29/07/1982 Top of the Pops


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29/07/1982

Mike Read presents the weekly pop chart show. Featuring Dexys Midnight Runners, Hot Chocolate, The Firm, David Essex, Yazoo, Paul McCartney, Irene Cara and Cliff Richard.


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CHEERING AND APPLAUSE

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Hello, gang. Welcome to Top Of The Pops.

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Terrific show lined up for you tonight. Lots and lots of fab

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artists, starting off with Dexy's Midnight Runners and Come On Eileen.

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# Come on, Eileen!

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# Poor old Johnny Ray

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# Sounded sad upon the radio

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# Moved a million hearts in mono

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# Our mothers cried

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# Sang along, who'd blame them?

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# You've grown, so grown

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# Now I must say more than ever

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# Come on, Eileen

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# Too-ra-loo-ra, too-ra-loo-rye-ay

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# And we can sing just like our fathers

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment you mean everything

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# You in that dress

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# My thoughts, I confess

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# Verge on dirty

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# Oh, come on, Eileen

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# Come on, Eileen

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# These people round here

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# Wear beaten-down eyes sunk in smoke-dried faces

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# So resigned to what their fate is

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-# But not us

-No, never

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-# But not us

-Not ever

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# We are far too young and clever

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# Remember

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# Too-ra-loo-ra, too-ra-loo-rye-ay

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# And you'll hum this tune forever

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# Ah, come on, let's

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# Take off everything

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# That pretty red dress

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-# Eileen

-Tell him yes

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# Ah, come on, let's

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# Ah, come on, Eileen

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# Come on

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# Eileen, too-loo-rye-ay

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# Come on, Eileen, too-loo-rye

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# Now you're full grown

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# Now you have shown

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# Oh, Eileen

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# Say, come on, Eileen

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-# These things, they are real

-Come on, Eileen, too-loo-rye-ay

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-# And I know how you feel

-Come on, Eileen, too-loo-rye

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# Now I must say more than ever

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# Things round here have changed

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# I say, too-ra-loo-ra, too-ra-loo-rye-ay

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# Too-ra too-ra too-loo-ra

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment you mean everything

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# You in that dress

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# My thoughts, I confess, verge on dirty

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# Ah, come on, Eileen

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment... #

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APPLAUSE

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Dexy's Midnight Runners and Come On Eileen from the album which is

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released this week, Too-Rye-Ay. They're at number two

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and number three, breathing right down their necks,

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Yazoo and Don't Go.

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CHEERING AND APPLAUSE

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# Came in from the city

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# Walked into the door

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# I turned around when I heard the sound of footsteps on the floor

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# Love just like addiction

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# Now I'm hooked on you

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# I need some time to get it right

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# Your love's gonna see me through

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Oh, baby, make your mind up

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# Give me what you got

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# Fix me with your loving, shut the door and turn the lock

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# Hey, go get the doctor

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# Doctor came too late

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# Another night I feel all right

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# My love for you can't wait

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Came in from the city

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# Walked into the door

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# I turned around when I heard the sound of footsteps on the floor

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# Said he was a killer

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# Now I know it's true

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# I'm dead when you walk out the door

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# Hey, babe, I'm hooked on you

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

0:05:520:05:53

# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

0:05:590:06:01

# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

0:06:050:06:07

# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Don't go. #

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CHEERING AND APPLAUSE

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Yazoo and Don't Go.

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Hot Chocolate haven't missed a year in the charts since 1970.

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It's now, as you know, 1982, and here's It Started With A Kiss.

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# It started with a kiss

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# In the back row of the classroom

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# How could I resist

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# The aroma of your perfume?

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# You and I were inseparable

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# It was love at first sight

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# You made me promise to marry you

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# I made you promise to be my wife

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# But then

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# You were only eight years old

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-# And I had just about turned nine

-Just about turned nine

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# I thought that life was always good

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# I thought you always would be mine

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# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this

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# I remember every little thing

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# Like fighting in the playground

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# Cos some good-looking boy

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# Had started to hang around

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# That boy hurt me so bad

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# But I was happy cos you cried

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# Still

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# I couldn't help but notice that new distant look in your eyes

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# And then, when you were 16

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-# And I had just turned 17

-Just turned 17

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# I couldn't hold on to your love

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# I couldn't hold on to my dream

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# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this

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# You don't remember me, do you?

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# You don't remember me, do you?

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# Walking down the street

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# Came the star of my love story

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# And my heart began to beat so fast

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# So clear was my memory

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# I heard my voice cry out her name

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# And as she looked and looked away

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# I felt so hurt, I felt so small

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# And it was all that I could say

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# You don't remember me, do you?

0:09:510:09:54

# You don't remember me, do you?

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# You don't remember me, do you?

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# You don't remember me, do you?

0:10:040:10:06

# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this. #

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CHEERING AND APPLAUSE

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Hot Chocolate, It Started With A Kiss.

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You notice the way they wash all the suits themselves, all shining white.

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They've been down the launderette most of the afternoon.

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Right, here's Cliff and The Only Way In Is The Only Way Out.

0:10:400:10:43

APPLAUSE

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# Came a time in my life I had to be free

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# From all the lies that used to be me

0:10:550:10:59

# And the only way out is the only way in

0:10:590:11:03

# And it's you

0:11:030:11:06

# I've been wasting my time

0:11:080:11:10

# But not any more

0:11:100:11:12

# I've been through the maze and it led to your door

0:11:120:11:16

# And the only way out is the only way in

0:11:160:11:20

# And it's you

0:11:200:11:23

# I spent a lot of time at the crossroads

0:11:240:11:28

# Getting that lonely feeling inside

0:11:280:11:33

# Suddenly, you stopped the rain, you changed the view

0:11:330:11:38

# Now everywhere's leading to you

0:11:380:11:44

# Let's get this thing going

0:11:440:11:46

# Let's move it along

0:11:460:11:48

# Let me do all the things I've been missing so long

0:11:480:11:53

# Cos the only way out is the only way in

0:11:530:11:57

# And it's you

0:11:570:12:00

# O-oh

0:12:010:12:02

# I spent a lot of time at the crossroads

0:12:180:12:22

# Getting that lonely feeling inside

0:12:220:12:26

# Suddenly, you made the rescue, you pulled me through

0:12:260:12:32

# Now let me do something for you

0:12:320:12:36

# Let's get this thing going

0:12:360:12:38

# Let's move it along

0:12:380:12:40

# Let's do all the things I've been missing so long

0:12:400:12:44

# And the only way out is the only way in

0:12:440:12:48

# And it's you

0:12:480:12:51

# Yeah, the only way out is the only way in

0:12:530:12:57

# And it's you

0:12:570:12:59

# Yeah, the only way out is the only way in

0:13:010:13:05

# And it's you

0:13:050:13:08

# Only way out

0:13:150:13:17

# Is the only way in

0:13:190:13:21

# The only way out

0:13:230:13:25

# Is the only way in

0:13:270:13:30

# Aah, ah-ah

0:13:320:13:36

# The only way in... #

0:13:380:13:40

CHEERING AND APPLAUSE

0:13:400:13:41

As it happens... Here, no, leave it out, leave it out.

0:13:410:13:45

Leave it out. No, as it happens,

0:13:450:13:46

a bunch of blokes come to me earlier in the dressing room

0:13:460:13:48

and said, "Terence can't introduce the next number.

0:13:480:13:50

"Is there any chance that you could do it?"

0:13:500:13:52

And it happens to be The Firm, and Arthur Daley, 'E's All Right.

0:13:520:13:56

CHEERING AND APPLAUSE

0:13:560:13:58

# All right, my son, say no more, leave it out, no problem

0:14:000:14:02

# As it 'appens, it's your shout

0:14:020:14:03

# Straight up, pull the other, in a right two and eight

0:14:030:14:05

# Hang about, what's the damage? 'Ere? Who's your mate?

0:14:050:14:07

# The geezer with the bunny in the trilby 'at

0:14:070:14:09

# Reckons he's legit but he ain't all that

0:14:090:14:11

# Arthur Daley, little dodgy maybe, but underneath

0:14:110:14:14

# 'E's all right

0:14:140:14:15

# Propping up the bar at the Winchester Club

0:14:190:14:22

# A VAT on the slate, please, Dave

0:14:220:14:24

# Terry's still looking for a sub

0:14:240:14:26

# Arthur's onto a nice little earner

0:14:260:14:28

# Terry's getting agg and the chance of an 'ernia

0:14:280:14:30

# Minding the disco down some boozer

0:14:300:14:32

# Giving him a slap but he's onto a loser

0:14:320:14:34

# Pound to a penny that he don't get paid

0:14:340:14:36

# On account of the recession in the used car motor trade

0:14:360:14:38

# All right, my son, say no more, leave it out

0:14:400:14:43

# No problem, as it 'appens, it's your shout

0:14:430:14:44

# Straight up, pull the other, in a right two and eight

0:14:440:14:46

# Hang about, what's the damage, chief? 'Ere? Who's your mate?

0:14:460:14:49

# The geezer with the bunny in the trilby 'at

0:14:490:14:51

# Reckons he's legit but he ain't all that

0:14:510:14:52

# Arthur Daley, little dodgy maybe, but underneath

0:14:520:14:55

# 'E's all right

0:14:550:14:56

# Terry's piling up the zeds

0:14:590:15:01

# Been up on the job all night

0:15:010:15:03

# When all of a sudden there's an 'orrible scream

0:15:030:15:05

# And somebody's switching on the light

0:15:050:15:07

# It's Arthur, Y-fronts caught in his zip

0:15:070:15:09

# Brahms and Liszt and he needs a place to kip

0:15:090:15:11

# Terry gets the 'ump with Arthur

0:15:110:15:12

# Cos he won't go home cos of 'er indoors

0:15:120:15:14

# "She'd kill me Terry, odds on bet

0:15:140:15:16

# "I ain't got the bottle, ain't you got that kettle on yet?"

0:15:160:15:19

# All right, my son, say no more, leave it out

0:15:210:15:23

# No problem, as it 'appens, it's your shout

0:15:230:15:25

# Straight up, pull the other, in a right two and eight

0:15:250:15:27

# Hang about, what's the damage, chief? 'Ere? Who's your mate?

0:15:270:15:30

# The geezer with the bunny in the trilby 'at

0:15:300:15:31

# Reckons he's legit but he ain't all that

0:15:310:15:33

# Arthur Daley, little dodgy maybe, but underneath

0:15:330:15:36

# 'E's all right

0:15:390:15:40

# Checking out his stock in the lock-up

0:15:440:15:46

# Arthur's havin' a fit

0:15:460:15:47

# 'Ere, where's them magazines with the 'erberts in the leather and the bird with a whip?

0:15:470:15:51

# "Do what?", says Terry, "Who rattled your cage?

0:15:510:15:53

# "You ought to be ashamed - a man of your age"

0:15:530:15:55

# Cheap jibe, Terence, try to understand

0:15:550:15:57

# Got a punter coming round gonna take em off me hands

0:15:570:15:59

# Got a part exchange, claret from Japan

0:15:590:16:01

# A vintage year, and he does 'em in five-gallon cans

0:16:010:16:03

# All right, my son, say no more, leave it out

0:16:060:16:08

# No problem, as it 'appens, it's your shout

0:16:080:16:09

# Straight up, pull the other, in a right two and eight

0:16:090:16:12

# Hang about, what's the damage, chief? 'Ere? Who's your mate?

0:16:120:16:14

# The geezer with the bunny in the trilby 'at

0:16:140:16:16

# Reckons he's legit but he ain't all that

0:16:160:16:18

# Arthur Daley, a little dodgy maybe, but underneath... #

0:16:180:16:20

He's all right, is Arthur.

0:16:220:16:24

So, he's got a couple of Nelson Riddles going. Who ain't?

0:16:240:16:27

Don't make you a villain, do it?

0:16:270:16:29

And he sells the odd dodgy motor now and then.

0:16:290:16:31

Well, it ain't a crime, is it?

0:16:310:16:33

Well, yeah, it's a crime, yeah, technically.

0:16:330:16:35

But it's a bit under the arm the way the HI done sit on his daily

0:16:350:16:38

giving him GBH on the earhole all the time.

0:16:380:16:40

I mean, just cos he happens to have done a bit of bird for petty

0:16:400:16:43

when he was a saucepan.

0:16:430:16:44

He ought to do them for inflammation of character, I reckon.

0:16:440:16:47

You know what Chisholm said?

0:16:470:16:48

He said, "I know how Arthur Daley'll die."

0:16:480:16:50

I said, "How's that?"

0:16:500:16:52

He said "He'll fall off the back of a lorry." Bit strong...

0:16:520:16:54

CHEERING AND APPLAUSE

0:16:540:16:56

Well, it's... It's not a crime to have a record in the charts, is it?

0:16:570:17:01

Well, I suppose, yeah, I mean,

0:17:010:17:02

technically, it is a crime to have a record in the charts.

0:17:020:17:04

Right now, here are the charts from 30 to number 20.

0:17:040:17:07

At number 30, Captain Sensible and Happy Talk.

0:17:080:17:12

At 29, Lynyrd Skynyrd's Free Bird.

0:17:120:17:15

A new entry at 28, Arthur Daley, 'E's All Right, from The Firm.

0:17:160:17:19

Another new entry at 27, Donna Summer and Love Is In Control.

0:17:190:17:23

No Regrets, Midge Ure, is at 26.

0:17:230:17:25

And up at number 25, Junior and Too Late.

0:17:260:17:28

Another one on the way up,

0:17:290:17:30

Chalk Dust: The Umpire Strikes Back from The Brat is at 24.

0:17:300:17:33

And a new entry at 23, The Belle Stars and The Clapping Song.

0:17:330:17:36

Murphy's Law from Cheri is at number 22.

0:17:360:17:40

And 21, Natasha's Iko Iko.

0:17:400:17:42

Another record on the way up is Paul McCartney,

0:17:430:17:46

and here he is with his new single, Take It Away.

0:17:460:17:48

APPLAUSE

0:17:480:17:50

# Take it away

0:18:050:18:07

# Want to hear you play till the lights go down

0:18:070:18:10

# Take it away

0:18:120:18:14

# Don't you want to stay till there's no-one else around?

0:18:140:18:18

# Take it away

0:18:210:18:23

# Want to hear you play till the lights go down

0:18:230:18:27

# Take it away

0:18:280:18:30

# Don't you want to stay till there's no-one else around?

0:18:300:18:35

# Lonely driver

0:18:380:18:40

# Out on the road

0:18:410:18:43

# With a hundred miles to go

0:18:450:18:49

# Sole survivor

0:18:520:18:54

# Carrying the load

0:18:560:18:57

# Switches on his radio

0:18:590:19:03

# Take it away

0:19:040:19:06

# Want to hear you play till the lights go down

0:19:060:19:10

# Down, down

0:19:100:19:11

# Take it away

0:19:110:19:13

# Don't you want to stay till there's no-one else around?

0:19:130:19:17

# Take it away

0:19:200:19:22

# Want to hear you play till the lights go down

0:19:220:19:26

# Down, down

0:19:260:19:27

# Take it away

0:19:270:19:29

# Don't you want to stay till there's no-one else around?

0:19:290:19:34

# In the audience

0:19:360:19:39

# Watching the show

0:19:400:19:42

# With a paper in his hand

0:19:440:19:47

# In his hand, in his hand

0:19:470:19:50

# Some important impresario

0:19:510:19:57

# Has a message for the band

0:19:580:20:02

# Oh

0:20:020:20:04

# Take it away

0:20:040:20:06

# Want to hear you play till the lights go down

0:20:060:20:10

# Down, down

0:20:100:20:12

# Take it away

0:20:120:20:14

# Don't you want to stay till there's no-one else around?

0:20:140:20:18

# Never know who may be listening to you

0:20:200:20:24

# Never know who may be listening to you

0:20:240:20:27

# You never know who may be listening to you

0:20:270:20:33

# Take it away Take it away

0:20:340:20:37

# After hours

0:20:390:20:41

# Late in the bar

0:20:430:20:44

# By a darkened corner seat

0:20:470:20:50

# Faded flowers

0:20:530:20:57

# Wade in the jar

0:20:570:20:59

# Till the evening is complete. #

0:21:010:21:05

CHEERING AND APPLAUSE

0:21:400:21:44

Paul McCartney, who first charted with The Beatles 20 years ago,

0:21:440:21:47

and Take It Away. Right now,

0:21:470:21:48

here are the charts from number 19 to number 11.

0:21:480:21:50

Up at 19, Strange Little Girl from The Stranglers.

0:21:520:21:55

And at 18, Imagination's Music And Lights.

0:21:550:21:59

On the way up at 17, David and Therese, Dollar and Videotheque.

0:21:590:22:02

At 16, Bucks Fizz and Now Those Days Are Gone.

0:22:020:22:06

Me And My Girl Nightclubbing, David Essex,

0:22:060:22:08

that's gone up to number 15.

0:22:080:22:09

Another one going in the same direction,

0:22:090:22:11

Cliff Richard and The Only Way Out.

0:22:110:22:13

Odyssey, Inside Out, is at 13.

0:22:130:22:15

And up to number 12, Night Train from Visage.

0:22:160:22:20

Kid Creole And The Coconuts, Stool Pigeon, is at number 11,

0:22:200:22:22

and right now we go back to number 15

0:22:220:22:25

for David Essex and Me And My Girl Nightclubbing.

0:22:250:22:28

CHEERING AND APPLAUSE

0:22:280:22:30

# Please get dressed, wear something flashy

0:22:450:22:48

# Trip the light fantastic and we're on our way

0:22:480:22:53

# Too much work make Jack such a sad boy

0:22:530:22:57

# Now we're coming out to play

0:22:570:23:01

# Me and my girl, nightclubbing

0:23:010:23:05

# Me and my girl, out on the town

0:23:050:23:09

# Me and my girl, nightclubbing

0:23:090:23:13

# Me and my girl, out and about

0:23:130:23:16

# Oh, the sweet feeling of dancing close together

0:23:190:23:22

# And the heavy, heavy sound of pop music

0:23:220:23:27

# Teenage hero, fashion dummy, weirdo

0:23:270:23:31

# I like your pink lipstick

0:23:310:23:35

# Me and my girl, nightclubbing

0:23:350:23:39

# Me and my girl, out on the town

0:23:390:23:43

# Me and my girl, nightclubbing

0:23:430:23:47

# Me and my girl, out and about

0:23:470:23:50

# Don't tell me 'bout Monday mornings

0:23:510:23:55

# Don't tell me 'bout life outside

0:23:550:23:59

# Don't tell me 'bout Monday mornings

0:23:590:24:03

# Do me a favour and take a ride

0:24:030:24:07

# Me and my girl, nightclubbing

0:24:070:24:11

# Me and my girl, out on the town

0:24:110:24:15

# Me and my girl, nightclubbing

0:24:150:24:19

# Me and my girl, putting it about

0:24:190:24:23

# Out on the town, let me take you

0:24:380:24:41

# Nightclubbing

0:24:410:24:42

# I want to be seen with you

0:24:420:24:45

# Out on the town

0:24:450:24:46

# Out on the town, let me take you

0:24:460:24:49

# Nightclubbing

0:24:490:24:50

# Dancing the whole night through

0:24:500:24:53

# Out and about

0:24:530:24:54

-# Out on the town, let me take you

-Me and my girl

0:24:540:24:57

# Night clubbing

0:24:570:24:58

-# I want to be seen with you

-Me and my girl

0:24:580:25:01

# Out on the town

0:25:010:25:02

-# Out on the town, let me take you

-Me and my girl

0:25:020:25:05

# We nightclubbing

0:25:050:25:06

-# Dancing the whole night through

-Me and my girl

0:25:060:25:09

# Out and about

0:25:090:25:10

# Out on the town, let me take you... #

0:25:100:25:13

CHEERING AND APPLAUSE

0:25:130:25:16

The filthy stop-outs! David Essex and Me And My Girl Nightclubbing.

0:25:180:25:22

Here are the charts from ten to two.

0:25:220:25:24

Shalamar are at number ten with A Night To Remember.

0:25:240:25:28

Up at nine, Japan and I Second That Emotion.

0:25:280:25:31

Steve Miller Band, Abracadabra, is at eight.

0:25:310:25:35

And up at number seven, Hot Chocolate, It Started With A Kiss.

0:25:350:25:38

Shy Boy from Bananarama is at number six this week

0:25:380:25:41

and at number five, it's Trio and Da Da Da.

0:25:410:25:45

Up at four, Driving In My Car from Madness.

0:25:450:25:49

Yazoo's Don't Go is up at three.

0:25:490:25:51

Also heading in the right direction,

0:25:520:25:54

Come On Eileen, Dexy's Midnight Runners at number two.

0:25:540:25:57

That's it from Top Of The Pops this week.

0:25:570:25:59

Third week running at number one, Fame and Irene Cara.

0:25:590:26:01

Next week, on Top Of The Pops, it's David Jensen and he'll see you then.

0:26:010:26:05

Goodnight.

0:26:050:26:06

AUDIENCE CLAPS IN TUNE

0:26:060:26:09

# Baby, look at me

0:26:190:26:22

# And tell me what you see

0:26:220:26:25

# You ain't seen the best of me yet

0:26:250:26:29

# Give me time, I'll make you forget the rest

0:26:290:26:34

# I got more in me

0:26:340:26:37

# And you can set it free

0:26:370:26:40

# I can catch the moon in my hand

0:26:400:26:44

# Don't you know who I am?

0:26:440:26:46

-# Remember my name

-Fame!

0:26:460:26:49

# I'm gonna live forever

0:26:490:26:53

-# I'm gonna learn how to fly

-High!

0:26:530:26:56

# I feel it comin' together

0:26:560:27:00

-# People will see me and die

-Fame!

0:27:000:27:04

# I'm gonna make it to heaven

0:27:040:27:07

-# Light up the sky like a flame

-Fame!

0:27:070:27:11

# I'm gonna live forever

0:27:110:27:14

# Baby, remember my name

0:27:140:27:17

# Remember, remember, remember

0:27:170:27:20

# Remember, remember, remember, remember

0:27:200:27:24

# Baby, hold me tight

0:27:400:27:43

# Cos you can make it right

0:27:430:27:46

# You can shoot me straight to the top

0:27:460:27:50

# Give me love and take all I got to give

0:27:500:27:54

# Baby, I'll be tough

0:27:540:27:58

# Too much is not enough

0:27:580:28:01

# No, I can ride your heart till it breaks

0:28:010:28:04

# Ooh, I got what it takes

0:28:040:28:09

# Fame

0:28:090:28:10

# I'm gonna live forever

0:28:100:28:14

-# I'm gonna learn how to fly

-High

0:28:140:28:17

# I feel it coming together

0:28:170:28:21

# People will see me and die

0:28:210:28:23

# Fame

0:28:230:28:25

# I'm gonna make it to heaven

0:28:250:28:28

-# Light up the sky like a flame

-Fame!

0:28:280:28:32

# I'm gonna live forever

0:28:320:28:35

# Baby, remember my...

0:28:350:28:37

# Remember, remember, remember, remember

0:28:370:28:42

# Remember, remember, remember

0:28:420:28:44

# Fame

0:29:000:29:01

# I'm gonna make it to heaven

0:29:010:29:05

-# Light up the sky like a flame

-Fame!

0:29:050:29:08

# I'm gonna live forever

0:29:080:29:12

# Baby, remember my name

0:29:120:29:15

# Remember, remember, remember, remember

0:29:150:29:18

# Remember, remember, remember

0:29:180:29:20

-# Remember

-Remember my name

0:29:200:29:22

-# Fame

-I'm gonna live forever... #

0:29:220:29:26

APPLAUSE

0:29:260:29:28

Mike Read presents the weekly pop chart show, first broadcast on 29 July 1982. Includes appearances from Dexys Midnight Runners, Hot Chocolate, The Firm, David Essex, Yazoo, Paul McCartney, Irene Cara and Cliff Richard. Also includes a dance performance from Zoo.