29/07/1982 Top of the Pops


29/07/1982

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CHEERING AND APPLAUSE

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Hello, gang. Welcome to Top Of The Pops.

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Terrific show lined up for you tonight. Lots and lots of fab

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artists, starting off with Dexy's Midnight Runners and Come On Eileen.

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# Come on, Eileen!

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# Poor old Johnny Ray

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# Sounded sad upon the radio

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# Moved a million hearts in mono

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# Our mothers cried

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# Sang along, who'd blame them?

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# You've grown, so grown

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# Now I must say more than ever

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# Come on, Eileen

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# Too-ra-loo-ra, too-ra-loo-rye-ay

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# And we can sing just like our fathers

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment you mean everything

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# You in that dress

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# My thoughts, I confess

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# Verge on dirty

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# Oh, come on, Eileen

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# Come on, Eileen

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# These people round here

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# Wear beaten-down eyes sunk in smoke-dried faces

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# So resigned to what their fate is

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-# But not us

-No, never

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-# But not us

-Not ever

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# We are far too young and clever

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# Remember

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# Too-ra-loo-ra, too-ra-loo-rye-ay

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# And you'll hum this tune forever

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# Ah, come on, let's

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# Take off everything

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# That pretty red dress

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-# Eileen

-Tell him yes

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# Ah, come on, let's

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# Ah, come on, Eileen

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# Come on

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# Eileen, too-loo-rye-ay

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# Come on, Eileen, too-loo-rye

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# Now you're full grown

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# Now you have shown

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# Oh, Eileen

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# Say, come on, Eileen

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-# These things, they are real

-Come on, Eileen, too-loo-rye-ay

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-# And I know how you feel

-Come on, Eileen, too-loo-rye

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# Now I must say more than ever

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# Things round here have changed

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# I say, too-ra-loo-ra, too-ra-loo-rye-ay

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# Too-ra too-ra too-loo-ra

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment you mean everything

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# You in that dress

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# My thoughts, I confess, verge on dirty

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# Ah, come on, Eileen

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# Come on, Eileen

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-# Oh, I swear

-What he means

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# At this moment... #

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APPLAUSE

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Dexy's Midnight Runners and Come On Eileen from the album which is

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released this week, Too-Rye-Ay. They're at number two

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and number three, breathing right down their necks,

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Yazoo and Don't Go.

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CHEERING AND APPLAUSE

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# Came in from the city

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# Walked into the door

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# I turned around when I heard the sound of footsteps on the floor

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# Love just like addiction

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# Now I'm hooked on you

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# I need some time to get it right

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# Your love's gonna see me through

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Oh, baby, make your mind up

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# Give me what you got

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# Fix me with your loving, shut the door and turn the lock

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# Hey, go get the doctor

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# Doctor came too late

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# Another night I feel all right

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# My love for you can't wait

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Came in from the city

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# Walked into the door

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# I turned around when I heard the sound of footsteps on the floor

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# Said he was a killer

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# Now I know it's true

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# I'm dead when you walk out the door

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# Hey, babe, I'm hooked on you

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Can't stop now Don't you know?

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# I ain't never gonna let you go

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# Don't go

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# Don't go. #

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CHEERING AND APPLAUSE

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Yazoo and Don't Go.

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Hot Chocolate haven't missed a year in the charts since 1970.

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It's now, as you know, 1982, and here's It Started With A Kiss.

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# It started with a kiss

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# In the back row of the classroom

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# How could I resist

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# The aroma of your perfume?

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# You and I were inseparable

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# It was love at first sight

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# You made me promise to marry you

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# I made you promise to be my wife

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# But then

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# You were only eight years old

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-# And I had just about turned nine

-Just about turned nine

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# I thought that life was always good

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# I thought you always would be mine

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# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this

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# I remember every little thing

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# Like fighting in the playground

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# Cos some good-looking boy

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# Had started to hang around

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# That boy hurt me so bad

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# But I was happy cos you cried

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# Still

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# I couldn't help but notice that new distant look in your eyes

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# And then, when you were 16

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-# And I had just turned 17

-Just turned 17

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# I couldn't hold on to your love

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# I couldn't hold on to my dream

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# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this

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# You don't remember me, do you?

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# You don't remember me, do you?

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# Walking down the street

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# Came the star of my love story

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# And my heart began to beat so fast

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# So clear was my memory

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# I heard my voice cry out her name

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# And as she looked and looked away

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# I felt so hurt, I felt so small

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# And it was all that I could say

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# You don't remember me, do you?

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# You don't remember me, do you?

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# You don't remember me, do you?

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# You don't remember me, do you?

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# It started with a kiss

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# Never thought it would come to this

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# It started with a kiss

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# Never thought it would come to this. #

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CHEERING AND APPLAUSE

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Hot Chocolate, It Started With A Kiss.

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You notice the way they wash all the suits themselves, all shining white.

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They've been down the launderette most of the afternoon.

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Right, here's Cliff and The Only Way In Is The Only Way Out.

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APPLAUSE

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# Came a time in my life I had to be free

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# From all the lies that used to be me

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# And the only way out is the only way in

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# And it's you

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# I've been wasting my time

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# But not any more

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# I've been through the maze and it led to your door

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# And the only way out is the only way in

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# And it's you

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# I spent a lot of time at the crossroads

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# Getting that lonely feeling inside

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# Suddenly, you stopped the rain, you changed the view

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# Now everywhere's leading to you

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# Let's get this thing going

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# Let's move it along

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# Let me do all the things I've been missing so long

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# Cos the only way out is the only way in

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# And it's you

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# O-oh

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# I spent a lot of time at the crossroads

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# Getting that lonely feeling inside

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# Suddenly, you made the rescue, you pulled me through

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# Now let me do something for you

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# Let's get this thing going

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# Let's move it along

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# Let's do all the things I've been missing so long

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# And the only way out is the only way in

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# And it's you

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# Yeah, the only way out is the only way in

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# And it's you

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# Yeah, the only way out is the only way in

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# And it's you

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# Only way out

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# Is the only way in

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# The only way out

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# Is the only way in

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# Aah, ah-ah

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# The only way in... #

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CHEERING AND APPLAUSE

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As it happens... Here, no, leave it out, leave it out.

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Leave it out. No, as it happens,

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a bunch of blokes come to me earlier in the dressing room

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and said, "Terence can't introduce the next number.

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"Is there any chance that you could do it?"

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And it happens to be The Firm, and Arthur Daley, 'E's All Right.

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CHEERING AND APPLAUSE

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# All right, my son, say no more, leave it out, no problem

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# As it 'appens, it's your shout

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# Straight up, pull the other, in a right two and eight

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# Hang about, what's the damage? 'Ere? Who's your mate?

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# The geezer with the bunny in the trilby 'at

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# Reckons he's legit but he ain't all that

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# Arthur Daley, little dodgy maybe, but underneath

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# 'E's all right

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# Propping up the bar at the Winchester Club

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# A VAT on the slate, please, Dave

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# Terry's still looking for a sub

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# Arthur's onto a nice little earner

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# Terry's getting agg and the chance of an 'ernia

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# Minding the disco down some boozer

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# Giving him a slap but he's onto a loser

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# Pound to a penny that he don't get paid

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# On account of the recession in the used car motor trade

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# All right, my son, say no more, leave it out

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# No problem, as it 'appens, it's your shout

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# Straight up, pull the other, in a right two and eight

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# Hang about, what's the damage, chief? 'Ere? Who's your mate?

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# The geezer with the bunny in the trilby 'at

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# Reckons he's legit but he ain't all that

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# Arthur Daley, little dodgy maybe, but underneath

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# 'E's all right

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# Terry's piling up the zeds

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# Been up on the job all night

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# When all of a sudden there's an 'orrible scream

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# And somebody's switching on the light

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# It's Arthur, Y-fronts caught in his zip

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# Brahms and Liszt and he needs a place to kip

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# Terry gets the 'ump with Arthur

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# Cos he won't go home cos of 'er indoors

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# "She'd kill me Terry, odds on bet

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# "I ain't got the bottle, ain't you got that kettle on yet?"

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# All right, my son, say no more, leave it out

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# No problem, as it 'appens, it's your shout

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# Straight up, pull the other, in a right two and eight

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# Hang about, what's the damage, chief? 'Ere? Who's your mate?

0:15:270:15:30

# The geezer with the bunny in the trilby 'at

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# Reckons he's legit but he ain't all that

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# Arthur Daley, little dodgy maybe, but underneath

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# 'E's all right

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# Checking out his stock in the lock-up

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# Arthur's havin' a fit

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# 'Ere, where's them magazines with the 'erberts in the leather and the bird with a whip?

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# "Do what?", says Terry, "Who rattled your cage?

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# "You ought to be ashamed - a man of your age"

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# Cheap jibe, Terence, try to understand

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# Got a punter coming round gonna take em off me hands

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# Got a part exchange, claret from Japan

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# A vintage year, and he does 'em in five-gallon cans

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# All right, my son, say no more, leave it out

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# No problem, as it 'appens, it's your shout

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# Straight up, pull the other, in a right two and eight

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# Hang about, what's the damage, chief? 'Ere? Who's your mate?

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# The geezer with the bunny in the trilby 'at

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# Reckons he's legit but he ain't all that

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# Arthur Daley, a little dodgy maybe, but underneath... #

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He's all right, is Arthur.

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So, he's got a couple of Nelson Riddles going. Who ain't?

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Don't make you a villain, do it?

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And he sells the odd dodgy motor now and then.

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Well, it ain't a crime, is it?

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Well, yeah, it's a crime, yeah, technically.

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But it's a bit under the arm the way the HI done sit on his daily

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giving him GBH on the earhole all the time.

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I mean, just cos he happens to have done a bit of bird for petty

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when he was a saucepan.

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He ought to do them for inflammation of character, I reckon.

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You know what Chisholm said?

0:16:470:16:48

He said, "I know how Arthur Daley'll die."

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I said, "How's that?"

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He said "He'll fall off the back of a lorry." Bit strong...

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CHEERING AND APPLAUSE

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Well, it's... It's not a crime to have a record in the charts, is it?

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Well, I suppose, yeah, I mean,

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technically, it is a crime to have a record in the charts.

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Right now, here are the charts from 30 to number 20.

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At number 30, Captain Sensible and Happy Talk.

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At 29, Lynyrd Skynyrd's Free Bird.

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A new entry at 28, Arthur Daley, 'E's All Right, from The Firm.

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Another new entry at 27, Donna Summer and Love Is In Control.

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No Regrets, Midge Ure, is at 26.

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And up at number 25, Junior and Too Late.

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Another one on the way up,

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Chalk Dust: The Umpire Strikes Back from The Brat is at 24.

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And a new entry at 23, The Belle Stars and The Clapping Song.

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Murphy's Law from Cheri is at number 22.

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And 21, Natasha's Iko Iko.

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Another record on the way up is Paul McCartney,

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and here he is with his new single, Take It Away.

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APPLAUSE

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# Take it away

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# Want to hear you play till the lights go down

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# Take it away

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# Don't you want to stay till there's no-one else around?

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# Take it away

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# Want to hear you play till the lights go down

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# Take it away

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# Don't you want to stay till there's no-one else around?

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# Lonely driver

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# Out on the road

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# With a hundred miles to go

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# Sole survivor

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# Carrying the load

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# Switches on his radio

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# Take it away

0:19:040:19:06

# Want to hear you play till the lights go down

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# Down, down

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# Take it away

0:19:110:19:13

# Don't you want to stay till there's no-one else around?

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# Take it away

0:19:200:19:22

# Want to hear you play till the lights go down

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# Down, down

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# Take it away

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# Don't you want to stay till there's no-one else around?

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# In the audience

0:19:360:19:39

# Watching the show

0:19:400:19:42

# With a paper in his hand

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# In his hand, in his hand

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# Some important impresario

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# Has a message for the band

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# Oh

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# Take it away

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# Want to hear you play till the lights go down

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# Down, down

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# Take it away

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# Don't you want to stay till there's no-one else around?

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# Never know who may be listening to you

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# Never know who may be listening to you

0:20:240:20:27

# You never know who may be listening to you

0:20:270:20:33

# Take it away Take it away

0:20:340:20:37

# After hours

0:20:390:20:41

# Late in the bar

0:20:430:20:44

# By a darkened corner seat

0:20:470:20:50

# Faded flowers

0:20:530:20:57

# Wade in the jar

0:20:570:20:59

# Till the evening is complete. #

0:21:010:21:05

CHEERING AND APPLAUSE

0:21:400:21:44

Paul McCartney, who first charted with The Beatles 20 years ago,

0:21:440:21:47

and Take It Away. Right now,

0:21:470:21:48

here are the charts from number 19 to number 11.

0:21:480:21:50

Up at 19, Strange Little Girl from The Stranglers.

0:21:520:21:55

And at 18, Imagination's Music And Lights.

0:21:550:21:59

On the way up at 17, David and Therese, Dollar and Videotheque.

0:21:590:22:02

At 16, Bucks Fizz and Now Those Days Are Gone.

0:22:020:22:06

Me And My Girl Nightclubbing, David Essex,

0:22:060:22:08

that's gone up to number 15.

0:22:080:22:09

Another one going in the same direction,

0:22:090:22:11

Cliff Richard and The Only Way Out.

0:22:110:22:13

Odyssey, Inside Out, is at 13.

0:22:130:22:15

And up to number 12, Night Train from Visage.

0:22:160:22:20

Kid Creole And The Coconuts, Stool Pigeon, is at number 11,

0:22:200:22:22

and right now we go back to number 15

0:22:220:22:25

for David Essex and Me And My Girl Nightclubbing.

0:22:250:22:28

CHEERING AND APPLAUSE

0:22:280:22:30

# Please get dressed, wear something flashy

0:22:450:22:48

# Trip the light fantastic and we're on our way

0:22:480:22:53

# Too much work make Jack such a sad boy

0:22:530:22:57

# Now we're coming out to play

0:22:570:23:01

# Me and my girl, nightclubbing

0:23:010:23:05

# Me and my girl, out on the town

0:23:050:23:09

# Me and my girl, nightclubbing

0:23:090:23:13

# Me and my girl, out and about

0:23:130:23:16

# Oh, the sweet feeling of dancing close together

0:23:190:23:22

# And the heavy, heavy sound of pop music

0:23:220:23:27

# Teenage hero, fashion dummy, weirdo

0:23:270:23:31

# I like your pink lipstick

0:23:310:23:35

# Me and my girl, nightclubbing

0:23:350:23:39

# Me and my girl, out on the town

0:23:390:23:43

# Me and my girl, nightclubbing

0:23:430:23:47

# Me and my girl, out and about

0:23:470:23:50

# Don't tell me 'bout Monday mornings

0:23:510:23:55

# Don't tell me 'bout life outside

0:23:550:23:59

# Don't tell me 'bout Monday mornings

0:23:590:24:03

# Do me a favour and take a ride

0:24:030:24:07

# Me and my girl, nightclubbing

0:24:070:24:11

# Me and my girl, out on the town

0:24:110:24:15

# Me and my girl, nightclubbing

0:24:150:24:19

# Me and my girl, putting it about

0:24:190:24:23

# Out on the town, let me take you

0:24:380:24:41

# Nightclubbing

0:24:410:24:42

# I want to be seen with you

0:24:420:24:45

# Out on the town

0:24:450:24:46

# Out on the town, let me take you

0:24:460:24:49

# Nightclubbing

0:24:490:24:50

# Dancing the whole night through

0:24:500:24:53

# Out and about

0:24:530:24:54

-# Out on the town, let me take you

-Me and my girl

0:24:540:24:57

# Night clubbing

0:24:570:24:58

-# I want to be seen with you

-Me and my girl

0:24:580:25:01

# Out on the town

0:25:010:25:02

-# Out on the town, let me take you

-Me and my girl

0:25:020:25:05

# We nightclubbing

0:25:050:25:06

-# Dancing the whole night through

-Me and my girl

0:25:060:25:09

# Out and about

0:25:090:25:10

# Out on the town, let me take you... #

0:25:100:25:13

CHEERING AND APPLAUSE

0:25:130:25:16

The filthy stop-outs! David Essex and Me And My Girl Nightclubbing.

0:25:180:25:22

Here are the charts from ten to two.

0:25:220:25:24

Shalamar are at number ten with A Night To Remember.

0:25:240:25:28

Up at nine, Japan and I Second That Emotion.

0:25:280:25:31

Steve Miller Band, Abracadabra, is at eight.

0:25:310:25:35

And up at number seven, Hot Chocolate, It Started With A Kiss.

0:25:350:25:38

Shy Boy from Bananarama is at number six this week

0:25:380:25:41

and at number five, it's Trio and Da Da Da.

0:25:410:25:45

Up at four, Driving In My Car from Madness.

0:25:450:25:49

Yazoo's Don't Go is up at three.

0:25:490:25:51

Also heading in the right direction,

0:25:520:25:54

Come On Eileen, Dexy's Midnight Runners at number two.

0:25:540:25:57

That's it from Top Of The Pops this week.

0:25:570:25:59

Third week running at number one, Fame and Irene Cara.

0:25:590:26:01

Next week, on Top Of The Pops, it's David Jensen and he'll see you then.

0:26:010:26:05

Goodnight.

0:26:050:26:06

AUDIENCE CLAPS IN TUNE

0:26:060:26:09

# Baby, look at me

0:26:190:26:22

# And tell me what you see

0:26:220:26:25

# You ain't seen the best of me yet

0:26:250:26:29

# Give me time, I'll make you forget the rest

0:26:290:26:34

# I got more in me

0:26:340:26:37

# And you can set it free

0:26:370:26:40

# I can catch the moon in my hand

0:26:400:26:44

# Don't you know who I am?

0:26:440:26:46

-# Remember my name

-Fame!

0:26:460:26:49

# I'm gonna live forever

0:26:490:26:53

-# I'm gonna learn how to fly

-High!

0:26:530:26:56

# I feel it comin' together

0:26:560:27:00

-# People will see me and die

-Fame!

0:27:000:27:04

# I'm gonna make it to heaven

0:27:040:27:07

-# Light up the sky like a flame

-Fame!

0:27:070:27:11

# I'm gonna live forever

0:27:110:27:14

# Baby, remember my name

0:27:140:27:17

# Remember, remember, remember

0:27:170:27:20

# Remember, remember, remember, remember

0:27:200:27:24

# Baby, hold me tight

0:27:400:27:43

# Cos you can make it right

0:27:430:27:46

# You can shoot me straight to the top

0:27:460:27:50

# Give me love and take all I got to give

0:27:500:27:54

# Baby, I'll be tough

0:27:540:27:58

# Too much is not enough

0:27:580:28:01

# No, I can ride your heart till it breaks

0:28:010:28:04

# Ooh, I got what it takes

0:28:040:28:09

# Fame

0:28:090:28:10

# I'm gonna live forever

0:28:100:28:14

-# I'm gonna learn how to fly

-High

0:28:140:28:17

# I feel it coming together

0:28:170:28:21

# People will see me and die

0:28:210:28:23

# Fame

0:28:230:28:25

# I'm gonna make it to heaven

0:28:250:28:28

-# Light up the sky like a flame

-Fame!

0:28:280:28:32

# I'm gonna live forever

0:28:320:28:35

# Baby, remember my...

0:28:350:28:37

# Remember, remember, remember, remember

0:28:370:28:42

# Remember, remember, remember

0:28:420:28:44

# Fame

0:29:000:29:01

# I'm gonna make it to heaven

0:29:010:29:05

-# Light up the sky like a flame

-Fame!

0:29:050:29:08

# I'm gonna live forever

0:29:080:29:12

# Baby, remember my name

0:29:120:29:15

# Remember, remember, remember, remember

0:29:150:29:18

# Remember, remember, remember

0:29:180:29:20

-# Remember

-Remember my name

0:29:200:29:22

-# Fame

-I'm gonna live forever... #

0:29:220:29:26

APPLAUSE

0:29:260:29:28

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