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Greetings Duranies! Time to travel to those New Romantic times now | 0:00:21 | 0:00:25 | |
with Simon Le Bon, Nick Rhodes and the Taylor gang, | 0:00:25 | 0:00:28 | |
Andy, John and Roger. | 0:00:28 | 0:00:30 | |
Girl On Film up first with Simon sporting the design classic | 0:00:30 | 0:00:34 | |
crop-safari suit look. | 0:00:34 | 0:00:35 | |
Blimey, Simon! Calm down! | 0:00:35 | 0:00:37 | |
Too many sweets and fizzy drinks, I expect. | 0:00:37 | 0:00:40 | |
Oh, and Nick, you're supposed to play the keyboard, not just hit it. | 0:00:40 | 0:00:44 | |
# Then walk right out to the four line track | 0:00:44 | 0:00:47 | |
# There's a camera rolling on her back | 0:00:47 | 0:00:49 | |
# On her back | 0:00:49 | 0:00:51 | |
# And I sense the rhythm humming in a frenzy all the way down her spine | 0:00:51 | 0:00:56 | |
# Girls on film | 0:01:01 | 0:01:03 | |
# Girls on film | 0:01:04 | 0:01:06 | |
# Girls on film | 0:01:08 | 0:01:10 | |
# Girls on film | 0:01:11 | 0:01:13 | |
# Lipstick cherry all over the lens as she's falling | 0:01:23 | 0:01:28 | |
# In miles of sharp blue water coming in where she lies | 0:01:31 | 0:01:35 | |
# The diving man's coming up for air | 0:01:38 | 0:01:40 | |
# Cos the crowd all love pulling dolly by the hair | 0:01:40 | 0:01:43 | |
# By the hair | 0:01:43 | 0:01:44 | |
# And she wonders how she ever got here as she goes under again | 0:01:44 | 0:01:49 | |
# Girls on film, two minutes later | 0:01:54 | 0:01:58 | |
# Girls on film | 0:01:58 | 0:02:00 | |
# Girls on film, got your picture | 0:02:01 | 0:02:05 | |
# Girls on film | 0:02:05 | 0:02:07 | |
# Wider baby smiling you just made a million | 0:02:37 | 0:02:41 | |
# Fuses pumping live heat twisting out on a wire | 0:02:44 | 0:02:48 | |
# Take one last glimpse into the night | 0:02:51 | 0:02:54 | |
# I'm touching close I'm holding bright | 0:02:54 | 0:02:56 | |
# Holding tight | 0:02:56 | 0:02:58 | |
# Give me shudders in a whisper take me up till I'm shooting a star | 0:02:58 | 0:03:04 | |
# Girls on film, she's more than a lady | 0:03:08 | 0:03:11 | |
# Girls on film | 0:03:11 | 0:03:13 | |
# Girls on film, two minutes later | 0:03:15 | 0:03:19 | |
# Girls on film | 0:03:19 | 0:03:20 | |
# Girls on film, see you together | 0:03:22 | 0:03:26 | |
# Girls on film...# | 0:03:26 | 0:03:28 | |
Now, then. I don't know what these uniforms are about. | 0:03:29 | 0:03:32 | |
Perhaps they're army surplus from a Spanish bullfighting regiment! | 0:03:32 | 0:03:36 | |
Nick's carefully placed a flower on the keyboards. | 0:03:36 | 0:03:39 | |
You're fooling no-one. I can still see you're not doing anything much. | 0:03:39 | 0:03:43 | |
Thankfully, the genii of the design department got the tin foil out | 0:03:43 | 0:03:47 | |
to lend some much needed sparkle to the set. | 0:03:47 | 0:03:50 | |
# I'm never bothered what you say | 0:03:52 | 0:03:55 | |
# Someone's kid just lives for today | 0:03:55 | 0:03:58 | |
# It ain't your problem anyway | 0:03:58 | 0:04:02 | |
# Cos I've got my own way | 0:04:05 | 0:04:08 | |
# I can find my own way | 0:04:08 | 0:04:11 | |
# Cos I've got my own way | 0:04:11 | 0:04:15 | |
# Hey, yeah-yeah-yeah, yeah-yeah-yeah | 0:04:15 | 0:04:18 | |
# Cos I've got my own way | 0:04:18 | 0:04:21 | |
# I can find my own way | 0:04:21 | 0:04:25 | |
# Cos I've got my own way | 0:04:25 | 0:04:28 | |
# A public figure, what a pain | 0:04:45 | 0:04:48 | |
# Just puts another rattle in your brain | 0:04:48 | 0:04:52 | |
# Take another green but it's not the same | 0:04:52 | 0:04:55 | |
# So now you're on the sand lane every day | 0:04:58 | 0:05:01 | |
# Dancing with the bulls in any old way | 0:05:01 | 0:05:05 | |
# Running like a fox to keep up with me | 0:05:05 | 0:05:08 | |
# Cos I've got my own way | 0:05:11 | 0:05:14 | |
# I can find my own way | 0:05:14 | 0:05:18 | |
# Cos I've got my own way | 0:05:18 | 0:05:21 | |
# Hey, yeah-yeah-yeah, yeah-yeah-yeah | 0:05:21 | 0:05:24 | |
# Cos I've got my own way | 0:05:24 | 0:05:28 | |
# I can find my own way | 0:05:28 | 0:05:31 | |
# Cos I've got my own way | 0:05:31 | 0:05:34 | |
# Hey, yeah-yeah-yeah, yeah-yeah-yeah | 0:05:34 | 0:05:38 | |
# Cos I've got my own way | 0:06:11 | 0:06:14 | |
# I can find my own way | 0:06:14 | 0:06:17 | |
# Cos I've got my own way | 0:06:17 | 0:06:21 | |
# Hey, yeah-yeah-yeah, yeah-yeah-yeah | 0:06:21 | 0:06:24 | |
# Cos I've got my own way | 0:06:24 | 0:06:27 | |
# I can find my own way | 0:06:27 | 0:06:31 | |
# Cos I've got my own way | 0:06:31 | 0:06:34 | |
# Hey, yeah-yeah-yeah, yeah-yeah-yeah...# | 0:06:34 | 0:06:38 | |
SCREAMS AND APPLAUSE | 0:06:38 | 0:06:41 | |
Moving on to 1982 now | 0:06:41 | 0:06:43 | |
and I promise you, those jackets were supposed to fit like that. | 0:06:43 | 0:06:47 | |
Poor old Andy was so late | 0:06:47 | 0:06:49 | |
to the Closing Down, Everything-Must-Go shoe sale, | 0:06:49 | 0:06:52 | |
everything had gone and he had to do Top of the Pops barefoot. | 0:06:52 | 0:06:56 | |
On a positive note, hurrah, Nick finally plays with both hands! | 0:06:56 | 0:07:01 | |
# Woman you want me give me a sign | 0:07:01 | 0:07:04 | |
# And catch my breathing even closer behind | 0:07:04 | 0:07:08 | |
# Doo-doo, doo-doo, doo-doo doo-doo, doo-doo, doo-doo | 0:07:08 | 0:07:13 | |
# In touch with the ground | 0:07:16 | 0:07:18 | |
# I'm on the hunt, I'm after you | 0:07:18 | 0:07:22 | |
# Smell like I sound | 0:07:22 | 0:07:24 | |
# I'm lost in a crowd | 0:07:24 | 0:07:26 | |
# And I'm hungry like the wolf | 0:07:26 | 0:07:30 | |
# Straddle the line in discord and rhyme | 0:07:30 | 0:07:33 | |
# I'm on the hunt, I'm after you | 0:07:33 | 0:07:37 | |
# Mouth is alive with juices like wine | 0:07:37 | 0:07:41 | |
# And I'm hungry like the wolf | 0:07:41 | 0:07:46 | |
# Stalked in the forest too close to hide | 0:07:50 | 0:07:53 | |
# I'll be upon you by the moonlight side | 0:07:53 | 0:07:57 | |
# Doo-doo, doo-doo, doo-doo doo-doo, doo-doo, doo-doo | 0:07:57 | 0:08:02 | |
# High blood drumming on your skin it's so tight | 0:08:05 | 0:08:08 | |
# You feel my heat I'm just a moment behind | 0:08:08 | 0:08:12 | |
# Doo-doo, doo-doo, doo-doo doo-doo, doo-doo, doo-doo | 0:08:12 | 0:08:17 | |
# In touch with the ground | 0:08:20 | 0:08:22 | |
# I'm on the hunt, I'm after you | 0:08:22 | 0:08:26 | |
# Scent and a sound | 0:08:26 | 0:08:28 | |
# I'm lost and I'm found | 0:08:28 | 0:08:30 | |
# And I'm hungry like the wolf | 0:08:30 | 0:08:34 | |
# Strut on a line it's discord and rhyme | 0:08:34 | 0:08:37 | |
# I howl and I whine I'm after you | 0:08:37 | 0:08:41 | |
# Mouth is alive, all running inside | 0:08:41 | 0:08:45 | |
# And I'm hungry like the wolf | 0:08:45 | 0:08:50 | |
# Hungry like the wolf | 0:09:05 | 0:09:06 | |
# Hungry like the wolf | 0:09:06 | 0:09:08 | |
# Hungry like the wolf | 0:09:08 | 0:09:10 | |
# Burning the ground, I break from the crowd | 0:09:19 | 0:09:22 | |
# I'm on the hunt I'm after you | 0:09:22 | 0:09:26 | |
# I smell like I sound | 0:09:26 | 0:09:28 | |
# I'm lost and I'm found | 0:09:28 | 0:09:30 | |
# And I'm hungry like the wolf | 0:09:30 | 0:09:34 | |
# Straddle the line # | 0:09:34 | 0:09:37 | |
Next, it's Rio. I used to like the video of them on a boating holiday in inadequate clothing. | 0:09:37 | 0:09:42 | |
But here they are, in a dimly-lit BBC community centre, | 0:09:42 | 0:09:45 | |
running off the back-up generator, after the director general forgot to pay the electricity bill. | 0:09:45 | 0:09:50 | |
# Moving on the floor, now, babe | 0:09:50 | 0:09:53 | |
# You're a bird of paradise | 0:09:53 | 0:09:56 | |
# Cherry ice-cream smile I suppose it's very nice | 0:09:57 | 0:10:03 | |
# With a step to the left and a flick to the right | 0:10:03 | 0:10:06 | |
# You catch the mirror way out west | 0:10:06 | 0:10:09 | |
# You know you're something special and you look like you're the best | 0:10:10 | 0:10:16 | |
# Her name is Rio and she dances on the sand | 0:10:20 | 0:10:26 | |
# Just like that river twisting through that dusty land | 0:10:27 | 0:10:33 | |
# And when she shines she really shows you all she can | 0:10:34 | 0:10:39 | |
# Oh Rio, Rio dance across the Rio Grande | 0:10:40 | 0:10:46 | |
# I've seen you on the beach and I've seen you on TV | 0:10:54 | 0:10:59 | |
# Two of a billion stars | 0:11:00 | 0:11:05 | |
# It means so much to me like a birthday or a pretty view | 0:11:05 | 0:11:13 | |
# But then I'm sure that you know it's just for you | 0:11:13 | 0:11:19 | |
# Her name is Rio and she dances on the sand | 0:11:23 | 0:11:29 | |
# Just like that river twisting through that dusty land | 0:11:30 | 0:11:36 | |
# And when she shines she really shows you all she can | 0:11:37 | 0:11:42 | |
# Oh Rio, Rio dance across the Rio Grande # | 0:11:43 | 0:11:50 | |
SYNTH, DRUMS AND BASS | 0:11:50 | 0:11:53 | |
LAUGHTER AND BIRDSONG | 0:11:55 | 0:11:58 | |
CHEERING | 0:11:58 | 0:12:00 | |
SAXOPHONE | 0:12:03 | 0:12:06 | |
# Hey now, wow, look at that did they really run you down | 0:12:43 | 0:12:49 | |
# At the end of the drive the lawmen arrive | 0:12:49 | 0:12:52 | |
# You make me feel alive, alive, alive | 0:12:52 | 0:12:58 | |
# I'll take my chance 'cause luck is on my side | 0:12:58 | 0:13:03 | |
# I tell you something I know what you're thinking | 0:13:03 | 0:13:06 | |
# I tell you something I know what you're thinking | 0:13:06 | 0:13:09 | |
# Her name is Rio and she dances on the sand | 0:13:13 | 0:13:18 | |
# Just like that river twists across that dusty land | 0:13:19 | 0:13:25 | |
# And when she shines she really shows you all she can | 0:13:26 | 0:13:32 | |
# Oh Rio, Rio dance across the Rio Grande | 0:13:33 | 0:13:38 | |
# Her name is Rio she don't need to understand | 0:13:39 | 0:13:45 | |
# I might find her if I'm looking like I can | 0:13:46 | 0:13:52 | |
# Oh Rio, Rio hear them shout across the land # | 0:13:53 | 0:13:58 | |
Terrific bass line from John Taylor on that one. | 0:13:59 | 0:14:02 | |
Did Simon look like he was going through a 'Bay City Roller' phase? | 0:14:02 | 0:14:06 | |
This is a TOTP2 Duran Duran special. | 0:14:09 | 0:14:11 | |
Here, we catch Le Bon performing en route to a job interview. | 0:14:12 | 0:14:16 | |
He didn't get it, sadly, and has had to stay with Duran to this day. | 0:14:16 | 0:14:20 | |
Still, with all those years of service, he must be on a pretty good pension. | 0:14:20 | 0:14:25 | |
# I made a break I run out yesterday | 0:14:37 | 0:14:41 | |
# Tried to find my mountain hideaway | 0:14:41 | 0:14:45 | |
# Maybe next year maybe no go | 0:14:46 | 0:14:50 | |
# I know you're watching me every minute of the day | 0:14:52 | 0:14:58 | |
# I've seen the signs and the looks and the pictures | 0:14:59 | 0:15:02 | |
# They give your game away, yeah | 0:15:02 | 0:15:05 | |
# There's a dream that strings the road | 0:15:07 | 0:15:10 | |
# With broken glass for us to hold | 0:15:10 | 0:15:14 | |
# And I cut so far before I had to say | 0:15:14 | 0:15:20 | |
# Please, please tell me now | 0:15:23 | 0:15:25 | |
# Is there something I should know | 0:15:26 | 0:15:29 | |
# Is there something I should say | 0:15:30 | 0:15:33 | |
# That'll make you come my way | 0:15:34 | 0:15:37 | |
# Do you feel the same cos you don't let it show | 0:15:38 | 0:15:44 | |
# Ooh, ooh | 0:15:45 | 0:15:48 | |
# People stare and cross the road from me | 0:15:50 | 0:15:53 | |
# Jungle drums, they clear the way for me | 0:15:53 | 0:15:57 | |
# Can you read my mind can you see in the snow | 0:15:57 | 0:16:03 | |
# Fiery demons will dance when you walk through that door | 0:16:05 | 0:16:11 | |
# Don't say you're easy on me | 0:16:12 | 0:16:14 | |
# You're about as easy as a nuclear war | 0:16:14 | 0:16:19 | |
# There's a dream that strings the road | 0:16:20 | 0:16:23 | |
# With broken glass for us to hold | 0:16:23 | 0:16:27 | |
# And I cut so far before I have to say | 0:16:27 | 0:16:32 | |
# Please, please tell me now | 0:16:36 | 0:16:39 | |
# Is there something I should know | 0:16:39 | 0:16:42 | |
# Is there something I should say | 0:16:43 | 0:16:46 | |
# That'll make you come my way | 0:16:47 | 0:16:50 | |
# Do you feel the same 'cause you don't let it show | 0:16:50 | 0:16:56 | |
HARMONICA | 0:17:03 | 0:17:05 | |
Is he really playing the harmonica there, or just blowing into his cupped hands? | 0:17:31 | 0:17:37 | |
Now then, The Reflex is next. | 0:17:37 | 0:17:40 | |
Featuring Andy Taylor sporting the worst mullet you will ever see. | 0:17:40 | 0:17:43 | |
At least, until we get to the next song. | 0:17:43 | 0:17:46 | |
# You've gone too far this time | 0:17:46 | 0:17:49 | |
# But I'm dancing on the Valentine | 0:17:49 | 0:17:53 | |
# I tell you somebody's fooling around | 0:17:53 | 0:17:57 | |
# With my chances on the danger line | 0:17:57 | 0:18:01 | |
# I'll cross that bridge when I find it | 0:18:01 | 0:18:04 | |
# Another day to make my stand, o-oh | 0:18:04 | 0:18:08 | |
# High time is no time for deciding if I should find a helping hand | 0:18:08 | 0:18:14 | |
# O-oh | 0:18:14 | 0:18:16 | |
# Why don't you use it try not to bruise it | 0:18:17 | 0:18:23 | |
# Buy time don't lose it | 0:18:24 | 0:18:27 | |
# Why don't you use it | 0:18:32 | 0:18:35 | |
# Try not to bruise it | 0:18:35 | 0:18:39 | |
# Buy time don't lose it | 0:18:39 | 0:18:43 | |
# The Reflex is an only child | 0:18:47 | 0:18:50 | |
# He's waiting by the park | 0:18:50 | 0:18:54 | |
# The Reflex is in charge of finding treasure in the dark | 0:18:54 | 0:19:01 | |
# And watching over lucky clover isn't that bizarre | 0:19:02 | 0:19:09 | |
# Every little thing The Reflex does | 0:19:09 | 0:19:12 | |
# Leaves you answered with a question mark | 0:19:12 | 0:19:17 | |
GUITAR | 0:19:18 | 0:19:20 | |
# I'm on a ride and I want to get off | 0:19:25 | 0:19:28 | |
# But they won't slow down the roundabout | 0:19:28 | 0:19:32 | |
# I sold the Renoir and the TV set | 0:19:33 | 0:19:36 | |
# Don't want to be around when this gets out | 0:19:36 | 0:19:39 | |
# Why don't you use it | 0:19:40 | 0:19:43 | |
# Try not to bruise it | 0:19:44 | 0:19:47 | |
# Buy time don't lose it | 0:19:47 | 0:19:51 | |
# Why-y-y-y-y, wha-wha, why-y-ya | 0:19:55 | 0:19:58 | |
# Why-y-y-y-y, wha-wha, why-y-ya | 0:19:59 | 0:20:02 | |
# Why-y-y-y-ya, don't you use it | 0:20:03 | 0:20:06 | |
# The Reflex is a lonely child | 0:20:10 | 0:20:14 | |
# He's waiting in the park | 0:20:14 | 0:20:17 | |
# The Reflex is in charge of finding treasure in the dark | 0:20:17 | 0:20:25 | |
# Watching over lucky clover isn't that bizarre | 0:20:25 | 0:20:32 | |
# Every little thing The Reflex does | 0:20:32 | 0:20:36 | |
# Gives an answer with a question mark | 0:20:36 | 0:20:40 | |
DRUM AND SYNTH | 0:20:41 | 0:20:44 | |
COWBELL AND SYNTH | 0:20:48 | 0:20:51 | |
# So why-y-y-y-ya don't you use it | 0:20:55 | 0:20:59 | |
# Try-y-y-y-ya not to bruise it | 0:20:59 | 0:21:02 | |
# Buy-y-y-y-y time don't lose it | 0:21:02 | 0:21:06 | |
# The Reflex is an only child | 0:21:10 | 0:21:14 | |
# He's waiting by the park | 0:21:14 | 0:21:17 | |
# The Reflex is in charge of finding treasure in the dark | 0:21:17 | 0:21:24 | |
# Watching over lucky clover isn't that bizarre | 0:21:25 | 0:21:32 | |
# Every little thing The Reflex does # | 0:21:32 | 0:21:35 | |
OK, not far to go, now. I always felt sorry for Simon on this track, | 0:21:35 | 0:21:40 | |
it's not in a comfortable key for him, is it? | 0:21:40 | 0:21:42 | |
Lucky he didn't give himself an embolism. | 0:21:42 | 0:21:45 | |
Nick Rhodes has brought a TV with him, in case he gets bored. | 0:21:45 | 0:21:49 | |
And surely that drum kit consists of Tupperware drinks containers? | 0:21:49 | 0:21:53 | |
REVERB: BOYS! | 0:21:56 | 0:21:58 | |
# The wild boys are calling | 0:22:02 | 0:22:05 | |
# On their way back from the fire | 0:22:05 | 0:22:09 | |
# In August moon surrender to a dust cloud on the rise | 0:22:10 | 0:22:17 | |
# Wild boys falling far from glory | 0:22:19 | 0:22:23 | |
# Reckless and so hungered | 0:22:23 | 0:22:26 | |
# On the razor's edge you trail | 0:22:26 | 0:22:30 | |
# Because there's murder by the roadside | 0:22:30 | 0:22:35 | |
# In a sore, afraid new world | 0:22:35 | 0:22:38 | |
# They tried to break us | 0:22:40 | 0:22:43 | |
# Looks like they'll try again | 0:22:43 | 0:22:47 | |
-# Wild boys -# Wild boys | 0:22:48 | 0:22:50 | |
# Never losing wild boys | 0:22:50 | 0:22:53 | |
-# Wild boys -# Never chose this way | 0:22:53 | 0:22:56 | |
-# Wild boys never close your eyes -# Wi-wild boys | 0:22:56 | 0:23:00 | |
# Wild boys always | 0:23:00 | 0:23:05 | |
# Shine | 0:23:06 | 0:23:08 | |
DRUMMING | 0:23:09 | 0:23:11 | |
# You've got sirens for a welcome | 0:23:12 | 0:23:15 | |
# There's bloodstain for your pain | 0:23:16 | 0:23:20 | |
# And your telephone been ringing while your dancing in the rain | 0:23:20 | 0:23:28 | |
# Wild boys wonder where is glory | 0:23:29 | 0:23:33 | |
# Where is all you angels | 0:23:33 | 0:23:37 | |
# Now the figureheads are fell | 0:23:37 | 0:23:40 | |
# Lovers war with arrows over secrets they could tell | 0:23:41 | 0:23:49 | |
# They tried to tame you | 0:23:51 | 0:23:53 | |
# Looks like they'll try again | 0:23:54 | 0:23:58 | |
-# Wild boys never lose it -# Wild boys | 0:23:58 | 0:24:02 | |
-# Wild boys never chose this way -# Wild boys | 0:24:02 | 0:24:06 | |
-# Wild boys never close your eyes -# Wild boys | 0:24:06 | 0:24:10 | |
# Wild boys always shine | 0:24:10 | 0:24:17 | |
KEYBOARD AND DRUMS | 0:24:20 | 0:24:24 | |
# Wild boys, wild boys, wild boys | 0:24:31 | 0:24:35 | |
# Wild boys, wild boys, wild boys | 0:24:36 | 0:24:39 | |
# Wild boys never lose it | 0:24:56 | 0:25:00 | |
-# Wild boys never chose this way -# Wild boys | 0:25:00 | 0:25:05 | |
# Wild boys never close your eyes # | 0:25:05 | 0:25:10 | |
APPLAUSE | 0:25:10 | 0:25:12 | |
Moving on to '86, and Duran, the next generation. | 0:25:13 | 0:25:17 | |
Roger and Andy have gone, although, Andy has kindly left his hat for John to wear. | 0:25:17 | 0:25:22 | |
I must apologise, here. Somebody has been doodling on the ceiling with a magic marker. | 0:25:22 | 0:25:27 | |
There was no time to clean it up before filming. Sorry, lads. | 0:25:27 | 0:25:31 | |
# I can't read about it | 0:25:31 | 0:25:34 | |
# Burns the skin from your eyes | 0:25:36 | 0:25:38 | |
# I'll do fine without it | 0:25:40 | 0:25:43 | |
# Here's one you don't compromise | 0:25:44 | 0:25:49 | |
# Lies come hard in disguise | 0:25:49 | 0:25:53 | |
# Need to fight it out not wild about it | 0:25:54 | 0:25:58 | |
# Lay your seedy judgements | 0:25:58 | 0:26:02 | |
# Who says they're part of our lives | 0:26:02 | 0:26:05 | |
# You own the money you control the witness | 0:26:07 | 0:26:11 | |
# I'll leave you lonely don't monkey with my business | 0:26:11 | 0:26:15 | |
# You pay the profits to justify your reasons | 0:26:16 | 0:26:20 | |
# I heard your promise but I don't believe it | 0:26:21 | 0:26:24 | |
# That's why I've done it again | 0:26:24 | 0:26:27 | |
# No-no, notorious | 0:26:30 | 0:26:33 | |
# Girls will keep the secrets | 0:26:34 | 0:26:38 | |
# So long as boys make a noise | 0:26:38 | 0:26:41 | |
# Fools run rings to break up | 0:26:43 | 0:26:47 | |
# Something they'll never destroy | 0:26:47 | 0:26:50 | |
# Grand notorious slam, BAM | 0:26:52 | 0:26:56 | |
# And who really gives a damn for a flaky bandit | 0:26:57 | 0:27:01 | |
# Don't ask me to bleed about it | 0:27:01 | 0:27:05 | |
# I need this blood to survive | 0:27:05 | 0:27:08 | |
# You own the money you control the witness | 0:27:10 | 0:27:14 | |
# I'll leave you lonely don't monkey with my business | 0:27:14 | 0:27:19 | |
# You pay the profits to justify your reasons | 0:27:19 | 0:27:22 | |
# I heard your promise but I don't believe it | 0:27:23 | 0:27:26 | |
# That's why I did it again | 0:27:26 | 0:27:29 | |
# Notorious | 0:27:34 | 0:27:37 | |
# Notorious | 0:27:43 | 0:27:46 | |
# You own the money you control the witness | 0:27:46 | 0:27:50 | |
# I'll leave you lonely don't monkey with my business | 0:27:50 | 0:27:54 | |
# You pay the profits to justify your reasons | 0:27:55 | 0:27:59 | |
# I heard your promise but I don't believe it | 0:27:59 | 0:28:03 | |
# You own the money you control the witness | 0:28:04 | 0:28:08 | |
# I'll leave you lonely don't monkey with my business | 0:28:08 | 0:28:12 | |
# You pay the profits to justify your reasons | 0:28:13 | 0:28:17 | |
# I heard your promise but I don't believe it | 0:28:17 | 0:28:20 | |
-# That's why I did it again -# No | 0:28:20 | 0:28:23 | |
# No-no | 0:28:26 | 0:28:28 | |
-# That's why I did it again -# No-notorious | 0:28:29 | 0:28:34 | |
-# Yeah, that's why I did it again -# No-no-notorious | 0:28:34 | 0:28:39 | |
KEYBOARD | 0:28:39 | 0:28:41 | |
# Ye-eah that's why I did it again # | 0:28:45 | 0:28:49 | |
Notorious, rounding off this Duran Duran special. | 0:28:49 | 0:28:52 | |
God bless 'em, and all who still sail in 'em. | 0:28:52 | 0:28:55 | |
See you next time on Top of the Pops 2. | 0:28:55 | 0:28:57 | |
Subtitles by Red Bee Media Ltd. | 0:28:57 | 0:28:59 |