Browse content similar to 27/05/1982. Check below for episodes and series from the same categories and more!
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Well, hello and welcome to the rundown to the replay | 0:00:18 | 0:00:20 | |
of the North London Charity Cup. | 0:00:20 | 0:00:22 | |
Top Of The Pops, a little earlier than usual, | 0:00:22 | 0:00:24 | |
somewhat truncated but full of famous people. | 0:00:24 | 0:00:26 | |
One or two surprises and some wonderful teen-beat music. | 0:00:26 | 0:00:29 | |
We start with a band which boasts at least two | 0:00:29 | 0:00:31 | |
Queens Park Rangers supporters - Genesis. | 0:00:31 | 0:00:34 | |
# Paperlate, paperlate | 0:00:35 | 0:00:38 | |
# Paperlate, paperlate | 0:00:43 | 0:00:46 | |
# Paperlate | 0:00:51 | 0:00:53 | |
# Oh I'm sorry but there is no-one on the line | 0:00:53 | 0:00:58 | |
# Paperlate, oh I'm sorry but rest easy no news is good news | 0:00:59 | 0:01:07 | |
# Oh, it's too easy to live like clockwork | 0:01:07 | 0:01:09 | |
# Tick tock watching the world go by | 0:01:11 | 0:01:14 | |
# Any change would take too long | 0:01:15 | 0:01:18 | |
# So dry your eyes | 0:01:18 | 0:01:21 | |
# Ooh it's too easy to live in a cold sweat | 0:01:23 | 0:01:27 | |
# Just sitting dripping in pools below | 0:01:27 | 0:01:31 | |
# You can wipe your face | 0:01:31 | 0:01:33 | |
# Kill the pain | 0:01:33 | 0:01:34 | |
# But the fever won't go, no no | 0:01:34 | 0:01:39 | |
# Paperlate | 0:01:39 | 0:01:41 | |
# Pull it together now | 0:01:41 | 0:01:43 | |
# Put your feet back on the ground | 0:01:43 | 0:01:46 | |
# Paperlate | 0:01:47 | 0:01:48 | |
# Ooh don't worry now | 0:01:48 | 0:01:50 | |
# You're not alone | 0:01:50 | 0:01:52 | |
# Look around you | 0:01:52 | 0:01:55 | |
# Paperlate | 0:01:55 | 0:01:57 | |
# Ooh I'm sorry but there's no-one on the line | 0:01:57 | 0:02:02 | |
# Paperlate | 0:02:02 | 0:02:04 | |
# Ooh I'm sorry but rest easy no news is good news | 0:02:04 | 0:02:10 | |
# Oh, it's too easy to compute your future | 0:02:10 | 0:02:14 | |
# Taking no risks and playing too safe | 0:02:14 | 0:02:18 | |
# Any change would take too long | 0:02:18 | 0:02:21 | |
# So dry your eyes | 0:02:21 | 0:02:24 | |
# Oh, it's too easy to talk about rocking the boat | 0:02:26 | 0:02:30 | |
# Making changes and changing track | 0:02:30 | 0:02:34 | |
# But you'd better not lock that door | 0:02:34 | 0:02:37 | |
# Cos you'll be coming back | 0:02:37 | 0:02:39 | |
# Ah you're breathing faster | 0:02:43 | 0:02:46 | |
# Silence the only sound | 0:02:46 | 0:02:49 | |
# There's no need to be nice on the way up | 0:02:49 | 0:02:54 | |
# Cos you're not coming down | 0:02:54 | 0:02:57 | |
# Paperlate, paperlate | 0:02:57 | 0:03:01 | |
# Paperlate, paperlate | 0:03:05 | 0:03:09 | |
# Paperlate, paperlate | 0:03:13 | 0:03:16 | |
# Paperlate, paperlate | 0:03:21 | 0:03:24 | |
# Paperlate | 0:03:28 | 0:03:30 | |
# Ooh I'm sorry but there's no-one on the line... # | 0:03:30 | 0:03:35 | |
That's Genesis, boys and girls - really cute. | 0:03:38 | 0:03:41 | |
And everywhere you go in this studio, the place is just packed | 0:03:41 | 0:03:43 | |
with Debbie Harry lookalikes. | 0:03:43 | 0:03:45 | |
But seriously, Debbie, very nice that you could come along | 0:03:45 | 0:03:47 | |
to Top Of The Pops. | 0:03:47 | 0:03:48 | |
This film we're about to see - whereabouts did you do that? | 0:03:48 | 0:03:51 | |
-We did that down the Scilly Isles. -Did you? | 0:03:51 | 0:03:53 | |
Yes, well, we had a chance to do a really penetrating, | 0:03:53 | 0:03:56 | |
in-depth interview, so let's now have a look at the film. | 0:03:56 | 0:03:59 | |
# In Babylon | 0:04:09 | 0:04:11 | |
# On the boulevard of broken dreams | 0:04:11 | 0:04:14 | |
# My willpower at the lowest ebb | 0:04:14 | 0:04:17 | |
# Oh what can I do? | 0:04:17 | 0:04:19 | |
# Oh buccaneer | 0:04:20 | 0:04:23 | |
# Can ya help me put my truck in gear? | 0:04:23 | 0:04:26 | |
# Can ya take me far away from here? | 0:04:26 | 0:04:29 | |
# Save my soul from sin? | 0:04:29 | 0:04:31 | |
# You wanna get away, you've had it man | 0:04:33 | 0:04:36 | |
# Nothing's going right | 0:04:36 | 0:04:37 | |
# So come sit on the sands of the island | 0:04:37 | 0:04:41 | |
# Island of Lost Souls | 0:04:41 | 0:04:43 | |
# No luxuries, no, no amenities | 0:04:44 | 0:04:47 | |
# To dull, your senses | 0:04:47 | 0:04:48 | |
# Oh oh only primitive | 0:04:48 | 0:04:50 | |
# Hey hey really get away, is what he said | 0:04:50 | 0:04:54 | |
# Where did he go? | 0:04:56 | 0:05:00 | |
# I'm tired of waiting here for him | 0:05:00 | 0:05:02 | |
# Where can he be? | 0:05:02 | 0:05:05 | |
# He's not with me | 0:05:05 | 0:05:08 | |
# Where did he go? | 0:05:08 | 0:05:12 | |
# What will I do alone? | 0:05:12 | 0:05:14 | |
# Why did he run, run away from me? | 0:05:14 | 0:05:20 | |
# The sky is blue, the sea is warm and clear | 0:05:20 | 0:05:23 | |
# And golden sands are calling out to you inviting | 0:05:23 | 0:05:28 | |
# Make a new man outta you | 0:05:28 | 0:05:31 | |
# You can come for a while, come with a friend | 0:05:31 | 0:05:35 | |
# Forget about work start all over again | 0:05:35 | 0:05:37 | |
# Let the real you through, here is what we do... # | 0:05:37 | 0:05:42 | |
Thank you, thank you very much. | 0:06:13 | 0:06:15 | |
I'd like to introduce a friend of mine, Roger. | 0:06:15 | 0:06:17 | |
-Hi, Debbie. -How have you been? | 0:06:17 | 0:06:19 | |
-Not too bad. -What are you up to these days? | 0:06:19 | 0:06:21 | |
We've just come back from Europe, a concert tour. | 0:06:21 | 0:06:23 | |
We'll be in Leeds on Saturday, | 0:06:23 | 0:06:25 | |
-and look forward to seeing everybody in Leeds. -Yeah. | 0:06:25 | 0:06:29 | |
Our next group is Japan. | 0:06:29 | 0:06:31 | |
# We're pushing through these farming towns | 0:06:54 | 0:07:00 | |
# We've worked hard ploughing over grounds | 0:07:02 | 0:07:07 | |
# Red army calls you | 0:07:09 | 0:07:14 | |
# The call of the crowd | 0:07:14 | 0:07:17 | |
# Red army needs you | 0:07:17 | 0:07:22 | |
# It calls you now | 0:07:22 | 0:07:24 | |
# Cantonese boy | 0:07:26 | 0:07:30 | |
# Bang your tin drum | 0:07:30 | 0:07:34 | |
# Cantonese boy | 0:07:34 | 0:07:38 | |
# Civilian soldier | 0:07:38 | 0:07:42 | |
# Cantonese boy | 0:07:42 | 0:07:45 | |
# Bang your tin drum | 0:07:45 | 0:07:49 | |
# Cantonese boy | 0:07:49 | 0:07:53 | |
# Red army calls you home | 0:07:53 | 0:07:57 | |
# We're singing | 0:08:13 | 0:08:15 | |
# Marching through the fields | 0:08:15 | 0:08:18 | |
# We're changing | 0:08:20 | 0:08:23 | |
# The lives we've led for years | 0:08:23 | 0:08:26 | |
# Red army calls you | 0:08:28 | 0:08:32 | |
# The call of the crowd | 0:08:32 | 0:08:36 | |
# Red army needs you | 0:08:36 | 0:08:40 | |
# It calls you now | 0:08:40 | 0:08:45 | |
# Cantonese boy | 0:08:45 | 0:08:48 | |
# Bang your tin drum | 0:08:48 | 0:08:52 | |
# Cantonese boy | 0:08:52 | 0:08:56 | |
# Civilian soldier | 0:08:56 | 0:09:00 | |
# Cantonese boy | 0:09:00 | 0:09:04 | |
# Bang your tin drum | 0:09:04 | 0:09:08 | |
# Cantonese boy | 0:09:08 | 0:09:11 | |
# Red army calls you home | 0:09:11 | 0:09:16 | |
# Red army calls you | 0:09:31 | 0:09:35 | |
# Red army needs you | 0:09:39 | 0:09:43 | |
# Red army calls you | 0:09:47 | 0:09:51 | |
# Red army needs you | 0:09:54 | 0:09:58 | |
# Gentlemen you heard this call | 0:10:02 | 0:10:06 | |
# Raised your glass and called for more | 0:10:06 | 0:10:10 | |
# Only young men broke the wall. # | 0:10:10 | 0:10:15 | |
That's Japan, and with the Cup Final only moments away, | 0:10:20 | 0:10:23 | |
we've assembled a panel of teenagers and I've asked them who they | 0:10:23 | 0:10:26 | |
think is going to win the replay. | 0:10:26 | 0:10:29 | |
-Definitely Rangers. -Rangers. | 0:10:29 | 0:10:31 | |
Spurs. | 0:10:31 | 0:10:33 | |
Spurs. | 0:10:33 | 0:10:34 | |
This is democracy in action - Duran Duran. | 0:10:34 | 0:10:37 | |
# Dark in the city night is a wire | 0:10:44 | 0:10:48 | |
# Steam in the subway earth is afire | 0:10:48 | 0:10:51 | |
# Do do do do do do do do do do do do | 0:10:51 | 0:10:56 | |
# Woman you want me give me a sign | 0:10:59 | 0:11:03 | |
# And catch my breathing even closer behind | 0:11:03 | 0:11:06 | |
# Do do do do do do do do do do do do do do | 0:11:06 | 0:11:12 | |
# In touch with the ground | 0:11:15 | 0:11:17 | |
# I'm on the hunt, I'm after you | 0:11:17 | 0:11:21 | |
# Smell like I sound I'm lost in a crowd | 0:11:21 | 0:11:25 | |
# And I'm hungry like the wolf | 0:11:25 | 0:11:29 | |
# Straddle the line in discord and rhyme | 0:11:29 | 0:11:32 | |
# I'm on the hunt, I'm after you | 0:11:32 | 0:11:36 | |
# Mouth is alive with juices like wine | 0:11:36 | 0:11:40 | |
# And I'm hungry like the wolf | 0:11:40 | 0:11:44 | |
# Stalked in the forest too close to hide | 0:11:49 | 0:11:52 | |
# I'll be upon you by the moonlight side | 0:11:52 | 0:11:55 | |
# Do do do do do do do do do do do do do do | 0:11:55 | 0:12:01 | |
# Higher blood drumming on your skin it's so tight | 0:12:04 | 0:12:07 | |
# You feel my heat I'm just a moment behind | 0:12:07 | 0:12:10 | |
# Do do do do do do do do do do do do do do | 0:12:10 | 0:12:16 | |
# In touch with the ground | 0:12:19 | 0:12:21 | |
# I'm on the hunt, I'm after you | 0:12:21 | 0:12:25 | |
# Scent and a sound, I'm lost and I'm found | 0:12:25 | 0:12:29 | |
# And I'm hungry like the wolf | 0:12:29 | 0:12:33 | |
# Strut on a line it's discord and rhyme | 0:12:33 | 0:12:36 | |
# I howl and I whine I'm after you | 0:12:36 | 0:12:40 | |
# Mouth is alive all running inside | 0:12:40 | 0:12:44 | |
# And I'm hungry like the wolf | 0:12:44 | 0:12:48 | |
# Hungry like the wolf | 0:13:04 | 0:13:06 | |
# Hungry like the wolf | 0:13:06 | 0:13:08 | |
# Hungry like the wolf | 0:13:08 | 0:13:10 | |
# Burning the ground I break from the crowd | 0:13:18 | 0:13:22 | |
# I'm on the hunt, I'm after you | 0:13:22 | 0:13:26 | |
# I smell like I sound, I'm lost and I'm found... # | 0:13:26 | 0:13:29 | |
Well, that's the Duran Durans. And she's still here - | 0:13:31 | 0:13:34 | |
I think it's me jumper she's after. Debbie, do you have any particular | 0:13:34 | 0:13:37 | |
favourites of your own in the Top 30? | 0:13:37 | 0:13:39 | |
-Well... -While you're thinking about that, here's a chance for you to | 0:13:39 | 0:13:41 | |
enjoy me doing the countdown. | 0:13:41 | 0:13:44 | |
I've Never Been To Me. | 0:13:44 | 0:13:47 | |
Love Is All Is All Right. | 0:13:48 | 0:13:52 | |
The Telephone Always Rings. | 0:13:52 | 0:13:54 | |
Tottenham, Tottenham. | 0:13:55 | 0:13:57 | |
This Time. | 0:13:59 | 0:14:01 | |
Ebony And Ivory. | 0:14:02 | 0:14:04 | |
Cantonese Boy. | 0:14:06 | 0:14:08 | |
Really Saying Something. | 0:14:09 | 0:14:12 | |
Promised You A Miracle. | 0:14:13 | 0:14:15 | |
Paperlate. | 0:14:16 | 0:14:18 | |
Shout! Shout! | 0:14:20 | 0:14:22 | |
The Number Of The Beast. | 0:14:24 | 0:14:26 | |
Instinction. | 0:14:27 | 0:14:29 | |
Club Country. | 0:14:31 | 0:14:34 | |
Torch. | 0:14:34 | 0:14:36 | |
The Meaning Of Love. | 0:14:37 | 0:14:39 | |
Island Of Lost Souls. | 0:14:41 | 0:14:44 | |
We Have A Dream. | 0:14:44 | 0:14:48 | |
Hungry Like The Wolf. | 0:14:48 | 0:14:50 | |
Girl Crazy. | 0:14:51 | 0:14:53 | |
This is the first time I've managed to get my mother into the studio. | 0:14:56 | 0:14:59 | |
We're going to go back to number 16, Soft Cell. | 0:14:59 | 0:15:01 | |
# I'm lost again and I'm on the run | 0:15:17 | 0:15:21 | |
# Looking for love in a sad song | 0:15:21 | 0:15:27 | |
# With your avenger eyes | 0:15:29 | 0:15:31 | |
# And your catlike ways | 0:15:31 | 0:15:33 | |
# I can hold you | 0:15:33 | 0:15:35 | |
# You are a fool for me to be cruel | 0:15:35 | 0:15:39 | |
# I'm leaning on this bar listening to you sing | 0:15:41 | 0:15:45 | |
# And your sad song rings in my ears | 0:15:45 | 0:15:48 | |
# And I start to cry | 0:15:48 | 0:15:51 | |
# He's searching, she's showing | 0:15:52 | 0:15:59 | |
# See him held in a deep, deep spell | 0:16:00 | 0:16:04 | |
# He knows she's glowing | 0:16:04 | 0:16:07 | |
# I can find within my mind a way to go | 0:16:08 | 0:16:14 | |
# I can look deep into your light and shout | 0:16:16 | 0:16:20 | |
# Hold me, hold me, hold me, hold me, hold me | 0:16:20 | 0:16:24 | |
# I hear the saxophone and it tears my soul | 0:16:39 | 0:16:44 | |
# And we're feeling old | 0:16:44 | 0:16:46 | |
# Feeling so cold | 0:16:46 | 0:16:49 | |
# She is the torch | 0:16:51 | 0:16:53 | |
# And she is the theme | 0:16:53 | 0:16:55 | |
# She could be a dream but | 0:16:55 | 0:16:57 | |
# Oh, boy, is she real | 0:16:57 | 0:17:01 | |
# Try to avoid her eyes, to avoid her words | 0:17:03 | 0:17:07 | |
# They will hit you with all that you feel | 0:17:07 | 0:17:14 | |
# He's searching, she's showing | 0:17:14 | 0:17:21 | |
# See him held in a deep, deep spell | 0:17:22 | 0:17:26 | |
# He knows she's glowing | 0:17:26 | 0:17:30 | |
# I can find within my mind a way to go | 0:17:30 | 0:17:36 | |
# I can look deep into your light and shout | 0:17:38 | 0:17:42 | |
# Hold me, hold me, hold me, hold me, hold me | 0:17:42 | 0:17:46 | |
# See her eyes, they are bright tonight | 0:18:02 | 0:18:05 | |
# See the stars coming out tonight | 0:18:05 | 0:18:09 | |
# See the moon looking down tonight | 0:18:09 | 0:18:13 | |
# See how they light your way tonight | 0:18:13 | 0:18:17 | |
# See my eyes, they are bright tonight | 0:18:17 | 0:18:21 | |
# See my hands reaching out tonight | 0:18:21 | 0:18:25 | |
# Hear my words, they are dynamite | 0:18:25 | 0:18:28 | |
# See how they light your way tonight | 0:18:28 | 0:18:32 | |
# See her eyes, they are bright tonight | 0:18:32 | 0:18:36 | |
# See the stars coming out tonight | 0:18:36 | 0:18:40 | |
# See the moon looking down tonight | 0:18:40 | 0:18:44 | |
# See how they light your way tonight | 0:18:44 | 0:18:48 | |
# See her eyes, they are bright tonight | 0:18:48 | 0:18:52 | |
# See how they light your way tonight. # | 0:18:52 | 0:18:58 | |
Absolutely yummy if you ask me - at number 16 that's Soft Cell, | 0:19:03 | 0:19:06 | |
picking and grinning their way into your hearts. | 0:19:06 | 0:19:09 | |
Now we're going to go back to the charts, my old brave ones. | 0:19:09 | 0:19:12 | |
I Love Rock 'N Roll. | 0:19:12 | 0:19:15 | |
Mama Used To Say. | 0:19:17 | 0:19:19 | |
Forget Me Nots. | 0:19:21 | 0:19:23 | |
I Won't Let You Down. | 0:19:25 | 0:19:26 | |
The Look Of Love. | 0:19:28 | 0:19:30 | |
Fantasy Island. | 0:19:31 | 0:19:33 | |
A Little Peace. | 0:19:35 | 0:19:37 | |
Only You. | 0:19:39 | 0:19:41 | |
Goody Two Shoes. | 0:19:42 | 0:19:44 | |
And a scholarly analysis of all of this will reveal that we've | 0:19:46 | 0:19:48 | |
got a new number 1 record. | 0:19:48 | 0:19:50 | |
-Debbie, are Madness very well known in the United States? -They're starting to be very well known. | 0:19:50 | 0:19:54 | |
-Very well known for their videos, I understand. -Of course. | 0:19:54 | 0:19:57 | |
We've got one of their videos now - Madness, new number 1. | 0:19:57 | 0:20:00 | |
# Good morning, miss Can I help you, son? | 0:20:18 | 0:20:21 | |
# 16 today, and up for fun | 0:20:21 | 0:20:26 | |
# I'm a big boy now, or so they say | 0:20:26 | 0:20:28 | |
# So if you'll serve, I'll be on my way | 0:20:28 | 0:20:30 | |
# Box of balloons, with a feather-light touch | 0:20:33 | 0:20:37 | |
# Pack of party poppers that pop in the night | 0:20:37 | 0:20:41 | |
# A toothbrush, a hairspray, plastic grin | 0:20:41 | 0:20:43 | |
# Miss Clay on all corners has just walked in | 0:20:43 | 0:20:45 | |
# Welcome to the house of fun, now I've come of age | 0:20:45 | 0:20:49 | |
# Welcome to the house of fun | 0:20:49 | 0:20:51 | |
# Welcome to the lion's den, temptation's on his way | 0:20:53 | 0:20:56 | |
# Welcome to the house of... | 0:20:56 | 0:20:58 | |
# No, no, miss, you've misunderstood | 0:21:05 | 0:21:09 | |
# 16 - big boy, full pint, in my manhood | 0:21:09 | 0:21:13 | |
# I'm up-to-date and the date's today | 0:21:13 | 0:21:15 | |
# So if you'll serve, I'll be me on my way | 0:21:15 | 0:21:17 | |
# Welcome to the house of fun, now I've come of age | 0:21:17 | 0:21:21 | |
# Welcome to the lion's den, temptation's on his way | 0:21:21 | 0:21:25 | |
# Welcome to the house of fun | 0:21:25 | 0:21:27 | |
# I'm sorry, son, but we don't stock | 0:21:39 | 0:21:42 | |
# Party gimmicks in this shop | 0:21:42 | 0:21:46 | |
# Try the house of fun, it's quicker if you run | 0:21:46 | 0:21:50 | |
# This is a chemist, not a joker's shop | 0:21:50 | 0:21:53 | |
# Party hats, simple enough, clear | 0:21:53 | 0:21:56 | |
# Comprehende, savvy, understand Do you hear? | 0:21:56 | 0:22:00 | |
# A pack of party hats, with the coloured tips | 0:22:00 | 0:22:04 | |
# I'm too late, Gorgon's heard gossip | 0:22:04 | 0:22:07 | |
# Hello, Joe, hello, Miss Clay Many happy returns from the day | 0:22:07 | 0:22:12 | |
# Welcome to the house of fun, now I've come of age | 0:22:12 | 0:22:15 | |
# Welcome to the house of fun | 0:22:15 | 0:22:19 | |
# Welcome to the lion's den, temptation's on his way | 0:22:19 | 0:22:23 | |
# Welcome to the house of fun | 0:22:23 | 0:22:27 | |
# Welcome to the house of fun, now I've come of age | 0:22:27 | 0:22:31 | |
# Welcome to the house of fun | 0:22:31 | 0:22:34 | |
# Welcome to the lion's den, temptation's on his way | 0:22:34 | 0:22:38 | |
# Welcome to the house of fun | 0:22:38 | 0:22:42 | |
# Welcome to the house of fun, now I've come of age... # | 0:22:42 | 0:22:45 | |
That's Madness, now at number 1. | 0:22:45 | 0:22:47 | |
Thank you very much, Debbie, for coming along to Top Of The Pops. | 0:22:47 | 0:22:50 | |
-Thank you, Peter. -Absolutely typical. | 0:22:50 | 0:22:52 | |
Next week's programme will be introduced by Kid Jensen. | 0:22:52 | 0:22:54 | |
Don't forget to stay tuned for the Cup Final coming up, | 0:22:54 | 0:22:57 | |
and let's hope it's a more exciting match than last Saturday's. | 0:22:57 | 0:22:59 | |
Goodnight. We're going to play you out with Fun Boy Three. | 0:22:59 | 0:23:02 | |
# He who knocks well, he has missed | 0:23:02 | 0:23:05 | |
# The don't disturb sign on the door | 0:23:05 | 0:23:08 | |
# And he who call this, he has dropped | 0:23:08 | 0:23:13 | |
# The invitations on the floor | 0:23:13 | 0:23:17 | |
# Sitting down and switching on | 0:23:17 | 0:23:21 | |
# The wooden box, the door is locked | 0:23:21 | 0:23:25 | |
# Switching off the world outside | 0:23:25 | 0:23:29 | |
# The party's over for the night | 0:23:29 | 0:23:33 | |
# It must be wonderful to live like you do | 0:23:33 | 0:23:38 | |
# To have respect from everyone that you know | 0:23:38 | 0:23:42 | |
# To have surprises waiting outside your door | 0:23:42 | 0:23:46 | |
# When you come home to answer your telephone | 0:23:46 | 0:23:50 | |
# The telephone starts to ring and ring | 0:23:50 | 0:23:53 | |
# The five piece door bell starts to chime | 0:23:53 | 0:23:58 | |
# The liquid clock well, it got dropped | 0:23:58 | 0:24:02 | |
# It's out of tune, the timings wrong | 0:24:02 | 0:24:06 | |
# It must be wonderful to live like you do | 0:24:06 | 0:24:10 | |
# To have respect from everyone that you know | 0:24:10 | 0:24:14 | |
# To have surprises waiting outside your door | 0:24:14 | 0:24:18 | |
# When you come home to answer your telephone... # | 0:24:18 | 0:24:22 |