Browse content similar to 07/07/2017. Check below for episodes and series from the same categories and more!
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Now it's time for Newswatch, with Samira Ahmed. | :00:00. | :00:00. | |
This week, could virtual reality be the future of news? | :00:00. | :00:12. | |
Hello and welcome to Newswatch. BBC news through a virtual reality | :00:13. | :00:23. | |
headset. Will audiences take a experiencing news events this way? | :00:24. | :00:26. | |
And what questions to the new technologies pose for journalists? | :00:27. | :00:39. | |
First, though, Saffi Roussos was one of 22 people killed at a pop concert | :00:40. | :00:44. | |
in Manchester on 22nd of May. She would have been nine on Thursday. | :00:45. | :00:51. | |
Judith Mauritz spoke to her parents. I just wanted to celebrate the | :00:52. | :00:55. | |
birthday of Saffi through doing this. What has your family lost? We | :00:56. | :01:06. | |
have lost everything. We have, because we will just never be the | :01:07. | :01:11. | |
same. Stephanie and Trevor Firth were a number of viewers picking on | :01:12. | :01:17. | |
one aspect of that interview, saying... | :01:18. | :01:36. | |
Versions of the report ran on BBC News all day, leading the news at | :01:37. | :01:43. | |
6pm. It provided powerful and moving television but some people had | :01:44. | :01:47. | |
concerns about the prominence given to the item. Here is Mark Eden.... | :01:48. | :02:14. | |
Linda Dell also contacted us about the coverage, leaving as this | :02:15. | :02:26. | |
telephone message. I found it to be mawkish in the extreme to show the | :02:27. | :02:32. | |
video clip of the people outside the concert hall. Surely the BBC can | :02:33. | :02:43. | |
find better news than this and finding these people in anguish to | :02:44. | :02:46. | |
put them on screen. I am fed up with it. The BBC director General Lord | :02:47. | :02:53. | |
Hall announced the corporation's annual plan this week, and he | :02:54. | :02:57. | |
addressed what he called a huge competition presented online by | :02:58. | :03:03. | |
companies such as Amazon and Netflix. He proposed the development | :03:04. | :03:07. | |
of virtual reality content in the news and current affairs. There has | :03:08. | :03:16. | |
been some work in this area, including We Wrote, which dramatises | :03:17. | :03:22. | |
the journey to Europe of a Syrian family on smuggler bows. -- boats. | :03:23. | :03:32. | |
The film was animated by the makers of Wallace and Gromit and it won an | :03:33. | :03:36. | |
industry award this week. It may not be news as we know it, but could it | :03:37. | :03:42. | |
be the future? Virtual reality footage like that is only properly | :03:43. | :03:48. | |
experienced wearing a headset, but a simpler version, 360 degrees video, | :03:49. | :03:53. | |
can be viewed online and on mobiles. The first such attack was aired | :03:54. | :03:59. | |
following the terrorist attacks in Paris in November 2000 15. This is | :04:00. | :04:09. | |
what it is like in today, this is the Place de la Republique. The | :04:10. | :04:13. | |
attention was to create an immersive style of reporting which puts the | :04:14. | :04:18. | |
viewer at the heart of the story. But what questions to these new | :04:19. | :04:21. | |
technologies raise for the BBC, and could they revolutionise the way | :04:22. | :04:26. | |
that audiences receive news? I am joined by the newly appointed head | :04:27. | :04:30. | |
of the BBC virtual reality hub. Can you explain the difference between | :04:31. | :04:42. | |
VR and 360? If you watch it through a virtual reality headset, the | :04:43. | :04:45. | |
footage, when you look around, it feels like you're there. It is much | :04:46. | :04:53. | |
more immersive. But true VR is made from computer graphics and fix your | :04:54. | :04:56. | |
head into thinking that you are someone else. There is a giant pit | :04:57. | :05:02. | |
that it up there you and your heart might start beating faster and you | :05:03. | :05:06. | |
would get that fear of being in a real situation you are scared. We | :05:07. | :05:14. | |
have seen 360 degrees footage of the Large Hadron Collider. You get a | :05:15. | :05:19. | |
sense of its scale. It is more than just watching standard news footage. | :05:20. | :05:24. | |
VR is different. We have got that headset. You've got a film that has | :05:25. | :05:28. | |
been made for BBC News on it. This is a film we made to show you what | :05:29. | :05:32. | |
it was likely be a firefighter. This was a fireman that rescued six | :05:33. | :05:37. | |
children from a house fire on Christmas Day, 2012. The phone is | :05:38. | :05:42. | |
slotted into the front of their headset which is playing it. Get | :05:43. | :05:49. | |
started. Straightaway, it is in someone's room, and you're watching | :05:50. | :05:54. | |
how the fire starts. It is amazing. It does feel like you're in the room | :05:55. | :05:58. | |
with this fire officer talking to you, from his station, and | :05:59. | :06:04. | |
explaining the background to this incident, that he had to tackle. It | :06:05. | :06:10. | |
is just the scale of it. You feel like it is my size. It is very | :06:11. | :06:15. | |
different to watching something on a flat screen. -- life-size. If it | :06:16. | :06:19. | |
works well on a flat screen, it is not virtual reality. Obviously Yu | :06:20. | :06:27. | |
Hanchao -- choices about which stories get that treatment. How do | :06:28. | :06:32. | |
you decide what might be a story for VR or 360, or the benefit of telling | :06:33. | :06:37. | |
it that way? The benefit allows the audience to step inside story, so | :06:38. | :06:41. | |
that they see it as you would, if you were a reporter. For example for | :06:42. | :06:46. | |
a foreign reporter to stand in a place and allow the audience to look | :06:47. | :06:50. | |
around and see, and almost smell and feel the sites of the place you're | :06:51. | :06:54. | |
standing in. It offers amazing opportunities. With a firefighter | :06:55. | :07:00. | |
one, it enables you to be there with someone, see how they do their job | :07:01. | :07:06. | |
and being with them. It is be there, or be them. Is there at different | :07:07. | :07:11. | |
audience, one that does not watch bulletins and just watches things on | :07:12. | :07:18. | |
the website? Were at the stage now where we have not worked out, | :07:19. | :07:21. | |
really, how you would deliver this regularly to an audience. It is | :07:22. | :07:26. | |
still highly experimental. We are starting to understand the stories | :07:27. | :07:30. | |
that benefit from it. It is early days. The BBC has developed content | :07:31. | :07:36. | |
for mobile phones, when they were to deliver news but only 2 million | :07:37. | :07:41. | |
people have VR headsets and the BBC is spending lots of money developing | :07:42. | :07:47. | |
stuff for them. Is that smart money at this stage? We're not spending a | :07:48. | :07:51. | |
lot of money, we are investigating it and seeing what audience benefits | :07:52. | :07:54. | |
we can achieve through it. There would be no point in the BBC | :07:55. | :07:59. | |
spending lots of money until there is an audience for it. But it is a | :08:00. | :08:03. | |
chicken and egg thing. If we can find extraordinary ways to tell | :08:04. | :08:07. | |
stories using VR that allows people to step in, and understand the world | :08:08. | :08:11. | |
in completely new ways, that is completely justifiable. That film | :08:12. | :08:16. | |
about the refugee experience, which has won awards, I wonder how many | :08:17. | :08:20. | |
ordinary people have actually seen it. They work, yet, but eventually | :08:21. | :08:24. | |
more people will be able to. That was a very early prototype, to see | :08:25. | :08:30. | |
whether you could, through virtual reality, put people in a place where | :08:31. | :08:35. | |
they would see what it was like to be refugees, trying to travel across | :08:36. | :08:39. | |
the Mediterranean in the boat with them, feeling the splashes of the | :08:40. | :08:44. | |
waves, passing by the boat, and feeling the terror as they try to | :08:45. | :08:47. | |
cross the sea. That is what it was trying to achieve. That was a | :08:48. | :08:51. | |
reconstruction based report. If you are filming in 360, you get privacy | :08:52. | :08:57. | |
issues and whether distressing images might be caught up. You have | :08:58. | :09:01. | |
control of what you might be filming. Absolutely. There will be | :09:02. | :09:05. | |
lots of things we have to address as this technology develops. They are | :09:06. | :09:09. | |
not much different from a reporter filming something on a mobile phone, | :09:10. | :09:13. | |
it is just that it is all very round, and you might be filming | :09:14. | :09:16. | |
things that you don't even see as you film them and you are in the | :09:17. | :09:19. | |
spotlight when you're editing them. In the rush to give an immersive | :09:20. | :09:23. | |
experience, which is what lots of social media does, things like | :09:24. | :09:30. | |
periscope, is the BBC throwing away the editorial decision-making that | :09:31. | :09:34. | |
distinguishes BBC news? Most foreign reporters get excited about VR | :09:35. | :09:39. | |
because one of the missions of the BBC in the end is to help people | :09:40. | :09:43. | |
understand what is going on in the world. And so, if you go back to | :09:44. | :09:46. | |
those presuppose what we are all about, and work out how VR or 360 | :09:47. | :09:52. | |
enables you to achieve those, I don't think those issues will be so | :09:53. | :09:59. | |
difficult. Finally, while we are looking to the future, the better | :10:00. | :10:02. | |
Stephen Hawking was taking the long view on Sunday when he spoke to us | :10:03. | :10:09. | |
at head of a conference to mark his 75th birthday. In an exclusive | :10:10. | :10:13. | |
interview with BBC News, Professor Hawking told me he was worried about | :10:14. | :10:19. | |
the future of our species. What is your view on President Trump's | :10:20. | :10:23. | |
decision to withdraw from the Paris climate agreement, and what impact | :10:24. | :10:26. | |
do you think that will have on the future of the planet? We're getting | :10:27. | :10:32. | |
the point where warming becomes irreversible. Trump's actions could | :10:33. | :10:39. | |
boost the Earth over a bridge with as becoming the plan of Venus with a | :10:40. | :10:47. | |
temperature of 250 degrees, and it's raining sulphuric acid. The decision | :10:48. | :10:50. | |
to run that at the end of the bulletin on Sunday at Robert | :10:51. | :10:56. | |
McCartney. He rang us to say why. Stephen Hawking, one of the greatest | :10:57. | :11:01. | |
physicists of all time, gave an interview to the BBC in which he | :11:02. | :11:05. | |
virtually said, the end of the world is nigh, because we're close to the | :11:06. | :11:10. | |
tipping point at which global warming, we won't be able to stop it | :11:11. | :11:15. | |
and we could end up becoming another Venus. And you put it as a minor | :11:16. | :11:22. | |
item at the end of the news. Things are grim. You know, you're treating | :11:23. | :11:32. | |
it as a minor item on the news! Thank you for all your comments this | :11:33. | :11:37. | |
week. If you want to share your comments on BBC News and current | :11:38. | :11:42. | |
affairs or appear on the programme, you can get in touch with those... | :11:43. | :11:45. | |
-- with us. And if you ever miss an edition of | :11:46. | :12:01. | |
the programme you can catch up with it on the BBC iPlayer or through our | :12:02. | :12:05. | |
website. That's all from us. We'll be back to hear your thoughts about | :12:06. | :12:09. | |
BBC News coverage again in the next week. Goodbye. | :12:10. | :12:13. |