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CHEERING AND APPLAUSE | 0:00:13 | 0:00:15 | |
Hello and welcome to a very, very live Top Of The Pops. | 0:00:15 | 0:00:18 | |
Peely can't make it, I'm going to cope on my own. | 0:00:18 | 0:00:20 | |
In the studio we've got Orchestral Manoeuvres in the Dark, | 0:00:20 | 0:00:23 | |
we've got Scritti Politti, we've got Billy Ocean and we've got this guy. | 0:00:23 | 0:00:26 | |
He's going to kill me because he doesn't want anybody to know | 0:00:26 | 0:00:29 | |
it's his birthday. But happy birthday Stephen Tintin Duffy. | 0:00:29 | 0:00:31 | |
APPLAUSE | 0:00:31 | 0:00:33 | |
# Baby, let me make you a statue | 0:00:40 | 0:00:44 | |
# To stand outside the council house | 0:00:44 | 0:00:47 | |
# To stand as a reminder of what you are | 0:00:47 | 0:00:53 | |
# And what you want to be | 0:00:53 | 0:00:55 | |
# I want to live with you | 0:00:57 | 0:00:59 | |
# Want to sleep with you | 0:00:59 | 0:01:01 | |
# In a house, in a peaceful world | 0:01:01 | 0:01:04 | |
# They want to take you | 0:01:04 | 0:01:06 | |
# They want to break you | 0:01:06 | 0:01:08 | |
# Don't let them make you unhappy | 0:01:08 | 0:01:13 | |
# You are the icing on the cake | 0:01:13 | 0:01:16 | |
# The party on the street | 0:01:18 | 0:01:21 | |
# The love you cannot fake | 0:01:22 | 0:01:24 | |
# The truth you cannot cheat | 0:01:26 | 0:01:29 | |
# Cheat | 0:01:32 | 0:01:34 | |
# You were left on the doorstep | 0:01:35 | 0:01:38 | |
# Of the social | 0:01:38 | 0:01:39 | |
# Security | 0:01:41 | 0:01:42 | |
# You were hoping for a future | 0:01:42 | 0:01:45 | |
# As someone, not just a leisure refugee | 0:01:46 | 0:01:50 | |
# I always saw you as a fighter | 0:01:50 | 0:01:53 | |
# And a winner | 0:01:53 | 0:01:55 | |
# Not content to only write your name | 0:01:55 | 0:01:59 | |
# Their right way is the wrong way for what you are | 0:01:59 | 0:02:04 | |
# And what you were born to be | 0:02:04 | 0:02:06 | |
# Born to be young and free, to be young and wise | 0:02:08 | 0:02:12 | |
# Not to listen to all their lies | 0:02:12 | 0:02:16 | |
# Don't let them take you | 0:02:16 | 0:02:18 | |
# Don't let them break you | 0:02:18 | 0:02:20 | |
# Don't let them make you unhappy | 0:02:20 | 0:02:24 | |
# You | 0:02:24 | 0:02:25 | |
# Are the icing on the cake | 0:02:25 | 0:02:28 | |
# The party on the street | 0:02:29 | 0:02:32 | |
# The love you cannot fake | 0:02:34 | 0:02:36 | |
# The truth you cannot cheat | 0:02:37 | 0:02:40 | |
# Cheat | 0:02:43 | 0:02:45 | |
# Cheat | 0:02:51 | 0:02:53 | |
-# It's the icing, icing -Icing on the cake | 0:02:55 | 0:02:59 | |
# The love you cannot fake | 0:02:59 | 0:03:01 | |
# The party on the street | 0:03:01 | 0:03:03 | |
# The love you cannot fake | 0:03:03 | 0:03:06 | |
# It's the truth | 0:03:06 | 0:03:09 | |
# The truth you cannot cheat | 0:03:09 | 0:03:11 | |
# Here we come waltzing home by the moon so bright | 0:03:11 | 0:03:15 | |
# By the sea, by the harbour wall | 0:03:15 | 0:03:19 | |
# They want to take you | 0:03:19 | 0:03:21 | |
# They want to break you | 0:03:21 | 0:03:23 | |
# Shape you and make you unhappy | 0:03:23 | 0:03:27 | |
# You | 0:03:27 | 0:03:29 | |
# Are the icing on the cake | 0:03:29 | 0:03:31 | |
# The party on the street | 0:03:32 | 0:03:35 | |
# The love you cannot fake | 0:03:37 | 0:03:39 | |
# The truth you cannot cheat | 0:03:41 | 0:03:43 | |
# The icing on the cake | 0:03:45 | 0:03:47 | |
# The party on the street | 0:03:49 | 0:03:51 | |
# The love you cannot fake | 0:03:53 | 0:03:56 | |
# The truth you cannot cheat. # | 0:03:56 | 0:03:58 | |
APPLAUSE | 0:03:59 | 0:04:02 | |
And it's the second highest climber this week, | 0:04:03 | 0:04:05 | |
it's Animotion at 12 with Obsession. | 0:04:05 | 0:04:08 | |
# You are an obsession | 0:04:43 | 0:04:45 | |
# I cannot sleep, I'm your possession | 0:04:45 | 0:04:48 | |
# Unopened at your feet | 0:04:48 | 0:04:51 | |
# There's no balance | 0:04:51 | 0:04:53 | |
# No equality | 0:04:53 | 0:04:55 | |
# Be still, I will not accept defeat | 0:04:55 | 0:05:00 | |
# I will have you, yes, I will have you | 0:05:00 | 0:05:03 | |
# I will find a way | 0:05:03 | 0:05:05 | |
# And I will have you | 0:05:05 | 0:05:08 | |
# Like a butterfly | 0:05:08 | 0:05:10 | |
# A wild butterfly | 0:05:10 | 0:05:12 | |
# I will collect you and capture you | 0:05:12 | 0:05:15 | |
# You are an obsession | 0:05:15 | 0:05:18 | |
# You're my obsession | 0:05:18 | 0:05:20 | |
# Who do you want me to be | 0:05:20 | 0:05:22 | |
# To make you sleep with me? | 0:05:22 | 0:05:24 | |
# You are an obsession | 0:05:24 | 0:05:26 | |
# You're my obsession | 0:05:26 | 0:05:28 | |
# Who do you want me to be | 0:05:28 | 0:05:31 | |
# To make you sleep with me? | 0:05:31 | 0:05:33 | |
# I feed you, I drink you | 0:05:33 | 0:05:35 | |
# By day and by night | 0:05:35 | 0:05:37 | |
# I need you, I need you | 0:05:37 | 0:05:40 | |
# By sun and candlelight | 0:05:40 | 0:05:41 | |
# You protest | 0:05:43 | 0:05:44 | |
# You want to leave | 0:05:44 | 0:05:46 | |
# Stay | 0:05:46 | 0:05:48 | |
# Oh, there's no alternative | 0:05:48 | 0:05:50 | |
# Your face appears again | 0:05:50 | 0:05:52 | |
# I see the beauty there | 0:05:52 | 0:05:54 | |
# But I see danger | 0:05:54 | 0:05:56 | |
# Stranger beware | 0:05:56 | 0:05:58 | |
# A circumstance | 0:05:58 | 0:06:00 | |
# In your naked dreams | 0:06:00 | 0:06:02 | |
# Your affection | 0:06:02 | 0:06:04 | |
# Is not what it seems | 0:06:04 | 0:06:06 | |
# You are an obsession | 0:06:06 | 0:06:08 | |
# You're my obsession | 0:06:08 | 0:06:11 | |
# Who do you want me to be | 0:06:11 | 0:06:13 | |
# To make you sleep with me? | 0:06:13 | 0:06:15 | |
# You are an obsession | 0:06:15 | 0:06:17 | |
# You're my obsession | 0:06:17 | 0:06:19 | |
# Who do you want me to be | 0:06:19 | 0:06:21 | |
# To make you sleep with me? # | 0:06:21 | 0:06:23 | |
Just had a phone call from the States to say that | 0:06:38 | 0:06:41 | |
Billy Ocean is number four over there. | 0:06:41 | 0:06:42 | |
By the way, he's British, he isn't American. | 0:06:42 | 0:06:44 | |
-You really like him, don't you? -I think he's wonderful. | 0:06:44 | 0:06:47 | |
Billy Ocean is standing over there. | 0:06:47 | 0:06:48 | |
He's number 18 in the charts with Suddenly. | 0:06:48 | 0:06:51 | |
# Ooooh | 0:06:55 | 0:06:57 | |
# I used to think that love was just a fairy tale | 0:07:04 | 0:07:08 | |
# Until that first hello | 0:07:11 | 0:07:14 | |
# Until that first smile | 0:07:14 | 0:07:16 | |
# But if I had to do it all again | 0:07:18 | 0:07:22 | |
# I wouldn't change a thing | 0:07:25 | 0:07:27 | |
# Cos this love is everlasting | 0:07:27 | 0:07:32 | |
# Suddenly | 0:07:32 | 0:07:34 | |
# Life has new meaning to me | 0:07:36 | 0:07:41 | |
# There's beauty up above | 0:07:41 | 0:07:46 | |
# And things we never take notice of | 0:07:46 | 0:07:50 | |
# You wake up and suddenly you're in love | 0:07:50 | 0:07:56 | |
# Oooh, yeah | 0:08:01 | 0:08:04 | |
# Girl, you're everything a man could want and more | 0:08:08 | 0:08:15 | |
# One thousand words are not enough | 0:08:15 | 0:08:20 | |
# To say what I feel inside | 0:08:20 | 0:08:24 | |
# Holding hands as we walk along the shore | 0:08:24 | 0:08:30 | |
# Never felt like this before | 0:08:30 | 0:08:34 | |
# Now you're all I'm living for | 0:08:34 | 0:08:38 | |
# Suddenly | 0:08:38 | 0:08:40 | |
# Life has new meaning to me | 0:08:43 | 0:08:47 | |
# There's beauty up above | 0:08:49 | 0:08:53 | |
# And things we never take notice of | 0:08:53 | 0:08:57 | |
# You wake up and suddenly you're in love | 0:08:57 | 0:09:02 | |
# Each day | 0:09:05 | 0:09:09 | |
# I pray | 0:09:09 | 0:09:12 | |
# This love affair would last forever | 0:09:12 | 0:09:18 | |
# Oooh, suddenly | 0:09:18 | 0:09:23 | |
# Life has new meaning to me | 0:09:23 | 0:09:27 | |
# There's beauty up above | 0:09:30 | 0:09:33 | |
# And things we never take notice of | 0:09:33 | 0:09:38 | |
# You wake up and suddenly | 0:09:38 | 0:09:41 | |
# You're in love | 0:09:41 | 0:09:44 | |
# Oooh, there's beauty up above | 0:10:03 | 0:10:07 | |
# Things we never take notice of | 0:10:07 | 0:10:13 | |
# You wake up and suddenly | 0:10:13 | 0:10:18 | |
# You're in love | 0:10:18 | 0:10:23 | |
# Ooooh-hooo | 0:10:23 | 0:10:29 | |
# Hoooo. # | 0:10:29 | 0:10:32 | |
APPLAUSE | 0:10:32 | 0:10:35 | |
Big here, big in the States, Billy Ocean. Nice guy. | 0:10:35 | 0:10:38 | |
Let's have a look at the more interesting movements now | 0:10:38 | 0:10:41 | |
in the charts. | 0:10:41 | 0:10:43 | |
It's the Top 40 Breakers. | 0:10:43 | 0:10:45 | |
Well, the Germans move in at number 36, | 0:10:48 | 0:10:50 | |
and it's the classically trained, the wonderful Propaganda with Duel. | 0:10:50 | 0:10:54 | |
# Some memories of gone by time | 0:10:54 | 0:10:57 | |
# Would still recall the lies | 0:10:58 | 0:11:01 | |
# The first cut won't hurt at all | 0:11:01 | 0:11:05 | |
# The second only makes you wonder | 0:11:08 | 0:11:11 | |
# The third will have you on your knees | 0:11:14 | 0:11:17 | |
# You start bleeding, I start screaming... # | 0:11:20 | 0:11:27 | |
Mai Tai pop over here next week. They're in at 32 with History. | 0:11:29 | 0:11:32 | |
And watch out, spot the Prince lookalike. | 0:11:32 | 0:11:34 | |
# Better let it get to you | 0:11:34 | 0:11:37 | |
# When it got to lovin', you were never there | 0:11:37 | 0:11:40 | |
# All that I could do was dream | 0:11:40 | 0:11:44 | |
# When I need some huggin' | 0:11:46 | 0:11:48 | |
# You never, ever cared | 0:11:48 | 0:11:50 | |
# Did you have to be that mean? | 0:11:50 | 0:11:53 | |
# Going to burn your letters, going to burn your letters | 0:11:55 | 0:11:58 | |
# Going to burn the letters you were sending me | 0:11:58 | 0:12:00 | |
# Our love is history | 0:12:03 | 0:12:06 | |
# Going to burn the letters you were sending me | 0:12:06 | 0:12:09 | |
# Going to burn them up, going to burn them up | 0:12:09 | 0:12:11 | |
# Going to burn, burn, burn | 0:12:11 | 0:12:14 | |
# Our love is history | 0:12:14 | 0:12:16 | |
# Going to burn the letters you were sending me | 0:12:16 | 0:12:19 | |
# Going to burn the letters | 0:12:19 | 0:12:23 | |
# Our love is history. # | 0:12:23 | 0:12:25 | |
# Now I am alone... | 0:12:27 | 0:12:29 | |
Pilot and pop star, it's Gary Numan who lands at 27 | 0:12:31 | 0:12:35 | |
with the Live EP, remember, Are Friends Electric? | 0:12:35 | 0:12:39 | |
# Please stand up | 0:12:39 | 0:12:41 | |
# A candle lit a shadow on a wall near the bed | 0:12:43 | 0:12:46 | |
# Whoo-ooo, whoo-ooo | 0:12:48 | 0:12:51 | |
# Whoo-ooo, whoo-ooo | 0:12:51 | 0:12:54 | |
# Whoo-ooo, whoo-ooo | 0:12:54 | 0:12:56 | |
# Whoo-ooo, whoo-ooo | 0:12:56 | 0:12:59 | |
# You know how I hate to ask | 0:13:09 | 0:13:11 | |
# But are friends... # | 0:13:14 | 0:13:16 | |
It's good to do Top Of The Pops with mates and these guys, well, | 0:13:16 | 0:13:21 | |
they're my old drinking partners. | 0:13:21 | 0:13:23 | |
They're at number 28 this week, | 0:13:23 | 0:13:25 | |
it's Orchestral Manoeuvres in the Dark and So in Love. | 0:13:25 | 0:13:29 | |
# Talk to me, don't lie to me | 0:13:46 | 0:13:49 | |
# Save your breath | 0:13:49 | 0:13:52 | |
# Don't look at me, don't smile at me | 0:13:53 | 0:13:57 | |
# Just close your eyes | 0:13:57 | 0:13:59 | |
# I was so impressed by you | 0:14:02 | 0:14:06 | |
# I was running blind | 0:14:06 | 0:14:09 | |
# I would fall for every trick | 0:14:09 | 0:14:14 | |
# Every twist of mind | 0:14:14 | 0:14:17 | |
# Heaven is cold | 0:14:17 | 0:14:19 | |
# Without any soul | 0:14:19 | 0:14:21 | |
# It's hard to believe | 0:14:21 | 0:14:23 | |
# I was so in love with you | 0:14:23 | 0:14:28 | |
# Don't say your prayers, don't build your hopes | 0:14:33 | 0:14:37 | |
# Just walk away | 0:14:37 | 0:14:39 | |
# Don't phone me up, don't call around | 0:14:41 | 0:14:45 | |
# Don't waste your time | 0:14:45 | 0:14:47 | |
# You were so in awe of me | 0:14:50 | 0:14:53 | |
# You were so divine | 0:14:53 | 0:14:58 | |
# You would do just anything | 0:14:58 | 0:15:01 | |
# To still be mine | 0:15:01 | 0:15:06 | |
# Heaven is cold | 0:15:06 | 0:15:08 | |
# Without any soul | 0:15:08 | 0:15:09 | |
# It's hard to believe | 0:15:09 | 0:15:12 | |
# I was so in love with you | 0:15:12 | 0:15:17 | |
# All the things you said to me | 0:15:32 | 0:15:36 | |
# I was so obsessed | 0:15:36 | 0:15:40 | |
# You were always talking, talking | 0:15:40 | 0:15:43 | |
# God, I did my best | 0:15:43 | 0:15:48 | |
# Heaven is cold without any soul | 0:15:48 | 0:15:52 | |
# It's hard to believe | 0:15:52 | 0:15:54 | |
# I was so in love with you | 0:15:54 | 0:15:59 | |
# I was so in love with you | 0:16:02 | 0:16:04 | |
# Heaven is cold without any soul | 0:16:04 | 0:16:07 | |
# It's hard to believe | 0:16:07 | 0:16:09 | |
# I was so in love with you | 0:16:09 | 0:16:16 | |
# I was so in love with you | 0:16:18 | 0:16:20 | |
# Heaven is cold without any soul | 0:16:20 | 0:16:23 | |
# It's hard to believe | 0:16:23 | 0:16:25 | |
# I was so in love with you | 0:16:25 | 0:16:30 | |
# I was so in love... # | 0:16:30 | 0:16:31 | |
APPLAUSE | 0:16:31 | 0:16:34 | |
Tuck your shirt in, McCluskey. | 0:16:37 | 0:16:39 | |
At 15 this week, it's a band | 0:16:39 | 0:16:41 | |
who've been featured on The Archers no less. | 0:16:41 | 0:16:43 | |
Over there, Scritti Politti and The Word Girl. | 0:16:43 | 0:16:45 | |
CHEERING | 0:16:47 | 0:16:50 | |
# To do what I should do | 0:16:54 | 0:16:57 | |
# To long for you to hear | 0:16:57 | 0:17:01 | |
# I open up my heart | 0:17:01 | 0:17:05 | |
# And watch her name appear | 0:17:05 | 0:17:08 | |
# A word for you to use | 0:17:08 | 0:17:11 | |
# A girl without a cause | 0:17:11 | 0:17:15 | |
# A name for what you lose | 0:17:15 | 0:17:19 | |
# When it was never yours | 0:17:19 | 0:17:23 | |
# Ooh, doo-doo-doo | 0:17:23 | 0:17:25 | |
# The first time, baby, that I came to you | 0:17:25 | 0:17:29 | |
# I'd do things that you want me to | 0:17:29 | 0:17:33 | |
# The second time, baby, that I came to you | 0:17:33 | 0:17:36 | |
# But, oh, you found my love for you | 0:17:36 | 0:17:41 | |
# The third time, baby, that I came to you | 0:17:41 | 0:17:44 | |
# Oh, oh, oh, I knew | 0:17:44 | 0:17:47 | |
# The last time, baby, that I came to you | 0:17:47 | 0:17:51 | |
# Oh, how your flesh and blood became the word | 0:17:51 | 0:17:57 | |
# A name the girl outgrew | 0:17:58 | 0:18:02 | |
# The girl was never real | 0:18:02 | 0:18:05 | |
# She stands for your abuse | 0:18:05 | 0:18:09 | |
# The girl is no ideal | 0:18:09 | 0:18:13 | |
# It's a word for what you do | 0:18:13 | 0:18:16 | |
# In a world of broken rules | 0:18:16 | 0:18:20 | |
# She found a place for you | 0:18:20 | 0:18:23 | |
# Along her chain of fools | 0:18:23 | 0:18:27 | |
# Ooh, doo-doo-doo | 0:18:27 | 0:18:31 | |
# The first time, baby, that I came to you | 0:18:31 | 0:18:34 | |
# I'd do things that you want me to | 0:18:34 | 0:18:37 | |
# The second time, baby, that I came to you | 0:18:37 | 0:18:41 | |
# For, oh, you found my love for you | 0:18:41 | 0:18:44 | |
# The third time, baby, that I came to you | 0:18:44 | 0:18:48 | |
# Oh, oh, oh, I knew | 0:18:48 | 0:18:52 | |
# The last time, baby, that I came to you | 0:18:52 | 0:18:55 | |
# Oh, how your flesh and blood became the word | 0:18:55 | 0:19:00 | |
# Oh, how | 0:19:11 | 0:19:13 | |
# Your flesh and blood | 0:19:15 | 0:19:18 | |
# Oh, how | 0:19:18 | 0:19:21 | |
# Your flesh and blood | 0:19:22 | 0:19:25 | |
# Oh, how | 0:19:25 | 0:19:27 | |
# Your flesh and blood... # | 0:19:29 | 0:19:31 | |
APPLAUSE | 0:19:31 | 0:19:34 | |
Nice clean cut boys. That is Scritti Politti. | 0:19:34 | 0:19:38 | |
I am going to take a very deep breath now | 0:19:38 | 0:19:40 | |
and take you through the charts. | 0:19:40 | 0:19:42 | |
At 40, it's U2 and the Unforgettable Fire. | 0:19:44 | 0:19:47 | |
A chart entry at 39, Philip Bailey, Walking on the Chinese Wall. | 0:19:47 | 0:19:51 | |
Bryan Adams, a chart entry at 38, Heaven. | 0:19:51 | 0:19:54 | |
And Cherish, a chart entry for Kool & the Gang at 37. | 0:19:54 | 0:19:58 | |
Duel from Propaganda, a chart entry at 36. | 0:19:58 | 0:20:01 | |
Walk Like A Man In Frocks - Divine at 35. | 0:20:02 | 0:20:05 | |
Curtis Hairston, I Want Your Lovin' at 34. | 0:20:05 | 0:20:08 | |
And Everton 1985, Here We Go, 33. | 0:20:09 | 0:20:11 | |
The highest chart entry - History from Mai Tai at 32. | 0:20:13 | 0:20:16 | |
And the Untouchables, Free Yourself at 31. | 0:20:16 | 0:20:18 | |
Five Star and All Fall Down, this week at 30. | 0:20:20 | 0:20:22 | |
And Cry from Godley & Creme at 29. | 0:20:23 | 0:20:25 | |
OMD up to 28, So In Love. | 0:20:26 | 0:20:29 | |
And the Live EP from Gary Numan up to 27. | 0:20:30 | 0:20:33 | |
Kim Wilde, Rage Love at 26. | 0:20:34 | 0:20:37 | |
Tears For Fears, Everybody Wants To Rule The World at 25. | 0:20:37 | 0:20:41 | |
Skipworth & Turner are up to 24, Thinking About Your Love. | 0:20:41 | 0:20:45 | |
Simple Minds, Don't You Forget About Me at 23. | 0:20:45 | 0:20:48 | |
And Get It On from The Power Station - 22. | 0:20:48 | 0:20:52 | |
At 21, it's Shake The Disease, Depeche Mode. | 0:20:52 | 0:20:56 | |
And Stephen Tintin Duffy was up to 20, Icing On The Cake. | 0:20:56 | 0:21:00 | |
Highest climber this week, Billy Ocean, Suddenly up to 19. | 0:21:00 | 0:21:03 | |
And at 18, I Was Born To Love You, Freddie Mercury. | 0:21:03 | 0:21:07 | |
Loose Ends, Magic Touch at 17. | 0:21:07 | 0:21:10 | |
And Style Council at 16 with Walls Come Tumbling Down. | 0:21:10 | 0:21:14 | |
Scritti Politti up to 15, The Word Girl. | 0:21:14 | 0:21:17 | |
We All Follow Man Utd, | 0:21:17 | 0:21:19 | |
the Manchester United Football Team at 14. | 0:21:19 | 0:21:21 | |
And at 13, Call Me - Go West. | 0:21:21 | 0:21:24 | |
Another high climber up to 12, it's Obsession from Animotion. | 0:21:24 | 0:21:28 | |
And 11, it's Feel So Real, Steve Arrington. | 0:21:28 | 0:21:31 | |
APPLAUSE | 0:21:31 | 0:21:33 | |
And now let's see what you've been buying the most of this week. | 0:21:33 | 0:21:36 | |
We'll take a look at the top ten and we shall do it in video, | 0:21:36 | 0:21:38 | |
so here we go. | 0:21:38 | 0:21:40 | |
At 10, it's that hunk and a half, it's Bryan Ferry with Slave To Love. | 0:21:43 | 0:21:47 | |
# Oh | 0:21:47 | 0:21:49 | |
# Slave to love... # | 0:21:50 | 0:21:53 | |
Is this going to be the summer hit of 1985? | 0:21:58 | 0:22:01 | |
Up to number 9 this week, Katrina & The Waves, | 0:22:01 | 0:22:04 | |
and Walking On Sunshine. | 0:22:04 | 0:22:05 | |
# Whoa-oh | 0:22:05 | 0:22:07 | |
# I'm walking on sunshine | 0:22:07 | 0:22:09 | |
# Whoa-oh-oh-oh | 0:22:09 | 0:22:11 | |
# And don't it feel good | 0:22:11 | 0:22:13 | |
# Hey! | 0:22:13 | 0:22:14 | |
# All right now | 0:22:14 | 0:22:16 | |
# And don't it feel good. # | 0:22:16 | 0:22:17 | |
# The fighting has begun... # | 0:22:19 | 0:22:21 | |
Oh, yeah, what a combination. Gary Moore and Phil Lynott, | 0:22:21 | 0:22:23 | |
Out In The Fields, up to 8. | 0:22:23 | 0:22:26 | |
# Out from the skies | 0:22:26 | 0:22:29 | |
# A thousand more will die each day | 0:22:29 | 0:22:33 | |
# Death is just a heartbeat away... # | 0:22:33 | 0:22:37 | |
The Bronksi Boys and Marc Almond Feel Love at 7. | 0:22:42 | 0:22:46 | |
# Whoo, I feel love... # | 0:22:47 | 0:22:49 | |
At 6 it's Phyllis Nelson and Move Closer. | 0:22:49 | 0:22:53 | |
And this week at Number 5, Debarge and Rhythm of the Night. | 0:22:53 | 0:22:56 | |
# Dance until morning light | 0:22:56 | 0:22:58 | |
# Forget about the worries on your mind | 0:22:58 | 0:23:00 | |
# Can leave them all behind | 0:23:00 | 0:23:02 | |
# To the beat of the rhythm of the night | 0:23:02 | 0:23:04 | |
# Oh, the rhythm of the night | 0:23:04 | 0:23:08 | |
# Oh, yeah... # | 0:23:08 | 0:23:11 | |
# Kayleigh... # | 0:23:12 | 0:23:13 | |
Sob, sob. Marillion at 4, pining for lost love with Kayleigh. | 0:23:13 | 0:23:17 | |
#..more important to me now you're gone | 0:23:17 | 0:23:21 | |
# Maybe it will prove that we were right | 0:23:21 | 0:23:25 | |
# Or it'll prove that I was wrong. # | 0:23:25 | 0:23:29 | |
And it's the same top three as last week, | 0:23:29 | 0:23:32 | |
I hope they shift around next week. | 0:23:32 | 0:23:34 | |
At Number 3, it's Jimmy Nail and Love Don't Live Here Anymore. | 0:23:34 | 0:23:37 | |
# Just look back and see that | 0:23:41 | 0:23:44 | |
# Love don't live here anymore. # | 0:23:44 | 0:23:51 | |
# Until we dance... | 0:23:51 | 0:23:53 | |
Those budding Bond boys are Number 2, | 0:23:53 | 0:23:55 | |
it's Duran Duran with A View To A Kill. | 0:23:55 | 0:23:57 | |
# That fatal kiss is all we need | 0:23:57 | 0:24:00 | |
# Dance into the fire | 0:24:00 | 0:24:04 | |
# To fatal sounds of broken dreams... # | 0:24:04 | 0:24:08 | |
Your guess is as good as mine | 0:24:08 | 0:24:09 | |
as to what's going to be Number 1 next week. | 0:24:09 | 0:24:11 | |
Paul Hardcastle is still there, fourth week, 19. | 0:24:11 | 0:24:15 | |
# Unlike Vietnam, World War II saw America unite | 0:24:16 | 0:24:18 | |
# Behind their fighting men | 0:24:18 | 0:24:20 | |
# The two wars were just as different on the front lines | 0:24:20 | 0:24:23 | |
# As they were back home | 0:24:23 | 0:24:24 | |
# Nine-nine-nine-nine, nine-nine-nine, 19 | 0:24:24 | 0:24:27 | |
# Nine-nine-nine-nine, nine-nine-nine, 19 | 0:24:27 | 0:24:31 | |
# Nine-nine-nine-nine, nine-nine-nine, 19 | 0:24:31 | 0:24:35 | |
# Nine-nine-nine-nine, nine-nine-nine, 19 | 0:24:35 | 0:24:39 | |
# Hundreds of thousands of men who saw heavy combat in Vietnam | 0:24:39 | 0:24:43 | |
# Have been arrested since discharge | 0:24:43 | 0:24:45 | |
# Their arrest rate is almost twice that of non-veterans | 0:24:45 | 0:24:48 | |
# Of the same age | 0:24:48 | 0:24:50 | |
# There are no accurate figures on how many of these men | 0:24:50 | 0:24:54 | |
# Have been incarcerated | 0:24:54 | 0:24:56 | |
# But a veterans administration study concludes | 0:24:56 | 0:24:58 | |
# That the greater of vets' exposure to combat | 0:24:58 | 0:25:01 | |
# The more likely his chance of being arrested or convicted | 0:25:01 | 0:25:05 | |
# This is one legacy of the Vietnam War | 0:25:05 | 0:25:08 | |
# All those who remember the war | 0:25:16 | 0:25:20 | |
# They won't forget what they've seen | 0:25:20 | 0:25:23 | |
# Destruction | 0:25:23 | 0:25:25 | |
# Of men in their prime | 0:25:25 | 0:25:28 | |
# Whose average age was 19 | 0:25:28 | 0:25:31 | |
# Dedededededede-Destruction | 0:25:31 | 0:25:34 | |
# Dedededededede-Destruction | 0:25:36 | 0:25:38 | |
# After World War II the men came home together in troop ships | 0:25:40 | 0:25:44 | |
# Often less than 48 hours after jungle combat | 0:25:46 | 0:25:49 | |
# Perhaps the most dramatic difference between World War II | 0:25:50 | 0:25:53 | |
# And Vietnam was coming home | 0:25:53 | 0:25:56 | |
# None of them received a hero's welcome | 0:25:56 | 0:25:58 | |
# None of them, none of them received a hero's welcome | 0:25:58 | 0:26:02 | |
# None of them, none of them | 0:26:02 | 0:26:03 | |
# None-none-none none of them, none of them, none of them | 0:26:03 | 0:26:06 | |
# None of them, none of them, none of them | 0:26:06 | 0:26:08 | |
# None of them, none of them, none of them | 0:26:08 | 0:26:10 | |
# None of them, none of them, none of them | 0:26:10 | 0:26:12 | |
# None of them received a hero's welcome | 0:26:12 | 0:26:14 | |
# None of them received a hero's welcome | 0:26:14 | 0:26:16 | |
# None of them received a hero's welcome | 0:26:16 | 0:26:18 | |
# None of them received a hero's welcome... # | 0:26:18 | 0:26:21 | |
And then we came back and we were different | 0:26:21 | 0:26:23 | |
and everybody wants to know, God, | 0:26:23 | 0:26:24 | |
what happened to those guys over there? | 0:26:24 | 0:26:26 | |
There's got to be something wrong somewhere. | 0:26:26 | 0:26:28 | |
We did what we had to do. | 0:26:28 | 0:26:30 | |
There's got to be something wrong somewhere. | 0:26:30 | 0:26:33 | |
And people wanted us to be ashamed of what it made us. | 0:26:33 | 0:26:37 | |
They had no idea what it meant. | 0:26:37 | 0:26:41 | |
All we want to do is come home. | 0:26:42 | 0:26:45 | |
-Why? -All we want to do is come home. | 0:26:45 | 0:26:48 | |
-What did we do it for? -All I want to do is come home. | 0:26:48 | 0:26:52 | |
# Was it worth it? # | 0:26:52 | 0:26:54 | |
APPLAUSE | 0:26:56 | 0:26:58 | |
So it's still Paul Hardcastle at Number 1. | 0:26:58 | 0:27:01 | |
What will it be next week? On next week's show, by the way, | 0:27:01 | 0:27:04 | |
it's Richard Skinner and it's also Simon Bates. | 0:27:04 | 0:27:07 | |
Next on BBC 1 you've got Little and Large. | 0:27:07 | 0:27:09 | |
I'm going to find somebody to dance with. Five Star, All Fall Down. | 0:27:09 | 0:27:12 | |
Bye! See you. | 0:27:12 | 0:27:13 | |
You'll do, come here. | 0:27:13 | 0:27:15 | |
# I used to wake up at night feeling so lonely | 0:27:15 | 0:27:18 | |
# Before I knew you really loved me | 0:27:18 | 0:27:22 | |
# I used to cry in my sleep tears on my pillow | 0:27:22 | 0:27:27 | |
# I didn't know you wanted to know | 0:27:27 | 0:27:30 | |
# Now you've changed my world | 0:27:30 | 0:27:33 | |
# I'm wondering | 0:27:33 | 0:27:35 | |
# How to keep myself from falling over | 0:27:35 | 0:27:39 | |
# You're a special boy, my baby | 0:27:39 | 0:27:43 | |
# And when you touch me | 0:27:43 | 0:27:46 | |
# All fall down | 0:27:47 | 0:27:48 | |
# Does it have to make me feel that way? | 0:27:48 | 0:27:50 | |
# It's pickin' me up to the highest | 0:27:50 | 0:27:54 | |
-# Love I've ever known -All fall down | 0:27:54 | 0:27:56 | |
# I'm dizzy when I think of you | 0:27:56 | 0:27:59 | |
# If ever a star was the brightest | 0:27:59 | 0:28:01 | |
# You know you can lead me home | 0:28:01 | 0:28:04 | |
# Higher | 0:28:07 | 0:28:09 | |
# Higher, yeah | 0:28:11 | 0:28:12 | |
# I used to be so unsure | 0:28:14 | 0:28:17 | |
# Afraid I'd discover | 0:28:17 | 0:28:19 | |
# You'd want a friend but not a lover | 0:28:19 | 0:28:21 | |
# But there's no fear in my mind | 0:28:23 | 0:28:25 | |
# Cos now we're together | 0:28:25 | 0:28:27 | |
# Our love keeps growing bigger, better | 0:28:27 | 0:28:30 | |
# I could jump for joy, you sweet thing | 0:28:31 | 0:28:34 | |
# See me walk on air, and people staring | 0:28:35 | 0:28:38 | |
# They're looking at a mystery | 0:28:40 | 0:28:43 | |
# And when, when it's not really | 0:28:44 | 0:28:47 | |
# All fall down | 0:28:47 | 0:28:49 | |
# Does it have to make me feel that way? | 0:28:49 | 0:28:51 | |
# It's pickin' me up to the highest | 0:28:51 | 0:28:53 | |
# Love I've ever known | 0:28:53 | 0:28:55 | |
# All fall down | 0:28:55 | 0:28:57 | |
# I'm dizzy when I think of you | 0:28:57 | 0:28:59 | |
# Wherever you go, I'll follow | 0:28:59 | 0:29:01 | |
# Cos you can lead me home. # | 0:29:01 | 0:29:04 |