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This is Silverknowes, a quiet suburb of Edinburgh. Two years ago | 0:00:07 | 0:00:11 | |
one resident here had a dark secret. This is David Gilroy, a man being | 0:00:11 | 0:00:19 | |
investigated for the murder of his lover, Suzanne Pilley. Suzanne and | 0:00:19 | 0:00:22 | |
I had a relationship until January of this year when I moved back to | 0:00:22 | 0:00:29 | |
the family home. There clearly is a belief in some | 0:00:29 | 0:00:32 | |
quarters that you are a murderer, that you killed Suzanne Pilley. | 0:00:32 | 0:00:36 | |
What do you say to that? No, that's not the case. But he was lying. | 0:00:36 | 0:00:39 | |
Tonight we reveal the remarkable story of how he was brought to | 0:00:39 | 0:00:41 | |
justice with unprecedented access to the police investigation and the | 0:00:41 | 0:00:44 | |
only interview with Suzanne's family, the story of a woman who | 0:00:44 | 0:00:53 | |
simply vanished. These are the last sightings of Suzanne Pilley as we | 0:00:53 | 0:00:58 | |
know it. We're not finished until we're able to bring some sort of | 0:00:58 | 0:01:01 | |
closure for the family. There's just a lot of parents out there | 0:01:01 | 0:01:04 | |
that will know where their children are and where they'll be sleeping | 0:01:04 | 0:01:06 | |
tonight, but unfortunately, my family doesn't know where Suzanne | 0:01:06 | 0:01:16 | |
0:01:16 | 0:01:27 | ||
is sleeping. This morning in a highly unusual move, cameras were | 0:01:27 | 0:01:30 | |
allowed into the High Court to see David Gilroy sentenced to serve a | 0:01:30 | 0:01:37 | |
minimum of 18 years for Suzanne Pilley's murder. She just | 0:01:37 | 0:01:39 | |
disappeared, and the jury were satisfied on the evidence before | 0:01:39 | 0:01:42 | |
them that that was because you murdered her and disposed of her | 0:01:42 | 0:01:46 | |
body, and it seems that you are the only person who knows where her | 0:01:46 | 0:01:56 | |
0:01:56 | 0:01:58 | ||
only person who knows where her body is. I hope that a day will | 0:01:58 | 0:02:01 | |
come in your life when you feel able to disclose that information, | 0:02:01 | 0:02:11 | |
0:02:11 | 0:02:16 | ||
and that might bring some comfort This has been a high-profile trial, | 0:02:16 | 0:02:19 | |
and the most remarkable thing about it with that it was a murder case | 0:02:19 | 0:02:22 | |
without a dead body, and that's meant police and prosecutors have | 0:02:22 | 0:02:24 | |
had to secure this conviction using ground-breaking techniques. Suzanne | 0:02:24 | 0:02:27 | |
Pilley went missing almost two years ago. Her murderer was cold | 0:02:27 | 0:02:34 | |
and calculating. He created almost the perfect cover-up for his crime, | 0:02:34 | 0:02:43 | |
and to this day, no-one knows what he did with her body. This is a | 0:02:43 | 0:02:46 | |
story not only of the extraordinary police investigation to convict a | 0:02:46 | 0:02:48 | |
murderer with no body, but it's also a story about Scotland's | 0:02:48 | 0:02:51 | |
surveillance culture that tracks all of our movements in the | 0:02:51 | 0:02:54 | |
smallest of details. These are the only images of Suzanne Pilley and | 0:02:54 | 0:02:57 | |
David Gilroy together caught on a supermarket camera, one of the | 0:02:57 | 0:03:03 | |
thousands of cameras which capture our everyday lives. It's Sunday, | 0:03:03 | 0:03:10 | |
the 2nd of May. They're buying dinner near her flat. What looks | 0:03:10 | 0:03:13 | |
like an unremarkable domestic scene is in fact his last desperate | 0:03:13 | 0:03:16 | |
attempt to resurrect their relationship. Two days later, he | 0:03:16 | 0:03:23 | |
killed her. Suzanne was constantly in touch with her mother and father | 0:03:23 | 0:03:27 | |
and sister. They were a very close family. Her father agreed to speak | 0:03:27 | 0:03:31 | |
to this is programme. It's the only interview he's done. I was the last | 0:03:31 | 0:03:41 | |
0:03:41 | 0:03:44 | ||
one to see her in the family. I picked her up for the shops, and I | 0:03:44 | 0:03:48 | |
dropped her off at the stair, and at the time, I was bad with my | 0:03:48 | 0:03:51 | |
walking. I was getting operations done to my legs, so I couldn't help | 0:03:51 | 0:03:55 | |
her up the stairway. She just gave me a wee peck on the cheek, and | 0:03:55 | 0:04:02 | |
that was the last I seen of her, never seen her again since. | 0:04:02 | 0:04:04 | |
starting point for the police investigation was CCTV which | 0:04:04 | 0:04:07 | |
captured Suzanne's journey into work. It was 8.19pm on Tuesday, May | 0:04:07 | 0:04:14 | |
the 4th. She'd just spent the night with a new man she'd begun seeing, | 0:04:14 | 0:04:17 | |
but her former lover, David Gilroy, had spent the last few weeks | 0:04:17 | 0:04:22 | |
besieging her with hundreds of texts and voicemails. Police were | 0:04:22 | 0:04:25 | |
able to recover everything left on her phone even though it's never | 0:04:25 | 0:04:30 | |
been found. I was just wanting to have a chat. We could sort | 0:04:30 | 0:04:36 | |
everything out. You know, I think both of us probably pushed things a | 0:04:36 | 0:04:41 | |
bit too far last night, and I just wanted to chat, OK? Suzanne had | 0:04:41 | 0:04:47 | |
told him it was over once and for all. Hi. It's David. I'm just | 0:04:47 | 0:04:55 | |
wondering how you are. I was really a bit worried. Is everything OK? | 0:04:55 | 0:05:00 | |
It's David. Give me a wee phone back. Bye. I'll catch you later. | 0:05:00 | 0:05:04 | |
Bye. She was moving on, but he wasn't willing to accept that. The | 0:05:04 | 0:05:06 | |
CCTV became central to the case because Suzanne had simply | 0:05:06 | 0:05:16 | |
0:05:16 | 0:05:17 | ||
disappeared. Her mother was texting her, and I think her daughter, she | 0:05:17 | 0:05:21 | |
- she got on the voicemail as well, and she gave her, excuse the phrase, | 0:05:21 | 0:05:25 | |
but hell for not getting in touch with us, but as time went on, I | 0:05:25 | 0:05:35 | |
0:05:35 | 0:05:42 | ||
thought some - something sinister had happened. It was a bit - 6.30pm, | 0:05:42 | 0:05:45 | |
6.45pm, and she and I decided that we'd better phone the police and | 0:05:45 | 0:05:49 | |
get in touch with the police. She was always on the phone to her | 0:05:49 | 0:05:52 | |
mother, and Saturday night was text night. You know, you're watching | 0:05:52 | 0:05:55 | |
the television and things like that, you know, and we just - we just | 0:05:55 | 0:06:02 | |
miss her and that. Saturday night just isn't going to be the same. | 0:06:02 | 0:06:06 | |
How does a woman who, like many of us, works in an office, commutes | 0:06:06 | 0:06:08 | |
into the City and leads a very straightforward, normal life | 0:06:08 | 0:06:11 | |
suddenly disappear in the middle of the City, in the middle of rush | 0:06:11 | 0:06:19 | |
hour, without a trace? The answer we'll show you tonight came through | 0:06:19 | 0:06:21 | |
modern police techniques and ultimately the ability to | 0:06:21 | 0:06:24 | |
reconstruct 48 hours - two days in May pieced together through pain- | 0:06:24 | 0:06:27 | |
staking efforts and relying on the electronic trail we all leave in | 0:06:27 | 0:06:37 | |
our surveillance society. This is the man who had to build that case, | 0:06:37 | 0:06:46 | |
Detective Superintendent Gary Flanigan. We overlaid our own, you | 0:06:46 | 0:06:49 | |
know, if you like, electronic footprint, how we live our lives, | 0:06:49 | 0:06:51 | |
so everything we do from text messages from, you know, | 0:06:51 | 0:06:54 | |
photocopiers that have a log-in - you know, every aspect from | 0:06:54 | 0:06:57 | |
telephones which record our use - everything - we overlaid to give us, | 0:06:57 | 0:07:01 | |
you know, a time line to be able to chart people's movements, and that | 0:07:01 | 0:07:04 | |
was - you know, that's been - that's been the hallmark of this | 0:07:04 | 0:07:13 | |
investigation. The first question he had to answer | 0:07:13 | 0:07:18 | |
was a fundamental one. You're having to establish that Suzanne - | 0:07:18 | 0:07:20 | |
through all the circumstances Suzanne was dead taking into | 0:07:20 | 0:07:22 | |
consideration all we know about her normal behaviour, just | 0:07:22 | 0:07:25 | |
demonstrating that, you know, it's so unlike her that there can only | 0:07:25 | 0:07:34 | |
be one explanation. Although a network of CCTV cameras covered | 0:07:34 | 0:07:37 | |
Suzanne's last journey, none had a clear view of her getting to her | 0:07:37 | 0:07:42 | |
office door. Police had to prove she'd arrived and that Gilroy had | 0:07:42 | 0:07:47 | |
the opportunity to kill her soon after. This is the man who had to | 0:07:47 | 0:07:52 | |
wade through hours of that material. It took footage from 84 different | 0:07:52 | 0:07:57 | |
premises, which equates to about a thousand hours of footage. We | 0:07:57 | 0:08:00 | |
really needed that starting point of having Suzanne leaving the bus | 0:08:00 | 0:08:04 | |
and making her way to work, and from there we were able to build up | 0:08:04 | 0:08:07 | |
that picture of her movements that day, and my role was to ensure that, | 0:08:07 | 0:08:11 | |
one that she got to work and that also that she didn't return away | 0:08:11 | 0:08:13 | |
from the building, that actually once she'd entered, she didn't | 0:08:13 | 0:08:21 | |
leave again. And they also traced David Gilroy. Bus cameras show he'd | 0:08:21 | 0:08:24 | |
travelled early to the office where he and Suzanne worked together. | 0:08:24 | 0:08:28 | |
They'd been having a secret affair for more than a year. They'd | 0:08:28 | 0:08:31 | |
managed to keep it hidden from colleagues, but it was a turbulent | 0:08:31 | 0:08:34 | |
relationship. He was controlling, manipulative and could be | 0:08:34 | 0:08:40 | |
aggressive. A little later, Suzanne arrives in the City centre. She | 0:08:40 | 0:08:43 | |
stops at the supermarket just around the corner from her work. | 0:08:43 | 0:08:50 | |
It's 8.50pm. Police had to prove she'd carried on her usual route, | 0:08:50 | 0:08:55 | |
that she'd not suddenly left Edinburgh. They turned to | 0:08:55 | 0:08:58 | |
specialist CCTV investigators for help and brought in an expert in | 0:08:58 | 0:09:02 | |
extracting tiny details from surveillance camera footage. | 0:09:02 | 0:09:08 | |
instructions were to look at all the sightings of Suzanne Pilley. | 0:09:08 | 0:09:11 | |
These sightings started from Suzanne Pilley getting on the bus | 0:09:11 | 0:09:20 | |
at the start of her day. It's good- quality footage showing what she's | 0:09:20 | 0:09:23 | |
wearing and what she looks like, what her hair was like, the tones | 0:09:23 | 0:09:26 | |
and colours of her clothes, and then moved between each location | 0:09:26 | 0:09:34 | |
following that along a map. This then led to later sightings leading | 0:09:34 | 0:09:37 | |
up to Suzanne Pilley's work where the quality of the imagery was not | 0:09:37 | 0:09:44 | |
as good - just a few sort of pixels that would show a person. | 0:09:44 | 0:09:47 | |
eventually came down to proving that this grainy image from a | 0:09:47 | 0:09:50 | |
distant camera was Suzanne only metres from the front door of her | 0:09:50 | 0:09:57 | |
office. The distance you see here in the red circle - that's where | 0:09:57 | 0:10:00 | |
the - that's the sighting of the person believed to be Suzanne | 0:10:00 | 0:10:04 | |
Pilley, and it's this person I've then viewed to look at what the | 0:10:04 | 0:10:07 | |
tones of the clothing are like - and not just what that person's | 0:10:07 | 0:10:10 | |
like, but also in comparison to other people on the street as well | 0:10:10 | 0:10:13 | |
so you can get an indication of what someone in dark-coloured | 0:10:13 | 0:10:19 | |
clothing would look like. But her clothing is actually more of a | 0:10:19 | 0:10:25 | |
lighter tone than those around her. There's also a moment where there's | 0:10:25 | 0:10:28 | |
a dark tone midway down the body, which could also be the bag that's | 0:10:29 | 0:10:38 | |
0:10:39 | 0:10:40 | ||
being carried earlier on, which can be seen here. So all that together | 0:10:40 | 0:10:43 | |
with the location and the timings - all that added together allow | 0:10:43 | 0:10:45 | |
significant evidence to say that it's the same person throughout, | 0:10:45 | 0:10:48 | |
and then these are the last sightings of Suzanne Pilley as we | 0:10:48 | 0:10:51 | |
know it. Investigators were now convinced Suzanne was dead, and | 0:10:51 | 0:10:59 | |
that creeping realisation was happening for her family too. | 0:10:59 | 0:11:03 | |
think - I don't think - I thought to myself that I'm never going to | 0:11:03 | 0:11:07 | |
see her again. I don't know whether it's - what it was, but it was just | 0:11:07 | 0:11:11 | |
so unlike Suzanne not to be in touch. I knew there must have been | 0:11:12 | 0:11:15 | |
something sinister had happened, and it's - it was just the case of | 0:11:15 | 0:11:17 | |
being the police to see that something had happened, like, you | 0:11:17 | 0:11:21 | |
know, that's when they said they'd seen her on the - during the | 0:11:21 | 0:11:23 | |
investigation they'd seen her on CCTV and eventually arriving and | 0:11:23 | 0:11:33 | |
0:11:33 | 0:11:34 | ||
going to her work. Although police launched a public appeal for | 0:11:34 | 0:11:36 | |
information, the electronic evidence they'd gathered from | 0:11:36 | 0:11:38 | |
Suzanne's intimate personal e-mails and public CCTV cameras quickly | 0:11:38 | 0:11:47 | |
pointed towards one man. It was David Gilroy, the lover she'd | 0:11:47 | 0:11:52 | |
become determined to break away from. There clearly is a belief in | 0:11:52 | 0:11:55 | |
some quarters that you are a murderer, that you killed Suzanne | 0:11:55 | 0:12:01 | |
Pilley. What do you say to that? that's not the case, and the police | 0:12:01 | 0:12:04 | |
will do their investigation, and time will show that, you know, I | 0:12:04 | 0:12:10 | |
don't have anything to answer to. That's all I've got to say. Gilroy | 0:12:10 | 0:12:13 | |
had been an electrical engineer in the Royal Navy, but he had a | 0:12:13 | 0:12:17 | |
reputation for exaggerating his military career. He was now a | 0:12:17 | 0:12:19 | |
regional manager regarded as an expert problem solver and good | 0:12:19 | 0:12:24 | |
under pressure. Given his relationship with Suzanne, he was | 0:12:24 | 0:12:26 | |
the prime suspect, but without Suzanne's body and hard forensic | 0:12:26 | 0:12:31 | |
evidence, it seemed he'd committed the perfect crime. But he was | 0:12:31 | 0:12:37 | |
leaving an electronic trail. He'd called and texted Suzanne 450 times | 0:12:37 | 0:12:45 | |
in three weeks, but incredibly, he stopped the moment she vanished. | 0:12:45 | 0:12:48 | |
That morning, colleagues quickly noticed Suzanne was missing, and | 0:12:48 | 0:12:51 | |
they described Gilroy as seeming clammy, sweaty, and he had marks on | 0:12:51 | 0:12:55 | |
his face and his neck. Gilroy knew there was no CCTV anywhere within | 0:12:55 | 0:12:58 | |
his building, but cameras on the properties outside show him going | 0:12:58 | 0:13:05 | |
in and out of the basement garage. What was he doing? He'd arrived by | 0:13:05 | 0:13:08 | |
bus, but that morning, he made excuses to go home and collect his | 0:13:08 | 0:13:13 | |
car. He brought a silver Vauxhall back to the garage. At lunch time, | 0:13:13 | 0:13:18 | |
he goes shopping. Inside the bag, he's carrying are four air | 0:13:18 | 0:13:24 | |
fresheners he's just bought. Police were increasingly convinced he | 0:13:24 | 0:13:27 | |
killed Suzanne soon after she'd arrived at work, that she'd | 0:13:27 | 0:13:30 | |
followed him to the basement, where there had been a fight, and he'd | 0:13:30 | 0:13:33 | |
hidden her body under a stairwell. Once I've established that Suzanne | 0:13:33 | 0:13:37 | |
has, you know, for all intents and purposes, made to it her work, the | 0:13:37 | 0:13:40 | |
great challenge that I'm faced with - the premises, obviously, is the | 0:13:40 | 0:13:44 | |
sheer size. It was a very, very large space and different levels | 0:13:44 | 0:13:47 | |
with, you know, a number of separate offices and spaces where, | 0:13:47 | 0:13:55 | |
in theory, something could have happened to Suzanne. With little to | 0:13:55 | 0:14:02 | |
go on, police turn to the most basic of senses, the sense of smell. | 0:14:02 | 0:14:06 | |
That's why I decided to bring the dogs in who are trained and, you | 0:14:06 | 0:14:11 | |
know, trained in detecting dead bodies. Gary Flanigan took the | 0:14:11 | 0:14:14 | |
unusual step of bringing in two highly trained cadaver dogs from | 0:14:14 | 0:14:16 | |
South Yorkshire Police's is specialist dogs unit to give | 0:14:16 | 0:14:22 | |
forensic teams a focus to gather evidence. When you die, your body | 0:14:22 | 0:14:29 | |
automatically starts breaking down. The chemicals in your body start | 0:14:29 | 0:14:32 | |
decomposing, and your body gives off numerous gases, and the dogs | 0:14:32 | 0:14:35 | |
are picking up on the gases that are produced by the body | 0:14:35 | 0:14:37 | |
decomposing, and that's what they alert to. Check this. Check. Check | 0:14:38 | 0:14:46 | |
this. Check. The dogs are capable. They really are capable of | 0:14:46 | 0:14:50 | |
indicating something at this moment in time. I think the forensic | 0:14:50 | 0:14:56 | |
technology is quite not there. days after Suzanne went missing, | 0:14:56 | 0:15:00 | |
the dogs were brought to Edinburgh. The spaniel Buster searched the | 0:15:00 | 0:15:05 | |
basement first and almost immediately got a result. Buster, | 0:15:05 | 0:15:08 | |
when he was first on the ground floor basement area, and during the | 0:15:08 | 0:15:14 | |
search of that, there were several indications from the dog. The dog | 0:15:14 | 0:15:17 | |
had searched and located something which he is trained to search for, | 0:15:17 | 0:15:22 | |
and that is the scent of human decomposing remains and human blood. | 0:15:22 | 0:15:29 | |
The indications were pointed out. We carried on searching through the | 0:15:29 | 0:15:32 | |
entire building in conjunction with putting the dog away, getting Ian's | 0:15:32 | 0:15:35 | |
dog out and obviously letting Ian work his dog on those areas. There | 0:15:35 | 0:15:38 | |
were no indications from either dog anywhere else other than - within | 0:15:38 | 0:15:41 | |
areas within the garage basement and a recess area under the | 0:15:41 | 0:15:48 | |
stairwell. One of the areas Buster identified was exactly where | 0:15:48 | 0:15:56 | |
Gilroy's car had been parked right next to the boot. That was quite a | 0:15:56 | 0:15:59 | |
significant breakthrough for us there, and that led to then, you | 0:15:59 | 0:16:01 | |
know, a painstaking approach for the forensic scientists and scenes | 0:16:01 | 0:16:04 | |
of crime people, you know, who spent two or three days then going | 0:16:04 | 0:16:13 | |
through the area forensically. an exhaustive forensic search found | 0:16:13 | 0:16:16 | |
nothing to back up the dogs' indications. The investigation | 0:16:16 | 0:16:20 | |
could have faltered. More evidence was needed. Gilroy had been clever | 0:16:20 | 0:16:23 | |
covering his tracks, but he also underestimated the ability of | 0:16:23 | 0:16:30 | |
police to track his movements. of the first things that he did | 0:16:30 | 0:16:33 | |
emerging from the basement was to go on to his computer and make a | 0:16:33 | 0:16:36 | |
diary entry which would give him the cover to go to Argyle the | 0:16:37 | 0:16:43 | |
following day. When he finished his work that day with the arrangements | 0:16:43 | 0:16:47 | |
in hand, we now believe Suzanne in the boot of his vehicle, he drove | 0:16:47 | 0:16:55 | |
home and then behaved in a very normal fashion. Here is David | 0:16:55 | 0:16:58 | |
Gilroy that evening going to a school concert. Scotland's CCTV | 0:16:58 | 0:17:02 | |
network is so extensive, it captures the most innocuous detail. | 0:17:02 | 0:17:07 | |
We can even see him here in this restaurant having dinner. It's only | 0:17:07 | 0:17:10 | |
hours after he murdered Suzanne, but he's already got a plan to get | 0:17:10 | 0:17:16 | |
rid of her body. It's the day after Suzanne disappeared. Gilroy's | 0:17:16 | 0:17:19 | |
heading for Argyle, a trip police were able to reconstruct through | 0:17:19 | 0:17:28 | |
CCTV. He gets petrol, buys some lunch. Nothing is unusual, but all | 0:17:28 | 0:17:31 | |
the time, Suzanne is in the boot of his car. These pictures are | 0:17:31 | 0:17:34 | |
remarkable. The inquiry team used 250 cameras in pursuit of the | 0:17:34 | 0:17:41 | |
investigation. It was a case of basically dividing up the country | 0:17:41 | 0:17:44 | |
and joining up intersections that allow us to go and pursue all CCTV | 0:17:44 | 0:17:54 | |
that can be recovered in that area. The whole process of that was to | 0:17:54 | 0:17:57 | |
show that this was the movements of this person across the country from | 0:17:57 | 0:18:00 | |
the area of Stirling all the way through to Inveraray and also we | 0:18:00 | 0:18:04 | |
had officers who were based in the Argyle area for a number of weeks | 0:18:04 | 0:18:08 | |
who carried out a number of trawls for CCTV in that area, not just the | 0:18:08 | 0:18:10 | |
main route we'd covered from Inveraray to Lochgilphead, but | 0:18:10 | 0:18:12 | |
surrounding routes as well, particularly up in towards Arrochar | 0:18:12 | 0:18:19 | |
and Rest & Be Thankful. Gilroy would routinely visit Lochgilphead | 0:18:19 | 0:18:25 | |
for work up to 30 times a year. He would usually travel the most | 0:18:25 | 0:18:27 | |
direct route up Loch Lomond site, but police discovered on this | 0:18:27 | 0:18:32 | |
occasion, he travelled much further north via Tyndrum to Inveraray. | 0:18:32 | 0:18:38 | |
That looked suspicious. This is Gilroy's mobile phone seized by | 0:18:38 | 0:18:48 | |
0:18:48 | 0:18:49 | ||
police along with his car. It's just another piece of technology we | 0:18:49 | 0:18:53 | |
all use, but it gave major clues as to his movements, even when he | 0:18:53 | 0:18:59 | |
switched it off. During the course of the inquiry, we had assistance | 0:18:59 | 0:19:01 | |
from various experts, and someone very quickly realised that there | 0:19:01 | 0:19:04 | |
was something indeed really interesting in that he turned his | 0:19:04 | 0:19:06 | |
phone off around the Stirling area and hadn't reconnected his phone | 0:19:06 | 0:19:09 | |
until he reached Inveraray, and then on his return journey, he'd | 0:19:09 | 0:19:12 | |
mimicked that and switched his phone off and then switched his | 0:19:12 | 0:19:17 | |
phone back on. Clearly, that was very significant to the | 0:19:17 | 0:19:23 | |
investigation. I was, you know, immediately aware that the - there | 0:19:23 | 0:19:26 | |
was a similarity in the length of time that he was effectively | 0:19:26 | 0:19:29 | |
uncontactable during the afternoon - was similar to the evening, and | 0:19:29 | 0:19:35 | |
it arrived, the car, around the same area. So police suspected | 0:19:35 | 0:19:38 | |
Gilroy had deliberately turned his phone off to conceal his movements | 0:19:38 | 0:19:41 | |
when he was disposing of Suzanne's body, but where? Damage to his car | 0:19:41 | 0:19:49 | |
suggested somewhere remote deep in the forests of Argyle. Upon | 0:19:49 | 0:19:52 | |
examining the vehicle, it was found that the suspension coil was | 0:19:52 | 0:19:57 | |
fractured both at the top and the base. Not only was the front | 0:19:57 | 0:19:59 | |
offside suspension coils damaged, the front nearside suspension coil | 0:19:59 | 0:20:09 | |
0:20:09 | 0:20:19 | ||
was fractured, and the rear offside suspension coil was also fractured. | 0:20:19 | 0:20:23 | |
When you put a that into context with the fact that there was | 0:20:23 | 0:20:26 | |
longitudnal scrape marks on the under side of the vehicle and there | 0:20:26 | 0:20:29 | |
was also vegetation clinging to the under side of the vehicle, it was | 0:20:29 | 0:20:32 | |
in my opinion consist went the vehicle having been driven offroad. | 0:20:32 | 0:20:35 | |
The journey was also suspicious in another key way. Police drove the | 0:20:35 | 0:20:37 | |
route several times and found a problem with Gilroy's story. | 0:20:37 | 0:20:40 | |
outbound route between Edinburgh to Lochgilphead was found to be 136.7 | 0:20:40 | 0:20:43 | |
miles long. Our average time over the reconstructions was two hours, | 0:20:43 | 0:20:46 | |
55 minutes. CCTV analysis of the time taken by Mr Gilroy indicated | 0:20:46 | 0:20:49 | |
that he took a time of five hours and eight minutes to complete the | 0:20:49 | 0:20:51 | |
same route. The significant difference occurred between Tyndrum | 0:20:51 | 0:20:57 | |
and Inveraray. So they knew there was missing time in a remote area, | 0:20:57 | 0:21:02 | |
but another small detail emerged. Here's Gilroy on his way to Argyle. | 0:21:02 | 0:21:09 | |
We can clearly see an umbrella on the parcel shelf. By the time he | 0:21:09 | 0:21:12 | |
returns to Edinburgh, the umbrella is out of view. That was a | 0:21:12 | 0:21:15 | |
breakthrough for detectives. umbrella on the rear of the parcel | 0:21:15 | 0:21:19 | |
shelf of the car on two occasion over two days - that - that's | 0:21:19 | 0:21:22 | |
something that at the blink of an eye someone saw that going past | 0:21:22 | 0:21:27 | |
camera - really, really important. It showed that there was action. | 0:21:27 | 0:21:31 | |
Something had happened around about the boot of that vehicle that day. | 0:21:31 | 0:21:35 | |
By the time it came into the police hands, it wasn't where it was in | 0:21:35 | 0:21:38 | |
the footage. That was another really crucial time for myself. | 0:21:38 | 0:21:45 | |
Gilroy had been in his boot. He'd had hours to spare, and he tried to | 0:21:45 | 0:21:48 | |
conceal his movements, but sightings of a silver car on May | 0:21:48 | 0:21:51 | |
the 5th led investigators to believe Gilroy detoured towards the | 0:21:51 | 0:21:54 | |
Rest & Be Thankful that he'd recce'd it on the way to Inveraray | 0:21:54 | 0:21:57 | |
and on the way back he'd dumped Suzanne's body off a remote forest | 0:21:57 | 0:22:07 | |
0:22:07 | 0:22:10 | ||
road. The rough countryside around Glenn Crowe and an area known as | 0:22:10 | 0:22:13 | |
Hell's Glen was the focus of a major police search in the summer | 0:22:13 | 0:22:16 | |
of 2010. We'd been searching in Glenn Crowe forest for weeks and | 0:22:16 | 0:22:19 | |
weeks in order to be comfortable that we hadn't missed something. I | 0:22:19 | 0:22:22 | |
made the situation to go out and look for volunteers from the | 0:22:22 | 0:22:24 | |
various mountain rescue and cave rescue teams throughout Scotland | 0:22:24 | 0:22:34 | |
0:22:34 | 0:22:35 | ||
and, you know, we got a fantastic response. Fine. I'd expect with the | 0:22:35 | 0:22:39 | |
terrain, it's tough work. It doesn't seem as though we have | 0:22:39 | 0:22:44 | |
covered much, but because of the ground, it's obviously very time- | 0:22:44 | 0:22:47 | |
consuming. There was a specific purpose to my mind why we were | 0:22:47 | 0:22:50 | |
searching, but we were led by members of the public and their | 0:22:50 | 0:22:56 | |
sightings. The family - they were extremely pleased at the response | 0:22:56 | 0:23:01 | |
that we were given from the volunteers - that meant a | 0:23:01 | 0:23:10 | |
considerable amount to them. The main search was at the weekend. I | 0:23:10 | 0:23:14 | |
phoned up Gary when he was at the Rest & Be Thankful and asked him to | 0:23:14 | 0:23:17 | |
thank all the volunteers for giving up their weekends, but | 0:23:17 | 0:23:21 | |
unfortunately, it was to no avail. I'd just like to say there's a lot | 0:23:21 | 0:23:25 | |
of parents out there that'll know where their children are and where | 0:23:25 | 0:23:31 | |
they'll be sleeping tonight, but unfortunately, my family doesn't | 0:23:31 | 0:23:40 | |
know where Suzanne is sleeping. The search found no trace and | 0:23:40 | 0:23:44 | |
exactly where he hid her body remains a mystery, but police have | 0:23:44 | 0:23:48 | |
been able to reconstruct so much of his movements, the net was closing | 0:23:48 | 0:23:52 | |
in on the suspect. Could you answer a couple of questions, please, Mr | 0:23:52 | 0:23:59 | |
Gilroy? In Britain, we're more likely to be captured on CCTV | 0:23:59 | 0:24:02 | |
surveillance cameras than anywhere else in Europe. Here is Gilroy | 0:24:03 | 0:24:05 | |
arriving at Lochgilphead High School. It's almost at 4.30pm in | 0:24:05 | 0:24:09 | |
the afternoon. His visit there is the cover story for his urgent | 0:24:09 | 0:24:15 | |
business trip to Argyle, but that story was just another lie. | 0:24:15 | 0:24:20 | |
It's now almost midnight on the day after Suzanne disappeared. David | 0:24:20 | 0:24:24 | |
Gilroy's back in Edinburgh after disposing of Suzanne's body. | 0:24:25 | 0:24:28 | |
Detectives have been leaving messages on his phone all day and | 0:24:28 | 0:24:31 | |
he's arrived at a police station. He was questioned for the next 11 | 0:24:31 | 0:24:37 | |
hours. Well, as part of a sort of process of eliminating someone from | 0:24:37 | 0:24:41 | |
the inquiry, I have always looked to make sure that people haven't | 0:24:41 | 0:24:46 | |
shown signs of having been in a struggle, any violence, and we | 0:24:46 | 0:24:50 | |
applied the same process with David Gilroy, and we noticed when he was | 0:24:50 | 0:24:55 | |
in for interview that he had marks on his hands, the backs of his | 0:24:55 | 0:24:59 | |
hands and his forearms. He gave an explanation that those marks had | 0:24:59 | 0:25:03 | |
been the result of gardening - and a plausible enough explanation, so | 0:25:03 | 0:25:07 | |
in order to record those, we asked him if he'd agree to come in and | 0:25:07 | 0:25:11 | |
have those injuries photographed, and it was when he came in to get | 0:25:11 | 0:25:16 | |
those injuries photographed that officers noticed that they thought | 0:25:16 | 0:25:20 | |
he had a makeup-like substance on the backs of his hands, and at that | 0:25:20 | 0:25:26 | |
stage that was the, you know, for me, that was the defining moment. | 0:25:26 | 0:25:29 | |
Police were convinced that the unprecedented use of technology and | 0:25:29 | 0:25:32 | |
hard work had proved Gilroy was the murderer. | 0:25:33 | 0:25:38 | |
But would a jury agree? The key evidence you've heard tonight was | 0:25:38 | 0:25:42 | |
teased out in painstaking detail. The evidence you've seen from the | 0:25:42 | 0:25:47 | |
CCTV images to the mobile phones, the cadaver dogs and David Gilroy's | 0:25:47 | 0:25:51 | |
car formed the heart of the prosecution case. In an unusual | 0:25:51 | 0:25:57 | |
step, the jury was taken from the High Court to retrace Suzanne's | 0:25:57 | 0:26:00 | |
final journey for themselves. David Gilroy accompanied them. When they | 0:26:00 | 0:26:04 | |
visited the building at Thistle Street, it was the first time he'd | 0:26:04 | 0:26:06 | |
been back to the premises since he killed Suzanne there two years | 0:26:06 | 0:26:12 | |
before. During the trial, his wife was called by the prosecution to | 0:26:12 | 0:26:20 | |
give evidence against her husband, but she chose not to testify. Every | 0:26:20 | 0:26:23 | |
day Suzanne's family would get up and take the bus to court and have | 0:26:23 | 0:26:29 | |
to sit in a room with the man they believed killed their daughter. | 0:26:29 | 0:26:34 | |
don't know. I just felt like I wanted to be there and to support | 0:26:34 | 0:26:37 | |
Suzanne because we were the only ones there that can actually | 0:26:37 | 0:26:45 | |
support her now. Ultimately, you had to wait three days for a | 0:26:45 | 0:26:54 | |
verdict. I think that's the worst three days of our lives. It's - | 0:26:54 | 0:26:59 | |
just sitting there, you're - 15 men and women, you say to yourself, you | 0:26:59 | 0:27:05 | |
know what decision the family's made, but it's a case that is - has | 0:27:05 | 0:27:08 | |
the prosecution got the message across to the jury? And you just | 0:27:08 | 0:27:14 | |
hope and pray that he has. Gilroy was found guilty of murder by a | 0:27:14 | 0:27:22 | |
majority verdict. This day has been a long time coming, but finally, | 0:27:22 | 0:27:26 | |
Suzanne has received the justice she deserved. As a family, we | 0:27:26 | 0:27:30 | |
continue to struggle to come to terms with losing her. We've lost | 0:27:30 | 0:27:34 | |
our daughter, but her memory lives on in everyone who knew her. | 0:27:34 | 0:27:39 | |
Although the trial has ended, our ordeal goes on, and we hope that | 0:27:39 | 0:27:41 | |
one day we can lay our daughter to rest. | 0:27:41 | 0:27:47 | |
Thank you. Ten years ago it wouldn't have been | 0:27:47 | 0:27:53 | |
possible to prosecute a case in such a way. With no body and no | 0:27:53 | 0:27:56 | |
forensic evidence, it's likely her killer would have walked free, even | 0:27:56 | 0:28:01 | |
if the case had made it to court, but as you've seen, we leave an | 0:28:01 | 0:28:05 | |
electronic footprint wherever we go. In this case, police could catch a | 0:28:05 | 0:28:09 | |
killer, but one key question remains - where is Suzanne? | 0:28:09 | 0:28:16 | |
haven't recovered Suzanne's body for the family, and, you know, | 0:28:16 | 0:28:20 | |
that's what this is all about, and, you know, that is - we're not | 0:28:21 | 0:28:24 | |
finished until we're able to bring some sort of closure for the family, | 0:28:24 | 0:28:29 | |
so there is only one person that knows where Suzanne is, and that | 0:28:29 | 0:28:35 |