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Live from Shepherd's Bush, London, it's Top Of The Pops. | 0:00:16 | 0:00:19 | |
Gee, John, this is the 999th edition. | 0:00:19 | 0:00:22 | |
I guess it marks the end of an era. | 0:00:22 | 0:00:24 | |
I don't think so, not really. It is a special programme though - | 0:00:24 | 0:00:26 | |
not only the European charts, but also the Southeast Asian charts. | 0:00:26 | 0:00:29 | |
That's right, but to kick off, | 0:00:29 | 0:00:30 | |
something new in our chart from Galaxy, this is Dancing Tight. | 0:00:30 | 0:00:33 | |
Is there any other way? | 0:00:33 | 0:00:35 | |
# Dancing tight | 0:00:43 | 0:00:45 | |
# Gonna squeeze you all night | 0:00:47 | 0:00:49 | |
# Dancing tight | 0:00:51 | 0:00:53 | |
# Gonna squeeze you all night | 0:00:55 | 0:00:57 | |
# Hey, you, looking out of your window | 0:00:59 | 0:01:03 | |
# I've been watching you for so many days | 0:01:03 | 0:01:08 | |
# Now I'm feeling brave enough I wanna ask you | 0:01:08 | 0:01:11 | |
# Can I take you out - hey, what do you say? | 0:01:11 | 0:01:16 | |
# I'll be throwing pebbles up at your window | 0:01:16 | 0:01:20 | |
# So make sure that you're ready when I call | 0:01:20 | 0:01:24 | |
# Dancing tight | 0:01:24 | 0:01:26 | |
# I ain't gonna let you go | 0:01:26 | 0:01:28 | |
# Gonna squeeze you all night | 0:01:28 | 0:01:30 | |
# Dancing tight | 0:01:32 | 0:01:34 | |
# I ain't gonna let you go | 0:01:34 | 0:01:36 | |
# Gonna squeeze you all night | 0:01:36 | 0:01:38 | |
# Hey, girl, what do you say? | 0:01:38 | 0:01:41 | |
# You say you've never been dancing | 0:01:41 | 0:01:44 | |
# Well, just you watch me, girl, then you'll know what to do | 0:01:44 | 0:01:48 | |
# It's easy when you feel the beat and the rhythm | 0:01:48 | 0:01:52 | |
# Cos that's the thing that makes your body move | 0:01:52 | 0:01:55 | |
# We'll be gently swaying through the evening | 0:01:56 | 0:02:00 | |
# Till the early hours of the morning | 0:02:00 | 0:02:04 | |
# Dancing tight | 0:02:04 | 0:02:06 | |
# I ain't gonna let you go | 0:02:06 | 0:02:08 | |
# Gonna squeeze you all night | 0:02:08 | 0:02:11 | |
# We could be dancing tight | 0:02:12 | 0:02:14 | |
# I ain't gonna let you go | 0:02:14 | 0:02:16 | |
# Gonna squeeze you all night | 0:02:16 | 0:02:19 | |
# Hey, girl, what do you say? | 0:02:19 | 0:02:21 | |
# Dancing tight | 0:02:29 | 0:02:31 | |
# I ain't gonna let you go | 0:02:31 | 0:02:33 | |
# Gonna squeeze you all night | 0:02:33 | 0:02:35 | |
# Gonna rock you till the morning time | 0:02:35 | 0:02:37 | |
# Dancing tight | 0:02:37 | 0:02:39 | |
# I ain't gonna let you go | 0:02:39 | 0:02:41 | |
# Gonna squeeze you all night | 0:02:41 | 0:02:43 | |
# We could be dancing tight | 0:02:43 | 0:02:45 | |
# Dancing tight | 0:02:45 | 0:02:47 | |
# I ain't gonna let you go | 0:02:47 | 0:02:49 | |
# Gonna squeeze you all night | 0:02:49 | 0:02:51 | |
# Gonna rock you till the morning time | 0:02:51 | 0:02:53 | |
# Dancing tight | 0:02:53 | 0:02:55 | |
# I ain't gonna let you go | 0:02:55 | 0:02:57 | |
# Gonna squeeze you all night | 0:02:57 | 0:02:59 | |
# Right now | 0:03:01 | 0:03:02 | |
# We could be the greatest dancers around | 0:03:02 | 0:03:07 | |
# Baby, don't you let me down | 0:03:07 | 0:03:11 | |
# We could really have a night on the town | 0:03:11 | 0:03:15 | |
# Baby, don't you let me down | 0:03:15 | 0:03:18 | |
# Don't let me down, girl | 0:03:18 | 0:03:20 | |
# Don't let me down | 0:03:20 | 0:03:21 | |
# Don't let me down, girl | 0:03:21 | 0:03:23 | |
# Don't let me down | 0:03:23 | 0:03:26 | |
# Dancing tight | 0:03:30 | 0:03:32 | |
# I ain't gonna let you go | 0:03:32 | 0:03:34 | |
# Gonna squeeze you all night | 0:03:34 | 0:03:35 | |
# Get some dancing shoes on | 0:03:35 | 0:03:38 | |
# Dancing tight | 0:03:38 | 0:03:40 | |
# I ain't gonna let you go... # | 0:03:40 | 0:03:42 | |
That was Galaxy. What did you think of the song | 0:03:46 | 0:03:49 | |
that won the Eurovision Song Contest? You too, eh? | 0:03:49 | 0:03:52 | |
It's ours now, number six, it finished sixth, | 0:03:52 | 0:03:54 | |
this is Sweet Dreams. | 0:03:54 | 0:03:55 | |
# I don't believe in idle gossip | 0:04:10 | 0:04:15 | |
# The jealous mind can be unfair | 0:04:17 | 0:04:21 | |
# I hear them make their accusations | 0:04:24 | 0:04:29 | |
# But baby, come what may | 0:04:31 | 0:04:32 | |
# No matter what the people say... | 0:04:32 | 0:04:36 | |
# I'm never givin' up, not givin' in | 0:04:39 | 0:04:43 | |
# If there's the slightest chance that I could win | 0:04:43 | 0:04:46 | |
# The battle may be lost, but I can win the war | 0:04:46 | 0:04:53 | |
# And get your lovin' back the way it was before | 0:04:53 | 0:04:59 | |
# At times it's hard to see the changes | 0:05:03 | 0:05:10 | |
# Or read the writing on the wall | 0:05:10 | 0:05:16 | |
# We may become the best of strangers | 0:05:18 | 0:05:24 | |
# But I'll keep holding on | 0:05:24 | 0:05:26 | |
# Until I know my chance has gone | 0:05:26 | 0:05:30 | |
# I'm never givin' up, not givin' in | 0:05:33 | 0:05:36 | |
# If there's the slightest chance that I could win | 0:05:36 | 0:05:40 | |
# The battle may be lost, but I can win the war | 0:05:40 | 0:05:46 | |
# And get your lovin' back the way it was before | 0:05:46 | 0:05:52 | |
# Never givin' up, I'm never givin' up | 0:05:53 | 0:05:58 | |
# I'm never givin' up, not givin' in | 0:06:07 | 0:06:11 | |
# If there's the slightest chance that I could win | 0:06:11 | 0:06:14 | |
# The battle may be lost, but I can win the war | 0:06:14 | 0:06:21 | |
# And get your lovin' back the way it was | 0:06:21 | 0:06:25 | |
# I'm never givin' up, not givin' in | 0:06:25 | 0:06:28 | |
# If there's the slightest chance that I could win | 0:06:28 | 0:06:31 | |
# The battle may be lost, but I can win the war | 0:06:31 | 0:06:38 | |
# And get your lovin' back the way it was before | 0:06:38 | 0:06:44 | |
# Never givin' up, I'm never givin' up | 0:06:44 | 0:06:51 | |
# I'm never, never givin', never, never givin' | 0:06:51 | 0:06:54 | |
# Never givin' up. # | 0:06:54 | 0:06:56 | |
As you may know, I've been on holiday the past couple of weeks. | 0:07:01 | 0:07:03 | |
-I didn't know that. -Yes, John, I was in the Far East. Actually, I have | 0:07:03 | 0:07:06 | |
a feeling you won't enjoy this next bit of the programme. | 0:07:06 | 0:07:08 | |
I think he's probably right about this, | 0:07:08 | 0:07:10 | |
cos what we're going to see now is the lad's holiday snaps | 0:07:10 | 0:07:12 | |
set to music, and here he is messing about in Singapore. | 0:07:12 | 0:07:16 | |
Welcome to Singapore. | 0:07:20 | 0:07:22 | |
They call it the Lion City or the Garden City, and with good reason, | 0:07:22 | 0:07:24 | |
because in full bloom, this place is staggeringly beautiful. | 0:07:24 | 0:07:28 | |
Behind me is the world famous Raffles Hotel, | 0:07:28 | 0:07:30 | |
which stands really in marked contrast to | 0:07:30 | 0:07:32 | |
the numerous modern hotels and skyscrapers in this city. | 0:07:32 | 0:07:35 | |
I've spent the last couple of weeks | 0:07:35 | 0:07:37 | |
on a fascinating jaunt throughout China and Southeast Asia, | 0:07:37 | 0:07:40 | |
but I've been a bit frustrated in my search for a modern music scene. | 0:07:40 | 0:07:43 | |
You see, in this part of the world there are no singles for sale, | 0:07:43 | 0:07:45 | |
only LPs or cassettes, so radio stations play album tracks, | 0:07:45 | 0:07:49 | |
mainly American, mixed with Asian music. | 0:07:49 | 0:07:51 | |
One of the most popular Asian tracks at the moment is a thing called | 0:07:51 | 0:07:54 | |
Fascination by Paula Tsui, | 0:07:54 | 0:07:56 | |
and here she is performing it at an anti-drug abuse rally in Hong Kong. | 0:07:56 | 0:08:00 | |
SHE SINGS IN CANTONESE | 0:08:00 | 0:08:02 | |
Ballads are big business here in the Far East, and that was | 0:08:48 | 0:08:50 | |
Paula Tsui performing in an outfit not designed by Vivian Westwood. | 0:08:50 | 0:08:54 | |
Despite the relatively cheap cost of LPs and cassettes here, | 0:08:54 | 0:08:57 | |
some for as little as the cost of a single in the UK, pop music is not | 0:08:57 | 0:09:01 | |
really as important for Asians as it is for us in the UK, | 0:09:01 | 0:09:04 | |
but that hasn't stopped China Doll from trying to change all that. | 0:09:04 | 0:09:07 | |
This Hong Kong-based group consists of two Chinese girls | 0:09:07 | 0:09:10 | |
and two European fellas, and this unit represents a bit of | 0:09:10 | 0:09:13 | |
a breakthrough as East meets West. | 0:09:13 | 0:09:15 | |
Here they are with one of their latest tunes, | 0:09:15 | 0:09:17 | |
this is Chasing The Dragon. | 0:09:17 | 0:09:18 | |
# When you're lost in your mind | 0:09:45 | 0:09:48 | |
# Cos you know quite what to do | 0:09:48 | 0:09:50 | |
# Rush around the city | 0:09:52 | 0:09:54 | |
# Makes you feel you don't fit in | 0:09:54 | 0:09:58 | |
# But when rag time turned to rich time | 0:09:58 | 0:10:02 | |
# You know why you stick with it | 0:10:02 | 0:10:05 | |
# Cos you're living on borrowed time and living in a borrowed place | 0:10:05 | 0:10:11 | |
# Chase | 0:10:13 | 0:10:18 | |
# Chasing the dragon | 0:10:18 | 0:10:20 | |
# Chase | 0:10:20 | 0:10:25 | |
# Chasing the dragon... # | 0:10:25 | 0:10:27 | |
China Doll, one of Asia's future music hopes. | 0:10:27 | 0:10:30 | |
Well, despite international successes for British acts | 0:10:30 | 0:10:32 | |
in other areas of the world, Southeast Asia remains | 0:10:32 | 0:10:35 | |
largely unaware of what's happening back at home. | 0:10:35 | 0:10:37 | |
In Singapore though, The Eurythmics and ABC have recently enjoyed | 0:10:37 | 0:10:41 | |
very good LP reviews in the local press, and in Hong Kong, | 0:10:41 | 0:10:44 | |
Dexys Midnight Runners' Come On Eileen was one of | 0:10:44 | 0:10:46 | |
the most-played records on the radio. | 0:10:46 | 0:10:48 | |
Next up it's a Chinese movie star, | 0:10:48 | 0:10:50 | |
television personality and song and dance man. | 0:10:50 | 0:10:53 | |
He's also a heart-throb for millions of Asians and women. | 0:10:53 | 0:10:55 | |
He's called Lam and here he is performing Mirages. | 0:10:55 | 0:10:58 | |
HE SINGS IN CANTONESE | 0:10:58 | 0:11:00 | |
There he goes, the Mike Read of the Far East, that was Lam. | 0:11:49 | 0:11:51 | |
Actually, John, I brought you a souvenir back from China. | 0:11:51 | 0:11:54 | |
That's really nice - "St Vincent de Paul." | 0:11:54 | 0:11:57 | |
Something really special coming up next, | 0:11:57 | 0:11:59 | |
live in our studio we have The Creatures. | 0:11:59 | 0:12:01 | |
Siouxsie and Budgie and this is Miss The Girl. | 0:12:01 | 0:12:04 | |
# Kiss the girl | 0:12:09 | 0:12:11 | |
# Kiss the girl | 0:12:11 | 0:12:14 | |
# Hands around the steering wheel | 0:12:14 | 0:12:16 | |
# Caress the shiny vinyl feel | 0:12:16 | 0:12:19 | |
# Don't you miss the girl? | 0:12:23 | 0:12:25 | |
# Miss the girl | 0:12:25 | 0:12:28 | |
# Seduced reflection in the chrome | 0:12:28 | 0:12:30 | |
# There's petrol stains outside your home | 0:12:30 | 0:12:32 | |
# Kiss the girl | 0:12:32 | 0:12:35 | |
# Kiss the girl | 0:12:35 | 0:12:37 | |
# Your loving strokes are fatal charms | 0:12:37 | 0:12:39 | |
# Revenge bites back into her arms | 0:12:39 | 0:12:41 | |
# You didn't miss the girl | 0:12:45 | 0:12:48 | |
# You hit the girl | 0:12:48 | 0:12:50 | |
# You hit her with a force of steel | 0:12:50 | 0:12:53 | |
# She's wrapped around your burning wheels | 0:12:53 | 0:12:57 | |
# Kiss the girl | 0:13:33 | 0:13:36 | |
# Kiss the girl | 0:13:36 | 0:13:38 | |
# Your loving strokes are fatal charms | 0:13:38 | 0:13:40 | |
# Revenge bites back into her arms | 0:13:40 | 0:13:42 | |
# You didn't miss the girl | 0:13:46 | 0:13:49 | |
# You hit the girl | 0:13:49 | 0:13:51 | |
# You hit her with a force of steel | 0:13:51 | 0:13:54 | |
# She's wrapped around your burning wheels | 0:13:54 | 0:13:56 | |
# Round your burning wheels | 0:13:58 | 0:14:01 | |
# Round your burning wheels | 0:14:03 | 0:14:05 | |
# Kiss the girl, miss the girl | 0:14:11 | 0:14:14 | |
# Miss the girl, kiss the girl | 0:14:14 | 0:14:16 | |
# Kiss the girl, miss the girl | 0:14:16 | 0:14:18 | |
# Miss the girl, kiss the girl | 0:14:18 | 0:14:20 | |
# You hit her with a force of steel | 0:14:20 | 0:14:22 | |
# She's wrapped around your burning wheels | 0:14:22 | 0:14:26 | |
# Round your burning wheels | 0:14:26 | 0:14:30 | |
# Miss the girl | 0:14:30 | 0:14:31 | |
# You didn't miss the girl | 0:14:31 | 0:14:33 | |
# You didn't miss the girl | 0:14:33 | 0:14:35 | |
# Miss the girl. # | 0:14:36 | 0:14:38 | |
That was The Creatures and Miss The Girl. | 0:14:42 | 0:14:44 | |
Mighty fine song. Actually, John, you've been away too, haven't you? | 0:14:44 | 0:14:47 | |
I have actually, yes. Very much the international man, me. | 0:14:47 | 0:14:50 | |
The BBC sent me abroad, and here I am in northern France | 0:14:50 | 0:14:53 | |
doing the Eurovision, erm, well, the European chart. | 0:14:53 | 0:14:55 | |
SEAGULLS CAW | 0:14:56 | 0:14:58 | |
FOGHORN BLARES | 0:14:58 | 0:14:59 | |
There we are, Kid in the Far East. | 0:15:01 | 0:15:03 | |
And here I am off the coast of France. | 0:15:03 | 0:15:05 | |
This is me. That's France. | 0:15:05 | 0:15:06 | |
And I'm going to be investigating the | 0:15:06 | 0:15:08 | |
Top Of The Pops European chart. | 0:15:08 | 0:15:10 | |
Are we going to be hearing songs from Italy about l'amore, | 0:15:10 | 0:15:13 | |
great, bulky tenor singing? | 0:15:13 | 0:15:15 | |
Or is it going to be maudlin songs from France about gigolos | 0:15:15 | 0:15:18 | |
dying of consumption in basements? | 0:15:18 | 0:15:19 | |
Well, actually, no. Unfortunately, it's neither of these things. | 0:15:19 | 0:15:22 | |
It's a band, "un band" as they're called in this part of the world, | 0:15:22 | 0:15:25 | |
from Liverpool. Cook Da Books. And this is Your Eyes - "La Bum". | 0:15:25 | 0:15:29 | |
Well, it is France. | 0:15:29 | 0:15:30 | |
# Your eyes opened wide | 0:15:30 | 0:15:34 | |
# As I looked your way | 0:15:34 | 0:15:38 | |
# Couldn't hide what | 0:15:38 | 0:15:41 | |
# They meant to say | 0:15:41 | 0:15:44 | |
# Feeling lost in | 0:15:44 | 0:15:46 | |
# A crowded room | 0:15:46 | 0:15:48 | |
# It's too soon for a new love | 0:15:49 | 0:15:54 | |
# When you smile | 0:15:54 | 0:15:56 | |
# Your eyes show your heart | 0:15:56 | 0:15:58 | |
# Lost inside a suit on a bar | 0:15:58 | 0:16:03 | |
# Feeling alone with | 0:16:03 | 0:16:07 | |
# People around | 0:16:07 | 0:16:09 | |
# True love is hard to find now... # | 0:16:09 | 0:16:15 | |
Well, here I am in Boulogne. | 0:16:15 | 0:16:16 | |
Top Of The Pops were decent enough to send me here on a day trip. | 0:16:16 | 0:16:20 | |
They sent Jonathan King to Paris. Typical, isn't it, really? | 0:16:20 | 0:16:23 | |
Back to our European chart though. | 0:16:23 | 0:16:25 | |
At number 16 we have Hoffmann & Hoffmann - Rucksicht. | 0:16:25 | 0:16:28 | |
This is the German entry for the Eurovision Song Contest. | 0:16:28 | 0:16:31 | |
Monsieur. | 0:16:31 | 0:16:32 | |
Cheers. | 0:16:32 | 0:16:34 | |
# Rucksicht! | 0:16:34 | 0:16:37 | |
# Keiner hat das wort gekannt und | 0:16:37 | 0:16:40 | |
# Nachsicht | 0:16:40 | 0:16:43 | |
# Die keiner bei dem andern fand und | 0:16:43 | 0:16:46 | |
# Vorsicht... # | 0:16:46 | 0:16:48 | |
Trying to find a bit of a souvenir for Kid Jensen, | 0:16:48 | 0:16:50 | |
but I don't know, I don't think it's really trashy enough. | 0:16:50 | 0:16:52 | |
Let's get back to those European charts then, shall we? | 0:16:52 | 0:16:55 | |
Just An Illusion at number ten. | 0:16:55 | 0:16:56 | |
That's from Imagination. | 0:16:56 | 0:16:58 | |
Number 9 - Words. FR David. | 0:16:58 | 0:17:01 | |
Number 8 is L'Italiano by Toto Cutugmo. | 0:17:01 | 0:17:05 | |
Then at number 7, | 0:17:05 | 0:17:06 | |
Together We're Strong - Mireille Mathieu and Patrick Duffy. | 0:17:06 | 0:17:11 | |
Apparently, there's an LP to follow. | 0:17:11 | 0:17:13 | |
-# Together we're strong -You are the night, I am the day | 0:17:13 | 0:17:17 | |
-# Together we're strong -You are the star that shows the way | 0:17:17 | 0:17:21 | |
-# Together we're strong -You are the instrument I play | 0:17:21 | 0:17:24 | |
-# Together we're strong -You are the words I long to say | 0:17:24 | 0:17:28 | |
-# Together we're strong -You are the land, I am the sea | 0:17:28 | 0:17:31 | |
-# Together we're strong -You are in counterpoint to me | 0:17:31 | 0:17:35 | |
-# Together we're strong -And we agree to disagree | 0:17:35 | 0:17:39 | |
-BOTH: -# No need to lie | 0:17:39 | 0:17:42 | |
-# Together we're strong -You are the night, I am the day | 0:17:42 | 0:17:46 | |
-# Together we're strong -You are the star that shows the way | 0:17:46 | 0:17:49 | |
-# Together we're strong -You are the music to my song | 0:17:49 | 0:17:53 | |
-BOTH: -# Together we're strong | 0:17:53 | 0:17:57 | |
# Together we're strong | 0:17:57 | 0:18:01 | |
# Together... # | 0:18:01 | 0:18:02 | |
It's an easy mistake to make, you know. | 0:18:02 | 0:18:04 | |
There's no need to be like that about it. I'm really sorry. | 0:18:04 | 0:18:06 | |
I did think it was a record shop. | 0:18:06 | 0:18:08 | |
Oh, well. Back to the European charts then. | 0:18:08 | 0:18:10 | |
At number 6, it's You Can't Hurry Love. That's Phil Collins. | 0:18:10 | 0:18:13 | |
Number 5 - Peter Schilling, and that's Major Tom. | 0:18:13 | 0:18:16 | |
At number 4, it's Too Shy from Kajagoogoo. | 0:18:16 | 0:18:19 | |
At number 3, Michel Jackson - | 0:18:19 | 0:18:21 | |
as he's known in this part of the world - | 0:18:21 | 0:18:22 | |
and that's Billie Jean. | 0:18:22 | 0:18:24 | |
And at number two, | 0:18:24 | 0:18:25 | |
99 Luftballons - whatever they may be. That's Nena. | 0:18:25 | 0:18:28 | |
# 99 Luftballons | 0:18:28 | 0:18:30 | |
# Auf ihrem Weg zum Horizont | 0:18:30 | 0:18:33 | |
# Hielt man fur UFOs aus dem All | 0:18:33 | 0:18:35 | |
# Darum schickte eine General | 0:18:35 | 0:18:37 | |
# Ne Fliegerstaffel hinterher | 0:18:37 | 0:18:40 | |
# Alarm zu geben, wenn es so war | 0:18:40 | 0:18:43 | |
# Dabei war'n da am Horizont | 0:18:43 | 0:18:45 | |
# Nur 99 Luftballons | 0:18:45 | 0:18:48 | |
# 99 Dusenflieger | 0:18:58 | 0:19:00 | |
# Jeder war ein grosser Krieger | 0:19:00 | 0:19:03 | |
# Hielten sich fur Captain Kirk | 0:19:03 | 0:19:05 | |
# Es gab ein grosses Feuerwerk | 0:19:05 | 0:19:07 | |
# Die Nachbarn haben nichts gerafft | 0:19:07 | 0:19:10 | |
# Und fuhlten sich gleich angemacht | 0:19:10 | 0:19:12 | |
# Dabei schoss man am Horizont | 0:19:12 | 0:19:15 | |
# Auf 99 Luftballons... # | 0:19:15 | 0:19:18 | |
It's time to leave my delightful holiday chalet for two | 0:19:18 | 0:19:21 | |
and catch the boat back to Britain, | 0:19:21 | 0:19:23 | |
to the Top Of The Pops studio in London. | 0:19:23 | 0:19:25 | |
Still at number one, it's David Bowie. | 0:19:25 | 0:19:27 | |
# Let's dance | 0:19:32 | 0:19:35 | |
# Put on your red shoes and dance the blues | 0:19:35 | 0:19:40 | |
# Let's dance | 0:19:41 | 0:19:43 | |
# To the song they're playing on the radio | 0:19:43 | 0:19:47 | |
# Let's sway | 0:19:49 | 0:19:51 | |
# While colour lights up your face | 0:19:51 | 0:19:55 | |
# Let's sway | 0:19:58 | 0:19:59 | |
# Sway through a crowd to an empty space... # | 0:20:00 | 0:20:05 | |
-APPLAUSE -Magnificent, eh? | 0:20:05 | 0:20:08 | |
And the old fella outside the bar gave us | 0:20:08 | 0:20:10 | |
a kiss after we'd finished filming. | 0:20:10 | 0:20:11 | |
I haven't washed since. And I rather suspect he hasn't either. | 0:20:11 | 0:20:14 | |
Time to see the British charts now. | 0:20:14 | 0:20:16 | |
Whistling Down The Wind, and down the chart. | 0:20:18 | 0:20:21 | |
Big Country's big noise, Fields Of Fire. | 0:20:22 | 0:20:25 | |
Northampton's finest, Bauhaus. She's In Parties. | 0:20:25 | 0:20:29 | |
Is There Something I Should Know? | 0:20:29 | 0:20:31 | |
Cuddly Ken Everett with Snot Rap. | 0:20:32 | 0:20:34 | |
Up five. Overkill. | 0:20:36 | 0:20:38 | |
Up from 29. Last Film. | 0:20:39 | 0:20:42 | |
I'm Never Giving Up. | 0:20:43 | 0:20:47 | |
At number 22, it's Tears For Fears | 0:20:47 | 0:20:49 | |
and their re-recording of Pale Shelter. | 0:20:49 | 0:20:51 | |
# How can I be sure? | 0:21:32 | 0:21:34 | |
# When your intrusion is my illusion? | 0:21:35 | 0:21:40 | |
# How can I be sure | 0:21:40 | 0:21:43 | |
# When all the time you changed my mind? | 0:21:43 | 0:21:47 | |
# I asked for more and more | 0:21:47 | 0:21:51 | |
# How can I be sure | 0:21:51 | 0:21:54 | |
-# When you don't give me love -You give me pale shelter | 0:21:54 | 0:21:58 | |
-# You don't give me love -You give me cold hands | 0:21:58 | 0:22:02 | |
# And I can't operate on this failure | 0:22:02 | 0:22:07 | |
# When all I want to be is | 0:22:07 | 0:22:10 | |
# Completely in command | 0:22:10 | 0:22:18 | |
# How can I be sure | 0:22:18 | 0:22:20 | |
# For all you say you keep me waiting? | 0:22:20 | 0:22:25 | |
# How can I be sure | 0:22:25 | 0:22:29 | |
# When all you do is see me through? | 0:22:29 | 0:22:33 | |
# I asked for more and more | 0:22:33 | 0:22:37 | |
# How can I be sure | 0:22:37 | 0:22:40 | |
-# When you don't give me love -You give me pale shelter | 0:22:40 | 0:22:44 | |
-# You don't give me love -You give me cold hands | 0:22:44 | 0:22:48 | |
# And I can't operate on this failure | 0:22:48 | 0:22:52 | |
# When all I want to be is | 0:22:52 | 0:22:55 | |
# Completely in command | 0:22:55 | 0:23:03 | |
# I've been here before | 0:23:19 | 0:23:23 | |
# There is no why, no need to try | 0:23:23 | 0:23:27 | |
# I thought you had it all | 0:23:27 | 0:23:31 | |
# I'm calling you, I'm calling you | 0:23:31 | 0:23:35 | |
# I ask for more and more | 0:23:35 | 0:23:39 | |
# How can I be sure | 0:23:39 | 0:23:42 | |
-# When you don't give me love -You give me pale shelter | 0:23:42 | 0:23:46 | |
-# You don't give me love -You give me cold hands | 0:23:46 | 0:23:50 | |
# And I can't operate on this failure | 0:23:50 | 0:23:54 | |
# When all I want to be is | 0:23:54 | 0:23:57 | |
-# Completely in command -Completely in command | 0:23:57 | 0:24:05 | |
# You don't give me love | 0:24:21 | 0:24:23 | |
# You don't give me love | 0:24:25 | 0:24:28 | |
# You don't give me love | 0:24:36 | 0:24:41 | |
# You don't give me love. # | 0:24:41 | 0:24:44 | |
APPLAUSE | 0:24:49 | 0:24:51 | |
That's Tears For Fears at number 22. | 0:24:52 | 0:24:54 | |
Time to see now how a chart rundown should be done. | 0:24:54 | 0:24:57 | |
You'll like this. | 0:24:57 | 0:24:58 | |
Young, Free And Single. | 0:25:01 | 0:25:04 | |
Dancing Tight. | 0:25:04 | 0:25:06 | |
Still laying down their Boxerbeat. | 0:25:07 | 0:25:11 | |
I Am (I Am Me). | 0:25:11 | 0:25:14 | |
Friday Night. | 0:25:14 | 0:25:17 | |
Ooh To Be Ah. | 0:25:18 | 0:25:20 | |
The House That Jack Built. | 0:25:22 | 0:25:25 | |
Temptation - resist it, resist it. | 0:25:25 | 0:25:27 | |
Blue Monday. Not on the new LP. | 0:25:29 | 0:25:31 | |
Rosanna - those transatlantic cuties, Toto. | 0:25:32 | 0:25:36 | |
Flight Of Icarus. | 0:25:36 | 0:25:38 | |
That's great, John. Let's go back to number 24 right now. | 0:25:39 | 0:25:42 | |
Kissing The Pink. This is called Last Film. | 0:25:42 | 0:25:44 | |
# In the last film I ever saw | 0:25:57 | 0:26:01 | |
# They wore suits and they wore ties | 0:26:01 | 0:26:05 | |
# In the last film I ever saw | 0:26:05 | 0:26:09 | |
# They kept the change and they told lies | 0:26:09 | 0:26:13 | |
# In the last film I ever saw | 0:26:22 | 0:26:26 | |
# Their words were short and so sincere | 0:26:26 | 0:26:30 | |
# I thought of home, my life was there | 0:26:30 | 0:26:34 | |
# It was the last film I ever saw | 0:26:34 | 0:26:38 | |
# And they're telling, and they're telling me lies | 0:26:39 | 0:26:43 | |
# And they're telling, and they're telling me lies | 0:26:43 | 0:26:48 | |
# And they're telling, and they're telling me lies | 0:26:48 | 0:26:51 | |
# And they're telling, and they're telling me lies | 0:26:51 | 0:26:56 | |
# Their voice was sharp and oh so clear | 0:27:04 | 0:27:07 | |
# And while they talk and I grow thin | 0:27:07 | 0:27:12 | |
# I thought of home, my life was there | 0:27:12 | 0:27:16 | |
# It was the last film I ever saw | 0:27:16 | 0:27:20 | |
# And they're telling, and they're telling me lies | 0:27:20 | 0:27:25 | |
# Telling me lies | 0:27:27 | 0:27:29 | |
# And they're telling, and they're telling me lies | 0:27:29 | 0:27:33 | |
# Telling me lies | 0:27:36 | 0:27:38 | |
# In the last film I ever saw | 0:27:38 | 0:27:41 | |
# Their words were short and so sincere | 0:27:41 | 0:27:45 | |
# I thought of home, my life was there | 0:27:45 | 0:27:49 | |
# It was the last film I ever saw | 0:27:49 | 0:27:53 | |
# And they're telling, and they're telling me lies | 0:27:55 | 0:27:59 | |
# Telling me lies | 0:28:01 | 0:28:02 | |
# And they're telling, and they're telling me lies | 0:28:02 | 0:28:06 | |
# Telling me lies... # | 0:28:09 | 0:28:11 | |
APPLAUSE | 0:28:29 | 0:28:31 | |
Kissing The Pink. Nice to hear whistling coming back in pop music. | 0:28:31 | 0:28:34 | |
You think so? Let's get into the top ten right now. | 0:28:34 | 0:28:36 | |
Breakaway - the multi-talented Tracey Ullman. | 0:28:39 | 0:28:42 | |
We Are Detectives. | 0:28:42 | 0:28:44 | |
True Love Ways - the multi-talented Cliff Richard. | 0:28:46 | 0:28:50 | |
Love Is A Stranger. | 0:28:50 | 0:28:53 | |
Let's Dance - the multi-talented David Bowie. | 0:28:53 | 0:28:57 | |
Church Of The Poison Mind. | 0:28:57 | 0:29:00 | |
(Keep Feeling) Fascination. | 0:29:00 | 0:29:04 | |
Beat It. | 0:29:04 | 0:29:06 | |
Words - the multi-talented FR David. | 0:29:07 | 0:29:10 | |
And that clears the decks for the new number one. | 0:29:12 | 0:29:14 | |
That's right. Spandau Ballet are there this week | 0:29:14 | 0:29:16 | |
with True. Awww. | 0:29:16 | 0:29:18 | |
# Huh huh huh hu-uh huh | 0:29:28 | 0:29:32 | |
# Huh huh huh hu-uh huh | 0:29:38 | 0:29:41 | |
# So true, funny how it seems | 0:29:55 | 0:29:59 | |
# Always in time | 0:29:59 | 0:30:01 | |
# But never in line for dreams | 0:30:01 | 0:30:05 | |
# Head over heels when toe to toe | 0:30:05 | 0:30:10 | |
# This is the sound of my soul | 0:30:10 | 0:30:15 | |
# This is the sound | 0:30:15 | 0:30:20 | |
# I bought a ticket to the world | 0:30:20 | 0:30:24 | |
# But now I've come back again | 0:30:24 | 0:30:29 | |
# Why do I find it hard to write the next line? | 0:30:29 | 0:30:33 | |
# Oh, I want the truth to be said | 0:30:33 | 0:30:38 | |
# Huh huh huh hu-uh huh | 0:30:39 | 0:30:43 | |
# I know this much is true | 0:30:43 | 0:30:49 | |
# Huh huh huh hu-uh huh | 0:30:49 | 0:30:53 | |
# I know this much is true | 0:30:53 | 0:30:59 | |
# With a thrill in my head and a pill on my tongue | 0:31:05 | 0:31:11 | |
# Dissolve the nerves that have just begun | 0:31:11 | 0:31:16 | |
# Listening to Marvin | 0:31:16 | 0:31:18 | |
# All night long | 0:31:18 | 0:31:21 | |
# This is the sound of my soul | 0:31:21 | 0:31:25 | |
# This is the sound | 0:31:25 | 0:31:30 | |
# Always slipping from my hands | 0:31:30 | 0:31:34 | |
# Sand's a time of its own | 0:31:34 | 0:31:39 | |
# Take your seaside arms and write the next line | 0:31:39 | 0:31:44 | |
# Oh, I want the truth to be known | 0:31:44 | 0:31:49 | |
# Huh huh huh hu-uh huh | 0:31:49 | 0:31:53 | |
# I know this much is true | 0:31:53 | 0:31:59 | |
# Huh huh huh hu-uh huh | 0:31:59 | 0:32:03 | |
# I know this much is true | 0:32:03 | 0:32:09 | |
# I bought a ticket to the world | 0:32:55 | 0:33:00 | |
# But now I've come back again | 0:33:00 | 0:33:04 | |
# Why do I find it hard to write the next line? | 0:33:05 | 0:33:09 | |
# Oh, I want the truth to be said | 0:33:09 | 0:33:14 | |
# Huh huh huh hu-uh huh | 0:33:18 | 0:33:21 | |
# I know this much is true | 0:33:21 | 0:33:26 | |
# Huh huh huh hu-uh huh | 0:33:26 | 0:33:31 | |
# I know this much is true | 0:33:31 | 0:33:37 | |
# This much is true | 0:33:45 | 0:33:48 | |
# This much is true | 0:33:54 | 0:33:56 | |
# This much is true | 0:33:56 | 0:33:59 | |
# I know, I know I know this much is true | 0:34:00 | 0:34:03 | |
# This much is true | 0:34:03 | 0:34:06 | |
# This much is true. # | 0:34:06 | 0:34:08 | |
APPLAUSE | 0:34:11 | 0:34:14 | |
Now we're going to play you out with The Kids From Fame. | 0:34:14 | 0:34:16 | |
Good night. Good night. | 0:34:16 | 0:34:18 | |
APPLAUSE | 0:34:18 | 0:34:19 | |
# Start shaking your hips Baby, pucker your lips | 0:34:19 | 0:34:21 | |
# Cos I'm coming to see you soon | 0:34:21 | 0:34:24 | |
# So don't put on your best dress | 0:34:24 | 0:34:26 | |
# It'll wind up a mess | 0:34:26 | 0:34:27 | |
# Don't even bother to make up your room | 0:34:27 | 0:34:30 | |
# Hey, I'm tired of waiting for long distance calls | 0:34:30 | 0:34:33 | |
# That perfumed letter didn't help much at all | 0:34:33 | 0:34:36 | |
# When I pick up a pen I fall flat on my face | 0:34:36 | 0:34:39 | |
# Like a long distance runner trying to win a short race | 0:34:39 | 0:34:43 | |
# Without you I'm driving lost in a stare | 0:34:43 | 0:34:46 | |
# Without you I feel like I'm running scared | 0:34:46 | 0:34:49 | |
# Since you've gone I haven't bothered to comb my hair | 0:34:49 | 0:34:52 | |
# On Friday night | 0:34:52 | 0:34:56 | |
# Friday night's gonna be all right | 0:34:58 | 0:35:00 | |
# It's gonna be right | 0:35:00 | 0:35:02 | |
# It's gonna be all right now, baby... # | 0:35:02 | 0:35:05 |