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they would not be drawn on it, but expect more challenges through | :00:00. | :00:00. | |
European courts, perhaps, on that issue. Damian Grammaticas, thank | :00:00. | :00:00. | |
you. President Trump is meeting American | :00:00. | :00:00. | |
car manufacturers today in a bid We are going to leave | :00:07. | :00:11. | |
the One O'clock news now in order to bring you our special | :00:12. | :00:13. | |
Oscar nomination programme. we will find out in the next few | :00:14. | :00:21. | |
minutes who has been nominated. I'm joined by the film | :00:22. | :00:27. | |
critic Jason Solomons. We will be discussing the | :00:28. | :00:40. | |
nominations. The countdown is under way. We will find out the news from | :00:41. | :00:45. | |
Los Angeles within the next five minutes. We know what did well the | :00:46. | :00:54. | |
Golden Globes. It was La La Land. Let's look at some of the films in | :00:55. | :00:56. | |
contention this year. It was my impression you'd spent | :00:57. | :01:01. | |
a lot of time here over the years. Your brother has provided | :01:02. | :01:23. | |
for Patrick's upkeep. I assumed Joe had | :01:24. | :01:24. | |
discussed this with you. You've got to decide for yourself | :01:25. | :01:28. | |
who you're going to be. Can't have nobody make | :01:29. | :01:34. | |
that decision for you. You going to tell him why the other | :01:35. | :01:40. | |
boys kick his ass all the time? I'm starting to remember. | :01:41. | :01:45. | |
Our beautiful boy. Just a suggestion as to the films | :01:46. | :02:13. | |
they may be hearing about in the next few minutes. A different format | :02:14. | :02:22. | |
this year. They may look different for all of us. No one is getting up | :02:23. | :02:25. | |
at the crack of dawn in Los Angeles, they are doing things differently. | :02:26. | :02:33. | |
We will explain more in a moment. Lion, La La Land, Moonlight, could | :02:34. | :02:42. | |
all be in the running for Tom Lawrence. -- awards. | :02:43. | :02:54. | |
Hello, and welcome to this BBC News special programme. | :02:55. | :02:57. | |
I'm Jane Hill and we are minutes away from learning who has been | :02:58. | :03:00. | |
nominated for the 2017 Academy Awards. | :03:01. | :03:05. | |
The film critic Jason Solomons is with me, we'll be | :03:06. | :03:09. | |
getting his insight into who should - and perhaps shouldn't - | :03:10. | :03:12. | |
Let's have a quick thought about main contenders. And worth flagging | :03:13. | :03:37. | |
the different format this year. I know you liked La La Land. I loved | :03:38. | :03:41. | |
it. There is a backlash because people think they've been sold a | :03:42. | :03:45. | |
classic musical from the Hollywood golden age. It is not that. It is | :03:46. | :03:50. | |
charming many people. It got 11 BAFTA nominations. I expect | :03:51. | :03:54. | |
double-figure nominations today from the Oscars Academy. Whether it wins | :03:55. | :03:58. | |
on the night, that remains to be seen. There are other films | :03:59. | :04:04. | |
available. Moonlight, I think that Scott the charm and beauty and | :04:05. | :04:07. | |
poetry and political heft to dislodge La La Land, the story of a | :04:08. | :04:13. | |
black boy growing up into a man in Florida. Very the moment. Manchester | :04:14. | :04:19. | |
by the Sea is charming many people. And also in the sci-fi, Arrival, | :04:20. | :04:29. | |
starring Amy Adams. Just ahead up what we think we will be seeing in | :04:30. | :04:34. | |
the next few minutes because it is very different. In Los Angeles, they | :04:35. | :04:39. | |
generally make a couple of actors and actresses get up early in the | :04:40. | :04:41. | |
morning and stand in a theatre and announce everything life. In its | :04:42. | :04:45. | |
infinite wisdom, the Academy has decided to do things differently | :04:46. | :04:48. | |
this year. They are telling us they will be giving us information that | :04:49. | :04:53. | |
has been filmed presumably in the last few days. They decided to film | :04:54. | :04:58. | |
nominations in various cities. We will be getting details through in | :04:59. | :05:02. | |
two tranches. We should hear the first tranche in the next few | :05:03. | :05:07. | |
minutes. Best supporting actor, things like that. This has been | :05:08. | :05:12. | |
filmed in Los Angeles, Chicago, New York, Toronto, Canada, London and | :05:13. | :05:21. | |
Tokyo. That is what they have been filming. That is as much as we know | :05:22. | :05:26. | |
at this stage. Let's find out exactly what the Academy wants to | :05:27. | :05:31. | |
present this year. It is being played out live in Hollywood, | :05:32. | :05:34. | |
keeping to a bit of tradition at least. Let's head to LA and see this | :05:35. | :05:40. | |
transmission from the Academy. The Oscar nominations... Being nominated | :05:41. | :05:50. | |
felt like... And honour, a legal fight, I guess I just flipped out. | :05:51. | :05:56. | |
It is like when a pinata breaks open. I feel like the greatest. | :05:57. | :06:04. | |
Really proud. You don't get moments like that every day. That was a | :06:05. | :06:12. | |
moment in time. The Academy Awards you think you know? That's not how | :06:13. | :06:17. | |
it has always been. In 1929, there were no nominations and the winners | :06:18. | :06:20. | |
were announced in advance. Today, we're going to change things up. | :06:21. | :06:25. | |
We're going past nominees and winners to welcome this new class | :06:26. | :06:30. | |
and walk them through the next 33 days. For the year, I was part of | :06:31. | :06:37. | |
that small selected group of the brightest star is. I was able to | :06:38. | :06:43. | |
bring my mother. She always wanted to be an actress. She sat next to | :06:44. | :06:49. | |
me. She was so proud of me walking on that stage. The nominees for | :06:50. | :06:51. | |
supporting actor are... The nominees for cinematography | :06:52. | :07:14. | |
are... The phone rang and my lawyer was on | :07:15. | :07:34. | |
the phone. He said, your nominated for an Oscar. I was by myself in a | :07:35. | :07:38. | |
hotel room. I had no family near me or anything. Before I could call my | :07:39. | :07:43. | |
mother, the daughter rang and the waitress came in. And I just burst | :07:44. | :07:46. | |
into tears and said, I've just been nominated for an Oscar. And she | :07:47. | :07:48. | |
said, give us a hug. We're fortunate and of course you | :07:49. | :08:33. | |
should have fun with all of this. But a day after, the very next day | :08:34. | :08:37. | |
after the Oscars, the focus should be back to making films. Good films. | :08:38. | :08:43. | |
The nominees for foreign language film are... | :08:44. | :09:02. | |
The nominees for the live action short are... | :09:03. | :09:18. | |
When I heard my name, I think I just about passed out. Then when I heard | :09:19. | :09:29. | |
the director of 's name, I really lost my mind. It was just the best | :09:30. | :09:36. | |
moment of my life. The nominees for the actor are... | :09:37. | :09:58. | |
The nominees for sound editing are... | :09:59. | :10:14. | |
It was early in the morning and the first thing I did was wake up my | :10:15. | :10:42. | |
wife. Immediately, call someone that is going to take you down a few | :10:43. | :10:47. | |
notches. That is why I woke up my wife! The nominees for production | :10:48. | :10:49. | |
design are... The nominees for visual effects | :10:50. | :11:03. | |
are... We were making the big chill and I | :11:04. | :11:30. | |
was gobsmacked. Out of the blue, I had no clue. I had no expectations. | :11:31. | :12:01. | |
A score of music in a film, that is the most impactful and powerful | :12:02. | :12:11. | |
music. That type of power that it in pursuits, to drive every emotion and | :12:12. | :12:15. | |
you don't even know that is what is driving your emotion. That is | :12:16. | :12:20. | |
powerful! The nominees for original score are... | :12:21. | :12:41. | |
The nominees for original songs are... | :12:42. | :13:09. | |
Well, as you see, they will be back with further nominations. That is | :13:10. | :13:16. | |
striking. Perhaps a format we can discuss. It is all new to us. That | :13:17. | :13:22. | |
is a film produced by the Academy in the United States, not something | :13:23. | :13:25. | |
that any media were given a preview of. That is how they have decided to | :13:26. | :13:30. | |
do at this year. With all those, dare I say, indulgent films? The | :13:31. | :13:34. | |
moment I heard I was nominated... It is a bit of backslapping that the | :13:35. | :13:39. | |
film leading the way it already is La La Land. It is a big back slapped | :13:40. | :13:44. | |
in Hollywood, it is about Los Angeles. But eight nominations for | :13:45. | :13:52. | |
La La Land already. It is on course for a nominations record. Titanic | :13:53. | :14:00. | |
had 14. La La Land, if it gets nominated in all other categories, | :14:01. | :14:02. | |
and we think it might, it could equal the record. Certainly, the | :14:03. | :14:09. | |
cinematography is knockout in La La Land. It does deserve a note for | :14:10. | :14:15. | |
that. In terms of what we have heard so far, Jason, perhaps some | :14:16. | :14:19. | |
categories people are interested in, best actor and Best supporting | :14:20. | :14:24. | |
actor. Best actor, it went a lot of the way we expected. Andrew | :14:25. | :14:29. | |
Garfield, Denzel Washington and Casey Affleck. Ryan Gosling as well | :14:30. | :14:34. | |
from La La Land. I see this as being between Casey Affleck and Ryan | :14:35. | :14:42. | |
Gosling. I think this is Casey Affleck's performance, he is in | :14:43. | :14:48. | |
Manchester by the Sea and place a janitor who is frozen in time. He | :14:49. | :14:52. | |
has to thaw throughout the drama. I cannot be his Guardian. Well, it I | :14:53. | :15:06. | |
mean, I can't. Now, it is a curious film. It is an interesting story | :15:07. | :15:10. | |
that stays with you. Casey Affleck is good. But he is just not a | :15:11. | :15:18. | |
likeable character in any way. I wondered whether people might leave | :15:19. | :15:23. | |
the cinema thinking, what a miserable so and so! Yes but the | :15:24. | :15:29. | |
incremental floor, any smile he might break by the end, you think, | :15:30. | :15:34. | |
thank you for that. You wait two hours for someone to smile in this | :15:35. | :15:39. | |
movie and just about get it and feel relieved. That is his skill and he's | :15:40. | :15:44. | |
very good in it. Best supporting actor, Lucas hedges, I thought was | :15:45. | :15:49. | |
excellent in Manchester by the Sea, playing a nephew to Casey Affleck's | :15:50. | :15:52. | |
uncle. He is very good in it. Best supporting actor, Lucas hedges, I | :15:53. | :15:54. | |
thought was excellent in Manchester by the Sea, playing a nephew to | :15:55. | :15:56. | |
Casey Affleck's uncle. Using the 20. His father, Peter hedges, wrote the | :15:57. | :16:04. | |
screenplay to About a Boy. Oscar fact. I was delighted to see that | :16:05. | :16:09. | |
award for her Moonlight, one of my favourites this season. Strong | :16:10. | :16:13. | |
performance I've thought. People might know him from the TV series, | :16:14. | :16:23. | |
House of Cards, he plays a fixer for Kevin Spacey's character. He has had | :16:24. | :16:29. | |
a fantastic year and is in another film coming out soon. And there he | :16:30. | :16:37. | |
is. A kindly drug dealer, a strange role. A man making his own way. A | :16:38. | :16:46. | |
terrific film, Moonlight. Yes and Naomi Harris, we wait to see whether | :16:47. | :16:54. | |
she might get a nod as well. It has performed strongly in the Golden | :16:55. | :16:56. | |
Globes and this will be another interesting thing to watch. We have | :16:57. | :17:01. | |
the second tranche of nominations coming up shortly. We have talked | :17:02. | :17:06. | |
for a couple of years about diversity within the Academy and the | :17:07. | :17:09. | |
people who vote for these categories. Interesting to watch how | :17:10. | :17:14. | |
much diversity there is overall. Last year, we weren't talking about | :17:15. | :17:23. | |
the new president of the Academy, a woman of colour herself, who was | :17:24. | :17:25. | |
furious about the lack of diversity and she change the make-up of the | :17:26. | :17:30. | |
academy and I think it has had an immediate effect. This year, we are | :17:31. | :17:36. | |
discussing films like Moonlight, which has no white people involved | :17:37. | :17:40. | |
in it, it is about the black experience and it is the kind of | :17:41. | :17:43. | |
film that could have got lost in the cracks when we're not looking for | :17:44. | :17:46. | |
these expanded stories. It's thoroughly deserves its place. A | :17:47. | :17:53. | |
fantastic story. I think this is the film with most chance of dislodging | :17:54. | :17:55. | |
everyone's front runner, La La Land. Another film made by the academy. | :17:56. | :18:11. | |
Let us see what they present us with now with the rest of the | :18:12. | :18:17. | |
nominations. My big piece of advice when you are nominated is not to pop | :18:18. | :18:21. | |
the champagne. It will continue for a long time. Maybe 33 days. You have | :18:22. | :18:28. | |
got a big job ahead. You might have to give a speech in front of | :18:29. | :18:31. | |
millions and millions of people and you do not want to screw it up. The | :18:32. | :18:35. | |
nominees for original screenplay award are... | :18:36. | :19:00. | |
The nominees for adapted screenplay are... | :19:01. | :19:30. | |
The first time I truly ever experienced the academy and the | :19:31. | :19:36. | |
Oscars was when I was there, nominated for an Oscar. I have not | :19:37. | :19:43. | |
stopped watching it since. The nominees for animated feature are... | :19:44. | :19:57. | |
The nominees for animated short art... | :19:58. | :20:18. | |
I got to meet the director and he just gave me the role after about | :20:19. | :20:26. | |
30-45 minutes. I don't know how other people get nominated for | :20:27. | :20:31. | |
Oscars, but for me, it was easy. Here are some more of this year's | :20:32. | :20:36. | |
nominations. Actor in a supporting role... | :20:37. | :21:08. | |
My phone rang, it was my father. We both started crying. Neither of us | :21:09. | :21:15. | |
could finish the sentence. One of the greatest moments of my life. Two | :21:16. | :21:19. | |
years later, we got nominated together. The nominees for lead | :21:20. | :21:21. | |
actress are... To our global community of | :21:22. | :22:12. | |
film-makers and fans and everyone who is inspired by movies and loves | :22:13. | :22:16. | |
them as much as we do, thank you so much for joining us this morning. I | :22:17. | :22:21. | |
am thrilled to be here, to welcome the nominees for the 89th Academy | :22:22. | :22:24. | |
Awards. I am honoured to help announce this year's nominees for | :22:25. | :22:39. | |
Best Picture. Arrival. Faxes. -- fences. | :22:40. | :22:55. | |
Congratulations to all the extraordinary artists and | :22:56. | :22:59. | |
film-makers nominated today. It is going to be a great show. Huge | :23:00. | :23:05. | |
congratulations. Congratulations. The idea of you being an Oscar | :23:06. | :23:10. | |
nominee is part of your name until the day you die. Embrace this | :23:11. | :23:14. | |
moment, just being nominated makes you a winner. Make a speech anyway | :23:15. | :23:20. | |
because there is nothing more boring than an unprepared actor. I advise | :23:21. | :23:26. | |
them to wear comfortable shoes. Get sleep, sneak in with a flask, have a | :23:27. | :23:39. | |
good time. All the nominations are in. The new format, all produced by | :23:40. | :23:46. | |
the Academy in California. That is the 20th Oscar nomination for Meryl | :23:47. | :23:52. | |
Streep. It is. She had a record already. The underrated actress! 20 | :23:53. | :24:00. | |
Oscar and nations, not bad. She is fabulous in Florence Foster Jenkins. | :24:01. | :24:04. | |
I do not think she will win. Only three convergence into a win. I lost | :24:05. | :24:11. | |
count with La La Land. We were watching to try to see whether it is | :24:12. | :24:18. | |
a record. How is your maths? I think it is one short, 13 nominations, not | :24:19. | :24:22. | |
bad. It does not have supporting roles. All of the other films have a | :24:23. | :24:27. | |
big cast. This is concentrating on Ryan Gosling and Emma Stone both of | :24:28. | :24:31. | |
whom who are nominated. But director. Twice nominated for | :24:32. | :24:38. | |
original song. One of the great songs. There are lovely songs in it. | :24:39. | :24:47. | |
Very catchy. This is perhaps not my favourite. The opening number. It is | :24:48. | :24:51. | |
an upbeat film. If you are feeling blue, it is the film to see. We all | :24:52. | :24:57. | |
need a bit of La La Land. It is cold in England, cold around the world, | :24:58. | :25:02. | |
the political climate is volatile. La La Land is giving people a bit of | :25:03. | :25:08. | |
a throwback and fun. One trip up might be that people go for the | :25:09. | :25:11. | |
slightly more downbeat Manchester by the Sea or the sci-fi of Arrival | :25:12. | :25:19. | |
which is sneaking up. People are flocking to the film. Surprise | :25:20. | :25:24. | |
omission for Amy Adams who is not nominated for her lead role in that | :25:25. | :25:29. | |
film. The academy generally seems to love Amy Adams. The conceit behind | :25:30. | :25:34. | |
the film is that when the aliens arrive, you send an interpreter to | :25:35. | :25:39. | |
talk to them. You do not send the army and guns and tanks come you | :25:40. | :25:42. | |
send an interpreter to try to find out what they want and she is said | :25:43. | :25:47. | |
interpreter. As an idea, it is interesting. It is about language, | :25:48. | :25:53. | |
how we connect. It is part of an empathetic version of Arrival which | :25:54. | :25:57. | |
is connecting with audiences because this is a time of division in terms | :25:58. | :26:02. | |
of politics and people are very worried about aliens, on earth or | :26:03. | :26:06. | |
out of it. This is a film connecting because it is a very human level, | :26:07. | :26:11. | |
language and communication. Very smart. It changes at the end. A | :26:12. | :26:16. | |
smart set of nominations from the Academy. Interesting, I am just | :26:17. | :26:22. | |
hearing, I hate to diss your maths, mine is no better, we are hearing | :26:23. | :26:27. | |
from our entertainment team that La La Land has got 14. That is a joint | :26:28. | :26:35. | |
record. With All About Eve and Titanic. All about Eve got six and | :26:36. | :26:46. | |
Titanic got 11, the record. I do not think it will win all of those | :26:47. | :26:50. | |
categories. We will probably end up with seven or eight. It is looking | :26:51. | :26:53. | |
like the big number on the night. It won ... It has been nominated in the | :26:54. | :27:02. | |
screenplay category which is an indicator. One man who has been | :27:03. | :27:08. | |
nominated, I'm joined on the phone by Stuart Craig, nominated for | :27:09. | :27:14. | |
Fantastic Beasts. Production design. Congratulations. Thank you. What | :27:15. | :27:22. | |
goes through your mind that you have -- when you hear you have been | :27:23. | :27:28. | |
nominated? The movie Fantastic Beasts was quite a challenge. To be | :27:29. | :27:42. | |
recognised, given the difficulty. There were literally hundreds of | :27:43. | :27:45. | |
people involved. A close relationship between the design | :27:46. | :27:49. | |
department and visual effects. We were mutually dependent and a very | :27:50. | :27:56. | |
successful relationship. Lots to remember and think about. It is a | :27:57. | :28:01. | |
fantastic looking film so I am not surprised when you say it was a very | :28:02. | :28:06. | |
big team. When you talk about the difficulties, what particularly were | :28:07. | :28:16. | |
the challenges? New York, we did not film, none of the principal actors | :28:17. | :28:21. | |
went to New York at all. We decided to build a big chunk of New York in | :28:22. | :28:29. | |
the studio. That was the number one challenge, to create a set on that | :28:30. | :28:34. | |
scale. Without going to New York at all. Apart from with at stills | :28:35. | :28:40. | |
camera to take some background elements to add to our physical set, | :28:41. | :28:45. | |
real actors in the foreground. A remarkable achievement that has been | :28:46. | :28:49. | |
recognised today. You work with JK Rowling whose first screenplay this | :28:50. | :28:56. | |
was to make this film, recreating this from her head, carrying on from | :28:57. | :29:00. | |
Harry Potter, how close did you work with JK Rowling on the design? Is it | :29:01. | :29:07. | |
how she imagined it in her head? A lot of information is in the script | :29:08. | :29:10. | |
and the stage directions, an enormous amount. More than usual. | :29:11. | :29:17. | |
She is famous for her descriptive text, so that is an enormous help. | :29:18. | :29:26. | |
She also visits once or twice near the beginning of the project when | :29:27. | :29:29. | |
the designs are just about under way, so was involved in the crucial | :29:30. | :29:34. | |
moment, if things are not quite as she imagined, they can be included | :29:35. | :29:39. | |
at that stage. Congratulations. It is a great nomination for Britain | :29:40. | :29:43. | |
and for British production design and British teamwork. Fantastic. | :29:44. | :29:49. | |
Congratulations again. Thank you. Enjoy your trip to California in | :29:50. | :29:53. | |
late February. Nominated for Fantastic Beasts. I am quite | :29:54. | :30:02. | |
interested in the Best Actress. Some we expect, Natalie Portman, I think | :30:03. | :30:06. | |
she was fantastic as Jackie. I was thrilled to see Ruth make the list. | :30:07. | :30:14. | |
Nominated as well. She is up for the rising Star award at the Baftas at | :30:15. | :30:18. | |
the British Academy Awards. In this country, she is still considered a | :30:19. | :30:22. | |
rising star but she is nominated for an Oscar. She has risen to become an | :30:23. | :30:29. | |
Academy Awards nominated actress. It is a film called Loving, people | :30:30. | :30:34. | |
probably do not know Ruth Negga, Irish Ethiopian actress, starring in | :30:35. | :30:39. | |
a great story as a woman who is married to a white man in the | :30:40. | :30:43. | |
Mississippi south of the 1950s and they are chased out of town for | :30:44. | :30:48. | |
being illegal. A great story. She is terrific. I think she is the big | :30:49. | :30:55. | |
surprise. Again, no one can level at the academy that the Oscars are | :30:56. | :30:58. | |
white because they are incredibly diverse this year with Ruth Negga's | :30:59. | :31:04. | |
nomination, Naomie Harris nominated in the supporting category, | :31:05. | :31:08. | |
alongside Viola Davis and Octavia Spencer. An increase in that from | :31:09. | :31:13. | |
what we said at the beginning, a groundswell of opinion to change the | :31:14. | :31:17. | |
colour of performances and the stories being told from a different | :31:18. | :31:20. | |
kind of background on the big screen and Ruth Negga, great story, Loving. | :31:21. | :31:28. | |
Wonderful story, you feel every child should be told about it in | :31:29. | :31:32. | |
history class. Apps we will talk about that in the next few minutes. | :31:33. | :31:39. | |
I'm pleased to say we are joined by Britain's Imke Henkel nominated for | :31:40. | :31:42. | |
an Oscar. So lovely you could speak to us -- Dev Patel. I am floating in | :31:43. | :31:56. | |
the clouds right now. It is really magical. I am sharing it with my | :31:57. | :32:04. | |
crew in Bombay. We are so delighted for you, nominated for your | :32:05. | :32:11. | |
performance in Lion. True story. Your first nomination. You have been | :32:12. | :32:16. | |
to the Oscars before but your first personal nomination, is that right? | :32:17. | :32:20. | |
Absolutely. Yes. I am sitting here with my mouth wide open, feeling | :32:21. | :32:26. | |
overwhelmingly grateful right now. Have you told your family yet? I | :32:27. | :32:32. | |
hope your folks know. I did. My mum is at work and she was screaming in | :32:33. | :32:38. | |
her office, just she is a wreck, a ball of tears. Calling my sister and | :32:39. | :32:46. | |
my father right now. It is just... I keep using the word amazing. I need | :32:47. | :32:51. | |
to figure another word out right now. Lovely. Don't say any more, you | :32:52. | :32:56. | |
will reduce us all to tears. So lovely to talk to us. Lion, for | :32:57. | :33:01. | |
people who have not seen it, very much still on in the cinemas in the | :33:02. | :33:06. | |
UK, based on a true story, explain to us why you were attracted to this | :33:07. | :33:10. | |
story, why you wanted to be part of this film. I just really think it is | :33:11. | :33:17. | |
an anthem of love. At its core, it is about mothers and sons, a young | :33:18. | :33:22. | |
boy who goes through so much adversity to connect to his birth | :33:23. | :33:27. | |
complex and completely uplifting at complex and completely uplifting at | :33:28. | :33:33. | |
its core. For me to play a role at this and take on such a soulful | :33:34. | :33:38. | |
journey, it truly was a blessing. A new look for you. Jason here. | :33:39. | :33:46. | |
Congratulations. A new look for you, you grow up on screen. You are not | :33:47. | :33:52. | |
the geeky kid we have seen. A new look Dev Patel. Tell us what you did | :33:53. | :33:58. | |
for the role. That was the first conversation I had with the director | :33:59. | :34:02. | |
after I got the role. I was shooting with Jeremy Irons at the time and I | :34:03. | :34:09. | |
was very skinny. They said, we will turn you into an alpha male. I had | :34:10. | :34:15. | |
to hit the gym, grow out my hair, grow a beard. He is a very sporty | :34:16. | :34:21. | |
young man. Quite charming. Eight months of hitting weights and | :34:22. | :34:26. | |
changing my voice and stuff like that to try to get it right. It has | :34:27. | :34:30. | |
obviously had a great effect and the voters... Not just for you, the | :34:31. | :34:38. | |
has been nominated, your screenplay has been nominated, your | :34:39. | :34:38. | |
writer, your mum, Nicole Kidman, she writer, your mum, Nicole Kidman, she | :34:39. | :34:41. | |
will be on the red carpet with you. Such a beautiful journey, for | :34:42. | :34:48. | |
everyone to be recognised, it is... Many, many congratulations again. It | :34:49. | :34:51. | |
is going to be quite tough to carry on filming. Dev Patel talking to us. | :34:52. | :35:04. | |
Very happy, not surprisingly. Nominated for his role in Line. Can | :35:05. | :35:09. | |
we do the next shot without a smile? The director will be saying. It is | :35:10. | :35:14. | |
supposed to be a sad scene. We will see him on the red carpet. Let us | :35:15. | :35:20. | |
had to Los Angeles because our LA correspondent has been watching this | :35:21. | :35:25. | |
as well. Peter, it was the cheeriest procedure, wasn't it? A complete | :35:26. | :35:32. | |
change of approach for the Academy. -- it was a curious procedure. The | :35:33. | :35:38. | |
thinking is they want to try to reach a larger audience, by doing | :35:39. | :35:44. | |
this digitally. Most of the announcements, in fact, all of it, | :35:45. | :35:50. | |
was pre-recorded. That made sure they are absolutely got it right, | :35:51. | :35:53. | |
all the names were pronounced Brett Lee, that kind of thing. We did not | :35:54. | :36:01. | |
have the prediction -- all the names were pronounced correctly. We did | :36:02. | :36:05. | |
not have the traditional audience. Surreal event, 5:30am in the | :36:06. | :36:12. | |
morning. It did give the event a bit of excitement and just watching the | :36:13. | :36:20. | |
digital feed, watching it on television, it did not feel quite | :36:21. | :36:24. | |
the same, very slick and they have got all the facts correct, but it | :36:25. | :36:29. | |
did not seem to be quite as exciting as the usual announcement. Whether | :36:30. | :36:32. | |
it reached a larger audience by streaming this on YouTube, on the | :36:33. | :36:38. | |
Academy's website, it remains to be seen, but certainly a very different | :36:39. | :36:41. | |
way of doing it. You have been talking about it, a list of | :36:42. | :36:45. | |
nominees, very interesting this year. The main talking point | :36:46. | :36:49. | |
certainly here for the rest of the date will be the diversity issue | :36:50. | :36:53. | |
which was such a big issue last year -- the rest of the day. Last year | :36:54. | :36:59. | |
was so white, they said. They certainly cannot say that about this | :37:00. | :37:03. | |
year's nominees. That is one of the key things we will be talking about. | :37:04. | :37:08. | |
A quick thought about La La Land. For those who have not seen it, a | :37:09. | :37:10. | |
love story to Hollywood, in many love story to Hollywood, in many | :37:11. | :37:14. | |
ways. Great fun though it is, the risk is it could be seen as a bit of | :37:15. | :37:20. | |
backslapping, lovely film about our own industry, that is how it can be | :37:21. | :37:24. | |
perceived. Yes, it is very much an insider movie as far as this town is | :37:25. | :37:31. | |
concerned. Los Angeles, set in modern-day LA. Extraordinary first | :37:32. | :37:36. | |
seen leaping out of cars on the overpass on a freeway. As a feat of | :37:37. | :37:42. | |
cinema, quite an achievement to do that. It certainly harks back to the | :37:43. | :37:47. | |
old days of Hollywood, the golden days of Los Angeles, in terms of | :37:48. | :37:54. | |
film-making. A modern-day edge. There are some critics of La La Land | :37:55. | :37:58. | |
who so the story itself does not actually amount to much. Boy meets | :37:59. | :38:06. | |
girl movie. But it personifies and gently pokes fun at a little bit at | :38:07. | :38:10. | |
the whole ethos of Hollywood and the town of dreams and many broken | :38:11. | :38:14. | |
dreams as well of course. Yes, indeed. Personal and professional. | :38:15. | :38:20. | |
Thank you very much. Peter, of course, will be getting reaction to | :38:21. | :38:24. | |
the nominations through the day for BBC News. But as talk to another | :38:25. | :38:30. | |
nominee. Joining me on the phone, nominated for Best Costume Design | :38:31. | :38:34. | |
for Florence Foster Jenkins. Congratulations. Thank you so much. | :38:35. | :38:41. | |
What goes through your mind when you hear you have been nominated for an | :38:42. | :38:49. | |
Oscar? I feel a joy and a pride in the work we did and in the wonderful | :38:50. | :38:54. | |
team around me. All of that comes into my mind. Just happiness to be | :38:55. | :38:59. | |
among this incredibly strong group of peers who have also been | :39:00. | :39:07. | |
nominated. That is a huge honour. Consolata, you obviously dressed | :39:08. | :39:14. | |
Meryl Streep primarily in this, fabulous outfits for Florence Foster | :39:15. | :39:16. | |
Jenkins, what were the challenges and the joys to clothe the most | :39:17. | :39:22. | |
nominated actress, even if someone feels she is overrated, I am sure | :39:23. | :39:26. | |
you do not... What was the collaboration with the actress | :39:27. | :39:29. | |
herself to get the costumes right? There was a lot of collaboration. | :39:30. | :39:35. | |
She was very strong and clear and great contribution to the look. | :39:36. | :39:42. | |
Partly because we had to pad her, she was padded throughout and she | :39:43. | :39:45. | |
wore the padding with good humour, there was a lovely challenge of | :39:46. | :39:50. | |
doing both her day wear and her performance were, she did many | :39:51. | :39:58. | |
performances, but the character of Florence which is based on a real | :39:59. | :40:04. | |
person, in a way, her clothes for day work like out of a dressing up | :40:05. | :40:09. | |
box as well as her performance. It was a challenge. Is there any | :40:10. | :40:16. | |
greater challenge in the fact that it was based on a real person? Does | :40:17. | :40:22. | |
that make a difference to your work? You start with firm roots and then | :40:23. | :40:29. | |
in a way because it is also a story, you are telling a story, and there | :40:30. | :40:32. | |
is a point of view, there is an element... There is a lot of | :40:33. | :40:37. | |
research done but you need to leave behind the research and take off and | :40:38. | :40:41. | |
tell the story in the way the director wants and it has all been | :40:42. | :40:45. | |
decided beforehand, this is a wonderful collaboration of film, the | :40:46. | :40:49. | |
magic of film. What happens to the costumes after? Presumably Meryl | :40:50. | :40:55. | |
cannot fit into them without the padding, she does not take them | :40:56. | :40:59. | |
away, will we get to see them again? Will they be displayed as artefacts | :41:00. | :41:03. | |
from Hollywood, Oscar-nominated indeed? Wonderfully enough, Meryl is | :41:04. | :41:10. | |
taking some of the stuff, she has such a sense of humour, she has | :41:11. | :41:16. | |
earmarked some of her pieces. A group of them are going on | :41:17. | :41:22. | |
exhibition in Hollywood. They will be on exhibition over the next few | :41:23. | :41:29. | |
weeks. They will be taken and archived which is a lovely thought, | :41:30. | :41:34. | |
that they will be kept safely. That is the plan for those costumes in | :41:35. | :41:39. | |
the future. Consolata, lovely you could join us so quickly. | :41:40. | :41:45. | |
Congratulations again. Nominated in the Best Costume Design category. We | :41:46. | :41:48. | |
will find out in a few weeks from now whether she has won. Do we | :41:49. | :41:52. | |
quickly have time to talk about West actor -- Best Actor? If you had to | :41:53. | :42:05. | |
pick one? Casey Affleck. The one, that sort of performance, it lives | :42:06. | :42:14. | |
on him. The other raptor, Dev Patel is up against Jeff Bridges. -- the | :42:15. | :42:25. | |
other actor. And Michael Shannon, a former winner, in Nocturnal Animals. | :42:26. | :42:34. | |
It will be a tight contest but I think it is Casey Affleck's on if he | :42:35. | :42:38. | |
can edge ahead the charming Ryan Gosling. I wonder whether it will be | :42:39. | :42:43. | |
a fantastic day for Naomie Harris. She has just joined us on the phone. | :42:44. | :42:52. | |
Many congratulations. Naomie Harris, I hope you can hear us? We wanted to | :42:53. | :42:57. | |
say, congratulations on your Oscar-nominated in. Thank you so, so | :42:58. | :43:02. | |
much. I am over the moon. I cannot believe this. I heard the news from | :43:03. | :43:07. | |
my brother because I was too terrified to listen to the live | :43:08. | :43:11. | |
nomination. Fantastic, fantastic moment. I couldn't be more thrilled. | :43:12. | :43:18. | |
I am so excited as well that the movie has been nominated in so many | :43:19. | :43:24. | |
categories. Really fantastic. So unexpected. This must be a real | :43:25. | :43:30. | |
surprise. You only did three days work on this movie, not a bad | :43:31. | :43:35. | |
return! I know! I only did three days and also it was a movie I was | :43:36. | :43:39. | |
considering turning down. Initially, I did turn it down. It is quite a | :43:40. | :43:46. | |
result. And I certainly would be kicking myself if I had turned it | :43:47. | :43:50. | |
down. I wish we could talk to you for so much longer. So brilliant you | :43:51. | :43:54. | |
could speak to us, even momentarily. Well done to your brother for | :43:55. | :43:58. | |
getting in touch with you so quickly. Naomie Harris, thank you, | :43:59. | :44:03. | |
nominated for Moonlight. We find out who will win on the 27th of | :44:04. | :44:09. | |
February. We will be with you to find out who wins in the Baftas as | :44:10. | :44:13. | |
well before then. Goodbye for now. Once again fog causing issues. This | :44:14. | :44:24. | |
was up the road from Heathrow. The sun trying to come out under the low | :44:25. | :44:30. | |
cloud. Sunshine across most | :44:31. | :44:32. |