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and turn them into valuable products. That is a way forward. | :00:00. | 3:59:59 | |
Thank you. Three Sisters, Three Queens, | :00:00. | :00:00. | |
is A novel of the women who became queens of England, | :00:00. | :00:07. | |
Scotland and France, and who were condemned to rivalry, | :00:08. | :00:09. | |
family conflict and a bloody A novelist doesn't have | :00:10. | :00:13. | |
to invent that story, it was the real story | :00:14. | :00:19. | |
of the early 16th century, after Katherine of Aragon arrived | :00:20. | :00:21. | |
as a Tudor bride. Phillippa Gregory has spun The story | :00:22. | :00:26. | |
of that period in a string of best-selling novels and this is her | :00:27. | :00:34. | |
latest subject: Three Sisters, Even by 16th century standards | :00:35. | :00:37. | |
it is a great story. How well do you think this bit | :00:38. | :00:56. | |
of the whole saga is In a way, it's a really | :00:57. | :00:59. | |
classic example of fiction and history put together | :01:00. | :01:07. | |
that the story of Three Sisters, Three Queens is a construct | :01:08. | :01:13. | |
but what we're actually talking about is the history of Katherine | :01:14. | :01:16. | |
of Aragon in the relatively early | :01:17. | :01:23. | |
years of her marriage quite separate his | :01:24. | :01:26. | |
of his two sisters. But then as a novelist I come | :01:27. | :01:34. | |
to these histories, and go, like but they actually are sisters, | :01:35. | :01:37. | |
they know of each other. rise and fall of their success | :01:38. | :01:39. | |
of their lives and in their kingdoms and in their fertility, compares | :01:40. | :01:44. | |
and contrast almost exactly. So it's is a very nice | :01:45. | :01:46. | |
example for me of what you can do in fiction that you | :01:47. | :01:49. | |
wouldn't necessarily do in history. But of course the history itself, | :01:50. | :01:55. | |
which hangs over the whole story, your fictional account of it, | :01:56. | :01:59. | |
is so extraordinary, the fate of nations, | :02:00. | :02:03. | |
you know, hanging on a on an unexpected death, | :02:04. | :02:08. | |
whatever it happens to be. It seems to me, I hope this | :02:09. | :02:12. | |
is not pushing it too far, but it's strangely contemporary | :02:13. | :02:17. | |
about how the fate of nations can change in the wink of an eye, | :02:18. | :02:19. | |
whether it's a royal marriage or a I think one of the reasons that | :02:20. | :02:23. | |
I love the Tudor period so much is that you get these | :02:24. | :02:31. | |
enormous consequences from the So if you look at the one | :02:32. | :02:35. | |
person, you really get a way into the history | :02:36. | :02:40. | |
which is completely fascinating. So you do get this big | :02:41. | :02:43. | |
national story focussed on, in this instance, | :02:44. | :02:46. | |
the choice of James of Scotland to marry Margaret, Henry VIII's | :02:47. | :02:50. | |
sister, which puts And in the end produces the child | :02:51. | :02:51. | |
that will unify the two countries. Just take us through | :02:52. | :03:05. | |
the three of them. Because the rivalries that, | :03:06. | :03:09. | |
that sort of entangled them in the course of a few years | :03:10. | :03:12. | |
had huge consequences? There's been very much less work | :03:13. | :03:14. | |
done on the sisters, and almost I really think that | :03:15. | :03:18. | |
what you see there is an example of the | :03:19. | :03:21. | |
historical selection, "want that many women | :03:22. | :03:23. | |
in the record, thank you. "We've got six wives, | :03:24. | :03:29. | |
let's leave the sisters out of it." Which means you actually, | :03:30. | :03:32. | |
really, rarely, for the Tudor period, | :03:33. | :03:33. | |
you have these on told stories. So the stories that we do know | :03:34. | :03:36. | |
is Katherine of Aragon and she arrives in the novel | :03:37. | :03:45. | |
as she arrives pretty well in the English court | :03:46. | :03:47. | |
as a Princess from Spain and immediately | :03:48. | :03:49. | |
attracts, in my version of events, the jealously and the affronted envy | :03:50. | :03:52. | |
of Margaret who until then was the top Princess at | :03:53. | :03:56. | |
the Henry VIII court. And the other girl | :03:57. | :03:58. | |
in the mix is Mary, Henry's other sister, | :03:59. | :04:08. | |
younger Famously willful, who | :04:09. | :04:13. | |
is married off to the very, very old king of France | :04:14. | :04:19. | |
and recovers from that really disastrous marriage for her, | :04:20. | :04:21. | |
political marriage, to marry | :04:22. | :04:26. | |
the man of her choice. So you've got these three very, | :04:27. | :04:28. | |
very differen stories about princesses who are married to make | :04:29. | :04:31. | |
the allowances for their family and It's the question that you have come | :04:32. | :04:34. | |
to know very well over the years, how much liberty do | :04:35. | :04:42. | |
you feel free to take with the history for | :04:43. | :04:44. | |
which you have so much affection | :04:45. | :04:47. | |
and so much respect? I don't take liberty | :04:48. | :04:50. | |
with the history. I know authors who do and I think | :04:51. | :04:52. | |
they're right to take whatever But you are dealing | :04:53. | :04:55. | |
with characters at a depth Where I believe that I'm right | :04:56. | :05:09. | |
to go into fiction, where I love the process of going | :05:10. | :05:19. | |
into fiction, is saying, if she did that, she must have been | :05:20. | :05:23. | |
feeling this or be wanting to be doing this, or this | :05:24. | :05:27. | |
is an expression of this sort of So I start, the fiction | :05:28. | :05:30. | |
comes out of the history, but first of all I look at what's | :05:31. | :05:34. | |
happened, and then I say if somebody behaves | :05:35. | :05:36. | |
like that, then they You've lived with this | :05:37. | :05:39. | |
gang, so to speak, I've been married to Henry they VIII | :05:40. | :05:42. | |
longer than any wife! And of these three women, | :05:43. | :05:46. | |
the three sisters, the three queens, as you describe them | :05:47. | :05:49. | |
in the title of the book, which one You say that Katherine | :05:50. | :05:52. | |
of Aragon because of the marriage to Henry is | :05:53. | :05:55. | |
the one that we know, whether accurately or not, | :05:56. | :05:57. | |
which of them attracts you the most? in the sense, which you like best, | :05:58. | :06:00. | |
is not the same as who is So you've got two | :06:01. | :06:04. | |
things going on there. I have great affection | :06:05. | :06:08. | |
for Katherine of Aragon, I think she was | :06:09. | :06:14. | |
an extraordinary, courageous woman. Margaret, Henry's sister, | :06:15. | :06:22. | |
lives an amazing life. She's married as a very young woman | :06:23. | :06:29. | |
to James of Scotland, and then when widowed | :06:30. | :06:31. | |
she chooses her husband and has to run away | :06:32. | :06:36. | |
from Scotland, she gets to England, | :06:37. | :06:39. | |
she divorces him, she marries She's behaving as if she was in | :06:40. | :06:41. | |
total charge of her own And of course the loss of her first | :06:42. | :06:50. | |
husband is the fault of the English The loss of her first husband | :06:51. | :06:55. | |
is planned as a campaign by So you have this terrible | :06:56. | :06:59. | |
dark side of the sisterhood that they are always | :07:00. | :07:02. | |
rivals and that it is Katherine of Aragon's campaign that | :07:03. | :07:05. | |
kills her brother-in-law. You can't read about this events, | :07:06. | :07:07. | |
whether in straight history or fiction, without a mind-boggling | :07:08. | :07:09. | |
feeling of everything that subsequently came is | :07:10. | :07:11. | |
determined by some of these - I think the idea of | :07:12. | :07:13. | |
history, as in the past is another country, | :07:14. | :07:18. | |
when you are a historian, | :07:19. | :07:19. | |
you get this real double view of it. On the one hand you go | :07:20. | :07:22. | |
like, "yes, it is almost completely separate from our world | :07:23. | :07:25. | |
and completely different, yet you can see how then the actions then | :07:26. | :07:31. | |
produce the consequences of today." I mean the whole concept | :07:32. | :07:37. | |
of nationhood, the way The way England and | :07:38. | :07:39. | |
Scotland are absolutely committed enemies for centuries | :07:40. | :07:49. | |
before the unification, a sense really current ideas | :07:50. | :07:51. | |
which were being worked out then and to which they came | :07:52. | :07:54. | |
to some conclusions. And the union of the Crowns itself | :07:55. | :07:56. | |
in 1603, a century or so before the union of | :07:57. | :08:01. | |
the Parliament, came about really by accident | :08:02. | :08:04. | |
because of what had happened in the period | :08:05. | :08:06. | |
you are Absolutely, it's Margaret's | :08:07. | :08:07. | |
granddaughter's boy. You just go like, this, | :08:08. | :08:09. | |
and she of course, thinks all the time, | :08:10. | :08:16. | |
she is Queen of Scotland when Katherine of Aragon is failing to | :08:17. | :08:23. | |
have an heir, she knows that her boy will be king | :08:24. | :08:30. | |
of Scotland and king of | :08:31. | :08:31. | |
England, it's only Henry's decision to marry on until he gets a | :08:32. | :08:38. | |
male heir, that means that Margaret is not in fact | :08:39. | :08:40. | |
the mother of the king of | :08:41. | :08:42. | |
Which explains why the fascination continues. | :08:43. | :08:44. | |
Phillippa Gregory, author of Three Sisters, Three Queens, | :08:45. | :08:46. | |
Southerly winds brought warmth across the country today. But it | :08:47. | :09:06. | |
wasn't all warmer, we had some | :09:07. | :09:08. |