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I certainly wouldn't want to be the one to break that a grizzly bear! | :00:00. | :00:07. | |
Another Martina Cole thriller, another number one bestseller. | :00:08. | :00:11. | |
Betrayal continues her journey through the London underworld where, | :00:12. | :00:13. | |
in Martina Cole's stories, it's the women who are | :00:14. | :00:15. | |
In this one it's Jade who is plotting to become Miss Big. | :00:16. | :00:22. | |
For 25 years, since Dangerous Lady, this is an author who has | :00:23. | :00:24. | |
25 years since Dangerous Lady, Martina, and the ladies | :00:25. | :00:47. | |
are still pretty dangerous and rough, aren't they? | :00:48. | :00:50. | |
Yeah, I think I like my dangerous ladies, and I also | :00:51. | :00:53. | |
I normally write from the point of view of the criminal, | :00:54. | :00:58. | |
as everybody knows, as opposed to the police. | :00:59. | :01:01. | |
I don't really write many police procedurals, | :01:02. | :01:02. | |
so I quite enjoy sort of being on the other | :01:03. | :01:05. | |
The other side of the coin - it's where you've always been, | :01:06. | :01:09. | |
in a way, and the brilliance with which you made these | :01:10. | :01:11. | |
tough women the ones who really ran the show, | :01:12. | :01:14. | |
I mean, was that something that just came to you accidentally? | :01:15. | :01:17. | |
You know, I come from a long line of really really strong Irish women, | :01:18. | :01:23. | |
so I think that's probably got something to do with it. | :01:24. | :01:25. | |
But also, you know, I'm a very strong woman, | :01:26. | :01:27. | |
and I think that comes across in the books. | :01:28. | :01:32. | |
And also I'm a great believer in women, you know - | :01:33. | :01:34. | |
we don't get mad, we get even, which I think comes across as well. | :01:35. | :01:38. | |
It's about women being put in extraordinary positions | :01:39. | :01:40. | |
in their lives and making the best of it. | :01:41. | :01:45. | |
Betrayal, just out in paperback, is I think the 23rd novel - | :01:46. | :01:54. | |
and Betrayal, the title, is the essence of the book. | :01:55. | :01:56. | |
Now, I'm not going to give away the plot, but once again it's | :01:57. | :02:00. | |
a woman who's in a position where she can really wield | :02:01. | :02:02. | |
an extraordinary amount of power, and some pretty big rough tough men | :02:03. | :02:06. | |
Yeah, well, Jade is a fantastic character. | :02:07. | :02:10. | |
Aiden was a really terrific character to write too, | :02:11. | :02:15. | |
But also this is the first time I've ever done sort | :02:16. | :02:21. | |
of the May-December romance, you know, where the woman's | :02:22. | :02:25. | |
I like my women to be feisty and, you know, I like them to be able | :02:26. | :02:31. | |
to take care of themselves, and I think that's very important. | :02:32. | :02:36. | |
Obviously, you're writing about London and the underworld and so on. | :02:37. | :02:40. | |
But I mean culturally do you think this is a fascinating | :02:41. | :02:50. | |
pulsating undercurrent of, you know, the world you know? | :02:51. | :02:55. | |
You know, growing up in Essex and London... | :02:56. | :02:56. | |
Well, without crime there'd hardly be any television programmes. | :02:57. | :02:59. | |
Everybody wants to know, how do you catch the bad guys? | :03:00. | :03:05. | |
The differences are I don't want my bad guys to get | :03:06. | :03:10. | |
caught a lot of the time because I end up quite liking them. | :03:11. | :03:13. | |
But, you know, if you look at it, there's so many programmes now | :03:14. | :03:16. | |
on police procedurals, especially on serial | :03:17. | :03:18. | |
killers and all sorts, and I think I probably tapped | :03:19. | :03:20. | |
into that a long time ago, a long time before women | :03:21. | :03:23. | |
were writing my kind of books, because it was always | :03:24. | :03:25. | |
There's so many women now writing books about criminals. | :03:26. | :03:29. | |
And do you find a lot of your readers are women who rather | :03:30. | :03:32. | |
enjoy that sense of, you know, the power | :03:33. | :03:34. | |
You know, my readership's now about 50-50. | :03:35. | :03:39. | |
I'm still the most requested books in the prison system, | :03:40. | :03:43. | |
and I'm still the most stolen books from shops, which I | :03:44. | :03:45. | |
Even in Scotland, in the male prisons, | :03:46. | :03:50. | |
And I take that as a compliment, because these are the people | :03:51. | :03:56. | |
And if they think it's realistic, then obviously I must be | :03:57. | :04:00. | |
I've been doing prison workshops for 25 years. | :04:01. | :04:05. | |
And what do you make of it, when you go inside and face them? | :04:06. | :04:09. | |
I mean, I was in Barlinnie twice last year. | :04:10. | :04:12. | |
I've done a couple of writing classes in there. | :04:13. | :04:14. | |
I've done Belmarsh for years, Wandsworth, Holloway - | :04:15. | :04:18. | |
it's been closed now, thank God, it was | :04:19. | :04:20. | |
But I do a lot of women's prisons, men's prisons. | :04:21. | :04:23. | |
I've done the Six Book Challenge and I'm still ambassador for that, | :04:24. | :04:29. | |
to go in and get people reading - not just in prisons, | :04:30. | :04:32. | |
It's just about getting people back reading books. | :04:33. | :04:36. | |
When you're in a prison, and you're with some fairly | :04:37. | :04:38. | |
hard-boiled characters, and presumably you don't | :04:39. | :04:42. | |
know their real names, or what they've done... | :04:43. | :04:44. | |
Some of them you've obviously heard of, but I've never ever asked | :04:45. | :04:48. | |
I think people think you go in and they tell me | :04:49. | :04:54. | |
I go in there and I do an actual writing class. | :04:55. | :04:58. | |
Questions and answers - they ask me things they want to know. | :04:59. | :05:01. | |
And I must admit there have been times when I have known | :05:02. | :05:04. | |
the people in there, and they've gone, | :05:05. | :05:05. | |
But I've got to say, it's very worthwhile. | :05:06. | :05:10. | |
You know, we've got the best education system in the world - | :05:11. | :05:14. | |
it's free, and I'm still shocked at how many young men especially | :05:15. | :05:16. | |
cannot read and write by the time they get to prison. | :05:17. | :05:19. | |
What fascinates you about, you know, the dark side of our lives? | :05:20. | :05:23. | |
Well, I think it's what fascinates everybody, I mean, a lot | :05:24. | :05:26. | |
of male authors, you know, with everything from the Godfather, | :05:27. | :05:29. | |
and I think what really interests me is, you know, | :05:30. | :05:32. | |
And it can be a very narrow line between an ordinary respectable | :05:33. | :05:40. | |
Yeah, well, they always say that about the police, | :05:41. | :05:44. | |
They've had such a thin line between them, you know. | :05:45. | :05:49. | |
Another little bit and they would be chasing you, you know, | :05:50. | :05:52. | |
and oftentimes police say that, because a lot of police come | :05:53. | :05:55. | |
to signings and things - a lot of police, especially | :05:56. | :05:58. | |
detectives from certain stations around London. | :05:59. | :06:01. | |
Well, they say, "God, it's just so realistic," | :06:02. | :06:05. | |
And that's what I take as a compliment, you know. | :06:06. | :06:09. | |
How do you think you found that voice, because every | :06:10. | :06:12. | |
author needs a voice, a sort of confident voice | :06:13. | :06:16. | |
I mean Dangerous Lady, 25 years ago, was an instant bestseller, | :06:17. | :06:23. | |
and you've gone on, you know, with this extraordinary | :06:24. | :06:25. | |
Did it just come to you, that way of talking about them, | :06:26. | :06:31. | |
I think what the secret for me was I wrote as I spoke, | :06:32. | :06:36. | |
and I wrote the dialect as I heard the dialect in my head. | :06:37. | :06:40. | |
You hear it and it just comes to you? | :06:41. | :06:42. | |
I remember years ago when we were doing Dangerous Lady | :06:43. | :06:46. | |
as a television series, and Johnny Woods who directed it, | :06:47. | :06:50. | |
he said, "It was the first book I ever read, Martina, | :06:51. | :06:54. | |
where it was just like reading a script. | :06:55. | :06:56. | |
It was like reading a shooting script." | :06:57. | :06:58. | |
He said, "You don't have that much description, | :06:59. | :07:00. | |
but what you have is in how people talk and how they react | :07:01. | :07:03. | |
I don't have reams and reams of, you know, | :07:04. | :07:08. | |
Do you like some of the bent people that you meet? | :07:09. | :07:13. | |
people can go either way, you know, and I think more and more | :07:14. | :07:21. | |
the lines are becoming blurred because of what's happened | :07:22. | :07:25. | |
with with bankers and what's happened... | :07:26. | :07:27. | |
It's a very blurred line now between who people actually | :07:28. | :07:29. | |
think are criminals - people say, you know, "Oh, | :07:30. | :07:33. | |
he's a bit of a lad," or "He's a rogue," but the man that's just | :07:34. | :07:36. | |
took everybody's money in the bank, I think they have a completely | :07:37. | :07:39. | |
Well, that's an interesting philosophical question, isn't it? | :07:40. | :07:43. | |
In Betrayal, I mean, you're back in this territory that you know. | :07:44. | :07:46. | |
It's the territory of the street, the territory of the family. | :07:47. | :07:50. | |
It's all in the end about power, and you love to see, | :07:51. | :07:54. | |
in the power game, the women at the top. | :07:55. | :07:56. | |
I like to think that extraordinary things happen to us, | :07:57. | :08:03. | |
You lose a child, you lose your husband, something terrible happens | :08:04. | :08:08. | |
and you have to pick yourself up and go on, and I like to think | :08:09. | :08:12. | |
that my women have all these extraordinary things happen to them | :08:13. | :08:14. | |
And I like to think that, you know, we all come out on top. | :08:15. | :08:21. | |
Martina Cole, author of Betrayal, the 23rd book in a series, | :08:22. | :08:25. | |
I suppose, that began with Dangerous Lady, | :08:26. | :08:27. | |
What a difference a day make. Compared with the recent heatwave, | :08:28. | :08:47. | |
today has been much cooler | :08:48. | :08:48. |