Browse content similar to 14/10/2016. Check below for episodes and series from the same categories and more!
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travel between the two countries. More news at the top of the hour, | :00:00. | :00:00. | |
but first, here is News watch. Hello and welcome to News watch. | :00:00. | :00:16. | |
More than five years into the destruction and suffering of the | :00:17. | :00:19. | |
Syrian civil war, are we getting a full picture of the conflict? We | :00:20. | :00:25. | |
speak to the BBC Middle East editor about the challenges of reporting on | :00:26. | :00:34. | |
such a harrowing conflict. He is a contemporary chronicler. It was the | :00:35. | :00:38. | |
voice of a new Nobel laureate for literature or a bad impersonator? | :00:39. | :00:45. | |
First, it was surprising to hear on Thursday that the top story on many | :00:46. | :00:49. | |
bulletins was about Marmite. At least it until it became clear | :00:50. | :00:56. | |
was... Brexit was the real story. The spread was one of the number of | :00:57. | :01:00. | |
brands withdrawn from the Tesco online site after a dispute over | :01:01. | :01:04. | |
prices with a supplier, pointing to the sharp drop in the Valley of the | :01:05. | :01:09. | |
pound which many attributed to the government permitted that Britain | :01:10. | :01:14. | |
would leave the EU. The story the BBC brook which disclosed | :01:15. | :01:18. | |
negotiations between Unilever and Tesco caused a significant drop in | :01:19. | :01:22. | |
shares of both companies. There was panic buying of goods in a certain | :01:23. | :01:34. | |
stories. The news last week and was dominated by the release of the | :01:35. | :01:38. | |
video in which Donald Trump boasted that his fame meant he could do | :01:39. | :01:42. | |
anything to women. Other comments made by the US presidential... | :01:43. | :01:55. | |
Comments were summarised. News reports used the term is groping and | :01:56. | :01:58. | |
lewd behaviour. What Donald Trump did was to claim he repeatedly uses | :01:59. | :02:04. | |
his powerful position to harass and assault women. He said he just | :02:05. | :02:06. | |
walked up to them and kissed them were grabbed them. If this were | :02:07. | :02:12. | |
true, it would constitute sexual assault. To say that trouble boasted | :02:13. | :02:18. | |
of sexual assault would certainly enrage him. But that is what he has | :02:19. | :02:22. | |
done. To refrain from describing it in those terms is to commit an act | :02:23. | :02:32. | |
of cowardice. It is to accept a misogynistic linguistic framing and | :02:33. | :02:35. | |
it is to betray victims who need to hear that there is recourse in law | :02:36. | :02:40. | |
for this kind of behaviour. The announcement on Thursday that Bob | :02:41. | :02:43. | |
Dylan had won the Nobel Prize for literature caused much discussion. | :02:44. | :02:48. | |
Art is their exquisite literature? After watching the news at six, some | :02:49. | :02:52. | |
viewers were wondering if Bob Dylan was really Bob Dylan. Bob Dylan, | :02:53. | :02:58. | |
like Shakespeare, has the knack for coin a phrase which becomes part of | :02:59. | :03:03. | |
everyday speech. He has his own sense of meter and rhyme, metaphor | :03:04. | :03:10. | |
and meaning. He is a contemporary chronicler, storyteller, moralist | :03:11. | :03:13. | |
and poet whose work and words have changed attitudes and lives. Now, | :03:14. | :03:21. | |
his vocal style is not exactly classical but those who sing as | :03:22. | :03:27. | |
badly as that? No, because as one person on Twitter product, the last | :03:28. | :03:31. | |
20 seconds on the Nobel Prize featured footage of not the man | :03:32. | :03:38. | |
himself but a Dylan impersonator. Keith added, what a shame that the | :03:39. | :03:42. | |
film footage concluded with someone doing a third rate impression of the | :03:43. | :03:48. | |
great man. BBC News held their hands up to the mystic to us at the end of | :03:49. | :03:52. | |
the Bob Dylan package some archive footage which had been incorrectly | :03:53. | :03:56. | |
labelled as him was used. This was a production error which was rectified | :03:57. | :04:06. | |
for the ten o'clock news. Now, since the ceasefire as stored in Syria | :04:07. | :04:09. | |
broke down, the second city, a level, has been under intense | :04:10. | :04:13. | |
bombardment. Political and diplomatic arguments have raged for | :04:14. | :04:17. | |
whom there is responsibility and how it might be resolved. After five | :04:18. | :04:21. | |
years of war, a solution seems further away than ever. During the | :04:22. | :04:25. | |
recent deposit fighting, our Middle East editor, reported from Aleppo. I | :04:26. | :04:32. | |
couldn't cross into eastern Aleppo. This was close to the front line in | :04:33. | :04:37. | |
the old city, a tangle of medieval alleys that used to be the greatest | :04:38. | :04:45. | |
souk in the Levant. The old city was an extraordinary human creation, now | :04:46. | :04:53. | |
it is empty and dead. Nature of child was leaving hospital for his | :04:54. | :04:56. | |
new life. It will be without his arm and without his four cousins who | :04:57. | :05:06. | |
were killed when he was wounded. For reasons of logistics and 70, media | :05:07. | :05:10. | |
access to Syria has been irregular and difficult and some viewers have | :05:11. | :05:14. | |
told us they are concerned that the BBC is providing an incomplete or | :05:15. | :05:20. | |
even distorted view of the conflict. There is much reporting on the | :05:21. | :05:24. | |
terrible bombing in Aleppo in rebel held areas, but I am also interested | :05:25. | :05:28. | |
in what is happening to civilians on the Syrian army side. What people on | :05:29. | :05:33. | |
the opposite side think of their government's actions and what | :05:34. | :05:36. | |
attacks rebels and terrorist groups are making on the Syrian army held | :05:37. | :05:40. | |
areas. A more rounded reporting of the situation from different | :05:41. | :05:43. | |
perspectives is needed to better understand the crisis. And Clive put | :05:44. | :05:48. | |
it like this, the footage shown is almost exclusively from the eastern | :05:49. | :05:51. | |
Aleppo rebel side without a mention that there are government areas with | :05:52. | :05:55. | |
civilian victims of shelling or suicide bombing on a regular basis, | :05:56. | :06:00. | |
mainly children are selected for maximum emotional effect when the | :06:01. | :06:03. | |
majority of casualties are adults, including many Cine jihadists. Well, | :06:04. | :06:09. | |
to discuss the challenges of reporting from Syria, Jeremie Boga | :06:10. | :06:14. | |
joins us now from Cardiff. Most reports that we get here tend to be | :06:15. | :06:18. | |
from the rebel side. How far do you try to get access to the government | :06:19. | :06:23. | |
side? Most of the reporting I have done since I went after the war | :06:24. | :06:26. | |
started has been from the government side. They are basically two ways of | :06:27. | :06:35. | |
getting into Syria since the war began. One is with the Visa and | :06:36. | :06:40. | |
reporting from the government side in the main and the other way in and | :06:41. | :06:44. | |
was mainly over the Turkish border without a visa onto the rebel side. | :06:45. | :06:49. | |
That access is almost ceased because it is too dangerous. The chances of | :06:50. | :06:54. | |
running into jihadists Pujara journalists are very great. They | :06:55. | :07:02. | |
kidnap rate is enormous. When I report from Syria, I am reporting | :07:03. | :07:08. | |
from the government side. The worry I have had is that I have not been | :07:09. | :07:12. | |
able to report from the rebel held side and that when we use pictures | :07:13. | :07:18. | |
from the rebel side it is pictures we have sourced ourselves rather | :07:19. | :07:20. | |
than directly filming them ourselves. Those are some of the | :07:21. | :07:26. | |
most distressing images. Some viewers are concerned that we are | :07:27. | :07:30. | |
getting a distorted view of the conflict. We get this footage coming | :07:31. | :07:35. | |
from the rebel side of casualties. The message being the bombs are | :07:36. | :07:37. | |
being dropped by Russians and Syrians. What is your view? There | :07:38. | :07:42. | |
are distressing pictures from both sides. In that clip of mine, the | :07:43. | :07:47. | |
wounded boy, he lived in government-held territory and was | :07:48. | :07:54. | |
hurt by a shell that, his family said, came from a place held by the | :07:55. | :08:01. | |
jihadists of Islamic State. It is representative, I think, to use | :08:02. | :08:04. | |
pictures of children. They can be more shocking, but war is shocking. | :08:05. | :08:12. | |
War is barbaric. There is a difficult issue about what we | :08:13. | :08:15. | |
should. There is also a concern of when you shall such distressing | :08:16. | :08:21. | |
images, of viewers feeling hopeless about it, also a fear of the | :08:22. | :08:25. | |
desensitising with this torrent of distressing images. I think it is up | :08:26. | :08:32. | |
to people like myself to report in such a way that people don't get | :08:33. | :08:37. | |
desensitised. The argument about how much blood and gore reality to show | :08:38. | :08:46. | |
is one we have constantly. It is a constant discussion and I have had | :08:47. | :08:50. | |
many discussions over many years from many waters with programme | :08:51. | :08:55. | |
editors about how much we show. Generally speaking, the people in | :08:56. | :08:59. | |
the field want to show more than the people who edit the programmes are | :09:00. | :09:03. | |
prepared to show and in an ideal world you get some sort of a happy | :09:04. | :09:10. | |
medium between the two. Yes, it is shocking, but it is real. One other | :09:11. | :09:15. | |
concern we have heard, and I have heard it expressed by former | :09:16. | :09:19. | |
diplomats, is that the introductions to news items about Syria often | :09:20. | :09:23. | |
oversimplify and they talk about rebels versus Assad and Russia, but | :09:24. | :09:28. | |
the reality is more conjugated with many jihadists groups on the ground. | :09:29. | :09:32. | |
How does it look to you? The news should not be about good people | :09:33. | :09:38. | |
versus bad people. An injury gives you a flavour and it is not the | :09:39. | :09:42. | |
whole story. You have to take the hole. We have to take the whole in | :09:43. | :09:51. | |
more than one piece because I try to look at the number of pieces I have | :09:52. | :09:56. | |
done from one reporting trip rather than one individual report. That is | :09:57. | :09:59. | |
difficult because not everybody watches the news with the same | :10:00. | :10:04. | |
obsessive seems that journalists do, but you cannot get everything in | :10:05. | :10:11. | |
every piece. What I try to do and this is the challenge of TV | :10:12. | :10:17. | |
reporting, I tried to do a story which has got something in it with | :10:18. | :10:22. | |
someone who is interested but doesn't know much will get and learn | :10:23. | :10:28. | |
something and come away a bit wiser. It will also, at the same time, have | :10:29. | :10:34. | |
something in it that the top diplomat at the Foreign Office who | :10:35. | :10:37. | |
deals with the Middle East might get and find interesting as well. It | :10:38. | :10:41. | |
needs to be like a layer cake. That is not an easy thing to do. You need | :10:42. | :10:46. | |
good material. He have to be careful with your words and good interviews | :10:47. | :10:50. | |
and sometimes we succeed and sometimes we don't. Finally, when | :10:51. | :10:58. | |
presenters read the headlines on a busy news programme that open assume | :10:59. | :11:02. | |
that the pictures being run by the studio Gallery their relation to the | :11:03. | :11:05. | |
words they are saying. It doesn't always work out like that. This is | :11:06. | :11:12. | |
breakfast. It is half six, it is Friday the 14th of October. We will | :11:13. | :11:18. | |
be joined by Scottish First Minister Nicola Sturgeon and we will talk to | :11:19. | :11:23. | |
her about plans for a second referendum on independence. We have | :11:24. | :11:26. | |
clearly run at the wrong pictures over that particular sequence. My | :11:27. | :11:30. | |
apologies. Restore it we will be talking about later is about the | :11:31. | :11:37. | |
escaped gorilla at London zoo. Many of those who spotted that trip to | :11:38. | :11:42. | |
Twitter with Sean posting this. The sturgeon gorilla gaffe must be | :11:43. | :11:47. | |
irrefutable evidence of BBC bias. Thank you for all of your comments. | :11:48. | :11:51. | |
If you want to share your opinions on BBC News and current affairs you | :11:52. | :12:02. | |
can call us on... You can find us on Twitter and to have a look at our | :12:03. | :12:06. | |
website. The address is on the screen. We will be back to hear your | :12:07. | :12:13. | |
thoughts about BBC News coverage again next week. | :12:14. | :12:24. |