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Hello and welcome to our Oscars special, where the year's biggest | :00:21. | :00:31. | |
| :00:31. | :00:33. | ||
film is a silent one. The Oscar goes to Jean Dujardin. Best Actor | :00:33. | :00:36. | |
is one of five awards that The Artist picks up, including best | :00:36. | :00:46. | |
| :00:46. | :00:47. | ||
film. If George Valentine could speak, he would say... Speaks in | :00:47. | :00:50. | |
French. Meryl Streep proved unbeatable for | :00:50. | :00:55. | |
her remarkable portrayal of Margaret Thatcher. When they called | :00:55. | :01:03. | |
my name, I had a feeling I could hear half of America are going oh | :01:03. | :01:09. | |
no. Martin Scorcese's 3D film Hugo picks up five awards, including | :01:09. | :01:11. | |
best cinematography, and Christopher Plummer finally gets an | :01:11. | :01:20. | |
award for best supporting actor. You are only two years older than | :01:20. | :01:30. | |
| :01:30. | :01:30. | ||
me, darling, where have you been all my life? Mark Kermode is with | :01:30. | :01:35. | |
me. How things can turn in the space of a month because perhaps | :01:35. | :01:40. | |
people will be saying they knew what The Artist would win, but not | :01:40. | :01:48. | |
a month ago. It is nearly a silent film, French, although shot in | :01:48. | :01:58. | |
Hollywood, has won, and as we went in, everyone was saying it is just | :01:58. | :02:05. | |
like Titanic, we know it will win, boring. Everyone thought the | :02:05. | :02:12. | |
critics going mad about it at first, it was showing off how satiric they | :02:12. | :02:18. | |
were. Then it was being seen by audiences around the world, and | :02:18. | :02:22. | |
people realised how wonderful it was, how charming and invented, and | :02:23. | :02:32. | |
it got this head of steam behind it, to the point that it was winning at | :02:32. | :02:42. | |
| :02:42. | :02:42. | ||
the BAFTAs as well. I think it is something to be really pleased | :02:42. | :02:49. | |
about. There are some people who are great supporters of the silent | :02:49. | :02:54. | |
film, and when I watched this I was sitting with a silent film expert. | :02:54. | :02:58. | |
Everyone was laughing, and afterwards I asked her what she | :02:58. | :03:07. | |
thought, she said they got it right. At that point I realised it had won | :03:07. | :03:14. | |
over both crowds. That detail is the remarkable performances, and I | :03:14. | :03:19. | |
am wondering if it is even harder to act in a silent film, perhaps | :03:19. | :03:29. | |
| :03:29. | :03:31. | ||
that is what swung it for Jean Dujardin. Thank you. I love your | :03:31. | :03:41. | |
| :03:41. | :03:42. | ||
country. Thank you, Michel Hazanavicius, thanks for this | :03:42. | :03:49. | |
incredible gift, thank you to my wonderful partner, and if George | :03:49. | :03:59. | |
| :03:59. | :04:01. | ||
Valentine could speak, he would say... Speaks in French. | :04:01. | :04:05. | |
Jean Dujardin, one imagines he will be picking up some parts in | :04:05. | :04:15. | |
| :04:15. | :04:21. | ||
Hollywood now. His speech at the BAFTAs was better! When I saw this, | :04:21. | :04:25. | |
everyone in the cinema clapped, how often do you get that? If people | :04:25. | :04:30. | |
have seen the film, please don't give away the end. When the | :04:30. | :04:35. | |
nominations were read out, there was a plot spoiler for The Artist | :04:35. | :04:41. | |
in the nominations. If you have seen the film, just don't ask what | :04:41. | :04:47. | |
happens, you don't need to know. Heres a clip, in case you haven't | :04:47. | :04:57. | |
| :04:57. | :05:08. | ||
Jean Dujardin alongside his co-star, who of course is married to the | :05:08. | :05:15. | |
director. What a night for him as well. It is fantastic, Michel | :05:15. | :05:20. | |
Hazanavicius had at least three pronunciations of his name. | :05:20. | :05:24. | |
Everyone sort of expected this to happen, but you look back, just | :05:24. | :05:30. | |
recently he was directing movies that nobody took that seriously. | :05:30. | :05:35. | |
That he has triumphed, it is so easy to take it for granted but it | :05:35. | :05:45. | |
| :05:45. | :05:46. | ||
is an extraordinary achievement. He said that, when the director came | :05:46. | :05:56. | |
to him, don't do it, you are mad! The best screenplay was Woody Allen, | :05:56. | :06:02. | |
he was a no-show at the Oscars, I imagine he was playing jazz in a | :06:02. | :06:06. | |
club somewhere. The very fact they have reminded us the techniques of | :06:06. | :06:13. | |
the early films still have relevance now - it doesn't mean you | :06:13. | :06:17. | |
can't use 3D animation, but it demonstrates those classic | :06:17. | :06:21. | |
techniques are still relevant in the 21st century. Good storytelling | :06:21. | :06:26. | |
is good storytelling. We heard Kenneth Branagh attempting to | :06:26. | :06:31. | |
explain why it The Artist is great, the reason is that is a great film. | :06:31. | :06:40. | |
Here he is, collecting his award. Again, just a few months ago, | :06:40. | :06:45. | |
everybody saying in a patronising way, will they really be giving it | :06:45. | :06:51. | |
to the French? But they have. was one of the only best film | :06:51. | :06:59. | |
contenders in which the whole production was shot in LA. We had | :06:59. | :07:08. | |
Harvey Weinstein referred to by the French with his name pronounced | :07:08. | :07:16. | |
differently. We have another category where it | :07:16. | :07:20. | |
was really hard to see how anybody would beat Meryl Streep. That's | :07:20. | :07:25. | |
right, but actually people were saying it was not a dead cert for | :07:26. | :07:31. | |
Meryl Streep. She was on the kind of winning streak that Helen Mirren | :07:31. | :07:37. | |
was on for the Queen, going from award ceremony to award ceremony | :07:37. | :07:42. | |
becoming more regal each time. This was her 17th nomination, with Billy | :07:42. | :07:47. | |
Crystal saying as that of her introduction she has had 14 attempt | :07:47. | :07:52. | |
at looking pleased when somebody else won. She was very good at | :07:52. | :07:59. | |
that! When they called my name, I had a feeling I could hear half of | :07:59. | :08:09. | |
| :08:09. | :08:13. | ||
America going oh no. Her, again! Whatever. I really want to thank | :08:13. | :08:20. | |
all my colleagues, my friends. I look out here and I see my life | :08:20. | :08:26. | |
before my eyes, my old friends, my new friends. Thank you to my | :08:26. | :08:33. | |
friends, departed and here for this inexplicably wonderful career. | :08:33. | :08:37. | |
outstanding performance for anyone who has seen the film, but the film | :08:37. | :08:46. | |
itself a little bit week? We feel this more here. Firstly the make-up | :08:46. | :08:53. | |
as well, and as Meryl Streep said half of that film is the make-up. | :08:53. | :08:59. | |
Dick Smith got an award for make-up, that was nice to see, but the thing | :08:59. | :09:05. | |
about The Iron Lady is it is not a film about politics, it is not a | :09:05. | :09:09. | |
film which, if you are interested in the history of British politics, | :09:09. | :09:16. | |
has much weight, but Meryl Streep carries that film shoulder-high. I | :09:16. | :09:22. | |
think her performance was terrific, I wish the film was more terrific. | :09:22. | :09:28. | |
Less see a little. Teachers can't teach when there is no heating, no | :09:28. | :09:33. | |
lighting in their classrooms, and if I ask the right honourable | :09:33. | :09:42. | |
gentleman whose fault is that? thinks the right honourable lady | :09:42. | :09:51. | |
does screech too much! If she wants us to take her seriously, she must | :09:51. | :09:57. | |
learn to calm down. If the right honourable gentleman could perhaps | :09:58. | :10:03. | |
attend more closely to what I am saying, rather than how I am saying | :10:03. | :10:09. | |
it, he will receive a valuable education in spite of himself. | :10:09. | :10:14. | |
is the performance that has four Meryl Streep an Oscar. Let's cross | :10:14. | :10:23. | |
to Los Angeles because our correspondent is there for the man | :10:23. | :10:28. | |
-- with the man responsible for catapulting The Artist. Harvey | :10:28. | :10:36. | |
Weinstein, the man behind it all, let me see if I can jump in. How | :10:36. | :10:43. | |
was this evening for you, how do you feel? I feel fantastic because | :10:43. | :10:48. | |
I think The Artist represents a love poem to cinema. It is an | :10:48. | :10:54. | |
amazing movie, it makes people feel good, and it is an inspiration that | :10:54. | :10:59. | |
a black-and-white silent movie in 2012 can win the Oscar 83 years | :10:59. | :11:04. | |
later after the last one. Whatever you are thinking, however radical | :11:04. | :11:09. | |
it is, go with your passion. you ever doubt it would be a | :11:09. | :11:15. | |
success? When I saw the rough cut in April, I met with these guys and | :11:15. | :11:22. | |
I told them a lot of this would happen. I thought we would get | :11:22. | :11:28. | |
nominated at least. Coming back to Hollywood where the film was set, | :11:28. | :11:38. | |
| :11:38. | :11:40. | ||
where it was filmed in its entirety, that must be pretty special. It is | :11:40. | :11:50. | |
| :11:50. | :11:51. | ||
one great its four all three for best picture, it is amazing. -- it | :11:51. | :12:00. | |
won all three. There you are at the Vanity Fair party. I think everyone | :12:00. | :12:08. | |
was there, barring Woody Allen. Indeed, yes. This is one of the | :12:08. | :12:13. | |
main places people come to afterwards. We have seen Tom Cruise, | :12:13. | :12:20. | |
Martin Scorsese, so many of the guests. Unusually this year, a lot | :12:20. | :12:25. | |
of the winners, Meryl Streep for example, has not been seen here yet. | :12:25. | :12:29. | |
Jean Dujardin walked straight past five minutes ago, didn't stop to | :12:29. | :12:34. | |
talk to anyone, but the best supporting actress winner Octavia | :12:34. | :12:39. | |
Spencer did stop for a quick chat and this is what she had to say. | :12:39. | :12:45. | |
You know what, I have no words. I am exhausted, overwhelmed and | :12:45. | :12:50. | |
overjoyed. What was it about this film, The Help, because it could | :12:50. | :12:57. | |
have been a bad movie but it was feel good. I think people can see | :12:57. | :13:05. | |
themselves in every one of those characters. Thank you very much. | :13:05. | :13:10. | |
Octavia Spencer picking up the award for best supporting actress. | :13:10. | :13:16. | |
Mark, I will get your views on The Help in a moment, but let's hear a | :13:16. | :13:20. | |
little of her acceptance speech tonight. I have to thank my family | :13:20. | :13:30. | |
| :13:30. | :13:36. | ||
in Alabama... It is a film about life in the south, southern USA, at | :13:36. | :13:41. | |
the beginning of the civil rights movement. It is a bleak picture of | :13:41. | :13:46. | |
racism but some people think it is very saccharin. I think it was | :13:46. | :13:54. | |
saved by some strong performances. We were discussing this before the | :13:54. | :14:02. | |
BAFTAs. The film does have a certain saccharin edge to it, and | :14:02. | :14:07. | |
there was a discussion about how the problem of racism was solved by | :14:07. | :14:14. | |
a white woman writing about a black woman's experiences. It has some | :14:14. | :14:21. | |
great performances but they are the thing that carries it. At times, | :14:21. | :14:26. | |
the whole thing looks to saccharin, but in her acceptance speech she | :14:26. | :14:34. | |
was completely overwhelmed. In an acceptance speech, you always want | :14:34. | :14:38. | |
proper tears. She and Meryl Streep did that. It looked like a standing | :14:38. | :14:46. | |
ovation when she got on stage. A win for the performances and that | :14:46. | :14:56. | |
| :14:56. | :15:01. | ||
Let Sten -- turn to another film I really like, beginners. Christopher | :15:01. | :15:11. | |
| :15:11. | :15:15. | ||
Plummer became the oldest actor to win an Oscar. | :15:15. | :15:19. | |
You are only two years older than me, darling, where have you been | :15:19. | :15:29. | |
all my life? At tough one for the British, because cannot Branagh was | :15:29. | :15:39. | |
in that category. The it was a strong category. Max von Sydow out, | :15:39. | :15:44. | |
one of the greatest actors ever, it was interesting to see two | :15:44. | :15:49. | |
octogenarians both nominated. Christopher Plummer's performances | :15:49. | :15:58. | |
are terrific. I am not entirely sold on the film. He gave a very | :15:58. | :16:03. | |
creations -- a very gracious acceptance speech, that he said he | :16:03. | :16:13. | |
| :16:13. | :16:15. | ||
has been practising for 82 years! Billy Crystal was making jokes | :16:15. | :16:25. | |
| :16:25. | :16:25. | ||
about how they had the over 70 demographics are one up. There has | :16:25. | :16:30. | |
been the sole thing in the press recently that the average age of an | :16:30. | :16:39. | |
Oscar voter is 107! The average cost curve Botha is white, male and | :16:39. | :16:45. | |
retired. The whole argument is that how representative of are the | :16:45. | :16:52. | |
Oscars when the main voting group is like that. I am sure that the | :16:52. | :16:59. | |
next thing will be that The Artist one because the people who voted | :16:59. | :17:04. | |
for it can remember silent movies. That is not why it one. I have seen | :17:04. | :17:10. | |
it with ten-year-olds and it has a universal language. She go also to | :17:10. | :17:19. | |
come five awards. That is no mean feat. An achievement for Martin | :17:19. | :17:29. | |
| :17:29. | :17:29. | ||
Scorsese? Technical categories give us important people getting awards. | :17:29. | :17:38. | |
Hugo is a love song does cinema. It is about the birth of cinema. It is | :17:38. | :17:43. | |
a 3 D film that reminds us that three D is as old as the projected | :17:43. | :17:49. | |
moving image. It was around when cinema started. It is the first 3 D | :17:49. | :17:58. | |
film that makes sense of 3 D. For me it is an alienating thing. This | :17:58. | :18:04. | |
film is about the cogs of film- making, so somehow Martin Scorsese | :18:04. | :18:09. | |
does something interesting with 3 D. I interviewed Martin Scorsese when | :18:09. | :18:17. | |
there were making the film and they talked about three D Reid imagining | :18:17. | :18:23. | |
movies. I am not a fan of 3 D, but here the technical and artistry | :18:23. | :18:29. | |
came together and worked. How interesting that both films that | :18:29. | :18:35. | |
have got that many nominations are both about the birth of cinema. | :18:35. | :18:42. | |
Best foreign film went to separation. This is the first time | :18:42. | :18:46. | |
Iran has one. It is a wonderful film. It has won several critics | :18:46. | :18:52. | |
prizes. It is a very moving story. It manages to tell a personal story | :18:52. | :18:57. | |
which is subtly political, about people trapped within structures | :18:57. | :19:01. | |
that are inflexible and looking at a certain situation from a number | :19:01. | :19:05. | |
of different perspectives and everyone only having a fragment of | :19:05. | :19:09. | |
the truth. There was a beautiful acceptance speech which talked | :19:09. | :19:18. | |
about loving people who embraced freedom, freedom of thought. It is | :19:18. | :19:22. | |
extraordinarily significant. When you see the film, you don't think | :19:22. | :19:26. | |
that I'm watching an important, significant film that feels like | :19:26. | :19:36. | |
| :19:36. | :19:36. | ||
hard work. It feels like a human drama. It is one of those films the | :19:36. | :19:41. | |
works on a human and political level. At let's hear a little from | :19:41. | :19:48. | |
the director. The name of the country Iran is spoken here through | :19:48. | :19:53. | |
its glorious culture. Many Asian culture that has been hidden under | :19:53. | :19:59. | |
the heavy dust of politics. I proudly offered this film to my | :19:59. | :20:05. | |
country, at people who respect all cultures and civilisations and | :20:05. | :20:12. | |
despise hostility and resentment. Thank you so much. Best foreign | :20:12. | :20:20. | |
language film. We haven't mentioned the descendants or George Clooney. | :20:20. | :20:30. | |
| :20:30. | :20:34. | ||
It got the award for best adapted screenplay. I was disappointed that | :20:34. | :20:41. | |
it won Best adapted screenplay, not because I didn't like it. It is one | :20:41. | :20:45. | |
of those films that has a slow- burning appeal. You don't quite get | :20:45. | :20:50. | |
the weight of the film until the end of it when you think it really | :20:50. | :20:57. | |
is something. In any year, were it not the fact that it be best -- | :20:57. | :21:05. | |
where it beats best adapted screenplay for her Tinker Tailor | :21:05. | :21:14. | |
Soldier Spy. I do like the descendants very much, but it is | :21:14. | :21:19. | |
one of those categories were just like something else more. You and I | :21:19. | :21:25. | |
are of a piece about Tinker Tailor Soldier Spy and carry all cannot | :21:25. | :21:29. | |
even get in the bath death. I have my house on him winning at the | :21:29. | :21:37. | |
BAFTA is so. I thought George Clooney would win in the Oscars. | :21:37. | :21:43. | |
Original screenplay, Woody Allen. Midnight in Paris, a departure for | :21:43. | :21:49. | |
him. It wasn't actually one of my favourite Woody Allen films. Acute | :21:49. | :21:56. | |
film. I thought it was a throwback to some of his early plays. It felt | :21:56. | :22:04. | |
like old fashioned woody Allen in his best possible ways. It assumes | :22:04. | :22:11. | |
that the audience knows a certain amounts and is genuinely funny. The | :22:11. | :22:16. | |
significant thing here was the no- show from Woody Allen. We had this | :22:16. | :22:20. | |
will for ages to win the Oscar was on he would play at jazz gig in New | :22:20. | :22:24. | |
York, so she would never be available. There was one year when | :22:24. | :22:30. | |
he did turn up to present a special awards, but he doesn't do the | :22:30. | :22:37. | |
Oscars. I thought it was a good screenplay. You have seen rather | :22:37. | :22:44. | |
more of the whole ceremony than I have. They had to bring back Billy | :22:45. | :22:49. | |
Crystal. It was meant to be Eddie Murphy. What do we think of Billy | :22:49. | :22:55. | |
Crystal, is it a safe choice question mark you say see if as if | :22:55. | :23:02. | |
it's a bad thing. Billy Crystal comes back in you can hear the room | :23:02. | :23:08. | |
breathing a sigh of relief. The ceremony itself was pretty | :23:08. | :23:18. | |
| :23:18. | :23:19. | ||
spectacular. You had the standard being of Billy Crystal doing a Mont | :23:19. | :23:23. | |
hajj putting himself into the best on contenders. It is the fact that | :23:23. | :23:28. | |
if you are at a ceremony that long you want to feel that the guy | :23:28. | :23:34. | |
introducing it is 110 % on top of the job. Billy Crystal is the man | :23:34. | :23:40. | |
who got away with coming onto the stage at the Oscars on a horse! He | :23:40. | :23:50. | |
is the best Oscar hope -- best Oscar host. They are concerned that | :23:50. | :23:57. | |
it is older people who are watching. It stretches too long for a younger | :23:57. | :24:02. | |
audience. Ensure that is still a debate. The music category was | :24:02. | :24:10. | |
strange this year because there was only two contenders for the best | :24:10. | :24:14. | |
song. I am sure they all sit down and crunched the numbers now about | :24:14. | :24:21. | |
how many people are watching. Their main concern is getting a younger | :24:21. | :24:28. | |
audience to watch. When you have something like Titanic, whose | :24:28. | :24:36. | |
target market is 15, 16 year-olds, that is great. However, I suspect | :24:36. | :24:42. | |
that every year when you have Billy Crystal hosting it, no one does it | :24:42. | :24:47. | |
better than him, let's just keep him. A closing thought about The | :24:47. | :24:56. | |
Artist, what does this do nowt for a director like Michel | :24:56. | :25:00. | |
Hazanavicius? One would presume that they can write their own | :25:00. | :25:06. | |
ticket into would ever they want. If you have just want the best | :25:06. | :25:13. | |
picture Oscar, it looks like you can walk into a room and say I know | :25:13. | :25:19. | |
what works, and what doesn't. But in Hollywood, nobody knows anything. | :25:19. | :25:24. | |
The worst thing is I can almost guarantee you that we will see a | :25:24. | :25:34. | |
| :25:34. | :25:35. | ||
run of bad black-and-white silent movies. It was black and white suit | :25:35. | :25:41. | |
and square and had a dog, let's do that! It wasn't good because of | :25:41. | :25:46. |