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Hello and welcome. These are the Oscars headlines. Daniel Day-Lewis | :00:22. | :00:27. | |
has made history. He is the first person to win the award for Best | :00:27. | :00:32. | |
Actor three times. Following his performance as Abraham Lincoln. | :00:32. | :00:37. | |
wife has lived with some very strange men. I mean, they were | :00:37. | :00:42. | |
strange as individuals and probably stranger if taken as a group. | :00:42. | :00:46. | |
was a special guest appearance from the First Lady. Michelle Obama | :00:47. | :00:56. | |
:00:57. | :00:57. | ||
presented the Best Picture award. Argo. I want to thank Canada our | :00:57. | :01:03. | |
friend in Iran, living in a terrible circumstances right now. | :01:03. | :01:08. | |
At just 22, Jennifer Lawrence has won Best Actress for her role in | :01:08. | :01:14. | |
the rom-com Silver Linings Playbook. And they said the novel wasn't | :01:14. | :01:21. | |
filmable, but Ang Lee has been named Best Director for Life of Pi. | :01:21. | :01:31. | |
:01:31. | :01:31. | ||
Let the Skyfall # The Bond theme, crowned a fabulous | :01:31. | :01:39. | |
year for Adele. Who has picked up best song for Skyfall. Paul ep | :01:39. | :01:45. | |
worth, who, oh God. For believing in me all the time and my man, I | :01:45. | :01:50. | |
love you baby. I am live at the Vanity Fair post Oscars party where | :01:51. | :01:58. | |
I have been chatting to some of the winners and the runners up. Hello | :01:58. | :02:04. | |
and welcome to all our Oscars coverage for 2013. It was the night | :02:04. | :02:08. | |
Daniel Day-Lewis made history, a Bond film won an Oscar in its 50th | :02:08. | :02:12. | |
year, and as we saw, the Best Actress winner tripped on the | :02:12. | :02:16. | |
stairs. With me, for the next half an hour, as ever, Mark Kermode, who | :02:16. | :02:22. | |
has been up most of the night, watching the runners and rider, we | :02:22. | :02:25. | |
will discuss who won with Mark and who should have won. Hello to you, | :02:25. | :02:31. | |
Mark. Let us start with Lincoln. There would have been no bigger | :02:31. | :02:34. | |
surprise if Daniel Day-Lewis had not won. It was extraordinary, from | :02:34. | :02:38. | |
the beginning of award season, the bookies were saying he was a dead | :02:38. | :02:41. | |
cert for everything. The last time we were together at the baf tax, | :02:41. | :02:45. | |
when it was snowing, so it is nice if see Hollywood not doing snow, he | :02:45. | :02:49. | |
was going to win there it was the absolute dead cert he was going to | :02:49. | :02:53. | |
win, bless him he still managed to look slightly taken aback when he | :02:53. | :02:58. | |
did his speech, it was a lovely speech. He has won twice before, he | :02:58. | :03:01. | |
is considered to be the greatest actor of his generation he was | :03:01. | :03:05. | |
hudgeable -- hundredable, he made a terrific joke, because Meryl Streep | :03:05. | :03:09. | |
presented the award. He said originally I was down to play | :03:09. | :03:12. | |
Thatcher and then they realised, soy swapped parts with Meryl Streep | :03:12. | :03:16. | |
because she was down to play Lincoln, then he continued, he said, | :03:16. | :03:19. | |
because there is a famous story that Steven Spielberg said he had | :03:19. | :03:23. | |
to woo Daniel Day-Lewis for longer than he wooed his wife, to play | :03:23. | :03:28. | |
Lincoln, Daniel Day-Lewis said, it is not true. He didn't woo me, I | :03:28. | :03:31. | |
had to persuade Steven Spielberg not to do it adds a musical. All | :03:31. | :03:37. | |
this in a Best Actor speech. He had time to prebear because he did it | :03:37. | :03:41. | |
graciously, he dedicated the award to his mother. It was a pretty much | :03:41. | :03:45. | |
pitch perfect accept tan speech. Good for him and he has made | :03:45. | :03:50. | |
history. Let us hear a little of his speech. Here is Daniel Day- | :03:50. | :03:57. | |
Lewis. My fellow nomnee, my equal, my better, I am so proud to have | :03:57. | :04:03. | |
been includes an one among you. -- nominee, my wife has lived with | :04:03. | :04:06. | |
some very strange men. They were strange add individuals and | :04:06. | :04:12. | |
probably stranger if taken as a group. Daniel Day-Lewis. Lincoln | :04:12. | :04:18. | |
overall, Mark, as a film, it is a curious one, it is is a bit too | :04:18. | :04:23. | |
long, it divided people. That is a very political use of the word | :04:23. | :04:28. | |
curious, the word that? The bab ground is boring. The fact of the | :04:28. | :04:33. | |
matter is. I was trying not to. lot of people have found it boring, | :04:33. | :04:37. | |
is no two ways about it. I think there is an interesting story with | :04:37. | :04:43. | |
the Tommy Lee Jones character who is the centre of of the film for me. | :04:43. | :04:48. | |
It is undeniable that some audiences have struggled wit. The | :04:48. | :04:52. | |
interesting thing is even the people that have found that, even | :04:52. | :04:57. | |
the people that found that have said, yes, but Daniel Day-Lewis is | :04:57. | :05:00. | |
perfect bg and he does make you believe he is Lincoln. We have to | :05:00. | :05:04. | |
be honest, it is a film which some have struggled with and many have | :05:04. | :05:10. | |
found a bit dull stkpwh. What was not dull was Argo. Six months ago, | :05:10. | :05:13. | |
people did not think it was going to peck up best film. It is so | :05:13. | :05:17. | |
watchable. You can see why it came through. It is is a terrific | :05:17. | :05:21. | |
thriller. It put the academy in a difficult position. Since they have | :05:21. | :05:25. | |
upped the best picture list from five to now, it was nine this year, | :05:25. | :05:31. | |
there will be a problem between the best director and best film | :05:31. | :05:35. | |
nomination, Argo, the bookies said was going to win for a long time, | :05:35. | :05:40. | |
it has a winning streak at the baf tax, what were they going to do | :05:40. | :05:43. | |
about the fact that Ben Affleck wasn't nominated? One of the first | :05:43. | :05:48. | |
joefbgs the evening that the Oscars, presented by Seth the first he said | :05:48. | :05:53. | |
this is a film that was so secret the academy don't know who directed | :05:53. | :05:58. | |
it. It was clear the cloud hanging over the Oscars, which is they | :05:58. | :06:02. | |
forgot to nominate baf for Best Director, when it won and baf was | :06:02. | :06:06. | |
up there on stage, you could feel the collective o sigh of relief, | :06:06. | :06:11. | |
everyone wanted him to be up there and it was a shame he wasn't up for | :06:11. | :06:15. | |
Best Director. Let us head to Tim, who is in Los Angeles, at the | :06:15. | :06:23. | |
Vanity Fair party and look, the producer of Les Miserables. Cameron | :06:23. | :06:27. | |
Mackintosh is with me, mixed feelings stp you got three prizes. | :06:27. | :06:32. | |
I am thrilled. Listen, it was an incredible tight race, with at | :06:32. | :06:36. | |
least half a dozen Phipps all of which dereceived to win, the fact | :06:36. | :06:41. | |
we are here with three awards, and to see my cast strutting their | :06:41. | :06:47. | |
stuff and bringing the entire theatre to its feet with one day | :06:47. | :06:52. | |
more. I couldn't be more proud. It has been an amazing journey for u | :06:52. | :06:58. | |
because, I was thinking on the way here tonight, you know, a year a we | :06:58. | :07:03. | |
hadn't started filming mismix, here we are at the Academy Awards, | :07:03. | :07:07. | |
having had a marvellous run and the film being an enormous suck sex, I | :07:07. | :07:12. | |
am a very happy bunny. Anne Hathaway won Best Supporting | :07:12. | :07:16. | |
Actress as everyone predicted. If she hadn't won, you would have been | :07:16. | :07:21. | |
very surprised. I would have been. The other thing is of course, in a | :07:21. | :07:25. | |
normal year, Hugh Jackman would have won best actors but the thing | :07:25. | :07:30. | |
to remember is never do a musical, when Daniel Day-Lewis is doing a | :07:30. | :07:35. | |
film. So, Hugh and I decided we are going to find out from Daniel's | :07:35. | :07:39. | |
agent when he is going to take a hl they and we will do another film | :07:39. | :07:44. | |
stkpwh. A lot of musical numbers in the Oscar, did they work for you? | :07:44. | :07:49. | |
You were seeing less misup there, Chicago as well? There was a great | :07:49. | :07:53. | |
segment. I was concentrating on the segment I was involved in. That | :07:53. | :08:00. | |
went down a treat. So, it was great to vee the audience on its feet. | :08:00. | :08:07. | |
See. Cameron mash tosh -- Macintosh chatting about his reaction to the | :08:07. | :08:17. | |
:08:17. | :08:17. | ||
three Oscar wins for that film. Tim, thank you. Cameron Mackintosh | :08:17. | :08:21. | |
looking sprightly there T we talked about Daniel Day-Lewis being a shoe | :08:21. | :08:28. | |
in. Anne Hathaway was a shoe in for Best Supporting Actress, An equal | :08:28. | :08:31. | |
certainty. The dead certs were Daniel Day-Lewis and Anne Hathaway | :08:31. | :08:35. | |
and Amour for best film not the the English language. As far as Anne | :08:35. | :08:38. | |
Hathaway was concerned she was a sure enough bet they were able to | :08:38. | :08:43. | |
make jokes about her win before she had won it. Seth MacFarlane did a | :08:43. | :08:48. | |
long, tened sketch which hinged at one point on a gag, there is no | :08:48. | :08:52. | |
point for waiting for supporting accuse stress we know Anne Hathaway | :08:52. | :09:00. | |
is going to win. It was a terrific performance, the reason Les | :09:00. | :09:05. | |
Miserables works is because they sang live on set. They could record | :09:05. | :09:09. | |
the vocals clean. They had to add the orchestration to that which is | :09:10. | :09:13. | |
a very complicated task, congratulations to everybody | :09:13. | :09:16. | |
involved for doing that. Anne Hathaway has this magnificent | :09:16. | :09:20. | |
moment in which she pretty much seings an entire song in what looks | :09:20. | :09:25. | |
like one take, it manages to go from a whis ter to a scream, from | :09:25. | :09:30. | |
quiet and intimate to great big proper full on performance, and it | :09:30. | :09:34. | |
is done terrificly well, the screen I saw it in there wasn't a dry cry | :09:34. | :09:39. | |
in the house. Some people have problems with it. Not even is a fan | :09:39. | :09:47. | |
of musical, some think it is too long. No movie... I thought was on | :09:47. | :09:51. | |
the shortside. She was always going to win. It was a lovely speech, | :09:51. | :09:56. | |
just the right mixture of yes, confident but overwhelmed but no | :09:56. | :10:04. | |
surprise there at all. Let us hear a lit of what she had to say to Tim. | :10:04. | :10:10. | |
I didn't cry, I held I together, it was meaningful. The fact this film, | :10:10. | :10:15. | |
I mean, its director wasn't shortlisted. It didn't win Best | :10:15. | :10:22. | |
Picture, what did it say to people? It captured people's hearts. Think | :10:22. | :10:26. | |
it moved people, and there is just something about the mew soisc this | :10:26. | :10:31. | |
that opens people up, and a lot of people go on the journey. I love | :10:31. | :10:36. | |
that, when they go, you have had your two question, we should say a | :10:36. | :10:41. | |
word for the Brit, the Brits won the make up award for Les | :10:41. | :10:47. | |
Miserables. No surprise if you have seen the film. A dereceived win. | :10:47. | :10:50. | |
Best Supporting Actor. Christoph Waltz A man who is so talented and | :10:50. | :10:55. | |
his second Oscar. Yes, and again, you know, giving great thanks to | :10:55. | :11:01. | |
Quentin Tarantino, of course, Quentin Tarantino went on to win, | :11:01. | :11:04. | |
the screenplay award but Christoph Waltz very grey susly said I | :11:04. | :11:08. | |
dedicate this to award to Quentin Tarantino. Tarn Tyne know got up on | :11:08. | :11:14. | |
stage, looking fan takesly dishevelled. His tie down here and | :11:14. | :11:18. | |
shirt collar up. He does do that. It looked like he hadn't thought | :11:18. | :11:22. | |
about what he looked like, which implieded he thought he might not | :11:22. | :11:27. | |
win he did a very interesting thing, one of the themes of this year was | :11:27. | :11:31. | |
music in the movie, they were using the jaws theme when people had | :11:31. | :11:36. | |
spoken to long f somebody starteded speaking too long you would hear | :11:36. | :11:40. | |
this orchestration, it would chase them off stage. Quentin Tarantino | :11:40. | :11:45. | |
who talked down the music, they, the orchestra stopped. So, that was | :11:45. | :11:51. | |
a small victory. Let us hear a little of wald wa -- wall waltz | :11:51. | :11:58. | |
talking to Tim Overwhelmed. Literally. I can't grasp it yet. -- | :11:58. | :12:02. | |
Christoph Waltz. Quentin Tarantino, what did he do to make your | :12:02. | :12:07. | |
performance award-winning? writes stuff that I can do. It is, | :12:07. | :12:13. | |
no-one won an award of any kind without mediocre part or a bad part. | :12:13. | :12:18. | |
It is all the part. Christoph Waltz. A real tribute to Quentin Tarantino. | :12:18. | :12:24. | |
Tarn Tyne know returned the compliment, when he won he did say, | :12:24. | :12:28. | |
he said in the end my movies will be remembered for the characters I | :12:28. | :12:31. | |
created, and he said and they will be remembered because of the actors | :12:31. | :12:34. | |
that played them and you cast a movie right and this time I got it | :12:34. | :12:38. | |
just right. So he turned it round. He is one of those people who can | :12:38. | :12:42. | |
sometimes seem full of himself but he turned it round into it is not | :12:42. | :12:48. | |
about me it is about the cast. talked about supporting actor and | :12:48. | :12:52. | |
actress, we should move on to the Best Actress for a mere 22-year-old. | :12:52. | :12:56. | |
We are not bitter. That is nice. Jennifer Lawrence. Poor thing, that | :12:56. | :13:02. | |
clip will be played over and over on you tube for years to come. I | :13:02. | :13:06. | |
suspect we vit again. This is her in the film of course, Silver | :13:06. | :13:11. | |
Linings Playbook. Bradley Cooper is in that scene. But up against | :13:11. | :13:20. | |
Daniel Day-Lewis so not a chance. She was quite a hot traiv rit in | :13:20. | :13:26. | |
Winter's Bone. After the BAFTAs win when Emanuelle Riva won, suddenly | :13:26. | :13:30. | |
the bookies went maybe general fa Lawrence isn't the front runner, | :13:30. | :13:34. | |
maybe it will be Emanuelle Riva who was the oldest nominee in the Best | :13:34. | :13:38. | |
Actress category up against the youngest, Quvenzhane Wallis which | :13:38. | :13:42. | |
gave, there it is, the moment for which Jennifer Lawrence will, but | :13:42. | :13:47. | |
she fulled -- pulled it off. Having done that she got up on stage, she | :13:47. | :13:51. | |
got a standing ovation, she said you are only standing up because I | :13:51. | :13:55. | |
fell over. That was very well recovered. She is terrific, she was | :13:55. | :14:02. | |
nominated before for Wynter's Bone. You talk about her being young, it | :14:02. | :14:07. | |
was a few years ago, she is very versatile. It was interesting when | :14:07. | :14:14. | |
you describe plain play -- plain plain, you said rom-com, yes it is | :14:14. | :14:19. | |
comedic, it is a dark film, in the end it is a feel good movie. It has | :14:19. | :14:25. | |
an uf lifting third act. It deals with mental illness, dysfunctional | :14:25. | :14:30. | |
family, those subjects that people feel cynical. I thought it had a | :14:30. | :14:34. | |
serious core, it was about something. It is is a hard film to | :14:34. | :14:41. | |
categorise. Bradley Cooper plays a man with bipolar disorder, extreme | :14:41. | :14:46. | |
as well. Everyone in his family is equally troubled. That is the | :14:46. | :14:50. | |
interesting thing, the people who have mental illness and those who | :14:50. | :14:56. | |
don't are indishable. The film presents a wide spectrum of by a | :14:56. | :15:00. | |
yor, in a way which is sensitive and well handled. We are going to | :15:00. | :15:10. | |
:15:10. | :15:21. | ||
go back to Tim. He has a very big Ang Lee, this is not your first | :15:21. | :15:28. | |
Oscar. No, but this one I am really happy with. People said Life of Pi | :15:28. | :15:37. | |
could not be film. Were you daunted? Yes. I think the hardest | :15:37. | :15:42. | |
thing is it is an expensive movie but a philosophical book. But we | :15:42. | :15:49. | |
did it. 3,000 people and four years later, we are here and I am so | :15:49. | :15:55. | |
happy. The movie went really well in England. Anyway, people forgot | :15:55. | :16:00. | |
the CGI, they thought what they were seeing was real. Was that your | :16:00. | :16:09. | |
ultimate aim? Yes. It is best if you know CGI and music, that is | :16:09. | :16:15. | |
everybody's goal. You beat Steven Spielberg! I don't want to say that. | :16:15. | :16:19. | |
Congratulations, thank you for talking to us. I have so much | :16:19. | :16:29. | |
admiration for his work. Ang Lee, Best Director for Life of Pi. | :16:29. | :16:34. | |
I love Ang Lee, he comes across as a decent and self-effacing. And it | :16:34. | :16:37. | |
was a novel which won the Booker Prize and anyone who read it said, | :16:37. | :16:42. | |
you cannot possibly film it. Heaviley pulled it off. | :16:42. | :16:48. | |
extraordinary thing is that what he has done with Life of Pi, as you | :16:48. | :16:53. | |
know, if I have to watch a 3D film, it will be Life of Pi. The visual | :16:53. | :16:59. | |
effects are extraordinary. What is interesting this year about angry | :16:59. | :17:04. | |
winning is the question of Ben Affleck's admission. I think even | :17:04. | :17:08. | |
if Ben Affleck had been nominated for best director, Ang Lee would | :17:08. | :17:12. | |
still have won. I think life of pie is brilliantly directed. Whether | :17:12. | :17:18. | |
you think it is the Best Film or not, the direction is extraordinary. | :17:18. | :17:25. | |
Marshalling of these visual effects which are very complicated, he said | :17:25. | :17:30. | |
his visual director was a gift from the movie got. Really holding a | :17:30. | :17:35. | |
movie together. That is all tribute to Ang Lee's direction, it is a | :17:35. | :17:39. | |
brilliantly directed from. I think Ben Affleck should have been | :17:39. | :17:44. | |
nominated for Best Director but I still think Ang Lee would have won. | :17:44. | :17:49. | |
A teenager when he made that film and by definition, a lot of it is | :17:49. | :17:54. | |
acting against a green screen. he did not go to audition. He went | :17:54. | :18:00. | |
to accompany his brother and then he ended up doing it. He appeared | :18:00. | :18:06. | |
to arrive from nothing and he looks so confident and halls the camera | :18:06. | :18:11. | |
so much. EU think, is that they lead his first feature? -- you | :18:11. | :18:19. | |
think. He is completely natural. quick word about the Best Film and | :18:19. | :18:27. | |
a foreign-language. A more. There are films that I laugh, but there | :18:27. | :18:33. | |
was no question in my mind. The question was whether it had gone to | :18:33. | :18:40. | |
the other categories. Again, I think everyone expects it to win. | :18:40. | :18:45. | |
It is a portrait of love in all age and what love really means. When it | :18:45. | :18:53. | |
first played, I think it was at the Cannes Film Festival,. People | :18:53. | :18:56. | |
thought the title was ironic because Michael Hannah could not | :18:56. | :19:02. | |
have made a film about love. Oscars day was Emmanuelle Riva applause | :19:02. | :19:07. | |
mac 86th birthday. And Jennifer Lawrence Gracias they remembered to | :19:07. | :19:14. | |
say happy birthday to for -- to her. A lot of people remembered to thank | :19:14. | :19:24. | |
their nominees by name. It does not always happen but a lot of them did. | :19:24. | :19:32. | |
Let's talk about James Bond. It is its 50th year. A real testament, | :19:32. | :19:37. | |
lots of performances, we saw Shirley Bassey and Adele. Can we | :19:37. | :19:41. | |
hear a little but from Adele? What a remarkable year that young women | :19:41. | :19:47. | |
from Hackney has had. Thank you so much. This is amazing. I would like | :19:47. | :19:55. | |
to thank Barbara broccoli and Michael Wilson. Sony pictures, MGM, | :19:55. | :20:05. | |
:20:05. | :20:05. | ||
Paul Acworth. -- Paul Epworth. And my man, I Love You, Baby! That is a | :20:06. | :20:11. | |
proper acceptance speech. Complete the heartfelt. It was terrific, she | :20:11. | :20:14. | |
seemed to be that so moved. When she performed the theme from | :20:15. | :20:19. | |
Skyfall, she had to go on after Shirley Bassey, which is not the | :20:19. | :20:22. | |
easiest thing. But she was very confident. It was a great | :20:22. | :20:29. | |
performance. The moment had arrived. It is interesting, I still feel | :20:29. | :20:33. | |
significantly that it should be nominated for Best Director. It did | :20:33. | :20:40. | |
very very well. Bond is still fighting. It has a history of not | :20:40. | :20:44. | |
being taken seriously by the academy. It came together in the | :20:44. | :20:49. | |
50th year and Skyfall was in many people's opinion, the best Bond | :20:49. | :20:54. | |
movie so far. Everyone wanted it to win. You could feel people thinking, | :20:54. | :21:02. | |
it needs to win awards. It also won awards for sound Editing. It was an | :21:03. | :21:07. | |
interesting thing. And it was announced that there was a tie with | :21:07. | :21:11. | |
Zero Dark Thirty, there was a kind of audible intake of breath. It | :21:11. | :21:14. | |
turns out there have been several times during the course of the | :21:14. | :21:23. | |
Academy Awards. Katharine Hepburn and Barbra Streisand tying in 1969. | :21:23. | :21:27. | |
It does not happen that often. But what used to happen was, in the | :21:27. | :21:32. | |
early days of the Oscars, if the voting was within three votes, it | :21:32. | :21:36. | |
would be registered as a tide. Nowadays, it has to be the exact | :21:36. | :21:40. | |
same number of votes. So it is not completely unprecedented. Although | :21:41. | :21:44. | |
it caught everyone of guard. quick thought about Zero Dark | :21:44. | :21:49. | |
Thirty. A few months ago, there was a degree of momentum, a lot of talk | :21:49. | :21:54. | |
about Jessica Chastain. Directed by Kathryn Bigelow who was the first, | :21:55. | :22:00. | |
the only woman ever to win the best director Oscar. Very watchable. I | :22:00. | :22:05. | |
enjoyed it hugely. But it went off the radar. What is interesting is, | :22:05. | :22:09. | |
it did not go of the reader, it was brought on to the reader with a | :22:09. | :22:13. | |
really bad, negative press campaign. Every year there is something like | :22:13. | :22:20. | |
that. Suddenly, there are all these articles written about somehow, it | :22:20. | :22:23. | |
justified or endorsed or glorified torture. It is interesting, around | :22:23. | :22:29. | |
the time of the Oscars, it only takes little with of an allegation | :22:29. | :22:34. | |
to really damage a movie's chances. At one point, people thought this | :22:34. | :22:40. | |
was good to be a big contender. It is significant that it has not done, | :22:41. | :22:45. | |
it has not been a winner. I am sure part of that is the negative press | :22:45. | :22:50. | |
surrounding it. In my opinion it is completely unfair. I do not think | :22:50. | :22:54. | |
the movie echoes those views expressed. But Oscar campaigning is | :22:55. | :23:00. | |
a dirty business. You just have to look back at the history, who is | :23:00. | :23:06. | |
going to call who first? It is a mud fight. A quick final thought | :23:06. | :23:11. | |
about the host, Seth MacFarlane. I have been reading mixed results. | :23:11. | :23:15. | |
Funnily enough, it was mixed in the genuine sense. What he did at the | :23:15. | :23:18. | |
beginning was he was trying to get a balance between being outrageous | :23:18. | :23:24. | |
and being an Oscar post. So he had a conceit at the beginning was that | :23:24. | :23:29. | |
William Shatner appears from the future to tell him... No, stay with | :23:29. | :23:33. | |
me! To tell him he has messed-up the Oscars. He said, here is how | :23:33. | :23:38. | |
you did it. They showed a song about leading actresses and whether | :23:38. | :23:42. | |
or not they can be seen naked in movies. Not funny in the slightest. | :23:42. | :23:50. | |
Then at the end, he says, it is a good job we did not make that joke! | :23:50. | :23:55. | |
All the way through it, there was an awkward balance between, I | :23:55. | :24:01. | |
should or I should not be saying this. For me, it hit the right time. | :24:01. | :24:05. | |
Much more to come boss of let's remind ourselves of some of the | :24:05. | :24:15. | |
:24:15. | :24:21. | ||
Fantastic. They were all very deserving. It was astonishing. | :24:21. | :24:31. | |
:24:31. | :24:44. | ||
great night, I enjoyed it. I feel I want to thank Paul Acworth. Oh, | :24:44. | :24:54. | |
:24:54. | :24:56. | ||
God! For believing in me all the time. I was on the stage. I loved | :24:56. | :25:06. | |
:25:06. | :25:13. | ||
You guys are just standing up because I fell! But thank you. | :25:13. | :25:23. | |
:25:23. | :25:23. |