The Preston Passion


The Preston Passion

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Hell he and welcome. Through the centuries Good Friday has been

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marked with tales of Jesus, betrayal and arrest. In the next

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hour thousands of people here in the city of Preston, Lancashire,

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will watch a spectacle of music and drama retelling the Passion for the

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modern day. We'll delve into the past and presence of Preston in

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three new original pieces of BBC Drama reflecting the timeless

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themes of the Passion theory and hue they connect with us.

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In Victorian times, the Mayor must decide the fate of a radical leader.

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In the First World War, the power of a mother's response to loss.

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You're going to be all right. 2012, we explore a modern-day

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reminder of self-sacrifice. This Good Friday hundreds of local

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people will create the symbols of its story - the Crown crown and

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late -- of Thorns and later the Cross in a mass spectacle in

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something you have never seen before, in this, Preston, the

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Apology for the loss of subtitles for 125 seconds

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Preston has had a Guild Year, which is a chance to show off its

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achievements since the 12th century, and it's held every few years. 2012

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is one of them. It's just getting under way. Preston's lifeblood was

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once the cotton industry. The mills brought workers from overseas. That

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led to modern day Preston becoming a diverse city and one proud to

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keep as the city's emblem the Lamb of God, which is a good place, then,

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for people of all faiths and none to come to understand more about

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the meaning of Jesus and the Cross, # Walk upon England's

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# On England's # Shine forth

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Apology for the loss of subtitles for 125 seconds

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# Bring me my spear! # Nor shall my sword sleep

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# In England's green The Holy Lamb of God, the Green and

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Pleasant Land and the dark satanic mills, but what else connects

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people to the Good Friday story? The Bible recounts how in Jerusalem

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2,000 years ago Jesus was arrested, brought before the religious

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authorities and then handed to the Roman Governor Pontius Pilate, who

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would decide his fate. Before condemning Jesus to death, he's

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presented as dithering in the face of an unpredictable crowd and

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afterwards washing his hands of the decision. Some on the streets had

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called Jesus King of the Jews prompting the soldiers to mock him,

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forcing him to wear a Crown of Thorns as he faced his fate. In the

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1840s, the Mayor of Preston faced a similar dilemma. Here mill workers

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were causing a civil unrest, striking over pay. There was a

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radical leader, an angry crowd and an authority figure needing

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literally to read the Riot Act. I should warn you what we're about to

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see, like the Passion itself, is brutal from the very start, and at

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Sam, Sam, wake up. What? What is KNOCKING

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I trust you have good grounds for disturbing me at this hour.

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believe I do, sir. We're looking for Cleasby.

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found him. Please, Sam. I've nothing to do

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Here's your warrant, Mr Dodds. Make Get up! On your feet! We're looking

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for Cleasby, George Cleasby. I am Have you nothing to say? Take him

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Apology for the loss of subtitles for 125 seconds

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Upon the mains contained in the Act, made in the first... Agh! I've read

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them the Riot Act. Would you stop fussing? Give them half an hour to

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disperse, Captain Campell. Where is he? Below, had him arrested on your

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counsel. Now this. Still bleeding. Many are the afflictions of the

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righteous, my boy, but the Lord delivereth him out of them all. The

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Lord delivereth him up to them all, Psalm, 34. Ca rbolic in warm water.

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I had a dream, that man you're looking for. Tilt your head. I'm

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sorry. Keep - keep still. Ah. Good. So what do we know about him?

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not from these parts, by all accounts. And what has he to say

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for himself? Keep pressing there. Nothing. He couldn't speak to me. I

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tried. He speaks to them - 3,000 in the marketplace the other day -

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plenty to say for himself - when it suits him, I suppose. Why didn't

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you arrest him then? The man is allowed to go into the marketplace,

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I believe. Is he allowed to preach sedition there? Sedition? Food and

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pay - that's all this is about. No, Mr Mayor. That is not what this is

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about. The social order in our great country is patterned on God's

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divine providence. And to upset that order, which is what they want,

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is to fly in the face of God. Now, there. Samuel, remember, you're a

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mill owner, and your father was a mill owner before you. And what has

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that to do with it? Gratitude. They should be grateful. Your family

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brought prosperity into this town. Now your order books are bare. You

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can't buy raw cotton for love nor money, and it's the same for the

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other mills. We are, all of us, at the mercy of... God? The markets.

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It's just that they can't feed their children. And I'm very sorry.

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But the poor will never cease from the land, Deuteronomy, 15.11.

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Ahh! Bishop! Bishop, are you hurt? This - this is revolution! Get

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Captain Campell. No, no! You can suppress this unrest. You - now,

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deal with it. Put it round his shoulders, Jack. That's it. Give us

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your stick. Now put your hat on his head. Oh. Now, then. Would you look

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at that? Ever so - a proper gent! LAUGHTER

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Hey! Show a little respect. Your Release him. What?! I've just had

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him arrested. Let him go among his people and stir them up. Then

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you've no choice but to act. maintain order? Precisely.

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whatever means at my disposal. 72nd Highlanders are at your

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disposal. Very well. But on this condition - the choice is his. He

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either bows to reason and flees the city or bares his breast for the

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bull. Do you agree? The choice is yours, Mr Mayor. No. No. It's his.

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I have a carriage waiting in the yard. And it will take you wherever

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you wish to go, but you must first give me your word that you will

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never return and you will desist from speaking in public. Do you

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Now, I warn you - if you do not take this money, there is no help

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# So you tyrants of proud Preston # Your race is nearly run

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# As you will have to answer to for all you've said and done

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# You may go to church or chapels # Your tyranny to hide - #

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Captain Campell! Is # But there can be no religion

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where such men as you preside. Release him. Release him!

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# So you tyrants of proud Preston # You go to church and chapels,

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your tyranny to hide # I've nothing to do with it. You

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promised me. You have it. Now deal with it. They have had half an hour,

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Sam! Sam, wake up. What? I had a dream - that man you're looking for.

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Oh, please, Sam. Have nothing to do It was his decision. It was nothing

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Apology for the loss of subtitles for 125 seconds

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# The chastisement of our peace The story of the crucifixion is

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called the Passion from the Latin "sufferering". The cross is the

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universally recognised symbol from which Christianity was born, a

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movement founded on the belief that Jesus's self-sacrifice was an act

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that brought hope to all those who survived him. That first dry, but

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his followers lost their leader and a mother lost a son, and such loss

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resonates here in Preston, where during the First World War, the

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railway station was a mustering point for young men from Scotland

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and the north of England being sent to fight in the trenches. The women

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of Preston set up a free refreshment room for the troops. By

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the end of the war they'd served hot tea and food to more than three

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million men. That story was discovered through letters like

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this one sent home from the front, and also through this - a hymn book

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Apology for the loss of subtitles for 125 seconds

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given to a local soldier, and it Dear Ma, we've advanced three miles

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I'll just go wait on the platform, shall I?

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I'll wait on the platform.

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Not long now.

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Then we'll know.

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One way or t' other.

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I'll see to those sandwiches.

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Send my love to dad.

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As soon as I get back, we'll go see North End lose again.

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You see looks on your mates' faces you don't see back home.

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It's a blindfold look.

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Say hello to Dolly Farmer for me.

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I have been thinking a lot about her.

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She's a sweet girl, Mum.

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I think you'd like her if you got to know her.

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We're getting quite settled here,

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and I'm getting used to the booming of Fritz's guns.

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I expect there will be cowslips on the path across from the church.

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Why couldn't they have just sent another telegram?

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That's what I'd like to know.

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It's Joe Cotton's boy.

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He's a Captain now, and he wanted to.

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Well, you know, it's more personal, like.

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Good of him to make the effort.

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At least the waiting will be over.

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Better knowing than not.

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Well, that depends, doesn't it?

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If it's him - if it's my Joseph, then I'd be proud.

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He's done his bit for King and country.

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"He calleth his sheep by name."

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And if he's been called, then it's God's will.

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Well, I know our Alf's all right.

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How do you know?

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That Terry, the butcher's delivery boy -

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he's got a brother at the front, and his brother writes home

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to say how he saw our Alf the day after the push and...

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I'll go and fetch some more crockery, shall I?

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It's just next door. Ask Mrs Carver to show you.

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Now see what you've done - selfish, that's what you are,

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selfish to the core, always thinking of yourself!

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I was just saying!

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Well, don't.

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Can you see if your Alf's all right, then it's...

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Thanks.

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Thanks.

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It's Tom, isn't it, your boy?

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Thomas.

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You haven't said nowt about him.

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What's there to say?

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He's my son, and I love him, and I just wish he was at home now.

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Does Mr Melling know?

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He wanted to come with me to meet the train,

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but I didn't want to do that.

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I told him it were tomorrow.

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Why ever would you do that?

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I don't know.

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I just knew I didn't want him here, for his sake - and mine.

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What about you?

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Bill's been dead these seven years, and Alf's dad to the little ones.

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Have you talked to your Reg about it?

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Have you talked to your Reg about it?

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Of course I have.

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And what did he say?

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What he always says - nothing.

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He wouldn't know a bee from a bull's foot, that one.

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Well, he must have said something.

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Must he?

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He was talking about your Joseph the other day in the Four Ale bar,

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and he dotes on that boy.

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Why don't you just keep your nose out?

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Very sorry, I'm sure!

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Damn!

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Here, run it under the sink.

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Come on.

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There's lint in the cupboard, Mrs Cleasby, and iodine.

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Sorry I'm such a nuisance.

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Don't be silly.

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Here.

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Pass it here.

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Will you see to the sandwiches?

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Do you know what I miss most, apart from you, of course, Mother?

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Wearing pyjamas.

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Does that sound silly?

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And a few hot baths are in order.

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I'm scared, Mum.

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There are men dying all around me.

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I'm scared.

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Do me a favour, Ma.

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Ask Dad if he remembers wind in his face

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coming down Lupton Hill on his bike.

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I think about those days a lot.

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I remember we used to walk on the Cragg in t' rain ,

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but it weren't as cold as this.

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I wish you could see me in my tin hat and gas mask, Mum.

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Gas, gas!

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You'd all have a good laugh.

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When I'm marching it jiggles all over the' shop.

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I've a job to keep the thing from falling off.

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Have you talked to him yet?

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Who?

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Reverend Cookson.

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Well, what did he say?

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I have to put my trust in God.

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Aye.

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Yeah, he said the same thing to me,

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and I'll warrant he said the same to Betty and all.

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Now, the way I figure it, God's got to let one of us down.

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I don't see it that way.

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No, well...

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I'm sorry.

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It doesn't matter.

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I want to say something.

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How are we going to...?

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How do you mean?

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When we know who it is?

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Well, there's biscuits in the Powell's tin, and...

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What are we going to do?

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You know what I ask myself? I keep thinking,

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is this why I brought him into the world, such pain?

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I remember the pains, and it weren't nothing, nothing like this.

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Mrs Melling...

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Is this why I nursed him at my breast,

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why I picked him up and wiped away his tears when he fell,

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so that he could be taken from me and thrown to the German guns?

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And for what?

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Mrs Melling.

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You talk about duty and honour and glory, all of those things -

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men's words.

:30:53.:31:03.
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Would you like to join me in a short prayer?

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Almighty and ever lasting Father, by whose grace...

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No need to look out for me, Mum.

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You'll hear me whistling from halfway down Blackpool Road.

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I'll have to close now

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because there isn't much more to say at present.

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Hoping you are well, your loving son, Alf.

:31:37.:31:47.
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The shelling is about the worst I've known

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and the crying of the wounded and the dying such as I'll never forget.

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God bless you, Mum. I'll close now

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and pray that this is not the last letter I ever send to you.

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Your loving son, Joe.

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The queerest thing - last night I heard a nightingale sing.

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I thought I were dreaming, but others heard it too.

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I must have got lost.

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Nowt lives in this place. Send my love to Dad.

:32:27.:32:32.

I embrace you both, Thomas.

:32:32.:32:42.
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Apology for the loss of subtitles for 125 seconds

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Some of the lads went back the next night

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to bury him and put up a cross.

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It's just a rough thing, really, to mark where he is.

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This is his.

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It... He was shot in the side.

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The bullet pierced the prayer book - and his heart.

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Apology for the loss of subtitles for 125 seconds

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You should go home to your husband and mourn your son.

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You don't understand.

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These are all my sons.

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Michael, you all right?

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It's good to see you.

:35:52.:35:56.

Hi, Ben.

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Glad to see you.

:35:59.:36:09.
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# When I survey the wondrous cross

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# When I survey the wondrous cross

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# On which the Prince of glory died

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# My richest gain I count but loss

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# And pour contempt on all my pride

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Many

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Many people

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Many people have

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Many people have known the grief that comes from losing someone

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close, personal loss that mirrors the loss Jesus felt that first Good

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Friday. We're about to see the first of a number of letters people

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of the city wish they'd sent to # For bid it Lord

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# All the vain things # See, from His head

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# Were the whole realm # That were an offering

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Apology for the loss of subtitles for 125 seconds

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Christian tradition has for centuries predicted the Easter

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story in the Stations of the Cross. These number the stages of the

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Passion. The first is Christ's condemnation, continuing with him

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carrying the Cross, falling three times, being mocked and abused by

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some and helped by others, then finally, number 12 is the ultimate

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act of self-sack fietion, crucifixion, an act that has

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inspired others ever since, but what echoes of self-sacrifice can

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Apology for the loss of subtitles for 125 seconds

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MUSIC: "Miserere" One, two, three, four, five. Agh!

:42:07.:42:13.

Urgh! Bella, Scott's trying to do keepy-uppies, and he's rubbish at

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them. Come and show him how it's done.

:42:17.:42:26.
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Ten, 11, 12, 13, 14... You all right? How's school?

:42:47.:42:57.
:42:57.:43:25.

What did you do? English. Maths, You are so '80s, '90s. I am a

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Apology for the loss of subtitles for 125 seconds

:43:35.:46:14.

What's for tea? I'm hungry. Bella, All right, Bella? How's your mum

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doing? Got any beers in here? Ahh! Do you want them? Go get them.

:46:23.:46:33.
:46:33.:47:02.

Oh, hiya! Oh, come here. Did you have a good day at school? Yes.

:47:02.:47:12.
:47:12.:47:21.

That's great. Come on through. I've There we are. Oh, is that for me?

:47:21.:47:31.
:47:31.:47:32.

Yes. Ah, thanks. Night-night. you know that new phone you have

:47:32.:47:38.

been going on about? Let's make it an early birthday present, shall

:47:38.:47:48.
:47:48.:48:02.

we? Night-night. You all right, Bella? Bella? I'll

:48:02.:48:10.

give you a hand. Here. Give me the other bag. Ta. How's your mum? All

:48:10.:48:20.
:48:20.:48:23.

right? So-so? Hey, love, I'm going to have to go now. Here you are.

:48:23.:48:33.
:48:33.:49:04.

You're going to be all right, love? My mum says if you need a place to

:49:04.:49:14.
:49:14.:49:42.

Hang on, ladies. Female in distress. Here. Use this.

:49:42.:49:52.
:49:52.:49:52.

Apology for the loss of subtitles for 125 seconds

:49:52.:50:52.

Bella, what's for afters? Tah-dah! I made it for you. Here. It's an

:50:52.:51:00.

Easter garland. That's what Mrs Cummins says. It can be a crown!

:51:00.:51:07.

Hansel and Grettle searched for the breadcrumbs, but the birds have

:51:07.:51:12.

eaten them. They are lost in the forest. They see a house made of

:51:12.:51:21.

gingerbread and sweets. "Hello, children." An old lady stands in

:51:21.:51:31.
:51:31.:52:09.

No matter what you do, Mum, I'll The photographs you can see

:52:09.:52:14.

represent tributes by people here to someone who has made a sacrifice

:52:14.:52:18.

for them. Others have brought pictures representing someone for

:52:18.:52:28.
:52:28.:52:28.

Apology for the loss of subtitles for 125 seconds

:52:28.:54:49.

Jesus' suffering and death on the Cross on a hill above Jerusalem

:54:49.:54:55.

2,000 years ago is a story at the heart of Christianity retold

:54:55.:55:00.

generation after generation. Self- sacrifice and loss, love and hope -

:55:00.:55:04.

themes that you could find in any town and city in which we have seen

:55:05.:55:09.

echoed in the lives of the people here. For Christians, this time of

:55:09.:55:14.

year marks not an end, but a beginning, and that becomes clear

:55:14.:55:20.

on Easter Sunday when the story of the resurrection gives a cause for

:55:20.:55:23.

a celebration, and it's that upbeat side of this story that we turn to

:55:23.:55:31.

now in the uplifting words about to be sung live celebrated by everyone

:55:31.:55:35.

here and I hope at home too. Through the centuries, Christians

:55:35.:55:43.

everywhere have put it like this - "God so loved the world that He

:55:43.:55:53.
:55:53.:55:57.

# Sometimes I feel like # Sometimes I feel like saying

:55:57.:56:07.
:56:07.:56:07.

# Sometimes it seems that the going is just too rough

:56:07.:56:10.

# And things go wrong no matter what I do

:56:10.:56:15.

# Now and then it seems that life is just too much

:56:15.:56:19.

# But you've got the love I need to see me through

:56:19.:56:24.

# When food is gone you are my daily need

:56:24.:56:33.

# When friends are gone I know my Saviour's love is real

:56:33.:56:38.

# You know it's real

:56:38.:56:41.

# You got the love

:56:41.:56:43.

# You got the love

:56:43.:56:45.

# You got the love

:56:45.:56:55.
:56:55.:57:04.

# Time after time I think # Time after time I think

:57:04.:57:14.
:57:14.:57:14.

Apology for the loss of subtitles for 125 seconds

:57:14.:58:04.

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