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Tonight on Panorama. A care home for the elderly. | 0:00:03 | 0:00:08 | |
It is just totally sadistic. A daughter takes matters into her | 0:00:08 | 0:00:15 | |
own hands. She is trying to protect her mother. | 0:00:15 | 0:00:19 | |
So, they have just dumped her on the bed. | 0:00:19 | 0:00:24 | |
Two nights inside an elderly care home, filmed on a secret camera. | 0:00:24 | 0:00:29 | |
You could hear the poor lady cry out in pain. People were being | 0:00:29 | 0:00:32 | |
treated with less respect than slabs of meat. | 0:00:32 | 0:00:37 | |
And the fight to prevent other vulnerable old people suffering the | 0:00:37 | 0:00:42 | |
same abuse. How can you go into a home where abuse is actually | 0:00:42 | 0:00:47 | |
happened and it has literally been caught on film and then turn around | 0:00:47 | 0:00:57 | |
| 0:00:57 | 0:01:12 | ||
I'm on my way to see someone whose actions could help change how we | 0:01:12 | 0:01:18 | |
treat older people. It's personal for me. My mum needed | 0:01:18 | 0:01:25 | |
to live in a care home for the last three years of her life. | 0:01:25 | 0:01:35 | |
| 0:01:35 | 0:01:36 | ||
Hi, Fi. How are you? Good. Jane Worroll's mother, Maria was | 0:01:36 | 0:01:39 | |
mistreated when she flifd a north London care home. | 0:01:39 | 0:01:44 | |
This is some photos of mum. She's beautiful in that, isn't she? | 0:01:44 | 0:01:48 | |
Gorgeous. I really couldn't have asked for a | 0:01:48 | 0:01:52 | |
better mum, really. I feel like as a person she has got the biggest | 0:01:52 | 0:01:57 | |
heart. Always laughing, always joking. Just really strong. Really | 0:01:57 | 0:02:01 | |
independent. Really independent as a parent. | 0:02:01 | 0:02:09 | |
But then, Jane's mother became ill and needed more and more care. | 0:02:09 | 0:02:14 | |
Maria was diagnosed with Alzheimer's, the most common form | 0:02:14 | 0:02:22 | |
of dementia. Uentally she could barely communicate and needed help | 0:02:22 | 0:02:26 | |
with nearly all aspects of her life, including personal care. | 0:02:26 | 0:02:29 | |
I kept her at home living independently for as long as I | 0:02:30 | 0:02:34 | |
could. She started falling over a lot. | 0:02:34 | 0:02:40 | |
Then one day came -- I came around to find she had not moved at all | 0:02:40 | 0:02:50 | |
from her bed and she could not move. Jane reluctantly picked a care home | 0:02:50 | 0:02:55 | |
for her mother. A care home called Ash Court. A new-build block | 0:02:55 | 0:03:03 | |
nestled in the middle of a residential north London square. A | 0:03:03 | 0:03:08 | |
60-bedroom home on three floors that provides nursing and respite | 0:03:08 | 0:03:14 | |
care. Jane chose it after reading a report by the national regulator, | 0:03:14 | 0:03:19 | |
the Care Quality Commission. I was naive to a lot of it, but | 0:03:19 | 0:03:24 | |
reading the CQC report it had an excellent rating which is obviously | 0:03:24 | 0:03:29 | |
all you have to go against as a gauge against what the care home is | 0:03:29 | 0:03:32 | |
like. It gave it an excellent rating. | 0:03:32 | 0:03:39 | |
Even though the CQC said that Ash Court was "excellent" Jane began to | 0:03:40 | 0:03:45 | |
worry about her mother. Six weeks in after arriving at Ash | 0:03:45 | 0:03:50 | |
Court I noticed there was bruising on her arms and hands. It was like | 0:03:50 | 0:03:54 | |
fingerprint bruising now, when I look back on it. Small fingerprint | 0:03:54 | 0:03:58 | |
bruegs. Jane was told that Maria was | 0:03:58 | 0:04:03 | |
bruising easily as she was taking aspirin. Months later, Jane was | 0:04:03 | 0:04:06 | |
worried, she decided to do something. | 0:04:06 | 0:04:10 | |
She seemed so upset and down. I felt the only way I could know was | 0:04:10 | 0:04:15 | |
to record it. I was not thinking anything. I just wanted to see what | 0:04:15 | 0:04:21 | |
my mum's life was like. We decided to buy this small digital camera it | 0:04:21 | 0:04:28 | |
looks like a digital clock. The first attempts to film in | 0:04:28 | 0:04:32 | |
Jane's moth's bedroom failed. The camera position at the bottom of | 0:04:32 | 0:04:39 | |
the bed did not work. Or the memory ran out. Then on June the 17th, the | 0:04:39 | 0:04:43 | |
camera worked. Everyone who entered into the bedroom was recorded. The | 0:04:43 | 0:04:48 | |
sound quality is poor, but clear. We have cut down the two-and-a-half | 0:04:48 | 0:04:52 | |
hours of footage that Jane filmed, we have not left out good care or | 0:04:53 | 0:04:59 | |
good carers. This is two nights in Maria Worroll's life at Ash Court. | 0:04:59 | 0:05:07 | |
This is them putting my mum to bed. Yes, at 5730pm? Yes, I am shocked | 0:05:07 | 0:05:11 | |
it is that early. I thought it was later than that. Normally they | 0:05:11 | 0:05:19 | |
would have done about 6.30pm or 7 .3 0 pm, but this is early. | 0:05:19 | 0:05:25 | |
The two carers from the Philippines lift Maria by the shoulders. | 0:05:25 | 0:05:30 | |
Oh,... Although Jane has watched the footage before, this is the | 0:05:30 | 0:05:35 | |
first time I've seen it. They have just dumped her on the | 0:05:35 | 0:05:38 | |
bed. Dumped her and she does not know | 0:05:38 | 0:05:43 | |
what is happening. And she's got arthritis. | 0:05:43 | 0:05:52 | |
They just chucked her and then walked off! I asked a leading | 0:05:52 | 0:05:58 | |
specialist in dementia care to watch the footage of two nights in | 0:05:58 | 0:06:03 | |
Maria's life at Ash Court. He says unless there is a fire, staff | 0:06:03 | 0:06:12 | |
should use a mechanical hoist and painlessly get Maria to bed. They | 0:06:12 | 0:06:16 | |
were available. It is like being treated like an | 0:06:16 | 0:06:21 | |
object. Like a sack of potatoes being moved from A to B rather than | 0:06:21 | 0:06:27 | |
a human being. If you have dementia, how do you cope with something like | 0:06:27 | 0:06:34 | |
that? If she goes to bed at 5.30pm in the evening in a room that is | 0:06:34 | 0:06:39 | |
stark, bare with nothing to look at. What is this person going to do for | 0:06:39 | 0:06:44 | |
the rest of the evening? Maria had been living at Ash Court for nearly | 0:06:44 | 0:06:51 | |
a year by the time that Jane hid the camera in her bedroom. | 0:06:51 | 0:06:55 | |
They are not speaking to her, either. | 0:06:56 | 0:07:00 | |
No, they are speaking Filipino. I have never known what they are | 0:07:00 | 0:07:04 | |
saying. We translated it, but it is unclear | 0:07:04 | 0:07:14 | |
| 0:07:14 | 0:07:14 | ||
what they are talking about. But very little is about Maria or | 0:07:14 | 0:07:20 | |
her care. How frightening for her, she looks | 0:07:20 | 0:07:23 | |
bewildered. Oh, dear. | 0:07:23 | 0:07:26 | |
You can see they have hurt her now. Absolutely. | 0:07:26 | 0:07:30 | |
They have put a bag on her head, lovely. | 0:07:30 | 0:07:37 | |
Oh, my goodness! Her wrists are really sore. All of her joints are | 0:07:37 | 0:07:40 | |
really sore. So all of that Yanking and chucking. | 0:07:40 | 0:07:45 | |
It is like she is cattle. You see farmers do that. Oh, God! They | 0:07:45 | 0:07:53 | |
should be putting a sheet under Maria to move her, not yanking her. | 0:07:53 | 0:07:56 | |
Especially designed slip-sheets were in her bedroom. | 0:07:56 | 0:08:02 | |
All of these things, like where I saw the bruises makes sense. It was | 0:08:02 | 0:08:07 | |
all fingerprint marks and they were on the hands. | 0:08:07 | 0:08:11 | |
That is them gripping her by the arm. | 0:08:11 | 0:08:15 | |
And that is her job. And that is her getting to bed. | 0:08:15 | 0:08:20 | |
That is her evening. Later that same night a different | 0:08:20 | 0:08:27 | |
carer briefly visits Maria. And she comes back 40 minutes later | 0:08:27 | 0:08:32 | |
with a colleague. There is no greeting for Maria when | 0:08:32 | 0:08:41 | |
the two carers arrive to bathe her. So again there is no, "Hi Maria, we | 0:08:41 | 0:08:46 | |
are coming in." They switch the TV on for their benefit. | 0:08:46 | 0:08:53 | |
And this is the whole time she has been in bed from 5.30pm, she is | 0:08:53 | 0:09:01 | |
just staring at the ceiling. Their job is done, good night. The | 0:09:01 | 0:09:09 | |
TV is off. That is for their benefit. | 0:09:09 | 0:09:13 | |
Nine hours later, early morning, the same two carers are back. This | 0:09:13 | 0:09:21 | |
time to give Maria her morning bath. Maria has been in bed for 13 hours. | 0:09:21 | 0:09:28 | |
This is the morning. I think it is the same two you have | 0:09:28 | 0:09:32 | |
just seen. They are probably coming to the end | 0:09:32 | 0:09:36 | |
of their shift. The carers start to talk about life | 0:09:36 | 0:09:46 | |
| 0:09:46 | 0:09:55 | ||
at Ash Court and their colleagues. While they are talking Maria tries | 0:09:55 | 0:10:00 | |
to resist them removing her sheets, so they pull harder. | 0:10:00 | 0:10:07 | |
She is just ripping the sheets off. The way that they just grab hold of | 0:10:07 | 0:10:16 | |
her limbs... Look at that, they have just slapped her away again. | 0:10:16 | 0:10:26 | |
| 0:10:26 | 0:10:42 | ||
The carers start to talk about They soon begin talking about their | 0:10:42 | 0:10:52 | |
| 0:10:52 | 0:11:03 | ||
Our expert recognises these sorts of comments from other homes. | 0:11:03 | 0:11:08 | |
So, they are angry themselves, aren't they? This is the thing. | 0:11:09 | 0:11:16 | |
Yes. You know, care staff do find it difficult. They are paid little | 0:11:16 | 0:11:21 | |
money, as this lady is saying, but with no more are staff that | 0:11:21 | 0:11:23 | |
person's experience can be different. | 0:11:23 | 0:11:27 | |
But unless you address the care cultures they are left to fester | 0:11:27 | 0:11:33 | |
and fester. That is where you get these kind of really unacceptable | 0:11:33 | 0:11:42 | |
practises. They just need to be taken out. | 0:11:42 | 0:11:47 | |
The carer is wishing Maria a good sleep, if only between her morning | 0:11:47 | 0:11:57 | |
| 0:11:57 | 0:11:57 | ||
bath at 6.30 pm and her breakfast two hours later. | 0:11:58 | 0:12:02 | |
We don't know if Maria slept or just staired at the ceiling. Until | 0:12:02 | 0:12:07 | |
one of the two carers from the night before put her to bed roughly | 0:12:07 | 0:12:13 | |
walks in. She is here to feed Maria. Later after the breakfast, staff | 0:12:13 | 0:12:19 | |
took Maria out of her room as usual, but by then Jane's camera stopped | 0:12:19 | 0:12:22 | |
working. The last recording is at 9.00am. | 0:12:22 | 0:12:27 | |
No word of a greeting. That TV has been off the whole time. | 0:12:27 | 0:12:32 | |
I specifically told them not to leave her lying, to let her have a | 0:12:32 | 0:12:37 | |
TV or magazine or something. It is porridge. She also has a | 0:12:37 | 0:12:43 | |
cooked breakfast there as well. Just nothing. | 0:12:43 | 0:12:48 | |
The carer starts to give Maria breakfast, then breaks off to | 0:12:48 | 0:12:52 | |
switch on the TV so she can watch it while feeding her. | 0:12:52 | 0:12:58 | |
So, she has finally put the telly Because she is looking at it, that | 0:12:58 | 0:13:04 | |
is why. There is no speech at all. And there is this switching from | 0:13:04 | 0:13:09 | |
spoonfuls of porridge back to scrambled egg and whatever else it | 0:13:09 | 0:13:15 | |
is. Do you know what I mean? Maria is being fed too quickly. The carer | 0:13:15 | 0:13:21 | |
gives a spoonful roughly every 13 seconds. Even when a carer that | 0:13:21 | 0:13:26 | |
Jane believes is a nurse to pass through to help to give medication. | 0:13:26 | 0:13:31 | |
She is choking because it is getting shovelled in. | 0:13:31 | 0:13:37 | |
It is not the only time that Maria's feeders are impatient. On | 0:13:37 | 0:13:42 | |
the second night Jane's secret camera was filming when Maria was | 0:13:42 | 0:13:47 | |
given this drink. Open your mouth! That is her drink | 0:13:47 | 0:13:54 | |
for the evening. What can she do? She can't write down help, she | 0:13:54 | 0:13:59 | |
cannot say help, you Sian not get up and run away. She just has to | 0:13:59 | 0:14:05 | |
endure it. That is horrible. Maria's first day of being secretly | 0:14:05 | 0:14:09 | |
filmed at Ash Court is over. To me this is the whole sequence, | 0:14:09 | 0:14:13 | |
it is everything. Being put to bed in a manner that is painful. You | 0:14:13 | 0:14:18 | |
are thrown into bed. Nothing is told as to what is happening. It is | 0:14:18 | 0:14:21 | |
a new day, it is a new beginning. There is no communication. | 0:14:21 | 0:14:26 | |
Everything is shovelled in. There is no joy, no tenderness, empathy. | 0:14:26 | 0:14:31 | |
There is nothing. I was horrified, to see that. To see that was a day | 0:14:31 | 0:14:41 | |
| 0:14:41 | 0:14:43 | ||
Jane took the secret footage out of Ash Court. The clock had a memory | 0:14:43 | 0:14:47 | |
card in it, which you would put into a laptop to view the images. I | 0:14:47 | 0:14:51 | |
was not aware what I was going to see. I just felt completely at ease. | 0:14:51 | 0:14:56 | |
Sitting at home, she saw the rough handling and speed fielding and was | 0:14:56 | 0:15:02 | |
horrified. -- feeding. I just thought, I want to put it in for | 0:15:02 | 0:15:07 | |
another time, I wanted to see if it was a one-off. It was a really hard | 0:15:07 | 0:15:12 | |
decision. But worse was to come. Three days later, Jane put the | 0:15:12 | 0:15:19 | |
camera back into her mother's room for a second night. It is just | 0:15:19 | 0:15:24 | |
after 7pm and, against her daughter's requests and the Home's | 0:15:24 | 0:15:29 | |
policies, a male care is alone with Maria. He is giving her Hernych | 0:15:29 | 0:15:36 | |
bath. He should not even being there. -- Hernych to Bath. She is | 0:15:36 | 0:15:43 | |
frightened already. Just pushing her Rover. I don't know how he got | 0:15:43 | 0:15:53 | |
| 0:15:53 | 0:15:55 | ||
Playing it again, I can't see anything that would have provoked | 0:15:55 | 0:16:05 | |
| 0:16:05 | 0:16:22 | ||
He mocks her. He's twisting her arm. This male carer is 30-year-old | 0:16:22 | 0:16:27 | |
Jonathan Aquino. Ash Court hired him in the Philippines, where he | 0:16:27 | 0:16:32 | |
was a qualified nurse, and arranged his work permit to come to the UK | 0:16:32 | 0:16:37 | |
in 2008. The Metropolitan Police later interviewed people who knew | 0:16:37 | 0:16:41 | |
dock and the Queen now. Nobody suspected him. Colleagues, other | 0:16:41 | 0:16:46 | |
residents, other families of residents, they knew him as a | 0:16:46 | 0:16:55 | |
perfectly amenable sort of chap. Having seen the CCTV footage, one | 0:16:55 | 0:16:59 | |
questions why was this? That he chose to have a different demeanour | 0:16:59 | 0:17:09 | |
when he is on his own. I don't know. It is 7:15pm. After hitting hair, | 0:17:09 | 0:17:19 | |
| 0:17:19 | 0:17:21 | ||
he continues to give her her Gosh, I can't imagine what your | 0:17:21 | 0:17:27 | |
mother must have been feeling. Terrified. What can she do? She | 0:17:27 | 0:17:37 | |
| 0:17:37 | 0:17:47 | ||
Remember, Jonathan should not even be in the room. Maria should be | 0:17:47 | 0:17:57 | |
| 0:17:57 | 0:18:12 | ||
moved by two carers, using slip Oh, dear. In all, Jonathan slaps | 0:18:12 | 0:18:22 | |
| 0:18:22 | 0:18:28 | ||
One final slap, just to make sure? During the seven minutes he is | 0:18:28 | 0:18:33 | |
filmed in the room, he never speaks, except to say where or to mock, by | 0:18:33 | 0:18:43 | |
| 0:18:43 | 0:18:49 | ||
imitating head. That is health. I'm sorry, every time I see him, | 0:18:49 | 0:18:55 | |
it's just awful. It is awful. Can you imagine? I screamed, actually, | 0:18:55 | 0:19:03 | |
when I first saw it. Jonathan Aquino leaves Maria's room at | 0:19:04 | 0:19:10 | |
7:20pm. I just remember screaming, jumping up. I just wanted to tear | 0:19:10 | 0:19:15 | |
the house apart. She is just so vulnerable. She cannot get up, she | 0:19:15 | 0:19:22 | |
cannot call for help. It is just totally sadistic. She drove | 0:19:22 | 0:19:28 | |
straight to the care home and showed the manager her footage. | 0:19:28 | 0:19:34 | |
was just feeling physically sick. The person I wanted to be with was | 0:19:34 | 0:19:38 | |
my mum. I just wanted to go to her, scoop her rapper. Eventually, when | 0:19:38 | 0:19:45 | |
I did get to her, I was, like, it's going to stop now. You are safe now. | 0:19:45 | 0:19:51 | |
None of this is going to happen any more. All five of the main carers | 0:19:51 | 0:19:55 | |
that she filmed were suspended. One of those five, Jonathan Aquino, was | 0:19:55 | 0:20:03 | |
arrested. I can remember him not answering any questions to the | 0:20:03 | 0:20:06 | |
police in the interview. What was his demeanour during that | 0:20:06 | 0:20:11 | |
interview? It was a bit of a blank, a vacant look. Whether or not that | 0:20:11 | 0:20:17 | |
was something he chose to put on to try to forget it and not recall | 0:20:17 | 0:20:21 | |
what had happened, I don't know. But it was very much that he was | 0:20:21 | 0:20:28 | |
there in person, but... Bizarre. Both the police and social workers | 0:20:28 | 0:20:34 | |
took action. Although the manager of Ash Court suspended all of the | 0:20:34 | 0:20:37 | |
staff that train filmed for any length of time, Jane felt that the | 0:20:37 | 0:20:43 | |
company then wanted to sweep it under the carpet. But then chief- | 0:20:43 | 0:20:48 | |
executive wrote to Jane a month after her mother was assaulted | 0:20:48 | 0:20:51 | |
saying that now was a good opportunity to move forward | 0:20:51 | 0:20:59 | |
positively. Jane needed support. She came here, Toopi Relatives & | 0:20:59 | 0:21:02 | |
Residents Association, a small national charity, based around the | 0:21:02 | 0:21:07 | |
corner from her. The head of the charity is horrified that the care | 0:21:07 | 0:21:13 | |
home did not prevent the abuse in the first place. How could five | 0:21:13 | 0:21:17 | |
different workers not know that she had to be moved gently? How could | 0:21:17 | 0:21:21 | |
anyone managing at home not notice that a hoist was not going into | 0:21:21 | 0:21:26 | |
that room? You could hear the poor lady crying out in pain at the way | 0:21:26 | 0:21:32 | |
she was being moved. That does not suggest a one-off problem. It | 0:21:32 | 0:21:35 | |
suggests a deep, cultural problem in that home, where people were | 0:21:35 | 0:21:42 | |
being treated with less respect than slabs of meat. Jonathan Aquino | 0:21:42 | 0:21:48 | |
had been arrested for assault and ill-treatment. But Ash Court was | 0:21:48 | 0:21:54 | |
still employing the other four female carers. The chief executive | 0:21:55 | 0:21:59 | |
wrote to Jane saying her mother's treatment was not gross misconduct | 0:21:59 | 0:22:04 | |
and that all four would be returning to work. They were going | 0:22:04 | 0:22:09 | |
to put these people back, after four days' training, being | 0:22:09 | 0:22:12 | |
supervised, they didn't really considerate gross misconduct. They | 0:22:12 | 0:22:20 | |
were actually about to go back to work. I was just horrified. 5 and a | 0:22:20 | 0:22:24 | |
half months after the manager of Ash Court watched the footage, the | 0:22:24 | 0:22:31 | |
company finally sacked the other four care workers. We asked the | 0:22:31 | 0:22:36 | |
owners, Forest Healthcare, to talk to us. I wanted to ask why they did | 0:22:36 | 0:22:41 | |
not act more swiftly to sack care workers who manhandled and speed- | 0:22:41 | 0:22:45 | |
fed Maria, why they did not prevent the abuse in the first place. They | 0:22:45 | 0:22:51 | |
refused, instead sending a statement saying that what was | 0:22:51 | 0:22:55 | |
filmed was an isolated incident, even though all of the five main | 0:22:55 | 0:22:59 | |
care workers had to be sacked. Forest Healthcare say that even | 0:22:59 | 0:23:03 | |
though Jane complained to a number of carers, the family had not | 0:23:03 | 0:23:07 | |
raised concerns with the home manager prior to showing the video | 0:23:07 | 0:23:11 | |
footage. After the manager of the home watched the footage, the | 0:23:11 | 0:23:14 | |
company requested to see it a second time, to complete the | 0:23:14 | 0:23:19 | |
disciplinary process. Immediately after viewing it again, they say, | 0:23:19 | 0:23:23 | |
we completed proceedings and all four were dismissed. The companies | 0:23:23 | 0:23:30 | |
say that all of their staff receive full training. They say Ash Court | 0:23:31 | 0:23:34 | |
is committed to working closely with all families and residents and | 0:23:35 | 0:23:39 | |
that they continue to get positive feedback on their care, which is | 0:23:39 | 0:23:46 | |
subject to continual improvement. Jonathan Aquino pleaded guilty to | 0:23:46 | 0:23:53 | |
common assault and ill-treatment. But it is not just the four carers | 0:23:53 | 0:23:57 | |
who have been sacked and the one in court. What about the national | 0:23:57 | 0:24:00 | |
regulator, the Care Quality Commission, who rated the home | 0:24:00 | 0:24:04 | |
excellent? The inspectors took at least three months to produce a | 0:24:04 | 0:24:09 | |
report. When they did, they concluded that Ash Court ensures | 0:24:09 | 0:24:16 | |
that people who use the service are protected from abuse. Their rights | 0:24:16 | 0:24:20 | |
are respected and upheld. Jane is angry that the report does not warn | 0:24:20 | 0:24:23 | |
the public that her mother was mistreated and assaulted. Instead, | 0:24:23 | 0:24:29 | |
it says, the local council was alerted to safeguarding consents. | 0:24:29 | 0:24:32 | |
They also say that the police were informed that some staff were | 0:24:32 | 0:24:38 | |
suspended, pending an investigation, and that an action plan is in place. | 0:24:38 | 0:24:42 | |
The regulator told Panorama, the fact that a serious incident has | 0:24:42 | 0:24:48 | |
taken place is made very clear. When I read it, just another slap | 0:24:48 | 0:24:52 | |
around the face. I just felt like they had basically given it a clean | 0:24:52 | 0:24:57 | |
bill of health again, Bart two minor adjustments. It makes me | 0:24:57 | 0:25:02 | |
worry for the people who are potentially about to put a relative | 0:25:02 | 0:25:05 | |
into a care home. How can you actually going to wear home where | 0:25:05 | 0:25:10 | |
abuse has actually happened, it has literally been caught on film, and | 0:25:10 | 0:25:17 | |
then turn around and say that it is compliant? Words fail me. You know, | 0:25:17 | 0:25:22 | |
I just feel really let down. head of the charity supporting Jane | 0:25:22 | 0:25:27 | |
is also angry about the CQC's report. It does not say that a | 0:25:27 | 0:25:32 | |
member of staff has been charged. It is not an honest document. It | 0:25:32 | 0:25:37 | |
isn't a helpful document. It isn't a decent document. This is really | 0:25:37 | 0:25:44 | |
an area where the CQC can do so much, if it uses its powers. They | 0:25:44 | 0:25:48 | |
can actually cancel the provider's registration, if they are shown not | 0:25:48 | 0:25:54 | |
to be fit. We would suggest that provider was very clearly shown not | 0:25:54 | 0:25:59 | |
to be fit. We asked the Care Quality Commission for an interview | 0:26:00 | 0:26:04 | |
but they refused. They did send the statement, which says, we will | 0:26:04 | 0:26:08 | |
always act swiftly to protect people where we see poor care. Now, | 0:26:08 | 0:26:13 | |
they say they inspected within four days of learning what happened to | 0:26:13 | 0:26:16 | |
Maria and that they received positive feedback from people at | 0:26:16 | 0:26:21 | |
home. Both they and the council did not find any new evidence of poor | 0:26:21 | 0:26:28 | |
practice or abuse. If we had done so, we would have taken action. | 0:26:28 | 0:26:31 | |
Inspectors recently returned to the home, again and announced, and | 0:26:31 | 0:26:35 | |
found improvements. They told us, CQC is confident it has acted | 0:26:35 | 0:26:45 | |
| 0:26:45 | 0:26:49 | ||
swiftly and correctly in light of The Jonathan Aquino attended court | 0:26:49 | 0:26:59 | |
| 0:26:59 | 0:27:02 | ||
He was sentenced to 18 months. After his time in prison, he may be | 0:27:02 | 0:27:12 | |
| 0:27:12 | 0:27:21 | ||
Maria Worroll is in a new home, where Jane says she is happier. | 0:27:21 | 0:27:30 | |
Would you like a biscuit? Hi, how are you doing? Nice to see you. | 0:27:30 | 0:27:39 | |
This is Maria. This is Fiona, mum. Lovely to see her under different | 0:27:39 | 0:27:45 | |
circumstances. I know, totally. does it make you feel, seeing your | 0:27:45 | 0:27:50 | |
mum in such a different situation? Much better. She is much happier. | 0:27:50 | 0:27:55 | |
She is dressed properly, she is clean, her hair has been done, she | 0:27:55 | 0:28:01 | |
looks happy. She is, a lot happier. Maria is not at Ash Court any | 0:28:01 | 0:28:06 | |
longer, but the care home remains open. Social workers say they are | 0:28:06 | 0:28:11 | |
monitoring the home closely. The police say they would not advise | 0:28:11 | 0:28:15 | |
people to secretly filming care homes. But if this is what two | 0:28:15 | 0:28:20 | |
nights of filming has revealed in one care home, how many other cases | 0:28:20 | 0:28:27 | |
like this are there? Next week, it will be five years | 0:28:27 | 0:28:30 | |
since three-year-old Madeleine McCann disappeared in Portugal. Is | 0:28:30 | 0:28:36 |