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At 10pm we will have a full round-up of the day's news but first it is | :00:00. | :00:00. | |
time the Newswatch. Hello and welcome to Newswatch | :00:00. | :00:08. | |
with me, Samira Ahmed. Coming up on the programme, | :00:09. | :00:10. | |
amid reports of atrocities in the battle for Aleppo, | :00:11. | :00:12. | |
how is the BBC verifying claims And, subtitles are leaving | :00:13. | :00:15. | |
some viewers baffled Lots of viewers have been in touch | :00:16. | :00:19. | |
questioning why the BBC devoted so much coverage to a story that | :00:20. | :00:35. | |
only affected the Here's the BBC's transport | :00:36. | :00:37. | |
correspondent Richard Wescott reporting on the first day | :00:38. | :00:43. | |
of the strike. All of Southern's 2000 | :00:44. | :00:47. | |
services cancelled today. Southern wants its drivers to take | :00:48. | :00:50. | |
over closing the train doors. It's a job currently done | :00:51. | :01:04. | |
by the on-board guard. The unions say it's less safe | :01:05. | :01:07. | |
and threatens jobs in the long run. Well, we asked BBC News | :01:08. | :01:12. | |
for a response, and they told us... The war in Syria and the battle | :01:13. | :02:04. | |
for control of Aleppo has prompted several viewers to contact | :02:05. | :02:07. | |
Newswatch. After controlling the eastern half | :02:08. | :02:09. | |
of Aleppo for four years, rebel groups seeking to overthrow | :02:10. | :02:12. | |
President Bashar al-Assad this week lost almost | :02:13. | :02:16. | |
all of their strongholds Eastern Aleppo's recapture | :02:17. | :02:18. | |
by government forces came These scenes were filmed on a mobile | :02:19. | :02:22. | |
phone, after a Syrian army attack. There's been, says the UN, | :02:23. | :02:30. | |
a complete meltdown of humanity. Not everyone was happy | :02:31. | :02:38. | |
with the BBC's coverage. Over the past year we've heard | :02:39. | :02:40. | |
from a number of Newswatch viewers who are deaf or hard of hearing, | :02:41. | :04:06. | |
who are sometimes left So we decided to look | :04:07. | :04:09. | |
into how it works. Hi, I'm Suzy, I'm a live | :04:10. | :04:15. | |
subtitling team leader. A deaf or hard of hearing person | :04:16. | :04:17. | |
should be able to experience and get the same amount of enjoyment out | :04:18. | :04:21. | |
of a programme as a hearing person. Normally these days, | :04:22. | :04:25. | |
its voice recognition. So, I use my voice, | :04:26. | :04:28. | |
I have a microphone, These stakes are huge for us full | :04:29. | :04:30. | |
stop but comma our boys Which is much faster to stop | :04:31. | :04:36. | |
the delay in live subtitles. On BBC One, we can join the BBC's | :04:37. | :04:42. | |
News teams where you are. I'm listening to whatever | :04:43. | :04:45. | |
the person is saying, repeating it exactly, | :04:46. | :04:47. | |
adding punctuation, changing colours, and I'm | :04:48. | :04:48. | |
reading it on screen. You have to concentrate really hard, | :04:49. | :04:50. | |
because you're listening, you're speaking, you're reading, | :04:51. | :04:53. | |
and sometimes you're writing, I'm joined now by the BBC's head | :04:54. | :04:55. | |
of broadcast operations Simon Smith. So, an insight there into how hard | :04:56. | :05:01. | |
the work is of doing news But a number of viewers have got | :05:02. | :05:04. | |
in touch because they find the issue Nicholas Green says "I do not find | :05:05. | :05:10. | |
contemporaneous subtitles helpful, more of a distraction really, | :05:11. | :05:15. | |
because of the delay." Eileen Baxter says "We can go | :05:16. | :05:20. | |
to the moon and elsewhere, but TV programmers can never get | :05:21. | :05:22. | |
the subtitles right. They are either running behind | :05:23. | :05:24. | |
or they are put on so fast, We've seen that obviously | :05:25. | :05:29. | |
it is tricky doing it live. Live subtitling | :05:30. | :05:35. | |
is done in real time. The first time that the subtitler | :05:36. | :05:42. | |
hears what they've then got to turn into a text subtitle is exactly | :05:43. | :05:45. | |
the same moment that the audience are hearing that | :05:46. | :05:48. | |
interview or report. Inaccuracies are another huge | :05:49. | :05:50. | |
frustration for viewers. And Malcolm Crowe recorded a video | :05:51. | :05:53. | |
for us to highlight a mistake in the reporting of the recent fatal | :05:54. | :06:13. | |
Croydon tram crash. There was a boy in the clip | :06:14. | :06:16. | |
talking about he'd been on the tram, and he survived, | :06:17. | :06:18. | |
but his friend did not. And some of the words | :06:19. | :06:27. | |
which appeared on screen to explain what he was saying | :06:28. | :06:31. | |
were really wrong. We should be able to | :06:32. | :06:36. | |
have something better. That is a particularly unfortunate | :06:37. | :06:55. | |
one, because obviously But people do sometimes wonder why | :06:56. | :06:56. | |
they are so weird, I don't know, When you have a fast | :06:57. | :07:02. | |
breaking news story, quite often the subtitling team, | :07:03. | :07:06. | |
like the rest of the operation, We are constantly trying to improve | :07:07. | :07:09. | |
the speech text software. But occasionally, words will be | :07:10. | :07:19. | |
misheard by the automation And that's why sometimes words | :07:20. | :07:22. | |
come out and they look Usually, the reason | :07:23. | :07:28. | |
for that is that the word that the software has put out sounds | :07:29. | :07:34. | |
a little bit like the one In a live environment it's very | :07:35. | :07:37. | |
difficult to go back and change that because it's such | :07:38. | :07:42. | |
a fast-moving situation. A related issue is new terms that | :07:43. | :07:44. | |
then become a regular part of news. Alan Haleston has sent us a screen | :07:45. | :07:49. | |
grab from the Andrew Marr show. Theresa May was talking | :07:50. | :07:52. | |
about "Brexit" but it was How long does it take to get | :07:53. | :07:54. | |
a word like that right? I would expect that "Brexit" now | :07:55. | :07:59. | |
is in such common usage, that I would expect that | :08:00. | :08:06. | |
automatically to come out correct. But it's a good example of how | :08:07. | :08:10. | |
the software often can mishear and misinterpret words | :08:11. | :08:13. | |
that are spoken. The "rex" of "Brexit" and "Wrexham", | :08:14. | :08:16. | |
it's got confused there. Is there a sense of going | :08:17. | :08:21. | |
through a list, and thinking, these are the words that | :08:22. | :08:24. | |
are emerging, and actually putting So what happens is that a subtitler | :08:25. | :08:26. | |
will go through the expected running order and identify unusual words, | :08:27. | :08:33. | |
and they will train the software to use the right word | :08:34. | :08:36. | |
when they re-speak it on air. The challenge is that there is only | :08:37. | :08:39. | |
a limited amount of vocabulary that Sometimes if a word isn't expected, | :08:40. | :08:42. | |
you will get that mistake. I have to say, within that example, | :08:43. | :08:48. | |
an interview with the Prime Minister at the moment in the current | :08:49. | :08:51. | |
situation, I would have expected that to be correct | :08:52. | :08:53. | |
and we will certainly take that away Viewer Malcolm Crowe | :08:54. | :08:56. | |
who we heard from earlier, obviously uses subtitles a lot, | :08:57. | :09:01. | |
has said he has started to watch Sky News now instead | :09:02. | :09:04. | |
of BBC News, here's why. We find that the subtitles | :09:05. | :09:07. | |
on Sky are more reliable It's not so much a matter of choice | :09:08. | :09:10. | |
but it's a matter of necessity if we want to get the proper sense | :09:11. | :09:19. | |
of what's going on. So is the BBC using the most | :09:20. | :09:25. | |
up-to-date technology as perhaps That's a very interesting | :09:26. | :09:28. | |
observation, because I can absolutely guarantee | :09:29. | :09:31. | |
that the technology which is used for Sky is the same technology | :09:32. | :09:34. | |
which is used for the BBC, because they use the same system | :09:35. | :09:37. | |
that was developed for the BBC Subtitling, I'm afraid, | :09:38. | :09:40. | |
of that form, live subtitling I fully accept there | :09:41. | :09:46. | |
is further to go. But equally we have had some | :09:47. | :09:54. | |
significant improvements Simon Smith, thank you so much | :09:55. | :09:56. | |
for coming on Newswatch. Do let us know your thoughts on | :09:57. | :10:00. | |
that, or on any aspect of BBC News. Details of how to contact us | :10:01. | :10:11. | |
at the end of the programme. Now, a few people contacted | :10:12. | :10:16. | |
Newswatch about the BBC's coverage of the Nobel Prize ceremony | :10:17. | :10:18. | |
in Stockholm, concerned that the BBC focused too much | :10:19. | :10:20. | |
on Bob Dylan's non-appearance. TRANSLATION: Bob Dylan came | :10:21. | :10:25. | |
to literature through the beauty With his work, Bob Dylan changed | :10:26. | :10:28. | |
the way we understand poetry. He may not have been | :10:29. | :10:40. | |
there to receive his award, but fellow singer Patti Smith | :10:41. | :10:42. | |
did turn up. She performed one of his most | :10:43. | :10:45. | |
famous songs, eventually. Thank you so much for | :10:46. | :10:49. | |
all your comments this week. If you want to share your opinions | :10:50. | :11:32. | |
on BBC News or current affairs, or even appear on the programme, | :11:33. | :11:36. | |
you can call us on 0370 010 6676, You can find us on | :11:37. | :11:40. | |
Twitter @NewswatchBBC. Do have a look at our website, | :11:41. | :11:47. | |
bbc.co.uk/newswatch. We'll be back in the New Year | :11:48. | :11:53. | |
on January 6th to hear your thoughts Until then, from all of us | :11:54. | :11:56. | |
on the programme, have a very happy | :11:57. | :12:03. |