
Browse content similar to The Preston Passion. Check below for episodes and series from the same categories and more!
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Hell he and welcome. Through the centuries Good Friday has been | :00:19. | :00:26. | |
marked with tales of Jesus, betrayal and arrest. In the next | :00:26. | :00:30. | |
hour thousands of people here in the city of Preston, Lancashire, | :00:30. | :00:35. | |
will watch a spectacle of music and drama retelling the Passion for the | :00:35. | :00:39. | |
modern day. We'll delve into the past and presence of Preston in | :00:39. | :00:43. | |
three new original pieces of BBC Drama reflecting the timeless | :00:43. | :00:47. | |
themes of the Passion theory and hue they connect with us. | :00:47. | :00:56. | |
In Victorian times, the Mayor must decide the fate of a radical leader. | :00:56. | :01:05. | |
In the First World War, the power of a mother's response to loss. | :01:05. | :01:12. | |
You're going to be all right. 2012, we explore a modern-day | :01:12. | :01:15. | |
reminder of self-sacrifice. This Good Friday hundreds of local | :01:15. | :01:21. | |
people will create the symbols of its story - the Crown crown and | :01:21. | :01:31. | |
| :01:31. | :01:31. | ||
late -- of Thorns and later the Cross in a mass spectacle in | :01:31. | :01:35. | |
something you have never seen before, in this, Preston, the | :01:35. | :01:45. | |
| :01:45. | :01:45. | ||
Apology for the loss of subtitles for 125 seconds | :01:45. | :03:51. | |
Preston has had a Guild Year, which is a chance to show off its | :03:51. | :03:58. | |
achievements since the 12th century, and it's held every few years. 2012 | :03:58. | :04:02. | |
is one of them. It's just getting under way. Preston's lifeblood was | :04:02. | :04:08. | |
once the cotton industry. The mills brought workers from overseas. That | :04:09. | :04:13. | |
led to modern day Preston becoming a diverse city and one proud to | :04:13. | :04:17. | |
keep as the city's emblem the Lamb of God, which is a good place, then, | :04:18. | :04:22. | |
for people of all faiths and none to come to understand more about | :04:22. | :04:32. | |
| :04:32. | :04:36. | ||
the meaning of Jesus and the Cross, # Walk upon England's | :04:36. | :04:46. | |
| :04:46. | :04:56. | ||
# On England's # Shine forth | :04:56. | :05:06. | |
| :05:06. | :05:06. | ||
Apology for the loss of subtitles for 125 seconds | :05:06. | :06:01. | |
# Bring me my spear! # Nor shall my sword sleep | :06:01. | :06:11. | |
| :06:11. | :06:49. | ||
# In England's green The Holy Lamb of God, the Green and | :06:49. | :06:54. | |
Pleasant Land and the dark satanic mills, but what else connects | :06:54. | :06:59. | |
people to the Good Friday story? The Bible recounts how in Jerusalem | :06:59. | :07:03. | |
2,000 years ago Jesus was arrested, brought before the religious | :07:03. | :07:06. | |
authorities and then handed to the Roman Governor Pontius Pilate, who | :07:06. | :07:11. | |
would decide his fate. Before condemning Jesus to death, he's | :07:11. | :07:16. | |
presented as dithering in the face of an unpredictable crowd and | :07:16. | :07:21. | |
afterwards washing his hands of the decision. Some on the streets had | :07:21. | :07:26. | |
called Jesus King of the Jews prompting the soldiers to mock him, | :07:26. | :07:31. | |
forcing him to wear a Crown of Thorns as he faced his fate. In the | :07:31. | :07:36. | |
1840s, the Mayor of Preston faced a similar dilemma. Here mill workers | :07:36. | :07:39. | |
were causing a civil unrest, striking over pay. There was a | :07:39. | :07:44. | |
radical leader, an angry crowd and an authority figure needing | :07:44. | :07:49. | |
literally to read the Riot Act. I should warn you what we're about to | :07:49. | :07:54. | |
see, like the Passion itself, is brutal from the very start, and at | :07:54. | :08:04. | |
| :08:04. | :08:18. | ||
Sam, Sam, wake up. What? What is KNOCKING | :08:18. | :08:23. | |
I trust you have good grounds for disturbing me at this hour. | :08:23. | :08:31. | |
believe I do, sir. We're looking for Cleasby. | :08:31. | :08:41. | |
| :08:41. | :08:53. | ||
found him. Please, Sam. I've nothing to do | :08:53. | :09:03. | |
| :09:03. | :09:37. | ||
Here's your warrant, Mr Dodds. Make Get up! On your feet! We're looking | :09:37. | :09:47. | |
| :09:47. | :09:59. | ||
for Cleasby, George Cleasby. I am Have you nothing to say? Take him | :09:59. | :10:09. | |
| :10:09. | :10:09. | ||
Apology for the loss of subtitles for 125 seconds | :10:09. | :10:49. | |
Upon the mains contained in the Act, made in the first... Agh! I've read | :10:49. | :10:59. | |
| :10:59. | :11:01. | ||
them the Riot Act. Would you stop fussing? Give them half an hour to | :11:01. | :11:11. | |
| :11:11. | :11:12. | ||
disperse, Captain Campell. Where is he? Below, had him arrested on your | :11:12. | :11:22. | |
| :11:22. | :11:28. | ||
counsel. Now this. Still bleeding. Many are the afflictions of the | :11:28. | :11:34. | |
righteous, my boy, but the Lord delivereth him out of them all. The | :11:34. | :11:44. | |
| :11:44. | :11:51. | ||
Lord delivereth him up to them all, Psalm, 34. Ca rbolic in warm water. | :11:51. | :11:59. | |
I had a dream, that man you're looking for. Tilt your head. I'm | :11:59. | :12:09. | |
| :12:09. | :12:11. | ||
sorry. Keep - keep still. Ah. Good. So what do we know about him? | :12:11. | :12:16. | |
not from these parts, by all accounts. And what has he to say | :12:16. | :12:23. | |
for himself? Keep pressing there. Nothing. He couldn't speak to me. I | :12:23. | :12:31. | |
tried. He speaks to them - 3,000 in the marketplace the other day - | :12:31. | :12:37. | |
plenty to say for himself - when it suits him, I suppose. Why didn't | :12:37. | :12:45. | |
you arrest him then? The man is allowed to go into the marketplace, | :12:45. | :12:54. | |
I believe. Is he allowed to preach sedition there? Sedition? Food and | :12:54. | :13:00. | |
pay - that's all this is about. No, Mr Mayor. That is not what this is | :13:00. | :13:04. | |
about. The social order in our great country is patterned on God's | :13:04. | :13:07. | |
divine providence. And to upset that order, which is what they want, | :13:07. | :13:17. | |
| :13:17. | :13:19. | ||
is to fly in the face of God. Now, there. Samuel, remember, you're a | :13:19. | :13:25. | |
mill owner, and your father was a mill owner before you. And what has | :13:25. | :13:32. | |
that to do with it? Gratitude. They should be grateful. Your family | :13:32. | :13:38. | |
brought prosperity into this town. Now your order books are bare. You | :13:38. | :13:42. | |
can't buy raw cotton for love nor money, and it's the same for the | :13:42. | :13:48. | |
other mills. We are, all of us, at the mercy of... God? The markets. | :13:48. | :13:58. | |
It's just that they can't feed their children. And I'm very sorry. | :13:58. | :14:08. | |
| :14:08. | :14:08. | ||
But the poor will never cease from the land, Deuteronomy, 15.11. | :14:08. | :14:18. | |
| :14:18. | :14:24. | ||
Ahh! Bishop! Bishop, are you hurt? This - this is revolution! Get | :14:24. | :14:33. | |
Captain Campell. No, no! You can suppress this unrest. You - now, | :14:33. | :14:43. | |
| :14:43. | :14:44. | ||
deal with it. Put it round his shoulders, Jack. That's it. Give us | :14:44. | :14:54. | |
| :14:54. | :15:01. | ||
your stick. Now put your hat on his head. Oh. Now, then. Would you look | :15:01. | :15:09. | |
at that? Ever so - a proper gent! LAUGHTER | :15:09. | :15:19. | |
| :15:19. | :15:37. | ||
Hey! Show a little respect. Your Release him. What?! I've just had | :15:37. | :15:42. | |
him arrested. Let him go among his people and stir them up. Then | :15:42. | :15:49. | |
you've no choice but to act. maintain order? Precisely. | :15:49. | :15:54. | |
whatever means at my disposal. 72nd Highlanders are at your | :15:54. | :15:59. | |
disposal. Very well. But on this condition - the choice is his. He | :15:59. | :16:08. | |
either bows to reason and flees the city or bares his breast for the | :16:08. | :16:18. | |
bull. Do you agree? The choice is yours, Mr Mayor. No. No. It's his. | :16:18. | :16:28. | |
| :16:28. | :16:40. | ||
I have a carriage waiting in the yard. And it will take you wherever | :16:40. | :16:47. | |
you wish to go, but you must first give me your word that you will | :16:47. | :16:51. | |
never return and you will desist from speaking in public. Do you | :16:51. | :17:01. | |
| :17:01. | :17:09. | ||
Now, I warn you - if you do not take this money, there is no help | :17:09. | :17:19. | |
| :17:19. | :17:37. | ||
# So you tyrants of proud Preston # Your race is nearly run | :17:37. | :17:41. | |
# As you will have to answer to for all you've said and done | :17:41. | :17:50. | |
# You may go to church or chapels # Your tyranny to hide - # | :17:50. | :17:54. | |
Captain Campell! Is # But there can be no religion | :17:54. | :17:59. | |
where such men as you preside. Release him. Release him! | :17:59. | :18:09. | |
| :18:09. | :18:11. | ||
# So you tyrants of proud Preston # You go to church and chapels, | :18:11. | :18:20. | |
your tyranny to hide # I've nothing to do with it. You | :18:20. | :18:26. | |
promised me. You have it. Now deal with it. They have had half an hour, | :18:26. | :18:36. | |
| :18:36. | :18:50. | ||
Sam! Sam, wake up. What? I had a dream - that man you're looking for. | :18:50. | :19:00. | |
| :19:00. | :19:20. | ||
Oh, please, Sam. Have nothing to do It was his decision. It was nothing | :19:20. | :19:30. | |
| :19:30. | :19:30. | ||
Apology for the loss of subtitles for 125 seconds | :19:30. | :21:36. | |
# The chastisement of our peace The story of the crucifixion is | :21:36. | :21:41. | |
called the Passion from the Latin "sufferering". The cross is the | :21:41. | :21:43. | |
universally recognised symbol from which Christianity was born, a | :21:43. | :21:48. | |
movement founded on the belief that Jesus's self-sacrifice was an act | :21:48. | :21:54. | |
that brought hope to all those who survived him. That first dry, but | :21:54. | :21:59. | |
his followers lost their leader and a mother lost a son, and such loss | :21:59. | :22:02. | |
resonates here in Preston, where during the First World War, the | :22:02. | :22:06. | |
railway station was a mustering point for young men from Scotland | :22:06. | :22:10. | |
and the north of England being sent to fight in the trenches. The women | :22:10. | :22:15. | |
of Preston set up a free refreshment room for the troops. By | :22:15. | :22:19. | |
the end of the war they'd served hot tea and food to more than three | :22:19. | :22:22. | |
million men. That story was discovered through letters like | :22:22. | :22:28. | |
this one sent home from the front, and also through this - a hymn book | :22:28. | :22:38. | |
| :22:38. | :22:38. | ||
Apology for the loss of subtitles for 125 seconds | :22:38. | :23:35. | |
given to a local soldier, and it Dear Ma, we've advanced three miles | :23:35. | :23:45. | |
| :23:45. | :23:53. | ||
I'll just go wait on the platform, shall I? | :23:53. | :24:00. | |
I'll wait on the platform. | :24:00. | :24:10. | |
| :24:10. | :24:28. | ||
Not long now. | :24:28. | :24:29. | |
Then we'll know. | :24:30. | :24:31. | |
One way or t' other. | :24:31. | :24:36. | |
I'll see to those sandwiches. | :24:36. | :24:42. | |
Send my love to dad. | :24:42. | :24:45. | |
As soon as I get back, we'll go see North End lose again. | :24:45. | :24:51. | |
You see looks on your mates' faces you don't see back home. | :24:51. | :24:56. | |
It's a blindfold look. | :24:56. | :25:04. | |
Say hello to Dolly Farmer for me. | :25:05. | :25:09. | |
I have been thinking a lot about her. | :25:09. | :25:12. | |
She's a sweet girl, Mum. | :25:12. | :25:20. | |
I think you'd like her if you got to know her. | :25:20. | :25:21. | |
We're getting quite settled here, | :25:21. | :25:23. | |
and I'm getting used to the booming of Fritz's guns. | :25:23. | :25:29. | |
I expect there will be cowslips on the path across from the church. | :25:29. | :25:35. | |
Why couldn't they have just sent another telegram? | :25:35. | :25:37. | |
That's what I'd like to know. | :25:37. | :25:39. | |
It's Joe Cotton's boy. | :25:39. | :25:41. | |
He's a Captain now, and he wanted to. | :25:41. | :25:42. | |
Well, you know, it's more personal, like. | :25:42. | :25:44. | |
Good of him to make the effort. | :25:44. | :25:47. | |
At least the waiting will be over. | :25:47. | :25:48. | |
Better knowing than not. | :25:48. | :25:50. | |
Well, that depends, doesn't it? | :25:50. | :25:51. | |
If it's him - if it's my Joseph, then I'd be proud. | :25:51. | :25:55. | |
He's done his bit for King and country. | :25:56. | :25:58. | |
"He calleth his sheep by name." | :25:58. | :26:00. | |
And if he's been called, then it's God's will. | :26:00. | :26:02. | |
Well, I know our Alf's all right. | :26:02. | :26:03. | |
How do you know? | :26:03. | :26:05. | |
That Terry, the butcher's delivery boy - | :26:05. | :26:06. | |
he's got a brother at the front, and his brother writes home | :26:06. | :26:09. | |
to say how he saw our Alf the day after the push and... | :26:09. | :26:13. | |
I'll go and fetch some more crockery, shall I? | :26:13. | :26:15. | |
It's just next door. Ask Mrs Carver to show you. | :26:15. | :26:20. | |
Now see what you've done - selfish, that's what you are, | :26:20. | :26:22. | |
selfish to the core, always thinking of yourself! | :26:22. | :26:24. | |
I was just saying! | :26:24. | :26:26. | |
Well, don't. | :26:26. | :26:27. | |
Can you see if your Alf's all right, then it's... | :26:27. | :26:30. | |
Thanks. | :26:30. | :26:40. | |
| :26:40. | :26:41. | ||
Thanks. | :26:41. | :26:47. | |
It's Tom, isn't it, your boy? | :26:47. | :26:49. | |
Thomas. | :26:49. | :26:52. | |
You haven't said nowt about him. | :26:52. | :26:54. | |
What's there to say? | :26:54. | :26:56. | |
He's my son, and I love him, and I just wish he was at home now. | :26:56. | :27:02. | |
Does Mr Melling know? | :27:02. | :27:04. | |
He wanted to come with me to meet the train, | :27:04. | :27:06. | |
but I didn't want to do that. | :27:06. | :27:09. | |
I told him it were tomorrow. | :27:09. | :27:13. | |
Why ever would you do that? | :27:13. | :27:14. | |
I don't know. | :27:14. | :27:16. | |
I just knew I didn't want him here, for his sake - and mine. | :27:16. | :27:25. | |
What about you? | :27:25. | :27:27. | |
Bill's been dead these seven years, and Alf's dad to the little ones. | :27:27. | :27:31. | |
Have you talked to your Reg about it? | :27:31. | :27:41. | |
| :27:41. | :27:46. | ||
Have you talked to your Reg about it? | :27:47. | :27:47. | |
Of course I have. | :27:47. | :27:48. | |
And what did he say? | :27:49. | :27:50. | |
What he always says - nothing. | :27:50. | :27:51. | |
He wouldn't know a bee from a bull's foot, that one. | :27:51. | :27:54. | |
Well, he must have said something. | :27:54. | :27:55. | |
Must he? | :27:55. | :27:57. | |
He was talking about your Joseph the other day in the Four Ale bar, | :27:57. | :27:59. | |
and he dotes on that boy. | :27:59. | :28:01. | |
Why don't you just keep your nose out? | :28:01. | :28:04. | |
Very sorry, I'm sure! | :28:04. | :28:06. | |
Damn! | :28:06. | :28:08. | |
Here, run it under the sink. | :28:08. | :28:09. | |
Come on. | :28:09. | :28:11. | |
There's lint in the cupboard, Mrs Cleasby, and iodine. | :28:11. | :28:14. | |
Sorry I'm such a nuisance. | :28:14. | :28:16. | |
Don't be silly. | :28:16. | :28:19. | |
Here. | :28:19. | :28:20. | |
Pass it here. | :28:20. | :28:21. | |
Will you see to the sandwiches? | :28:21. | :28:26. | |
Do you know what I miss most, apart from you, of course, Mother? | :28:26. | :28:31. | |
Wearing pyjamas. | :28:31. | :28:33. | |
Does that sound silly? | :28:33. | :28:36. | |
And a few hot baths are in order. | :28:36. | :28:39. | |
I'm scared, Mum. | :28:39. | :28:42. | |
There are men dying all around me. | :28:42. | :28:47. | |
I'm scared. | :28:47. | :28:50. | |
Do me a favour, Ma. | :28:50. | :28:52. | |
Ask Dad if he remembers wind in his face | :28:52. | :28:54. | |
coming down Lupton Hill on his bike. | :28:54. | :28:57. | |
I think about those days a lot. | :28:57. | :29:03. | |
I remember we used to walk on the Cragg in t' rain , | :29:03. | :29:07. | |
but it weren't as cold as this. | :29:07. | :29:12. | |
I wish you could see me in my tin hat and gas mask, Mum. | :29:12. | :29:15. | |
Gas, gas! | :29:15. | :29:18. | |
You'd all have a good laugh. | :29:18. | :29:25. | |
When I'm marching it jiggles all over the' shop. | :29:25. | :29:30. | |
I've a job to keep the thing from falling off. | :29:30. | :29:36. | |
Have you talked to him yet? | :29:36. | :29:38. | |
Who? | :29:38. | :29:40. | |
Reverend Cookson. | :29:40. | :29:42. | |
Well, what did he say? | :29:42. | :29:44. | |
I have to put my trust in God. | :29:45. | :29:46. | |
Aye. | :29:46. | :29:48. | |
Yeah, he said the same thing to me, | :29:48. | :29:50. | |
and I'll warrant he said the same to Betty and all. | :29:50. | :29:53. | |
Now, the way I figure it, God's got to let one of us down. | :29:53. | :29:57. | |
I don't see it that way. | :29:57. | :29:58. | |
No, well... | :29:58. | :30:01. | |
I'm sorry. | :30:01. | :30:03. | |
It doesn't matter. | :30:03. | :30:06. | |
I want to say something. | :30:06. | :30:09. | |
How are we going to...? | :30:09. | :30:11. | |
How do you mean? | :30:11. | :30:12. | |
When we know who it is? | :30:13. | :30:15. | |
Well, there's biscuits in the Powell's tin, and... | :30:15. | :30:17. | |
What are we going to do? | :30:17. | :30:19. | |
You know what I ask myself? I keep thinking, | :30:19. | :30:22. | |
is this why I brought him into the world, such pain? | :30:22. | :30:28. | |
I remember the pains, and it weren't nothing, nothing like this. | :30:28. | :30:32. | |
Mrs Melling... | :30:32. | :30:34. | |
Is this why I nursed him at my breast, | :30:34. | :30:36. | |
why I picked him up and wiped away his tears when he fell, | :30:36. | :30:39. | |
so that he could be taken from me and thrown to the German guns? | :30:39. | :30:44. | |
And for what? | :30:44. | :30:46. | |
Mrs Melling. | :30:46. | :30:47. | |
You talk about duty and honour and glory, all of those things - | :30:47. | :30:53. | |
men's words. | :30:53. | :31:03. | |
| :31:03. | :31:08. | ||
Would you like to join me in a short prayer? | :31:08. | :31:16. | |
Almighty and ever lasting Father, by whose grace... | :31:16. | :31:21. | |
No need to look out for me, Mum. | :31:22. | :31:26. | |
You'll hear me whistling from halfway down Blackpool Road. | :31:26. | :31:31. | |
I'll have to close now | :31:31. | :31:33. | |
because there isn't much more to say at present. | :31:33. | :31:37. | |
Hoping you are well, your loving son, Alf. | :31:37. | :31:47. | |
| :31:47. | :31:48. | ||
The shelling is about the worst I've known | :31:48. | :31:52. | |
and the crying of the wounded and the dying such as I'll never forget. | :31:52. | :31:59. | |
God bless you, Mum. I'll close now | :31:59. | :32:03. | |
and pray that this is not the last letter I ever send to you. | :32:03. | :32:09. | |
Your loving son, Joe. | :32:09. | :32:14. | |
The queerest thing - last night I heard a nightingale sing. | :32:14. | :32:19. | |
I thought I were dreaming, but others heard it too. | :32:19. | :32:23. | |
I must have got lost. | :32:23. | :32:27. | |
Nowt lives in this place. Send my love to Dad. | :32:27. | :32:32. | |
I embrace you both, Thomas. | :32:32. | :32:42. | |
| :32:42. | :32:42. | ||
Apology for the loss of subtitles for 125 seconds | :32:42. | :33:46. | |
Some of the lads went back the next night | :33:46. | :33:53. | |
to bury him and put up a cross. | :33:53. | :33:58. | |
It's just a rough thing, really, to mark where he is. | :33:58. | :34:06. | |
This is his. | :34:07. | :34:08. | |
It... He was shot in the side. | :34:08. | :34:18. | |
| :34:18. | :34:20. | ||
The bullet pierced the prayer book - and his heart. | :34:20. | :34:30. | |
| :34:30. | :34:30. | ||
Apology for the loss of subtitles for 125 seconds | :34:30. | :35:31. | |
You should go home to your husband and mourn your son. | :35:31. | :35:38. | |
You don't understand. | :35:38. | :35:42. | |
These are all my sons. | :35:42. | :35:48. | |
Michael, you all right? | :35:49. | :35:52. | |
It's good to see you. | :35:52. | :35:56. | |
Hi, Ben. | :35:56. | :35:59. | |
Glad to see you. | :35:59. | :36:09. | |
| :36:09. | :36:30. | ||
# When I survey the wondrous cross | :36:30. | :36:40. | |
| :36:40. | :36:46. | ||
# When I survey the wondrous cross | :36:46. | :36:53. | |
# On which the Prince of glory died | :36:53. | :37:02. | |
# My richest gain I count but loss | :37:02. | :37:10. | |
# And pour contempt on all my pride | :37:10. | :37:20. | |
| :37:20. | :37:34. | ||
Many | :37:34. | :37:34. | |
Many people | :37:34. | :37:34. | |
Many people have | :37:34. | :37:38. | |
Many people have known the grief that comes from losing someone | :37:38. | :37:44. | |
close, personal loss that mirrors the loss Jesus felt that first Good | :37:44. | :37:48. | |
Friday. We're about to see the first of a number of letters people | :37:48. | :37:58. | |
of the city wish they'd sent to # For bid it Lord | :37:58. | :38:08. | |
| :38:08. | :38:34. | ||
# All the vain things # See, from His head | :38:34. | :38:44. | |
| :38:44. | :39:20. | ||
# Were the whole realm # That were an offering | :39:20. | :39:30. | |
| :39:30. | :39:30. | ||
Apology for the loss of subtitles for 125 seconds | :39:30. | :40:11. | |
Christian tradition has for centuries predicted the Easter | :40:11. | :40:15. | |
story in the Stations of the Cross. These number the stages of the | :40:15. | :40:20. | |
Passion. The first is Christ's condemnation, continuing with him | :40:20. | :40:26. | |
carrying the Cross, falling three times, being mocked and abused by | :40:26. | :40:34. | |
some and helped by others, then finally, number 12 is the ultimate | :40:34. | :40:38. | |
act of self-sack fietion, crucifixion, an act that has | :40:38. | :40:42. | |
inspired others ever since, but what echoes of self-sacrifice can | :40:42. | :40:52. | |
| :40:52. | :40:52. | ||
Apology for the loss of subtitles for 125 seconds | :40:52. | :42:07. | |
MUSIC: "Miserere" One, two, three, four, five. Agh! | :42:07. | :42:13. | |
Urgh! Bella, Scott's trying to do keepy-uppies, and he's rubbish at | :42:13. | :42:16. | |
them. Come and show him how it's done. | :42:17. | :42:26. | |
| :42:27. | :42:47. | ||
Ten, 11, 12, 13, 14... You all right? How's school? | :42:47. | :42:57. | |
| :42:57. | :43:25. | ||
What did you do? English. Maths, You are so '80s, '90s. I am a | :43:25. | :43:35. | |
| :43:35. | :43:35. | ||
Apology for the loss of subtitles for 125 seconds | :43:35. | :46:14. | |
What's for tea? I'm hungry. Bella, All right, Bella? How's your mum | :46:14. | :46:23. | |
doing? Got any beers in here? Ahh! Do you want them? Go get them. | :46:23. | :46:33. | |
| :46:33. | :47:02. | ||
Oh, hiya! Oh, come here. Did you have a good day at school? Yes. | :47:02. | :47:12. | |
| :47:12. | :47:21. | ||
That's great. Come on through. I've There we are. Oh, is that for me? | :47:21. | :47:31. | |
| :47:31. | :47:32. | ||
Yes. Ah, thanks. Night-night. you know that new phone you have | :47:32. | :47:38. | |
been going on about? Let's make it an early birthday present, shall | :47:38. | :47:48. | |
| :47:48. | :48:02. | ||
we? Night-night. You all right, Bella? Bella? I'll | :48:02. | :48:10. | |
give you a hand. Here. Give me the other bag. Ta. How's your mum? All | :48:10. | :48:20. | |
| :48:20. | :48:23. | ||
right? So-so? Hey, love, I'm going to have to go now. Here you are. | :48:23. | :48:33. | |
| :48:33. | :49:04. | ||
You're going to be all right, love? My mum says if you need a place to | :49:04. | :49:14. | |
| :49:14. | :49:42. | ||
Hang on, ladies. Female in distress. Here. Use this. | :49:42. | :49:52. | |
| :49:52. | :49:52. | ||
Apology for the loss of subtitles for 125 seconds | :49:52. | :50:52. | |
Bella, what's for afters? Tah-dah! I made it for you. Here. It's an | :50:52. | :51:00. | |
Easter garland. That's what Mrs Cummins says. It can be a crown! | :51:00. | :51:07. | |
Hansel and Grettle searched for the breadcrumbs, but the birds have | :51:07. | :51:12. | |
eaten them. They are lost in the forest. They see a house made of | :51:12. | :51:21. | |
gingerbread and sweets. "Hello, children." An old lady stands in | :51:21. | :51:31. | |
| :51:31. | :52:09. | ||
No matter what you do, Mum, I'll The photographs you can see | :52:09. | :52:14. | |
represent tributes by people here to someone who has made a sacrifice | :52:14. | :52:18. | |
for them. Others have brought pictures representing someone for | :52:18. | :52:28. | |
| :52:28. | :52:28. | ||
Apology for the loss of subtitles for 125 seconds | :52:28. | :54:49. | |
Jesus' suffering and death on the Cross on a hill above Jerusalem | :54:49. | :54:55. | |
2,000 years ago is a story at the heart of Christianity retold | :54:55. | :55:00. | |
generation after generation. Self- sacrifice and loss, love and hope - | :55:00. | :55:04. | |
themes that you could find in any town and city in which we have seen | :55:05. | :55:09. | |
echoed in the lives of the people here. For Christians, this time of | :55:09. | :55:14. | |
year marks not an end, but a beginning, and that becomes clear | :55:14. | :55:20. | |
on Easter Sunday when the story of the resurrection gives a cause for | :55:20. | :55:23. | |
a celebration, and it's that upbeat side of this story that we turn to | :55:23. | :55:31. | |
now in the uplifting words about to be sung live celebrated by everyone | :55:31. | :55:35. | |
here and I hope at home too. Through the centuries, Christians | :55:35. | :55:43. | |
everywhere have put it like this - "God so loved the world that He | :55:43. | :55:53. | |
| :55:53. | :55:57. | ||
# Sometimes I feel like # Sometimes I feel like saying | :55:57. | :56:07. | |
| :56:07. | :56:07. | ||
# Sometimes it seems that the going is just too rough | :56:07. | :56:10. | |
# And things go wrong no matter what I do | :56:10. | :56:15. | |
# Now and then it seems that life is just too much | :56:15. | :56:19. | |
# But you've got the love I need to see me through | :56:19. | :56:24. | |
# When food is gone you are my daily need | :56:24. | :56:33. | |
# When friends are gone I know my Saviour's love is real | :56:33. | :56:38. | |
# You know it's real | :56:38. | :56:41. | |
# You got the love | :56:41. | :56:43. | |
# You got the love | :56:43. | :56:45. | |
# You got the love | :56:45. | :56:55. | |
| :56:55. | :57:04. | ||
# Time after time I think # Time after time I think | :57:04. | :57:14. | |
| :57:14. | :57:14. | ||
Apology for the loss of subtitles for 125 seconds | :57:14. | :58:04. |