Browse content similar to 07/11/2013. Check below for episodes and series from the same categories and more!
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busier. It is time now for this week's Meet | :00:00. | :00:08. | |
The Author with Nick Higham. Dorothy Koomson writes what she | :00:09. | :00:12. | |
calls emotional thrillers, novels which combine an emphasis on | :00:13. | :00:15. | |
relationships which you expect from commercial women's fiction, with the | :00:16. | :00:23. | |
injured `` intricate plotting of darker thrillers. Her latest book is | :00:24. | :00:28. | |
The Flavours Of Love. It is about a woman whose life is turned upside | :00:29. | :00:35. | |
down after her husband is murdered. Dorothy Koomson, your heroine | :00:36. | :00:41. | |
Saffron at the start of this book is in not a great place really. Her | :00:42. | :00:45. | |
husband has been murdered 18 months before. She discovers that her | :00:46. | :00:50. | |
14`year`old daughter is pregnant and not long after the book starts she | :00:51. | :00:55. | |
also finds she has a stalker who writes her threatening letters. You | :00:56. | :00:59. | |
really like putting your heroine is through the mill, don't you? I do, I | :01:00. | :01:06. | |
think it is great. I like putting people who are already in a fragile | :01:07. | :01:10. | |
place like Saffron is, under more pressure to see how they can stand | :01:11. | :01:15. | |
it to see if they do or they don't. She does not a lot of the time. | :01:16. | :01:18. | |
Several of your recent books have these dark themes but you did not | :01:19. | :01:24. | |
start out writing books like that. They were much sunnier. The first | :01:25. | :01:34. | |
two books were quite jolly. Why the change? My third book, my Best | :01:35. | :01:40. | |
friend 's girl, I decided to deal with the story of a woman whose best | :01:41. | :01:46. | |
friend dies. Her best friend had a one night stand with her fiance and | :01:47. | :01:50. | |
got pregnant by him and she did not find that for three years. She left | :01:51. | :01:55. | |
and two years later she hears from her best friend saying she is dying | :01:56. | :02:00. | |
and asking her to adopt her child. I wanted to deal with something which | :02:01. | :02:04. | |
was a difficult subject and put myself and the reader in a situation | :02:05. | :02:08. | |
where you are torn about what to do. From then onwards it became easier, | :02:09. | :02:13. | |
not easier, more interesting I suppose, to write about these tough | :02:14. | :02:19. | |
subjects. Saffron in this book is under tremendous pressure. Most of | :02:20. | :02:22. | |
the time she's not responding well to it. Yes, she is under immense | :02:23. | :02:28. | |
pressure. She knows something about who killed her husband but she does | :02:29. | :02:34. | |
not tell the police. I am not giving anything away because that is the | :02:35. | :02:37. | |
start of the book, a prologue between her and her daughter who | :02:38. | :02:41. | |
knows something and you do not know what they know all why they will not | :02:42. | :02:45. | |
go to the police. Because of that, she is stuck when she starts | :02:46. | :02:48. | |
receiving letters and all the other things which happen in her life. She | :02:49. | :02:54. | |
is under immense pressure. When I am writing the book I do wonder how I | :02:55. | :02:58. | |
would put up with a situation and how I would fare in a situation and | :02:59. | :03:02. | |
how ordinary people put up with these situations. People across the | :03:03. | :03:07. | |
world do find themselves in situations, not too similar to | :03:08. | :03:11. | |
Saffron, but traumatic situations or dealing with the aftermath of a | :03:12. | :03:16. | |
traumatic situation. A couple of years ago you had the experience of | :03:17. | :03:20. | |
seeing one of your books adapted for television, The Ice Cream Girls, | :03:21. | :03:25. | |
which was adapted as a three parter by ITV. Being back here, terrified. | :03:26. | :03:35. | |
It happened 17 years ago. It is over. No one remembers. But I do. It | :03:36. | :03:42. | |
is all coming back. Just think about mum, she needs us. These callous | :03:43. | :03:50. | |
young women stabbed him 11 times... Many authors are delighted when | :03:51. | :03:54. | |
their stuff is picked up and dramatised. I'm sure you were also | :03:55. | :03:59. | |
pleased but it was not an entirely happy experience, was it, because | :04:00. | :04:05. | |
what hit the screen was very different in several absolutely | :04:06. | :04:07. | |
fundamental respects to what you had written? Yes, I think they saw my | :04:08. | :04:15. | |
story as a nice idea of how they thought domestic abuse and violence | :04:16. | :04:20. | |
played out and also how relationships between young girls | :04:21. | :04:25. | |
and older men played out and decided I was not correct so they did their | :04:26. | :04:30. | |
version of my story. A key part of your book was the idea that a young | :04:31. | :04:35. | |
girl who was abused by an older man, first was groomed by him, it is | :04:36. | :04:42. | |
the man's fault which brings that about. Yes. But what happened in the | :04:43. | :04:46. | |
adaptation is she as it were led him on. Even if she did lead him on, I | :04:47. | :04:53. | |
applaud that phrase, he is an adult and he could say no, that did not | :04:54. | :04:58. | |
happen in the TV version `` I applaud that phrase. You have done a | :04:59. | :05:05. | |
lot of research on these abusive relationships and that was ignored | :05:06. | :05:12. | |
on television. The No I have read a lot on the subject and when I came | :05:13. | :05:20. | |
to write the book originally... I thought I had an idea of what | :05:21. | :05:25. | |
domestic abuse was about. As I discovered, as I was researching, | :05:26. | :05:29. | |
what I thought I knew was nothing like the reality. Domestic violence | :05:30. | :05:35. | |
in a physical sense does not happen without emotional abuse and | :05:36. | :05:38. | |
manipulation. One of the things I wanted to get across in the book was | :05:39. | :05:45. | |
it is fundamental, the emotional abuse and emotional manipulation is | :05:46. | :05:49. | |
fundamental to a domestic violence situation occurring. The other thing | :05:50. | :05:55. | |
I wanted to get across when I was writing The Ice Cream Girls and my | :05:56. | :05:59. | |
other books is it could happen to you. You do not necessarily have to | :06:00. | :06:05. | |
come from a single`parent family, be working class and, a lot of what I | :06:06. | :06:15. | |
felt with The Ice Cream Girls. In my book both girls are from 2`parent | :06:16. | :06:18. | |
families and they are both nice girls. The main crop of the story | :06:19. | :06:24. | |
was not knowing which one had killed the teacher, Marcus, because they | :06:25. | :06:30. | |
were both people you felt you knew or you could be. I think that was | :06:31. | :06:36. | |
ignored in the TV version as well. What do you want readers to take | :06:37. | :06:44. | |
away from your books? I want them to enjoy the story, maybe find out | :06:45. | :06:48. | |
something new about a subject they did not know about. A lot of the | :06:49. | :06:52. | |
time when I start a book I have an idea what the subject is about and | :06:53. | :06:56. | |
every time I have been proved wrong. It has shown me that I know nothing | :06:57. | :07:00. | |
and I need to talk to people and research as much as possible. You | :07:01. | :07:05. | |
started as a journalist and there is still an element of the journalist | :07:06. | :07:09. | |
in you, finding things out? I love that. I have always been interested | :07:10. | :07:17. | |
in talking to people and eavesdropping. The other day there | :07:18. | :07:19. | |
was a woman who had a fantastic conversation, it was one`sided, I | :07:20. | :07:22. | |
was listening to it all and thinking, that could be good in | :07:23. | :07:29. | |
books. Taking surreptitious notes? She saw me writing things down! I | :07:30. | :07:33. | |
love talking and eavesdropping and finding things out. Before I became | :07:34. | :07:38. | |
a journalist that was part of my personality I think. And you aim to | :07:39. | :07:43. | |
route your books firmly in real life? Yes, at the moment. I might | :07:44. | :07:49. | |
decide to fiction at some point, she says randomly! I can't wait! Dorothy | :07:50. | :07:55. | |
Koomson, thank you very much. Thank you. | :07:56. | :08:02. | |
Hello, and up and down spell of weather coming as we approach the | :08:03. | :08:09. | |
weekend. It is windy out there across the northern part of the | :08:10. | :08:12. | |
country. Some showers | :08:13. | :08:13. |