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the UK, behind it should turn a lot clearer. That is it. Hello and | :00:28. | :00:30. | |
welcome to the magnificent Guildhall in the city of London where we await | :00:31. | :00:35. | |
the announcement of the winner of one of the worlds leading literary | :00:36. | :00:40. | |
prizes, the Man Booker. It has been quite a journey to get to this | :00:41. | :00:47. | |
point. 151 books were whittled down to a short list of six and tonight | :00:48. | :00:52. | |
there will just be one book, one winner. All six of the short listed | :00:53. | :01:05. | |
authors are here tonight. It must be nerve wracking to hear whether you | :01:06. | :01:11. | |
have one. It is a landmark moment for the price. After 45 years, the | :01:12. | :01:18. | |
rules are changing. From next year, anyone writing a novel in English | :01:19. | :01:23. | |
anywhere in the world will be eligible and that means the | :01:24. | :01:27. | |
Americans are coming. For the first time we have a royal guest, her | :01:28. | :01:32. | |
Royal Highness the Duchess of Cornwall will be here and she will | :01:33. | :01:37. | |
present the trophy to the winner. To help guide us through the | :01:38. | :01:42. | |
proceedings I am joined by two guess, so Peter Studdard and Gaby | :01:43. | :01:54. | |
Wood. Thank you both for being with us. Really looking forward to | :01:55. | :01:59. | |
talking to you, but before we do, let's remind ourselves who is on | :02:00. | :02:06. | |
this year's short list. We need new names by NoViolet | :02:07. | :02:10. | |
Bulawayo you. A very diverse short list both in | :02:11. | :02:44. | |
terms of the subjects covered but also the nationalities and | :02:45. | :02:49. | |
backgrounds of the authors. Peter, is it a strong year, do you think? | :02:50. | :02:55. | |
It is a wonderful tribute to the hand of a book in Iraq. This is a | :02:56. | :03:04. | |
Commonwealth prize with an amazing range of prose in different styles | :03:05. | :03:09. | |
and next year the Americans will be there. The old Booker Prize has | :03:10. | :03:19. | |
shown some of the best of what it can offer. You have written this | :03:20. | :03:24. | |
short list are brought a tear to your eye. Was that joy or sorrow? I | :03:25. | :03:35. | |
found it incredibly invigorating! Including the global span of the | :03:36. | :03:41. | |
authors. Let's talk in details about each of the books. Let's talk about | :03:42. | :03:51. | |
Jim Crace's book. This is a book about dispossessed peasants forced | :03:52. | :03:56. | |
from their homes as changes sweep across the English countryside. Is | :03:57. | :04:02. | |
he a deserved favourite? Yes, it is also said it will be his last book. | :04:03. | :04:09. | |
That is always a good move! What did you think of the book? It was | :04:10. | :04:15. | |
excellent. It seems to be said in the 16th century but also it spans a | :04:16. | :04:25. | |
lot more time and the nature of dispossession is his real interest. | :04:26. | :04:33. | |
More modern versions of that are our relationship to the lands, approach | :04:34. | :04:38. | |
patients, deaths. The other established writer on the short | :04:39. | :04:46. | |
lists is comatose bin. This is the first time he has been short list. | :04:47. | :04:49. | |
`` comb the most raking thing is its | :04:50. | :05:00. | |
length, it is only 101 pages. Should it be longer? Know, if you are | :05:01. | :05:08. | |
writing about the virgin Mary you can rely on the fact that people | :05:09. | :05:17. | |
know about the back story. He is such an extraordinary prose writer. | :05:18. | :05:22. | |
Every word he uses, there are five words behind it. He is the virtuoso | :05:23. | :05:29. | |
of prose. He is the greatest writer in this hall. This is a virtuoso | :05:30. | :05:39. | |
performance. The virtuosity, subversives those are powerful | :05:40. | :05:48. | |
elements in a Man Booker book. He got the biggest cheer when he came | :05:49. | :05:56. | |
up tonight. He did. Gaby, the other extreme is a Eleanor Catton's book | :05:57. | :06:05. | |
which is 832 pages. This is a Victorian murder mystery set during | :06:06. | :06:10. | |
the gold rush in New Zealand and the obvious question is is it worth its | :06:11. | :06:14. | |
length? Is it worth reading it at that length? It certainly is worth | :06:15. | :06:24. | |
it. It is a gripping read, you do not notice it is 832 pages long and | :06:25. | :06:32. | |
also it is packaged in this experimental framework which | :06:33. | :06:35. | |
disappears as soon as you start. There was something misleading when | :06:36. | :06:47. | |
you call it an experimental novel. I think if this were to win it would | :06:48. | :06:53. | |
be the boldest move. What about NoViolet Bulawayo. She would be the | :06:54. | :07:01. | |
first black African woman to win. It is the story of a ten`year`old girl | :07:02. | :07:07. | |
who grows up in a shantytown in Zimbabwe who then moves to America. | :07:08. | :07:17. | |
I love the first part of the book. Eleanor Catton is a miracle of... | :07:18. | :07:28. | |
NoViolet Bulawayo is more observation of what you see in front | :07:29. | :07:32. | |
of you and the first 30 pages and the way she uses names to grip | :07:33. | :07:39. | |
reality and when the reality changes she changes the names. They use | :07:40. | :07:47. | |
names from American TV shows, American magazines and that is | :07:48. | :07:55. | |
something Zimbabweans do. It is accurately observed, very vivid but | :07:56. | :08:03. | |
it is nothing like the art of Eleanor Catton's book. What about | :08:04. | :08:22. | |
Jhumpa Lahiri's book? Did you enjoy that book? I did. It is fascinating | :08:23. | :08:27. | |
on her part to have written a book with such a span over time when she | :08:28. | :08:34. | |
started out and continues to be a short story writer of incredible | :08:35. | :08:40. | |
precision and beauty. And finally Ruth Ozeki's tale which intertwines | :08:41. | :08:48. | |
the tale of two women, a Canadian writer who finds a diary washed up | :08:49. | :08:54. | |
on a beach which was written by a teenager in Tokyo. The opening part | :08:55. | :09:01. | |
of that is wonderful. Fiction is all about voices and those are two great | :09:02. | :09:09. | |
ones. The adult voice is less secure for me and the intellectual | :09:10. | :09:12. | |
underpinning was a lot more frail but then I am not a Zen Buddhist and | :09:13. | :09:19. | |
she is. As I said, there is a special guest here this evening, the | :09:20. | :09:24. | |
Duchess of Cornwall and she got up and made a speech earlier on. She | :09:25. | :09:28. | |
described herself as a passionate reader and she talked about a | :09:29. | :09:32. | |
literacy project in Middlesbrough which is run by the Booker Prize | :09:33. | :09:38. | |
foundation. As patron of the National literacy trust, I visited | :09:39. | :09:45. | |
the UK's first literacy action hub in Middlesbrough. An area wearing | :09:46. | :09:52. | |
the brunt of the economic decline. This ground`breaking project is | :09:53. | :09:55. | |
addressing some of the worst literacy problems in the country by | :09:56. | :10:01. | |
bringing people together from all parts of the community, including | :10:02. | :10:05. | |
local government, business and charities to create a major campaign | :10:06. | :10:09. | |
to get Middlesbrough reading. The project already has had a huge | :10:10. | :10:14. | |
impact and its success would not have been possible without the vital | :10:15. | :10:18. | |
funding from the Booker Prize foundation. Before the dinner that | :10:19. | :10:28. | |
is taking place behind me, there is a champagne reception for the 500 | :10:29. | :10:32. | |
guests here and we caught up with some of them to find out what they | :10:33. | :10:36. | |
think of this year's short list and who they think will win. I would | :10:37. | :10:43. | |
think in this case Ruth Ozeki. Simply because the one thing about | :10:44. | :10:51. | |
her book is it heralds the advent of a fantastic writer. She will win it. | :10:52. | :11:01. | |
I don't have the slightest doubt. They're right two writers on this | :11:02. | :11:21. | |
list, Tim Krays `` Jim Crace and Colm Toibin. Either one of them I | :11:22. | :11:40. | |
would like to see win this prize. If you feel hungry for a sequel, that | :11:41. | :11:47. | |
is the mark of a good book. The views of some of the guests who are | :11:48. | :11:51. | |
here with us this evening. We're waiting for the formal part of the | :11:52. | :11:56. | |
evening to start, so while we do wait I will put you both on the | :11:57. | :12:01. | |
spot. Gaby, who do you think will win? Colm Toibin or Eleanor Catton. | :12:02. | :12:15. | |
Eleanor Catton or NoViolet Bulawayo. We shall see if you are right. I | :12:16. | :12:22. | |
will now hand you over to the chairman of the judges, Robert | :12:23. | :12:25. | |
Macfarlane. Good evening to you all. Ladies and gentlemen, feedback, | :12:26. | :12:33. | |
forgive me. It has been a long path to this point. We began our work in | :12:34. | :12:39. | |
November last year. It took us nine months to read 151 novels. I am a | :12:40. | :12:50. | |
walker, fond of walking and so I am also fond of quantifying tasks in | :12:51. | :12:55. | |
terms of distance so my maths tells me we read around 20 kilometres of | :12:56. | :13:02. | |
prose as measured in 12 point gap bond. It was an exhausting and | :13:03. | :13:14. | |
fascinating journey. Along the way we met missionaries, scientists, | :13:15. | :13:22. | |
priests, G hard disk, mothers, , many murderers and almost all of | :13:23. | :13:29. | |
them had fancy prose styles. We read sci`fi, spy fly, detective fiction, | :13:30. | :13:44. | |
gumshoe, screwball, we passed through landscapes of great | :13:45. | :13:48. | |
strangeness, we were by turns amazed, saddened, board, very | :13:49. | :13:57. | |
bored, confided in and betrayed. The very best books we read reminded us | :13:58. | :14:02. | |
of the peculiar powers of the novel as a form. To examine the workings | :14:03. | :14:11. | |
of memory and the makings of thought and to use the postulate to repower | :14:12. | :14:17. | |
what of fiction to illuminate, criticise all the pattern what we | :14:18. | :14:26. | |
consider to be the real. The novel has knowledge as its only morality | :14:27. | :14:33. | |
as a form. I think that means true novels discover only what the novel | :14:34. | :14:41. | |
can. Not the TV series, newspaper column, historical essay. To survive | :14:42. | :14:46. | |
and thrive the novel must continue to discover what only the novel can | :14:47. | :14:54. | |
discover. Before I turn to that short list I give thanks to... | :14:55. | :15:16. | |
Thank you to Scott, Amy, Lucy and others who have been models of | :15:17. | :15:26. | |
imaginative visions. We have been generously supported throughout by | :15:27. | :15:30. | |
various people and I am grateful above all to my fellow judges, in | :15:31. | :15:35. | |
whom I have been staggeringly fortunate. They have worked with and | :15:36. | :15:45. | |
integrity and a diligence. APPLAUSE thank you. | :15:46. | :15:55. | |
I haven't even finished my list. They are all virtues. Critical | :15:56. | :15:58. | |
acuity as well. They have been faultless. We also laughed a lot as | :15:59. | :16:05. | |
well. Now to our winner so why take the novels in alphabetical level of | :16:06. | :16:14. | |
offer. The only debut novel Honours list is We Need New Names. The book | :16:15. | :16:34. | |
tells the tale of a girl going to a promised land and each chapter | :16:35. | :16:37. | |
filled with you fresh adventure in line was. Its violence and honesty | :16:38. | :16:45. | |
should cos. The Luminaries is set in the New Zealand gold rush started | :16:46. | :16:48. | |
slowly but deeply staked its claim upon us. It is animated by this | :16:49. | :16:54. | |
weird struggle between compulsion and perversion. Men and women | :16:55. | :17:01. | |
proceed according to their fixed fates while gold around, as will `` | :17:02. | :17:12. | |
bouillon and bars, makes his way. It is intricately structured. It | :17:13. | :17:15. | |
requires a huge investment of time from the reader. The dividend is it | :17:16. | :17:21. | |
offers are asking uncle. Harvest was among the very first novels we read. | :17:22. | :17:26. | |
It continued to wander through the many months of routing that | :17:27. | :17:29. | |
followed. It told us, that the term memories and all sorts of ways. `` | :17:30. | :17:35. | |
many months of reading. It is set in a English village and is an | :17:36. | :17:43. | |
locatable in space and time. It is area and infuses easy allegiance to | :17:44. | :17:50. | |
allegory and parable. It is disturbing at the level of form and | :17:51. | :17:55. | |
dazzling at the level of sentence. The Lowland is seismological in that | :17:56. | :17:59. | |
it is concerned with the tremors and after`shocks of a dramatic event | :18:00. | :18:04. | |
that is at its core. It is a novel about distance and separation but | :18:05. | :18:07. | |
also about the impossibility of leaving cert signs of past behind, | :18:08. | :18:11. | |
however far you move. `` certain times. Its patience was admirable | :18:12. | :18:16. | |
and it works by gathering a terrible sadness over its line. A Deal For A | :18:17. | :18:26. | |
Time Being if the turbulent story of two parts. It is preoccupied with | :18:27. | :18:33. | |
simultaneity is and in keeping with the quantum physics, it is tender | :18:34. | :18:40. | |
and refined, comic and brave, hopeful and desperate. We loved it | :18:41. | :18:45. | |
spirit in several senses. We are all Hello Kitty fans now. Lastly, The | :18:46. | :18:54. | |
Testament Of Mild. This is a fiercely compassionate novel about a | :18:55. | :18:58. | |
mother's levels of love for her sun. `` of movie. It is barely 100 pages | :18:59. | :19:11. | |
long `` the Testament of male. Its story is ancient. Radicalisation, | :19:12. | :19:15. | |
authoritarianism, who would have thought that was the oldest and | :19:16. | :19:18. | |
best`known of the world's stories could have been made modern this | :19:19. | :19:23. | |
manner? These are six extraordinary novels. It has been a huge pleasure | :19:24. | :19:28. | |
to us to watch the reception of the short list worldwide, the claim that | :19:29. | :19:31. | |
the books have already received. It has not been easy to choose a | :19:32. | :19:36. | |
winner. Of course, we have done so. And the winner of the 2013 man | :19:37. | :19:41. | |
Booker Prize for fiction is the Luminaries. | :19:42. | :20:28. | |
Thank you. When I began writing The Luminaries, I was very much in the | :20:29. | :21:28. | |
thrall of a wonderful book The Gift, as I still am. In his conception of | :21:29. | :21:33. | |
the creative enterprise is explored in that book, it was very important | :21:34. | :21:38. | |
to me in how I came to understand the West Coast of the South Island | :21:39. | :21:41. | |
of New Zealand during the years of the gold rush. The region is which | :21:42. | :21:48. | |
in two very different minerals, gold, prized by Europeans for its | :21:49. | :21:55. | |
value, and Greenstone, prized by the natives for its worth. Gold being | :21:56. | :22:02. | |
pure currency can only be bought and sold. Greenstone is a symbol of | :22:03. | :22:09. | |
belonging and prestige and can only be given. An economy based on value | :22:10. | :22:17. | |
in Lewis Hyde's conception is not necessarily inferior to an economy | :22:18. | :22:23. | |
based on worth. But they too must somehow be weak and filed in the | :22:24. | :22:26. | |
life of an artist who wishes to make a living by his or her gift. By his | :22:27. | :22:34. | |
or her art. On the West Coast, this intersection of economies has a | :22:35. | :22:39. | |
national significance, speaking as it does to New Zealand's essentially | :22:40. | :22:46. | |
bicultural part. `` bicultural heart. I am very aware of the | :22:47. | :22:52. | |
blushing's pressures to make money and remain competitive. I know that | :22:53. | :22:56. | |
it is now small thing that my primary publishers, here in London, | :22:57. | :23:03. | |
and in New Zealand, never once made these pressures known to me while I | :23:04. | :23:08. | |
was writing this book. `` of the publishing pressures. I was free to | :23:09. | :23:12. | |
concern myself with questions not of value but of worth. This is all the | :23:13. | :23:20. | |
more incredible to me because The cup luminaries `` the luminaries was | :23:21. | :23:33. | |
a nightmare, not only mathematically impossible but astrologically | :23:34. | :23:38. | |
impossible by suggestions. A very sensible e`mail from one of my two | :23:39. | :23:43. | |
editors, Sarah Holloway or Max Porter, might have even turned the | :23:44. | :23:46. | |
very annoying and not at all sensible reply, well, you would | :23:47. | :23:54. | |
think that, being a Virgo. I am extraordinarily fortunate in having | :23:55. | :23:57. | |
found a home at these publishing houses and to have found friends and | :23:58. | :24:02. | |
colleagues and people who have managed to strike an elegant balance | :24:03. | :24:09. | |
between making art and making money. To everybody at my publishing | :24:10. | :24:17. | |
houses, thank you. I would also like to make some very brief but Hartford | :24:18. | :24:23. | |
individual thanks to my editors, Sarah Holloway and Marks Porter, | :24:24. | :24:26. | |
whose influence on the boot has been conspiratorially, rigorous and for | :24:27. | :24:34. | |
me incredibly sustaining. `` Mark Porter, on the book. To those who | :24:35. | :24:42. | |
were kind enough to take a chance on me. To my dear agent, in whom I | :24:43. | :24:49. | |
trust completely. I must also thank my beloved Steve to solvent, whose | :24:50. | :24:55. | |
kindness, patience and love is written on every page of my book. `` | :24:56. | :25:09. | |
Steve Tucson. I would also like to thank those who considered my work, | :25:10. | :25:17. | |
alongside the other incredibly important writers. And also for | :25:18. | :25:21. | |
providing the value and the worth jointly of this extraordinary prize. | :25:22. | :25:32. | |
Thank you. The winner of the 2013 Booker Prize | :25:33. | :25:40. | |
with Herbert The Luminaries. You both tipped her, a bold choice but a | :25:41. | :25:51. | |
good one. Docs about the light, it is a book, this is a book of the | :25:52. | :25:58. | |
great artifice and we'll test a lot of people but well worth the test. | :25:59. | :26:03. | |
It's just heavy, not difficult. No need to lug around! We are so | :26:04. | :26:07. | |
grateful. Thank you for breaking off from your dinner to talk to us. | :26:08. | :26:11. | |
There you have it, as I say, the winner of the 2013 Man Booker Prize. | :26:12. | :26:19. | |
She has become the youngest person, at the age of 28, ever to win the | :26:20. | :26:23. | |
prize. From all of us here at the Guildhall, many thanks for watching. | :26:24. | :26:24. | |
Good night. We had plenty of fine weather today, | :26:25. | :26:52. | |
particularly across the south`west. Tomorrow, different story with that | :26:53. | :26:56. | |
rain on the way. It will reach Cornwall at the time we get to | :26:57. | :26:59. | |
midnight. That claim is going to continue to make its journey towards | :27:00. | :27:03. | |
the north`east. Before that happens, eastern areas will turn quite foggy | :27:04. | :27:09. | |
`` that rain. Anywhere from the south east, the East Midlands and | :27:10. | :27:14. | |
Yorkshire, the sailors could turn very foggy indeed. Steady on the | :27:15. | :27:18. | |
roads. That Bob is going to clear away quite quickly throughout the | :27:19. | :27:21. | |
morning because the rain will arrive and also the breeze is going to pick | :27:22. | :27:24. | |
up. It is going to wash all of that for | :27:25. | :27:26. |