Pennod 6 Y Stiwdio Gefn
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Transcript
| Line | From | To | |
|---|---|---|---|
-Subtitles | 0:00:00 | 0:00:00 | |
-Subtitles - -Subtitles | 0:00:00 | 0:00:02 | |
-Welcome to a special edition -of Y Stiwdio Gefn. | 0:00:10 | 0:00:13 | |
-Tonight's group produce -a unique sound... | 0:00:13 | 0:00:16 | |
-..and experienced -great success this year... | 0:00:16 | 0:00:19 | |
-..having formed ten years ago. | 0:00:20 | 0:00:22 | |
-The group who will entertain us -tonight... | 0:00:22 | 0:00:25 | |
-..are winners of the Best Album -at the BBC Radio 2 Folk Awards. | 0:00:25 | 0:00:30 | |
-Their album is Tincian -and they're called 9Bach. | 0:00:30 | 0:00:33 | |
-INSTRUMENTAL INTRODUCTION | 0:00:36 | 0:00:38 | |
-# My gran lives in a small cottage | 0:01:13 | 0:01:19 | |
-# Next to a forest of trees | 0:01:19 | 0:01:24 | |
-# Living a blissful and happy life | 0:01:24 | 0:01:30 | |
-# At 80 years of age | 0:01:30 | 0:01:36 | |
-INSTRUMENTAL | 0:01:38 | 0:01:40 | |
-# She has an orchard | 0:02:02 | 0:02:07 | |
-# And a little smallholding | 0:02:07 | 0:02:13 | |
-# With chickens, a cow, cat and dog | 0:02:13 | 0:02:18 | |
-# And a pig in a sty | 0:02:20 | 0:02:25 | |
-INSTRUMENTAL | 0:02:28 | 0:02:30 | |
-# When the children of the village | 0:02:51 | 0:02:57 | |
-# Can't live together in peace | 0:02:57 | 0:03:02 | |
-# And create chaos and disorder | 0:03:02 | 0:03:09 | |
-# My gran is happy and content | 0:03:09 | 0:03:14 | |
-INSTRUMENTAL | 0:03:16 | 0:03:18 | |
-# She has an orchard | 0:04:17 | 0:04:22 | |
-# And a little smallholding | 0:04:22 | 0:04:28 | |
-# With chickens, a cow, cat and dog | 0:04:29 | 0:04:33 | |
-# And a pig in a sty # | 0:04:35 | 0:04:40 | |
-9Bach was formed by Lisa Jen and -her husband, Martin Hoyland in 2005. | 0:05:21 | 0:05:26 | |
-They've experienced many changes -since the early days. | 0:05:26 | 0:05:30 | |
-Today, Lisa and Martin are joined by -Ali on drums, Dan on bass guitar... | 0:05:30 | 0:05:35 | |
-..Esyllt on the harp -and Mirain on keyboards. | 0:05:35 | 0:05:39 | |
-The music has also evolved -and it can transport you anywhere. | 0:05:39 | 0:05:44 | |
-But the sound has always been -anchored by the drums and bass. | 0:05:45 | 0:05:49 | |
-The debut album -modernized traditional songs... | 0:05:50 | 0:05:53 | |
-..but the second album had new and -original material written by Lisa. | 0:05:54 | 0:05:59 | |
-In 2013, the group signed to Peter -Gabriel's label, Real World Records. | 0:05:59 | 0:06:04 | |
-They released Tincian last May. | 0:06:05 | 0:06:07 | |
-It's been highly praised... | 0:06:07 | 0:06:10 | |
-..and scooped Best Album at -this year's BBC Radio 2 Folk Awards. | 0:06:10 | 0:06:16 | |
-The group is busy -recording their third album. | 0:06:16 | 0:06:19 | |
-We'll hear two brand-new tracks -later in the programme. | 0:06:19 | 0:06:23 | |
-Before they performed, -I had a quick chat with them. | 0:06:23 | 0:06:27 | |
-We've heard about the group's story -but what have been your highlights? | 0:06:28 | 0:06:33 | |
-We did a lot of gigs abroad... | 0:06:33 | 0:06:36 | |
-..in countries like Vietnam, -the Czech Republic... | 0:06:37 | 0:06:40 | |
-..Canada and Australia. | 0:06:40 | 0:06:42 | |
-Those holidays always stand out -because we always had fun... | 0:06:43 | 0:06:48 | |
-..and also performed our music -to a brand-new audience. | 0:06:48 | 0:06:52 | |
-It's always great for the Welsh... | 0:06:53 | 0:06:56 | |
-..to perform in front -of a massive audience... | 0:06:56 | 0:07:00 | |
-..who respect your music. | 0:07:00 | 0:07:03 | |
-Winning at the Folk Awards -was also incredible for us. | 0:07:03 | 0:07:07 | |
-We were thrilled. | 0:07:08 | 0:07:10 | |
-It was great for us -and for Welsh music in general. | 0:07:10 | 0:07:13 | |
-Did winning and signing to -Real World Records give you a boost? | 0:07:13 | 0:07:19 | |
-You're always grateful -when someone appreciates your art. | 0:07:19 | 0:07:25 | |
-In a way, it anchors you... | 0:07:25 | 0:07:29 | |
-..but it also places you -under a little pressure. | 0:07:29 | 0:07:34 | |
-You start to question -what they've seen in you. | 0:07:35 | 0:07:38 | |
-But you have to trust -your instincts... | 0:07:39 | 0:07:41 | |
-..and continue what you're doing. | 0:07:42 | 0:07:44 | |
-If you're true to yourself -and do what you want to do... | 0:07:44 | 0:07:50 | |
-..you won't go wrong, -because you're pleasing yourself. | 0:07:50 | 0:07:54 | |
-Why is Pa Le? the only -traditional song on Tincian? | 0:07:55 | 0:07:59 | |
-It's a bridge between folk songs -and our own material. | 0:08:00 | 0:08:06 | |
-We all wrote the arrangements -for this song. | 0:08:06 | 0:08:11 | |
-This is why we included it. | 0:08:11 | 0:08:15 | |
-INSTRUMENTAL INTRODUCTION | 0:08:17 | 0:08:19 | |
-# Where is my sweetheart? | 0:08:52 | 0:08:56 | |
-# Is there anyone -who knows where she can be? | 0:08:56 | 0:09:01 | |
-# Where is my sweetheart? | 0:09:01 | 0:09:05 | |
-# It is getting late | 0:09:06 | 0:09:11 | |
-INSTRUMENTAL | 0:09:12 | 0:09:14 | |
-# Where is my sweetheart? | 0:09:31 | 0:09:36 | |
-# There's a cloud over the moon | 0:09:36 | 0:09:41 | |
-# Where is my sweetheart? | 0:09:41 | 0:09:46 | |
-# The wind blows cold | 0:09:46 | 0:09:52 | |
-# Where is my sweetheart? | 0:10:11 | 0:10:16 | |
-# The night is so late, so late | 0:10:17 | 0:10:21 | |
-# Where is my sweetheart? | 0:10:21 | 0:10:26 | |
-# Will she come to me? | 0:10:27 | 0:10:31 | |
-# Tonight, I'm so lonely | 0:10:31 | 0:10:36 | |
-# Tonight, I'm so lonely | 0:10:37 | 0:10:42 | |
-# Tonight, I'm so lonely | 0:10:42 | 0:10:47 | |
-# Tonight, I'm so lonely | 0:10:47 | 0:10:52 | |
-# Where is my sweetheart? | 0:10:52 | 0:10:57 | |
-# Where is my sweetheart? | 0:11:44 | 0:11:49 | |
-# The soil is red | 0:11:52 | 0:11:57 | |
-# Near the church tower | 0:11:57 | 0:12:01 | |
-# Goodnight | 0:12:03 | 0:12:06 | |
-# My sweetheart | 0:12:06 | 0:12:09 | |
-# Goodnight | 0:12:12 | 0:12:16 | |
-# My sweetheart | 0:12:16 | 0:12:21 | |
-# Goodnight # | 0:12:23 | 0:12:24 | |
-We'll enjoy more songs from Tincian -and a few new tunes after the break. | 0:12:27 | 0:12:32 | |
-. | 0:12:38 | 0:12:38 | |
-Subtitles | 0:12:39 | 0:12:39 | |
-Subtitles - -Subtitles | 0:12:39 | 0:12:41 | |
-# It wasn't unlucky -to bring flowers indoors | 0:12:49 | 0:12:54 | |
-# They were a comfort beside my bed | 0:12:54 | 0:12:58 | |
-# The eight-day clock -had been ticking, ticking | 0:12:59 | 0:13:04 | |
-# On the stormy night of your birth | 0:13:04 | 0:13:08 | |
-# Your father pounded -the treads of the stairs | 0:13:08 | 0:13:12 | |
-# This time, -the pain was excruciating | 0:13:13 | 0:13:17 | |
-# And the sweet smell -of the snowdrops in a cup | 0:13:17 | 0:13:22 | |
-# Took my mind away -from the pain and groaning | 0:13:23 | 0:13:27 | |
-# When you arrived -on a moonlit night | 0:13:28 | 0:13:35 | |
-# I held you in a bundle in my arms | 0:13:36 | 0:13:41 | |
-# And silently stared -through the tears | 0:13:42 | 0:13:46 | |
-# The roaring wind -could be heard in the trees | 0:13:46 | 0:13:51 | |
-# And the beating of my heavy heart | 0:13:51 | 0:13:56 | |
-# Your father pounded -the treads of the stairs | 0:13:56 | 0:14:00 | |
-# This time, -the pain was excruciating | 0:14:01 | 0:14:05 | |
-# And the sweet smell -of the snowdrops in a cup | 0:14:06 | 0:14:11 | |
-# Took my mind away -from the pain and groaning | 0:14:11 | 0:14:16 | |
-# When you arrived -on a moonlit night | 0:14:16 | 0:14:25 | |
-# I sat up and stooped as I trembled | 0:14:26 | 0:14:31 | |
-# Whilst your father's eyes -were insisting | 0:14:31 | 0:14:36 | |
-# He wanted to leave you -under the bed | 0:14:36 | 0:14:41 | |
-# And leave to die in the darkness | 0:14:41 | 0:14:46 | |
-# I remember the rain -beating the window | 0:14:46 | 0:14:51 | |
-# Your father's shame -had turned into disappointment | 0:14:51 | 0:14:56 | |
-# And the intoxicating aroma -of the snowdrops in a cup | 0:14:56 | 0:15:01 | |
-# Took my mind away -from the pain and groaning | 0:15:01 | 0:15:07 | |
-# When you arrived -on a moonlit night | 0:15:07 | 0:15:16 | |
-# Oo-oo, oo-oo | 0:15:17 | 0:15:21 | |
-# Oo-oo | 0:15:22 | 0:15:27 | |
-# Oo-oo | 0:15:27 | 0:15:32 | |
-# Oo-oo | 0:15:32 | 0:15:36 | |
-# Ah-ah-ah | 0:15:36 | 0:15:41 | |
-# Ah-ah-ah | 0:15:41 | 0:15:46 | |
-# Ah-ah-ah # | 0:15:46 | 0:15:55 | |
-The close bond between -the 9Bach members is evident. | 0:15:58 | 0:16:02 | |
-What's responsible for this, Mirain? | 0:16:02 | 0:16:05 | |
-We all know each other well. | 0:16:05 | 0:16:09 | |
-We have a brother and sister -and husband and wife team. | 0:16:09 | 0:16:13 | |
-Lisa and I are childhood friends. | 0:16:13 | 0:16:16 | |
-We know when we're going to breathe -and we trust each other on stage. | 0:16:16 | 0:16:22 | |
-We know each other so well, we can -tell if something will change. | 0:16:22 | 0:16:26 | |
-You come from diverse backgrounds. | 0:16:26 | 0:16:29 | |
-Esyllt, you play the harp but -you don't play traditional songs. | 0:16:29 | 0:16:34 | |
-You enjoy experimenting -with new sounds. | 0:16:34 | 0:16:37 | |
-Yes, I'm trying to experiment. | 0:16:37 | 0:16:40 | |
-I'm trying to make the harp -sound different and more rhythmic. | 0:16:40 | 0:16:44 | |
-In a way, I don't want the harp -to sound like a harp. | 0:16:44 | 0:16:48 | |
-I enjoy experimenting -and I hope listeners enjoy it. | 0:16:48 | 0:16:52 | |
-Plentyn is your next song. | 0:16:53 | 0:16:55 | |
-# Ah, ah, ah, ah, ah | 0:16:58 | 0:17:00 | |
-# When she was very young | 0:17:01 | 0:17:06 | |
-# She barely even remembers | 0:17:06 | 0:17:11 | |
-# She was taken -from her mother's arms | 0:17:12 | 0:17:16 | |
-# By a big ugly man who was shouting | 0:17:17 | 0:17:22 | |
-# He held her in a tight grip | 0:17:22 | 0:17:26 | |
-# Ah, ah, ah, ah, ah | 0:17:27 | 0:17:28 | |
-# Ah, ah, ah, ah, ah - -# Held on to the child's slender arm | 0:17:28 | 0:17:33 | |
-# Her black eyes -filled with fear and fright | 0:17:34 | 0:17:39 | |
-# Pleading but frightened | 0:17:39 | 0:17:44 | |
-# Ah, ah, ah, ah | 0:17:44 | 0:17:47 | |
-# Ah, ah, ah, ah | 0:17:47 | 0:17:50 | |
-# Ah, ah, ah, ah, ah | 0:17:50 | 0:17:52 | |
-# He kicked her to the floor | 0:17:53 | 0:17:59 | |
-# Threw her into the car | 0:17:59 | 0:18:04 | |
-# Her little face pressed tightly | 0:18:04 | 0:18:10 | |
-# Stuck behind the car windows | 0:18:10 | 0:18:16 | |
-# Ah, ah, ah, ah | 0:18:17 | 0:18:18 | |
-# Ah, ah, ah, ah - -# Hey-aye-aye-aye | 0:18:18 | 0:18:24 | |
-# Hey-aye-aye-aye | 0:18:24 | 0:18:26 | |
-# Hey-aye-aye-aye | 0:18:27 | 0:18:29 | |
-# Hey-aye-aye-aye | 0:18:30 | 0:18:32 | |
-# Hey-aye-aye-aye | 0:18:32 | 0:18:34 | |
-# Hey-aye-aye-aye | 0:18:35 | 0:18:37 | |
-# Hey-aye-aye-aye | 0:18:37 | 0:18:40 | |
-# She was dragged through the dirt | 0:18:42 | 0:18:46 | |
-# And left her in a heap | 0:18:46 | 0:18:52 | |
-# Screaming and shouting in the dirt | 0:18:52 | 0:18:57 | |
-# Pleading for her child | 0:18:58 | 0:19:03 | |
-# Whilst the big ugly man laughed | 0:19:03 | 0:19:08 | |
-# It's late, where are you? | 0:19:11 | 0:19:16 | |
-# It's cold, come home | 0:19:16 | 0:19:22 | |
-# Home, come home | 0:19:22 | 0:19:27 | |
-# I miss seeing you | 0:19:27 | 0:19:33 | |
-# Will you remember me | 0:19:33 | 0:19:38 | |
-# When you're sleeping | 0:19:38 | 0:19:41 | |
-# Without me? | 0:19:41 | 0:19:43 | |
-# Please remember me -when you're laughing | 0:19:44 | 0:19:49 | |
-# Like a child | 0:19:49 | 0:19:51 | |
-# Little child | 0:19:52 | 0:19:57 | |
-# Hey-aye-aye-aye | 0:20:00 | 0:20:02 | |
-# Hey-aye-aye-aye | 0:20:02 | 0:20:05 | |
-# Hey-aye-aye-aye | 0:20:05 | 0:20:07 | |
-# Hey-aye-aye-aye | 0:20:08 | 0:20:09 | |
-# Hey-aye-aye-aye | 0:20:10 | 0:20:13 | |
-# Hey-aye-aye-aye | 0:20:13 | 0:20:15 | |
-# Hey-aye-aye-aye | 0:20:16 | 0:20:18 | |
-# Hey-aye-aye-aye | 0:20:18 | 0:20:20 | |
-# Will you remember me | 0:20:22 | 0:20:27 | |
-# When you're not a child? | 0:20:27 | 0:20:32 | |
-# I miss seeing your little face | 0:20:32 | 0:20:38 | |
-# Smiling when you see me | 0:20:38 | 0:20:43 | |
-# In the morning after you awake | 0:20:43 | 0:20:48 | |
-# Hey-aye-aye-aye | 0:20:49 | 0:20:51 | |
-# Hey-aye-aye-aye | 0:20:51 | 0:20:53 | |
-# Hey-aye-aye-aye | 0:20:54 | 0:20:56 | |
-# Hey-aye-aye-aye | 0:20:56 | 0:20:59 | |
-# Hey-aye-aye-aye | 0:20:59 | 0:21:01 | |
-# Hey-aye-aye-aye | 0:21:02 | 0:21:03 | |
-# Hey-aye-aye-aye | 0:21:04 | 0:21:07 | |
-# Hey-aye-aye-aye | 0:21:07 | 0:21:09 | |
-# Ah-ah-ah-ah | 0:21:10 | 0:21:14 | |
-# Ba-ah-ah, ah-ah | 0:21:14 | 0:21:20 | |
-# Ah-ah-ah-ah | 0:21:20 | 0:21:25 | |
-# Ah-ah-ah, ah-ah | 0:21:25 | 0:21:30 | |
-# Ah, ah-ah-ah | 0:21:31 | 0:21:35 | |
-# Ah-ah-ah, ah-ah | 0:21:35 | 0:21:41 | |
-# Ah, ah-ah-ah | 0:21:41 | 0:21:46 | |
-# Ah-ah-ah, ah-ah | 0:21:46 | 0:21:51 | |
-# Ah, ooh-ooh-ah | 0:21:52 | 0:21:56 | |
-# Ah-ah-ah, ah-ah | 0:21:57 | 0:22:02 | |
-# Ah, ooh-ooh-ah | 0:22:02 | 0:22:07 | |
-# Ah-ah-ah, nah-nah # | 0:22:07 | 0:22:12 | |
-Later, 9Bach will perform two -new songs from their third album. | 0:22:38 | 0:22:43 | |
-Here's another song from Tincian -called Llwynog. | 0:22:43 | 0:22:47 | |
-INSTRUMENTAL INTRODUCTION | 0:22:49 | 0:22:51 | |
-# Away from his home, he kills best | 0:23:12 | 0:23:18 | |
-# He skilfully strides | 0:23:21 | 0:23:27 | |
-# Near the mountain waterfall | 0:23:36 | 0:23:39 | |
-# He feasts on the flesh | 0:23:41 | 0:23:44 | |
-# Listening for -the blacksmith's chimes | 0:23:47 | 0:23:51 | |
-# The blood flows down | 0:23:52 | 0:23:58 | |
-# It flows like a river | 0:23:59 | 0:24:03 | |
-INSTRUMENTAL | 0:24:05 | 0:24:07 | |
-# Lying dead on the floor, -remains for the crows | 0:24:25 | 0:24:31 | |
-# The skeleton lies still -beside the reddening stream | 0:24:31 | 0:24:37 | |
-# Away from his home, he kills best | 0:24:40 | 0:24:46 | |
-# He stood dazed | 0:24:49 | 0:24:54 | |
-# At the foot of Gyrn Wigau | 0:25:12 | 0:25:15 | |
-# Hidden in the rushes | 0:25:18 | 0:25:22 | |
-# Too far from a gunshot | 0:25:24 | 0:25:28 | |
-# It's faster than any dog | 0:25:30 | 0:25:35 | |
-# More cunning than you | 0:25:35 | 0:25:38 | |
-# In its joyous state, -it flees to the rocks | 0:25:41 | 0:25:47 | |
-# To the rocks he calls home | 0:25:48 | 0:25:52 | |
-# To the rocks he calls home | 0:25:53 | 0:25:57 | |
-# The blood flows down | 0:26:02 | 0:26:07 | |
-# It flows like a river | 0:26:08 | 0:26:10 | |
-# Oh-ah, oh-oh-oh-ah-oh | 0:26:14 | 0:26:16 | |
-# Oh-ah-oh-oh, oh-ah-oh-ah-oh-ah-oh | 0:26:17 | 0:26:22 | |
-# Oh-oh-oh-ah, oh-ah-oh-ah-oh | 0:26:22 | 0:26:26 | |
-# Oh-ah-oh-ah, -oh-oh-oh-ah-oh-ah-oh-ah | 0:26:26 | 0:26:29 | |
-# Oh-ah-oh-ah, -oh-oh-oh-ah-oh-ah-oh-ah | 0:26:30 | 0:26:36 | |
-# Oh-ah-oh-ah, -oh-oh-oh-ah-oh-ah-oh-ah | 0:26:36 | 0:26:43 | |
-# Oh-oh-oh-ah, oh-ah # | 0:26:43 | 0:26:47 | |
-. | 0:27:21 | 0:27:21 | |
-Subtitles | 0:27:23 | 0:27:23 | |
-Subtitles - -Subtitles | 0:27:23 | 0:27:25 | |
-# Where | 0:27:39 | 0:27:43 | |
-# Were you walking ostentatiously? | 0:27:43 | 0:27:48 | |
-# The urge to destroy your essence -is massive | 0:27:48 | 0:27:54 | |
-# Come | 0:27:57 | 0:28:03 | |
-# Let me destroy your soul | 0:28:03 | 0:28:08 | |
-# I'm mad, I'm consistent, -I'm definitely going to catch you | 0:28:08 | 0:28:14 | |
-# How does it feel to be the last? | 0:28:16 | 0:28:21 | |
-# To be the last of the last? | 0:28:22 | 0:28:26 | |
-# Hero warrior | 0:28:27 | 0:28:30 | |
-# You're losing the great battle | 0:28:31 | 0:28:35 | |
-# Lonely soul | 0:28:35 | 0:28:39 | |
-# I'm afraid the time has come | 0:28:39 | 0:28:43 | |
-INSTRUMENTAL | 0:28:44 | 0:28:46 | |
-# Oh | 0:28:52 | 0:28:58 | |
-# Don't wander | 0:28:58 | 0:29:01 | |
-# Just wait | 0:29:01 | 0:29:03 | |
-# It's my desire to plunge my knife -into your leathery skin | 0:29:04 | 0:29:10 | |
-# You are | 0:29:12 | 0:29:16 | |
-# Surprisingly melancholy | 0:29:17 | 0:29:21 | |
-# Your bones are strong -but fate is proving stronger | 0:29:21 | 0:29:27 | |
-# How does it feel -to stare at the last? | 0:29:29 | 0:29:35 | |
-# The last of the last | 0:29:35 | 0:29:39 | |
-# Hero warrior | 0:29:39 | 0:29:43 | |
-# You're losing the great battle | 0:29:44 | 0:29:48 | |
-# Lonely soul | 0:29:48 | 0:29:52 | |
-# I'm afraid the time has come | 0:29:53 | 0:29:56 | |
-# Hero warrior | 0:29:57 | 0:30:01 | |
-# You're losing the great battle | 0:30:01 | 0:30:05 | |
-# Lonely soul | 0:30:06 | 0:30:10 | |
-# I'm afraid the time has come | 0:30:10 | 0:30:14 | |
-# Ah-ah-ah-ah, ah-ah-ah-ah-ah-ah | 0:30:23 | 0:30:32 | |
-# Ah-ah-ah-ah, ah-ah-ah-ah-ah-ah | 0:30:32 | 0:30:41 | |
-# Ah-ah-ah-ah, ah-ah-ah-ah-ah-ah | 0:30:41 | 0:30:49 | |
-# Ah-ah-ah-ah, ah-ah-ah-ah-ah-ah | 0:30:50 | 0:30:58 | |
-# Ah-ah-ah-ah, ah-ah-ah-ah-ah-ah # | 0:30:59 | 0:31:08 | |
-We've just heard a new song -from 9Bach's new album. | 0:31:10 | 0:31:14 | |
-Was it difficult to find this -new musical direction and style? | 0:31:14 | 0:31:19 | |
-No, not at all. | 0:31:19 | 0:31:21 | |
-People always change. | 0:31:22 | 0:31:24 | |
-Tincian looked back... | 0:31:24 | 0:31:27 | |
-..whilst this next album -has more anger and it's political. | 0:31:27 | 0:31:32 | |
-I've changed as a person. | 0:31:32 | 0:31:34 | |
-I've awoken and realized new things. | 0:31:35 | 0:31:38 | |
-This album is more rhythmical -and there is a certain anger there. | 0:31:39 | 0:31:44 | |
-I don't see the point -in writing songs without a story. | 0:31:45 | 0:31:49 | |
-I always want my songs -to say something. | 0:31:49 | 0:31:52 | |
-You've recorded a third album -but does 9Bach have long-term plans? | 0:31:52 | 0:31:57 | |
-The new album is out in April -and we're touring in May... | 0:31:57 | 0:32:01 | |
-..so we're looking forward to it. | 0:32:01 | 0:32:04 | |
-Good luck with the next 9Bach album. | 0:32:04 | 0:32:06 | |
-Thanks for coming to Y Stiwdio Gefn. | 0:32:07 | 0:32:09 | |
-We end with another song from -the new album - this is Ivan. | 0:32:09 | 0:32:13 | |
-Thank you. | 0:32:13 | 0:32:15 | |
-INSTRUMENTAL INTRODUCTION | 0:32:23 | 0:32:25 | |
-# Let him cry | 0:32:29 | 0:32:35 | |
-# She was lovely | 0:32:36 | 0:32:41 | |
-# He's hurting | 0:32:42 | 0:32:48 | |
-# He will never see her again | 0:32:48 | 0:32:56 | |
-# Let him struggle | 0:33:01 | 0:33:08 | |
-# He can't find | 0:33:08 | 0:33:14 | |
-# Those glimmering eyes | 0:33:14 | 0:33:21 | |
-# The one who watched him | 0:33:21 | 0:33:27 | |
-# She never told you lies, my boy | 0:33:34 | 0:33:38 | |
-# You and her in the first snow | 0:33:40 | 0:33:45 | |
-# Do you remember? | 0:33:45 | 0:33:50 | |
-# Remember? | 0:33:53 | 0:33:56 | |
-# Let him sleep | 0:34:15 | 0:34:21 | |
-# To remember her smile | 0:34:21 | 0:34:28 | |
-# Cautious | 0:34:28 | 0:34:34 | |
-# To keep him safe | 0:34:35 | 0:34:41 | |
-# She never told you lies, my boy | 0:34:48 | 0:34:52 | |
-# You and her in the first snow | 0:34:54 | 0:34:59 | |
-# Do you remember? | 0:34:59 | 0:35:04 | |
-# Remember? # | 0:35:07 | 0:35:09 | |
-S4C Subtitles by Tinopolis | 0:35:59 | 0:36:01 | |
-. | 0:36:01 | 0:36:02 |