Browse content similar to 29/10/1981. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
Thursday night on BBC One, welcome to Top Of The Pops, | 0:00:16 | 0:00:18 | |
and also welcome to Clare, a movie star and a pop star, | 0:00:18 | 0:00:20 | |
-with Altered Images, over here. -APPLAUSE | 0:00:20 | 0:00:23 | |
# Happy birthday, happy birthday | 0:00:25 | 0:00:29 | |
# Happy birthday, happy birthday | 0:00:30 | 0:00:34 | |
# Happy birthday, happy birthday | 0:00:37 | 0:00:41 | |
# Happy, happy birthday, in a hot bath | 0:00:49 | 0:00:52 | |
# To those nice, nice nights | 0:00:52 | 0:00:55 | |
# I remember always, always | 0:00:55 | 0:00:58 | |
# I got such a fright | 0:00:58 | 0:01:01 | |
# Seeing them in my dark cupboard | 0:01:01 | 0:01:04 | |
# With my great big cake | 0:01:04 | 0:01:07 | |
# If they were me, if they were me | 0:01:07 | 0:01:10 | |
# And I was you, and I was you | 0:01:10 | 0:01:13 | |
# If they were me, if they were me | 0:01:13 | 0:01:16 | |
# And I was you, and I was you | 0:01:16 | 0:01:19 | |
# If they were me and I was you, would you have liked a present too? | 0:01:19 | 0:01:25 | |
# Happy, happy birthday, in a hot bath | 0:01:31 | 0:01:35 | |
# To those nice, nice nights | 0:01:35 | 0:01:38 | |
# I remember always, always | 0:01:38 | 0:01:41 | |
# I got such a fright | 0:01:41 | 0:01:43 | |
# Seeing them in my dark cupboard | 0:01:43 | 0:01:47 | |
# With my great big cake | 0:01:47 | 0:01:49 | |
# If they were me, if they were me | 0:01:49 | 0:01:52 | |
# And I was you, and I was you | 0:01:52 | 0:01:56 | |
# If they were me, if they were me | 0:01:56 | 0:01:59 | |
# And I was you, and I was you | 0:01:59 | 0:02:02 | |
# If they were me and I was you, would you have liked a present too? | 0:02:02 | 0:02:08 | |
# Happy birthday, happy birthday | 0:02:21 | 0:02:24 | |
# Happy birthday, happy birthday | 0:02:27 | 0:02:30 | |
# Happy birthday, happy birthday | 0:02:33 | 0:02:36 | |
# Happy birthday, happy birthday | 0:02:39 | 0:02:42 | |
# Happy birthday, happy birthday | 0:02:45 | 0:02:49 | |
# Happy birthday, happy birthday. # | 0:02:51 | 0:02:54 | |
APPLAUSE | 0:02:57 | 0:02:59 | |
Looks like being a good night on Top Of The Pops. | 0:02:59 | 0:03:01 | |
That lady is starring in Gregory's Girl, she's also in the charts. | 0:03:01 | 0:03:04 | |
Altered Images with Clare, and of course, it's Happy Birthday. | 0:03:04 | 0:03:07 | |
Rod Stewart has a new single out. | 0:03:07 | 0:03:09 | |
Looks like this, and sounds like this, too. | 0:03:09 | 0:03:11 | |
APPLAUSE | 0:03:11 | 0:03:13 | |
# I can tell by the look in your eyes | 0:03:27 | 0:03:30 | |
# You've been bored for a long, long time | 0:03:30 | 0:03:33 | |
# You need love, and so do I | 0:03:33 | 0:03:35 | |
# Let's turn it all around | 0:03:35 | 0:03:37 | |
# I don't want an everlasting thing | 0:03:39 | 0:03:41 | |
# I don't care if I see you again | 0:03:41 | 0:03:45 | |
# So grab your coat and, honey, tell your friends | 0:03:45 | 0:03:48 | |
# You won't be home, you won't be home, you won't be home | 0:03:48 | 0:03:52 | |
# Tonight I'm yours | 0:03:52 | 0:03:53 | |
# Do anything that you want me to | 0:03:53 | 0:03:56 | |
# Don't hurt me, don't hurt me | 0:03:56 | 0:03:58 | |
# Tonight I'm yours | 0:03:58 | 0:04:00 | |
# Do anything, cos I want you to | 0:04:00 | 0:04:02 | |
# Just don't hurt me, baby | 0:04:02 | 0:04:04 | |
# Yeah! | 0:04:09 | 0:04:11 | |
# I don't really want to challenge you, | 0:04:16 | 0:04:19 | |
# Marry you, or remember you | 0:04:19 | 0:04:22 | |
# I just wanna make love to you | 0:04:22 | 0:04:24 | |
# For 24 hours or more, or more | 0:04:24 | 0:04:28 | |
# I'm only looking for a fantasy | 0:04:28 | 0:04:31 | |
# An interlude from reality | 0:04:31 | 0:04:34 | |
# Don't want nobody trying to rescue me | 0:04:34 | 0:04:36 | |
# So rock me babe, rock me babe | 0:04:36 | 0:04:40 | |
# Rock me, rock me | 0:04:40 | 0:04:41 | |
# Tonight I'm yours | 0:04:41 | 0:04:43 | |
# Do anything that you want me to | 0:04:43 | 0:04:45 | |
# Don't hurt me, don't hurt me | 0:04:45 | 0:04:47 | |
# Tonight I'm yours | 0:04:47 | 0:04:49 | |
# Do anything cos I want you to | 0:04:49 | 0:04:52 | |
# I want you to | 0:04:52 | 0:04:53 | |
# And tomorrow morning we won't cry | 0:05:20 | 0:05:23 | |
# You go your way, honey, I'll go mine | 0:05:23 | 0:05:26 | |
# I'm the one who didn't waste your time | 0:05:26 | 0:05:29 | |
# Remember me this way | 0:05:29 | 0:05:31 | |
# And if you never see my face again | 0:05:32 | 0:05:35 | |
# Think of me as a permanent friend | 0:05:35 | 0:05:38 | |
# But one who loved you like a hurricane | 0:05:38 | 0:05:41 | |
# Then disappeared, disappeared, disappeared | 0:05:41 | 0:05:45 | |
# Tonight I'm yours | 0:05:45 | 0:05:47 | |
# Do anything that you want me to | 0:05:47 | 0:05:50 | |
# Don't hurt me, don't hurt me | 0:05:50 | 0:05:52 | |
# Tonight I'm yours | 0:05:52 | 0:05:53 | |
# Do anything cos I want you to | 0:05:53 | 0:05:56 | |
# Don't hurt me, don't hurt me | 0:05:56 | 0:05:58 | |
# Tonight I'm yours | 0:05:58 | 0:05:59 | |
# Do anything that you want me to | 0:05:59 | 0:06:02 | |
# Don't hurt me, don't hurt me | 0:06:02 | 0:06:04 | |
# Tonight I'm yours. # | 0:06:04 | 0:06:05 | |
APPLAUSE | 0:06:05 | 0:06:07 | |
That's Rod Stewart, and Tonight I'm Yours. | 0:06:07 | 0:06:09 | |
Now, there's a record you may have heard which has become one | 0:06:09 | 0:06:11 | |
of those surprising things, a hit out of nowhere, by The Fureys and Davey Arthur. | 0:06:11 | 0:06:15 | |
Now, The Fureys make themselves up of David, Finbar, George, and Eddie. | 0:06:15 | 0:06:20 | |
This is the way they look, and this is the way | 0:06:20 | 0:06:22 | |
they sound with an old, old song - 75 years old today. | 0:06:22 | 0:06:26 | |
APPLAUSE | 0:06:26 | 0:06:30 | |
# When first I saw the love light in your eyes | 0:06:43 | 0:06:50 | |
# I thought the world held naught but joy for me | 0:06:52 | 0:06:58 | |
# And even though we've drifted far apart | 0:07:00 | 0:07:07 | |
# I never dream but what I dream of you | 0:07:09 | 0:07:15 | |
# I love you as I've never loved before | 0:07:18 | 0:07:25 | |
# Since first I saw you on the village green | 0:07:27 | 0:07:33 | |
# Come to me e'er my dreams of love are o'er | 0:07:35 | 0:07:42 | |
# I love you as I loved you when you were sweet | 0:07:44 | 0:07:52 | |
# When you were sweet sixteen | 0:07:54 | 0:08:02 | |
# I love you as I've never loved before | 0:08:37 | 0:08:45 | |
# Since first I saw you on the village green | 0:08:46 | 0:08:53 | |
Come to me, e'er my dreams of love are o'er | 0:08:54 | 0:09:01 | |
# I love you as I loved you when you were sweet | 0:09:03 | 0:09:11 | |
# When you were sweet sixteen. # | 0:09:13 | 0:09:21 | |
APPLAUSE | 0:09:51 | 0:09:56 | |
Break your heart, wouldn't it? That's Davey Arthur And The Fureys. | 0:09:56 | 0:09:59 | |
OK, Olivia Newton-John, getting Physical. | 0:09:59 | 0:10:02 | |
APPLAUSE | 0:10:02 | 0:10:05 | |
# I'm saying all the things that I know you'll like | 0:10:16 | 0:10:20 | |
# Making good conversation | 0:10:20 | 0:10:23 | |
# I gotta handle you just right | 0:10:24 | 0:10:28 | |
# You know what I mean? | 0:10:28 | 0:10:31 | |
# I took you to an intimate restaurant | 0:10:31 | 0:10:35 | |
# Then to a suggestive movie | 0:10:35 | 0:10:38 | |
# There's nothing left to talk about | 0:10:40 | 0:10:42 | |
# Unless it's horizontally | 0:10:42 | 0:10:46 | |
# Let's get physical, physical | 0:10:46 | 0:10:49 | |
# I wanna get physical | 0:10:49 | 0:10:52 | |
# Let's get into physical | 0:10:52 | 0:10:55 | |
# Let me hear your body talk, your body talk | 0:10:55 | 0:10:59 | |
# Let me hear your body talk | 0:10:59 | 0:11:01 | |
# Let's get physical, physical | 0:11:01 | 0:11:05 | |
# I wanna get physical | 0:11:05 | 0:11:08 | |
# Let's get into physical | 0:11:08 | 0:11:10 | |
# Let me hear your body talk, body talk | 0:11:10 | 0:11:14 | |
# Let me hear your body talk | 0:11:14 | 0:11:16 | |
# I've been patient, I've been good | 0:11:18 | 0:11:21 | |
# Tried to keep my hands on the table | 0:11:21 | 0:11:25 | |
# It's getting hard, this holding back | 0:11:26 | 0:11:30 | |
# You know what I mean? | 0:11:30 | 0:11:32 | |
# I'm sure you'll understand my point of view | 0:11:33 | 0:11:37 | |
# We know each other mentally | 0:11:37 | 0:11:40 | |
# You gotta know that you're bringing out | 0:11:41 | 0:11:45 | |
# The animal in me | 0:11:45 | 0:11:48 | |
# Let's get physical, physical | 0:11:48 | 0:11:51 | |
# I wanna get physical | 0:11:51 | 0:11:54 | |
# Let's get into physical | 0:11:54 | 0:11:56 | |
# Let me hear your body talk, your body talk | 0:11:56 | 0:12:00 | |
# Let me hear your body talk | 0:12:00 | 0:12:03 | |
# Let's get physical, physical | 0:12:03 | 0:12:07 | |
# I wanna get physical | 0:12:07 | 0:12:10 | |
# Let's get into physical | 0:12:10 | 0:12:12 | |
# Let me hear your body talk, your body talk | 0:12:12 | 0:12:16 | |
# Let me hear your body talk | 0:12:16 | 0:12:19 | |
# Oh, let's get physical, physical | 0:12:49 | 0:12:53 | |
# I wanna get physical | 0:12:53 | 0:12:56 | |
# Let's get into physical | 0:12:56 | 0:12:58 | |
# Let me hear your body talk, your body talk. # | 0:12:58 | 0:13:02 | |
APPLAUSE | 0:13:02 | 0:13:05 | |
That's Olivia Newton-John, and Physical. | 0:13:05 | 0:13:07 | |
Bringing the roses back into Top Of The Pops is Trevor Walters' | 0:13:07 | 0:13:10 | |
new single, Love Me Tonight. | 0:13:10 | 0:13:11 | |
# Whoooaaa | 0:13:11 | 0:13:15 | |
# Whoa, whoa, whoa | 0:13:16 | 0:13:20 | |
# Yeah | 0:13:20 | 0:13:24 | |
# You know, I really gotta get your loving tonight | 0:13:27 | 0:13:32 | |
# The moon is high tonight | 0:13:32 | 0:13:37 | |
# The two of us, we're feeling all right | 0:13:37 | 0:13:42 | |
# So come on, baby, and love me tonight | 0:13:42 | 0:13:49 | |
# Ba do ba do wah, do wah | 0:13:49 | 0:13:52 | |
# Now that you're in the mood | 0:13:52 | 0:13:58 | |
# Move like you want to move | 0:13:58 | 0:14:02 | |
# Just come on, baby, and love me tonight | 0:14:02 | 0:14:10 | |
# Ba ba do wah | 0:14:11 | 0:14:13 | |
# Love me tonight | 0:14:13 | 0:14:17 | |
# And squeeze me tight | 0:14:17 | 0:14:21 | |
# Come on, baby, and love me tonight | 0:14:23 | 0:14:30 | |
# Won't you love me child, love me tonight | 0:14:30 | 0:14:35 | |
# Whooooaaaaa | 0:14:35 | 0:14:41 | |
# Tonight's the night for me and you | 0:14:53 | 0:14:58 | |
# Said we've got a lot of loving to do | 0:14:58 | 0:15:04 | |
# So come on, baby, and love me tonight | 0:15:04 | 0:15:11 | |
# Ba do ba do wah, ba do wah | 0:15:11 | 0:15:14 | |
# Join in your heart with mine | 0:15:14 | 0:15:18 | |
# Said the feeling's gonna be divine | 0:15:18 | 0:15:24 | |
# So come on, baby, and love me tonight | 0:15:24 | 0:15:31 | |
# Ba do ba do wah, ba do wah | 0:15:31 | 0:15:34 | |
# Love me tonight | 0:15:34 | 0:15:39 | |
# And squeeze me tight | 0:15:39 | 0:15:42 | |
# Ba do ba do wah, ba do wah | 0:15:42 | 0:15:44 | |
# Come on, baby, and love me tonight | 0:15:44 | 0:15:52 | |
# Won't you love me, baby? Love me | 0:15:52 | 0:15:56 | |
# Come on and love me | 0:15:56 | 0:15:59 | |
# Baby, yeah | 0:15:59 | 0:16:03 | |
# Whoooaaa, yeah | 0:16:03 | 0:16:07 | |
-# Aaaah, baby. -# | 0:16:10 | 0:16:13 | |
APPLAUSE | 0:16:13 | 0:16:15 | |
Now you know where that white suit's been all this time. | 0:16:17 | 0:16:19 | |
Trevor Walters, that's his new single. | 0:16:19 | 0:16:21 | |
You want to see some really good rocking? | 0:16:21 | 0:16:23 | |
Have a look at Maggie Bell and B A Robertson, right over here. | 0:16:23 | 0:16:26 | |
# When you're near me I feel so romantic | 0:16:26 | 0:16:31 | |
# When you're far away I'm always blue | 0:16:31 | 0:16:35 | |
# If you want me to remain romantic, | 0:16:37 | 0:16:41 | |
# Here are all the things you'd have to do | 0:16:41 | 0:16:45 | |
# Hold me | 0:16:52 | 0:16:55 | |
# Honey, won't you hold me, yeah | 0:16:55 | 0:16:57 | |
# Hold me | 0:16:59 | 0:17:02 | |
# Never let me go | 0:17:02 | 0:17:04 | |
# Take me | 0:17:07 | 0:17:09 | |
# Honey, won't you take me? | 0:17:10 | 0:17:12 | |
# Never to forsake me | 0:17:13 | 0:17:16 | |
# Cos I love you so, wa-ho! | 0:17:16 | 0:17:22 | |
# Thrill me | 0:17:22 | 0:17:24 | |
# Let your kisses thrill me, yeah | 0:17:24 | 0:17:27 | |
# Just like you alone can do | 0:17:29 | 0:17:34 | |
# Oh, hold me | 0:17:36 | 0:17:39 | |
# Tenderly enfold me | 0:17:40 | 0:17:42 | |
# Never try to hold me away from you | 0:17:43 | 0:17:49 | |
# Wa-ho! | 0:17:49 | 0:17:51 | |
# Thrill me | 0:18:21 | 0:18:24 | |
# Baby, let your kisses thrill me, yeah | 0:18:24 | 0:18:27 | |
# Just like you alone can do | 0:18:29 | 0:18:34 | |
# Oh, hold me | 0:18:37 | 0:18:40 | |
# Tenderly enfold me, oh, yeah | 0:18:40 | 0:18:43 | |
# Never try to hold me away from you | 0:18:43 | 0:18:50 | |
# Baby, listen to me, don't you try | 0:18:50 | 0:18:53 | |
# To hold me away from you | 0:18:53 | 0:18:58 | |
# One more time | 0:18:58 | 0:18:59 | |
# Don't you try to hold me away from you | 0:18:59 | 0:19:05 | |
# Baby, listen to me, don't you try | 0:19:05 | 0:19:08 | |
# To hold me away from you. # | 0:19:08 | 0:19:10 | |
APPLAUSE | 0:19:10 | 0:19:13 | |
B A Robertson and Maggie Bell. Now, there's a band that I've been | 0:19:13 | 0:19:15 | |
featuring a great deal on my Radio 1 programme, | 0:19:15 | 0:19:18 | |
every day for the last couple of weeks. | 0:19:18 | 0:19:19 | |
This is what they look like, and this is what they sound like. | 0:19:19 | 0:19:22 | |
Haircut One Hundred. | 0:19:22 | 0:19:24 | |
APPLAUSE | 0:19:24 | 0:19:28 | |
# Time, can't afford no time | 0:19:30 | 0:19:32 | |
# Can't afford the rhyme | 0:19:32 | 0:19:34 | |
# Never mind, some day, maybe | 0:19:34 | 0:19:36 | |
# Boy meets girl | 0:19:36 | 0:19:39 | |
# And love, love is on its way | 0:19:39 | 0:19:43 | |
# Boy meets girl | 0:19:43 | 0:19:46 | |
# Boy meets girl | 0:19:50 | 0:19:53 | |
# Bang! Feel a little love | 0:19:57 | 0:19:59 | |
# Carino dime | 0:19:59 | 0:20:01 | |
# Never mind, some day, Terry | 0:20:01 | 0:20:03 | |
# Feel the pain | 0:20:03 | 0:20:07 | |
# Hit, feel, rap, sweat | 0:20:07 | 0:20:09 | |
# Why? | 0:20:10 | 0:20:17 | |
# Feel the floor | 0:20:17 | 0:20:20 | |
# Sweets for my way | 0:20:20 | 0:20:23 | |
# Boy meets girl | 0:20:23 | 0:20:27 | |
# Boy meets girl | 0:20:30 | 0:20:33 | |
# Why? | 0:21:17 | 0:21:23 | |
# Feel the floor | 0:21:23 | 0:21:26 | |
# Sweets for my way | 0:21:26 | 0:21:30 | |
# Boy meets girl | 0:21:30 | 0:21:33 | |
# Boy meets girl | 0:21:37 | 0:21:40 | |
# Feel the rhyme, take the time, go fighting to the top | 0:21:45 | 0:21:48 | |
# Go number one, stick a honey bun, your mind begins to flop | 0:21:48 | 0:21:52 | |
# Now take in steam, recall your dream | 0:21:52 | 0:21:53 | |
# Hey, camisas! | 0:21:53 | 0:21:55 | |
# Your favourite shirt is on the bed | 0:21:55 | 0:21:57 | |
# Do a somersault on your head. # | 0:21:57 | 0:21:58 | |
APPLAUSE | 0:22:12 | 0:22:14 | |
Amazing. That's Haircut One Hundred, and that's terrific. | 0:22:14 | 0:22:16 | |
It's called Favourite Shirts. | 0:22:16 | 0:22:18 | |
OK, here's the mystery voice with this week's charts. | 0:22:18 | 0:22:21 | |
And it's down to number 30 for Alvin Stardust and Pretend. | 0:22:22 | 0:22:26 | |
# You've seen Olivia Newton-John. She's at 29, with Physical. | 0:22:26 | 0:22:29 | |
Soft Cell are down to 28 with Tainted Love, | 0:22:29 | 0:22:32 | |
and The Creatures are at 27 with Mad Eyed Screamer. | 0:22:32 | 0:22:36 | |
Here's The Police at 26 with Invisible Sun, | 0:22:36 | 0:22:40 | |
and Diana Ross and Lionel Richie clamber down to 25 with | 0:22:40 | 0:22:42 | |
Endless Love. | 0:22:42 | 0:22:44 | |
Japan and Quiet Life are at number 24, | 0:22:44 | 0:22:47 | |
and Adam And The Ants, Prince Charming, at 23. | 0:22:47 | 0:22:50 | |
At number 22, The Fureys And Davey Arthur, When You Were Sweet Sixteen, | 0:22:50 | 0:22:54 | |
and at 21, that strange new | 0:22:54 | 0:22:56 | |
song by Orchestral Manoeuvres In The Dark called Joan Of Arc. | 0:22:56 | 0:23:01 | |
APPLAUSE | 0:23:01 | 0:23:03 | |
# A little Catholic girl is falling in love | 0:23:08 | 0:23:12 | |
# A face on a page, a gift from above | 0:23:16 | 0:23:21 | |
# She should have known better than to give her heart | 0:23:24 | 0:23:28 | |
# She should have known better than to ever part without me | 0:23:28 | 0:23:33 | |
# Without me | 0:23:36 | 0:23:38 | |
# I gave her everything that I ever owned | 0:23:41 | 0:23:46 | |
# I think she understood, though she never spoke | 0:23:50 | 0:23:55 | |
# She shouldn't oughta try to be that way | 0:23:58 | 0:24:02 | |
# She shouldn't have to go there every day, without me | 0:24:02 | 0:24:07 | |
# Without me | 0:24:10 | 0:24:12 | |
# Now listen to us good and listen well | 0:24:15 | 0:24:19 | |
# Listen to the song and everything we tell | 0:24:23 | 0:24:28 | |
# We should have known better than to give her away | 0:24:31 | 0:24:36 | |
# We should have known better to this very day, without me | 0:24:36 | 0:24:42 | |
# Without me | 0:24:44 | 0:24:46 | |
# Listen, Joan of Arc, all you gotta do | 0:24:49 | 0:24:53 | |
# Say the right words and I'll be coming through | 0:24:53 | 0:24:57 | |
# Hold you in my arms and take you right away | 0:24:57 | 0:25:04 | |
# Now she's on her way to another land | 0:25:06 | 0:25:10 | |
# We never understood why she gave her hand | 0:25:14 | 0:25:19 | |
# She shouldn't oughta promise, cos it's just pretend | 0:25:22 | 0:25:27 | |
# I know she doesn't mean it and she'll leave again, without me | 0:25:27 | 0:25:32 | |
# Without me | 0:25:34 | 0:25:37 | |
# Without me | 0:25:39 | 0:25:41 | |
# Without me. # | 0:25:43 | 0:25:46 | |
APPLAUSE | 0:25:55 | 0:25:57 | |
Orchestral Manoeuvres In The Dark. Right, it's back to the charts. | 0:25:57 | 0:26:00 | |
Very simply, this is the moment we've all been waiting for. | 0:26:00 | 0:26:02 | |
As we climb to the number one spot on Top Of The Pops, | 0:26:02 | 0:26:04 | |
we'll have a look at what's happening at number 20. | 0:26:04 | 0:26:08 | |
And it's Ottowan at number 20 with Hands Up, Give Me Your Heart. | 0:26:08 | 0:26:11 | |
Madness are down to number 19, with Shut Up. | 0:26:11 | 0:26:15 | |
Here's Rod Stewart, climbing with Tonight I'm Yours, to number 18, | 0:26:15 | 0:26:18 | |
and Depeche Mode are at 17 with Just Can't Get Enough. | 0:26:18 | 0:26:22 | |
Bad Manners, Walking In The Sunshine's at number 16, | 0:26:22 | 0:26:25 | |
and Godley And Creme, Under Your Thumb, are at number 15. | 0:26:25 | 0:26:29 | |
A climber for The Four Tops, When She Was My Girl, at number 14, | 0:26:29 | 0:26:32 | |
and B A Robertson and Maggie Bell, you've seen Hold Me, | 0:26:32 | 0:26:35 | |
it's at number 13. | 0:26:35 | 0:26:36 | |
Barry Manilow's Let's Hang On at number 12, | 0:26:36 | 0:26:39 | |
and The Human League, Open Your Heart, at number 11. | 0:26:39 | 0:26:43 | |
At number ten, same as last week, Shakin' Stevens, It's Raining, | 0:26:43 | 0:26:47 | |
and Squeeze's brilliant new ballad, called Labelled With Love, | 0:26:47 | 0:26:49 | |
is up ten places to number nine. | 0:26:49 | 0:26:52 | |
APPLAUSE | 0:26:52 | 0:26:55 | |
# She unscrews the top of her new whisky bottle | 0:26:59 | 0:27:03 | |
# And shuffles about in her candlelit hovel | 0:27:03 | 0:27:08 | |
# Like some kind of witch with blue fingers and mittens | 0:27:08 | 0:27:13 | |
# She smells like the cat, and the neighbours she sickens | 0:27:13 | 0:27:19 | |
# The black-and-white TV has long seen a picture | 0:27:19 | 0:27:24 | |
# The cross on the wall is a permanent fixture | 0:27:24 | 0:27:29 | |
# The postman delivers the final reminders | 0:27:29 | 0:27:34 | |
# She sells off her silver, and poodles in china | 0:27:34 | 0:27:39 | |
# Drinks to remember I, me and myself | 0:27:43 | 0:27:48 | |
# And winds up the clock, and knocks dust from the shelf | 0:27:48 | 0:27:53 | |
# Home is a love that I miss very much | 0:27:53 | 0:27:58 | |
# So the past has been bottled, and labelled with love | 0:27:58 | 0:28:04 | |
# During the wartime, an American pilot | 0:28:08 | 0:28:13 | |
# Made every air-raid a time of excitement | 0:28:13 | 0:28:18 | |
# She moved to his prairie and married the Texan | 0:28:18 | 0:28:24 | |
# She learned from a distance how love was a lesson | 0:28:24 | 0:28:29 | |
# He became drinker and she became mother | 0:28:29 | 0:28:34 | |
# She knew that one day she'd be one or the other | 0:28:34 | 0:28:39 | |
# He ate himself older, drunk himself dizzy | 0:28:39 | 0:28:44 | |
# Proud of her features, she kept herself pretty | 0:28:44 | 0:28:50 | |
# Drinks to remember I, me and myself | 0:28:54 | 0:28:59 | |
# And winds up the clock, and knocks dust from the shelf | 0:28:59 | 0:29:04 | |
# Home is a love that I miss very much | 0:29:04 | 0:29:09 | |
# So the past has been bottled, and labelled with love | 0:29:09 | 0:29:14 | |
# He, like a cowboy, died drunk in a slumber | 0:29:18 | 0:29:23 | |
# Out on the porch in the middle of summer | 0:29:23 | 0:29:28 | |
# She crossed the ocean, back home to her family | 0:29:28 | 0:29:33 | |
# But they had retired to roads that were sandy | 0:29:33 | 0:29:39 | |
# She moved home alone, without friends or relations | 0:29:39 | 0:29:44 | |
# Lived in a world full of age reservation | 0:29:44 | 0:29:49 | |
# On moth-eaten armchairs, she'd say that she'd sod all | 0:29:49 | 0:29:54 | |
# The friends who had left her to drink from the bottle | 0:29:54 | 0:29:59 | |
# Drinks to remember I, me and myself | 0:30:03 | 0:30:09 | |
# And winds up the clock, and knocks dust from the shelf | 0:30:09 | 0:30:14 | |
# Home is a love that I miss very much | 0:30:14 | 0:30:19 | |
# So the past has been bottled, and labelled with love | 0:30:19 | 0:30:24 | |
# Drinks to remember I, me and myself | 0:30:24 | 0:30:30 | |
# And winds up the clock, and knocks dust from the shelf | 0:30:30 | 0:30:35 | |
# Home is a love that I miss very much | 0:30:35 | 0:30:39 | |
# So the past has been bottled, and labelled with love | 0:30:39 | 0:30:45 | |
# The past has been bottled, and labelled with love | 0:30:45 | 0:30:50 | |
# The past has been bottled | 0:30:50 | 0:30:56 | |
# and labelled with love. # | 0:30:56 | 0:31:04 | |
APPLAUSE | 0:31:07 | 0:31:13 | |
Squeeze, and Labelled With Love, and if you have time, have a | 0:31:13 | 0:31:15 | |
listen to the B-side of that record, cos it's great. | 0:31:15 | 0:31:17 | |
And they're touring very shortly as well. | 0:31:17 | 0:31:19 | |
OK, back to the charts, and the top ten right now. | 0:31:19 | 0:31:22 | |
Up from last week's number nine to this week's number eight, | 0:31:23 | 0:31:26 | |
Good Year For The Roses by Elvis Costello. | 0:31:26 | 0:31:28 | |
Toyah's Thunder In The Mountains is down to number seven, | 0:31:28 | 0:31:31 | |
and The Police, biggest climber of the week, | 0:31:31 | 0:31:33 | |
Every Little Thing She Does Is Magic, at number six. | 0:31:33 | 0:31:35 | |
The Tweets, Birdie Song, is down to number five, | 0:31:35 | 0:31:38 | |
and The Jam climb to number four with Absolute Beginners. | 0:31:38 | 0:31:41 | |
Laurie Anderson surprisingly not number one, number three, | 0:31:41 | 0:31:44 | |
with O Superman, | 0:31:44 | 0:31:45 | |
and Altered Images, Happy Birthday, is at number two. | 0:31:45 | 0:31:49 | |
That's where we've got to leave you on Top Of The Pops. | 0:31:49 | 0:31:51 | |
Don't forget, tune in next Thursday on BBC One | 0:31:51 | 0:31:53 | |
and see what's happened to the number one from this week. | 0:31:53 | 0:31:56 | |
What is it? Just put your thinking caps on and listen. | 0:31:56 | 0:31:59 | |
# Cry if I want to, cry if I want to | 0:32:07 | 0:32:12 | |
# Cry if I want to, sigh if I want to | 0:32:12 | 0:32:17 | |
# Cry if I want to, cry if I want to | 0:32:17 | 0:32:22 | |
# Cry if I want to, cry if I want to | 0:32:22 | 0:32:27 | |
# Nobody knows where my Johnny has gone | 0:32:27 | 0:32:32 | |
# But Judy left the same time | 0:32:32 | 0:32:36 | |
# Why was he holding her hand, | 0:32:37 | 0:32:41 | |
# When he's supposed to be mine? | 0:32:41 | 0:32:44 | |
# It's my party, and I'll cry if I want to | 0:32:45 | 0:32:50 | |
# Cry if I want to, cry if I want to | 0:32:50 | 0:32:55 | |
# You would cry too, if it happened to you | 0:32:55 | 0:33:02 | |
# Play all my records, keep dancing all night | 0:33:13 | 0:33:17 | |
# But leave me alone for a while | 0:33:17 | 0:33:21 | |
# 'Til Johnny's dancing with me | 0:33:23 | 0:33:26 | |
# I've got no reason to smile | 0:33:26 | 0:33:31 | |
# It's my party, and I'll cry if I want to | 0:33:31 | 0:33:35 | |
# Cry if I want to, cry if I want to | 0:33:35 | 0:33:41 | |
# You would cry too, if it happened to you | 0:33:41 | 0:33:49 | |
# Nobody knows where my Johnny has gone | 0:33:55 | 0:33:58 | |
# But Judy left the same time | 0:34:03 | 0:34:06 | |
# So I'll cry (cry, cry) | 0:34:07 | 0:34:09 | |
# If I want to | 0:34:09 | 0:34:11 | |
# Cry (cry, cry) | 0:34:12 | 0:34:14 | |
# If I want to | 0:34:14 | 0:34:15 | |
# Cry (cry, cry) | 0:34:16 | 0:34:18 | |
# If I want to | 0:34:18 | 0:34:20 | |
# Judy and Johnny just walked through the door | 0:34:22 | 0:34:27 | |
# Like a queen with her king | 0:34:27 | 0:34:32 | |
# Oh, what a birthday surprise | 0:34:34 | 0:34:39 | |
# Judy's wearing his ring | 0:34:39 | 0:34:45 | |
# It's my party, and I'll cry if I want to | 0:34:47 | 0:34:51 | |
# Cry if I want to, cry if I want to | 0:34:51 | 0:34:55 | |
# You would cry too, if it happened to you | 0:34:55 | 0:35:01 | |
# It's my party and I'll cry if I want to | 0:35:03 | 0:35:07 | |
# Cry if I want to, cry if I want to | 0:35:07 | 0:35:11 | |
# You would cry too if it happened to you | 0:35:11 | 0:35:17 | |
# It's my party, and I'll cry if I want to | 0:35:19 | 0:35:23 | |
# Cry if I want to cry if I want to | 0:35:23 | 0:35:27 | |
# You would cry too if it happened to you. # | 0:35:27 | 0:35:35 |