Martina Cole Meet the Author


Martina Cole

Similar Content

Browse content similar to Martina Cole. Check below for episodes and series from the same categories and more!

Transcript


LineFromTo

I certainly wouldn't want to be the one to break that a grizzly bear!

:00:00.:00:07.

Another Martina Cole thriller, another number one bestseller.

:00:08.:00:11.

Betrayal continues her journey through the London underworld where,

:00:12.:00:13.

in Martina Cole's stories, it's the women who are

:00:14.:00:15.

In this one it's Jade who is plotting to become Miss Big.

:00:16.:00:22.

For 25 years, since Dangerous Lady, this is an author who has

:00:23.:00:24.

25 years since Dangerous Lady, Martina, and the ladies

:00:25.:00:47.

are still pretty dangerous and rough, aren't they?

:00:48.:00:50.

Yeah, I think I like my dangerous ladies, and I also

:00:51.:00:53.

I normally write from the point of view of the criminal,

:00:54.:00:58.

as everybody knows, as opposed to the police.

:00:59.:01:01.

I don't really write many police procedurals,

:01:02.:01:02.

so I quite enjoy sort of being on the other

:01:03.:01:05.

The other side of the coin - it's where you've always been,

:01:06.:01:09.

in a way, and the brilliance with which you made these

:01:10.:01:11.

tough women the ones who really ran the show,

:01:12.:01:14.

I mean, was that something that just came to you accidentally?

:01:15.:01:17.

You know, I come from a long line of really really strong Irish women,

:01:18.:01:23.

so I think that's probably got something to do with it.

:01:24.:01:25.

But also, you know, I'm a very strong woman,

:01:26.:01:27.

and I think that comes across in the books.

:01:28.:01:32.

And also I'm a great believer in women, you know -

:01:33.:01:34.

we don't get mad, we get even, which I think comes across as well.

:01:35.:01:38.

It's about women being put in extraordinary positions

:01:39.:01:40.

in their lives and making the best of it.

:01:41.:01:45.

Betrayal, just out in paperback, is I think the 23rd novel -

:01:46.:01:54.

and Betrayal, the title, is the essence of the book.

:01:55.:01:56.

Now, I'm not going to give away the plot, but once again it's

:01:57.:02:00.

a woman who's in a position where she can really wield

:02:01.:02:02.

an extraordinary amount of power, and some pretty big rough tough men

:02:03.:02:06.

Yeah, well, Jade is a fantastic character.

:02:07.:02:10.

Aiden was a really terrific character to write too,

:02:11.:02:15.

But also this is the first time I've ever done sort

:02:16.:02:21.

of the May-December romance, you know, where the woman's

:02:22.:02:25.

I like my women to be feisty and, you know, I like them to be able

:02:26.:02:31.

to take care of themselves, and I think that's very important.

:02:32.:02:36.

Obviously, you're writing about London and the underworld and so on.

:02:37.:02:40.

But I mean culturally do you think this is a fascinating

:02:41.:02:50.

pulsating undercurrent of, you know, the world you know?

:02:51.:02:55.

You know, growing up in Essex and London...

:02:56.:02:56.

Well, without crime there'd hardly be any television programmes.

:02:57.:02:59.

Everybody wants to know, how do you catch the bad guys?

:03:00.:03:05.

The differences are I don't want my bad guys to get

:03:06.:03:10.

caught a lot of the time because I end up quite liking them.

:03:11.:03:13.

But, you know, if you look at it, there's so many programmes now

:03:14.:03:16.

on police procedurals, especially on serial

:03:17.:03:18.

killers and all sorts, and I think I probably tapped

:03:19.:03:20.

into that a long time ago, a long time before women

:03:21.:03:23.

were writing my kind of books, because it was always

:03:24.:03:25.

There's so many women now writing books about criminals.

:03:26.:03:29.

And do you find a lot of your readers are women who rather

:03:30.:03:32.

enjoy that sense of, you know, the power

:03:33.:03:34.

You know, my readership's now about 50-50.

:03:35.:03:39.

I'm still the most requested books in the prison system,

:03:40.:03:43.

and I'm still the most stolen books from shops, which I

:03:44.:03:45.

Even in Scotland, in the male prisons,

:03:46.:03:50.

And I take that as a compliment, because these are the people

:03:51.:03:56.

And if they think it's realistic, then obviously I must be

:03:57.:04:00.

I've been doing prison workshops for 25 years.

:04:01.:04:05.

And what do you make of it, when you go inside and face them?

:04:06.:04:09.

I mean, I was in Barlinnie twice last year.

:04:10.:04:12.

I've done a couple of writing classes in there.

:04:13.:04:14.

I've done Belmarsh for years, Wandsworth, Holloway -

:04:15.:04:18.

it's been closed now, thank God, it was

:04:19.:04:20.

But I do a lot of women's prisons, men's prisons.

:04:21.:04:23.

I've done the Six Book Challenge and I'm still ambassador for that,

:04:24.:04:29.

to go in and get people reading - not just in prisons,

:04:30.:04:32.

It's just about getting people back reading books.

:04:33.:04:36.

When you're in a prison, and you're with some fairly

:04:37.:04:38.

hard-boiled characters, and presumably you don't

:04:39.:04:42.

know their real names, or what they've done...

:04:43.:04:44.

Some of them you've obviously heard of, but I've never ever asked

:04:45.:04:48.

I think people think you go in and they tell me

:04:49.:04:54.

I go in there and I do an actual writing class.

:04:55.:04:58.

Questions and answers - they ask me things they want to know.

:04:59.:05:01.

And I must admit there have been times when I have known

:05:02.:05:04.

the people in there, and they've gone,

:05:05.:05:05.

But I've got to say, it's very worthwhile.

:05:06.:05:10.

You know, we've got the best education system in the world -

:05:11.:05:14.

it's free, and I'm still shocked at how many young men especially

:05:15.:05:16.

cannot read and write by the time they get to prison.

:05:17.:05:19.

What fascinates you about, you know, the dark side of our lives?

:05:20.:05:23.

Well, I think it's what fascinates everybody, I mean, a lot

:05:24.:05:26.

of male authors, you know, with everything from the Godfather,

:05:27.:05:29.

and I think what really interests me is, you know,

:05:30.:05:32.

And it can be a very narrow line between an ordinary respectable

:05:33.:05:40.

Yeah, well, they always say that about the police,

:05:41.:05:44.

They've had such a thin line between them, you know.

:05:45.:05:49.

Another little bit and they would be chasing you, you know,

:05:50.:05:52.

and oftentimes police say that, because a lot of police come

:05:53.:05:55.

to signings and things - a lot of police, especially

:05:56.:05:58.

detectives from certain stations around London.

:05:59.:06:01.

Well, they say, "God, it's just so realistic,"

:06:02.:06:05.

And that's what I take as a compliment, you know.

:06:06.:06:09.

How do you think you found that voice, because every

:06:10.:06:12.

author needs a voice, a sort of confident voice

:06:13.:06:16.

I mean Dangerous Lady, 25 years ago, was an instant bestseller,

:06:17.:06:23.

and you've gone on, you know, with this extraordinary

:06:24.:06:25.

Did it just come to you, that way of talking about them,

:06:26.:06:31.

I think what the secret for me was I wrote as I spoke,

:06:32.:06:36.

and I wrote the dialect as I heard the dialect in my head.

:06:37.:06:40.

You hear it and it just comes to you?

:06:41.:06:42.

I remember years ago when we were doing Dangerous Lady

:06:43.:06:46.

as a television series, and Johnny Woods who directed it,

:06:47.:06:50.

he said, "It was the first book I ever read, Martina,

:06:51.:06:54.

where it was just like reading a script.

:06:55.:06:56.

It was like reading a shooting script."

:06:57.:06:58.

He said, "You don't have that much description,

:06:59.:07:00.

but what you have is in how people talk and how they react

:07:01.:07:03.

I don't have reams and reams of, you know,

:07:04.:07:08.

Do you like some of the bent people that you meet?

:07:09.:07:13.

people can go either way, you know, and I think more and more

:07:14.:07:21.

the lines are becoming blurred because of what's happened

:07:22.:07:25.

with with bankers and what's happened...

:07:26.:07:27.

It's a very blurred line now between who people actually

:07:28.:07:29.

think are criminals - people say, you know, "Oh,

:07:30.:07:33.

he's a bit of a lad," or "He's a rogue," but the man that's just

:07:34.:07:36.

took everybody's money in the bank, I think they have a completely

:07:37.:07:39.

Well, that's an interesting philosophical question, isn't it?

:07:40.:07:43.

In Betrayal, I mean, you're back in this territory that you know.

:07:44.:07:46.

It's the territory of the street, the territory of the family.

:07:47.:07:50.

It's all in the end about power, and you love to see,

:07:51.:07:54.

in the power game, the women at the top.

:07:55.:07:56.

I like to think that extraordinary things happen to us,

:07:57.:08:03.

You lose a child, you lose your husband, something terrible happens

:08:04.:08:08.

and you have to pick yourself up and go on, and I like to think

:08:09.:08:12.

that my women have all these extraordinary things happen to them

:08:13.:08:14.

And I like to think that, you know, we all come out on top.

:08:15.:08:21.

Martina Cole, author of Betrayal, the 23rd book in a series,

:08:22.:08:25.

I suppose, that began with Dangerous Lady,

:08:26.:08:27.

What a difference a day make. Compared with the recent heatwave,

:08:28.:08:47.

today has been much cooler

:08:48.:08:48.

Download Subtitles

SRT

ASS