Browse content similar to 29/07/1982. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
CHEERING AND APPLAUSE | 0:00:15 | 0:00:16 | |
Hello, gang. Welcome to Top Of The Pops. | 0:00:16 | 0:00:18 | |
Terrific show lined up for you tonight. Lots and lots of fab | 0:00:18 | 0:00:21 | |
artists, starting off with Dexy's Midnight Runners and Come On Eileen. | 0:00:21 | 0:00:24 | |
# Come on, Eileen! | 0:00:31 | 0:00:33 | |
# Poor old Johnny Ray | 0:00:37 | 0:00:41 | |
# Sounded sad upon the radio | 0:00:41 | 0:00:43 | |
# Moved a million hearts in mono | 0:00:43 | 0:00:46 | |
# Our mothers cried | 0:00:46 | 0:00:50 | |
# Sang along, who'd blame them? | 0:00:50 | 0:00:53 | |
# You've grown, so grown | 0:00:55 | 0:00:59 | |
# Now I must say more than ever | 0:00:59 | 0:01:02 | |
# Come on, Eileen | 0:01:03 | 0:01:04 | |
# Too-ra-loo-ra, too-ra-loo-rye-ay | 0:01:04 | 0:01:10 | |
# And we can sing just like our fathers | 0:01:10 | 0:01:15 | |
# Come on, Eileen | 0:01:16 | 0:01:18 | |
-# Oh, I swear -What he means | 0:01:18 | 0:01:20 | |
# At this moment you mean everything | 0:01:20 | 0:01:25 | |
# You in that dress | 0:01:25 | 0:01:26 | |
# My thoughts, I confess | 0:01:26 | 0:01:28 | |
# Verge on dirty | 0:01:28 | 0:01:30 | |
# Oh, come on, Eileen | 0:01:30 | 0:01:33 | |
# Come on, Eileen | 0:01:41 | 0:01:43 | |
# These people round here | 0:01:47 | 0:01:50 | |
# Wear beaten-down eyes sunk in smoke-dried faces | 0:01:51 | 0:01:54 | |
# So resigned to what their fate is | 0:01:54 | 0:01:56 | |
-# But not us -No, never | 0:01:56 | 0:01:58 | |
-# But not us -Not ever | 0:01:58 | 0:02:00 | |
# We are far too young and clever | 0:02:00 | 0:02:03 | |
# Remember | 0:02:04 | 0:02:05 | |
# Too-ra-loo-ra, too-ra-loo-rye-ay | 0:02:05 | 0:02:11 | |
# And you'll hum this tune forever | 0:02:11 | 0:02:17 | |
# Come on, Eileen | 0:02:17 | 0:02:19 | |
-# Oh, I swear -What he means | 0:02:19 | 0:02:21 | |
# Ah, come on, let's | 0:02:21 | 0:02:23 | |
# Take off everything | 0:02:23 | 0:02:26 | |
# That pretty red dress | 0:02:26 | 0:02:27 | |
-# Eileen -Tell him yes | 0:02:27 | 0:02:29 | |
# Ah, come on, let's | 0:02:29 | 0:02:31 | |
# Ah, come on, Eileen | 0:02:31 | 0:02:36 | |
# Come on | 0:02:37 | 0:02:38 | |
# Eileen, too-loo-rye-ay | 0:02:38 | 0:02:41 | |
# Come on, Eileen, too-loo-rye | 0:02:41 | 0:02:45 | |
# Now you're full grown | 0:02:45 | 0:02:47 | |
# Now you have shown | 0:02:47 | 0:02:49 | |
# Oh, Eileen | 0:02:49 | 0:02:52 | |
# Say, come on, Eileen | 0:02:52 | 0:02:55 | |
-# These things, they are real -Come on, Eileen, too-loo-rye-ay | 0:02:55 | 0:02:58 | |
-# And I know how you feel -Come on, Eileen, too-loo-rye | 0:02:58 | 0:03:01 | |
# Now I must say more than ever | 0:03:01 | 0:03:04 | |
# Things round here have changed | 0:03:04 | 0:03:06 | |
# I say, too-ra-loo-ra, too-ra-loo-rye-ay | 0:03:06 | 0:03:12 | |
# Too-ra too-ra too-loo-ra | 0:03:12 | 0:03:14 | |
# Come on, Eileen | 0:03:15 | 0:03:17 | |
-# Oh, I swear -What he means | 0:03:17 | 0:03:19 | |
# At this moment you mean everything | 0:03:19 | 0:03:23 | |
# You in that dress | 0:03:23 | 0:03:25 | |
# My thoughts, I confess, verge on dirty | 0:03:25 | 0:03:28 | |
# Ah, come on, Eileen | 0:03:28 | 0:03:31 | |
# Come on, Eileen | 0:03:31 | 0:03:32 | |
-# Oh, I swear -What he means | 0:03:32 | 0:03:34 | |
# At this moment... # | 0:03:34 | 0:03:37 | |
APPLAUSE | 0:03:37 | 0:03:39 | |
Dexy's Midnight Runners and Come On Eileen from the album which is | 0:03:43 | 0:03:46 | |
released this week, Too-Rye-Ay. They're at number two | 0:03:46 | 0:03:48 | |
and number three, breathing right down their necks, | 0:03:48 | 0:03:51 | |
Yazoo and Don't Go. | 0:03:51 | 0:03:52 | |
CHEERING AND APPLAUSE | 0:03:52 | 0:03:55 | |
# Came in from the city | 0:04:03 | 0:04:04 | |
# Walked into the door | 0:04:04 | 0:04:06 | |
# I turned around when I heard the sound of footsteps on the floor | 0:04:06 | 0:04:10 | |
# Love just like addiction | 0:04:10 | 0:04:12 | |
# Now I'm hooked on you | 0:04:12 | 0:04:14 | |
# I need some time to get it right | 0:04:14 | 0:04:16 | |
# Your love's gonna see me through | 0:04:16 | 0:04:18 | |
# Can't stop now Don't you know? | 0:04:20 | 0:04:22 | |
# I ain't never gonna let you go | 0:04:22 | 0:04:23 | |
# Don't go | 0:04:23 | 0:04:25 | |
# Oh, baby, make your mind up | 0:04:30 | 0:04:33 | |
# Give me what you got | 0:04:33 | 0:04:35 | |
# Fix me with your loving, shut the door and turn the lock | 0:04:35 | 0:04:39 | |
# Hey, go get the doctor | 0:04:39 | 0:04:41 | |
# Doctor came too late | 0:04:41 | 0:04:42 | |
# Another night I feel all right | 0:04:42 | 0:04:44 | |
# My love for you can't wait | 0:04:44 | 0:04:47 | |
# Can't stop now Don't you know? | 0:04:48 | 0:04:50 | |
# I ain't never gonna let you go | 0:04:50 | 0:04:52 | |
# Don't go | 0:04:52 | 0:04:54 | |
# Came in from the city | 0:05:23 | 0:05:25 | |
# Walked into the door | 0:05:25 | 0:05:26 | |
# I turned around when I heard the sound of footsteps on the floor | 0:05:26 | 0:05:30 | |
# Said he was a killer | 0:05:30 | 0:05:32 | |
# Now I know it's true | 0:05:32 | 0:05:34 | |
# I'm dead when you walk out the door | 0:05:34 | 0:05:36 | |
# Hey, babe, I'm hooked on you | 0:05:36 | 0:05:38 | |
# Can't stop now Don't you know? | 0:05:38 | 0:05:40 | |
# I ain't never gonna let you go | 0:05:40 | 0:05:42 | |
# Don't go | 0:05:42 | 0:05:44 | |
# Can't stop now Don't you know? | 0:05:44 | 0:05:46 | |
# I ain't never gonna let you go | 0:05:46 | 0:05:48 | |
# Don't go | 0:05:48 | 0:05:50 | |
# Can't stop now Don't you know? | 0:05:50 | 0:05:52 | |
# I ain't never gonna let you go | 0:05:52 | 0:05:53 | |
# Don't go | 0:05:53 | 0:05:55 | |
# Can't stop now Don't you know? | 0:05:55 | 0:05:57 | |
# I ain't never gonna let you go | 0:05:57 | 0:05:59 | |
# Don't go | 0:05:59 | 0:06:01 | |
# Can't stop now Don't you know? | 0:06:01 | 0:06:03 | |
# I ain't never gonna let you go | 0:06:03 | 0:06:05 | |
# Don't go | 0:06:05 | 0:06:07 | |
# Can't stop now Don't you know? | 0:06:07 | 0:06:09 | |
# I ain't never gonna let you go | 0:06:09 | 0:06:10 | |
# Don't go | 0:06:10 | 0:06:13 | |
# Can't stop now Don't you know? | 0:06:13 | 0:06:15 | |
# I ain't never gonna let you go | 0:06:15 | 0:06:16 | |
# Don't go | 0:06:16 | 0:06:18 | |
# Can't stop now Don't you know? | 0:06:18 | 0:06:20 | |
# I ain't never gonna let you go | 0:06:20 | 0:06:22 | |
# Don't go | 0:06:22 | 0:06:24 | |
# Don't go. # | 0:06:28 | 0:06:30 | |
CHEERING AND APPLAUSE | 0:06:30 | 0:06:33 | |
Yazoo and Don't Go. | 0:06:33 | 0:06:35 | |
Hot Chocolate haven't missed a year in the charts since 1970. | 0:06:35 | 0:06:38 | |
It's now, as you know, 1982, and here's It Started With A Kiss. | 0:06:38 | 0:06:41 | |
# It started with a kiss | 0:06:41 | 0:06:43 | |
# In the back row of the classroom | 0:06:46 | 0:06:50 | |
# How could I resist | 0:06:50 | 0:06:53 | |
# The aroma of your perfume? | 0:06:54 | 0:06:57 | |
# You and I were inseparable | 0:07:00 | 0:07:03 | |
# It was love at first sight | 0:07:03 | 0:07:08 | |
# You made me promise to marry you | 0:07:09 | 0:07:12 | |
# I made you promise to be my wife | 0:07:12 | 0:07:16 | |
# But then | 0:07:16 | 0:07:18 | |
# You were only eight years old | 0:07:18 | 0:07:20 | |
-# And I had just about turned nine -Just about turned nine | 0:07:20 | 0:07:26 | |
# I thought that life was always good | 0:07:26 | 0:07:29 | |
# I thought you always would be mine | 0:07:29 | 0:07:33 | |
# It started with a kiss | 0:07:33 | 0:07:37 | |
# Never thought it would come to this | 0:07:37 | 0:07:40 | |
# It started with a kiss | 0:07:42 | 0:07:44 | |
# Never thought it would come to this | 0:07:45 | 0:07:49 | |
# I remember every little thing | 0:07:50 | 0:07:52 | |
# Like fighting in the playground | 0:07:54 | 0:07:58 | |
# Cos some good-looking boy | 0:07:58 | 0:08:01 | |
# Had started to hang around | 0:08:03 | 0:08:06 | |
# That boy hurt me so bad | 0:08:09 | 0:08:12 | |
# But I was happy cos you cried | 0:08:12 | 0:08:16 | |
# Still | 0:08:16 | 0:08:17 | |
# I couldn't help but notice that new distant look in your eyes | 0:08:17 | 0:08:24 | |
# And then, when you were 16 | 0:08:24 | 0:08:29 | |
-# And I had just turned 17 -Just turned 17 | 0:08:29 | 0:08:34 | |
# I couldn't hold on to your love | 0:08:34 | 0:08:37 | |
# I couldn't hold on to my dream | 0:08:37 | 0:08:41 | |
# It started with a kiss | 0:08:41 | 0:08:44 | |
# Never thought it would come to this | 0:08:45 | 0:08:48 | |
# It started with a kiss | 0:08:50 | 0:08:52 | |
# Never thought it would come to this | 0:08:54 | 0:08:56 | |
# You don't remember me, do you? | 0:08:58 | 0:09:00 | |
# You don't remember me, do you? | 0:09:02 | 0:09:05 | |
# Walking down the street | 0:09:15 | 0:09:18 | |
# Came the star of my love story | 0:09:18 | 0:09:23 | |
# And my heart began to beat so fast | 0:09:24 | 0:09:27 | |
# So clear was my memory | 0:09:28 | 0:09:31 | |
# I heard my voice cry out her name | 0:09:34 | 0:09:37 | |
# And as she looked and looked away | 0:09:37 | 0:09:41 | |
# I felt so hurt, I felt so small | 0:09:43 | 0:09:46 | |
# And it was all that I could say | 0:09:46 | 0:09:49 | |
# You don't remember me, do you? | 0:09:51 | 0:09:54 | |
# You don't remember me, do you? | 0:09:55 | 0:09:58 | |
# You don't remember me, do you? | 0:10:00 | 0:10:02 | |
# You don't remember me, do you? | 0:10:04 | 0:10:06 | |
# It started with a kiss | 0:10:08 | 0:10:12 | |
# Never thought it would come to this | 0:10:12 | 0:10:16 | |
# It started with a kiss | 0:10:17 | 0:10:21 | |
# Never thought it would come to this. # | 0:10:21 | 0:10:25 | |
CHEERING AND APPLAUSE | 0:10:30 | 0:10:33 | |
Hot Chocolate, It Started With A Kiss. | 0:10:33 | 0:10:35 | |
You notice the way they wash all the suits themselves, all shining white. | 0:10:35 | 0:10:38 | |
They've been down the launderette most of the afternoon. | 0:10:38 | 0:10:40 | |
Right, here's Cliff and The Only Way In Is The Only Way Out. | 0:10:40 | 0:10:43 | |
APPLAUSE | 0:10:43 | 0:10:46 | |
# Came a time in my life I had to be free | 0:10:51 | 0:10:55 | |
# From all the lies that used to be me | 0:10:55 | 0:10:59 | |
# And the only way out is the only way in | 0:10:59 | 0:11:03 | |
# And it's you | 0:11:03 | 0:11:06 | |
# I've been wasting my time | 0:11:08 | 0:11:10 | |
# But not any more | 0:11:10 | 0:11:12 | |
# I've been through the maze and it led to your door | 0:11:12 | 0:11:16 | |
# And the only way out is the only way in | 0:11:16 | 0:11:20 | |
# And it's you | 0:11:20 | 0:11:23 | |
# I spent a lot of time at the crossroads | 0:11:24 | 0:11:28 | |
# Getting that lonely feeling inside | 0:11:28 | 0:11:33 | |
# Suddenly, you stopped the rain, you changed the view | 0:11:33 | 0:11:38 | |
# Now everywhere's leading to you | 0:11:38 | 0:11:44 | |
# Let's get this thing going | 0:11:44 | 0:11:46 | |
# Let's move it along | 0:11:46 | 0:11:48 | |
# Let me do all the things I've been missing so long | 0:11:48 | 0:11:53 | |
# Cos the only way out is the only way in | 0:11:53 | 0:11:57 | |
# And it's you | 0:11:57 | 0:12:00 | |
# O-oh | 0:12:01 | 0:12:02 | |
# I spent a lot of time at the crossroads | 0:12:18 | 0:12:22 | |
# Getting that lonely feeling inside | 0:12:22 | 0:12:26 | |
# Suddenly, you made the rescue, you pulled me through | 0:12:26 | 0:12:32 | |
# Now let me do something for you | 0:12:32 | 0:12:36 | |
# Let's get this thing going | 0:12:36 | 0:12:38 | |
# Let's move it along | 0:12:38 | 0:12:40 | |
# Let's do all the things I've been missing so long | 0:12:40 | 0:12:44 | |
# And the only way out is the only way in | 0:12:44 | 0:12:48 | |
# And it's you | 0:12:48 | 0:12:51 | |
# Yeah, the only way out is the only way in | 0:12:53 | 0:12:57 | |
# And it's you | 0:12:57 | 0:12:59 | |
# Yeah, the only way out is the only way in | 0:13:01 | 0:13:05 | |
# And it's you | 0:13:05 | 0:13:08 | |
# Only way out | 0:13:15 | 0:13:17 | |
# Is the only way in | 0:13:19 | 0:13:21 | |
# The only way out | 0:13:23 | 0:13:25 | |
# Is the only way in | 0:13:27 | 0:13:30 | |
# Aah, ah-ah | 0:13:32 | 0:13:36 | |
# The only way in... # | 0:13:38 | 0:13:40 | |
CHEERING AND APPLAUSE | 0:13:40 | 0:13:41 | |
As it happens... Here, no, leave it out, leave it out. | 0:13:41 | 0:13:45 | |
Leave it out. No, as it happens, | 0:13:45 | 0:13:46 | |
a bunch of blokes come to me earlier in the dressing room | 0:13:46 | 0:13:48 | |
and said, "Terence can't introduce the next number. | 0:13:48 | 0:13:50 | |
"Is there any chance that you could do it?" | 0:13:50 | 0:13:52 | |
And it happens to be The Firm, and Arthur Daley, 'E's All Right. | 0:13:52 | 0:13:56 | |
CHEERING AND APPLAUSE | 0:13:56 | 0:13:58 | |
# All right, my son, say no more, leave it out, no problem | 0:14:00 | 0:14:02 | |
# As it 'appens, it's your shout | 0:14:02 | 0:14:03 | |
# Straight up, pull the other, in a right two and eight | 0:14:03 | 0:14:05 | |
# Hang about, what's the damage? 'Ere? Who's your mate? | 0:14:05 | 0:14:07 | |
# The geezer with the bunny in the trilby 'at | 0:14:07 | 0:14:09 | |
# Reckons he's legit but he ain't all that | 0:14:09 | 0:14:11 | |
# Arthur Daley, little dodgy maybe, but underneath | 0:14:11 | 0:14:14 | |
# 'E's all right | 0:14:14 | 0:14:15 | |
# Propping up the bar at the Winchester Club | 0:14:19 | 0:14:22 | |
# A VAT on the slate, please, Dave | 0:14:22 | 0:14:24 | |
# Terry's still looking for a sub | 0:14:24 | 0:14:26 | |
# Arthur's onto a nice little earner | 0:14:26 | 0:14:28 | |
# Terry's getting agg and the chance of an 'ernia | 0:14:28 | 0:14:30 | |
# Minding the disco down some boozer | 0:14:30 | 0:14:32 | |
# Giving him a slap but he's onto a loser | 0:14:32 | 0:14:34 | |
# Pound to a penny that he don't get paid | 0:14:34 | 0:14:36 | |
# On account of the recession in the used car motor trade | 0:14:36 | 0:14:38 | |
# All right, my son, say no more, leave it out | 0:14:40 | 0:14:43 | |
# No problem, as it 'appens, it's your shout | 0:14:43 | 0:14:44 | |
# Straight up, pull the other, in a right two and eight | 0:14:44 | 0:14:46 | |
# Hang about, what's the damage, chief? 'Ere? Who's your mate? | 0:14:46 | 0:14:49 | |
# The geezer with the bunny in the trilby 'at | 0:14:49 | 0:14:51 | |
# Reckons he's legit but he ain't all that | 0:14:51 | 0:14:52 | |
# Arthur Daley, little dodgy maybe, but underneath | 0:14:52 | 0:14:55 | |
# 'E's all right | 0:14:55 | 0:14:56 | |
# Terry's piling up the zeds | 0:14:59 | 0:15:01 | |
# Been up on the job all night | 0:15:01 | 0:15:03 | |
# When all of a sudden there's an 'orrible scream | 0:15:03 | 0:15:05 | |
# And somebody's switching on the light | 0:15:05 | 0:15:07 | |
# It's Arthur, Y-fronts caught in his zip | 0:15:07 | 0:15:09 | |
# Brahms and Liszt and he needs a place to kip | 0:15:09 | 0:15:11 | |
# Terry gets the 'ump with Arthur | 0:15:11 | 0:15:12 | |
# Cos he won't go home cos of 'er indoors | 0:15:12 | 0:15:14 | |
# "She'd kill me Terry, odds on bet | 0:15:14 | 0:15:16 | |
# "I ain't got the bottle, ain't you got that kettle on yet?" | 0:15:16 | 0:15:19 | |
# All right, my son, say no more, leave it out | 0:15:21 | 0:15:23 | |
# No problem, as it 'appens, it's your shout | 0:15:23 | 0:15:25 | |
# Straight up, pull the other, in a right two and eight | 0:15:25 | 0:15:27 | |
# Hang about, what's the damage, chief? 'Ere? Who's your mate? | 0:15:27 | 0:15:30 | |
# The geezer with the bunny in the trilby 'at | 0:15:30 | 0:15:31 | |
# Reckons he's legit but he ain't all that | 0:15:31 | 0:15:33 | |
# Arthur Daley, little dodgy maybe, but underneath | 0:15:33 | 0:15:36 | |
# 'E's all right | 0:15:39 | 0:15:40 | |
# Checking out his stock in the lock-up | 0:15:44 | 0:15:46 | |
# Arthur's havin' a fit | 0:15:46 | 0:15:47 | |
# 'Ere, where's them magazines with the 'erberts in the leather and the bird with a whip? | 0:15:47 | 0:15:51 | |
# "Do what?", says Terry, "Who rattled your cage? | 0:15:51 | 0:15:53 | |
# "You ought to be ashamed - a man of your age" | 0:15:53 | 0:15:55 | |
# Cheap jibe, Terence, try to understand | 0:15:55 | 0:15:57 | |
# Got a punter coming round gonna take em off me hands | 0:15:57 | 0:15:59 | |
# Got a part exchange, claret from Japan | 0:15:59 | 0:16:01 | |
# A vintage year, and he does 'em in five-gallon cans | 0:16:01 | 0:16:03 | |
# All right, my son, say no more, leave it out | 0:16:06 | 0:16:08 | |
# No problem, as it 'appens, it's your shout | 0:16:08 | 0:16:09 | |
# Straight up, pull the other, in a right two and eight | 0:16:09 | 0:16:12 | |
# Hang about, what's the damage, chief? 'Ere? Who's your mate? | 0:16:12 | 0:16:14 | |
# The geezer with the bunny in the trilby 'at | 0:16:14 | 0:16:16 | |
# Reckons he's legit but he ain't all that | 0:16:16 | 0:16:18 | |
# Arthur Daley, a little dodgy maybe, but underneath... # | 0:16:18 | 0:16:20 | |
He's all right, is Arthur. | 0:16:22 | 0:16:24 | |
So, he's got a couple of Nelson Riddles going. Who ain't? | 0:16:24 | 0:16:27 | |
Don't make you a villain, do it? | 0:16:27 | 0:16:29 | |
And he sells the odd dodgy motor now and then. | 0:16:29 | 0:16:31 | |
Well, it ain't a crime, is it? | 0:16:31 | 0:16:33 | |
Well, yeah, it's a crime, yeah, technically. | 0:16:33 | 0:16:35 | |
But it's a bit under the arm the way the HI done sit on his daily | 0:16:35 | 0:16:38 | |
giving him GBH on the earhole all the time. | 0:16:38 | 0:16:40 | |
I mean, just cos he happens to have done a bit of bird for petty | 0:16:40 | 0:16:43 | |
when he was a saucepan. | 0:16:43 | 0:16:44 | |
He ought to do them for inflammation of character, I reckon. | 0:16:44 | 0:16:47 | |
You know what Chisholm said? | 0:16:47 | 0:16:48 | |
He said, "I know how Arthur Daley'll die." | 0:16:48 | 0:16:50 | |
I said, "How's that?" | 0:16:50 | 0:16:52 | |
He said "He'll fall off the back of a lorry." Bit strong... | 0:16:52 | 0:16:54 | |
CHEERING AND APPLAUSE | 0:16:54 | 0:16:56 | |
Well, it's... It's not a crime to have a record in the charts, is it? | 0:16:57 | 0:17:01 | |
Well, I suppose, yeah, I mean, | 0:17:01 | 0:17:02 | |
technically, it is a crime to have a record in the charts. | 0:17:02 | 0:17:04 | |
Right now, here are the charts from 30 to number 20. | 0:17:04 | 0:17:07 | |
At number 30, Captain Sensible and Happy Talk. | 0:17:08 | 0:17:12 | |
At 29, Lynyrd Skynyrd's Free Bird. | 0:17:12 | 0:17:15 | |
A new entry at 28, Arthur Daley, 'E's All Right, from The Firm. | 0:17:16 | 0:17:19 | |
Another new entry at 27, Donna Summer and Love Is In Control. | 0:17:19 | 0:17:23 | |
No Regrets, Midge Ure, is at 26. | 0:17:23 | 0:17:25 | |
And up at number 25, Junior and Too Late. | 0:17:26 | 0:17:28 | |
Another one on the way up, | 0:17:29 | 0:17:30 | |
Chalk Dust: The Umpire Strikes Back from The Brat is at 24. | 0:17:30 | 0:17:33 | |
And a new entry at 23, The Belle Stars and The Clapping Song. | 0:17:33 | 0:17:36 | |
Murphy's Law from Cheri is at number 22. | 0:17:36 | 0:17:40 | |
And 21, Natasha's Iko Iko. | 0:17:40 | 0:17:42 | |
Another record on the way up is Paul McCartney, | 0:17:43 | 0:17:46 | |
and here he is with his new single, Take It Away. | 0:17:46 | 0:17:48 | |
APPLAUSE | 0:17:48 | 0:17:50 | |
# Take it away | 0:18:05 | 0:18:07 | |
# Want to hear you play till the lights go down | 0:18:07 | 0:18:10 | |
# Take it away | 0:18:12 | 0:18:14 | |
# Don't you want to stay till there's no-one else around? | 0:18:14 | 0:18:18 | |
# Take it away | 0:18:21 | 0:18:23 | |
# Want to hear you play till the lights go down | 0:18:23 | 0:18:27 | |
# Take it away | 0:18:28 | 0:18:30 | |
# Don't you want to stay till there's no-one else around? | 0:18:30 | 0:18:35 | |
# Lonely driver | 0:18:38 | 0:18:40 | |
# Out on the road | 0:18:41 | 0:18:43 | |
# With a hundred miles to go | 0:18:45 | 0:18:49 | |
# Sole survivor | 0:18:52 | 0:18:54 | |
# Carrying the load | 0:18:56 | 0:18:57 | |
# Switches on his radio | 0:18:59 | 0:19:03 | |
# Take it away | 0:19:04 | 0:19:06 | |
# Want to hear you play till the lights go down | 0:19:06 | 0:19:10 | |
# Down, down | 0:19:10 | 0:19:11 | |
# Take it away | 0:19:11 | 0:19:13 | |
# Don't you want to stay till there's no-one else around? | 0:19:13 | 0:19:17 | |
# Take it away | 0:19:20 | 0:19:22 | |
# Want to hear you play till the lights go down | 0:19:22 | 0:19:26 | |
# Down, down | 0:19:26 | 0:19:27 | |
# Take it away | 0:19:27 | 0:19:29 | |
# Don't you want to stay till there's no-one else around? | 0:19:29 | 0:19:34 | |
# In the audience | 0:19:36 | 0:19:39 | |
# Watching the show | 0:19:40 | 0:19:42 | |
# With a paper in his hand | 0:19:44 | 0:19:47 | |
# In his hand, in his hand | 0:19:47 | 0:19:50 | |
# Some important impresario | 0:19:51 | 0:19:57 | |
# Has a message for the band | 0:19:58 | 0:20:02 | |
# Oh | 0:20:02 | 0:20:04 | |
# Take it away | 0:20:04 | 0:20:06 | |
# Want to hear you play till the lights go down | 0:20:06 | 0:20:10 | |
# Down, down | 0:20:10 | 0:20:12 | |
# Take it away | 0:20:12 | 0:20:14 | |
# Don't you want to stay till there's no-one else around? | 0:20:14 | 0:20:18 | |
# Never know who may be listening to you | 0:20:20 | 0:20:24 | |
# Never know who may be listening to you | 0:20:24 | 0:20:27 | |
# You never know who may be listening to you | 0:20:27 | 0:20:33 | |
# Take it away Take it away | 0:20:34 | 0:20:37 | |
# After hours | 0:20:39 | 0:20:41 | |
# Late in the bar | 0:20:43 | 0:20:44 | |
# By a darkened corner seat | 0:20:47 | 0:20:50 | |
# Faded flowers | 0:20:53 | 0:20:57 | |
# Wade in the jar | 0:20:57 | 0:20:59 | |
# Till the evening is complete. # | 0:21:01 | 0:21:05 | |
CHEERING AND APPLAUSE | 0:21:40 | 0:21:44 | |
Paul McCartney, who first charted with The Beatles 20 years ago, | 0:21:44 | 0:21:47 | |
and Take It Away. Right now, | 0:21:47 | 0:21:48 | |
here are the charts from number 19 to number 11. | 0:21:48 | 0:21:50 | |
Up at 19, Strange Little Girl from The Stranglers. | 0:21:52 | 0:21:55 | |
And at 18, Imagination's Music And Lights. | 0:21:55 | 0:21:59 | |
On the way up at 17, David and Therese, Dollar and Videotheque. | 0:21:59 | 0:22:02 | |
At 16, Bucks Fizz and Now Those Days Are Gone. | 0:22:02 | 0:22:06 | |
Me And My Girl Nightclubbing, David Essex, | 0:22:06 | 0:22:08 | |
that's gone up to number 15. | 0:22:08 | 0:22:09 | |
Another one going in the same direction, | 0:22:09 | 0:22:11 | |
Cliff Richard and The Only Way Out. | 0:22:11 | 0:22:13 | |
Odyssey, Inside Out, is at 13. | 0:22:13 | 0:22:15 | |
And up to number 12, Night Train from Visage. | 0:22:16 | 0:22:20 | |
Kid Creole And The Coconuts, Stool Pigeon, is at number 11, | 0:22:20 | 0:22:22 | |
and right now we go back to number 15 | 0:22:22 | 0:22:25 | |
for David Essex and Me And My Girl Nightclubbing. | 0:22:25 | 0:22:28 | |
CHEERING AND APPLAUSE | 0:22:28 | 0:22:30 | |
# Please get dressed, wear something flashy | 0:22:45 | 0:22:48 | |
# Trip the light fantastic and we're on our way | 0:22:48 | 0:22:53 | |
# Too much work make Jack such a sad boy | 0:22:53 | 0:22:57 | |
# Now we're coming out to play | 0:22:57 | 0:23:01 | |
# Me and my girl, nightclubbing | 0:23:01 | 0:23:05 | |
# Me and my girl, out on the town | 0:23:05 | 0:23:09 | |
# Me and my girl, nightclubbing | 0:23:09 | 0:23:13 | |
# Me and my girl, out and about | 0:23:13 | 0:23:16 | |
# Oh, the sweet feeling of dancing close together | 0:23:19 | 0:23:22 | |
# And the heavy, heavy sound of pop music | 0:23:22 | 0:23:27 | |
# Teenage hero, fashion dummy, weirdo | 0:23:27 | 0:23:31 | |
# I like your pink lipstick | 0:23:31 | 0:23:35 | |
# Me and my girl, nightclubbing | 0:23:35 | 0:23:39 | |
# Me and my girl, out on the town | 0:23:39 | 0:23:43 | |
# Me and my girl, nightclubbing | 0:23:43 | 0:23:47 | |
# Me and my girl, out and about | 0:23:47 | 0:23:50 | |
# Don't tell me 'bout Monday mornings | 0:23:51 | 0:23:55 | |
# Don't tell me 'bout life outside | 0:23:55 | 0:23:59 | |
# Don't tell me 'bout Monday mornings | 0:23:59 | 0:24:03 | |
# Do me a favour and take a ride | 0:24:03 | 0:24:07 | |
# Me and my girl, nightclubbing | 0:24:07 | 0:24:11 | |
# Me and my girl, out on the town | 0:24:11 | 0:24:15 | |
# Me and my girl, nightclubbing | 0:24:15 | 0:24:19 | |
# Me and my girl, putting it about | 0:24:19 | 0:24:23 | |
# Out on the town, let me take you | 0:24:38 | 0:24:41 | |
# Nightclubbing | 0:24:41 | 0:24:42 | |
# I want to be seen with you | 0:24:42 | 0:24:45 | |
# Out on the town | 0:24:45 | 0:24:46 | |
# Out on the town, let me take you | 0:24:46 | 0:24:49 | |
# Nightclubbing | 0:24:49 | 0:24:50 | |
# Dancing the whole night through | 0:24:50 | 0:24:53 | |
# Out and about | 0:24:53 | 0:24:54 | |
-# Out on the town, let me take you -Me and my girl | 0:24:54 | 0:24:57 | |
# Night clubbing | 0:24:57 | 0:24:58 | |
-# I want to be seen with you -Me and my girl | 0:24:58 | 0:25:01 | |
# Out on the town | 0:25:01 | 0:25:02 | |
-# Out on the town, let me take you -Me and my girl | 0:25:02 | 0:25:05 | |
# We nightclubbing | 0:25:05 | 0:25:06 | |
-# Dancing the whole night through -Me and my girl | 0:25:06 | 0:25:09 | |
# Out and about | 0:25:09 | 0:25:10 | |
# Out on the town, let me take you... # | 0:25:10 | 0:25:13 | |
CHEERING AND APPLAUSE | 0:25:13 | 0:25:16 | |
The filthy stop-outs! David Essex and Me And My Girl Nightclubbing. | 0:25:18 | 0:25:22 | |
Here are the charts from ten to two. | 0:25:22 | 0:25:24 | |
Shalamar are at number ten with A Night To Remember. | 0:25:24 | 0:25:28 | |
Up at nine, Japan and I Second That Emotion. | 0:25:28 | 0:25:31 | |
Steve Miller Band, Abracadabra, is at eight. | 0:25:31 | 0:25:35 | |
And up at number seven, Hot Chocolate, It Started With A Kiss. | 0:25:35 | 0:25:38 | |
Shy Boy from Bananarama is at number six this week | 0:25:38 | 0:25:41 | |
and at number five, it's Trio and Da Da Da. | 0:25:41 | 0:25:45 | |
Up at four, Driving In My Car from Madness. | 0:25:45 | 0:25:49 | |
Yazoo's Don't Go is up at three. | 0:25:49 | 0:25:51 | |
Also heading in the right direction, | 0:25:52 | 0:25:54 | |
Come On Eileen, Dexy's Midnight Runners at number two. | 0:25:54 | 0:25:57 | |
That's it from Top Of The Pops this week. | 0:25:57 | 0:25:59 | |
Third week running at number one, Fame and Irene Cara. | 0:25:59 | 0:26:01 | |
Next week, on Top Of The Pops, it's David Jensen and he'll see you then. | 0:26:01 | 0:26:05 | |
Goodnight. | 0:26:05 | 0:26:06 | |
AUDIENCE CLAPS IN TUNE | 0:26:06 | 0:26:09 | |
# Baby, look at me | 0:26:19 | 0:26:22 | |
# And tell me what you see | 0:26:22 | 0:26:25 | |
# You ain't seen the best of me yet | 0:26:25 | 0:26:29 | |
# Give me time, I'll make you forget the rest | 0:26:29 | 0:26:34 | |
# I got more in me | 0:26:34 | 0:26:37 | |
# And you can set it free | 0:26:37 | 0:26:40 | |
# I can catch the moon in my hand | 0:26:40 | 0:26:44 | |
# Don't you know who I am? | 0:26:44 | 0:26:46 | |
-# Remember my name -Fame! | 0:26:46 | 0:26:49 | |
# I'm gonna live forever | 0:26:49 | 0:26:53 | |
-# I'm gonna learn how to fly -High! | 0:26:53 | 0:26:56 | |
# I feel it comin' together | 0:26:56 | 0:27:00 | |
-# People will see me and die -Fame! | 0:27:00 | 0:27:04 | |
# I'm gonna make it to heaven | 0:27:04 | 0:27:07 | |
-# Light up the sky like a flame -Fame! | 0:27:07 | 0:27:11 | |
# I'm gonna live forever | 0:27:11 | 0:27:14 | |
# Baby, remember my name | 0:27:14 | 0:27:17 | |
# Remember, remember, remember | 0:27:17 | 0:27:20 | |
# Remember, remember, remember, remember | 0:27:20 | 0:27:24 | |
# Baby, hold me tight | 0:27:40 | 0:27:43 | |
# Cos you can make it right | 0:27:43 | 0:27:46 | |
# You can shoot me straight to the top | 0:27:46 | 0:27:50 | |
# Give me love and take all I got to give | 0:27:50 | 0:27:54 | |
# Baby, I'll be tough | 0:27:54 | 0:27:58 | |
# Too much is not enough | 0:27:58 | 0:28:01 | |
# No, I can ride your heart till it breaks | 0:28:01 | 0:28:04 | |
# Ooh, I got what it takes | 0:28:04 | 0:28:09 | |
# Fame | 0:28:09 | 0:28:10 | |
# I'm gonna live forever | 0:28:10 | 0:28:14 | |
-# I'm gonna learn how to fly -High | 0:28:14 | 0:28:17 | |
# I feel it coming together | 0:28:17 | 0:28:21 | |
# People will see me and die | 0:28:21 | 0:28:23 | |
# Fame | 0:28:23 | 0:28:25 | |
# I'm gonna make it to heaven | 0:28:25 | 0:28:28 | |
-# Light up the sky like a flame -Fame! | 0:28:28 | 0:28:32 | |
# I'm gonna live forever | 0:28:32 | 0:28:35 | |
# Baby, remember my... | 0:28:35 | 0:28:37 | |
# Remember, remember, remember, remember | 0:28:37 | 0:28:42 | |
# Remember, remember, remember | 0:28:42 | 0:28:44 | |
# Fame | 0:29:00 | 0:29:01 | |
# I'm gonna make it to heaven | 0:29:01 | 0:29:05 | |
-# Light up the sky like a flame -Fame! | 0:29:05 | 0:29:08 | |
# I'm gonna live forever | 0:29:08 | 0:29:12 | |
# Baby, remember my name | 0:29:12 | 0:29:15 | |
# Remember, remember, remember, remember | 0:29:15 | 0:29:18 | |
# Remember, remember, remember | 0:29:18 | 0:29:20 | |
-# Remember -Remember my name | 0:29:20 | 0:29:22 | |
-# Fame -I'm gonna live forever... # | 0:29:22 | 0:29:26 | |
APPLAUSE | 0:29:26 | 0:29:28 |