:15:01 | 0:15:02 | |
# I said, it's love | 0:15:03 | 0:15:04 | |
# You said, all right | 0:15:04 | 0:15:06 | |
# It's funny how | 0:15:06 | 0:15:08 | |
# I could never cry | 0:15:10 | 0:15:13 | |
# Until tonight and you pass by | 0:15:14 | 0:15:18 | |
# Hand in hand with another guy | 0:15:19 | 0:15:21 | |
# You're dressed to kill | 0:15:22 | 0:15:24 | |
-# And guess who's dying -Dance away the heartache | 0:15:24 | 0:15:30 | |
# Dance away the tears | 0:15:30 | 0:15:32 | |
-# Oh -Dance away the heartache | 0:15:34 | 0:15:37 | |
# Dance away the tears | 0:15:38 | 0:15:40 | |
# Dance away | 0:15:42 | 0:15:46 | |
# Loneliness is a crowded room | 0:15:46 | 0:15:51 | |
# Full of open hearts turned to stone | 0:15:53 | 0:15:57 | |
# All together, all alone | 0:15:58 | 0:16:02 | |
# All at once | 0:16:02 | 0:16:03 | |
# My whole world had changed | 0:16:04 | 0:16:07 | |
# Now I'm in the dark | 0:16:08 | 0:16:11 | |
# Off the wall | 0:16:11 | 0:16:12 | |
# Let the strobe light up them all | 0:16:13 | 0:16:17 | |
# I close my eyes and dance till dawn | 0:16:17 | 0:16:21 | |
# Dance away the heartache | 0:16:21 | 0:16:25 | |
# Dance away the tears | 0:16:25 | 0:16:27 | |
# Dance away the heartache | 0:16:29 | 0:16:32 | |
# Dance away the tears | 0:16:32 | 0:16:35 | |
# Dance away | 0:16:36 | 0:16:40 | |
# Dance away | 0:16:40 | 0:16:44 | |
# Dance away | 0:16:44 | 0:16:50 | |
# Now I know | 0:16:52 | 0:16:54 | |
# I must walk the line | 0:16:55 | 0:16:58 | |
# Until I find an open door | 0:17:00 | 0:17:04 | |
# Off the street, onto the floor | 0:17:04 | 0:17:08 | |
# There was I | 0:17:08 | 0:17:09 | |
# Many times a fool | 0:17:11 | 0:17:13 | |
# I hope and pray | 0:17:15 | 0:17:17 | |
# But not too much | 0:17:17 | 0:17:20 | |
# Out of reach is out of touch | 0:17:20 | 0:17:22 | |
-# All the way is far enough -Dance away the heartache | 0:17:24 | 0:17:31 | |
# Dance away the tears | 0:17:31 | 0:17:34 | |
-# Oh -Dance away the heartache... # | 0:17:35 | 0:17:38 | |
APPLAUSE | 0:17:38 | 0:17:40 | |
They're still the suavest group around, Roxy Music. | 0:17:40 | 0:17:42 | |
What a great number that was too, Dance Away, right? | 0:17:42 | 0:17:44 | |
Good, excellent. Enjoyed that. | 0:17:44 | 0:17:46 | |
Right, next up is Anita Ward and she came ringing on my bell. | 0:17:46 | 0:17:49 | |
# I'm glad you're home | 0:18:03 | 0:18:06 | |
# Now did you really miss me? | 0:18:06 | 0:18:10 | |
# I guess you did | 0:18:10 | 0:18:13 | |
# By the look in your eyes | 0:18:13 | 0:18:15 | |
# Look in your eyes Look in your eyes | 0:18:15 | 0:18:18 | |
# Well, lay back and relax | 0:18:18 | 0:18:22 | |
-# While I put away the dishes -Put away the dishes | 0:18:22 | 0:18:26 | |
# Then you and me can rock-a-bye | 0:18:26 | 0:18:31 | |
# You can ring my be-e-ell | 0:18:32 | 0:18:37 | |
# Ring my bell | 0:18:37 | 0:18:38 | |
# You can ring my be-e-ell | 0:18:40 | 0:18:44 | |
# Ring my bell | 0:18:44 | 0:18:46 | |
# You can ring my be-e-ell | 0:18:48 | 0:18:52 | |
# Ring my bell | 0:18:52 | 0:18:53 | |
# You can ring my be-e-ell | 0:18:55 | 0:19:00 | |
# Ring my bell | 0:19:00 | 0:19:01 | |
# The night is young | 0:19:04 | 0:19:08 | |
# And full of possibilities | 0:19:08 | 0:19:11 | |
# Well, come on | 0:19:11 | 0:19:13 | |
# And let yourself be free | 0:19:13 | 0:19:19 | |
-# My love for you -Love for you, love for you | 0:19:19 | 0:19:23 | |
# So long I've been saving | 0:19:23 | 0:19:27 | |
# Tonight was made for me and you | 0:19:27 | 0:19:32 | |
# You can ring my be-e-ell | 0:19:33 | 0:19:38 | |
# Ring my bell | 0:19:38 | 0:19:39 | |
# My bells, ding-dong-ding | 0:19:39 | 0:19:42 | |
# You can ring my be-e-ell | 0:19:42 | 0:19:45 | |
# Ring my bell | 0:19:45 | 0:19:47 | |
-# My bells, ring-a-ling-a-ling -You can ring my be-e-ell | 0:19:47 | 0:19:53 | |
# Ring my bell | 0:19:53 | 0:19:54 | |
-# My bell, ding-dong-ding -You can ring my be-e-ell | 0:19:54 | 0:20:00 | |
# Ring my bell... # | 0:20:00 | 0:20:02 | |
APPLAUSE | 0:20:02 | 0:20:04 | |
Legs & Co and ringing my Christmas bell. | 0:20:04 | 0:20:06 | |
A former number one - Anita Ward. | 0:20:06 | 0:20:08 | |
Right, now, this next number one I particularly like. | 0:20:08 | 0:20:10 | |
-You say that about all of them. -No, but this one was a former | 0:20:10 | 0:20:13 | |
-record of the week of mine. -Yeah, yeah, yeah. | 0:20:13 | 0:20:15 | |
The Buggles and Video Killed The Radio Star. | 0:20:15 | 0:20:17 | |
# I heard you on the wireless back in '52 | 0:20:31 | 0:20:35 | |
# Lyin' awake intent on tuning in on you | 0:20:35 | 0:20:38 | |
# If I was young, it didn't stop you coming through | 0:20:38 | 0:20:42 | |
# Oh-a-oh | 0:20:42 | 0:20:45 | |
# They took the credit for your second symphony | 0:20:45 | 0:20:49 | |
# Rewritten by machine on new technology | 0:20:49 | 0:20:53 | |
# And now I understand the problems you can see | 0:20:53 | 0:20:56 | |
# Oh-a-oh | 0:20:56 | 0:20:58 | |
-# I met your children -Oh-a-oh | 0:20:58 | 0:21:02 | |
# What did you tell them? | 0:21:02 | 0:21:04 | |
# Video killed the radio star Video killed the radio star | 0:21:04 | 0:21:11 | |
# Pictures came and broke your heart | 0:21:11 | 0:21:14 | |
# Oh-a-oh-oh-oh | 0:21:14 | 0:21:18 | |
# And now we meet in an abandoned studio | 0:21:18 | 0:21:22 | |
# We hear the playback and it seems so long ago | 0:21:22 | 0:21:26 | |
# And you remember the jingles used to go | 0:21:26 | 0:21:29 | |
-# Oh-a-oh -You were the first one | 0:21:29 | 0:21:33 | |
-# Oh-a-oh -You were the last one | 0:21:33 | 0:21:37 | |
# Video killed the radio star Video killed the radio star | 0:21:37 | 0:21:44 | |
# In my mind and in my car We can't rewind, we've gone too far | 0:21:44 | 0:21:51 | |
# Oh-a-oh-oh-oh Oh-a-oh-oh-oh | 0:21:51 | 0:21:58 | |
# Video killed the radio star Video killed the radio star | 0:22:18 | 0:22:26 | |
# In my mind and in my car We can't rewind, we've gone too far | 0:22:26 | 0:22:33 | |
# Pictures came and broke your heart Put all the blame on VCR | 0:22:33 | 0:22:43 | |
# You are...the radio star | 0:22:44 | 0:22:51 | |
# You are...the radio star | 0:22:51 | 0:22:59 | |
# Video killed the radio star | 0:22:59 | 0:23:03 | |
# Video killed the radio star | 0:23:03 | 0:23:06 | |
# Video killed the radio star | 0:23:06 | 0:23:10 | |
-# Video killed the radio star. # -APPLAUSE | 0:23:10 | 0:23:14 | |
Great song, that, and more where that came from | 0:23:14 | 0:23:16 | |
on a forthcoming album called The Age Of Plastic. | 0:23:16 | 0:23:18 | |
-And now at 78rpm... -Dum, it's me. | 0:23:18 | 0:23:21 | |
A great production from a great guy, Scotsman in fact, his name... | 0:23:21 | 0:23:24 | |
BA Robertson. | 0:23:24 | 0:23:25 | |
# The straitjacket of true love's fine | 0:23:33 | 0:23:37 | |
# Bang, bang | 0:23:37 | 0:23:40 | |
# If you're Houdini in your spare time | 0:23:40 | 0:23:44 | |
# Bang, bang | 0:23:44 | 0:23:45 | |
# Lord Nel and Lady Hamilton they fought for love | 0:23:48 | 0:23:51 | |
# When he come home from the war he gave her what for love | 0:23:51 | 0:23:55 | |
# The mighty fall when love has called | 0:23:55 | 0:23:58 | |
# Bang, bang | 0:23:58 | 0:23:59 | |
# Vampire friends desire to lust Fang, fang | 0:23:59 | 0:24:05 | |
# They fall on necks then fall in love | 0:24:05 | 0:24:09 | |
# Pang, pang | 0:24:09 | 0:24:11 | |
# The Marquis de Sade was happy with a stroke of love | 0:24:13 | 0:24:16 | |
# Sherlock Holmes alone preferred a little token love | 0:24:16 | 0:24:20 | |
# Bang, bang, the mighty fall Bang, bang when love has called | 0:24:20 | 0:24:27 | |
# Bang, bang, the mighty fall Bang, bang | 0:24:27 | 0:24:31 | |
# Tony and Cleo struck out for the free-o down Egypt's way | 0:24:31 | 0:24:36 | |
# But Caesar had squeezed her in Rome on his quilt for a day | 0:24:38 | 0:24:43 | |
# Hey, hey | 0:24:43 | 0:24:45 | |
# Now Antony got really angry about old Caesar's hanky panky | 0:24:46 | 0:24:53 | |
# She told 'em she would use 'em And, boy, did she abuse 'em | 0:24:53 | 0:24:57 | |
# Fall in love and blew 'em away | 0:24:57 | 0:25:00 | |
# Bang, bang, the mighty fall | 0:25:00 | 0:25:03 | |
# Bang, bang, when love has called | 0:25:03 | 0:25:07 | |
# Bang, bang, the mighty fall | 0:25:07 | 0:25:11 | |
# Bang, bang | 0:25:11 | 0:25:13 | |
# Na-na-na-na-na-na-na-na-na-na-na na-na-na-na | 0:25:13 | 0:25:20 | |
# And Sam and Delilah they both we should file under fool | 0:25:20 | 0:25:25 | |
# Cos when the temple start to crumble | 0:25:27 | 0:25:31 | |
# Sammy for his comb did fumble Life was in a ruin | 0:25:31 | 0:25:36 | |
# She loved Johnny Fruin Fall in love and blew 'em away | 0:25:36 | 0:25:41 | |
# Bang, bang, when love has called Bang, bang, the mighty fall | 0:25:41 | 0:25:49 | |
# Bang, bang, when love has called | 0:25:49 | 0:25:52 | |
# Bang, bang | 0:25:52 | 0:25:56 | |
# Bang, bang | 0:25:56 | 0:25:58 | |
# Bang, bang | 0:25:59 | 0:26:01 | |
# Bang, bang Bang, bang. # | 0:26:03 | 0:26:07 | |
Great that, BA Robertson, Bang Bang. | 0:26:07 | 0:26:09 | |
What a successful year it's been for Blondie, six major UK hits | 0:26:09 | 0:26:13 | |
and here is the first of two appearances on today's | 0:26:13 | 0:26:16 | |
Christmas special Top Of The Pops as they perform Sunday Girl. | 0:26:16 | 0:26:19 | |
# I know a girl from a lonely street | 0:26:23 | 0:26:28 | |
# Cold as ice cream but still as sweet | 0:26:28 | 0:26:32 | |
# Dry your eyes, Sunday girl | 0:26:32 | 0:26:35 | |
# Hey, I saw your guy with a different girl | 0:26:36 | 0:26:41 | |
# Looks like he's in another world Run and hide, Sunday girl | 0:26:41 | 0:26:48 | |
# Hurry up, hurry up and wait | 0:26:50 | 0:26:52 | |
# I stay away all week and still I wait | 0:26:52 | 0:26:56 | |
# I got the blues, please come see What your loving means to me | 0:26:56 | 0:27:03 | |
# She can't catch up with the working crowd | 0:27:04 | 0:27:09 | |
# The weekend mood and she's feeling proud | 0:27:09 | 0:27:13 | |
# Live in dreams, Sunday girl | 0:27:13 | 0:27:16 | |
# Baby, I would like to go out tonight | 0:27:18 | 0:27:22 | |
# If I go with you my folks will get uptight | 0:27:22 | 0:27:26 | |
# Stay at home, Sunday girl | 0:27:26 | 0:27:30 | |
# Ooh-ooh-ooh | 0:27:30 | 0:27:33 | |
# Hey, I saw your guy with a different girl | 0:27:41 | 0:27:46 | |
# Looks like he's in another world | 0:27:46 | 0:27:49 | |
# Run and hide, Sunday girl | 0:27:49 | 0:27:52 | |
# When I saw you again in the summertime | 0:27:54 | 0:27:59 | |
# If your love was as sweet as mine | 0:27:59 | 0:28:02 | |
# I could be Sunday's girl | 0:28:02 | 0:28:06 | |
# Hurry up, hurry up and wait | 0:28:07 | 0:28:10 | |
# I stay away all week and still I wait | 0:28:10 | 0:28:14 | |
# I got the blues, please come see | 0:28:14 | 0:28:17 | |
# What your loving means to me | 0:28:17 | 0:28:20 | |
# Hurry up, hurry up Hurry up and wait | 0:28:20 | 0:28:25 | |
# I got the blues Please, please | 0:28:25 | 0:28:28 | |
# Please come see what you do to me I got the blues. # | 0:28:28 | 0:28:34 | |
APPLAUSE | 0:28:44 | 0:28:47 | |
Blondie, Sunday Girl and I hope that you're enjoying | 0:28:47 | 0:28:49 | |
this special Christmas Day edition of Top Of The Pops. | 0:28:49 | 0:28:51 | |
And the hits just keep on coming. Number one in Thailand at the moment | 0:28:51 | 0:28:54 | |
and right across the world - in London, Munich, New York, Paris, | 0:28:54 | 0:28:57 | |
Grimsby, Hull, Stourbridge, Vancouver - it's mmm and pop... | 0:28:57 | 0:29:00 | |
-Music. -Right. | 0:29:00 | 0:29:01 | |
# Pop, pop, pop music Pop, pop, pop music | 0:29:10 | 0:29:14 | |
# Get up | 0:29:14 | 0:29:16 | |
# Get down | 0:29:18 | 0:29:19 | |
# Pop, pop, pop music Pop, pop, pop music | 0:29:19 | 0:29:24 | |
# Radio, video Boogie with a suitcase | 0:29:24 | 0:29:28 | |
# You're livin' in a disco Forget about the rat race | 0:29:28 | 0:29:32 | |
# Let's do the milkshake and sellin' like a hotcake | 0:29:32 | 0:29:35 | |
# Try some buy some Fee-fi-fo-fum | 0:29:35 | 0:29:37 | |
# Talk about pop music Talk about pop music | 0:29:37 | 0:29:41 | |
# Shoobie-doobie-do-wop I want to dedicate it | 0:29:41 | 0:29:44 | |
# Pop, pop, shoo-wop Everybody made it | 0:29:44 | 0:29:46 | |
-# Shoobie-doobie-do-wop -Infiltrate it | 0:29:46 | 0:29:48 | |
-# Pop, pop, shoo-wop -Activate it | 0:29:48 | 0:29:50 | |
# New York, London, Paris, Munich Everybody talk about pop music | 0:29:50 | 0:29:55 | |
# Talk about pop music Talk about pop music | 0:29:55 | 0:29:59 | |
# Pop, pop, pop music Pop, pop, pop music | 0:29:59 | 0:30:03 | |
# Singing in the subway Shuffle with a shoe shine | 0:30:03 | 0:30:08 | |
# Fix me a Molotov I'm on the headline | 0:30:08 | 0:30:12 | |
# Want to be a gun slinger Don't be a rock singer | 0:30:12 | 0:30:14 | |
# Eenie meenie mynie moe which-a-way you wanna go | 0:30:14 | 0:30:17 | |
# Talk about pop music Talk about pop music | 0:30:17 | 0:30:21 | |
-# Shoobie-doobie-do-wop -Lyin' in the tree | 0:30:21 | 0:30:23 | |
-# Pop, pop, shoo-wop -Eenie meenie | 0:30:23 | 0:30:25 | |
-# Shoobie-doobie-do-wop -What am I dreaming | 0:30:25 | 0:30:28 | |
-# Pop, pop, shoo-wop -You know what I'm meaning | 0:30:28 | 0:30:30 | |
# Hit it | 0:30:30 | 0:30:31 | |
# Now you know what to say | 0:30:33 | 0:30:35 | |
# Talk about pop music Everybody, talk about pop music | 0:30:35 | 0:30:39 | |
# Pop, pop, pop music Pop, pop, pop music | 0:30:39 | 0:30:43 | |
# All around the world Wherever you are | 0:30:43 | 0:30:48 | |
# Dance in the street Do anything you like | 0:30:48 | 0:30:50 | |
# Do it in your car in the middle of the night | 0:30:50 | 0:30:52 | |
# La-la-la-la-la-la-la-la-la La-la-la-la-la-la-la-la | 0:30:52 | 0:30:56 | |
# La-la-la-la-la-la-la-la-la La-la-la-la-la-la-la-la | 0:30:56 | 0:31:01 | |
# Dance in the supermart Dig it in the fast lane | 0:31:01 | 0:31:05 | |
# Listen to the countdown They're playin' our song again | 0:31:05 | 0:31:09 | |
# I can't get Jumping Jack I want to hold | 0:31:09 | 0:31:11 | |
# Get back Moonlight Muzak Knick-knack, paddy whack | 0:31:11 | 0:31:14 | |
# Talk about pop music Talk about pop music | 0:31:14 | 0:31:18 | |
-# Shoobie-doobie-do-wop -It's all around you | 0:31:18 | 0:31:21 | |
-# Pop, pop, shoo-wop -Want to surround you | 0:31:21 | 0:31:23 | |
-# Shoobie-doobie-do-wop -It's all around you | 0:31:23 | 0:31:25 | |
-# Pop, pop, shoo-wop -Hit it | 0:31:25 | 0:31:27 | |
# New York, London, Paris, Munich Everybody, talk about M-pop music | 0:31:27 | 0:31:32 | |
# Talk about pop music Talk about pop music | 0:31:32 | 0:31:36 | |
# Pop, pop, pop music Pop, pop, pop music | 0:31:36 | 0:31:40 | |
# Now...listen...talk about | 0:31:40 | 0:31:45 | |
# Pop, pop, pop, pop music | 0:31:45 | 0:31:47 | |
-# Talk about -Pop, pop, pop music. # | 0:31:47 | 0:31:49 | |
APPLAUSE | 0:31:49 | 0:31:51 | |
Worth hearing every minute of it again. M and Pop Music. | 0:31:51 | 0:31:54 | |
Right, next it's the music of the Bee Gees | 0:31:54 | 0:31:57 | |
and the movements by turkey Legs & Co. | 0:31:57 | 0:32:00 | |
It's a Tragedy. | 0:32:00 | 0:32:01 | |
# Here I lie in a lost and lonely part of town | 0:32:27 | 0:32:33 | |
# Held in time In a world of tears I slowly drown | 0:32:35 | 0:32:43 | |
# Goin' home I just can't make it all alone | 0:32:43 | 0:32:49 | |
# I really should be holding you Holding you | 0:32:49 | 0:32:55 | |
# Loving you Loving you | 0:32:55 | 0:33:01 | |
# Tragedy When the feeling's gone | 0:33:03 | 0:33:06 | |
# And you can't go on it's tragedy | 0:33:06 | 0:33:09 | |
# When the morning cries and you don't know why | 0:33:09 | 0:33:11 | |
# It's hard to bear with no-one to love you | 0:33:11 | 0:33:15 | |
# You're going' nowhere | 0:33:15 | 0:33:19 | |
# Tragedy | 0:33:19 | 0:33:21 | |
# When you lose control and you got no soul | 0:33:21 | 0:33:23 | |
# It's tragedy | 0:33:23 | 0:33:25 | |
# When the morning cries and you don't know why | 0:33:25 | 0:33:27 | |
# It's hard to bear | 0:33:27 | 0:33:29 | |
# With no-one beside you You're going' nowhere | 0:33:29 | 0:33:33 | |
# Ohhh | 0:33:34 | 0:33:36 | |
GUN FIRES | 0:33:57 | 0:33:58 | |
# Tragedy | 0:33:58 | 0:33:59 | |
# When the feeling's gone and you can't go on | 0:33:59 | 0:34:01 | |
# It's tragedy | 0:34:01 | 0:34:03 | |
# When the morning cries and you don't know why | 0:34:03 | 0:34:05 | |
# It's hard to bear | 0:34:05 | 0:34:07 | |
# With no-one to love you You're going' nowhere | 0:34:07 | 0:34:12 | |
# Tragedy | 0:34:14 | 0:34:15 | |
# When you lose control and you got no soul | 0:34:15 | 0:34:17 | |
# It's tragedy | 0:34:17 | 0:34:19 | |
# When the morning cries and your heart just dies | 0:34:19 | 0:34:22 | |
# It's hard to bear | 0:34:22 | 0:34:23 | |
# With no-one beside you You're going' nowhere | 0:34:23 | 0:34:28 | |
# Ohhh! | 0:34:29 | 0:34:31 | |
GUN FIRES # Tragedy | 0:34:31 | 0:34:34 | |
# When the feeling's gone and you can't go on | 0:34:34 | 0:34:36 | |
# It's tragedy | 0:34:36 | 0:34:38 | |
# When the morning cries and you don't know why | 0:34:38 | 0:34:40 | |
# It's hard to bear | 0:34:40 | 0:34:42 | |
# With no-one to love you You're going' nowhere. # | 0:34:42 | 0:34:44 | |
APPLAUSE | 0:34:44 | 0:34:47 | |
And yet more memories are made of hits. | 0:34:47 | 0:34:49 | |
The Bee Gees' Tragedy was danced to, of course, by the | 0:34:49 | 0:34:51 | |
-ever effervescent Legs & Co and... -My turn and some attraction he was. | 0:34:51 | 0:34:55 | |
Over to Elvis Costello and The Attractions and Oliver's Army. | 0:34:55 | 0:34:58 | |
# Don't start that talking | 0:35:08 | 0:35:12 | |
# I could talk all night | 0:35:12 | 0:35:15 | |
# My mind goes sleepwalking while I'm putting the world to right | 0:35:15 | 0:35:22 | |
# Called careers information | 0:35:22 | 0:35:25 | |
# Have you got yourself an occupation? | 0:35:25 | 0:35:29 | |
# Oliver's army is here to stay | 0:35:29 | 0:35:32 | |
# Oliver's army are on their way | 0:35:32 | 0:35:35 | |
# And I would rather be anywhere else but here today | 0:35:35 | 0:35:43 | |
# There was a checkpoint Charlie | 0:35:49 | 0:35:53 | |
# He didn't crack a smile | 0:35:53 | 0:35:56 | |
# But it's no laughing party when you've been on the murder mile | 0:35:56 | 0:36:03 | |
# Only takes one itchy trigger one more widow | 0:36:03 | 0:36:07 | |
# One less white nigger | 0:36:07 | 0:36:09 | |
# Oliver's army is here to stay | 0:36:09 | 0:36:13 | |
# Oliver's army are on their way | 0:36:13 | 0:36:16 | |
# And I would rather be anywhere else but here today | 0:36:16 | 0:36:24 | |
# Hong Kong is up for grabs | 0:36:30 | 0:36:33 | |
# London is full of Arabs | 0:36:33 | 0:36:36 | |
# We could be in Palestine | 0:36:36 | 0:36:40 | |
# Overrun by a Chinese line | 0:36:40 | 0:36:43 | |
# With the boys from the Mersey and the Thames and the Tyne | 0:36:43 | 0:36:48 | |
# But there's no danger | 0:36:48 | 0:36:52 | |
# It's a professional career | 0:36:52 | 0:36:56 | |
# Though it could be arranged | 0:36:56 | 0:36:58 | |
# With just a word in Mr Churchill's ear | 0:36:58 | 0:37:02 | |
# If you're out of luck or out of work | 0:37:02 | 0:37:05 | |
# We could send you to Johannesburg | 0:37:05 | 0:37:10 | |
# Oliver's army is here to stay | 0:37:12 | 0:37:14 | |
# Oliver's army are on their way | 0:37:14 | 0:37:18 | |
# And I would rather be anywhere else but here today. # | 0:37:18 | 0:37:25 | |
APPLAUSE | 0:37:25 | 0:37:28 | |
From London, it was Elvis Costello and The Attractions and Oliver's Army | 0:37:28 | 0:37:31 | |
and now... | 0:37:31 | 0:37:32 | |
Well, next it's one of the year's most successful selling singles. | 0:37:32 | 0:37:36 | |
Lena Martell and One Day At A Time. | 0:37:36 | 0:37:38 | |
# One day at a time, sweet Jesus | 0:37:38 | 0:37:43 | |
# I'm only human | 0:37:48 | 0:37:53 | |
# I'm just a woman | 0:37:53 | 0:37:58 | |
# Help me believe in what I could be | 0:37:58 | 0:38:02 | |
# And all that I am | 0:38:02 | 0:38:06 | |
# Show me the stairway | 0:38:07 | 0:38:12 | |
# I have to climb | 0:38:12 | 0:38:17 | |
# Lord, for my sake | 0:38:17 | 0:38:19 | |
# Teach me to take | 0:38:19 | 0:38:21 | |
# One day at a time | 0:38:21 | 0:38:25 | |
# One day at a time, sweet Jesus | 0:38:26 | 0:38:32 | |
# That's all I'm asking from you | 0:38:32 | 0:38:37 | |
# Just give me the strength to do every day | 0:38:38 | 0:38:43 | |
# What I have to do | 0:38:43 | 0:38:47 | |
# Yesterday's gone, sweet Jesus | 0:38:48 | 0:38:54 | |
# Tomorrow may never be mine | 0:38:54 | 0:39:00 | |
# Lord, help me today | 0:39:00 | 0:39:03 | |
# Show me the way | 0:39:03 | 0:39:05 | |
# One day at a time | 0:39:05 | 0:39:08 | |
# Do you remember | 0:39:11 | 0:39:14 | |
# When you walked among men? | 0:39:15 | 0:39:18 | |
# Well, Jesus, you know | 0:39:20 | 0:39:22 | |
# If you're looking below | 0:39:22 | 0:39:25 | |
# It's worse now than then | 0:39:25 | 0:39:29 | |
# Cheatin' and stealin' | 0:39:30 | 0:39:34 | |
# Violence and crime | 0:39:35 | 0:39:40 | |
# So for my sake | 0:39:40 | 0:39:42 | |
# Teach me to take | 0:39:42 | 0:39:45 | |
# One day at a time | 0:39:45 | 0:39:48 | |
# One day at a time, sweet Jesus | 0:39:52 | 0:39:58 | |
# That's all I'm asking from you | 0:39:58 | 0:40:03 | |
# Just give me the strength | 0:40:04 | 0:40:07 | |
# To do every day | 0:40:07 | 0:40:09 | |
# What I have to do | 0:40:09 | 0:40:12 | |
# Yesterday's gone, sweet Jesus | 0:40:14 | 0:40:20 | |
# Tomorrow may never be mine | 0:40:20 | 0:40:26 | |
# Lord, help me today | 0:40:26 | 0:40:29 | |
# Show me the way | 0:40:29 | 0:40:33 | |
# One day at a time. # | 0:40:33 | 0:40:45 | |
APPLAUSE | 0:40:45 | 0:40:48 | |
Lena Martell, of course. | 0:40:48 | 0:40:49 | |
And now, it's Peter Powell and his rendition of One Hit At A Time. | 0:40:49 | 0:40:53 | |
It'll cost you. At least a drink of that water, anyway. | 0:40:53 | 0:40:56 | |
Right, moving on. One hit for Squeeze, such a good hit too. | 0:40:56 | 0:40:59 | |
It's Cool For Cats. | 0:40:59 | 0:41:01 | |
# The Indians send signals from the rocks above the pass | 0:41:01 | 0:41:04 | |
# The cowboys take position in the bushes and the grass | 0:41:04 | 0:41:07 | |
# The squaw is with the corporal She is tied against the tree | 0:41:07 | 0:41:11 | |
# She doesn't mind the language It's the beating she don't need | 0:41:11 | 0:41:14 | |
# She lets loose all the horses when the corporal is asleep | 0:41:14 | 0:41:17 | |
# And he wakes to find the fires dead and arrows in his hats | 0:41:17 | 0:41:21 | |
# And Davy Crockett walks around and says it's cool for cats | 0:41:21 | 0:41:24 | |
-# It's cool for cats -Cool for cats | 0:41:24 | 0:41:28 | |
# The Sweeney's doing 90 cos they've got the word to go | 0:41:28 | 0:41:31 | |
# To get a gang of villains in a shed up at Heathrow | 0:41:31 | 0:41:34 | |
# They're counting out the fivers when the handcuffs lock again | 0:41:34 | 0:41:38 | |
# They're in and out of Wandsworth with the numbers on their names | 0:41:38 | 0:41:41 | |
# It's funny how their missus always looks the blooming same | 0:41:41 | 0:41:44 | |
# And meanwhile at the station there's a couple of likely lads | 0:41:44 | 0:41:48 | |
# Who swear like how's your father and they're very cool for cats | 0:41:48 | 0:41:51 | |
-# They're cool for cats -Cool for cats | 0:41:51 | 0:41:54 | |
# To change the mood a little I've been posing down the pub | 0:41:54 | 0:41:58 | |
# I'm seeing my reflection I'm looking slightly rough | 0:41:58 | 0:42:01 | |
# I fancy this, I fancy that I wanna be so flash | 0:42:01 | 0:42:05 | |
# I give a little muscle and I spend a little cash | 0:42:05 | 0:42:08 | |
# But all I get is bitter and a nasty little rash | 0:42:08 | 0:42:11 | |
# And by the time I'm sober I've forgotten what I've had | 0:42:11 | 0:42:15 | |
# And everybody tells me it's cool to be a cat | 0:42:15 | 0:42:18 | |
-# It's cool for cats -Cool for cats. # | 0:42:18 | 0:42:23 | |
APPLAUSE | 0:42:37 | 0:42:39 | |
Squeeze reached number two in the spring of 1979 | 0:42:42 | 0:42:45 | |
and Cool For Cats is now cool for Kid. | 0:42:45 | 0:42:47 | |
OK, it's time for our Christmas cuddle spot, I think. | 0:42:47 | 0:42:50 | |
-Don't look at me! -All right then, look at Dr Hook | 0:42:50 | 0:42:52 | |
and When You're In Love With A Beautiful Woman. | 0:42:52 | 0:42:55 | |
# When you're in love with a beautiful woman | 0:43:08 | 0:43:13 | |
# It's hard | 0:43:13 | 0:43:14 | |
# When you're in love with a beautiful woman | 0:43:17 | 0:43:22 | |
# You know it's hard | 0:43:22 | 0:43:23 | |
# It's hard, you know it gets so hard | 0:43:23 | 0:43:25 | |
# Everybody wants her | 0:43:27 | 0:43:29 | |
# Everybody loves her | 0:43:29 | 0:43:31 | |
# Everybody wants to take your baby home | 0:43:31 | 0:43:35 | |
# When you're in love with a beautiful woman | 0:43:35 | 0:43:39 | |
# You watch your friends | 0:43:39 | 0:43:41 | |
# Watch your friends You better watch your friends | 0:43:41 | 0:43:44 | |
# When you're in love with a beautiful woman | 0:43:44 | 0:43:48 | |
# It never ends | 0:43:48 | 0:43:49 | |
# It never ends You know it never ends | 0:43:49 | 0:43:52 | |
# You know that it's crazy | 0:43:53 | 0:43:55 | |
# You wanna trust her | 0:43:55 | 0:43:57 | |
# Then somebody hangs up when you answer the phone | 0:43:57 | 0:44:01 | |
# When you're in love with a beautiful woman | 0:44:01 | 0:44:06 | |
# You go it alone | 0:44:06 | 0:44:07 | |
# Maybe it's just an ego problem | 0:44:12 | 0:44:15 | |
# Problem is, I've been fooled before | 0:44:15 | 0:44:19 | |
# By fair-weathered friends and faint-hearted lovers | 0:44:19 | 0:44:25 | |
# And every time it happens | 0:44:25 | 0:44:27 | |
# It just convinces me more | 0:44:27 | 0:44:32 | |
# When you're in love with a beautiful woman | 0:44:33 | 0:44:38 | |
# You watch her eyes | 0:44:38 | 0:44:39 | |
# You watch her eyes, baby Watch her eyes | 0:44:39 | 0:44:42 | |
# When you're in love with a beautiful woman | 0:44:42 | 0:44:46 | |
# You look for lies | 0:44:46 | 0:44:48 | |
# You look for lies, baby Look for lies | 0:44:48 | 0:44:50 | |
# Everybody tempts her | 0:44:51 | 0:44:53 | |
# Everybody tells her | 0:44:53 | 0:44:55 | |
# She's the most beautiful woman they know | 0:44:55 | 0:44:59 | |
# When you're in love with a beautiful woman | 0:44:59 | 0:45:04 | |
# You go it alone | 0:45:04 | 0:45:05 | |
# When you're in love with a beautiful woman | 0:45:08 | 0:45:12 | |
-# You watch your friends -Watch your friends | 0:45:12 | 0:45:14 | |
# You better watch your friends You better look out | 0:45:14 | 0:45:17 | |
# When you're in love with a beautiful woman | 0:45:17 | 0:45:21 | |
# Oh, it never ends... # | 0:45:21 | 0:45:23 | |
APPLAUSE | 0:45:23 | 0:45:25 | |
And yet another major success for Dr Hook | 0:45:26 | 0:45:28 | |
and When You're In Love With A Beautiful Woman. | 0:45:28 | 0:45:31 | |
And next up, someone blonde and very, very good looking. | 0:45:31 | 0:45:35 | |
-Hi! -Not you. | 0:45:35 | 0:45:36 | |
Blondie and Dreaming. | 0:45:36 | 0:45:38 | |
# When I met you in the restaurant | 0:46:02 | 0:46:06 | |
# You could tell I was no debutante | 0:46:08 | 0:46:12 | |
# You asked me what's my pleasure | 0:46:15 | 0:46:18 | |
# A movie or a measure? | 0:46:18 | 0:46:21 | |
# I'll have a cup of tea | 0:46:21 | 0:46:24 | |
# And tell you of my dreaming | 0:46:24 | 0:46:27 | |
# Dreaming is free | 0:46:29 | 0:46:32 | |
# Dreaming | 0:46:32 | 0:46:33 | |
# Dreaming is free | 0:46:35 | 0:46:37 | |
# I don't want to live on charity | 0:46:38 | 0:46:42 | |
# Pleasure's real or is it fantasy? | 0:46:44 | 0:46:48 | |
# Reel to reel is living rarity | 0:46:50 | 0:46:54 | |
# People stop and stare at me | 0:46:54 | 0:46:57 | |
# We just walk on by | 0:46:57 | 0:47:00 | |
# We just keep on dreaming | 0:47:00 | 0:47:03 | |
# Feet, feet, walking a two mile | 0:47:05 | 0:47:08 | |
# Meet, meet, meet me at the turnstile | 0:47:08 | 0:47:10 | |
# I never met him | 0:47:10 | 0:47:13 | |
# I'll never forget him | 0:47:13 | 0:47:16 | |
# Dream, dream, even for a little while | 0:47:16 | 0:47:19 | |
# Dream, dream, filling up an idle hour | 0:47:19 | 0:47:22 | |
# Fade away | 0:47:22 | 0:47:25 | |
# Whoo, radiate | 0:47:25 | 0:47:31 | |
# I sit by and watch the river flow | 0:47:31 | 0:47:35 | |
# I sit by and watch the traffic go | 0:47:37 | 0:47:41 | |
# Imagine something of your very own | 0:47:43 | 0:47:47 | |
# Something you can have and hold | 0:47:47 | 0:47:50 | |
# I'd build a road in gold | 0:47:50 | 0:47:53 | |
# Just to have some dreaming | 0:47:53 | 0:47:56 | |
# Dreaming is free | 0:47:58 | 0:48:01 | |
# Dreaming | 0:48:01 | 0:48:02 | |
# Dreaming is free | 0:48:04 | 0:48:06 | |
# Dreaming | 0:48:07 | 0:48:08 | |
# Dreaming is free... # APPLAUSE | 0:48:10 | 0:48:12 | |
A double Christmas bonus. | 0:48:12 | 0:48:14 | |
It's Debbie Harry, Blondie and Dreaming. | 0:48:14 | 0:48:16 | |
And I'm pleased to announce that Gary Numan and Tubeway Army | 0:48:16 | 0:48:19 | |
are back with their number one that must surely go down | 0:48:19 | 0:48:21 | |
in the rock annals as a real classic. | 0:48:21 | 0:48:23 | |
It is, of course, Are 'Friends' Electric? | 0:48:23 | 0:48:26 | |
# It's cold outside | 0:48:29 | 0:48:31 | |
# And the paint's peeling off of my walls | 0:48:35 | 0:48:37 | |
# There's a man outside | 0:48:40 | 0:48:41 | |
# In a long coat, grey hat, smoking a cigarette | 0:48:45 | 0:48:48 | |
# Now the light fades out | 0:49:10 | 0:49:12 | |
# And I wonder what I'm doing in a room like this | 0:49:16 | 0:49:18 | |
# There's a knock on the door | 0:49:21 | 0:49:22 | |
# And just for a second I thought I remembered you. # | 0:49:26 | 0:49:29 | |
So now I'm alone, where I can think for myself... | 0:49:51 | 0:49:54 | |
..about little deals and SUs. | 0:49:56 | 0:49:59 | |
Things that I just don't understand, | 0:49:59 | 0:50:01 | |
like a white lie that night | 0:50:01 | 0:50:04 | |
or a sly touch at times. | 0:50:04 | 0:50:05 | |
I don't think it meant anything to you. | 0:50:09 | 0:50:11 | |
APPLAUSE | 0:50:32 | 0:50:35 | |
Moody stuff there from Gary Numan and Tubeway Army | 0:50:37 | 0:50:39 | |
and no doubt we'll be hearing lots more from them in the 1980s, wouldn't you say? | 0:50:39 | 0:50:42 | |
I hope so, Kid. What about some legs, we haven't seen any legs on the show yet. | 0:50:42 | 0:50:45 | |
-Well, I've got... -No, not your legs. | 0:50:45 | 0:50:47 | |
Some much prettier legs and some good time party music | 0:50:47 | 0:50:50 | |
with Racey and Some Girls. | 0:50:50 | 0:50:51 | |
# Some girls will | 0:51:04 | 0:51:07 | |
# Some girls won't | 0:51:07 | 0:51:09 | |
# Some girls need a lot of lovin' and | 0:51:09 | 0:51:12 | |
# Some girls don't | 0:51:12 | 0:51:15 | |
# Well, I know I've got the fever but | 0:51:15 | 0:51:17 | |
# I don't know why | 0:51:17 | 0:51:20 | |
# Some say they will and some girls lie | 0:51:20 | 0:51:22 | |
# So here I am in front of you | 0:51:25 | 0:51:28 | |
# Not really knowing what to do | 0:51:28 | 0:51:30 | |
# My heart is feeling something new | 0:51:30 | 0:51:33 | |
# Nervously I turn away from you | 0:51:33 | 0:51:36 | |
# I see those looks you're sending me | 0:51:36 | 0:51:38 | |
# Is this the way it's meant to be? | 0:51:38 | 0:51:41 | |
# It's something we should talk about | 0:51:41 | 0:51:44 | |
# Just give me time to work it out | 0:51:44 | 0:51:46 | |
# Some girls will | 0:51:46 | 0:51:49 | |
# Some girls won't | 0:51:49 | 0:51:51 | |
# Some girls need a lot of lovin' and | 0:51:51 | 0:51:54 | |
# Some girls don't | 0:51:54 | 0:51:57 | |
# Well, I know I've got the fever but | 0:51:57 | 0:52:00 | |
# I don't know why | 0:52:00 | 0:52:02 | |
# Some say they will and some girls lie | 0:52:02 | 0:52:07 | |
# I find your company to be | 0:52:07 | 0:52:10 | |
# Something completely new to me | 0:52:10 | 0:52:12 | |
# Now that I know you socially | 0:52:12 | 0:52:15 | |
# Obviously, I'll fall heavily | 0:52:15 | 0:52:18 | |
# I've seen those looks you're sending me | 0:52:18 | 0:52:20 | |
# Is the way it's meant to be? | 0:52:20 | 0:52:23 | |
# There's nothing left to talk about | 0:52:23 | 0:52:25 | |
# Oh, how I wish you'd work it out | 0:52:25 | 0:52:28 | |
# Some girls will | 0:52:28 | 0:52:31 | |
# Some girls won't | 0:52:31 | 0:52:34 | |
# Some girls need a lot of lovin' and | 0:52:34 | 0:52:36 | |
# Some girls don't | 0:52:36 | 0:52:39 | |
# Well, I know I've got the fever but | 0:52:39 | 0:52:42 | |
# I don't know why | 0:52:42 | 0:52:44 | |
# Some say they will and some girls lie | 0:52:44 | 0:52:47 | |
# I don't know what I'm going to do | 0:52:57 | 0:53:00 | |
# Some girls will | 0:53:10 | 0:53:12 | |
# Some girls won't | 0:53:13 | 0:53:16 | |
# Some girls need a lot of lovin' and some girls don't | 0:53:16 | 0:53:21 | |
# Well, I know I've got the fever but | 0:53:21 | 0:53:24 | |
# I don't know why | 0:53:24 | 0:53:26 | |
# Some say they will and some girls lie | 0:53:26 | 0:53:31 | |
# So here I am in front of you | 0:53:31 | 0:53:34 | |
# Not really knowing what to do | 0:53:34 | 0:53:36 | |
# My heart is feeling something new | 0:53:36 | 0:53:39 | |
# Nervously I turn away from you | 0:53:39 | 0:53:42 | |
# Some girls will | 0:53:42 | 0:53:45 | |
# Some girls won't | 0:53:45 | 0:53:47 | |
# Some girls need a lot of lovin' and | 0:53:47 | 0:53:50 | |
# Some girls don't | 0:53:50 | 0:53:52 | |
# Well, I know I've got the fever but | 0:53:52 | 0:53:55 | |
# I don't know why | 0:53:55 | 0:53:58 | |
# Some say they will and some girls lie | 0:53:58 | 0:54:01 | |
# Some girls will... # APPLAUSE | 0:54:03 | 0:54:07 | |
It's getting hot and good in here, I'll tell you. | 0:54:07 | 0:54:09 | |
And so that was Racey with Some Girls. | 0:54:09 | 0:54:11 | |
And it was several girls who went out and bought this next record. | 0:54:11 | 0:54:13 | |
It went to number one and it stayed there for four weeks. | 0:54:13 | 0:54:16 | |
Cliff Richard's We Don't Talk Anymore. | 0:54:16 | 0:54:18 | |
# Used to think that life was sweet | 0:54:36 | 0:54:41 | |
# Used to think we were so complete | 0:54:41 | 0:54:45 | |
# I can't believe | 0:54:45 | 0:54:48 | |
# You'd throw it away | 0:54:48 | 0:54:50 | |
# Used to feel we had it made | 0:54:53 | 0:54:58 | |
# Used to feel we could sail away | 0:54:58 | 0:55:02 | |
# Can you imagine | 0:55:02 | 0:55:05 | |
# How I feel today | 0:55:05 | 0:55:07 | |
# Well, it seems a long time ago | 0:55:10 | 0:55:14 | |
# You were the lonely one | 0:55:14 | 0:55:17 | |
# Now it comes to letting go | 0:55:19 | 0:55:22 | |
# You are the only one | 0:55:22 | 0:55:26 | |
# Do you know what you've done | 0:55:27 | 0:55:32 | |
# It's so funny | 0:55:32 | 0:55:34 | |
# How we don't talk anymore | 0:55:34 | 0:55:39 | |
# It's so funny | 0:55:41 | 0:55:43 | |
# Why we don't talk anymore | 0:55:43 | 0:55:48 | |
# But I ain't losing sleep | 0:55:48 | 0:55:52 | |
# And I ain't counting sheep | 0:55:52 | 0:55:55 | |
# It's so funny | 0:55:58 | 0:56:00 | |
# How we don't talk anymore | 0:56:00 | 0:56:06 | |
# Oooooooh | 0:56:08 | 0:56:10 | |
# We don't talk | 0:56:10 | 0:56:12 | |
# Oooooooh | 0:56:16 | 0:56:19 | |
# Well, it really doesn't matter to me | 0:56:23 | 0:56:28 | |
# I guess you're leaving was meant to be | 0:56:28 | 0:56:33 | |
# It's down to you now | 0:56:33 | 0:56:35 | |
# You want to be free | 0:56:35 | 0:56:37 | |
# Well, I hope you know which way to go | 0:56:40 | 0:56:44 | |
# You're on your own again | 0:56:44 | 0:56:49 | |
# Don't come crying to me | 0:56:49 | 0:56:53 | |
# When you're the lonely one | 0:56:53 | 0:56:57 | |
# Remember what you've done | 0:56:57 | 0:57:02 | |
# It's so funny | 0:57:02 | 0:57:05 | |
# How we don't talk anymore | 0:57:05 | 0:57:09 | |
# It's so funny | 0:57:11 | 0:57:13 | |
# Why we don't talk anymore | 0:57:13 | 0:57:18 | |
# But I ain't losing sleep | 0:57:18 | 0:57:23 | |
-# And I ain't counting sheep -Sheeeeep | 0:57:23 | 0:57:27 | |
# No, no, no | 0:57:27 | 0:57:28 | |
# It's so funny | 0:57:28 | 0:57:31 | |
# How we don't talk anymore | 0:57:31 | 0:57:38 | |
# Oooooooh | 0:57:38 | 0:57:40 | |
# We don't talk | 0:57:40 | 0:57:42 | |
# Oooooooh | 0:57:46 | 0:57:49 | |
# We don't talk | 0:57:49 | 0:57:52 | |
# But I ain't no losing sleep | 0:57:53 | 0:57:57 | |
-# No, I ain't counting sheep -Sheeeeep | 0:57:57 | 0:58:01 | |
# No, no, no, no | 0:58:01 | 0:58:03 | |
# It's so funny | 0:58:03 | 0:58:05 | |
# How we don't talk anymore | 0:58:05 | 0:58:11 | |
# Oooooooh | 0:58:11 | 0:58:14 | |
# We don't talk... # APPLAUSE | 0:58:16 | 0:58:19 | |
Cliff Richard and what a terrific way to end the programme. | 0:58:20 | 0:58:23 | |
I hope you've enjoyed our Christmas Day Top Of The Pops special. | 0:58:23 | 0:58:25 | |
Trust me to get this lot. Have yourselves a great Christmas Day, won't you? And enjoy yourselves. | 0:58:25 | 0:58:29 | |
-See you soon. -Bye-bye, everybody. Bye-bye. | 0:58:29 | 0:58:32 |