Browse content similar to 27/08/2016. Check below for episodes and series from the same categories and more!
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Welcome to Reporters. | 0:00:16 | 0:00:17 | |
I'm Philippa Thomas. | 0:00:17 | 0:00:18 | |
From here in the BBC newsroom, we send out correspondents to bring | 0:00:18 | 0:00:21 | |
you the best stories from across the globe. | 0:00:21 | 0:00:23 | |
In this week's programme, the future of fuel in America. | 0:00:23 | 0:00:28 | |
Ahead of the US election, David Shukman assesses | 0:00:28 | 0:00:32 | |
whether cleaner energy, like solar power, could be a viable | 0:00:32 | 0:00:34 | |
alternative to coal. | 0:00:34 | 0:00:37 | |
A factory like this one is now producing solar panels that | 0:00:37 | 0:00:40 | |
have tumbled in price. | 0:00:40 | 0:00:41 | |
It means that solar power can be roughly comparable in cost | 0:00:41 | 0:00:44 | |
to power produced by coal. | 0:00:44 | 0:00:48 | |
Where are you sleeping? | 0:00:48 | 0:00:49 | |
Here. | 0:00:49 | 0:00:50 | |
On the street? | 0:00:50 | 0:00:52 | |
In the highway. | 0:00:52 | 0:00:54 | |
Chris Buckler meets the teenagers who have risked their lives to get | 0:00:54 | 0:00:57 | |
to Europe, now living alone on the streets of Italy. | 0:00:57 | 0:01:02 | |
The new Saharan gold rush. | 0:01:02 | 0:01:04 | |
Hanan Razek reports from Mauritania, where thousands are hoping | 0:01:04 | 0:01:06 | |
to strike it rich. | 0:01:06 | 0:01:10 | |
Can you show me the gold you found? | 0:01:10 | 0:01:11 | |
One gram. | 0:01:11 | 0:01:12 | |
One gram. | 0:01:12 | 0:01:13 | |
Six grams. | 0:01:13 | 0:01:14 | |
That is a fortune. | 0:01:14 | 0:01:18 | |
After Rio's Olympic success, Secunder Kermani asks whether Brazil | 0:01:18 | 0:01:20 | |
now faces its biggest embarrassment, botching the organisation | 0:01:20 | 0:01:22 | |
of the Paralympics. | 0:01:22 | 0:01:28 | |
There has been a disrespect for the Paralympic Games, | 0:01:28 | 0:01:31 | |
for the potential and the impact that could have made | 0:01:31 | 0:01:33 | |
for the people of Brazil. | 0:01:33 | 0:01:36 | |
And Q in conversation. | 0:01:36 | 0:01:39 | |
As the Proms celebrates Quincy Jones' 60-year career, | 0:01:39 | 0:01:42 | |
Stephen Smith talks to the jazz legend about music, race, politics | 0:01:42 | 0:01:45 | |
and his old friend, Donald Trump. | 0:01:45 | 0:01:49 | |
Do not even talk about it. | 0:01:49 | 0:01:51 | |
We have one choice. | 0:01:51 | 0:01:54 | |
I would leave the country if that sucker won. | 0:01:54 | 0:02:01 | |
First, to the United States, where the result of November's | 0:02:02 | 0:02:04 | |
presidential election is likely to have a far-reaching | 0:02:04 | 0:02:07 | |
effect on the future of America's energy policy. | 0:02:07 | 0:02:11 | |
Donald Trump says global warming is not worth worrying | 0:02:11 | 0:02:13 | |
about and he has pledged to revive the coal industry. | 0:02:13 | 0:02:15 | |
But Hillary Clinton is warning that climate change is one of the most | 0:02:15 | 0:02:19 | |
serious threats facing the world. | 0:02:19 | 0:02:23 | |
She wants the US to invest more in renewable power. | 0:02:23 | 0:02:27 | |
David Shukman reports from Ohio on the political battle | 0:02:27 | 0:02:29 | |
over the future of fuel. | 0:02:29 | 0:02:35 | |
On the Ohio River, a vast fleet of barges laden with coal, | 0:02:35 | 0:02:39 | |
part of a massive industry that has powered the American economy | 0:02:39 | 0:02:42 | |
for more than a hundred years. | 0:02:42 | 0:02:45 | |
But as I visit this sprawling complex, coal is now caught up | 0:02:45 | 0:02:49 | |
in the battle for the White House. | 0:02:49 | 0:02:52 | |
Put simply, Donald Trump supports it, Hillary Clinton does not. | 0:02:52 | 0:02:57 | |
The coal mines here are like underground cities, | 0:02:57 | 0:02:59 | |
stretching for miles. | 0:02:59 | 0:03:04 | |
But because of tough pollution controls and cheaper shale gas, | 0:03:04 | 0:03:06 | |
dozens of mining companies have filed for bankruptcy. | 0:03:06 | 0:03:09 | |
Donald Trump offers them the prospect of revival. | 0:03:09 | 0:03:15 | |
We catch the end of a shift. | 0:03:15 | 0:03:17 | |
By the end of the year, this mine will close. | 0:03:17 | 0:03:20 | |
The miners blame environmentalists and President Obama's | 0:03:20 | 0:03:21 | |
actions on climate change. | 0:03:21 | 0:03:24 | |
One leading mine owner, a Trump supporter, tells me real | 0:03:24 | 0:03:27 | |
damage has been done. | 0:03:27 | 0:03:31 | |
If two coalminers are laid off, if they own anything | 0:03:31 | 0:03:33 | |
it is their homes. | 0:03:33 | 0:03:35 | |
When they get laid off, they have no-one to sell that home too. | 0:03:35 | 0:03:40 | |
Those people who want to work in honour and dignity | 0:03:40 | 0:03:43 | |
are denied that. | 0:03:43 | 0:03:45 | |
It is not the America I cherish, which is why I speak out like I do. | 0:03:45 | 0:03:49 | |
That is why I say Obama is the greatest scourge that America | 0:03:49 | 0:03:52 | |
has ever had in its history. | 0:03:52 | 0:03:54 | |
The problem with coal comes when you burn it. | 0:03:54 | 0:03:56 | |
It releases carbon dioxide, which is blamed for global warming. | 0:03:56 | 0:03:58 | |
Donald Trump says that is not a problem but Hillary | 0:03:58 | 0:04:01 | |
Clinton says it is. | 0:04:01 | 0:04:08 | |
She is offering a greener future instead. | 0:04:08 | 0:04:12 | |
In another corner of Ohio, a clean way of generating power. | 0:04:13 | 0:04:18 | |
At this local company, First Solar, robots and people | 0:04:18 | 0:04:20 | |
churn out a solar panel every single second. | 0:04:20 | 0:04:23 | |
A new industry is rising as an older one declines. | 0:04:23 | 0:04:28 | |
While the debate rages over whether climate change is a threat | 0:04:28 | 0:04:31 | |
or not, there has been an incredibly rapid industrial transformation | 0:04:31 | 0:04:35 | |
so that a factory like this one is now producing solar panels that | 0:04:35 | 0:04:38 | |
have tumbled in price. | 0:04:38 | 0:04:40 | |
It means that solar power can be roughly comparable in cost | 0:04:40 | 0:04:44 | |
to power produced by coal. | 0:04:44 | 0:04:47 | |
Whoever wins the American presidential election, | 0:04:47 | 0:04:49 | |
low carbon power may make sense anyway. | 0:04:49 | 0:04:54 | |
There are solar panels at the Museum of Art in Toledo. | 0:04:54 | 0:04:57 | |
And at the city's zoo. | 0:04:57 | 0:04:59 | |
Renewable energy is becoming more of a feature of everyday life | 0:04:59 | 0:05:02 | |
and great arrays like this one, covering entire fields, | 0:05:02 | 0:05:06 | |
are no longer so unusual. | 0:05:06 | 0:05:08 | |
Panel by panel, America is becoming greener without many | 0:05:08 | 0:05:10 | |
people even realising. | 0:05:10 | 0:05:16 | |
I just think we have some politicians that are | 0:05:16 | 0:05:18 | |
fighting the last war, they are fighting over something, | 0:05:18 | 0:05:20 | |
they still believe solar power is somewhere out | 0:05:20 | 0:05:22 | |
there in the future. | 0:05:22 | 0:05:23 | |
It is here now. | 0:05:23 | 0:05:28 | |
We've probably passed the tipping point, the turning point, | 0:05:28 | 0:05:32 | |
and they just do not know it yet. | 0:05:32 | 0:05:34 | |
All this matters because America is the world's largest economy. | 0:05:34 | 0:05:39 | |
Its decisions on energy could boost or undermine international action | 0:05:39 | 0:05:43 | |
on global warming under the Paris Climate Agreement. | 0:05:43 | 0:05:46 | |
Donald Trump says he will pull America out of it. | 0:05:46 | 0:05:49 | |
Hillary Clinton supports it, so a great deal hangs | 0:05:49 | 0:05:51 | |
on the outcome of this election. | 0:05:51 | 0:05:53 | |
David Shukman, BBC News in Ohio. | 0:05:53 | 0:05:58 | |
It is still one of the biggest crises facing | 0:05:59 | 0:06:01 | |
Europe in a generation. | 0:06:01 | 0:06:02 | |
Latest figures suggest more than 100,000 migrants came to Italy | 0:06:02 | 0:06:06 | |
by boat from North Africa this year. | 0:06:06 | 0:06:09 | |
And more and more of them are children. | 0:06:09 | 0:06:11 | |
The charity Save The Children says as many as 15,000 unaccompanied | 0:06:11 | 0:06:16 | |
minors made this perilous journey. | 0:06:16 | 0:06:20 | |
Chris Buckler met some of them as they arrived on a rescue ship | 0:06:20 | 0:06:24 | |
in the port of Catania in Sicily. | 0:06:24 | 0:06:27 | |
Arriving from Africa, both young and old see | 0:06:28 | 0:06:29 | |
Europe's wealth. | 0:06:30 | 0:06:31 | |
A different world from the poverty and in some cases turmoil that many | 0:06:31 | 0:06:34 | |
are trying to leave behind. | 0:06:34 | 0:06:39 | |
But each new face that appears in places like Catania adds | 0:06:39 | 0:06:42 | |
to the pressure on resources. | 0:06:42 | 0:06:48 | |
That is particularly true for the children who arrive | 0:06:48 | 0:06:50 | |
all too often alone. | 0:06:50 | 0:06:53 | |
It is obvious in the city around this port that many live | 0:06:53 | 0:06:56 | |
on the fringes of the system that is supposed to protect them, | 0:06:56 | 0:07:00 | |
if not completely apart from it. | 0:07:00 | 0:07:04 | |
Among the teenagers we found here was Fattah. | 0:07:04 | 0:07:07 | |
He travelled by himself from the troubled country of Somalia | 0:07:07 | 0:07:10 | |
to try to get an education. | 0:07:10 | 0:07:13 | |
We are not showing his face because he is only 14. | 0:07:13 | 0:07:17 | |
Are there not dangers for you because your mum is not | 0:07:17 | 0:07:20 | |
here, your dad is not here? | 0:07:20 | 0:07:22 | |
You're by yourself. | 0:07:22 | 0:07:26 | |
So where are you sleeping? | 0:07:30 | 0:07:36 | |
On the street? | 0:07:36 | 0:07:37 | |
In the highway? | 0:07:37 | 0:07:39 | |
Yes. | 0:07:39 | 0:07:40 | |
That is dangerous. | 0:07:40 | 0:07:47 | |
Have you made friends? | 0:07:48 | 0:07:50 | |
You do not have friends? | 0:07:50 | 0:07:57 | |
Workers from the charity Save The Children were with us | 0:07:58 | 0:08:00 | |
when we spoke to Fattah. | 0:08:00 | 0:08:02 | |
They helped to find him somewhere safe to stay that evening. | 0:08:02 | 0:08:06 | |
In towns and cities across Italy, that is becoming increasingly | 0:08:06 | 0:08:08 | |
difficult, with reception centres filling up as boats continue | 0:08:08 | 0:08:11 | |
to arrive with vulnerable children. | 0:08:11 | 0:08:16 | |
Today, there was one girl who was 15 years old from Eritrea | 0:08:16 | 0:08:19 | |
and she was eight-months pregnant. | 0:08:19 | 0:08:22 | |
Many children choose to continue their journey alone | 0:08:22 | 0:08:24 | |
and this is extremely dangerous because they are constantly | 0:08:24 | 0:08:26 | |
falling into the hands of smugglers and traffickers. | 0:08:26 | 0:08:28 | |
They are at risk of exploitation. | 0:08:28 | 0:08:30 | |
Many girls are forced into prostitution in order | 0:08:30 | 0:08:32 | |
to make their way. | 0:08:32 | 0:08:34 | |
Keeping a separation between the worlds of children | 0:08:34 | 0:08:36 | |
and adults is proving to be a challenge. | 0:08:36 | 0:08:41 | |
There are children who simply leave the reception centres | 0:08:41 | 0:08:44 | |
and there is little the staff there can do to stop them. | 0:08:44 | 0:08:47 | |
But there is a wider issue. | 0:08:47 | 0:08:50 | |
Europe is starting to struggle to provide the education, | 0:08:50 | 0:08:54 | |
shelter and stability needed by the unaccompanied children | 0:08:54 | 0:08:56 | |
arriving on its shores. | 0:08:56 | 0:09:00 | |
For refugees and migrants of all ages, home is both something | 0:09:00 | 0:09:03 | |
that has been left behind as well as something | 0:09:03 | 0:09:06 | |
they have still to find. | 0:09:06 | 0:09:08 | |
Chris Buckler, BBC News, Catania. | 0:09:08 | 0:09:13 | |
Now, this could be the world's newest gold rush. | 0:09:14 | 0:09:16 | |
Thousands of people are flocking to a mineral rich area | 0:09:16 | 0:09:20 | |
of the Sahara Desert in the hope of making a fortune. | 0:09:20 | 0:09:23 | |
It follows the Mauritanian government's decision to allow | 0:09:23 | 0:09:25 | |
people to dig in the sand, which has seen some give up | 0:09:25 | 0:09:28 | |
everything in the hope of striking it rich. | 0:09:28 | 0:09:31 | |
Hanan Razek reports from Mauritania on tales of dreams | 0:09:31 | 0:09:35 | |
and despair in the desert. | 0:09:35 | 0:09:43 | |
Here, in the middle of the desert, thousands of Mauritanians | 0:09:43 | 0:09:46 | |
are chasing one dream, to become rich. | 0:09:46 | 0:09:50 | |
Tales of making tens of thousands of pounds have | 0:09:50 | 0:09:52 | |
triggered a gold rush. | 0:09:52 | 0:09:54 | |
Can you show me the gold you found? | 0:09:54 | 0:09:56 | |
This is only today? | 0:09:56 | 0:09:58 | |
One gram. | 0:09:58 | 0:09:59 | |
One gram, how about yourself? | 0:09:59 | 0:10:00 | |
Six grams? | 0:10:00 | 0:10:04 | |
That is a fortune. | 0:10:04 | 0:10:08 | |
In a country of high unemployment, being given the opportunity to dig | 0:10:08 | 0:10:11 | |
for gold is irresistible. | 0:10:11 | 0:10:14 | |
Some have found enough gold to buy a house. | 0:10:14 | 0:10:19 | |
Firstly, they dig the sand out of these holes, lay it flat, | 0:10:19 | 0:10:22 | |
then sweep it with a metal detector. | 0:10:22 | 0:10:24 | |
Whether it is a success or not is really down to luck. | 0:10:24 | 0:10:30 | |
In the baking heat, with little water, and no easy medical access, | 0:10:30 | 0:10:33 | |
they spend their days digging. | 0:10:33 | 0:10:36 | |
Only their dreams make these punishing conditions bearable | 0:10:36 | 0:10:40 | |
and some will risk everything. | 0:10:40 | 0:10:46 | |
Ahmed has put his future on the line. | 0:10:47 | 0:10:51 | |
TRANSLATION: I came back from abroad, for the opportunity | 0:10:51 | 0:10:53 | |
of working in my country. | 0:10:53 | 0:10:56 | |
I brought my children and my wife. | 0:10:56 | 0:10:58 | |
I sold everything, I wanted to get some gold and have a new life. | 0:10:58 | 0:11:05 | |
Before making the long journey, Ahmed needed to buy | 0:11:06 | 0:11:08 | |
a digging licence and spend thousands more on equipment. | 0:11:08 | 0:11:11 | |
Now there are calls for Mauritania's government to highlight | 0:11:11 | 0:11:13 | |
the financial risks. | 0:11:13 | 0:11:16 | |
TRANSLATION: The decision was based on a popular demand. | 0:11:16 | 0:11:19 | |
Since the living standard here is quite low, the government | 0:11:19 | 0:11:21 | |
has sought to regulate the digging at an affordable price | 0:11:21 | 0:11:24 | |
for the licence. | 0:11:24 | 0:11:32 | |
The equipment prices in comparison with average wages are high. | 0:11:35 | 0:11:38 | |
Some people make less than a dollar a day. | 0:11:38 | 0:11:40 | |
But with more than a quarter of Mauritanians living below | 0:11:40 | 0:11:42 | |
the poverty line, the government said its decision to allow gold | 0:11:42 | 0:11:45 | |
digging will improve the lives of many families. | 0:11:45 | 0:11:50 | |
After Ahmed's big gamble and spending 27 days here, | 0:11:50 | 0:11:53 | |
all he has found is six grams of gold, worth 1% | 0:11:53 | 0:11:57 | |
of what he has spent. | 0:11:57 | 0:11:59 | |
Yet, like many others, he still comes back, | 0:11:59 | 0:12:02 | |
hoping to turn his luck around. | 0:12:02 | 0:12:06 | |
Hanan Razek, BBC News, Mauritania. | 0:12:06 | 0:12:10 | |
You've got to hand it to Rio. | 0:12:11 | 0:12:13 | |
When it came to the Olympics, they got away with it, | 0:12:13 | 0:12:16 | |
more than got away with it. | 0:12:16 | 0:12:17 | |
Whatever the worries, the mishaps, the less | 0:12:17 | 0:12:19 | |
than crowded stadiums, the Games were actually great. | 0:12:19 | 0:12:22 | |
And in a city that does not have the resources | 0:12:22 | 0:12:24 | |
of London or Beijing, they showed you can still host | 0:12:24 | 0:12:27 | |
a successful Olympics with less. | 0:12:27 | 0:12:30 | |
But when it comes to the Paralympics, Rio does not seem | 0:12:30 | 0:12:33 | |
to be on such firm ground. | 0:12:33 | 0:12:36 | |
Ticket sales are appalling. | 0:12:36 | 0:12:38 | |
Budget cuts are biting, some teams are not even coming. | 0:12:38 | 0:12:42 | |
Secunder Kermani has been finding out how much of the setback | 0:12:42 | 0:12:45 | |
the Paralympics could be for Rio's Olympic legacy. | 0:12:45 | 0:12:50 | |
# Send her victorious. | 0:12:50 | 0:12:53 | |
# Happy and glorious... | 0:12:53 | 0:13:01 | |
Beaming smiles and flashing medals as Olympic Team GB | 0:13:01 | 0:13:05 | |
arrived back home. | 0:13:05 | 0:13:09 | |
While success in Rio helped overshadow criticism | 0:13:09 | 0:13:12 | |
of how the Games were run, there are now concerns over the fate | 0:13:12 | 0:13:15 | |
of the Paralympics. | 0:13:15 | 0:13:18 | |
Problems like green swimming pools have led to money intended | 0:13:18 | 0:13:21 | |
for the Paralympics being spent on the Olympics instead. | 0:13:21 | 0:13:25 | |
The budget has been slashed, whilst dismal ticket sales | 0:13:25 | 0:13:28 | |
could mean even more empty seats. | 0:13:28 | 0:13:34 | |
It has almost become an Olympic tradition to question how ready | 0:13:34 | 0:13:37 | |
a host nation is before the Games begin, but this does feel like it is | 0:13:37 | 0:13:42 | |
on a completely different scale. | 0:13:42 | 0:13:44 | |
Just the other week, the head of the International | 0:13:44 | 0:13:47 | |
Paralympic Committee said that the Games had never faced | 0:13:47 | 0:13:50 | |
circumstances like these in their entire history. | 0:13:50 | 0:13:54 | |
The Paralympic cycling team is training here in Newport. | 0:13:54 | 0:13:57 | |
They are focusing on winning medals, but the controversies | 0:13:57 | 0:13:59 | |
are also on their mind. | 0:13:59 | 0:14:03 | |
Is there disappointment about the ticket sales? | 0:14:03 | 0:14:05 | |
Yes, it is really disappointing. | 0:14:05 | 0:14:08 | |
The last time I read it was about 12%. | 0:14:08 | 0:14:11 | |
Clearly that is a lot of empty seats. | 0:14:11 | 0:14:13 | |
It would be nice if they were filled, not just from the athletes' | 0:14:13 | 0:14:16 | |
perspective and the spectators' perspective and the atmosphere, | 0:14:16 | 0:14:19 | |
but from the funding perspective and the exposure to the sport | 0:14:19 | 0:14:21 | |
and the atmosphere in general. | 0:14:21 | 0:14:26 | |
The Paralympic Games is parallel parity. | 0:14:26 | 0:14:27 | |
It's meant to be running in line. | 0:14:27 | 0:14:29 | |
We always come afterwards anyway because of the way | 0:14:29 | 0:14:31 | |
the calendar works. | 0:14:31 | 0:14:35 | |
The way they treat us is not definitely the same, is it? | 0:14:35 | 0:14:39 | |
According to official documents, the Brazilian authorities had | 0:14:39 | 0:14:43 | |
initially hoped to raise $170 million for the Paralympics. | 0:14:43 | 0:14:48 | |
But we have been told they are nowhere near the amount they need. | 0:14:48 | 0:14:52 | |
One reason is just 12% of tickets have been sold compared | 0:14:52 | 0:14:56 | |
to 92% of Olympic tickets, although even then there | 0:14:56 | 0:15:01 | |
were empty seats. | 0:15:01 | 0:15:04 | |
There are also just 28 Paralympic sponsors compared | 0:15:04 | 0:15:06 | |
to 60 Olympic ones. | 0:15:06 | 0:15:10 | |
As a result, they have decided to make cuts to the workforce, | 0:15:10 | 0:15:14 | |
cuts to transport services for athletes, and changes | 0:15:14 | 0:15:18 | |
to the venue of some events, allowing the closure of one | 0:15:18 | 0:15:21 | |
of the three Olympic Parks. | 0:15:21 | 0:15:25 | |
London's 2012 Paralympic games were hailed as being | 0:15:25 | 0:15:27 | |
the most successful ever. | 0:15:27 | 0:15:31 | |
The former Paralympic athlete who helped deliver them | 0:15:31 | 0:15:34 | |
says that legacy looks like it is in tatters now. | 0:15:34 | 0:15:38 | |
More than a step backwards, this is a leap into Paralympic prehistory. | 0:15:38 | 0:15:42 | |
The economic and political backdrop are certainly very different | 0:15:42 | 0:15:45 | |
to when Rio won the bid. | 0:15:45 | 0:15:50 | |
But this does not have so much to do with the economics, this has to do | 0:15:50 | 0:15:53 | |
with cannibalisation of the Paralympic budget, | 0:15:53 | 0:15:56 | |
to bail out and backfill Olympic elements that did not need to go | 0:15:56 | 0:15:59 | |
wrong in the first place. | 0:15:59 | 0:16:01 | |
There has been a disrespect, a misunderstanding, | 0:16:01 | 0:16:03 | |
a lack of understanding for the Paralympic Games, | 0:16:03 | 0:16:07 | |
for the potential, and the impact that could've made | 0:16:07 | 0:16:09 | |
for the people of Brazil. | 0:16:09 | 0:16:12 | |
A legacy for the 45 million disabled people in Brazil | 0:16:12 | 0:16:15 | |
would really make a difference. | 0:16:15 | 0:16:17 | |
Many still struggle with being accepted and feeling included. | 0:16:17 | 0:16:24 | |
TRANSLATION: I was disappointed, but not surprised at the lack | 0:16:24 | 0:16:27 | |
of funding, because historically disabled people have been left | 0:16:27 | 0:16:29 | |
behind in this city. | 0:16:29 | 0:16:31 | |
Having said that, there have been some improvements to public | 0:16:31 | 0:16:34 | |
transport because of the Games. | 0:16:34 | 0:16:37 | |
Despite everything, Rio is what Paralympic athletes have | 0:16:37 | 0:16:40 | |
spent years training for, and all the athletes we spoke | 0:16:40 | 0:16:42 | |
to were clear about the need to make the most of the Games. | 0:16:42 | 0:16:48 | |
People will organise it or they will not organise it, | 0:16:48 | 0:16:50 | |
they will sort it or they will not. | 0:16:50 | 0:16:53 | |
We have to deal with it as it happens, whereas the performance | 0:16:53 | 0:16:57 | |
of riding the bike as fast as we can, that is totally | 0:16:57 | 0:17:00 | |
within our control, so we can make sure we do everything we need to do | 0:17:00 | 0:17:03 | |
in training to get the best performances out of ourselves. | 0:17:03 | 0:17:06 | |
Delays to travel grants being paid out by Brazilian Paralympic | 0:17:06 | 0:17:09 | |
authorities had raised concerns some countries would not even be able | 0:17:09 | 0:17:12 | |
to afford to come to Rio. | 0:17:12 | 0:17:15 | |
It no longer looks like it will come to that, but many are seeing these | 0:17:15 | 0:17:19 | |
Games as a missed opportunity. | 0:17:19 | 0:17:24 | |
He is one of the most influential figures in the history of modern | 0:17:25 | 0:17:28 | |
music, who has worked with some of the biggest artists | 0:17:28 | 0:17:30 | |
of modern times. | 0:17:30 | 0:17:31 | |
Quincy Jones' career spans six decades and | 0:17:31 | 0:17:33 | |
incredible 28 Grammy Awards. | 0:17:33 | 0:17:34 | |
Now, at the age of 83, some of his most famous work | 0:17:34 | 0:17:37 | |
is being celebrated at the Proms here in London and he has been | 0:17:37 | 0:17:40 | |
speaking to the BBC's Stephen Smith about his remarkable | 0:17:40 | 0:17:42 | |
life and talent. | 0:17:42 | 0:17:49 | |
# Land of hope and glory, mother of the free... | 0:17:49 | 0:17:59 | |
Ah, the Last Night Of The Proms, or a young Conservative's | 0:18:00 | 0:18:04 | |
idea of New Year's Eve, as one wag has called it. | 0:18:04 | 0:18:13 | |
But look what they are doing to the Proms, Ma! | 0:18:21 | 0:18:31 | |
They are dropping a bomb on them... | 0:18:32 | 0:18:38 | |
with the jazz song book of Mr Quincy Jones. | 0:18:38 | 0:18:41 | |
The man is sharp, look at him. | 0:18:41 | 0:18:42 | |
Well, I had to make an effort. | 0:18:42 | 0:18:45 | |
I do that every day, man. | 0:18:45 | 0:18:46 | |
You're still outdressing me. | 0:18:46 | 0:18:47 | |
I like the detail. | 0:18:47 | 0:18:49 | |
I got this in China. | 0:18:49 | 0:18:52 | |
I designed these three-quarter sleeves. | 0:18:52 | 0:18:53 | |
I just like them. | 0:18:53 | 0:18:55 | |
Every time I go, I get about 28 suits. | 0:18:55 | 0:18:57 | |
I have got a bunch of them. | 0:18:57 | 0:19:00 | |
Look out, they are behind us, you'd better put your foot down, | 0:19:00 | 0:19:03 | |
we will lose them easy. | 0:19:03 | 0:19:05 | |
I had such a good time in England in the '60s, man. | 0:19:05 | 0:19:08 | |
Oh, God. | 0:19:08 | 0:19:09 | |
My son was born here. | 0:19:09 | 0:19:10 | |
I was scoring The Italian Job. | 0:19:10 | 0:19:17 | |
I know you're asked all the time about Michael Jackson, | 0:19:20 | 0:19:24 | |
so do you think, ultimately, that is a tragic story? | 0:19:24 | 0:19:27 | |
It is a tragic story. | 0:19:28 | 0:19:30 | |
I talk about it all the time. | 0:19:30 | 0:19:33 | |
I said a lot of stupid things after he died. | 0:19:33 | 0:19:40 | |
Anyway, you cannot make records like that without extreme love, | 0:19:40 | 0:19:43 | |
trust and respect. | 0:19:43 | 0:19:46 | |
# Cos this is thriller. | 0:19:46 | 0:19:47 | |
# Thriller night. | 0:19:47 | 0:19:49 | |
# Girl, I can thrill you more than any ghoul could ever dare try. | 0:19:49 | 0:19:52 | |
# So let me hold you tight and share a killer thriller. | 0:19:52 | 0:20:02 | |
There were stories of him bringing snakes and things... | 0:20:03 | 0:20:05 | |
And chimpanzees. | 0:20:05 | 0:20:08 | |
The whole menagerie. | 0:20:08 | 0:20:10 | |
I did not like that. | 0:20:10 | 0:20:11 | |
A snake used to wrap around the seat and my leg. | 0:20:11 | 0:20:15 | |
I did not like that at all. | 0:20:15 | 0:20:18 | |
It would crawl across the console. | 0:20:18 | 0:20:21 | |
Muscles. | 0:20:21 | 0:20:22 | |
I am not into snakes. | 0:20:22 | 0:20:26 | |
So who won there? | 0:20:26 | 0:20:26 | |
Did he...? | 0:20:26 | 0:20:28 | |
He kept them there. | 0:20:28 | 0:20:30 | |
One day we went out at Hayvenhurst. | 0:20:30 | 0:20:32 | |
I said, where is Muscles? | 0:20:32 | 0:20:34 | |
We went downstairs, and Muscles was in the parrot cage right | 0:20:34 | 0:20:37 | |
there, and the parrot, they did not like each other. | 0:20:37 | 0:20:42 | |
He had just eaten the parrot and his head | 0:20:42 | 0:20:44 | |
got stuck in the cage. | 0:20:44 | 0:20:46 | |
# Let's dance. | 0:20:46 | 0:20:51 | |
# Put on your red shoes and dance the blues. | 0:20:51 | 0:20:57 | |
# Let's dance. | 0:20:57 | 0:21:00 | |
We have lost some great people this year. | 0:21:00 | 0:21:02 | |
The last two years, George Martin, David Bowie. | 0:21:02 | 0:21:06 | |
Oh, man, it just does not stop. | 0:21:06 | 0:21:07 | |
Prince. | 0:21:07 | 0:21:10 | |
Maurice White, it is frightening. | 0:21:10 | 0:21:13 | |
All my friends, you know. | 0:21:13 | 0:21:14 | |
I lost a lot of friends this year. | 0:21:14 | 0:21:16 | |
Did you know Bowie? | 0:21:16 | 0:21:18 | |
Can you tell us about your time with him? | 0:21:18 | 0:21:21 | |
David Bowie? | 0:21:22 | 0:21:23 | |
Yeah. | 0:21:23 | 0:21:24 | |
Every year we would rent his yacht. | 0:21:24 | 0:21:25 | |
He lived in Switzerland. | 0:21:25 | 0:21:29 | |
Was he as good as everyone says? | 0:21:29 | 0:21:30 | |
He was. | 0:21:31 | 0:21:32 | |
The music can never be any more or less than | 0:21:32 | 0:21:34 | |
you are as a human being. | 0:21:34 | 0:21:35 | |
Bowie was a great human being. | 0:21:35 | 0:21:38 | |
When it comes to the musicians the composer has known and worked | 0:21:38 | 0:21:41 | |
with, it is hard keeping up with Jones. | 0:21:41 | 0:21:44 | |
That goes for presidents, too. | 0:21:44 | 0:21:48 | |
What about the presidential election? | 0:21:48 | 0:21:50 | |
Do not even talk about it. | 0:21:50 | 0:21:51 | |
We have one choice. | 0:21:51 | 0:21:53 | |
I would leave the country if that sucker won. | 0:21:53 | 0:21:57 | |
I assume you're referring to Mr Trump? | 0:21:57 | 0:21:59 | |
Yeah, whatever. | 0:21:59 | 0:22:03 | |
He is a very clever man. | 0:22:03 | 0:22:06 | |
He knows how to say what they want to hear, uneducated rednecks. | 0:22:06 | 0:22:09 | |
He knows how to talk to them. | 0:22:09 | 0:22:12 | |
He's not like that at all. | 0:22:12 | 0:22:13 | |
I used to hang out with him. | 0:22:13 | 0:22:15 | |
Did you? | 0:22:15 | 0:22:16 | |
Yeah. | 0:22:16 | 0:22:17 | |
Were you friends back then? | 0:22:17 | 0:22:18 | |
Yes, but he was not like that at all. | 0:22:18 | 0:22:21 | |
He would fly on his helicopter with his name on the bottom of it. | 0:22:21 | 0:22:28 | |
And what about how things are in your country now? | 0:22:28 | 0:22:32 | |
We keep reading reports of these difficulties | 0:22:32 | 0:22:34 | |
between the police and...? | 0:22:34 | 0:22:36 | |
Black kids. | 0:22:36 | 0:22:37 | |
It has been like that all the time. | 0:22:37 | 0:22:39 | |
You should have seen the '30s, '40s and '50s. | 0:22:39 | 0:22:42 | |
I came up in that. | 0:22:42 | 0:22:43 | |
In the '30s in Chicago, during the Depression, | 0:22:43 | 0:22:45 | |
I was a street rat. | 0:22:45 | 0:22:47 | |
I wanted to be a gangster until I was 11. | 0:22:47 | 0:22:51 | |
All I saw were dead bodies and tommy guns and piles of money in back | 0:22:51 | 0:22:55 | |
rooms and all that stuff. | 0:22:55 | 0:22:59 | |
This right there, I was on the wrong street, and they took a switchblade | 0:22:59 | 0:23:02 | |
and nailed my hand to the fence. | 0:23:02 | 0:23:05 | |
Right there, they put an ice pick on that. | 0:23:05 | 0:23:08 | |
My daddy hit them on the head with a hammer. | 0:23:08 | 0:23:12 | |
# I love you. | 0:23:12 | 0:23:19 | |
And as for racism, Jones remembers playing in Las Vegas in 1964, | 0:23:19 | 0:23:22 | |
backing Frank Sinatra as part of the Count Basie Orchestra. | 0:23:22 | 0:23:31 | |
Belafonte, Lena Horne, they had to eat in the kitchen. | 0:23:31 | 0:23:34 | |
They could not go in the casino. | 0:23:34 | 0:23:38 | |
They slept in a black hotel across town. | 0:23:38 | 0:23:41 | |
When we came there, Frank said, we're not going to have that. | 0:23:41 | 0:23:44 | |
He said, he old man wants to see you over at the slot machines. | 0:23:44 | 0:23:47 | |
Basie's old man was there, and 18 goombahs. | 0:23:47 | 0:23:50 | |
He put one with each guy, like a bodyguard. | 0:23:50 | 0:23:54 | |
He said, if anybody looks at them funny, break both of their legs. | 0:23:54 | 0:23:57 | |
Frank was tough, man. | 0:23:57 | 0:23:58 | |
He was tough. | 0:23:58 | 0:23:59 | |
He stopped racism. | 0:23:59 | 0:24:01 | |
So it was burgers with Sinatra on the Strip, but also fish | 0:24:01 | 0:24:04 | |
with Picasso on the French Riviera. | 0:24:04 | 0:24:09 | |
Didn't you live near Picasso for a while? | 0:24:09 | 0:24:13 | |
Yes, in Cannes, right next door. | 0:24:13 | 0:24:16 | |
We had lunch with him one year. | 0:24:16 | 0:24:19 | |
We had sole meuniere together. | 0:24:19 | 0:24:22 | |
After he finished, he took the bones and pushed them on the Croisette, | 0:24:22 | 0:24:25 | |
we were eating on the Croisette. | 0:24:25 | 0:24:27 | |
He pushed it out so the sun could parch the bones, | 0:24:27 | 0:24:29 | |
then he took the colours out of his pocket, a blue, | 0:24:29 | 0:24:32 | |
a yellow, and a red, and drew his designs on it. | 0:24:32 | 0:24:34 | |
When the check came, he pushed that out there. | 0:24:34 | 0:24:38 | |
Along all of the walls, all of his food was marked up. | 0:24:38 | 0:24:40 | |
That is how he paid for his dinners. | 0:24:40 | 0:24:50 | |
Unlike his fellow bandleader, the late, great James Brown, | 0:24:53 | 0:24:57 | |
Jones says he would not dream of fining musicians for missing | 0:24:57 | 0:25:00 | |
a beat and such misdemeanours. | 0:25:00 | 0:25:02 | |
What is the secret of getting the best out of them? | 0:25:02 | 0:25:06 | |
It is love, man. | 0:25:06 | 0:25:09 | |
Come on, that is not necessary, to be that kind of disciplinarian. | 0:25:09 | 0:25:12 | |
That is why I did not like that... | 0:25:13 | 0:25:14 | |
What was that movie that won the Oscar? | 0:25:14 | 0:25:16 | |
Whiplash. | 0:25:16 | 0:25:18 | |
It is BS. | 0:25:18 | 0:25:20 | |
No jazz musician would take that, throwing a chair at | 0:25:20 | 0:25:22 | |
a drummer, get out of here. | 0:25:22 | 0:25:24 | |
They'd kill him. | 0:25:24 | 0:25:32 | |
Thank you very much, everybody, and thank you to Quincy Jones | 0:25:32 | 0:25:35 | |
for the beautiful music. | 0:25:35 | 0:25:39 | |
What an amazing man. | 0:25:39 | 0:25:40 | |
Well, that is all from Reporters for this week. | 0:25:40 | 0:25:43 | |
From me, Philippa Thomas, goodbye. | 0:25:43 | 0:25:52 |