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|---|---|---|---|
Samira Hashi | 0:00:02 | 0:00:03 | |
is a 21-year-old model. | 0:00:03 | 0:00:05 | |
I love modelling. It's just so fun, | 0:00:05 | 0:00:08 | |
Really exciting. | 0:00:08 | 0:00:09 | |
You can really enjoy yourself, | 0:00:09 | 0:00:11 | |
and rock on and frock and roll. | 0:00:11 | 0:00:15 | |
Samira was born in Somalia, East Africa. | 0:00:15 | 0:00:17 | |
She came to Britain when she was three years old. | 0:00:17 | 0:00:20 | |
Growing up in London has been fantastic for me. | 0:00:22 | 0:00:24 | |
It literally has made me believe that | 0:00:24 | 0:00:27 | |
I can achieve anything in the world. | 0:00:27 | 0:00:29 | |
But much as she loves the UK, | 0:00:29 | 0:00:32 | |
Samira has begun to feel cut off from her roots. | 0:00:32 | 0:00:34 | |
As I've grown older, | 0:00:34 | 0:00:36 | |
I've started to realise that there is a part of me that's missing. | 0:00:36 | 0:00:41 | |
Everybody seems to say to me, "You're British." | 0:00:41 | 0:00:43 | |
I'm like, "What do you mean I'm British? I'm Somali." | 0:00:43 | 0:00:47 | |
And they're like, "No, you're British." | 0:00:47 | 0:00:49 | |
I'm confused.com. | 0:00:49 | 0:00:51 | |
I'm so confused. | 0:00:51 | 0:00:52 | |
Now Samira is going back to Somalia | 0:00:52 | 0:00:55 | |
to find the answers she's looking for. | 0:00:55 | 0:00:57 | |
But how will the girl from London | 0:00:57 | 0:00:59 | |
cope in the most dangerous place in the world? | 0:00:59 | 0:01:02 | |
Somalia has been in a bloody civil war | 0:01:08 | 0:01:10 | |
for as long as Samira has been alive. | 0:01:10 | 0:01:12 | |
With no stable government for over twenty years, | 0:01:12 | 0:01:15 | |
it's chaos - a breeding ground, for warlords, pirates, | 0:01:15 | 0:01:19 | |
and fanatical Islamic terrorists. | 0:01:19 | 0:01:22 | |
Al-Shabaab, now joined to al-Qaeda, control much of Somalia. | 0:01:22 | 0:01:27 | |
I am bloody scared. | 0:01:27 | 0:01:29 | |
There's fighting going on there, as we speak. | 0:01:29 | 0:01:32 | |
Samira will retrace her mother's footsteps | 0:01:34 | 0:01:36 | |
as she fled the brutality of the war. | 0:01:36 | 0:01:39 | |
And she'll meet the people left behind. | 0:01:39 | 0:01:41 | |
Why did they do that? | 0:01:48 | 0:01:50 | |
She'll travel back to the refugee camps where she spent | 0:01:50 | 0:01:53 | |
the first two years of her life, and see first-hand | 0:01:53 | 0:01:55 | |
a desperate battle for survival. | 0:01:55 | 0:01:57 | |
It's so hard I just want to, I just want to come home. | 0:01:57 | 0:02:02 | |
And after eighteen years apart, she has an emotional reunion. | 0:02:04 | 0:02:07 | |
Dad! | 0:02:07 | 0:02:09 | |
Will her journey be everything she hopes? | 0:02:12 | 0:02:14 | |
I'm home! Look how beautiful that is! | 0:02:14 | 0:02:17 | |
Or will she discover horrors she never imagined? | 0:02:18 | 0:02:21 | |
They're going to mutilate a six-year-old. | 0:02:21 | 0:02:23 | |
Does that not make anybody physically sick? | 0:02:23 | 0:02:26 | |
It's a week until Samira leaves for Somalia, | 0:02:38 | 0:02:40 | |
and she has a modelling interview to prepare for. | 0:02:40 | 0:02:43 | |
Oh, look at my pimple! | 0:02:43 | 0:02:46 | |
Modelling maybe Samira's dream, | 0:02:47 | 0:02:50 | |
but her revealing poses | 0:02:50 | 0:02:53 | |
have brought her into conflict with her Muslim religion and her mother. | 0:02:53 | 0:02:57 | |
She's very thin. I don't like thin. | 0:02:57 | 0:03:01 | |
I like a little bit chubby. | 0:03:01 | 0:03:04 | |
You look like broom! | 0:03:04 | 0:03:05 | |
You look like broom! Cheers(!) | 0:03:05 | 0:03:09 | |
Those trousers are banging tartan. Grey leather jacket, amazing! | 0:03:12 | 0:03:19 | |
Oh, my god! It's heart-breaking. | 0:03:19 | 0:03:23 | |
You know our culture and our religion, it's not our dignity. | 0:03:23 | 0:03:29 | |
There's worse things that I could be doing, basically, in London. | 0:03:29 | 0:03:32 | |
I could be taking drugs. | 0:03:32 | 0:03:34 | |
I could be a prostitute. Or modelling for Vivien Westwood. | 0:03:34 | 0:03:37 | |
I will pray for Samira. I will pray for Samira for changing her life. | 0:03:37 | 0:03:44 | |
Her mom hopes the trip will bring Samira closer to her religion, | 0:03:44 | 0:03:51 | |
but she knows only too well | 0:03:51 | 0:03:52 | |
the dangers her daughter will face in Somalia. | 0:03:52 | 0:03:55 | |
And it wasn't settled 21 years ago, either. | 0:04:03 | 0:04:06 | |
Clutching ten-day-old Samira and her four sisters, | 0:04:06 | 0:04:09 | |
she ran from their home in Mogadishu as the war broke out. | 0:04:09 | 0:04:13 | |
They escaped to a refugee camp where they spent the next two years. | 0:04:24 | 0:04:28 | |
Everything Samira knows about Somalia | 0:04:39 | 0:04:41 | |
she's heard from her mum, or seen on the news. | 0:04:41 | 0:04:44 | |
Now, she wants to see it for herself. | 0:04:44 | 0:04:46 | |
But there isn't a more dangerous destination she could be going to. | 0:04:46 | 0:04:50 | |
All I know of Somalia is the war, the violence, famine, drought. | 0:04:50 | 0:04:54 | |
No government, no system, no law, | 0:04:54 | 0:04:56 | |
so, I'm like, "Oh, my gosh! Where am I going?" | 0:04:56 | 0:05:00 | |
Despite her fears, Samira wants to go back | 0:05:00 | 0:05:03 | |
to understand what her family went through, | 0:05:03 | 0:05:05 | |
and to see how different life would be if they'd stayed behind. | 0:05:05 | 0:05:11 | |
-But she needs reassurance. -I want to here more about it. | 0:05:11 | 0:05:13 | |
I haven't even thought about it, cos I don't want to think | 0:05:13 | 0:05:16 | |
what I'm going to see, you know? | 0:05:16 | 0:05:17 | |
Because if I think about it and I'll just be put off. | 0:05:17 | 0:05:20 | |
You have a chance to go back to your home country, | 0:05:20 | 0:05:24 | |
to a place that is suffering. | 0:05:24 | 0:05:27 | |
It's going to make you a stronger, more in-depth person, as well. | 0:05:27 | 0:05:31 | |
I think you're going to learn a lot about yourself, | 0:05:31 | 0:05:33 | |
but if anyone can handle it, you can. | 0:05:33 | 0:05:35 | |
I don't think so. Samira is emotional like. | 0:05:35 | 0:05:38 | |
She watches X Factor and she cries. | 0:05:38 | 0:05:41 | |
The day of departure has arrived. | 0:05:46 | 0:05:48 | |
Sun-lotion, I've got that. Can't wait for the sun. | 0:05:48 | 0:05:51 | |
It's not just the risks Samira needs to prepare for. | 0:05:52 | 0:05:56 | |
She will also be meeting her father, | 0:05:56 | 0:05:58 | |
who's come and gone throughout her life. | 0:05:58 | 0:06:00 | |
He wasn't with them when the war began, or in the refugee camps. | 0:06:00 | 0:06:03 | |
I got my dad something. | 0:06:03 | 0:06:04 | |
1 Million. I love this perfume. | 0:06:04 | 0:06:07 | |
And though he did join the family in London, | 0:06:07 | 0:06:10 | |
he abandoned them for good when Samira was only three years old | 0:06:10 | 0:06:13 | |
She hasn't seen him since. | 0:06:13 | 0:06:15 | |
It's been 18 years since I've seen my dad. I don't know what a father is. | 0:06:15 | 0:06:19 | |
Every child would love to have a father, | 0:06:19 | 0:06:22 | |
it would change their household, | 0:06:22 | 0:06:25 | |
but my mum raised me the best way she did, | 0:06:25 | 0:06:28 | |
but I know our house would be better. | 0:06:28 | 0:06:32 | |
Quite sad. | 0:06:32 | 0:06:33 | |
Her mum is worried that the reunion | 0:06:33 | 0:06:34 | |
won't live up to Samira's expectations. | 0:06:34 | 0:06:36 | |
It won't close. | 0:06:45 | 0:06:48 | |
It needs to close. Close! | 0:06:48 | 0:06:51 | |
Auntie's going. | 0:06:51 | 0:06:53 | |
-Where? -Somalia. | 0:06:53 | 0:06:55 | |
Samira is hoping her trip to Africa will not only answer her questions | 0:06:55 | 0:07:00 | |
about who she is, | 0:07:00 | 0:07:01 | |
but also explain why her father left them eighteen years ago. | 0:07:01 | 0:07:05 | |
So, before going to Somalia to see | 0:07:07 | 0:07:09 | |
how two decades of war have affected her homeland, | 0:07:09 | 0:07:12 | |
she'll be stopping off at her father's home town | 0:07:12 | 0:07:15 | |
of Dire Dawa in Ethiopia. | 0:07:15 | 0:07:17 | |
I'm excited to see my dad, | 0:07:20 | 0:07:23 | |
and to see my country. | 0:07:23 | 0:07:24 | |
After a sixteen hour journey, | 0:07:27 | 0:07:28 | |
Samira catches a glimpse of the continent where she was born. | 0:07:28 | 0:07:31 | |
I can see mountains and it just looks so beautiful out there. | 0:07:31 | 0:07:35 | |
For the first time in eighteen years, Samira is back in Africa. | 0:07:47 | 0:07:52 | |
It's a huge culture shock. | 0:07:54 | 0:07:56 | |
It's just crazy. | 0:07:56 | 0:08:00 | |
I don't know how I'm going to last three weeks. | 0:08:00 | 0:08:03 | |
The city of Dire Dawa is home to a hundred thousand Somalis, | 0:08:03 | 0:08:07 | |
who have fled from the chaos in their own country. | 0:08:07 | 0:08:10 | |
It's one of the poorest areas in the region, | 0:08:10 | 0:08:13 | |
with an average salary of one pound per day. | 0:08:13 | 0:08:15 | |
I'm quite shocked there are so many people lying on the floor. | 0:08:15 | 0:08:19 | |
There are so many kids out. Shouldn't they be at school? | 0:08:19 | 0:08:22 | |
But for Samira, coming here is the first step | 0:08:22 | 0:08:25 | |
in understanding her roots. | 0:08:25 | 0:08:26 | |
She's minutes away from the most important reunion of her life. | 0:08:26 | 0:08:31 | |
I can't wait to see him but I feel quite emotional. | 0:08:31 | 0:08:35 | |
Because I haven't seen him in years. | 0:08:35 | 0:08:37 | |
I have vague memories but it's really hard to remember | 0:08:37 | 0:08:42 | |
what he actually looks like. | 0:08:42 | 0:08:44 | |
This is the moment Samira feared would never come. | 0:08:48 | 0:08:53 | |
Dad! Ahhhhh. | 0:08:53 | 0:08:56 | |
No. You look very different. | 0:09:02 | 0:09:04 | |
Yeah. | 0:09:08 | 0:09:09 | |
Her dad has a new family - a young wife, and three sons. | 0:09:11 | 0:09:15 | |
Do you know I'm your sister? | 0:09:20 | 0:09:22 | |
So weird how you look so different, but you do look good. | 0:09:23 | 0:09:26 | |
No, you look good, for your age, yeah. | 0:09:28 | 0:09:31 | |
-Sorry, but I'm a huge Arsenal fan. I had to get you Arsenal. -Arsenal? | 0:09:41 | 0:09:47 | |
After travelling nearly four thousand miles, | 0:09:47 | 0:09:49 | |
Samira wants to savour every second of having a father back in her life. | 0:09:49 | 0:09:54 | |
But she has eighteen years of questions she needs to ask. | 0:09:54 | 0:09:57 | |
I didn't think I'd see you again. | 0:09:57 | 0:09:59 | |
Why? | 0:09:59 | 0:10:01 | |
-Because it's been so long. -Yeah. | 0:10:01 | 0:10:04 | |
So, why did you leave, anyway? | 0:10:04 | 0:10:06 | |
You were in London in the first place. Why? | 0:10:06 | 0:10:10 | |
-Didn't like it? -What? -You didn't like it? | 0:10:10 | 0:10:13 | |
No. | 0:10:13 | 0:10:14 | |
Is that the only reason? | 0:10:19 | 0:10:20 | |
-Got married? -Yeah. | 0:10:30 | 0:10:31 | |
Samira and her sisters have always suspected | 0:10:36 | 0:10:38 | |
that their father was never truly happy with a family of girls. | 0:10:38 | 0:10:42 | |
Traditionally in Somali culture, the birth of a son is celebrated | 0:10:42 | 0:10:46 | |
but the birth of a daughter can bring disappointment. | 0:10:46 | 0:10:50 | |
Did you want boys? | 0:10:50 | 0:10:51 | |
Is that why you got re-married again? | 0:10:51 | 0:10:54 | |
Is it to continue the family name, Hashi? | 0:10:58 | 0:11:01 | |
Yeah. | 0:11:01 | 0:11:03 | |
Really? Bloody hell. | 0:11:03 | 0:11:05 | |
My name is Hashi. | 0:11:05 | 0:11:07 | |
I could have done that for you. | 0:11:07 | 0:11:08 | |
It's difficult for Samira to accept that her father considered them | 0:11:08 | 0:11:12 | |
second best when he left them behind in London. | 0:11:12 | 0:11:15 | |
It was hard. | 0:11:15 | 0:11:18 | |
-Because of mum. -Yeah. | 0:11:24 | 0:11:26 | |
A lifetime apart, and the reunion lasts just an hour. | 0:11:40 | 0:11:44 | |
Is that how you're going to... give me a shake? | 0:11:44 | 0:11:47 | |
Yeah. | 0:11:48 | 0:11:49 | |
I kind of knew it. | 0:11:52 | 0:11:53 | |
He'd rather have a son than have a daughter. | 0:11:53 | 0:11:57 | |
And, obviously, he's got boys | 0:11:57 | 0:11:59 | |
and he said he's going to make two more. | 0:11:59 | 0:12:01 | |
So, it's like, five girls, five boys, that's my dad for you. | 0:12:01 | 0:12:07 | |
But... | 0:12:07 | 0:12:08 | |
..me and my sisters are more than blessed in London. | 0:12:10 | 0:12:16 | |
My mum's my mum and dad. | 0:12:16 | 0:12:18 | |
As she leaves Dire Dawa, | 0:12:23 | 0:12:25 | |
Samira's got some of the answers she was looking for. | 0:12:25 | 0:12:28 | |
But the journey to understand her birthplace is just beginning. | 0:12:28 | 0:12:31 | |
I'm used to big planes like, you know, British Airways, easyJet. | 0:12:31 | 0:12:36 | |
This, me? No. | 0:12:38 | 0:12:40 | |
And things are about to get a lot tougher. | 0:12:45 | 0:12:49 | |
She's travelling to a refugee camp like the one her family escaped to | 0:12:49 | 0:12:52 | |
just ten days after she was born. | 0:12:52 | 0:12:54 | |
Samira's heading south to the camps near Dolo Ado | 0:12:58 | 0:13:02 | |
on the Somalia-Ethiopian border. | 0:13:02 | 0:13:05 | |
But the weather conditions have made it impossible to fly direct. | 0:13:05 | 0:13:09 | |
The last leg of the journey will be by road. | 0:13:09 | 0:13:12 | |
Over half a million Somalis are living in refugee camps, | 0:13:14 | 0:13:18 | |
and more arrive every day. | 0:13:18 | 0:13:22 | |
They're still fleeing the brutal war, | 0:13:22 | 0:13:25 | |
and this year's drought has gripped the nation. | 0:13:25 | 0:13:28 | |
It's a humanitarian disaster. | 0:13:28 | 0:13:30 | |
The journey to Dolo Ado will take eight hours, | 0:13:44 | 0:13:47 | |
and will be along some of the worst roads in Ethiopia. | 0:13:47 | 0:13:50 | |
We are going on the most bumpiest journey. | 0:13:50 | 0:13:54 | |
I feel like my intestines are going to explode. | 0:13:56 | 0:13:59 | |
Accidents are common, | 0:13:59 | 0:14:01 | |
and with no medical facilities for hundreds of miles, | 0:14:01 | 0:14:05 | |
a small injury can be fatal. | 0:14:05 | 0:14:07 | |
What's down here? | 0:14:09 | 0:14:11 | |
As she nears the Somali border, the road becomes impassable. | 0:14:11 | 0:14:16 | |
The bridge is broken. | 0:14:16 | 0:14:17 | |
After months of drought, heavy rainfall has finally arrived, | 0:14:17 | 0:14:21 | |
but that's also caused problems. | 0:14:21 | 0:14:23 | |
It doesn't look like it's coming out | 0:14:23 | 0:14:25 | |
and it doesn't look like we're going in. | 0:14:25 | 0:14:28 | |
No RAC here! | 0:14:31 | 0:14:32 | |
With only an hour of sunlight left, | 0:14:41 | 0:14:45 | |
Samira needs to reach the camp before dark. | 0:14:45 | 0:14:48 | |
This region is known to be occupied by the Islamic terrorist | 0:14:48 | 0:14:52 | |
group al-Shabaab, and travelling at night can be dangerous. | 0:14:52 | 0:14:56 | |
Al-Shabaab control large parts of Somalia, | 0:14:56 | 0:14:59 | |
and has imposed its own form of strict Islamic law. | 0:14:59 | 0:15:03 | |
Westerners are targeted. | 0:15:03 | 0:15:06 | |
I've decided to wear a headscarf just to show a bit of respect. | 0:15:06 | 0:15:10 | |
My mum never really forced us. | 0:15:10 | 0:15:12 | |
She said it was our choice. | 0:15:12 | 0:15:15 | |
My sister wears a headscarf. All my aunties, my mum wears a headscarf. | 0:15:15 | 0:15:19 | |
It's just something that didn't happen with me. | 0:15:19 | 0:15:21 | |
I love my hair and I want to show it. | 0:15:21 | 0:15:24 | |
Finally Samira makes it to her accommodation - | 0:15:28 | 0:15:32 | |
a UN compound in Dolo Ado. | 0:15:32 | 0:15:34 | |
Earlier this year, | 0:15:34 | 0:15:36 | |
al-Shabaab kidnapped two aid workers from a refugee camp. | 0:15:36 | 0:15:40 | |
So, for her own safety, | 0:15:40 | 0:15:41 | |
Samira will be sleeping in the security of the compound | 0:15:41 | 0:15:44 | |
a couple of miles from the nearest camp. | 0:15:44 | 0:15:47 | |
Everyone who arrives is made aware of the risks. | 0:15:47 | 0:15:50 | |
The UN and the international NGO's face a number of threats, | 0:15:50 | 0:15:53 | |
armed conflict and terrorism being two of those threats. | 0:15:53 | 0:15:56 | |
There's a large military presence in the area. | 0:15:56 | 0:16:00 | |
The Ethiopian National Defence Force, | 0:16:00 | 0:16:03 | |
generally fighting with al-Shabaab. | 0:16:03 | 0:16:05 | |
You're only a kilometre and half from Somalia, | 0:16:05 | 0:16:07 | |
where the Kenyan military were ambushed | 0:16:07 | 0:16:10 | |
in the middle of a town, three days ago, and at least | 0:16:10 | 0:16:12 | |
one person's been killed and 11 badly wounded. | 0:16:12 | 0:16:14 | |
I didn't realise how dangerous this place is. | 0:16:16 | 0:16:19 | |
It's actually really dangerous to be here. | 0:16:19 | 0:16:22 | |
There's barbed wires everywhere. | 0:16:22 | 0:16:24 | |
Checking cars before they come in. | 0:16:24 | 0:16:27 | |
There's armed police officers outside. | 0:16:27 | 0:16:30 | |
I could imagine a bomb being thrown into this compound | 0:16:30 | 0:16:34 | |
and just blowing it all up. | 0:16:34 | 0:16:36 | |
And we're going to be here for a few days, which is quite scary. | 0:16:36 | 0:16:39 | |
Living in the compound means no hot water, | 0:16:44 | 0:16:49 | |
no electricity, and sharing a tent. | 0:16:49 | 0:16:52 | |
There's so many bugs, they're massive. | 0:16:52 | 0:16:55 | |
Yeah, run away from me now, but when I'm sleeping they'll be all over us. | 0:16:57 | 0:17:01 | |
Tomorrow, Samira will experience, for herself, the conditions | 0:17:02 | 0:17:05 | |
her family faced in a refugee camp. | 0:17:05 | 0:17:08 | |
I think it will be very emotional | 0:17:08 | 0:17:09 | |
because it'll remind me of what | 0:17:09 | 0:17:11 | |
my mum and my family went through. | 0:17:11 | 0:17:13 | |
It'll be hard because I'll be like, "Oh, my gosh! | 0:17:13 | 0:17:16 | |
Did mum actually go through this?" | 0:17:16 | 0:17:18 | |
The day breaks for the hundred and fifty thousand refugees | 0:17:28 | 0:17:32 | |
spread across the five camps at Dolo Ado. | 0:17:32 | 0:17:35 | |
As a child, Samira and her mother spent two years | 0:17:37 | 0:17:40 | |
living in a camp like this one. | 0:17:40 | 0:17:42 | |
It's the size of 700 football pitches, | 0:17:42 | 0:17:45 | |
and there are people everywhere. | 0:17:45 | 0:17:48 | |
All these people are waiting to be registered, everyone? | 0:17:48 | 0:17:53 | |
Everyone around here. | 0:17:53 | 0:17:55 | |
Everyone here is running from the chaos in Somalia. | 0:17:56 | 0:18:00 | |
Many fled the threat of starvation. | 0:18:00 | 0:18:02 | |
Others run from the terror of al-Shabaab. | 0:18:02 | 0:18:05 | |
They killed his children. | 0:18:12 | 0:18:14 | |
In front of you? | 0:18:15 | 0:18:17 | |
Like Samira's mother, | 0:18:32 | 0:18:33 | |
the refugees here left everything they owned behind them. | 0:18:33 | 0:18:36 | |
They're forced to rely on handouts and whatever they can find. | 0:18:38 | 0:18:42 | |
A new home made out of sticks, | 0:18:42 | 0:18:45 | |
or a tent to share. | 0:18:45 | 0:18:47 | |
How many people live here? | 0:18:49 | 0:18:51 | |
They're literally sleeping on top of each other. | 0:19:04 | 0:19:08 | |
The camps provide a sanctuary for the refugees, | 0:19:18 | 0:19:23 | |
but many die on the journey to get there. | 0:19:23 | 0:19:24 | |
And they all arrive hungry. | 0:19:24 | 0:19:28 | |
Just now we've got four kids and they don't have parents. | 0:19:28 | 0:19:32 | |
They lost their dad and mum and they walked for up to two weeks. | 0:19:32 | 0:19:37 | |
Aaaaaw! | 0:19:37 | 0:19:40 | |
The boy looks like he's been through a lot. | 0:19:40 | 0:19:43 | |
They are traumatised and it's a bit difficult for them to open up. | 0:19:43 | 0:19:47 | |
You'll make sure that they find something or somewhere? | 0:19:49 | 0:19:52 | |
Yes, yes, yes, of course. | 0:19:52 | 0:19:54 | |
Life in the camp couldn't be further away | 0:19:59 | 0:20:02 | |
from the glamour of the catwalk. | 0:20:02 | 0:20:04 | |
But Samira is finally starting to understand | 0:20:04 | 0:20:07 | |
exactly what it's like to be a refugee. | 0:20:07 | 0:20:10 | |
It's a huge thing for these people to actually be somewhere safe, | 0:20:10 | 0:20:13 | |
first and foremost. | 0:20:13 | 0:20:15 | |
These people, here, are either running because they're scared, | 0:20:15 | 0:20:20 | |
or running because they're starving. | 0:20:20 | 0:20:25 | |
And it's, like, | 0:20:25 | 0:20:28 | |
that black and white. | 0:20:28 | 0:20:32 | |
Samira's presence in the camp has created a stir amongst the children. | 0:20:36 | 0:20:40 | |
The kids are so cute. | 0:20:40 | 0:20:42 | |
They've got no entertainment, so the camera, to them, | 0:20:42 | 0:20:46 | |
is the most exciting thing. | 0:20:46 | 0:20:48 | |
Samira is visiting the camp's makeshift hospital, | 0:20:57 | 0:20:59 | |
a half-hour-drive away. | 0:20:59 | 0:21:01 | |
It's where the most dangerously ill refugees are treated, | 0:21:01 | 0:21:04 | |
including countless children. | 0:21:04 | 0:21:07 | |
I feel like I need to be strong. | 0:21:07 | 0:21:09 | |
If I can't be strong for myself, | 0:21:09 | 0:21:11 | |
I need to be strong for them but I don't know how it will affect me | 0:21:11 | 0:21:15 | |
because I've never seen a dying child. | 0:21:15 | 0:21:17 | |
The hospital is run by the aid organisation, | 0:21:20 | 0:21:23 | |
Medecins Sans Frontieres. | 0:21:23 | 0:21:24 | |
This year alone, | 0:21:24 | 0:21:26 | |
they have treated more than 25,000 patients. | 0:21:26 | 0:21:29 | |
Malnutrition is the killer. | 0:21:29 | 0:21:32 | |
More than half of the children entering the camps | 0:21:32 | 0:21:35 | |
are dangerously ill, | 0:21:35 | 0:21:37 | |
and up to 200 die every day. | 0:21:37 | 0:21:41 | |
So, this is the intensive care unit. | 0:21:41 | 0:21:43 | |
Pretty much, the very sick children are admitted to this unit. | 0:21:43 | 0:21:47 | |
Caroline is one of the doctors. | 0:21:47 | 0:21:50 | |
This is a child who was admitted yesterday morning and ever since | 0:21:50 | 0:21:54 | |
-with real difficulties breathing. -How old's the baby? | 0:21:54 | 0:21:57 | |
It's 6 months old, | 0:21:57 | 0:22:00 | |
Its 3.2 kilos, at 6 months old, | 0:22:00 | 0:22:03 | |
so that's the weight of a new born in Europe. | 0:22:03 | 0:22:06 | |
The malnourished children are fed Plumpy'nut - a high-energy, | 0:22:07 | 0:22:11 | |
protein-rich paste, that's vital in helping them recover. | 0:22:11 | 0:22:14 | |
But it's also a valuable commodity, and has a high black-market price. | 0:22:17 | 0:22:22 | |
Some mothers are secretly selling their child's supplies | 0:22:22 | 0:22:24 | |
to buy other necessities. | 0:22:24 | 0:22:26 | |
They buy clothes, soap, other food. | 0:22:28 | 0:22:30 | |
It's a matter of them sometimes not understanding | 0:22:30 | 0:22:32 | |
-the value of Plumpy'nut. -Yeah. | 0:22:32 | 0:22:34 | |
They're not highly educated, so it's difficult for them | 0:22:36 | 0:22:39 | |
-to understand that this package is medicine for the child. -Yeah. | 0:22:39 | 0:22:45 | |
So, the child suffers. | 0:22:45 | 0:22:48 | |
All the family suffer. | 0:22:48 | 0:22:50 | |
Everyone suffers. | 0:22:50 | 0:22:53 | |
It's a desperate act, but for those with nothing, | 0:22:54 | 0:22:57 | |
it's the only currency they have. | 0:22:57 | 0:23:00 | |
I was raised in a country where you could go to your local 24-hour shop, | 0:23:03 | 0:23:08 | |
if you get thirsty or dehydrated or hungry at 3, 4 in the morning. | 0:23:08 | 0:23:14 | |
There's people here that don't have food for sometimes weeks and months. | 0:23:14 | 0:23:19 | |
In the 21st century you'd think that everyone would have food | 0:23:19 | 0:23:24 | |
and shelter but it doesn't really work out like that. | 0:23:24 | 0:23:29 | |
It's been a tough first day. | 0:23:31 | 0:23:35 | |
But just when Samira thinks | 0:23:35 | 0:23:36 | |
she's got through, she meets a mother with a sick child. | 0:23:36 | 0:23:40 | |
It's too much. | 0:23:40 | 0:23:43 | |
Two-year-old Kawsar is the same age Samira was | 0:23:47 | 0:23:49 | |
when she was last in a refugee camp. | 0:23:49 | 0:23:52 | |
-Stop, crying. It's OK. -I can't. | 0:23:52 | 0:23:55 | |
Stop it. | 0:23:55 | 0:23:56 | |
Kawsar is suffering from an illness that can be treated | 0:24:01 | 0:24:04 | |
with the technology of a fully equipped hospital. | 0:24:04 | 0:24:06 | |
But here, his chances are slim. | 0:24:06 | 0:24:09 | |
Stop it. | 0:24:26 | 0:24:28 | |
Samira. | 0:24:31 | 0:24:32 | |
But the baby's in pain. | 0:24:37 | 0:24:38 | |
Samira's first day at the camp has been difficult, | 0:24:44 | 0:24:46 | |
and she needs to speak to her mum on a satellite phone. | 0:24:46 | 0:24:49 | |
Mum, hoo, it's so hard out here. | 0:24:49 | 0:24:54 | |
It's so hard. | 0:24:54 | 0:24:55 | |
I don't know how these people do it. | 0:24:55 | 0:24:58 | |
How do people live like this? | 0:24:58 | 0:25:00 | |
I don't know how you did it! | 0:25:02 | 0:25:05 | |
It's so hard. I just want to... | 0:25:05 | 0:25:08 | |
I just want to come home. | 0:25:10 | 0:25:12 | |
She's only been in Africa a few days, | 0:25:26 | 0:25:29 | |
but the experience is already making her think about her life | 0:25:29 | 0:25:32 | |
as a model in London. | 0:25:32 | 0:25:34 | |
I was so focussed on one thing that I forgot what was happening around me. | 0:25:34 | 0:25:38 | |
I was so in tune with my fashion and my modelling. | 0:25:38 | 0:25:41 | |
I had a goal, I was chasing it. I couldn't care about anything else. | 0:25:41 | 0:25:45 | |
And then I come here and I'm just like, | 0:25:45 | 0:25:47 | |
"Oh, my gosh! That's really not that important!" | 0:25:47 | 0:25:50 | |
This morning Samira is travelling to a refugee camp called Kobe, | 0:25:52 | 0:25:57 | |
two hours' drive from the UN compound. | 0:25:57 | 0:26:00 | |
Every trip is potentially dangerous, but today, | 0:26:00 | 0:26:02 | |
the stakes have been raised. | 0:26:02 | 0:26:05 | |
Al-Shabaab have heightened the UN targeting. | 0:26:08 | 0:26:13 | |
UNHCR who we're staying with at the moment | 0:26:15 | 0:26:18 | |
are top of that list | 0:26:18 | 0:26:20 | |
so we are actually the top targets at the moment as in UNHCR. | 0:26:20 | 0:26:24 | |
So we're at a place where that could potentially be attacked? | 0:26:24 | 0:26:26 | |
Yes, definitely. | 0:26:26 | 0:26:28 | |
Oh, my gosh! | 0:26:28 | 0:26:30 | |
Scary. | 0:26:30 | 0:26:32 | |
The rest of the trip is a nervous one. | 0:26:36 | 0:26:39 | |
Anything out of the ordinary is a worry for her security team. | 0:26:39 | 0:26:44 | |
That's odd, isn't it? | 0:26:44 | 0:26:47 | |
There's an abandoned lorry straddling their side | 0:26:48 | 0:26:51 | |
of the carriageway, | 0:26:51 | 0:26:52 | |
and it could be a trap. | 0:26:52 | 0:26:54 | |
That's a classic ambush thing. | 0:26:56 | 0:26:58 | |
There's something in the road there and so you have to drive round it | 0:26:58 | 0:27:01 | |
And there's a bang. | 0:27:01 | 0:27:03 | |
That's the kind of thing they do. | 0:27:03 | 0:27:05 | |
Oh, my gosh! Guys, don't scare me. | 0:27:05 | 0:27:08 | |
Samira is risking her life being here, | 0:27:10 | 0:27:13 | |
but it's only for a short time. | 0:27:13 | 0:27:16 | |
The aid workers on the Somali border live under constant threat. | 0:27:16 | 0:27:19 | |
Dolo Ado is a fairly high risk area. | 0:27:21 | 0:27:24 | |
There's always what they call an abstract threat | 0:27:24 | 0:27:27 | |
where something could happen. | 0:27:27 | 0:27:30 | |
We're very close to the border. | 0:27:30 | 0:27:32 | |
We tell our base every time we leave | 0:27:32 | 0:27:34 | |
and every time we come back | 0:27:34 | 0:27:36 | |
or every time we arrive at another location. | 0:27:36 | 0:27:38 | |
So, they know what vehicle we're in | 0:27:38 | 0:27:40 | |
and where we are at any given time, | 0:27:40 | 0:27:42 | |
we don't move around in the dark, at all. | 0:27:42 | 0:27:45 | |
They're only providing humanitarian aid, | 0:27:49 | 0:27:52 | |
but to terrorists, they're not welcome. | 0:27:52 | 0:27:54 | |
Al-Shabaab wants its own people | 0:27:54 | 0:27:57 | |
to be in its own country. | 0:27:57 | 0:27:58 | |
It doesn't take kindly to people fleeing the country | 0:27:58 | 0:28:01 | |
and organisations | 0:28:01 | 0:28:03 | |
that offer asylum and assistance | 0:28:03 | 0:28:06 | |
to people who are running away are therefore not well-received. | 0:28:06 | 0:28:10 | |
It's over 40 degrees in the camp. | 0:28:16 | 0:28:18 | |
And there's no escape from the sun. | 0:28:18 | 0:28:22 | |
But life goes on. | 0:28:22 | 0:28:24 | |
And while Samira's family were able to leave, | 0:28:24 | 0:28:27 | |
most of the people who come here never will. | 0:28:27 | 0:28:30 | |
After 21 years of war, | 0:28:30 | 0:28:32 | |
going home is not an option | 0:28:32 | 0:28:33 | |
With makeshift schools and shops, | 0:28:37 | 0:28:39 | |
they're building a new kind of normality. | 0:28:39 | 0:28:42 | |
-Maria. -Maria. | 0:28:42 | 0:28:44 | |
-Maria. -Maria. | 0:28:44 | 0:28:45 | |
-She is. -She is. | 0:28:45 | 0:28:47 | |
-She is. -She is. | 0:28:47 | 0:28:49 | |
But as Samira takes it all in, | 0:28:49 | 0:28:52 | |
she realises something else she hadn't expected. | 0:28:52 | 0:28:54 | |
The more time I spend in the refugee camp, | 0:28:54 | 0:28:57 | |
the more time I realise that there are so many women and children. | 0:28:57 | 0:29:02 | |
And there's like, hardly any men. | 0:29:04 | 0:29:07 | |
I want to know why. Where's all the men? | 0:29:08 | 0:29:10 | |
If everyone's fleeing, where are the men? | 0:29:10 | 0:29:13 | |
Where's your husband? | 0:29:15 | 0:29:16 | |
When he married you, | 0:29:30 | 0:29:31 | |
shouldn't he have looked after you and the children? | 0:29:31 | 0:29:34 | |
I just think it's not right, shouldn't happen, | 0:29:37 | 0:29:41 | |
They're abusing the religion. | 0:29:41 | 0:29:44 | |
He got married to you. | 0:29:44 | 0:29:45 | |
You guys have children. | 0:29:45 | 0:29:47 | |
He should be here. | 0:29:47 | 0:29:48 | |
In Somalia a man is allowed to have four wives, | 0:29:48 | 0:29:51 | |
but he must be able to look after and support them all. | 0:29:51 | 0:29:55 | |
Nearly 90% of this camp is women and children. | 0:29:57 | 0:30:01 | |
It's wrong because it's like, "Yeah, have sex with you, | 0:30:03 | 0:30:06 | |
"create four or five babies. | 0:30:06 | 0:30:08 | |
"Bye, see yous, wouldn't want to be yous." | 0:30:08 | 0:30:11 | |
It just reminds me of my mum, | 0:30:11 | 0:30:13 | |
because she was in a refugee camp, | 0:30:13 | 0:30:16 | |
and dad wasn't there | 0:30:16 | 0:30:18 | |
and my mum had to go through this without dad, | 0:30:18 | 0:30:21 | |
It's really sad. | 0:30:21 | 0:30:23 | |
Without their husbands at the camp, many women are preyed on. | 0:30:26 | 0:30:32 | |
Hodan, from the woman's association, | 0:30:32 | 0:30:34 | |
has asked to speak to Samira urgently. | 0:30:34 | 0:30:37 | |
Oh, my gosh! | 0:30:58 | 0:31:00 | |
Oh, my gosh! | 0:31:02 | 0:31:03 | |
Hodan says this is the fourth incident of rape this month. | 0:31:12 | 0:31:16 | |
The victims are traumatized. | 0:31:16 | 0:31:19 | |
Have you guys gone to the hospital? | 0:31:20 | 0:31:23 | |
Not all local Ethiopians want the refugee camps on their doorstep, | 0:31:58 | 0:32:02 | |
and rape can be used as a weapon against the women. | 0:32:02 | 0:32:04 | |
People need to understand that these people don't choose to be here. | 0:32:17 | 0:32:20 | |
They don't choose to be in a tent | 0:32:20 | 0:32:21 | |
sharing with 20 people. | 0:32:21 | 0:32:23 | |
They come from somewhere. | 0:32:23 | 0:32:24 | |
They all come from homes. | 0:32:24 | 0:32:26 | |
Whether it's a mud hut, whether it's a house, they come from somewhere. | 0:32:26 | 0:32:30 | |
What they've gone through is not by choice. | 0:32:30 | 0:32:32 | |
After ten days here, it's time for Samira to leave | 0:32:35 | 0:32:38 | |
and move on to the next stage of her journey. | 0:32:38 | 0:32:41 | |
But the camps have left a lasting impression. | 0:32:41 | 0:32:44 | |
Somalian women are just, like, so strong it's crazy. | 0:32:47 | 0:32:51 | |
The women are the ones that go through everything, | 0:32:51 | 0:32:54 | |
They're the ones fleeing the war, fleeing the drought, | 0:32:54 | 0:32:56 | |
raising the children, and they're still getting abused. | 0:32:56 | 0:33:00 | |
It's made me look at strength in a completely different way. | 0:33:00 | 0:33:05 | |
Next, Samira will see what the refugees are running from. | 0:33:05 | 0:33:10 | |
A majority of these people are here because | 0:33:14 | 0:33:16 | |
of the issues in Mogadishu and I'm going there, | 0:33:16 | 0:33:18 | |
so, every time I say to someone, "I'm going to Mogadishu," | 0:33:18 | 0:33:21 | |
they're like, "Really? | 0:33:21 | 0:33:23 | |
"Do you know what you're saying?" | 0:33:23 | 0:33:25 | |
Quite excited. It feels quite gangsta! | 0:33:25 | 0:33:29 | |
She's going back to the capital of Somalia, Mogadishu, | 0:33:36 | 0:33:39 | |
for the first time since she was ten days old. | 0:33:39 | 0:33:42 | |
It's 21 years since war broke out, | 0:33:42 | 0:33:45 | |
and Samira's mother escaped the city leaving everything but her children. | 0:33:45 | 0:33:49 | |
Two decades of lawlessness, | 0:33:49 | 0:33:52 | |
up to a million dead, | 0:33:52 | 0:33:55 | |
and millions more still running. | 0:33:55 | 0:33:57 | |
Mogadishu has earned itself the title | 0:33:57 | 0:33:59 | |
of The Most Dangerous City In The World. | 0:33:59 | 0:34:03 | |
Samira's plane touches down to a sharp reminder | 0:34:03 | 0:34:06 | |
of exactly why they left. | 0:34:06 | 0:34:08 | |
There's a security alert. | 0:34:08 | 0:34:10 | |
-How many of there are you? -Three. | 0:34:10 | 0:34:12 | |
A suicide bomber has attacked the centre of Mogadishu, | 0:34:14 | 0:34:17 | |
walking distance from the airport, and five people are dead. | 0:34:17 | 0:34:21 | |
I am bloody scared, because of al-Shabaab | 0:34:21 | 0:34:26 | |
and there's fighting going on there, now, as we speak. | 0:34:26 | 0:34:30 | |
And anything can happen at any time. | 0:34:30 | 0:34:34 | |
For security reasons, Samira will be restricted | 0:35:00 | 0:35:05 | |
to the army compound, a mile from the airport. | 0:35:05 | 0:35:07 | |
The sound of gunfire is constant, | 0:35:11 | 0:35:13 | |
and known locally as the music of Mogadishu. | 0:35:13 | 0:35:16 | |
For the first time in over twenty years the battle for control | 0:35:20 | 0:35:23 | |
of Mogadishu is being won by the pro-government troops. | 0:35:23 | 0:35:27 | |
But they're under constant attack. | 0:35:27 | 0:35:30 | |
How safe is this area? | 0:35:30 | 0:35:32 | |
We expect anything at anytime. | 0:35:32 | 0:35:35 | |
In the last three days we have had like five explosives. | 0:35:35 | 0:35:40 | |
You can see the dust from here. | 0:35:42 | 0:35:44 | |
What has happened outside can happen here. | 0:35:44 | 0:35:47 | |
It is really scary being here. We are actually in the heart of war. | 0:35:50 | 0:35:55 | |
I don't want to let al-Shabaab win and make me scared. | 0:35:55 | 0:36:01 | |
If we're scared then no-one will fight against them, | 0:36:01 | 0:36:04 | |
so I've chosen to be strong. | 0:36:04 | 0:36:06 | |
This is a war where young people are on the front line. | 0:36:06 | 0:36:11 | |
Many of the victims are brought to the compound for treatment. | 0:36:11 | 0:36:14 | |
How old is he? | 0:36:34 | 0:36:35 | |
He is... | 0:36:35 | 0:36:38 | |
But in a war that's entering its third decade, | 0:36:40 | 0:36:42 | |
young people are not only victims. | 0:36:42 | 0:36:45 | |
By recruiting the youth, al-Shabaab are hoping | 0:37:10 | 0:37:13 | |
that the future of Somalia as a hard line Islamic state is assured. | 0:37:13 | 0:37:16 | |
Al-Shabaab are ruining the country. | 0:37:16 | 0:37:20 | |
They're ruining the future of the country | 0:37:20 | 0:37:23 | |
and they're ruining the future generation, the youth, children. | 0:37:23 | 0:37:27 | |
They're ruining everything. | 0:37:27 | 0:37:29 | |
I feel quite silly because I'm Somali | 0:37:29 | 0:37:32 | |
and I knew that this was happening | 0:37:32 | 0:37:35 | |
but I didn't really pay much attention to it. | 0:37:35 | 0:37:39 | |
In her mom's stories about Mogadishu | 0:37:43 | 0:37:46 | |
it's not all about war | 0:37:46 | 0:37:48 | |
and al-Shabaab. | 0:37:48 | 0:37:50 | |
She's been told about the beautiful places her mother played as a child. | 0:37:50 | 0:37:54 | |
Look how beautiful that is! | 0:37:54 | 0:37:57 | |
This is my home! | 0:38:02 | 0:38:04 | |
I want to just jump in. | 0:38:04 | 0:38:06 | |
My mum left this. | 0:38:07 | 0:38:10 | |
She had to. | 0:38:10 | 0:38:12 | |
She had no choice and now I'm here. | 0:38:12 | 0:38:16 | |
It feels like an achievement. | 0:38:17 | 0:38:18 | |
But danger is never very far away. | 0:38:21 | 0:38:25 | |
The gunfire is getting louder. | 0:38:27 | 0:38:29 | |
Al-Shabaab are close by. | 0:38:34 | 0:38:36 | |
It's Samira's second day in Mogadishu, | 0:38:49 | 0:38:51 | |
and despite the danger, | 0:38:51 | 0:38:52 | |
she's still keen to see more of the city she was born in. | 0:38:52 | 0:38:57 | |
But to do so, she's risking her life, | 0:38:57 | 0:39:00 | |
and all precautions are taken. | 0:39:00 | 0:39:02 | |
That's probably about right. OK? | 0:39:02 | 0:39:04 | |
For the troops, it's a routine tour of the city, | 0:39:14 | 0:39:17 | |
but for Samira, it's stepping into the abyss. | 0:39:17 | 0:39:21 | |
The destruction is worse than Samira expected. | 0:39:42 | 0:39:46 | |
The city has been reduced to a pile of machine-gun-chewed bricks | 0:39:46 | 0:39:49 | |
ripped apart by violence. | 0:39:49 | 0:39:51 | |
The killing goes on. | 0:39:51 | 0:39:54 | |
Suicide bombs, RPGs, beheadings, | 0:39:54 | 0:39:57 | |
medieval-style stonings - | 0:39:57 | 0:39:59 | |
all are common place in this city of terror. | 0:39:59 | 0:40:02 | |
Like Samira's family, most people have run from the city, | 0:40:11 | 0:40:15 | |
but Samira wants to find out what it's like for those | 0:40:15 | 0:40:19 | |
from her generation left behind. | 0:40:19 | 0:40:21 | |
Even though it looks absolutely devastating now, | 0:40:41 | 0:40:45 | |
I could imagine what this would've looked like. | 0:40:45 | 0:40:48 | |
Before the war, Mogadishu was known | 0:40:52 | 0:40:55 | |
for its classical Italian architecture, and its sandy beaches. | 0:40:55 | 0:40:59 | |
Idyllically set on the Indian Ocean, | 0:41:03 | 0:41:06 | |
Mogadishu was once full of holidaymakers. | 0:41:06 | 0:41:10 | |
Really? | 0:41:21 | 0:41:22 | |
Samira has come to meet Abdi, | 0:41:25 | 0:41:26 | |
a 29-year-old translator. | 0:41:26 | 0:41:29 | |
He has spent his whole life in Mogadishu, | 0:41:29 | 0:41:31 | |
and is part of the lost generation of Somalis. | 0:41:31 | 0:41:35 | |
How has the war affected you? | 0:41:49 | 0:41:52 | |
-For me? -Yeah. | 0:41:52 | 0:41:54 | |
This country's too beautiful to waste. | 0:42:19 | 0:42:23 | |
It's too beautiful to just say, "This is it." | 0:42:23 | 0:42:27 | |
Samira had hoped to visit the house she was born in, | 0:42:33 | 0:42:36 | |
but has been told it's too dangerous. | 0:42:36 | 0:42:38 | |
Instead, she gets a chance go to the ruins of a football stadium... | 0:42:42 | 0:42:46 | |
..to meet Shukri, born in the same year, the same month, | 0:42:50 | 0:42:53 | |
and in the same district as Samira. | 0:42:53 | 0:42:55 | |
How's your life been here? | 0:43:00 | 0:43:02 | |
But it's hard. | 0:43:04 | 0:43:06 | |
She said, "Take me now. Take me to London!" | 0:43:16 | 0:43:19 | |
Samira has always wondered how her life might have been | 0:43:20 | 0:43:23 | |
if she'd stayed in Mogadishu, | 0:43:23 | 0:43:26 | |
and talking to Shukri gives her a chance to find out. | 0:43:26 | 0:43:30 | |
For girls of the same age, their lives are poles apart. | 0:43:38 | 0:43:41 | |
Samira has just started her modelling career, | 0:43:41 | 0:43:44 | |
whilst Shukri was married at 15 | 0:43:44 | 0:43:46 | |
and had her first child a year later. | 0:43:46 | 0:43:47 | |
But it's Shukri's experience of war that Samira finds difficult | 0:43:50 | 0:43:53 | |
to come to terms with. | 0:43:53 | 0:43:55 | |
I can't. Why did they do this? | 0:44:32 | 0:44:34 | |
The thought that, actually, | 0:44:47 | 0:44:50 | |
this is how my life would be if me and my family stayed | 0:44:50 | 0:44:54 | |
or whether I would be alive or dead. | 0:44:54 | 0:44:58 | |
I don't really know. | 0:44:58 | 0:45:00 | |
I feel very frustrated and angry | 0:45:00 | 0:45:03 | |
that nobody's stopping this torture and suffering. | 0:45:03 | 0:45:07 | |
Oh, gosh! | 0:45:12 | 0:45:14 | |
Samira has just got back into the compound when some news comes in. | 0:45:16 | 0:45:21 | |
There's been a skirmish at the stadium. | 0:45:21 | 0:45:23 | |
-The stadium's just been hit. -Where we were? | 0:45:23 | 0:45:28 | |
Are you serious, the stadium that we were just at has been hit? | 0:45:28 | 0:45:33 | |
Oh, my gosh! | 0:45:36 | 0:45:39 | |
What about Shukri? Is she OK? | 0:45:39 | 0:45:42 | |
No one knows what has happened to Shukri. | 0:45:44 | 0:45:47 | |
It's the next morning, Samira's last day in Mogadishu, | 0:45:53 | 0:45:57 | |
when the news finally comes in that Shukri's alive and well. | 0:45:57 | 0:46:01 | |
Oh, thank you. | 0:46:04 | 0:46:07 | |
As she leaves Samira learns the true extent | 0:46:07 | 0:46:09 | |
of al-Shabaab activity during her stay. | 0:46:09 | 0:46:11 | |
There's about five suicide bombs. | 0:46:11 | 0:46:14 | |
And loads of civilians were, obviously, killed and injured. | 0:46:14 | 0:46:18 | |
It's mad, cos I got out of it but people are still there. | 0:46:18 | 0:46:22 | |
Somali people are still there and they're in the middle of all of this. | 0:46:22 | 0:46:27 | |
Before Samira goes back to the safety of Britain, | 0:46:29 | 0:46:33 | |
she's got one more stop. | 0:46:33 | 0:46:35 | |
Hargeisa, the main city of Somaliland. | 0:46:35 | 0:46:39 | |
One of the very few regions that hasn't been devastated by the war. | 0:46:44 | 0:46:49 | |
It's a place where you can forget about the chaos | 0:46:49 | 0:46:52 | |
and the rest of the country. | 0:46:52 | 0:46:55 | |
Or, at least, almost forget. | 0:46:55 | 0:46:58 | |
Oh, I like that one. | 0:46:58 | 0:47:00 | |
Somaliland has declared independence from the rest of Somalia, | 0:47:00 | 0:47:03 | |
and has a blossoming economy. | 0:47:03 | 0:47:05 | |
It's busy! I like! Everyone making money and doing things, | 0:47:05 | 0:47:09 | |
which is great. | 0:47:09 | 0:47:10 | |
I haven't heard no gunshots and I haven't heard no explosions, | 0:47:10 | 0:47:14 | |
so that is hope already. | 0:47:14 | 0:47:18 | |
But the city has its own horrors | 0:47:18 | 0:47:21 | |
deeply rooted in Samira's culture. | 0:47:21 | 0:47:23 | |
And that's the reason she's come here. | 0:47:23 | 0:47:26 | |
Because although she looks similar to the other women in Hargeisa, | 0:47:26 | 0:47:30 | |
there's a difference. | 0:47:30 | 0:47:32 | |
Nearly all the woman here have been deliberately mutilated. | 0:47:32 | 0:47:36 | |
To Samira, it's another war - | 0:47:36 | 0:47:39 | |
on woman by woman. | 0:47:39 | 0:47:41 | |
Once known as female circumcision, | 0:47:41 | 0:47:44 | |
the procedure now referred to as FGM, Female Genital Mutilation, | 0:47:44 | 0:47:49 | |
is considered by the UN to be a violation | 0:47:49 | 0:47:51 | |
of human rights. | 0:47:51 | 0:47:53 | |
But it's legal in many parts of Somalia. | 0:47:53 | 0:47:57 | |
Over 90% of Somali women have had it done - | 0:47:57 | 0:48:01 | |
some when they were just four years old. | 0:48:01 | 0:48:05 | |
You literally get your clitoris removed | 0:48:05 | 0:48:07 | |
and your vagina sewn together, | 0:48:07 | 0:48:10 | |
and they create a little hole for you to wee out of. | 0:48:10 | 0:48:14 | |
It's that brutal. | 0:48:14 | 0:48:17 | |
Like many women brought up the west, | 0:48:20 | 0:48:23 | |
Samira is outraged by FGM - | 0:48:23 | 0:48:25 | |
a practice that was nearly forced upon her. | 0:48:25 | 0:48:28 | |
My mum, she wanted us to go through FGM | 0:48:28 | 0:48:31 | |
and my grandma, the life saviour, said no. | 0:48:31 | 0:48:36 | |
My mum, I just can't believe she'd want that. | 0:48:36 | 0:48:38 | |
Maybe it's because, I'd say brainwashed | 0:48:38 | 0:48:41 | |
cos of the community, society and people made her believe | 0:48:41 | 0:48:46 | |
that that that is what | 0:48:46 | 0:48:48 | |
has to done or we'd probably go crazy or have sex out of marriage. | 0:48:48 | 0:48:54 | |
Samira's mum wouldn't have carried out the procedure herself. | 0:48:54 | 0:48:58 | |
She'd have gone to the women known as Cutters. | 0:48:58 | 0:49:01 | |
They circumcise thousands of young girls every year, | 0:49:01 | 0:49:03 | |
and have no medical training. | 0:49:03 | 0:49:06 | |
Samira wants to understand why they do it. | 0:49:08 | 0:49:10 | |
They're a bit scary. | 0:49:10 | 0:49:13 | |
Knowing that they've done it to. loads of other girls bothers me. | 0:49:13 | 0:49:20 | |
But to these women, it's as normal as getting married | 0:49:20 | 0:49:23 | |
and having children. | 0:49:23 | 0:49:25 | |
Before being allowed to marry, | 0:49:42 | 0:49:44 | |
the bride-to-be is inspected by the mother-in-law | 0:49:44 | 0:49:47 | |
to ensure that the stitching is intact | 0:49:47 | 0:49:49 | |
and the girl is still a virgin. | 0:49:49 | 0:49:50 | |
Only then will the stitching be removed. | 0:49:50 | 0:49:53 | |
I'm sure you know you're causing these girls further complication | 0:49:53 | 0:49:55 | |
in the future. | 0:49:55 | 0:49:57 | |
Don't you guys think it's wrong | 0:50:04 | 0:50:05 | |
you're removing what god gave to a women? | 0:50:05 | 0:50:07 | |
Samira is offered the chance to make up her own mind. | 0:50:15 | 0:50:18 | |
Tomorrow, one of the women is circumcising her daughter. | 0:50:18 | 0:50:21 | |
She's six years old. | 0:50:21 | 0:50:24 | |
Fuck off, man! Six years old! | 0:50:24 | 0:50:27 | |
I can't! I can't! I can't! | 0:50:27 | 0:50:30 | |
They're going to physically mutilate a six-year-old. | 0:50:30 | 0:50:32 | |
Does that not make anybody physically sick? | 0:50:32 | 0:50:36 | |
Please just stop fucking filming me. | 0:50:36 | 0:50:38 | |
She's horrified. | 0:50:42 | 0:50:44 | |
Samira has niece of a similar age, | 0:50:44 | 0:50:46 | |
and she can't stand back and let it happen | 0:50:46 | 0:50:50 | |
She reluctantly goes to the Cutter's house in search of the girl. | 0:50:52 | 0:50:55 | |
I'm shocked to see that it still happens | 0:51:05 | 0:51:08 | |
and I'm shocked that you think it's OK | 0:51:08 | 0:51:09 | |
for it to happen to your six-year-old daughter, | 0:51:09 | 0:51:12 | |
Don't you think she's too young? | 0:51:12 | 0:51:14 | |
What do you leave? A hole to wee? | 0:51:26 | 0:51:29 | |
A little hole the size of your nostril | 0:51:34 | 0:51:37 | |
Are you OK? | 0:51:39 | 0:51:41 | |
Are you look scared? | 0:51:42 | 0:51:44 | |
She looks frightened. | 0:51:44 | 0:51:46 | |
As a Muslim, Samira prays everyday. | 0:51:54 | 0:51:57 | |
But today's prayer has a special intention. | 0:51:57 | 0:52:01 | |
The little girl just looked so innocent. | 0:52:01 | 0:52:03 | |
She had no clue what's going to happen to her. | 0:52:03 | 0:52:07 | |
Tomorrow is going to be a really traumatic experience for her, | 0:52:07 | 0:52:12 | |
but I feel like I should go for the sake of the little girl. | 0:52:12 | 0:52:17 | |
It's Samira's last day in Somalia. | 0:52:29 | 0:52:32 | |
And at first light, she gets to the young girl's house. | 0:52:32 | 0:52:37 | |
Where's the little girl? | 0:52:41 | 0:52:43 | |
She's too late. | 0:52:46 | 0:52:48 | |
The operation has already been done. | 0:52:48 | 0:52:51 | |
Oh, my gosh! | 0:52:51 | 0:52:52 | |
Is she in pain? | 0:52:57 | 0:52:59 | |
Oh, oh, gosh! | 0:53:17 | 0:53:21 | |
Samira has seen why the procedure is done | 0:53:32 | 0:53:35 | |
but she'll never agree with it. | 0:53:35 | 0:53:37 | |
The girl seems OK. | 0:53:37 | 0:53:39 | |
It's still not right. | 0:53:42 | 0:53:45 | |
This part of the Somali culture, I will never accept and understand. | 0:53:45 | 0:53:48 | |
I just think it's abuse | 0:53:48 | 0:53:52 | |
rather that culture. | 0:53:52 | 0:53:55 | |
I feel so happy that I haven't had that done to me. | 0:53:56 | 0:53:59 | |
After four weeks in Africa, | 0:54:18 | 0:54:20 | |
it's time for Samira to go back to Britain. | 0:54:20 | 0:54:23 | |
In her time here, Samira has seen all kinds of suffering, | 0:54:23 | 0:54:26 | |
some of which has its roots in her culture, | 0:54:26 | 0:54:29 | |
but the bulk of the destruction has come from 21 years of war. | 0:54:29 | 0:54:35 | |
I'm going back to London. | 0:54:35 | 0:54:37 | |
There are Somalis that are going through this daily struggle, | 0:54:37 | 0:54:42 | |
poverty, the refugee camps, the women, the malnourished kids. | 0:54:42 | 0:54:48 | |
People in Mogadishu can't rebuild their lives | 0:54:49 | 0:54:52 | |
because they're still living in war. | 0:54:52 | 0:54:56 | |
Every single day Somali's are dying. | 0:54:56 | 0:54:59 | |
The experience has answered many of her questions, | 0:55:01 | 0:55:03 | |
but it's affected her more deeply than she'd ever expected. | 0:55:03 | 0:55:07 | |
She now realises how lucky she's been. | 0:55:07 | 0:55:11 | |
I can see what my mum went through, | 0:55:11 | 0:55:13 | |
and that will definitely change my relationship with my mum. | 0:55:13 | 0:55:18 | |
When I get back, I don't think I will ever appreciate her more. | 0:55:18 | 0:55:23 | |
The whole journey has changed me in terms of the religion | 0:55:23 | 0:55:28 | |
and in terms of the way I dress. | 0:55:28 | 0:55:30 | |
I probably would | 0:55:30 | 0:55:31 | |
think about the type of modelling I do, | 0:55:31 | 0:55:34 | |
and try and go to the modest pathway into modelling, | 0:55:34 | 0:55:37 | |
cos I think you don't have to take all your clothes off to be a model. | 0:55:37 | 0:55:44 | |
Mama! | 0:55:46 | 0:55:48 | |
Aww, Mum, | 0:55:49 | 0:55:52 | |
Oh, Mum. It's been too long. | 0:55:52 | 0:55:55 | |
Are you all right? | 0:55:55 | 0:55:57 | |
Yeah, I am. | 0:55:57 | 0:55:59 | |
I'm so glad, to come back. | 0:55:59 | 0:56:00 | |
Aww mum, it's so good to be home. | 0:56:00 | 0:56:04 | |
Subtitles by Red Bee Media Ltd | 0:56:09 | 0:56:11 |