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Of course, expect much more on that
into the evening and tomorrow. | 0:00:00 | 0:00:04 | |
That's this edition of Outside
Source, next on the BBC News | 0:00:04 | 0:00:08 | |
Channel, it is Meet The Author. | 0:00:08 | 0:00:13 | |
This week on Meet the
Author Jim Naughtie talks | 0:00:13 | 0:00:15 | |
with the writer and historian
Norman Davies about his new book | 0:00:15 | 0:00:18 | |
Beneath Another Sky:
A Global Journey into History. | 0:00:18 | 0:00:20 | |
He circumnavigates the globe to
explore in some remotest places, | 0:00:20 | 0:00:26 | |
stories of settlement and migration,
driven by the primeval urge to "get | 0:00:26 | 0:00:35 | |
up and go." Welcome. | 0:00:35 | 0:00:44 | |
Thing to think that we all have an
urge to get up and go, it's quite | 0:00:47 | 0:00:51 | |
another thing to do it. You are no
young man. You set off and you | 0:00:51 | 0:01:01 | |
sunshining up navigated the globe to
all kinds of places that you must | 0:01:01 | 0:01:05 | |
never have imagined that you would
get to. What drove you on? After a | 0:01:05 | 0:01:14 | |
certain age, I received an
invitation to Australia but I don't | 0:01:14 | 0:01:20 | |
like long flights so I decided to go
by easy stages and take my time. And | 0:01:20 | 0:01:25 | |
then I realised why go back the same
way, just keep going, it took | 0:01:25 | 0:01:30 | |
several months but it was a
tremendous idea at my age! And the | 0:01:30 | 0:01:34 | |
story you have followed, really, is
the story of human movement, of | 0:01:34 | 0:01:39 | |
migration, which of course is a very
contemporary problem, obsession but | 0:01:39 | 0:01:46 | |
it is one that you see as
fundamental and to explaining, how | 0:01:46 | 0:01:52 | |
the world has come to be the way
that it is? Absolutely. Human beings | 0:01:52 | 0:01:58 | |
have been migrating, they've been on
the move ever since they emerged | 0:01:58 | 0:02:03 | |
whatever it was, 2 million years
ago. Moving from place toe place, | 0:02:03 | 0:02:10 | |
eventually from continent to
continent and their various | 0:02:10 | 0:02:19 | |
movements, collisions, interactions,
conquests, co abtearingses have | 0:02:19 | 0:02:23 | |
created the world as we know it,
without that, human history would be | 0:02:23 | 0:02:29 | |
completely different.
Your focus has tended to be European | 0:02:29 | 0:02:32 | |
in the past. You have written a lot
about the Slavic portion of Europe | 0:02:32 | 0:02:39 | |
and also written on the islands, and
these islands which we sit. How did | 0:02:39 | 0:02:44 | |
your perspective change when you
began to visit some of these, what | 0:02:44 | 0:02:52 | |
Europeans would called, remote
outposts? Well my choices are to go | 0:02:52 | 0:02:56 | |
to places I had never been before
and didn't know much about. The idea | 0:02:56 | 0:03:01 | |
was more about learning and
extending what I already knew. | 0:03:01 | 0:03:05 | |
It was a voyage of discovery?
Exactly. | 0:03:05 | 0:03:10 | |
Sometimes I went to places which,
their history coincided, you go to | 0:03:10 | 0:03:18 | |
Baku, it used to be a part of the
Russian empire but many of the | 0:03:18 | 0:03:24 | |
places were completely foreign to
me, so all the more interesting for | 0:03:24 | 0:03:27 | |
that.
It's a fascinating catalogue. All of | 0:03:27 | 0:03:33 | |
little known places of the world,
what was the first point at which | 0:03:33 | 0:03:39 | |
you felt on this journey, you were
really on to something here, you | 0:03:39 | 0:03:43 | |
didn't know the story of this place
and it's telling you something you | 0:03:43 | 0:03:47 | |
had never thought of before? I had
that feeling very often indeed. Of | 0:03:47 | 0:03:52 | |
course I could communicate better in
some places than others. I went to | 0:03:52 | 0:03:59 | |
Mauritius, an outpost if ever there
was one but found a speak, a French | 0:03:59 | 0:04:05 | |
Creole but found a speaker, which
was interesting, that I could speak | 0:04:05 | 0:04:09 | |
to people, learn and read books and
so on but less son when you go to | 0:04:09 | 0:04:15 | |
Malaysia.
You were inevitably the outsider? | 0:04:15 | 0:04:21 | |
Every-I was but I did, still get
under the skin, often. I went to | 0:04:21 | 0:04:27 | |
Texas and wrote an essay about the
very first American settlers in | 0:04:27 | 0:04:32 | |
Texas and lo and behold, I was able
to spend a day with the descendent | 0:04:32 | 0:04:39 | |
of one of the 300, the first group
of American settlers in Texas. So I | 0:04:39 | 0:04:47 | |
was an outer but still I tried to
communicate with people at much as | 0:04:47 | 0:04:52 | |
possible. I spent 40 years writing
about a tiny corner of the world. | 0:04:52 | 0:04:57 | |
Now you've got to see, to get a
taste of the rest of it, and the | 0:04:57 | 0:05:04 | |
rest, it is, of course, enormous. So
you can't become an expert on these | 0:05:04 | 0:05:10 | |
places but you get a feel of how
things developed, where people's | 0:05:10 | 0:05:16 | |
came from, what are the relations
between the different continents | 0:05:16 | 0:05:20 | |
that I went to.
You have split your life for a long | 0:05:20 | 0:05:24 | |
time between this country and
Poland, coming back to Europe, | 0:05:24 | 0:05:29 | |
having undertaken this journey and
having processed the thoughts that | 0:05:29 | 0:05:33 | |
make up this book, has your view of
Europe changed? Inevitably, Europe | 0:05:33 | 0:05:39 | |
now for me is a much smaller place.
I used to think it was almost all | 0:05:39 | 0:05:44 | |
the world. Now I see that Europe is
a small particular, of a very much | 0:05:44 | 0:05:56 | |
bigger Continent. Of course, no-one
will ever get to understand all of | 0:05:56 | 0:06:01 | |
the complications but at least while
you can still think reasonably | 0:06:01 | 0:06:06 | |
clearliy, you need to get a sense of
the size of the globe and the | 0:06:06 | 0:06:11 | |
complexities of human history and so
on. | 0:06:11 | 0:06:13 | |
When you are talking about migration
as such an important component of | 0:06:13 | 0:06:18 | |
human history, it puts into
perspective the panic and the | 0:06:18 | 0:06:23 | |
political difficulty that we go to
cross Europe at the moment, because | 0:06:23 | 0:06:29 | |
of migration, there's a consequence
of water shortages in Africa and war | 0:06:29 | 0:06:36 | |
in the Middle East. It does tend to
say look, there is more under the | 0:06:36 | 0:06:41 | |
sun? Absolutely. You begin to see
yourself looking like you are | 0:06:41 | 0:06:52 | |
watching the Romans coming over the
rise in the 4th, 5th century. Most | 0:06:52 | 0:06:59 | |
of historical change is not smooth.
It happens with leaps and bounds and | 0:06:59 | 0:07:04 | |
intervals between. But we are living
through a phase where humanity is on | 0:07:04 | 0:07:08 | |
the march.
Our little hard continent is the | 0:07:08 | 0:07:15 | |
target destination for many of them
at the moment. | 0:07:15 | 0:07:18 | |
You've been writing history for half
a century now, more or less, this is | 0:07:18 | 0:07:24 | |
an extraordinary work to have come
up with in the sense that the sheer | 0:07:24 | 0:07:29 | |
volume of work that is involved
putting this together in unknown | 0:07:29 | 0:07:33 | |
places, you know, dealing with
cultures of which you yourself say | 0:07:33 | 0:07:40 | |
you knew very little, wanting to get
it right, bringing an academic focus | 0:07:40 | 0:07:45 | |
to, what a thing to take on? Well
I've done that before. I don't know | 0:07:45 | 0:07:51 | |
where I will do it again.
It's just what you do? Of course, | 0:07:51 | 0:07:56 | |
and it is a learning exercise,
preventing ourselves going stale by | 0:07:56 | 0:08:01 | |
write being the same things all the
time, which is what some historians | 0:08:01 | 0:08:04 | |
do.
You end the introduction by quoting | 0:08:04 | 0:08:08 | |
tenson from. Lysses, seeking a new
world. That is what you are doing | 0:08:08 | 0:08:16 | |
here? I realise I was in the
category of ageing Ulysses who | 0:08:16 | 0:08:22 | |
wanted to set sail one more time.
Yes, that was, whether I will ever | 0:08:22 | 0:08:29 | |
have another voyage, I will never
know. But you're glad you did? Oh, | 0:08:29 | 0:08:34 | |
absolutely. I'm still amazed that I
was able to do it and got to the | 0:08:34 | 0:08:38 | |
last page. Norman Davies, author of
Beneath Another Sky, thank you very | 0:08:38 | 0:08:44 | |
much.
Thank you | 0:08:44 | 0:08:45 |