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Good evening and welcome to another Top Of The Pops. | 0:00:16 | 0:00:19 | |
Sorry about the studio tonight. It's a bit messy. | 0:00:19 | 0:00:21 | |
We're spring-cleaning and we couldn't get all the scenery in. | 0:00:21 | 0:00:24 | |
But we've made up for it with some excellent live bands in the studio, | 0:00:24 | 0:00:27 | |
all of them, kicking off with New Order, | 0:00:27 | 0:00:29 | |
playing live, singing live with Blue Monday. | 0:00:29 | 0:00:32 | |
# How does it feel | 0:01:25 | 0:01:28 | |
# When you treat me like you do | 0:01:28 | 0:01:32 | |
# And you've laid your hands upon me | 0:01:33 | 0:01:36 | |
# And told me who you are | 0:01:36 | 0:01:39 | |
# I thought I was mistaken | 0:01:41 | 0:01:43 | |
# And I thought I'd heard you speak | 0:01:43 | 0:01:46 | |
# Tell me how do I feel | 0:01:46 | 0:01:50 | |
# Tell me now, how do I feel | 0:01:51 | 0:01:54 | |
# Those who came before me | 0:01:55 | 0:01:58 | |
# Lived through their vocations | 0:01:58 | 0:02:01 | |
# From the past until completion | 0:02:01 | 0:02:05 | |
# They will turn away no more | 0:02:05 | 0:02:08 | |
# And I still find it so hard | 0:02:10 | 0:02:13 | |
# To say what I need to say | 0:02:13 | 0:02:17 | |
# But I'm quite sure that you'll tell me | 0:02:17 | 0:02:20 | |
# Just how I should feel today | 0:02:20 | 0:02:23 | |
INSTRUMENTAL | 0:02:25 | 0:02:27 | |
# I see a ship in the harbour | 0:03:03 | 0:03:06 | |
# I can and shall obey | 0:03:06 | 0:03:09 | |
# But if it wasn't for your misfortune | 0:03:09 | 0:03:14 | |
# I'd be a heavenly person today | 0:03:14 | 0:03:17 | |
# And I thought I was mistaken | 0:03:18 | 0:03:21 | |
# And I thought I'd heard you speak | 0:03:21 | 0:03:24 | |
# Tell me how should I feel | 0:03:24 | 0:03:28 | |
# Tell me now, how should I feel | 0:03:28 | 0:03:31 | |
# Now I stand here waiting | 0:03:33 | 0:03:35 | |
# And I thought I told you to leave me | 0:03:47 | 0:03:50 | |
# While I walked down to the street | 0:03:50 | 0:03:54 | |
# Tell me how does it feel | 0:03:54 | 0:03:57 | |
# When your heart grows cold | 0:03:57 | 0:04:01 | |
# Grows cold | 0:04:01 | 0:04:03 | |
# Grows cold. # | 0:04:03 | 0:04:05 | |
APPLAUSE | 0:04:24 | 0:04:26 | |
New Order, that's Blue Monday. | 0:04:30 | 0:04:32 | |
Here's another band with style now. | 0:04:32 | 0:04:34 | |
It's Tracie, Paul and Mick. | 0:04:34 | 0:04:36 | |
Collectively they're called The Style Council | 0:04:36 | 0:04:38 | |
and this is Speak Like A Child. | 0:04:38 | 0:04:40 | |
# Your hair hangs in golden steps | 0:04:49 | 0:04:52 | |
# You're a bona fide in every respect | 0:04:52 | 0:04:56 | |
# You are walking through streets that mean nothing to you | 0:04:56 | 0:05:00 | |
# You believe you're above it and I don't really blame you | 0:05:00 | 0:05:04 | |
# Maybe that's why you speak like a child | 0:05:04 | 0:05:08 | |
# The things you're saying like I'm so free and so wild | 0:05:08 | 0:05:12 | |
# And I believe it when you look in my eyes | 0:05:12 | 0:05:15 | |
# You offer me a life and never lies | 0:05:15 | 0:05:18 | |
# Least only the kind to make me smile | 0:05:18 | 0:05:23 | |
# Your clothes are clean and your mind is productive | 0:05:25 | 0:05:28 | |
# It shops in stores where only the best buy | 0:05:28 | 0:05:32 | |
# You're cool and hard never sound like a lecher | 0:05:32 | 0:05:35 | |
# It's probably true but at least there's no lecture | 0:05:35 | 0:05:39 | |
# I really like it when you speak like a child | 0:05:39 | 0:05:43 | |
# The crazy sayings boy, I'm so free and so wild | 0:05:43 | 0:05:47 | |
# You have to make a bargain with me now | 0:05:47 | 0:05:50 | |
# A promise that you won't change somehow | 0:05:50 | 0:05:53 | |
# No way, no how | 0:05:53 | 0:05:56 | |
# Spent all day thinking about you | 0:05:59 | 0:06:03 | |
# Spent all night coming to terms with it | 0:06:03 | 0:06:06 | |
# Time and conditions are built to tame | 0:06:06 | 0:06:10 | |
# Nothing lasts the same so people say | 0:06:10 | 0:06:13 | |
# But I will always try to feel the same | 0:06:13 | 0:06:18 | |
# Yeah | 0:06:20 | 0:06:22 | |
INSTRUMENTAL | 0:06:24 | 0:06:26 | |
# Spent all day thinking about you | 0:06:44 | 0:06:48 | |
# Spent all night coming to terms with it | 0:06:48 | 0:06:52 | |
# Time and conditions are built to tame | 0:06:52 | 0:06:55 | |
# Nothing lasts the same so people say | 0:06:55 | 0:06:59 | |
# But I will always try to feel the same | 0:06:59 | 0:07:03 | |
# I really like it when you speak like a child | 0:07:03 | 0:07:06 | |
# I really like it when you speak like a child | 0:07:06 | 0:07:10 | |
# The way you hate the homely rank and the file | 0:07:10 | 0:07:13 | |
# The way you're so proud to be oh so free and so wild | 0:07:13 | 0:07:17 | |
# I really like it when you speak like a child | 0:07:17 | 0:07:21 | |
# I really like it when you speak like a child | 0:07:21 | 0:07:24 | |
# I really like it when you speak like a child | 0:07:24 | 0:07:28 | |
# The way you're so proud to be oh so free and so wild | 0:07:28 | 0:07:32 | |
# I really like it when you speak like a child | 0:07:32 | 0:07:35 | |
# I really like it when you speak like a child. # | 0:07:35 | 0:07:39 | |
APPLAUSE | 0:07:39 | 0:07:41 | |
That's The Style Council and Speak Like A Child. | 0:07:42 | 0:07:46 | |
Here's a song originally done by Julie London. | 0:07:46 | 0:07:49 | |
Here is Mari Wilson and Cry Me A River. | 0:07:49 | 0:07:53 | |
# Now you say you're lonely | 0:08:19 | 0:08:25 | |
# You cried the whole night through | 0:08:29 | 0:08:35 | |
# Well you can cry me a river | 0:08:36 | 0:08:41 | |
# Cry me a river | 0:08:43 | 0:08:46 | |
# Because I cried a river over you | 0:08:48 | 0:08:53 | |
# Now you say you're sorry | 0:08:59 | 0:09:04 | |
# For being so untrue | 0:09:06 | 0:09:13 | |
# Well you can cry me a river | 0:09:15 | 0:09:20 | |
# Cry me a river | 0:09:23 | 0:09:25 | |
# I cried a river over you | 0:09:28 | 0:09:32 | |
# You drove me | 0:09:37 | 0:09:39 | |
# Nearly drove me out of my head | 0:09:39 | 0:09:45 | |
# While you never shed a tear | 0:09:45 | 0:09:52 | |
# Remember | 0:09:56 | 0:09:58 | |
# I remember all that you said | 0:09:58 | 0:10:03 | |
# You told me love was too plebeian | 0:10:03 | 0:10:08 | |
# Told me you were through with me | 0:10:08 | 0:10:14 | |
# And now you say you love me | 0:10:14 | 0:10:19 | |
INSTRUMENTAL | 0:10:21 | 0:10:23 | |
# Now you say you love me | 0:10:51 | 0:10:58 | |
# Well, just to prove you do | 0:11:01 | 0:11:07 | |
# Come on and cry me a river | 0:11:07 | 0:11:13 | |
# Cry me a river | 0:11:15 | 0:11:17 | |
# I cried a river over you | 0:11:20 | 0:11:24 | |
INSTRUMENTAL | 0:11:27 | 0:11:29 | |
# I cried a river | 0:11:38 | 0:11:43 | |
# Over you. # | 0:11:47 | 0:11:52 | |
APPLAUSE | 0:12:02 | 0:12:04 | |
Mari Wilson, Cry Me A River. | 0:12:09 | 0:12:11 | |
She's out touring live at the moment. | 0:12:11 | 0:12:13 | |
Did a great show last Sunday night at the London Palladium. | 0:12:13 | 0:12:16 | |
-And now we have U2... -Yes. -..and Two Hearts Beat As One... -Yes. | 0:12:16 | 0:12:20 | |
-Yes! -Down there. | 0:12:20 | 0:12:21 | |
# I don't know | 0:12:43 | 0:12:44 | |
# I don't know which side I'm on | 0:12:44 | 0:12:47 | |
# I don't know my right from left | 0:12:47 | 0:12:51 | |
# Or my right from wrong | 0:12:51 | 0:12:54 | |
# Say I'm a fool | 0:12:54 | 0:12:57 | |
# You say I'm nothing | 0:12:57 | 0:13:00 | |
# But if I'm a fool for you | 0:13:00 | 0:13:04 | |
# Oh, that's something | 0:13:04 | 0:13:07 | |
# Two hearts beat as one | 0:13:09 | 0:13:13 | |
# Two hearts beat as one | 0:13:15 | 0:13:19 | |
# Two hearts | 0:13:21 | 0:13:23 | |
# I can't stop to dance | 0:13:27 | 0:13:30 | |
# Maybe this is my last chance | 0:13:30 | 0:13:33 | |
# I said I can't stop to dance | 0:13:33 | 0:13:36 | |
# Maybe this is my last chance | 0:13:36 | 0:13:40 | |
# Two hearts beat as one | 0:13:40 | 0:13:45 | |
# Two hearts beat as one | 0:13:47 | 0:13:53 | |
# Two hearts | 0:13:53 | 0:13:55 | |
# They beat on black | 0:13:57 | 0:13:59 | |
INSTRUMENTAL | 0:14:01 | 0:14:03 | |
# I don't know | 0:14:13 | 0:14:15 | |
# How to say what's got to be said | 0:14:15 | 0:14:18 | |
# I don't know if it's black or white | 0:14:18 | 0:14:22 | |
# There's others see red | 0:14:22 | 0:14:25 | |
# I don't get the answers right | 0:14:25 | 0:14:28 | |
# I leave that to you | 0:14:28 | 0:14:31 | |
# Is this love out of fashion | 0:14:31 | 0:14:34 | |
# Or is it the time of year | 0:14:34 | 0:14:38 | |
# Are these words distraction | 0:14:38 | 0:14:41 | |
# To the words you want to hear | 0:14:41 | 0:14:44 | |
# Two hearts beat as one | 0:14:46 | 0:14:50 | |
# Two hearts beat as one | 0:14:52 | 0:14:57 | |
# I try to spit it out | 0:14:59 | 0:15:02 | |
# I try to explain | 0:15:02 | 0:15:04 | |
# The way I feel | 0:15:06 | 0:15:08 | |
# Oh, yeah | 0:15:08 | 0:15:11 | |
# Two hearts... # | 0:15:11 | 0:15:13 | |
Top Of The Pops! | 0:15:17 | 0:15:19 | |
# Yeah | 0:15:21 | 0:15:23 | |
# Let's twist again | 0:15:25 | 0:15:27 | |
# Like we did last summer | 0:15:27 | 0:15:29 | |
# Oh, let's twist again | 0:15:29 | 0:15:32 | |
# Like we did last year | 0:15:32 | 0:15:35 | |
# Do you remember? # | 0:15:35 | 0:15:39 | |
APPLAUSE | 0:15:43 | 0:15:44 | |
U2 and Two Hearts Beat As One. | 0:15:47 | 0:15:50 | |
It's all going very well. I'm very happy with the way the show's going. | 0:15:50 | 0:15:53 | |
-Knock it on the head, Steve! -This is my best hat! | 0:15:53 | 0:15:56 | |
What shall we do now? Let's have a look at the charts, shall we? | 0:15:56 | 0:15:59 | |
Straight in at number 30, it's Cry Me A River from Mari Wilson. | 0:16:01 | 0:16:04 | |
Spandau Ballet and Communication, that's number 29. | 0:16:04 | 0:16:07 | |
At 28, Baby Come To Me, Patti Austin and James Ingram. | 0:16:07 | 0:16:11 | |
Kenny Everett and Snot Rap, that's a new entry at 27. | 0:16:11 | 0:16:15 | |
At 26, it's Joy, Band AKA. | 0:16:15 | 0:16:17 | |
Blancmange and Waves, that's number 25. | 0:16:17 | 0:16:20 | |
And straight in at 24, Two Hearts Beat As One from U2. | 0:16:22 | 0:16:25 | |
Modern Romance, High Life, that's number 23. | 0:16:25 | 0:16:28 | |
Visions In Blue at number 22 for Ultravox. | 0:16:28 | 0:16:32 | |
At 21, Run For Your Life, Bucks Fizz. | 0:16:32 | 0:16:36 | |
And at this week's number 20, Kajagoogoo and Ooh To Be Ah. | 0:16:36 | 0:16:41 | |
# Pick and choose | 0:16:59 | 0:17:02 | |
# The things you wear | 0:17:02 | 0:17:04 | |
# Feel free to look around | 0:17:04 | 0:17:06 | |
# With no obligation | 0:17:06 | 0:17:08 | |
# Times have changed | 0:17:08 | 0:17:10 | |
# So break new ground | 0:17:10 | 0:17:13 | |
# Feel free and take your time | 0:17:13 | 0:17:15 | |
# Take a little extra time | 0:17:15 | 0:17:17 | |
# More time with no obligations | 0:17:17 | 0:17:19 | |
# Clothes in Vogue | 0:17:19 | 0:17:22 | |
# Are all the rage | 0:17:22 | 0:17:24 | |
# But don't expect too much | 0:17:24 | 0:17:27 | |
# They can't perform miracles | 0:17:27 | 0:17:29 | |
# Head to toe | 0:17:29 | 0:17:31 | |
# Disguised again | 0:17:31 | 0:17:33 | |
# It's heavy when they say | 0:17:33 | 0:17:35 | |
# We don't perform miracles | 0:17:35 | 0:17:37 | |
# No, we don't perform miracles | 0:17:37 | 0:17:40 | |
# Ooh, to be a jetsetter | 0:17:40 | 0:17:42 | |
# Be a head start | 0:17:42 | 0:17:44 | |
# Ooh, to be ah, to be ah | 0:17:44 | 0:17:47 | |
# Look at me | 0:17:47 | 0:17:49 | |
# Ooh, in something new | 0:17:49 | 0:17:51 | |
# Ooh, to be ah | 0:17:51 | 0:17:53 | |
INSTRUMENTAL | 0:17:56 | 0:17:58 | |
# Cool glossy mags | 0:18:08 | 0:18:11 | |
# Reveal the facts | 0:18:11 | 0:18:13 | |
# With a little bit of goo | 0:18:13 | 0:18:15 | |
# It's usually in the Who's Who | 0:18:15 | 0:18:17 | |
# Place your bets | 0:18:17 | 0:18:20 | |
# Predict the favourite party of the day | 0:18:20 | 0:18:24 | |
# You'll find it in the Who's Who who's there | 0:18:24 | 0:18:26 | |
# You'll find them in the Who's Who | 0:18:26 | 0:18:29 | |
# Ooh, to be ah jetsetter | 0:18:29 | 0:18:31 | |
# Be ah head start | 0:18:31 | 0:18:33 | |
# Ooh, to be ah, to be ah | 0:18:33 | 0:18:36 | |
# Look at me, ooh, in something new | 0:18:36 | 0:18:39 | |
# Ooh, to be ah | 0:18:39 | 0:18:41 | |
INSTRUMENTAL | 0:18:41 | 0:18:43 | |
# Ooh, to be ah jetsetter | 0:19:10 | 0:19:12 | |
# Be ah head start | 0:19:12 | 0:19:14 | |
# Ooh, to be ah, to be ah | 0:19:14 | 0:19:17 | |
# Look at me, ooh, in something new | 0:19:17 | 0:19:20 | |
# Ooh, to be ah | 0:19:20 | 0:19:23 | |
# To be ah jetsetter | 0:19:23 | 0:19:25 | |
# Be ah head start | 0:19:25 | 0:19:27 | |
# Ooh, to be ah, to be ah | 0:19:27 | 0:19:30 | |
# Look at me | 0:19:30 | 0:19:32 | |
# In something new | 0:19:32 | 0:19:34 | |
# Ooh, to be ah | 0:19:34 | 0:19:36 | |
# Be ah jetsetter | 0:19:42 | 0:19:45 | |
# Be ah head start | 0:19:45 | 0:19:47 | |
# Ooh, to be ah, to be ah | 0:19:47 | 0:19:50 | |
# Look at me, ooh, in something new | 0:19:50 | 0:19:53 | |
# Ooh, to be ah | 0:19:53 | 0:19:56 | |
# To be ah jetsetter | 0:19:56 | 0:19:58 | |
# Be ah head start | 0:19:58 | 0:20:00 | |
# Ooh, to be ah, to be ah | 0:20:00 | 0:20:03 | |
# Look at me, ooh, in something new | 0:20:03 | 0:20:06 | |
# Ooh, to be ah. # | 0:20:06 | 0:20:09 | |
APPLAUSE | 0:20:09 | 0:20:11 | |
Kajagoogoo. In the week that Too Shy hits number one in the German charts | 0:20:13 | 0:20:16 | |
that's their new British hit, Ooh To Be Ah. | 0:20:16 | 0:20:19 | |
Let's talk about the British charts now, | 0:20:19 | 0:20:21 | |
as we take a look at the next slab of the top 30. | 0:20:21 | 0:20:23 | |
At this week's number 19, Garden Party, Mezzoforte. | 0:20:26 | 0:20:29 | |
Tracey Ullman, Breakaway, that's a new entry at 18. | 0:20:29 | 0:20:32 | |
17, Blue Monday, New Order. | 0:20:32 | 0:20:35 | |
At this week's number 16, Orchard Road, Leo Sayer. | 0:20:35 | 0:20:39 | |
Nick Heyward, Whistle Down The Wind, that's at this week's number 15. | 0:20:39 | 0:20:43 | |
14, You Can't Hide, David Joseph. | 0:20:43 | 0:20:46 | |
A new chart entry at number 13 this week. Fields of Fire, Big Country. | 0:20:46 | 0:20:50 | |
Joan Armatrading, Drop The Pilot, that's at 12. | 0:20:50 | 0:20:53 | |
And Michael Jackson, Billie Jean, at this week's number 11. | 0:20:53 | 0:20:57 | |
Now, she is the funniest lady on television, apart from Boy George! | 0:20:57 | 0:21:02 | |
She is Tracey Ullman and she sings Breakaway. | 0:21:02 | 0:21:06 | |
# I made my reservation I'm leaving town tomorrow | 0:21:15 | 0:21:18 | |
# I'll find somebody new and there'll be no more sorrow | 0:21:18 | 0:21:22 | |
# That's what I do each time But I can't follow through | 0:21:22 | 0:21:25 | |
# I can't break away though you make me cry | 0:21:25 | 0:21:29 | |
# I can't break away I can't say goodbye | 0:21:29 | 0:21:32 | |
# No, I'll never, never break away from you | 0:21:32 | 0:21:37 | |
# No, no, no, no, no | 0:21:37 | 0:21:39 | |
# No, no, no, no, no | 0:21:39 | 0:21:41 | |
# No, no, no, no, no | 0:21:41 | 0:21:43 | |
# I'll make that vow to myself You and I are through | 0:21:43 | 0:21:47 | |
# Nothing can change my mind I'm sorry just won't do | 0:21:47 | 0:21:50 | |
# That's what I'll say each time But I can't follow through | 0:21:50 | 0:21:54 | |
# I can't break away Though you make me cry | 0:21:54 | 0:21:57 | |
# I can't break away I can't say goodbye | 0:21:57 | 0:22:01 | |
# No, I'll never, never break away from you | 0:22:01 | 0:22:05 | |
# No, no, no, no, no | 0:22:05 | 0:22:07 | |
# No, no, no, no, no | 0:22:07 | 0:22:09 | |
# No, no, no, no, no | 0:22:09 | 0:22:12 | |
# Even though you treat me bad | 0:22:12 | 0:22:16 | |
# And many cruel words are spoken | 0:22:16 | 0:22:20 | |
# You have got a spell on me | 0:22:20 | 0:22:23 | |
# That just can't be broken | 0:22:23 | 0:22:26 | |
# No, no | 0:22:26 | 0:22:28 | |
# I'll take your picture down and throw it away | 0:22:31 | 0:22:34 | |
# There'll be no baby now for you to call each day | 0:22:34 | 0:22:37 | |
# That's what I'll say each time But I can't follow through | 0:22:37 | 0:22:40 | |
# I can't break away Though you make me cry | 0:22:40 | 0:22:44 | |
# I can't break away I can't say goodbye | 0:22:44 | 0:22:48 | |
# No, I'll never, never break away from you | 0:22:48 | 0:22:52 | |
# No, no, no, no, no | 0:22:52 | 0:22:55 | |
# No, no, no, no, no | 0:22:55 | 0:22:57 | |
# No, no, no, no, no | 0:22:57 | 0:22:59 | |
# I can't break away Though you make me cry | 0:23:03 | 0:23:06 | |
# I can't break away I can't say goodbye | 0:23:06 | 0:23:10 | |
# No, I'll never, never break away from you | 0:23:10 | 0:23:14 | |
# No, no, no, no, no | 0:23:14 | 0:23:16 | |
# No, no, no, no, no | 0:23:16 | 0:23:18 | |
# No, no, no, no, no | 0:23:18 | 0:23:20 | |
# I can't break away I can't break away | 0:23:20 | 0:23:24 | |
# I can't break away I can't break away | 0:23:24 | 0:23:27 | |
# I can't break away I can't break away | 0:23:27 | 0:23:31 | |
# I can't break away I can't break away | 0:23:31 | 0:23:34 | |
# I can't break away. # | 0:23:34 | 0:23:36 | |
APPLAUSE | 0:23:36 | 0:23:38 | |
Tracey Ullman and Breakaway. What a performance. | 0:23:38 | 0:23:41 | |
I'll tell you what, we'll move on immediately to the top ten run-down. | 0:23:41 | 0:23:45 | |
So this week's number ten is Forrest and Rock The Boat. | 0:23:47 | 0:23:51 | |
Na Na Hey Hey Kiss Him Goodbye, Bananarama at number nine. | 0:23:51 | 0:23:54 | |
Orange Juice at number eight, Rip It Up. | 0:23:54 | 0:23:57 | |
And at number seven, Don't Talk To Me About Love, Altered Images. | 0:23:57 | 0:24:01 | |
At six, JoBoxers and Box A Beat. | 0:24:01 | 0:24:04 | |
At five, Sweet Dreams Are Made Of This, The Eurythmics. | 0:24:04 | 0:24:08 | |
Speak Like A Child, The Style Council. | 0:24:08 | 0:24:10 | |
That's this week's number four. | 0:24:10 | 0:24:12 | |
And there's A Total Eclipse Of The Heart at number three | 0:24:12 | 0:24:14 | |
with Bonnie Tyler. | 0:24:14 | 0:24:16 | |
And David Bowie, Let's Dance, at this week's number two. | 0:24:16 | 0:24:19 | |
-And at number one... -Is there something I should know, Steve? | 0:24:19 | 0:24:22 | |
-I know what you're trying to say. -Duran Duran. Here they are. | 0:24:22 | 0:24:26 | |
# Please, please tell me now | 0:24:26 | 0:24:28 | |
# Please, please tell me now | 0:24:29 | 0:24:32 | |
# Please, please tell me now | 0:24:33 | 0:24:36 | |
# Please, please tell me now | 0:24:37 | 0:24:40 | |
# I made a break I run out yesterday | 0:25:00 | 0:25:04 | |
# Tried to find my mountain hideaway | 0:25:04 | 0:25:08 | |
# Maybe next year, maybe no go | 0:25:09 | 0:25:13 | |
# I know you're watching me every minute of the day, yeah | 0:25:16 | 0:25:21 | |
# I've seen the signs and the looks and pictures | 0:25:23 | 0:25:26 | |
# That give your game away, yeah | 0:25:26 | 0:25:29 | |
# There's a dream that strings the road | 0:25:30 | 0:25:33 | |
# With broken glass for us to hold | 0:25:33 | 0:25:38 | |
# And I cut so far before I had to say | 0:25:38 | 0:25:44 | |
# Please, please tell me now | 0:25:46 | 0:25:49 | |
# Is there something I should know? | 0:25:49 | 0:25:53 | |
# Is there something I should say | 0:25:53 | 0:25:57 | |
# That would make you come my way? | 0:25:57 | 0:26:01 | |
# Do you feel the same cos you don't let it show | 0:26:01 | 0:26:07 | |
# Ooh | 0:26:10 | 0:26:12 | |
# People stare and cross the road from me | 0:26:14 | 0:26:17 | |
# And jungle drums they all clear the way for me | 0:26:17 | 0:26:21 | |
# Can you read my mind? | 0:26:21 | 0:26:23 | |
# Can you see in the snow? | 0:26:23 | 0:26:27 | |
# And fiery demons all dance when you walk through that door | 0:26:29 | 0:26:34 | |
# Don't say you're easy on me | 0:26:36 | 0:26:38 | |
# You're about as easy as a nuclear war | 0:26:38 | 0:26:42 | |
# There's a dream that strings the road | 0:26:44 | 0:26:47 | |
# With broken glass for us to hold | 0:26:47 | 0:26:51 | |
# And I cut so far before I had to say | 0:26:51 | 0:26:58 | |
# Please, please tell me now | 0:26:59 | 0:27:02 | |
# Is there something I should know? | 0:27:02 | 0:27:06 | |
# Is there something I should say | 0:27:06 | 0:27:10 | |
# That would make you come my way? | 0:27:10 | 0:27:14 | |
# Do you feel the same cos you don't let it show | 0:27:14 | 0:27:20 | |
INSTRUMENTAL | 0:27:27 | 0:27:29 | |
# Please, please tell me now | 0:27:59 | 0:28:02 | |
-# Is there something I should know? -Please, please tell me now | 0:28:02 | 0:28:06 | |
-# Is there something I should say -Please, please tell me now | 0:28:06 | 0:28:10 | |
-# That would make you come my way? -Please, please tell me now | 0:28:10 | 0:28:14 | |
# Please, please tell me now | 0:28:15 | 0:28:18 | |
-# Is there something I should know? -Please, please tell me now | 0:28:18 | 0:28:21 | |
-# Is there something I should say -Please, please tell me now | 0:28:21 | 0:28:25 | |
-# That would make you come my way? -Please, please tell me now | 0:28:25 | 0:28:29 | |
# Please, please tell me now | 0:28:30 | 0:28:33 | |
-# Can you see what makes me blow? -Please, please tell me now | 0:28:33 | 0:28:37 | |
-# Can you see how much I die -Please, please tell me now | 0:28:37 | 0:28:41 | |
-# Every time it passes by? -Please, please tell me now | 0:28:41 | 0:28:44 | |
# Please, please tell me now... # | 0:28:45 | 0:28:48 | |
APPLAUSE | 0:28:48 | 0:28:50 | |
They're still there at number one. That's Duran Duran. | 0:28:52 | 0:28:56 | |
And Sid Snot is here. | 0:28:56 | 0:28:58 | |
Sid, listen, mate, what's it like to be an overnight sensation? | 0:28:58 | 0:29:02 | |
Well, I don't really want to be an overnight sensation | 0:29:02 | 0:29:05 | |
cos I've got a lot of things to do tomorrow, you know what I mean? | 0:29:05 | 0:29:09 | |
I know what you're saying. | 0:29:09 | 0:29:10 | |
In one week's time, Top Of The Pops live, Kenny. | 0:29:10 | 0:29:13 | |
Oh, my God! | 0:29:13 | 0:29:15 | |
-And after this programme? -It's him. -It's him. -Me?! | 0:29:15 | 0:29:18 | |
-Are you on? -Am I on after this? | 0:29:18 | 0:29:20 | |
-It's after this. -This could save the BBC! | 0:29:20 | 0:29:23 | |
-See you next week. Bye. -Bye. | 0:29:23 | 0:29:25 | |
APPLAUSE | 0:29:25 | 0:29:27 | |
# The whole thing's a sort of musical mess | 0:29:31 | 0:29:33 | |
# It's a rap | 0:29:33 | 0:29:34 | |
# Done with taste The best possible taste | 0:29:42 | 0:29:45 | |
# It's all done with taste The best possible taste | 0:29:45 | 0:29:49 | |
# It's all done with taste The best possible taste | 0:29:49 | 0:29:53 | |
# It's all done with taste The best possible taste | 0:29:53 | 0:29:57 | |
# It's all done with taste The best possible taste | 0:29:57 | 0:30:01 | |
# It's all done with taste | 0:30:01 | 0:30:03 | |
# I thought a rap was something you wear | 0:30:05 | 0:30:07 | |
# You know, round your shoulders and the rest is bare | 0:30:07 | 0:30:10 | |
# I love records and big hits Sidney, get your hand off my... | 0:30:10 | 0:30:13 | |
# Shut up, fatso | 0:30:13 | 0:30:15 | |
# It's a rap | 0:30:15 | 0:30:17 | |
# Listen, slagheap you're doing it wrong | 0:30:21 | 0:30:23 | |
# You've got to stay on the beat to do this song | 0:30:23 | 0:30:25 | |
# Oh, Sid you know I'd love to do it | 0:30:25 | 0:30:28 | |
# Oh, leave it out there's nothing to it | 0:30:28 | 0:30:29 | |
# It's a rap | 0:30:29 | 0:30:30 | |
# Done with taste The best possible taste... # | 0:30:38 | 0:30:41 | |
-Sidney? -Yeah? -How do you think this record's going? | 0:30:41 | 0:30:44 | |
Well, it's going round, dummy. | 0:30:44 | 0:30:46 | |
That's funny - I used to go round with Burt Reynolds! | 0:30:46 | 0:30:50 | |
Ugh, shut up, dog-breath. | 0:30:50 | 0:30:52 | |
# The best possible taste | 0:30:52 | 0:30:53 | |
# It's all done with taste The best possible taste | 0:30:53 | 0:30:57 | |
# It's all done with taste | 0:30:57 | 0:31:00 | |
# Just keep talking you know what I mean? | 0:31:02 | 0:31:03 | |
# About things you've done and things you've seen | 0:31:03 | 0:31:05 | |
# Whoo! I've seen things big and small | 0:31:05 | 0:31:07 | |
# But let's not get into that at all | 0:31:07 | 0:31:09 | |
# It's a rap | 0:31:09 | 0:31:11 | |
# Look, you just make it up as you go along | 0:31:17 | 0:31:19 | |
# So nobody knows if you're doing it wrong | 0:31:19 | 0:31:21 | |
# You can chuck in a word like circumcision | 0:31:21 | 0:31:24 | |
# Cos we ain't going in for Eurovision | 0:31:24 | 0:31:25 | |
# It's a rap. # | 0:31:25 | 0:31:27 |