Browse content similar to William Shatner - Actor. Check below for episodes and series from the same categories and more!
Line | From | To | |
---|---|---|---|
or incomplete. Now on BBC News it's To date we go baldly to one of the | :00:19. | :00:23. | |
more bizarre corners of Planet showbiz. It's the international | :00:23. | :00:26. | |
Star Trek convention in London, a magnet for thousands of Trekkies - | :00:26. | :00:33. | |
devotees of the Star trek cult from all over the world. We speak to the | :00:33. | :00:36. | |
veteran Hollywood actor William Shatner who will forever be known | :00:36. | :00:45. | |
to these fans as Captain Kirk of the Starship Enterprise. He has had | :00:45. | :00:53. | |
a career spanning 60 years of highs and lows. How does he feel about | :00:53. | :01:03. | |
:01:03. | :01:31. | ||
William Shona, will come to show marked. -- William Shatner. He | :01:31. | :01:38. | |
we're, the first major tricky Convention in London. I wonder | :01:38. | :01:46. | |
whether you sometimes feel as though you're stuck in a time-warp? | :01:46. | :01:50. | |
I think the British are a little behind the times. The Olympics have | :01:50. | :01:58. | |
come to London and so has Star Trek. When you wish you could have moved | :01:58. | :02:04. | |
on and left Captain Kirk behind? You have this myopic vision that I | :02:04. | :02:09. | |
am Captain Kirk for 36 years. Some other things have happened to me. | :02:09. | :02:16. | |
We came to London, did a talk show. People laughed. There are other | :02:16. | :02:23. | |
things that happen. I know that. I want to talk about that. In these | :02:23. | :02:28. | |
into a moment, like a convention, and you say my life is filled with | :02:28. | :02:33. | |
Captain Kirk. It is not. I go to an occasional Convention. I wanted to | :02:33. | :02:41. | |
come to this one because of its proportions. I am here but Star | :02:41. | :02:47. | |
Trek has pursued me in the way that it has offered me celebrity through | :02:47. | :02:52. | |
which I have done that these other things. I want to talk about the | :02:52. | :02:57. | |
other things. You've done a whole host not just acting by a music as | :02:57. | :03:01. | |
well and different forms of public performance. Before we get into | :03:01. | :03:08. | |
that, if we start with Star Trek. 1966. When you set out on the | :03:08. | :03:13. | |
journey. Did you have a feeling this was going to be big? The sort | :03:13. | :03:23. | |
:03:23. | :03:27. | ||
of TV show that would last? norm in showbusiness is for a year. | :03:27. | :03:37. | |
:03:37. | :03:38. | ||
-- is for a beer. I approach every project as an actor approaches | :03:38. | :03:45. | |
hoping it will be decent and people will like it. The concept of a 46 | :03:45. | :03:48. | |
years later talking about it, a soap for removed from reality will | :03:48. | :03:52. | |
be judged insane and have to be struck down if he were to say I | :03:53. | :03:58. | |
have just had a vision - these pilots I am making, 50 years from | :03:58. | :04:03. | |
now, I'm going to be in London with over 30,000 people coming partially | :04:03. | :04:10. | |
to say hello to me. It is insanity. No. The best thing you could hope | :04:10. | :04:18. | |
for it is a renewal. They gamine 13 weeks segments in the US. You do | :04:18. | :04:23. | |
the first 13 and you hope for a kicker. Will they pick up the next | :04:24. | :04:30. | |
13. Will they pick up the second. And by the third you, they did not | :04:30. | :04:34. | |
pick it up for a fourth. It was great, I loved the people. It was | :04:35. | :04:42. | |
done. You say you love it at that time. I want to try to get you go | :04:42. | :04:50. | |
back to 1966 - 1968. People analyse start mack, so many messages they | :04:50. | :04:54. | |
read it in to it. What are the creators of the show did with it. | :04:55. | :05:00. | |
When you look at this group and you looked at, for example, the Inter | :05:00. | :05:07. | |
racial caste, the messengers to some he gave about the civil rights | :05:07. | :05:12. | |
movement and about the Cold War, did you read that in Tweet at the | :05:12. | :05:19. | |
time? Those messengers were there. Star Trek is alive today for many | :05:19. | :05:28. | |
reasons. All of them ballot. In a recent documentary, I discovered a | :05:28. | :05:33. | |
more basic reason that I hadn't thought. One of the reasons it has | :05:33. | :05:40. | |
continued to be popular is the best start tracks have an underlying | :05:40. | :05:44. | |
philosophy. There was a way of dramatising things now happening at | :05:44. | :05:52. | |
the time they were salient at that time, using science fiction as a | :05:52. | :05:57. | |
means of conveying a message. were the key issues that Star Trek | :05:57. | :06:02. | |
is addressing? It could be anything. He could be a man woman | :06:02. | :06:12. | |
:06:12. | :06:14. | ||
relationship. It could be sexual, social, the black-and-white | :06:14. | :06:21. | |
question, armaments race, Russia and America, at it does best, you | :06:21. | :06:26. | |
could say, is that about the future or the present underlying | :06:26. | :06:34. | |
everything. Those were the best start tracks. Those were the | :06:34. | :06:40. | |
episode I 0.2 were not only humane and exciting as an adventure story | :06:41. | :06:46. | |
but had an underlying meaning. Those were the best stories anyway. | :06:46. | :06:48. | |
There is one incident that sticks in many people's mind because it | :06:49. | :06:56. | |
made a little bit of television history - the keys between you and | :06:56. | :07:03. | |
the lieutenant, who I should say, she is an African-American woman. | :07:03. | :07:08. | |
It was a queues which was many shocking at the time. At that time | :07:08. | :07:15. | |
50 years ago, the context was different. In certain places in the | :07:15. | :07:22. | |
US. Not every plays. In the 60s there was a lot of contention going | :07:22. | :07:26. | |
on. Yes, I kissed the beautiful girl who happen to be a different | :07:26. | :07:33. | |
colour than me. But she was a beautiful woman. And, yes, the | :07:33. | :07:40. | |
character was forced to, by these god-like creature to kiss her. It | :07:40. | :07:44. | |
was not like I grabbed her defying convention. There were a lot of | :07:44. | :07:53. | |
interesting layers of things going on. Some stations, television | :07:53. | :07:58. | |
stations, in the US, particularly in the south, where there was a | :07:58. | :08:04. | |
great deal of turmoil going on, did not play that episode at the time. | :08:04. | :08:12. | |
That is true. But far more, I think, has been made of it than actually... | :08:12. | :08:17. | |
You in your mid-30s, will you highly politicised, we used signing | :08:17. | :08:23. | |
up to the messengers that they were putting into the show because you | :08:23. | :08:33. | |
:08:33. | :08:35. | ||
were there yourself politically? Absolutely. Everybody has a little | :08:35. | :08:44. | |
colour that is going on. In my case, I am a comedian. There was no | :08:44. | :08:47. | |
question of black and white in the States was not my question. I never | :08:47. | :08:57. | |
:08:57. | :09:01. | ||
any of those layers in my life growing up. I was colour-blind. I | :09:01. | :09:11. | |
was aware, in fact, had made a move in the south at that time about the | :09:11. | :09:18. | |
integration of schools and now lives were threatened. Essentially, | :09:18. | :09:24. | |
I just thought Michelle has a beautiful woman. As we discussed it, | :09:24. | :09:31. | |
there was so much of a message about the need for co-operation and | :09:31. | :09:37. | |
a unity amongst the crew of the enterprise to make it impossible to | :09:37. | :09:41. | |
overcome the challenge us in deep space and yet, as I read it, at the | :09:42. | :09:47. | |
time, in those three years of making the first Star Trek series, | :09:47. | :09:52. | |
there were lots of attention going on in the cast. Not within the cast. | :09:52. | :10:01. | |
At that time, no. We're talking about my awareness. A man who | :10:01. | :10:07. | |
became a great friend later, he said at the time it was like | :10:07. | :10:13. | |
sibling rivalry. After a few weeks, they were getting messages saying | :10:13. | :10:19. | |
they were seeing more of spot. -- Spock. That could be a problem for | :10:19. | :10:24. | |
the leading man, you do not like it so much. It was not there at the | :10:24. | :10:30. | |
delighted, I did not understand. Here was a acting my heart out and | :10:30. | :10:35. | |
they were asking for more of the guy of the pointy ears. So, I, as | :10:35. | :10:42. | |
an actor, did not understand. was you ego kicking him? My ego and | :10:42. | :10:49. | |
why is that happening. Leonard me Mollie is a wonderful man and over | :10:49. | :10:55. | |
many years, if we're talking about the free use of the series, I | :10:55. | :11:05. | |
:11:05. | :11:09. | ||
cannot recall anything more than an occasional moment of anxiety. My | :11:09. | :11:18. | |
recollection is extraordinarily friendly. You must have been aware | :11:18. | :11:24. | |
that other cast members, afterwards suggested, to be polite, you had a | :11:24. | :11:30. | |
big ego and were somewhat insecure about others giddy the limelight? | :11:30. | :11:35. | |
That is their interpretation. Michelle and George were people who | :11:35. | :11:42. | |
came in for a day, maybe, in a week of ten days of shooting, they were | :11:42. | :11:49. | |
not there very often. After the show was over, and it became | :11:49. | :11:53. | |
popular, they would go to conventions like these and suddenly | :11:53. | :11:58. | |
begin to realise, you know, I should have had my own show. Then | :11:58. | :12:06. | |
they began to write books about my ego. I do not have an ego. The | :12:06. | :12:10. | |
thing I'm most proud of his my professionalism and my ability to | :12:10. | :12:15. | |
work with people. I never had, in three years of association with | :12:15. | :12:20. | |
them, I never had a bad word with any of them. But especially with | :12:20. | :12:27. | |
George and McQualter. It was only used later -- and water. Was only | :12:27. | :12:34. | |
years later when I discovered not make a was writing a book, and I | :12:34. | :12:40. | |
interview George and I went to his house, his a barman a beautiful | :12:40. | :12:48. | |
apartment. We spoke well. Nothing untoward happen. And then I went on | :12:48. | :12:52. | |
to Michelle and went to her house and interviewed her for the ball. I | :12:52. | :12:56. | |
finish this Lovely interview and I go up to leave and she said, this | :12:56. | :13:02. | |
is years later, and you wanna know how much we hated you? Excuse me, I | :13:02. | :13:08. | |
sat back down and included it in my book. I was shot. They may have had | :13:08. | :13:12. | |
days feelings then, they never express them and not for years | :13:12. | :13:19. | |
afterwards. You talk about the way a series took off, long after you | :13:19. | :13:24. | |
stop making the original shows. In the 70s and 80s, the amount of | :13:24. | :13:28. | |
interest that developed in the characters, the actors, was in | :13:28. | :13:36. | |
numbers. At the height in the 80s, there were 300 Convention the year. | :13:36. | :13:40. | |
Devoted to starch it. Did you at some point sate yourself, I cannot | :13:40. | :13:45. | |
handle this. This is becoming something that is beyond... I did | :13:46. | :13:55. | |
not go to those conventions. In the beginning, I thought, that is not | :13:55. | :14:00. | |
what actors do. So I did not go. Then, when I heard 15,000 people | :14:01. | :14:08. | |
would come at a time I thought, I'd better find out what is going on. | :14:08. | :14:12. | |
Then, the idea of standing in front of 15,000 people and not have any | :14:12. | :14:18. | |
prepared material to at least, like you and I am doing, became somewhat | :14:18. | :14:25. | |
overwhelming until I became used to it. I would go to an occasional | :14:25. | :14:30. | |
Convention but not to that 300 or 400. I know it was a sketch show | :14:30. | :14:36. | |
and it was supposed to be funny but was that a grain of truth when he | :14:36. | :14:41. | |
said in Saturday Night Live he did once say to the fans, the Trekkies, | :14:41. | :14:47. | |
to get a life, for crying out loud, it is only a television show? | :14:47. | :14:54. | |
was meant to be fun. And, in fact, I wrote a book examining the people | :14:54. | :14:58. | |
who came to the convention and I recently directed a documentary | :14:58. | :15:03. | |
which I called, and get a life in which I make these discoveries | :15:03. | :15:08. | |
about why people go to these conventions. People, interview was | :15:08. | :15:14. | |
over the years have said, what is the reason for the continuing | :15:14. | :15:20. | |
popularity of Star Trek and at first I would make a joke and say | :15:20. | :15:28. | |
it was me and then go on to the underlying story - action and | :15:28. | :15:38. | |
:15:38. | :15:39. | ||
adventure and science fiction and It is interesting to compare | :15:39. | :15:47. | |
Captain Kirk, in the early shows he was courageous, on top of every | :15:47. | :15:52. | |
problem, he was immensely impressive, in the end things | :15:52. | :15:57. | |
worked out. In your own life after Star Trek he had some real | :15:57. | :16:01. | |
difficulties. In the 70s when the show was not being picked up in the | :16:02. | :16:07. | |
early days, you have described how your life became very tough. You're | :16:07. | :16:12. | |
not getting work. You were living without a permanent home for a | :16:12. | :16:22. | |
:16:22. | :16:23. | ||
while? How did that work for you? am willing to talk about that. | :16:23. | :16:28. | |
had been a leading man, you had the adulation that came with all of | :16:28. | :16:33. | |
that. If found a period of trough in your career where it went down | :16:33. | :16:39. | |
head. -- you found. After Star Trek was cancelled and I had been | :16:39. | :16:47. | |
divorced. I had three kids to sustain. I was working, I have | :16:47. | :16:53. | |
always worked as an actor. But the pay, as light as it was back then | :16:54. | :17:03. | |
:17:04. | :17:04. | ||
compare it to now, come there was not a great deal of money. -- | :17:04. | :17:12. | |
compared. There was no money coming in. I had a lot of expenses. Indeed, | :17:12. | :17:22. | |
:17:22. | :17:23. | ||
I went out and I went to summer theatres for vacation audiences. | :17:23. | :17:31. | |
You lift out the back of your truck? Yes, I did. How do I relate | :17:31. | :17:37. | |
that to been popular on television? The real and constant insecurity of | :17:37. | :17:43. | |
the actor. You do not really know where you are going. Absolutely. | :17:43. | :17:52. | |
That was a dichotomy for me. Having come off as the leading man of a | :17:52. | :17:58. | |
series and then be homeless, absolutely. If we fast-forward | :17:58. | :18:07. | |
through the extraordinary highs and lows, including Emmy Awards. | :18:07. | :18:10. | |
Playing a character who many would argue is not dissimilar to were | :18:10. | :18:20. | |
:18:20. | :18:30. | ||
William Shatner. You became a spokesman for an internet... | :18:30. | :18:39. | |
Priceline.com. You are still working on it. That actor's | :18:39. | :18:44. | |
insecurity, as it always been with you? Absolutely. Some actors have | :18:44. | :18:49. | |
told me they are very choosy about the parts they play. They have to | :18:49. | :18:53. | |
consider their brand. I do not understand that. I do not | :18:53. | :18:58. | |
understand that thinking. We are so out of control of what our life is. | :18:59. | :19:04. | |
The actor might think I'm going to choose this role because it has the | :19:04. | :19:11. | |
elements... As we say, failure is more the norm. The high-minded | :19:11. | :19:17. | |
strategy does not work. There are some roles that you look back on | :19:17. | :19:24. | |
and you think, my God, I wish I had not done that? Absolutely. Many | :19:24. | :19:33. | |
things. Maybe even most things I wish I had not had to do. But that | :19:33. | :19:43. | |
is not the way a working actor does it. You struggle to make something | :19:43. | :19:46. | |
better than it is because you are bringing yourself to it. That is | :19:46. | :19:52. | |
always a struggle. Some things turn out to be worse than they look at | :19:52. | :19:58. | |
first glance. Some things turn out to be better. You cannot forecast. | :19:58. | :20:03. | |
Some of the most dire things I was in turned out to be popular. I | :20:03. | :20:08. | |
could not understand it. Some element that you never saw. When | :20:08. | :20:14. | |
you do a play, when you play in front of an audience for the first | :20:14. | :20:19. | |
time, there are laughs, reactions, that you would not have guessed. | :20:19. | :20:24. | |
You cannot foretell what is going to be successful. What you seem to | :20:24. | :20:30. | |
have developed, what has been a massive hit around the world, this | :20:30. | :20:34. | |
sort of knowing, slightly self- mocking sense you have, you know | :20:34. | :20:39. | |
people see as were William Shatner and partly that is related to | :20:39. | :20:45. | |
Captain Kirk, it is a rather noble and grand image. Yet, nowadays you | :20:45. | :20:51. | |
play with that. You market at the same time as living it. I am not | :20:51. | :20:56. | |
living it or mocking it. You have asked to sit down and talk to me | :20:56. | :21:00. | |
because we are at a Star Trek convention. I'm doing the Captain | :21:00. | :21:04. | |
Kirk thing because that is what you are here to see. The Captain Kirk | :21:04. | :21:11. | |
thing is me. I am also a guy who has lived here is beyond that and | :21:11. | :21:21. | |
have the experience and time and thoughts of 50 years. -- years. If | :21:21. | :21:25. | |
I did not have that experience, I would be a miserable human being. | :21:25. | :21:29. | |
You are not frightened to do things that some would regard as risky? | :21:29. | :21:34. | |
I'm thinking of your follies into rock and roll and making music? | :21:34. | :21:39. | |
That is true. I love music and I have always wanted to be able to | :21:39. | :21:46. | |
sing, I can't. Some people said, most recently a television show, | :21:46. | :21:55. | |
they want to use common people, which I did as one of the cover | :21:55. | :22:00. | |
songs on an album I did, they want to use it in their show because | :22:00. | :22:07. | |
they said it was the best version of it. I did a rock'n'roll song. | :22:07. | :22:14. | |
Common People. Some people think it has some quality to it. You do not | :22:15. | :22:21. | |
worry whether people are laughing at you all with you? I cannot | :22:21. | :22:25. | |
control that. Sometimes I'm doing it as a joke, sometimes I'm not | :22:25. | :22:32. | |
doing it as a joke. Doing it as a joke is a bit hard. Sometimes I am | :22:32. | :22:36. | |
playing with it, sometimes I am not playing with it. You are still | :22:36. | :22:40. | |
working on a whole bunch of different projects. You are still | :22:40. | :22:45. | |
planning to take on a one-man show in the US, you have done it on | :22:45. | :22:51. | |
Broadway. Son told him I do it in London. It is fantastically | :22:51. | :23:00. | |
grovelling. -- some talk. Won by five hours on stage, on urine, at | :23:00. | :23:03. | |
what point with you consider withdrawing from the very public | :23:03. | :23:13. | |
:23:13. | :23:13. | ||
life? 1.5 hours. You know how your breath rattles when you take your | :23:13. | :23:19. | |
last... Just then. You have had some very difficult times. You had | :23:19. | :23:22. | |
to live through the loss of your third life, who was found drowned | :23:22. | :23:28. | |
in your home Simeon Bull in the US. You wrote a song about that. -- | :23:28. | :23:38. | |
:23:38. | :23:43. | ||
swimming pool. Had he said, it is time to withdraw? I would miss it | :23:44. | :23:49. | |
talking to you. -- have you said. Had he enjoyed this few moments? | :23:49. | :23:55. | |
find it fascinating. Why would I want to give that up? You can leave | :23:55. | :24:00. | |
your life on stage and find your own personal path at the same time? | :24:00. | :24:07. | |
Live. My life on the stage, on film, wherever it is is part of my life. | :24:07. | :24:11. | |
There is a vast other parts I sometimes share with the public, | :24:12. | :24:18. | |
sometimes I do not. It has to do with children, love, dogs, horses, | :24:18. | :24:28. | |
:24:28. | :24:30. |