
Browse content similar to 28/07/1983. Check below for episodes and series from the same categories and more!
| Line | From | To | |
|---|---|---|---|
APPLAUSE | 0:00:14 | 0:00:15 | |
Hello and welcome to Top Of The Pops. | 0:00:15 | 0:00:17 | |
It's a good one tonight because we've got people like Elvis Costello | 0:00:17 | 0:00:20 | |
and the Attractions, The Lotus Eaters and Bananarama. | 0:00:20 | 0:00:23 | |
KC of KC and the Sunshine Band having his 12th British hit. | 0:00:23 | 0:00:27 | |
INSTRUMENTAL INTRO | 0:00:31 | 0:00:34 | |
# Everybody wants you | 0:01:01 | 0:01:04 | |
# Everybody wants your love | 0:01:05 | 0:01:08 | |
# I'd just like to make you mine all mine | 0:01:09 | 0:01:14 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:01:16 | 0:01:19 | |
# Baby, give it up, give it up | 0:01:19 | 0:01:22 | |
# Baby, give it up | 0:01:22 | 0:01:24 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:01:24 | 0:01:27 | |
# Baby, give it up, give it up | 0:01:27 | 0:01:29 | |
# Baby, give it up | 0:01:29 | 0:01:32 | |
# Everybody sees you | 0:01:39 | 0:01:42 | |
# Everybody looks and stares | 0:01:43 | 0:01:46 | |
# I'd just like to make you mine all mine | 0:01:47 | 0:01:51 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:01:55 | 0:01:57 | |
# Baby, give it up, give it up | 0:01:57 | 0:02:00 | |
# Baby, give it up | 0:02:00 | 0:02:02 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:02:02 | 0:02:05 | |
# Baby, give it up, give it up | 0:02:05 | 0:02:07 | |
# Baby, give it up | 0:02:07 | 0:02:10 | |
# Give it up | 0:02:12 | 0:02:14 | |
# Give it up... # | 0:02:20 | 0:02:22 | |
INSTRUMENTAL | 0:02:25 | 0:02:27 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:02:40 | 0:02:43 | |
# Baby, give it up, give it up | 0:02:43 | 0:02:45 | |
# Baby, give it up | 0:02:45 | 0:02:48 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:02:48 | 0:02:50 | |
# Baby, give it up, give it up | 0:02:50 | 0:02:53 | |
# Baby, give it up | 0:02:53 | 0:02:55 | |
# Everybody wants you | 0:03:02 | 0:03:05 | |
# Everybody wants your love | 0:03:07 | 0:03:10 | |
# I'd just like to make you mine all mine | 0:03:10 | 0:03:15 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:03:18 | 0:03:21 | |
# Baby, give it up, give it up | 0:03:21 | 0:03:23 | |
# Baby, give it up | 0:03:23 | 0:03:25 | |
# Na, na, na, na, na, na, na, na, na, na, na | 0:03:25 | 0:03:28 | |
# Baby, give it up, give it up | 0:03:28 | 0:03:31 | |
# Baby, give it up | 0:03:31 | 0:03:33 | |
# Can you give it, can you give it, give it up? | 0:03:33 | 0:03:36 | |
# Come on, baby I need your love | 0:03:36 | 0:03:38 | |
# Baby, give it up | 0:03:38 | 0:03:40 | |
# Do you know I want it, baby? | 0:03:40 | 0:03:43 | |
# Come on, baby I want your love | 0:03:43 | 0:03:45 | |
# Baby, give it up | 0:03:45 | 0:03:48 | |
# Give it up, some of your love | 0:03:48 | 0:03:50 | |
# Come on and play the game of love | 0:03:50 | 0:03:53 | |
# Baby, give it up | 0:03:53 | 0:03:56 | |
# Can I touch you, can I love you? | 0:03:56 | 0:03:58 | |
# Come on, baby I need your love. # | 0:03:58 | 0:04:01 | |
APPLAUSE | 0:04:01 | 0:04:03 | |
Give It Up. That's KC's 12th British hit and it's three years since | 0:04:05 | 0:04:08 | |
he's done Top of the Pops and he'll be touring Britain next month. | 0:04:08 | 0:04:11 | |
Number 26, Depeche Mode and Everything Counts. | 0:04:11 | 0:04:14 | |
INSTRUMENTAL INTRO | 0:04:25 | 0:04:28 | |
# The handshake seals the contract | 0:04:48 | 0:04:52 | |
# From the contract | 0:04:52 | 0:04:54 | |
# There's no turning back | 0:04:54 | 0:04:56 | |
# The turning point | 0:04:56 | 0:04:59 | |
# Of a career in Korea | 0:04:59 | 0:05:02 | |
# Being insincere | 0:05:02 | 0:05:04 | |
# The holiday was fun-packed | 0:05:07 | 0:05:11 | |
# The contract still intact | 0:05:12 | 0:05:15 | |
# The grabbing hands | 0:05:16 | 0:05:18 | |
# Grab all they can | 0:05:18 | 0:05:20 | |
# All for themselves after all | 0:05:20 | 0:05:24 | |
# The grabbing hands | 0:05:24 | 0:05:26 | |
# Grab all they can | 0:05:26 | 0:05:29 | |
# All for themselves after all | 0:05:29 | 0:05:32 | |
# It's a competitive world | 0:05:32 | 0:05:35 | |
# Everything counts in large amounts... # | 0:05:37 | 0:05:41 | |
INSTRUMENTAL | 0:05:41 | 0:05:43 | |
# The graph on the wall | 0:05:58 | 0:06:01 | |
# Tells the story of it all | 0:06:02 | 0:06:06 | |
# Picture it now | 0:06:07 | 0:06:09 | |
# See just how | 0:06:09 | 0:06:11 | |
# The lies and deceit | 0:06:11 | 0:06:13 | |
# Gained a little more power | 0:06:13 | 0:06:15 | |
# Confidence taken in | 0:06:18 | 0:06:20 | |
# By a sun tan and a grin | 0:06:21 | 0:06:25 | |
# The grabbing hands | 0:06:26 | 0:06:28 | |
# Grab all they can | 0:06:28 | 0:06:30 | |
# All for themselves after all | 0:06:30 | 0:06:34 | |
# The grabbing hands | 0:06:34 | 0:06:36 | |
# Grab all they can | 0:06:36 | 0:06:39 | |
# All for themselves after all | 0:06:39 | 0:06:42 | |
# It's a competitive world | 0:06:42 | 0:06:46 | |
# Everything counts in large amounts | 0:06:47 | 0:06:51 | |
# Everything counts in large amounts... # | 0:06:56 | 0:07:00 | |
INSTRUMENTAL | 0:07:00 | 0:07:02 | |
APPLAUSE | 0:07:11 | 0:07:13 | |
Depeche Mode and Everything Counts. | 0:07:13 | 0:07:16 | |
He's only just out of the charts and he's back in again, | 0:07:16 | 0:07:19 | |
and he's got a new album out this week. | 0:07:19 | 0:07:21 | |
At Number 30, Elvis Costello and the Attractions and Every Day I Write The Book. | 0:07:21 | 0:07:25 | |
# Oooh-oooh | 0:07:29 | 0:07:32 | |
# Don't tell me you don't know what love is | 0:07:32 | 0:07:37 | |
# When you're old enough to know better | 0:07:37 | 0:07:42 | |
# When you find strange hands in your sweater | 0:07:42 | 0:07:47 | |
# When your dreamboat | 0:07:47 | 0:07:49 | |
# Turns out to be a footnote | 0:07:49 | 0:07:52 | |
# I'm a man with a mission in two or three editions | 0:07:52 | 0:07:56 | |
# And I'm giving you a longing look | 0:07:56 | 0:08:01 | |
-# Every day -Every day | 0:08:01 | 0:08:03 | |
-# Every day -Every day | 0:08:03 | 0:08:04 | |
# Every day Every day I write the book | 0:08:04 | 0:08:07 | |
# Chapter one We didn't really get along | 0:08:11 | 0:08:15 | |
# Chapter two I think I fell in love with you | 0:08:15 | 0:08:19 | |
# You said you'd stand by me in the middle of chapter three | 0:08:20 | 0:08:25 | |
# But you were up to your old tricks in chapters four, five and six | 0:08:25 | 0:08:29 | |
# And I'm giving you a longing look | 0:08:29 | 0:08:34 | |
-# Every day -Every day | 0:08:34 | 0:08:36 | |
-# Every day -Every day | 0:08:36 | 0:08:37 | |
# Every day Every day I write the book | 0:08:37 | 0:08:40 | |
-# The way you walk -The way you walk | 0:08:43 | 0:08:46 | |
# The way you talk and try to kiss me | 0:08:46 | 0:08:49 | |
# And laugh in four or five paragraphs | 0:08:49 | 0:08:53 | |
# All your compliments and your cutting remarks | 0:08:54 | 0:08:58 | |
# Are captured here in my quotation marks | 0:08:58 | 0:09:02 | |
# And I'm giving you a longing look | 0:09:02 | 0:09:07 | |
-# Every day -Every day | 0:09:07 | 0:09:08 | |
-# Every day -Every day | 0:09:08 | 0:09:10 | |
# Every day Every day I write the book | 0:09:10 | 0:09:13 | |
# Oooh-ooh | 0:09:14 | 0:09:17 | |
-# Every day I write the book -I write the book | 0:09:17 | 0:09:21 | |
# Don't tell me you don't know the difference | 0:09:21 | 0:09:26 | |
# Between a lover and a fighter | 0:09:26 | 0:09:31 | |
# With my pen and my electric typewriter | 0:09:31 | 0:09:36 | |
# Even in a perfect world where everyone was equal | 0:09:36 | 0:09:40 | |
# I'd still own the film rights and be working on the sequel | 0:09:40 | 0:09:45 | |
# And I'm giving you a longing look | 0:09:45 | 0:09:50 | |
-# Every day -Every day | 0:09:50 | 0:09:51 | |
-# Every day -Every day | 0:09:51 | 0:09:52 | |
# Every day Every day I write the book | 0:09:52 | 0:09:56 | |
-# Every day -Every day | 0:09:56 | 0:09:57 | |
# Every day Every day I write the book | 0:09:57 | 0:10:00 | |
-# Every day -Every day | 0:10:00 | 0:10:02 | |
# Every day Every day I write the book | 0:10:02 | 0:10:06 | |
# Ooooh-oooooh | 0:10:06 | 0:10:10 | |
# Yeah | 0:10:10 | 0:10:12 | |
# Every day, every day, every day | 0:10:15 | 0:10:19 | |
# Every day I write the book | 0:10:19 | 0:10:21 | |
# I'm giving you a longing look and every day I write the book | 0:10:21 | 0:10:25 | |
# I'm giving you a longing look and every day I write the book | 0:10:25 | 0:10:30 | |
# I'm giving you a loving look | 0:10:30 | 0:10:32 | |
# And every day, every day I write the book | 0:10:32 | 0:10:34 | |
# I'm giving you a longing look | 0:10:34 | 0:10:37 | |
# Every day I write the book... # | 0:10:37 | 0:10:39 | |
APPLAUSE | 0:10:40 | 0:10:42 | |
Elvis Costello and the Attractions at Number 30 | 0:10:44 | 0:10:47 | |
and Every Day I Write The Book. Great single. | 0:10:47 | 0:10:49 | |
One place above them at 29, a group collectively known as The Creatures, | 0:10:49 | 0:10:53 | |
they are Siouxsie and Budgie with the old big band number Right Now. | 0:10:53 | 0:10:56 | |
# Ba-ba ba-ra-rum | 0:10:56 | 0:10:58 | |
# Ba-ra-ra-ra-dum | 0:10:58 | 0:11:00 | |
# Ba-ra-ba-ra ba-ba ba-ra-dum | 0:11:01 | 0:11:03 | |
# Da-ra-da-ra-dum | 0:11:03 | 0:11:06 | |
# Right now | 0:11:06 | 0:11:07 | |
# Let me take you by the hand | 0:11:08 | 0:11:11 | |
# Right now | 0:11:11 | 0:11:12 | |
# Put your lips at my command | 0:11:13 | 0:11:17 | |
# Right now | 0:11:17 | 0:11:18 | |
# Fly me off to lovers' land | 0:11:19 | 0:11:21 | |
-# Baby -Baby | 0:11:22 | 0:11:24 | |
# Don't you leave me at the post | 0:11:24 | 0:11:27 | |
-# Kiss me -Kiss me | 0:11:27 | 0:11:29 | |
# You can feel it coast to coast | 0:11:29 | 0:11:32 | |
-# Right now -Right now | 0:11:32 | 0:11:34 | |
# Baby, need your love the most | 0:11:34 | 0:11:38 | |
-# You have set my soul on fire -Set my soul on fire | 0:11:38 | 0:11:42 | |
# Only you can satisfy this great desire | 0:11:42 | 0:11:47 | |
-# Right now -Right now | 0:11:48 | 0:11:50 | |
# Let the full world break in two | 0:11:50 | 0:11:53 | |
-# Right now -Right now | 0:11:53 | 0:11:55 | |
# Stars can tumble from the blue | 0:11:55 | 0:11:58 | |
-# Right now -Right now | 0:11:58 | 0:12:00 | |
# Just as long as I'm with you... # | 0:12:00 | 0:12:03 | |
INSTRUMENTAL | 0:12:03 | 0:12:05 | |
# Ah-ha | 0:12:13 | 0:12:16 | |
# Ah-ha | 0:12:16 | 0:12:18 | |
# Ah-ha | 0:12:18 | 0:12:21 | |
# Right now | 0:12:21 | 0:12:23 | |
# It's the time and it's the place | 0:12:23 | 0:12:26 | |
-# Right now -Right now | 0:12:26 | 0:12:28 | |
# For a ride to outer space | 0:12:28 | 0:12:31 | |
-# Right now -Right now | 0:12:31 | 0:12:33 | |
# Let me have that wild embrace | 0:12:33 | 0:12:36 | |
-# You have set my soul on fire -Set my soul on fire | 0:12:36 | 0:12:41 | |
# Only you can satisfy this great desire | 0:12:41 | 0:12:46 | |
-# One time -One time | 0:12:46 | 0:12:48 | |
# Let the wine of love flow free | 0:12:49 | 0:12:51 | |
-# One time -One time | 0:12:51 | 0:12:53 | |
# Be the lover you can be | 0:12:54 | 0:12:56 | |
-# Right now -Right now | 0:12:56 | 0:12:59 | |
# Come and give yourself to me | 0:12:59 | 0:13:02 | |
# Meee-eee-ee. # | 0:13:02 | 0:13:04 | |
APPLAUSE | 0:13:07 | 0:13:09 | |
Originally a big hit for Mel Torme in 1962. | 0:13:11 | 0:13:13 | |
We've got a couple of firsts on Top Of The Pops tonight | 0:13:13 | 0:13:16 | |
and the first is some of my mates from Liverpool. | 0:13:16 | 0:13:19 | |
They're in at Number 25, | 0:13:19 | 0:13:20 | |
it's The Lotus Eaters and The First Picture Of You. | 0:13:20 | 0:13:23 | |
APPLAUSE | 0:13:23 | 0:13:25 | |
# It's warm in and out | 0:13:34 | 0:13:39 | |
# The pulse of flowing love | 0:13:40 | 0:13:44 | |
# Spread the calm to meet the others | 0:13:46 | 0:13:51 | |
# Pleasure fills with love till dawn | 0:13:52 | 0:13:56 | |
# It's warm in and out | 0:13:57 | 0:14:02 | |
# The call for sacred hours | 0:14:03 | 0:14:07 | |
# The soft chant of newborn singing | 0:14:09 | 0:14:14 | |
# The magic force of your feelings | 0:14:15 | 0:14:19 | |
# The first picture of you | 0:14:20 | 0:14:23 | |
# The first picture of summer | 0:14:23 | 0:14:26 | |
# Seeing the flowers scream their joy | 0:14:26 | 0:14:31 | |
# The first picture of you | 0:14:32 | 0:14:34 | |
# The first picture of summer | 0:14:34 | 0:14:37 | |
# Seeing the flowers scream their joy | 0:14:37 | 0:14:42 | |
# Can't lose this mood gentle | 0:14:43 | 0:14:47 | |
# With summer at our ears | 0:14:48 | 0:14:53 | |
# Flood the world deep in sunlight | 0:14:55 | 0:14:59 | |
# Break into the peaceful wild | 0:15:00 | 0:15:05 | |
# The first picture of you | 0:15:06 | 0:15:09 | |
# The first picture of summer | 0:15:09 | 0:15:12 | |
# Seeing the flowers scream their joy | 0:15:12 | 0:15:17 | |
# The first picture of you | 0:15:18 | 0:15:20 | |
# The first picture of summer | 0:15:20 | 0:15:23 | |
# Seeing the flowers scream their joy | 0:15:23 | 0:15:28 | |
# Ooo-ooh-oooh-ooh | 0:15:29 | 0:15:34 | |
# Ooo-ooh-oooh-ooh | 0:15:35 | 0:15:40 | |
# Aaa-aah-aaah-aah | 0:15:41 | 0:15:45 | |
# Aaa-aah-aaah-aah | 0:15:46 | 0:15:51 | |
# The first picture of you | 0:15:52 | 0:15:55 | |
# The first picture of summer | 0:15:55 | 0:15:58 | |
# Seeing the flowers scream their joy | 0:15:58 | 0:16:03 | |
# The first picture of you | 0:16:04 | 0:16:06 | |
# The first picture of summer | 0:16:06 | 0:16:09 | |
# Seeing the flowers scream their joy | 0:16:09 | 0:16:14 | |
# The first picture of you... # | 0:16:15 | 0:16:18 | |
APPLAUSE | 0:16:18 | 0:16:20 | |
I had a go at skipping just like Malcolm McLaren does in Double Dutch | 0:16:22 | 0:16:26 | |
and it didn't work out quite right. | 0:16:26 | 0:16:28 | |
You were absolutely useless. Don't give up being a DJ. | 0:16:28 | 0:16:31 | |
Malcolm McLaren is at number four with Double Dutch. | 0:16:31 | 0:16:34 | |
Dancing, the Dynamos. | 0:16:34 | 0:16:35 | |
RHYTHMIC CLAPPING | 0:16:36 | 0:16:38 | |
-# Hum-ba-ba, hum-ba-ba -Hum-ba-ba, hum-ba-ba | 0:16:48 | 0:16:51 | |
-# Hum-ba-ba, hum-ba-ba -Hum-ba-ba, hum-ba-ba | 0:16:51 | 0:16:55 | |
# All over the world, high school girls | 0:16:59 | 0:17:02 | |
# Take to the ropes and turn them slow | 0:17:02 | 0:17:04 | |
# Starts a beat and a loop | 0:17:04 | 0:17:06 | |
# They skip and jump through the hoop | 0:17:06 | 0:17:09 | |
# They might break and they might fall | 0:17:09 | 0:17:11 | |
# But the gals from New York City don't | 0:17:11 | 0:17:13 | |
# They just start again Start again | 0:17:13 | 0:17:16 | |
# Heh, Ebo | 0:17:16 | 0:17:18 | |
# Ebonettes | 0:17:18 | 0:17:19 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:17:19 | 0:17:23 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:17:23 | 0:17:27 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:17:27 | 0:17:31 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:17:31 | 0:17:35 | |
# Mm-hm, the golden angels | 0:17:35 | 0:17:38 | |
# Oh, the Ford green angels | 0:17:38 | 0:17:42 | |
# Ah, the five town diamond skippers | 0:17:42 | 0:17:46 | |
# Yeah, the pleasure of rope ripples | 0:17:46 | 0:17:50 | |
# In those dark and lovely skippers | 0:17:50 | 0:17:54 | |
# Those five town diamond skippers | 0:17:54 | 0:17:57 | |
# The skip they do's the Double Dutch | 0:17:58 | 0:18:01 | |
# That's them dancing | 0:18:01 | 0:18:03 | |
# The skip they do's the Double Dutch | 0:18:03 | 0:18:06 | |
# That's them dancing | 0:18:06 | 0:18:07 | |
# The skip they do's the Double Dutch | 0:18:07 | 0:18:10 | |
# That's them dancing | 0:18:10 | 0:18:11 | |
# The skip they do's the Double Dutch | 0:18:11 | 0:18:14 | |
# That's them dancing... # | 0:18:14 | 0:18:15 | |
INSTRUMENTAL | 0:18:15 | 0:18:17 | |
# Heh, swing those ropes round and round | 0:18:27 | 0:18:30 | |
# All the teams change your partners now | 0:18:30 | 0:18:33 | |
# Somersault through the hoop | 0:18:33 | 0:18:36 | |
# Leap to beat the clicks that keep on coming | 0:18:36 | 0:18:39 | |
# Heh, watch your feet | 0:18:40 | 0:18:43 | |
# In the Double Dutch stay jumping | 0:18:43 | 0:18:45 | |
# Heh, Ebo, Ebonettes | 0:18:45 | 0:18:47 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:18:47 | 0:18:51 | |
-# Heh, Ebo, Ebo, Ebonettes -Hum-ba-ba, hum-ba-ba | 0:18:51 | 0:18:55 | |
# Heh, Ebo, Ebo, Ebonettes... # | 0:18:55 | 0:18:57 | |
APPLAUSE | 0:18:57 | 0:18:59 | |
That was absolutely fantastic. | 0:19:02 | 0:19:04 | |
These skipping ropes make wonderful microphones, by the way. | 0:19:04 | 0:19:07 | |
Next on Top Of The Pops, a guy who's sold millions and millions of albums | 0:19:07 | 0:19:10 | |
around the world, although this is his first big hit single | 0:19:10 | 0:19:13 | |
and his first appearance on Top Of The Pops - Robert Plant and Big Log. | 0:19:13 | 0:19:17 | |
CHEERING | 0:19:17 | 0:19:19 | |
GUITAR INTRO | 0:19:21 | 0:19:23 | |
# My love is in league with the freeway | 0:19:57 | 0:20:01 | |
# Its passion will ride | 0:20:02 | 0:20:04 | |
# As the cities fly by | 0:20:04 | 0:20:07 | |
# And the tail-lights dissolve | 0:20:07 | 0:20:10 | |
# In the coming of night | 0:20:10 | 0:20:12 | |
# And the questions in thousands take flight | 0:20:12 | 0:20:17 | |
# My love is a-miles in the waiting | 0:20:18 | 0:20:22 | |
# The eyes that just stare and the glance at the clock | 0:20:23 | 0:20:28 | |
# And the secret that burns | 0:20:29 | 0:20:31 | |
# And the pain that grows dark | 0:20:31 | 0:20:34 | |
# And it's you once again | 0:20:34 | 0:20:36 | |
# Leading me on | 0:20:38 | 0:20:40 | |
# Leading me on | 0:20:41 | 0:20:43 | |
# Leading me down the road | 0:20:43 | 0:20:47 | |
# Driving me on | 0:20:48 | 0:20:51 | |
# Driving me on | 0:20:52 | 0:20:54 | |
# Driving me down the road | 0:20:54 | 0:20:57 | |
# Aaaah-aaaah | 0:20:58 | 0:21:02 | |
# Aaaah... # | 0:21:02 | 0:21:05 | |
GUITAR SOLO | 0:21:21 | 0:21:23 | |
# My love is exceeding the limit | 0:21:44 | 0:21:47 | |
# Red-eyed and fevered | 0:21:49 | 0:21:51 | |
# With the hum of the miles | 0:21:51 | 0:21:53 | |
# Distance and longing | 0:21:54 | 0:21:56 | |
# My thoughts do provide | 0:21:56 | 0:21:59 | |
# Should I rest for a while at the side? | 0:21:59 | 0:22:03 | |
# Your love is cradled in knowing | 0:22:05 | 0:22:09 | |
# Eyes in the mirror | 0:22:10 | 0:22:12 | |
# Still expecting they'll come | 0:22:12 | 0:22:15 | |
# Sensing too well | 0:22:15 | 0:22:17 | |
# When the journey is done | 0:22:17 | 0:22:20 | |
# There is no turning back, no | 0:22:20 | 0:22:24 | |
# There is no turning back | 0:22:25 | 0:22:28 | |
# On the run. # | 0:22:29 | 0:22:31 | |
GUITAR SOLO | 0:22:31 | 0:22:33 | |
APPLAUSE | 0:22:49 | 0:22:51 | |
What a great single - Robert Plant and Big Log. | 0:22:55 | 0:22:58 | |
Really lovely, that one. | 0:22:58 | 0:22:59 | |
-We haven't had a look at the charts yet. -Let's do that. | 0:22:59 | 0:23:02 | |
A new entry at 30, | 0:23:03 | 0:23:04 | |
Elvis Costello and the Attractions, Every Day I Write The Book. | 0:23:04 | 0:23:07 | |
The Creatures, a new entry at 29 with Right Now. | 0:23:07 | 0:23:10 | |
On the way up to 28, George Benson, Feel Like Making Love. | 0:23:10 | 0:23:14 | |
New entry at 27 - Wham, Club Tropicana. | 0:23:14 | 0:23:17 | |
A fourth new entry at number 26, Depeche Mode and Everything Counts. | 0:23:17 | 0:23:21 | |
The Lotus Eaters' The First Picture Of You goes up to 25. | 0:23:21 | 0:23:25 | |
And Iron Maiden's The Trooper at number 24. | 0:23:25 | 0:23:28 | |
At 23, Rock'n'Roll is King from ELO. | 0:23:28 | 0:23:31 | |
Jimmy The Hoover and Tantalise at number 22. | 0:23:31 | 0:23:34 | |
And at number 21, All Night Long from the Mary Jane Girls. | 0:23:34 | 0:23:38 | |
Right, we're going back to number 28, which is George 'Bad' Benson, | 0:23:39 | 0:23:42 | |
that wonderful guitarist, and Feel Like Making Love. | 0:23:42 | 0:23:46 | |
I feel like giving up, to be honest. | 0:23:46 | 0:23:48 | |
# Strollin' in the park | 0:23:57 | 0:24:00 | |
# Watching winter turn to spring | 0:24:00 | 0:24:03 | |
# Oooh, walkin' in the dark | 0:24:04 | 0:24:08 | |
# Seein' lovers do their thing | 0:24:08 | 0:24:11 | |
# That's the time | 0:24:14 | 0:24:16 | |
# I feel like making love to you | 0:24:17 | 0:24:21 | |
# That's the time | 0:24:23 | 0:24:24 | |
# I feel like making dreams come true | 0:24:25 | 0:24:30 | |
# Oh, baby | 0:24:31 | 0:24:33 | |
# When you talk to me | 0:24:33 | 0:24:36 | |
# And you're moanin' sweet and low | 0:24:36 | 0:24:39 | |
# Mmm, when you touch my hand | 0:24:40 | 0:24:44 | |
# And my feelings start to show | 0:24:44 | 0:24:48 | |
# Oh, that's the time | 0:24:49 | 0:24:52 | |
# I feel like making love to you | 0:24:53 | 0:24:57 | |
# That's the time | 0:24:59 | 0:25:01 | |
# I feel like making dreams come true | 0:25:02 | 0:25:06 | |
# Oh, baby | 0:25:08 | 0:25:10 | |
# Do-do-do do-do | 0:25:10 | 0:25:12 | |
# Do-do-do do-do do-do | 0:25:12 | 0:25:15 | |
# Do-do-do do-do do-do do-do do-do | 0:25:15 | 0:25:19 | |
# Do-do-do do-do | 0:25:19 | 0:25:21 | |
# Do-do-do do-do do-do | 0:25:21 | 0:25:24 | |
# Do-do-do do-do do-do do-do | 0:25:24 | 0:25:27 | |
# That's the time | 0:25:27 | 0:25:29 | |
# I feel like making love to you | 0:25:30 | 0:25:34 | |
# That's the time | 0:25:35 | 0:25:37 | |
# I feel like making dreams come true | 0:25:38 | 0:25:42 | |
# Ooooh-oooh | 0:25:42 | 0:25:45 | |
# Do-do-do do-do-do-do | 0:25:46 | 0:25:49 | |
# Do-do-do do-do-do-do... # | 0:25:51 | 0:25:53 | |
SYNTH SOLO | 0:25:53 | 0:25:55 | |
APPLAUSE | 0:26:06 | 0:26:08 | |
I was thinking, it must be great to dance like that. | 0:26:09 | 0:26:11 | |
George Benson - Feel Like Making Love. | 0:26:11 | 0:26:13 | |
It's back to the chart, starting at number 20. Can I have your hat? | 0:26:13 | 0:26:16 | |
At number 20, Sylvian & Sakamoto with Forbidden Colours. | 0:26:17 | 0:26:21 | |
KC & The Sunshine Band up to number 19 with Give It Up. | 0:26:21 | 0:26:24 | |
And Tom Robinson, War Baby, at number 18. | 0:26:24 | 0:26:27 | |
Never Stop from Echo and the Bunnymen is at number 17. | 0:26:28 | 0:26:31 | |
And The Cure with The Walk are at number 16. | 0:26:31 | 0:26:35 | |
Up to number 15 for Roman Holliday, Don't Try To Stop It. | 0:26:35 | 0:26:39 | |
And The Funk Masters' It's Over at number 14. | 0:26:39 | 0:26:42 | |
Flashdance from Irene Cara is at number 13. | 0:26:42 | 0:26:45 | |
Shakin' Stevens has gone up to number 12 with It's Late. | 0:26:45 | 0:26:49 | |
Club House are up to number 11 with Do It Again/Billie Jean. | 0:26:49 | 0:26:53 | |
And up to number 10, Cruel Summer from Bananarama, | 0:26:53 | 0:26:56 | |
and they are here now. | 0:26:56 | 0:26:58 | |
APPLAUSE | 0:26:58 | 0:27:00 | |
# Hot summer streets and the pavements are burning | 0:27:13 | 0:27:17 | |
# I sit around | 0:27:17 | 0:27:19 | |
# Trying to smile but the air is so heavy and dry | 0:27:22 | 0:27:27 | |
# Strange voices are saying | 0:27:31 | 0:27:34 | |
# What did they say? | 0:27:34 | 0:27:36 | |
# Things I can't understand | 0:27:36 | 0:27:39 | |
# It's too close for comfort | 0:27:39 | 0:27:41 | |
# This heat has got right out of hand | 0:27:41 | 0:27:45 | |
-# It's a cruel -Cruel | 0:27:48 | 0:27:50 | |
# Cruel summer | 0:27:50 | 0:27:52 | |
# Leaving me here on my own | 0:27:54 | 0:27:56 | |
-# It's a cruel -It's a cruel | 0:27:56 | 0:27:59 | |
# Cruel summer | 0:27:59 | 0:28:01 | |
# Now you're gone | 0:28:01 | 0:28:03 | |
# The city is crowded | 0:28:15 | 0:28:17 | |
# My friends are away and I'm on my own | 0:28:17 | 0:28:21 | |
# It's too hot to handle so I got to get up and go | 0:28:24 | 0:28:29 | |
-# It's a cruel -Cruel | 0:28:32 | 0:28:34 | |
# Cruel summer | 0:28:34 | 0:28:36 | |
# Leaving me here on my own | 0:28:38 | 0:28:41 | |
-# It's a cruel -It's a cruel | 0:28:41 | 0:28:43 | |
# Cruel summer | 0:28:43 | 0:28:45 | |
# Now you're gone | 0:28:45 | 0:28:47 | |
# You're not the only one | 0:28:47 | 0:28:50 | |
-# It's a cruel -Cruel | 0:28:50 | 0:28:52 | |
# Cruel summer | 0:28:52 | 0:28:54 | |
# Leaving me | 0:28:54 | 0:28:56 | |
# Leaving me here on my own | 0:28:56 | 0:28:58 | |
-# It's a cruel -It's a cruel | 0:28:58 | 0:29:01 | |
# Cruel summer | 0:29:01 | 0:29:03 | |
# Now you're gone... # | 0:29:03 | 0:29:05 | |
INSTRUMENTAL | 0:29:06 | 0:29:08 | |
# It's a cruel | 0:29:34 | 0:29:36 | |
# Cruel summer | 0:29:36 | 0:29:38 | |
# Leaving me here on my own | 0:29:40 | 0:29:43 | |
# It's a cruel | 0:29:43 | 0:29:45 | |
# Cruel summer | 0:29:45 | 0:29:47 | |
# Now you're gone | 0:29:47 | 0:29:49 | |
# You're not the only one | 0:29:49 | 0:29:52 | |
-# It's a cruel -Cruel | 0:29:52 | 0:29:54 | |
# Cruel summer | 0:29:54 | 0:29:56 | |
# Leaving me | 0:29:56 | 0:29:58 | |
# Leaving me here on my own | 0:29:58 | 0:30:01 | |
-# It's a cruel -It's a cruel | 0:30:01 | 0:30:03 | |
# Cruel summer | 0:30:03 | 0:30:05 | |
# Now you're gone | 0:30:05 | 0:30:07 | |
# You're not the only one | 0:30:07 | 0:30:09 | |
-# It's a cruel -Cruel | 0:30:09 | 0:30:12 | |
# Cruel summer... # | 0:30:12 | 0:30:14 | |
APPLAUSE | 0:30:14 | 0:30:16 | |
Yes, for some of us, it's a cruel, mean summer. | 0:30:17 | 0:30:20 | |
Poor Mike. He's been working far too hard. | 0:30:20 | 0:30:22 | |
-Shall we go back to the charts? -OK. | 0:30:22 | 0:30:24 | |
At number 9, Rod Stewart and Baby Jane. | 0:30:24 | 0:30:27 | |
Up to number 8 for The Police and their Wrapped Around Your Finger. | 0:30:28 | 0:30:32 | |
Mike Oldfield and Maggie Reilly at number 7 with Moonlight Shadow. | 0:30:32 | 0:30:36 | |
Up to number 6, The Crown from The Gary Byrd and the GB Experience. | 0:30:36 | 0:30:40 | |
Come Live With Me at number 5 from Heaven 17. | 0:30:40 | 0:30:43 | |
Malcolm McLaren has gone up to number 4 with Double Dutch. | 0:30:43 | 0:30:46 | |
And the Eurythmics' Who's That Girl? is at number 3. | 0:30:46 | 0:30:50 | |
And still at number 2 - IOU, Freeez. | 0:30:50 | 0:30:53 | |
And great to see this still at number 1 - | 0:30:53 | 0:30:55 | |
Paul Young, Wherever I Lay My Hat (That's My Home). | 0:30:55 | 0:30:58 | |
APPLAUSE | 0:30:58 | 0:31:00 | |
# Hmmm-mmm-mmh | 0:31:03 | 0:31:06 | |
# Hmm-mmmh | 0:31:11 | 0:31:13 | |
# By the look in your eye | 0:31:17 | 0:31:20 | |
# I can tell you're gonna cry | 0:31:20 | 0:31:23 | |
# Is it over me? | 0:31:23 | 0:31:25 | |
# If it is, save your tears | 0:31:28 | 0:31:30 | |
# For I'm not worth it, you see | 0:31:30 | 0:31:36 | |
# For I'm the type of boy | 0:31:38 | 0:31:41 | |
# Who is always on the roam | 0:31:41 | 0:31:47 | |
# Wherever I lay my hat | 0:31:49 | 0:31:54 | |
# That's my home | 0:31:54 | 0:31:56 | |
# I'm telling you that's my home | 0:31:59 | 0:32:02 | |
# You had romance | 0:32:06 | 0:32:08 | |
# Did you break it by chance | 0:32:08 | 0:32:12 | |
# Over me? | 0:32:12 | 0:32:13 | |
# If it's so I'd like for you to know | 0:32:17 | 0:32:20 | |
# That I'm not worth it, you see | 0:32:20 | 0:32:25 | |
# For I'm the type of boy | 0:32:27 | 0:32:30 | |
# Who is always on the roam | 0:32:30 | 0:32:36 | |
# Mmmm-mmm | 0:32:36 | 0:32:38 | |
# Wherever I lay my hat | 0:32:38 | 0:32:42 | |
# That's my home | 0:32:43 | 0:32:46 | |
# That's my home | 0:32:48 | 0:32:50 | |
# Oh, you keep telling me | 0:32:54 | 0:32:58 | |
# You keep telling me I'm your man | 0:32:58 | 0:33:03 | |
# What do I have to do | 0:33:06 | 0:33:09 | |
# To make you understand? | 0:33:11 | 0:33:15 | |
# For I'm the type of guy | 0:33:15 | 0:33:19 | |
# Who gives a girl the eye | 0:33:20 | 0:33:22 | |
# Everybody knows | 0:33:22 | 0:33:24 | |
# But I love them and I leave them | 0:33:27 | 0:33:30 | |
# Break their hearts and deceive them | 0:33:30 | 0:33:33 | |
# Everywhere I go | 0:33:33 | 0:33:35 | |
# And don't you know that I'm the type of man | 0:33:37 | 0:33:40 | |
# Who is always on the roam | 0:33:40 | 0:33:46 | |
# Oooh, nah-nah-nah-nah-nah | 0:33:46 | 0:33:48 | |
# Wherever I lay my hat | 0:33:48 | 0:33:52 | |
# That's my ho-o-o-o-ome | 0:33:53 | 0:33:58 | |
# Wherever I lay my hat | 0:33:58 | 0:34:02 | |
# Oh, that's my home | 0:34:03 | 0:34:06 | |
# Yeah, that's my home | 0:34:09 | 0:34:11 | |
# And I like it that way | 0:34:14 | 0:34:16 | |
# Oooh, nah-nah-nah-nah-nah... # | 0:34:20 | 0:34:23 | |
APPLAUSE | 0:34:23 | 0:34:25 | |
We'll leave you with Heaven 17, Come Live With Me. | 0:34:26 | 0:34:29 | |
-From us, ta-ra. -Goodnight. | 0:34:29 | 0:34:31 | |
APPLAUSE | 0:34:31 | 0:34:33 | |
# Heaven only knows the way it should have been | 0:34:33 | 0:34:36 | |
# Here today, my tomorrow | 0:34:37 | 0:34:41 | |
# Where you lead I will follow | 0:34:42 | 0:34:46 | |
# All that kissing | 0:34:47 | 0:34:49 | |
# No passion missing | 0:34:49 | 0:34:52 | |
# Come live with me | 0:34:53 | 0:34:55 | |
# Kiss the boys goodbye | 0:34:55 | 0:34:57 | |
# Come live with me | 0:34:57 | 0:35:00 | |
# Kiss the boys goodbye | 0:35:00 | 0:35:03 | |
# Come live with me... # | 0:35:03 | 0:35:05 | |
# Dinner parties followed | 0:35:07 | 0:35:09 | |
# And all my ages implies | 0:35:09 | 0:35:12 | |
# My friends began to talk | 0:35:12 | 0:35:14 | |
# I began to realise | 0:35:14 | 0:35:17 | |
# If half the things they say Are quarter true of me | 0:35:17 | 0:35:21 | |
# Then how can I eclipse the youth | 0:35:21 | 0:35:24 | |
# You gave to set me free | 0:35:24 | 0:35:26 | |
# There was something in your smile | 0:35:26 | 0:35:29 | |
# That was hard to reconcile | 0:35:29 | 0:35:32 | |
# The time had come to testify to reason | 0:35:32 | 0:35:35 | |
# Though years will not erase | 0:35:35 | 0:35:38 | |
# Remembrance of those days | 0:35:38 | 0:35:41 | |
# At least there's no submission to heart's treason | 0:35:41 | 0:35:46 | |
# Here today, my tomorrow | 0:35:47 | 0:35:51 | |
# No more shame, only sorrow | 0:35:52 | 0:35:55 | |
# All that kissing There's something missing... # | 0:35:57 | 0:36:00 |