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I've come to Dublin, capital of Ireland and city of a thousand | :00:14. | :00:20. | |
welcomes - I've come to meet one of Ireland's famous favourite sons. He | :00:20. | :00:30. | |
:00:30. | :00:30. | ||
used to work here in the historic Central Hotel. He's the housewive's | :00:30. | :00:35. | |
favourite. He's King of middle of the road. He's son ten million | :00:35. | :00:39. | |
albums and has a fanatical fan base. And Daniel had the whole package. | :00:39. | :00:49. | |
He really had it, and if you bottled it, you'd make a fortune. | :00:49. | :00:53. | |
# Welcome to my world # Won't you come on in # | :00:53. | :00:57. | |
Daniel O'Donnell is the man with the winning smile, the smooth voice | :00:57. | :01:03. | |
and the squeaky clean image. like our stars to be dirty rock 'n' | :01:03. | :01:08. | |
roll guys in are outrageous, doing outrageous things that we can write | :01:08. | :01:13. | |
about. Daniel was none of that. This is where he once worked - here | :01:13. | :01:18. | |
in the very kitchens of this hotel, washing dishes for a living and | :01:18. | :01:28. | |
:01:28. | :01:28. | ||
dreaming of what might be. # Standing centre stage for all of | :01:28. | :01:34. | |
Even though he's had enormous success, he's never forgotten that | :01:34. | :01:39. | |
he is a Donegal boy at heart. # This is my homeland | :01:39. | :01:49. | |
:01:49. | :01:51. | ||
# No matter where I go, it's in my soul # | :01:51. | :01:56. | |
To those who don't know him, he seems too good to be true. | :01:56. | :02:00. | |
thought he would be quiet, he would be boring, so I was really | :02:00. | :02:05. | |
surprised, you know, at the sense of humour that he had. Do you sit | :02:05. | :02:10. | |
there in your Andes scratching and trumping? If something needs | :02:11. | :02:15. | |
scratching, ideal scratch it, yeah. The irony is, any of these women | :02:15. | :02:19. | |
would scratch it for you! APPLAUSE | :02:19. | :02:22. | |
This year, he's celebrating 30 years in show business, but there | :02:22. | :02:28. | |
was a moment when he thought his career could be over. | :02:28. | :02:36. | |
Christmastime, 1991, my voice just went. (Snaps fingers) So it was | :02:36. | :02:41. | |
just - I had to stop. His Catholic faith was always a guiding force - | :02:41. | :02:46. | |
so much so that he nearly lost the love of his life. Daniel said to me | :02:46. | :02:49. | |
he didn't think he could carry on with the relationship, the fact I | :02:49. | :02:59. | |
:02:59. | :03:00. | ||
was divorced, had children, his I want to ask him about his fortune, | :03:00. | :03:04. | |
his fans and his faith which has held him in such good stead through | :03:04. | :03:14. | |
:03:14. | :03:23. | ||
# Stand beside me # For if I lose you | :03:23. | :03:27. | |
# I just couldn't get anywhere # Stand beside me # | :03:27. | :03:34. | |
Daniel is adored by millions of fans. Their loyalty has been key to | :03:34. | :03:39. | |
his success. His music and his easy manner appeal to a more mature | :03:39. | :03:44. | |
female audience. What descriptions have you had about your... You know, | :03:45. | :03:49. | |
the toothless brigade or - what do they call them? The grey-haired | :03:49. | :03:54. | |
brigade, whatever kind of different - grab a granny - you know that | :03:55. | :04:01. | |
kind of thing, but they laugh at it too, you know, the people who go to | :04:01. | :04:07. | |
the - or menopausal is another one, yeah. But anyway... Well, that's me | :04:07. | :04:13. | |
described! That's the whole thing. # Driving in a black limousine | :04:13. | :04:20. | |
# A lot of sad people thinking that's mighty keen | :04:20. | :04:25. | |
# You exactly what I mean # Thank God I am a country boy | :04:25. | :04:28. | |
# Sun is coming up # Cakes on the griddle | :04:28. | :04:32. | |
# Life ain't nothing but a funny, funny fiddle # | :04:32. | :04:36. | |
He really pleases his fans and goes the extra mile from an | :04:36. | :04:41. | |
entertainer's point of view, I have never, ever seen an entertainer who | :04:41. | :04:45. | |
is happy to stay there as long as there are people queuing up to have | :04:45. | :04:50. | |
something signed. Whether that works or not, -- a ploy or not, I | :04:50. | :04:54. | |
don't know, but it works. He loves his fans. He's so delightful to | :04:54. | :04:59. | |
them. He'll talk all day. Probably that is part of his Irish | :04:59. | :05:02. | |
upbringing. Ladies and gentlemen, without your presence tonight, this | :05:02. | :05:05. | |
would have been nothing. Thank you for making us feel so welcome. | :05:05. | :05:11. | |
Thank you. Well, the people who follow Daniel absolutely love him | :05:11. | :05:16. | |
because he is a very personable guy, and he has this amazing facility | :05:16. | :05:20. | |
for remembering people's names. He would actually refer to them by | :05:20. | :05:26. | |
their first name, having met them just once. Daniel, nice to see you. | :05:26. | :05:34. | |
How are you doing? I started out with small crowds, | :05:34. | :05:39. | |
and I did this, you know, because I enjoy talking to people. I enjoy | :05:39. | :05:42. | |
interacting with people. In the beginning, you know, when I started | :05:42. | :05:47. | |
out, the audiences were very small. As the audiences grew, the time I | :05:47. | :05:52. | |
was able to spend or I'm able to spend with each individual, you | :05:52. | :05:57. | |
know, decreased, but it still gives me something. I still get a feel | :05:57. | :06:01. | |
for the person who has been there. I always say that if you go | :06:01. | :06:11. | |
:06:11. | :06:15. | ||
somewhere and meet nobody, you On the north-west coast of Ireland | :06:15. | :06:19. | |
in County Donegal, Daniel O'Donnell was born in 1961. He was the | :06:19. | :06:27. | |
youngest of five children. I was ten when Daniel was born. I will | :06:27. | :06:36. | |
never forget my father bringing John and Kathleen and James and | :06:36. | :06:42. | |
myself to Dungloe Hospital where Daniel was born, and my father was | :06:42. | :06:48. | |
so proud. He was so emotional, and I suppose Daniel was special to all | :06:48. | :06:53. | |
of us. He was the apple of my eye. You know, I used to nurse him all | :06:53. | :06:59. | |
the time and play with him, and it was - it was wonderful. Let's go | :06:59. | :07:03. | |
back to the young Daniel in your childhood and describe the home and | :07:03. | :07:07. | |
the village that you lived in. I was born and brought up in a | :07:07. | :07:11. | |
small, wee village called Kincasslagh on the Atlantic Ocean, | :07:11. | :07:16. | |
so we were - I suppose it's a very exposed, rugged, rugged part of the | :07:16. | :07:26. | |
:07:26. | :07:26. | ||
coastline. I - I think that the one thing that I remember is endless | :07:26. | :07:36. | |
:07:36. | :07:40. | ||
freedom, no danger. The doors were Even as a young boy, Daniel loved a | :07:40. | :07:43. | |
good old chat. Daniel knew everybody, and everybody knew | :07:43. | :07:51. | |
Daniel, you know. He loved talking, you know, to older people, and he | :07:51. | :07:55. | |
loved gossip. You described yourself as a newspaper on legs. | :07:55. | :07:59. | |
know! I would just be from house to house, and anything was going on, I | :07:59. | :08:04. | |
had it on the tip of my tongue, so I was like a newspaper on legs. I | :08:05. | :08:08. | |
could - I had everything that happened there, told there before | :08:08. | :08:17. | |
it even reached anywhere else. There were few jobs to be had in | :08:17. | :08:22. | |
their village, so Daniel's father, like many fellow countrymen, was | :08:22. | :08:27. | |
forced to find work elsewhere. People went to work in Scotland, | :08:27. | :08:33. | |
and they would work on farms. They would dig Frenchs or put fencing up | :08:33. | :08:43. | |
:08:43. | :08:46. | ||
or work for the farmers. They went and did tatty hokeing they called | :08:46. | :08:51. | |
it, picking. Dad was working all the time in Scotland and sending | :08:52. | :08:56. | |
money home. We were like everybody else in you'rery Donegal. Nobody | :08:56. | :09:01. | |
had anymore than anybody else. # When I am down | :09:01. | :09:06. | |
# And so, so weary # As a young boy, what part did music | :09:06. | :09:14. | |
and God play in your life? At first, singing - the first singing I | :09:14. | :09:20. | |
suppose I got to do was hymns. A lot of singers would say that | :09:20. | :09:23. | |
especially in country music in America, so the two went kind of | :09:23. | :09:28. | |
hand in hand. And your religious faith was just there, was with you. | :09:28. | :09:34. | |
You just grew alongside it? It didn't hit you... No. As a | :09:34. | :09:40. | |
revelation? I was born into the Catholic faith, and growing up, it | :09:40. | :09:45. | |
was - you wouldn't just question anything about it because we were | :09:45. | :09:51. | |
in a small community. You sort of followed one another, so everybody | :09:51. | :09:55. | |
went to mass, and if you would even think about not going, somebody | :09:55. | :10:01. | |
would probably see you and say you weren't there, so you just went. | :10:01. | :10:04. | |
The Catholic Church was an important part of their community | :10:04. | :10:08. | |
and gave Daniel a sense of belonging, something that was very | :10:08. | :10:13. | |
important to him when tragedy struck the family in 1968. His | :10:13. | :10:20. | |
father, Francis, had a heart attack, aged just 49. Your father died | :10:20. | :10:25. | |
quite young, didn't he? Yes. I was six-and-a-half when my father died. | :10:25. | :10:29. | |
I suppose I remember more about his death than I do about his life. We | :10:29. | :10:33. | |
had the wake in the house, so I can remember going into the room and | :10:33. | :10:37. | |
seeing him lying in the coffin and looking in, you know, trying to see | :10:38. | :10:44. | |
over. Did it scare you? No. I can't remember having a - you know, scary | :10:44. | :10:48. | |
feeling. Maybe we were used to it. I don't know, because every house | :10:48. | :10:53. | |
had wakes, and children would go in and out. It wasn't like children | :10:53. | :10:58. | |
wouldn't see this. Death was the next part of life, you know? That's | :10:58. | :11:03. | |
something we've lost now, isn't it? Well, we still have it, so I | :11:03. | :11:08. | |
suppose it's a healthy thing. did it affect you? Your elder | :11:08. | :11:12. | |
brothers and sisters obviously had and have memories of him. Did you | :11:12. | :11:22. | |
:11:22. | :11:23. | ||
feel that you sort of missed out? don't think that at any - it had | :11:23. | :11:28. | |
any affect on me. Because I was six, I don't think there was a trauma or | :11:28. | :11:33. | |
a traumatic effect like the others had, because they knew him better. | :11:33. | :11:36. | |
I was obviously distraught because the others were, so I was kind of | :11:36. | :11:43. | |
following. Your mother sounds wonderful. She's still alive, 93, | :11:43. | :11:49. | |
became mother and father to you. think maybe for a period after my | :11:49. | :11:54. | |
father died, she was quite distraught, and during the time of | :11:54. | :12:00. | |
the wake, she was merely not able to function, but long after - maybe | :12:00. | :12:05. | |
about six months, I think - she really gathered herself, and then | :12:05. | :12:10. | |
it was, you know, the survival of the fittest then, so she went on, | :12:10. | :12:15. | |
and that's when she really came into her own, and I never could say | :12:15. | :12:23. | |
that I wanted for anything. His mum Julia was now a widow with five | :12:23. | :12:26. | |
children to bring up. Life could have been pretty tough, but singing | :12:26. | :12:31. | |
talent ran in the family, and Daniel's older sister Margaret had | :12:31. | :12:38. | |
become a successful country singer. # His name I will not mention | :12:38. | :12:48. | |
# In old Ireland he was born # I had recorded a song called The | :12:48. | :12:53. | |
Bonny Irish Boy. When it was released, it got a lot of airplay | :12:53. | :13:03. | |
:13:03. | :13:04. | ||
and became sort of a bubbling-under hit. And then I was approached by a | :13:04. | :13:12. | |
Dublin promoter. I was offered �100 a week in 1968, a car on the road | :13:12. | :13:17. | |
and a driver. I was sort of the breadwinner, and I was able to take | :13:17. | :13:27. | |
:13:27. | :13:30. | ||
care of the family. Margaret or Margo, as she's known in the music | :13:30. | :13:36. | |
business, had been singing as long as I could remember. This was your | :13:36. | :13:42. | |
big sister. My older sister. I don't remember her not singing, so | :13:42. | :13:48. | |
because of that, music was always in our house. She was huge in | :13:48. | :13:51. | |
Ireland, and he would have had that background of country music and | :13:51. | :14:01. | |
:14:01. | :14:03. | ||
just loved it. It was what made him feel good I suppose. We were all | :14:03. | :14:06. | |
listening to Kung Foo Fighting in the '70s or whatever. Daniel was | :14:06. | :14:12. | |
listening to the country. That's what did it for him, if you like. | :14:12. | :14:18. | |
# Everybody was Kung Foo Fighting # I can remember sitting in the | :14:18. | :14:21. | |
science class singing before the teacher came in. What would you | :14:21. | :14:25. | |
sing? Oh, whatever. It wasn't the music of the day because I was more | :14:25. | :14:29. | |
into the country and the Irish, but the girls used to listen and get me | :14:29. | :14:33. | |
to sing, and sure, I was always happy to chime away. So were you | :14:33. | :14:37. | |
more popular then with the groups of the girls than with the boys? | :14:37. | :14:41. | |
yes, definitely. Nothing's changed. Well - | :14:41. | :14:44. | |
LAUGHTER Some of the girls are older now | :14:44. | :14:54. | |
:14:54. | :14:56. | ||
that I'm popular, but - After finishing secondary school | :14:56. | :15:03. | |
Daniel took a summer job in Dublin and the hotel kitchens became his | :15:03. | :15:08. | |
Main Stage. We went to the Central Hotel today to see where you were | :15:08. | :15:12. | |
when you were washing up. Oh, my goodness. When were you there? | :15:12. | :15:17. | |
was from in 1980. I had finished school in Donegal and my brother | :15:17. | :15:23. | |
was the head chef. I probably wouldn't even have got the job. | :15:23. | :15:30. | |
People think washing dishs would be an awful job, but it was a really | :15:30. | :15:34. | |
good summer in my life. I suppose maybe it was the first time that I | :15:34. | :15:39. | |
had spent any time away from home. I lived with my brother, so he was | :15:39. | :15:43. | |
here, him and his wife and their family, so a great time. Some | :15:43. | :15:46. | |
people say they have a certainty that they knew something big and | :15:46. | :15:50. | |
important was going to happen in their lives did. You have that | :15:50. | :15:55. | |
feeling? I don't know that I had a feeling that you know, I'm going to | :15:55. | :15:59. | |
do something amazing. I didn't even know I would be a singer. I had | :15:59. | :16:04. | |
that thought in the back of my mind, but maybe the clever part of me | :16:04. | :16:09. | |
thought I should go to college. Daniel went off to do a course in | :16:09. | :16:13. | |
business studies, but he realised it wasn't for him and he confided | :16:13. | :16:20. | |
in his sister. He looked at me and he said, "Margaret, I'm not going | :16:20. | :16:27. | |
back to college after Christmas." I said, "Why in" he says, "I want to | :16:28. | :16:33. | |
sing." Soy says, "How about you go home and we'll talk about it | :16:33. | :16:38. | |
again?" But he sent me a Christmas card that year and he wrote on the | :16:38. | :16:42. | |
Christmas card, "Don't forget what I said to you in Galloway. I want | :16:42. | :16:49. | |
to sing" and underlined he had the word no. I talked with my mam. She | :16:49. | :16:56. | |
said, "Have you a place in the band for him? I said, "No, he can't play | :16:56. | :17:03. | |
anything. # Oh Donegal I miss you | :17:03. | :17:08. | |
# And I will never understand # Margo agreed to give him a place in | :17:08. | :17:13. | |
the band. But there was a small draw-back. I was supposed to play | :17:13. | :17:19. | |
the guitar but I couldn't play. He a guitar. I strummed away, two or | :17:19. | :17:23. | |
three keys, irrespective of what key the song was in. I thought if I | :17:23. | :17:29. | |
learn the guitar, I might never get out front. That was the thought. | :17:29. | :17:33. | |
it would hold you back? Yes. I didn't just want to be in a band. I | :17:33. | :17:39. | |
wanted to be out front. Did your sister let you go out front? | :17:39. | :17:45. | |
did. I would sing maybe four or five songs a night. But not enough | :17:45. | :17:48. | |
for you? At that period enough. I suppose it was a good period, | :17:48. | :17:54. | |
because it allowed me, it was kind of like an apprenticeship. I was | :17:54. | :17:57. | |
able to observe the music business and see pretty much immediately | :17:57. | :18:02. | |
that there was nothing about it that I needed to be involved in | :18:02. | :18:09. | |
that I wouldn't enjoy. After a couple of years of touring with his | :18:09. | :18:14. | |
sister Daniel felt ready to step out into the spotlight on his own. | :18:14. | :18:22. | |
# Oh I know it's not right reminiscing tonight # | :18:22. | :18:32. | |
:18:32. | :18:32. | ||
My first record I made in 1983. It was a song called My Donegal Shore | :18:32. | :18:42. | |
:18:42. | :18:42. | ||
on one side and Stand Beside Me on the other. It was �600 to record | :18:42. | :18:52. | |
:18:52. | :18:53. | ||
and �600 to get 1,000 45 records, as it was. Did you have them in | :18:53. | :18:58. | |
your bag and go around selling them yourself? I did. I sold them for | :18:58. | :19:04. | |
�1.50. So you recouped the money. recouped the money, yes. I always | :19:04. | :19:10. | |
said if you were a friend I got it for, they got it for �1. But I sold | :19:10. | :19:17. | |
it anywhere I could. We used to go to Knock. I don't know if you are | :19:17. | :19:23. | |
farm with Knock. It's a Catholic shrine with Our Lady appeared many | :19:23. | :19:29. | |
years ago. We used to make up a bus. I went and sold them. I sang | :19:29. | :19:34. | |
through the mic on the bus. I had my record with me in 1983 and I | :19:34. | :19:40. | |
sold them to everybody. I suppose that was the beginning. Daniel's | :19:40. | :19:44. | |
dream of becoming a singer was now on track and along with a few | :19:44. | :19:49. | |
friends he formed his own band. those days show bands were the big | :19:49. | :19:53. | |
thing in Ireland. They were massive. People don't realise that they | :19:53. | :19:58. | |
would play in halls that had 2,000 people dancing away. And Daniel | :19:58. | :20:03. | |
would have grown up with his sister, Margo, in that framework. It was | :20:03. | :20:06. | |
all show bands and big success, so a lot of people within the | :20:06. | :20:11. | |
framework of Ireland were very successful this those days. | :20:12. | :20:18. | |
first band was called Country Fever. It was four local fellas involved | :20:18. | :20:23. | |
in it with himself. It was all Country and Irish. It was something | :20:23. | :20:28. | |
I suppose Daniel was into himself. He had been singing Country and | :20:28. | :20:35. | |
Irish songs from an early age, so something that he wanted to do. | :20:35. | :20:40. | |
Although the Irish dance hall scene was popular, Daniel and his band | :20:40. | :20:45. | |
were struggling. Most of the places we went then you would just get a | :20:45. | :20:51. | |
very small fee or occasionally you would get the door. That wasn't | :20:51. | :20:57. | |
literally the door off the hinges. Whichever was taken on the door you | :20:57. | :21:04. | |
would get it and the place would get the bar money. They didn't get | :21:04. | :21:09. | |
much bar money when we were there. The crowds were very small. Over a | :21:09. | :21:15. | |
period of 18 months, they toured from Donegal to Dublin, and fluid | :21:16. | :21:21. | |
ex-pat audiences in Irish clubs over in the UK. But success eluded | :21:21. | :21:29. | |
them. In 1985, 1986, on New Year's Eve, a terrific night for dances, | :21:29. | :21:39. | |
we were doing a dance in Cavan town in a hotel called the Farnham Arms | :21:39. | :21:44. | |
and we got 32 people on a New Year's Eve. I thought we couldn't | :21:44. | :21:48. | |
continue, as there was nothing working. I had no money. My friends | :21:48. | :21:52. | |
were being established in careers, that I went to school with, and | :21:52. | :21:56. | |
here was I with literally no money and no sign of anything getting | :21:56. | :22:06. | |
:22:06. | :22:08. | ||
better. Daniel realise realised if he was to be successful he would | :22:08. | :22:11. | |
need help. Numerous managers told him they weren't interested in | :22:11. | :22:15. | |
taking him on, that he wouldn't last six months. He still believed. | :22:15. | :22:19. | |
He it won't the various record labels. They all turned him down. | :22:19. | :22:23. | |
Eventually he did find a manager and a record company, but they made | :22:23. | :22:26. | |
him take some difficult decisions. I'm interested in you having to say | :22:26. | :22:32. | |
goodbye to some of the band members. Yes, some of them... That was tough. | :22:32. | :22:37. | |
Yes it was tough, but I suppose maybe that's where that | :22:37. | :22:42. | |
determination was in me. Even though I'm very, I'm a very calm | :22:42. | :22:51. | |
individual. I'm not a pushy person. Yet I had this determination and | :22:51. | :22:55. | |
drive. I almost look back and wonder did I have it? But I must | :22:55. | :23:03. | |
have had it. # I close my eyes and picture the | :23:03. | :23:07. | |
emerald of the sea # With a new band behind him, things | :23:07. | :23:13. | |
began to take off, and soon he was packing them in. He stuck to his | :23:13. | :23:18. | |
guns, he didn't change his image, didn't change his material, and he | :23:18. | :23:25. | |
became successful. # The river Shannon and the folks... | :23:25. | :23:31. | |
I think he owes an awful lot of his success to the way the English and | :23:31. | :23:36. | |
the Scots and of course the Irish over there, the emigrants who were | :23:36. | :23:40. | |
away, took him into their hearts. They really did. And then I always | :23:40. | :23:44. | |
say if you make it away from home and you come back, you know they | :23:44. | :23:52. | |
are nosey. A lot of people went out of knowsiness and were absolutely | :23:52. | :23:58. | |
bombed. # They have going to put me in the | :23:58. | :24:00. | |
movies # They are going to make a big star | :24:00. | :24:05. | |
out of me. # Daniel's popularity grew. He became | :24:05. | :24:11. | |
Ireland's favourite Country artist. He won awards and had TV | :24:11. | :24:19. | |
appearances in the UK. # No that I've found you | :24:19. | :24:24. | |
# I will be counting on you # But he was about too pay the price | :24:24. | :24:33. | |
of his success. He was working day and night. He had no life out of | :24:33. | :24:37. | |
show business. He lived out of a suitcase. It was from the car to | :24:37. | :24:42. | |
the hotel, to the venue and back to the hotel. He didn't have any other | :24:42. | :24:46. | |
existence outside of it. He loved it, but he was not realising what | :24:46. | :24:53. | |
he was doing. He was on burnout. you've given so much of yourself | :24:53. | :24:58. | |
over those last few years of the '80s, not just on stage but to your | :24:58. | :25:05. | |
fans. And then in 1991 you have talked quite candidly about a big... | :25:05. | :25:11. | |
Well, like a meltdown really that you had. You just hit a wall. | :25:11. | :25:18. | |
Everything I was asked to do I did it, if it, if somebody asked me to | :25:18. | :25:22. | |
come and open an envelope I would have gone and opened it for them. I | :25:22. | :25:27. | |
opened places and I closed places. Whatever, if it was something in | :25:27. | :25:34. | |
the morning and in the afternoon and sing at night. No matter who | :25:34. | :25:39. | |
you are, if you continually do, do, do, something, you cannot keep | :25:39. | :25:44. | |
going. I didn't know. Was it a kind of illness, do you think? Was it a | :25:45. | :25:48. | |
kind of depression? Was it just exhaustion? I don't think it was a | :25:48. | :25:57. | |
depression. I think it was just exhaustion. Something guiding you | :25:57. | :26:06. | |
saying, "Stop!" and then I realised then, and I'm still learning this | :26:06. | :26:16. | |
:26:16. | :26:17. | ||
word "no". 20 years plus later. The reason that I did it is I thought I | :26:17. | :26:26. | |
owed it, because I was so lucky to have the success. That I owed it to | :26:26. | :26:32. | |
do these things for people. You need to realise that if you are | :26:33. | :26:41. | |
nothing to yourself, you can't be anything to anybody else. Daniel | :26:41. | :26:45. | |
lost his voice and was forced to cancel concerts. He feared his | :26:46. | :26:51. | |
career may be over. He didn't just seek medical help. He also turned | :26:51. | :26:57. | |
to his faith. I remember saying, "Well, God, obviously whatever this | :26:57. | :27:04. | |
is, if I am meant to sing, let me sing" and I said, "If I'm not meant | :27:04. | :27:09. | |
to sing, let me do whatever this thing is that I'm supposed to do." | :27:09. | :27:15. | |
You dabbled in a bit of spiritual help and healing. I think it was a | :27:15. | :27:22. | |
nun who wrote to you and said you must go and see Father... Father | :27:22. | :27:25. | |
Rookie. Father Rookie was a charismatic priest who in his | :27:25. | :27:29. | |
services people would fall to the ground when he touched them. | :27:29. | :27:33. | |
heard Father Rookie on the radio here. I thought, I would love to go | :27:33. | :27:39. | |
and see that person. I eventually got to, we went to England. He was | :27:39. | :27:46. | |
having a service there. I went and got a blessing. And yes I did, they | :27:46. | :27:51. | |
call it falling in the spirit. you fell, what do you feel? It is | :27:51. | :27:55. | |
like you can't stay up. It was like somebody knocked you down, but | :27:55. | :28:01. | |
nobody did knock you down. You kind of lose... It is not like fainting | :28:01. | :28:06. | |
but you kind of lose your... Strength. You are not just sure. It | :28:06. | :28:13. | |
is not a minute, I don't think. It is only... In my case I don't know | :28:13. | :28:17. | |
how long it is. I got a blessing from Father Rookie and that was | :28:17. | :28:27. | |
:28:27. | :28:29. | ||
that day. Slowly Daniel's health began to improve and then one day | :28:29. | :28:39. | |
he awoke and felt that something had changed. I stepped out of the | :28:39. | :28:49. | |
:28:49. | :28:49. | ||
bed and this thought entered my head, "I feel better today." Now, I | :28:49. | :28:57. | |
don't mean physically better. I felt more, I felt lighter, and that | :28:57. | :29:03. | |
was the beginning of my recovery. I can't tell you what that is, what | :29:03. | :29:09. | |
it was, was it Father Rookie? Was it me? Was it God? It was a | :29:09. | :29:17. | |
combination of all these things that brought me to feel better that | :29:17. | :29:27. | |
:29:27. | :29:37. | ||
# In His light # You'll never walk alone | :29:37. | :29:41. | |
# Always feel at home # Wherever you may roam # | :29:41. | :29:45. | |
This experience was to have an enduring effect on Daniel's life | :29:45. | :29:52. | |
and particularly on his pre- performance routine. The nun who | :29:52. | :29:57. | |
put you in touch with Father Rookie also sent you a prayer which you | :29:57. | :30:01. | |
use now before each show? You know, it's a miracle prayer. It's | :30:01. | :30:06. | |
actually Father Rookie's prayer. it? And I just started to - I say | :30:06. | :30:11. | |
it every day, and then the day I am doing a show, I say it just before | :30:11. | :30:17. | |
the show, and people will say, "Why do you do that? But I just do. I | :30:17. | :30:25. | |
feel it just helps me, you know? # I can see clearly now the rain is | :30:26. | :30:31. | |
gone # It was in 1992 after a three-month | :30:31. | :30:36. | |
break that Daniel felt ready to sing again. He staged his come-back | :30:36. | :30:40. | |
concert at one of the largest venues in Ireland, the Point | :30:40. | :30:44. | |
Theatre in Dublin. It's a venue where all the major artists have | :30:44. | :30:50. | |
performed before him, everyone from AC/DC to James Brown to Cliff | :30:50. | :30:56. | |
Richard to Rod Stewart - they all played The Point, so this was a | :30:56. | :31:03. | |
huge comeback for Daniel. He was very, very nervous. He really was. | :31:03. | :31:08. | |
Somebody said that night - you know, "When are you coming here?" It was | :31:08. | :31:13. | |
like, how dare you, you know, make fun of me like that?! Anyway, I am | :31:13. | :31:20. | |
here now, almost there. It was to be his biggest concert yet in front | :31:20. | :31:29. | |
of almost 10,000 people. # The two of us together | :31:29. | :31:37. | |
# When we met # We stand at heaven's door | :31:38. | :31:47. | |
:31:48. | :31:56. | ||
It was fantastic. It was just a great night, and he didn't need | :31:56. | :32:01. | |
stage lights that night, just a big beaming smile on his face lit up | :32:01. | :32:06. | |
the stage because his career was back on track, but now it was in a | :32:06. | :32:09. | |
completely new, different sphere, on a different level. He was moving | :32:09. | :32:15. | |
up a notch, and the funny thing about that night was that normally | :32:15. | :32:21. | |
after an artist finishes a show at The Point, the artist leaves the | :32:21. | :32:24. | |
venue immediately and is gone before the crowd is actually | :32:24. | :32:28. | |
walking out. In Daniel's case, he came out, and he did what he always | :32:28. | :32:33. | |
did - he met each and every member of the audience who wanted to meet | :32:33. | :32:40. | |
him. I think it went on until about 4.00am. Often crises brings | :32:40. | :32:43. | |
something fabulous, don't they? You squeeze through the neck of a | :32:43. | :32:47. | |
bottle and come out into sunshine. It's quite incredible when you look | :32:47. | :32:52. | |
back to think that was a bad time, but yet it made a good time. | :32:52. | :33:00. | |
# I want to dance with you # Twirl you all around the floor | :33:00. | :33:10. | |
:33:10. | :33:10. | ||
# That's what dancing is for # He was back on top in Ireland. | :33:10. | :33:16. | |
Daniel proved he had the popularity to sell out Irish concert halls. He | :33:16. | :33:20. | |
wanted to achieve success elsewhere, so with his next single, he tried a | :33:20. | :33:26. | |
slightly different style of music. # I just want to dance with you # | :33:26. | :33:30. | |
He went into the top ten in the British charts. That twisted his | :33:30. | :33:34. | |
career because he realised then if you get the right song, even though | :33:34. | :33:38. | |
you had that folksy Irish background and perception, you | :33:38. | :33:41. | |
could actually make it in the charts. He was thrilled. Can you | :33:41. | :33:47. | |
imagine, when he was on Top of the Pops - oh, my goodness. Did whole | :33:47. | :33:52. | |
of Donegal came to a standstill. was the early '90 when the charts | :33:52. | :33:55. | |
were dominated by rave music and Manchester rock bands, but Daniel | :33:55. | :34:02. | |
broke through with his own style of pop. | :34:02. | :34:05. | |
Daniel O'Donnell, the king of the country charts, has popped up at | :34:05. | :34:13. | |
# Be too shy # Way too late | :34:13. | :34:16. | |
# I don't care what they say # Other lovers do | :34:16. | :34:23. | |
# I just want to dance with you # For us, it was to think, we know a | :34:23. | :34:27. | |
person who is now the Top Of The Pops in Britain, you know, and you | :34:27. | :34:31. | |
were phoning them up, and you were talking about completely ordinary | :34:32. | :34:37. | |
stuff the following day. He never, you know, changed in our view, I | :34:37. | :34:46. | |
suppose. He was still the boy from He even behaved like the boy from | :34:46. | :34:51. | |
down the road and invited the fans around to his house in Kincasslagh. | :34:51. | :34:56. | |
You used to open your house up and have people to come around. If | :34:56. | :35:02. | |
people would knock on the door, you used to say, "Come in. Have a cup | :35:02. | :35:06. | |
of tea." We did that without thinking. This was in the late '80s. | :35:06. | :35:10. | |
I at that time was doing shows at the Mary From Dungloe Festival, | :35:10. | :35:15. | |
which is a festival that takes place in Dungloe six miles from our | :35:15. | :35:19. | |
home, and a lot of people came to see where the house was - where I | :35:19. | :35:25. | |
came from, and they spoke to my mother and my sister if they was | :35:25. | :35:30. | |
there, and they said I was away. I found out. That night, I said, "I | :35:30. | :35:35. | |
know some of you came to visit today." I said, "I don't like to | :35:35. | :35:39. | |
take a lot on the day of a show because I like my voice to be good | :35:40. | :35:46. | |
and fresh for the show," so I won't be there tomorrow either because of | :35:46. | :35:50. | |
that. "But if you want to come on Wednesday about 3.00pm, if you're | :35:50. | :35:58. | |
still about, I'll make a point to being there." Jokingly I said, "We | :35:58. | :36:03. | |
might get a cup of tea." How many turned up? Well, there was hundreds | :36:03. | :36:09. | |
there that day. # There is a little country college | :36:09. | :36:14. | |
in Donegal # Daniel's tea party became an annual | :36:14. | :36:19. | |
event, attracting people from all over the world. Where have you come | :36:19. | :36:23. | |
from today? From Brisbane, Australia. Especially to see | :36:23. | :36:27. | |
Daniel? That's right. He must mean an awful lot to you. He does. We | :36:27. | :36:31. | |
just love you in Australia. He gave me a kiss. | :36:31. | :36:35. | |
REPORTER: He did not. He did. REPORTER: Do you fancy him? I do. | :36:36. | :36:40. | |
It has been a very good day. I don't know if you have met my | :36:40. | :36:43. | |
sister properly, but I think I should introduce her to you. This | :36:43. | :36:46. | |
is Margaret, who introduced me to the music business. It's great for | :36:46. | :36:50. | |
us to be at home with so many people. It's kind of strange in a | :36:50. | :36:53. | |
way. It's hard to understand why they're all here, but we're pleased | :36:53. | :36:57. | |
they're all here. # Daniel put the kettle on | :36:57. | :37:03. | |
# We're coming in for tea # We did that for a number of years, | :37:03. | :37:07. | |
and, you know - in the end, there were so many people. I remember one | :37:07. | :37:10. | |
day in particular - probably the last time - there was Sky News. | :37:10. | :37:14. | |
There was local news. There was this news. There was this radio | :37:14. | :37:18. | |
show. There were so many people that I was literally meeting a | :37:18. | :37:25. | |
fraction, so it sort of outgrew the reason for doing it, and then we | :37:25. | :37:34. | |
decided we wouldn't do it anymore. # We're coming in for tea # | :37:34. | :37:38. | |
But not everyone is a fan. Some people consider him too safe and | :37:38. | :37:44. | |
old-fashioned. Comedians in the press enjoyed having a dig. Daniel | :37:44. | :37:49. | |
has had his critics through the years. On the face of it, he was | :37:49. | :37:54. | |
extremely boring. He liked his mother. He liked his cup of tea. He | :37:54. | :37:57. | |
was extremely well-groomed. Us journalists - and I am a journalist | :37:57. | :38:03. | |
myself - we like our stars to be dirty, rock 'n' roll guys who are | :38:03. | :38:10. | |
outrageous who we can write about. Daniel was none of that. There was | :38:10. | :38:14. | |
a time very early on when he was exceptionally shy - you wouldn't | :38:14. | :38:18. | |
get that many words out of Daniel. You'd get the plug or get the | :38:18. | :38:22. | |
record. We wouldn't get much more. In a way, I think the chat | :38:22. | :38:25. | |
programme he did - I think that was the turning point for him because | :38:25. | :38:29. | |
he gave her as good as he got, and people saw him in a different light. | :38:29. | :38:34. | |
They saw him in a slightly different mood as well. It was a | :38:34. | :38:38. | |
new Daniel. You please so many people with your golden tonsils. | :38:38. | :38:48. | |
:38:48. | :38:51. | ||
Well, thank you. Do I do something for you? Yes, more than Clement | :38:51. | :38:54. | |
James. Do you know how people remember where they were when JFK | :38:54. | :39:00. | |
was shot? Well, we all remember where we were when we first heard | :39:00. | :39:03. | |
you sing. Where were you? I was in the home with one of your records | :39:03. | :39:10. | |
on. Where were you, Ann? I was listening to Songs of Praise, and | :39:10. | :39:14. | |
you sang, didn't you? Was that recently? Yes, just before | :39:14. | :39:17. | |
Christmas, yes. So you have been a fan all your life, Ann? | :39:17. | :39:24. | |
LAUGHTER # Never had this feeling before # | :39:24. | :39:29. | |
For year, he devoted himself to his fans. They were his first love, and | :39:29. | :39:33. | |
that's how many of them liked it, but a holiday in Tenerife changed | :39:33. | :39:39. | |
all of that. You remained a single man for long enough for some people | :39:39. | :39:44. | |
to have fond fantasies of maybe you would come into their lives on a | :39:44. | :39:49. | |
white horse, and then you met Majella. I was allergic to horses. | :39:49. | :39:52. | |
Maybe that's why. LAUGHTER | :39:52. | :39:57. | |
I met Majella, yes. You met Majella, and you started a friendship very | :39:57. | :40:02. | |
quickly. Tell me about how you met her. Well, you know, I was in my | :40:02. | :40:08. | |
late 30s when I met Majella. It was 1999, so I would have been 37, | :40:09. | :40:17. | |
nearly 38, and I have to be honest and say I was very content in my | :40:17. | :40:20. | |
situation. I wasn't lonely. I wasn't searching. I wasn't - | :40:20. | :40:24. | |
anything. But I went to Tenerife. I had known her parents because they | :40:24. | :40:29. | |
had a bar at that time in Tenerife. The first night that, you know, | :40:29. | :40:35. | |
Daniel was in the bar and I met him, we hit it off really, really well, | :40:35. | :40:40. | |
and he kind of suggested - he was with some friends, and he said, | :40:40. | :40:43. | |
"You know, we're going out tomorrow night. Would you like to come with | :40:43. | :40:51. | |
us?" I said, "Oh, where are you going?" He said, "We're going to | :40:51. | :40:54. | |
Veronica's", which is a real club part of Tenerife, the clubbing | :40:54. | :40:59. | |
scene and everything. And I literally thought Daniel O'Donnell | :40:59. | :41:03. | |
in Veronica's? This I have got to see. And I had never been - we're | :41:03. | :41:07. | |
talking about something that starts at 1.00am in the morning and goes | :41:07. | :41:12. | |
on until 5.00am or 6.00am and loud, thumping music. I thought, this is | :41:12. | :41:17. | |
interesting, so yeah, yeah, I would love to come along, you know? He | :41:17. | :41:21. | |
just surprised me, I suppose. I just didn't think he had that life | :41:21. | :41:25. | |
in him. The friendship grew, and the couple spent more and more time | :41:25. | :41:34. | |
together. There hadn't really been any romance at that stage? There | :41:34. | :41:44. | |
was. There was a wee bit, yeah. bit of kissing? We were in our 30s, | :41:44. | :41:49. | |
you know? Well, I'm just checking it out. But the happiness didn't | :41:49. | :41:54. | |
last. Majella had two children from a previous marriage and was | :41:54. | :41:59. | |
divorced. This caused a moral dilemma for Daniel because he knew | :41:59. | :42:05. | |
he couldn't marry a divorcee in a Catholic Church. | :42:05. | :42:09. | |
Because she had been married and divorced, and it was against your... | :42:09. | :42:13. | |
It was against my religion at the time. I thought about this thing of | :42:13. | :42:18. | |
Majella being married and children and all, and I thought, well, maybe | :42:18. | :42:23. | |
it's time to not go any further with this. I remember he - he | :42:23. | :42:28. | |
brought me around to his apartment to tell me, and, of course, I felt | :42:28. | :42:33. | |
like on the wrong territory as well. When he said it, the first thing I | :42:33. | :42:38. | |
wanted to do was just to get out quick. I just didn't want to be | :42:38. | :42:42. | |
there anymore. Of course, Daniel was very polite. "No, no, stay. I | :42:42. | :42:46. | |
want us to be friends" and all the rest. I was like, "Yeah, I don't | :42:46. | :42:51. | |
mind being friends," but I thought, right now I just need to go. I just | :42:51. | :42:57. | |
thought, what a shame. What a shame. After a few months of separation, | :42:57. | :43:04. | |
Daniel began to question his decision. One night I remember most | :43:04. | :43:11. | |
was at Mama Mia, and I was sitting up on my own - because I love ABBA, | :43:11. | :43:17. | |
love ABBA, and I was on my own looking down and - and I thought, | :43:17. | :43:23. | |
Majella would just love this. And I sat back, and I said to myself, | :43:23. | :43:28. | |
this is not the first time Majella has come into your head. Why are | :43:28. | :43:33. | |
you thinking she'd love this and love that? Majella, this, Majella, | :43:33. | :43:38. | |
that? So I think that was when I made my decision. Came to your | :43:38. | :43:44. | |
senses? Maybe. There's a reason this is pushed into my head, and | :43:44. | :43:53. | |
all things can be sorted out. If I'm meant to be with somebody | :43:53. | :43:58. | |
that's married, I'm obviously meant to be with somebody that's married, | :43:58. | :44:03. | |
so we got back together. # The winner takes it all # | :44:03. | :44:09. | |
The relationship grew, and Daniel was keen to take it to the next | :44:09. | :44:12. | |
stage and get married. Daniel as a member of the Catholic Church | :44:12. | :44:19. | |
wanted to get married in church, and always his dream was to marry | :44:19. | :44:23. | |
in his local church in Kincasslagh. Majella being a divorcee, this | :44:23. | :44:33. | |
:44:33. | :44:40. | ||
Majella would have to apply for her marriage to be annulled. If granted | :44:40. | :44:47. | |
this, would mean Majella and Daniel would be free to marry in church. | :44:47. | :44:51. | |
Daniel's faith always has been very important to him. I know he jumped | :44:51. | :44:54. | |
through hoops to make sure that because Majella had been married | :44:54. | :44:59. | |
before, that he would be allowed to get married in his church in | :44:59. | :45:02. | |
Donegal. He really went the full mile for that to make sure that | :45:02. | :45:09. | |
would happen. After a tense wait, the annulment | :45:09. | :45:15. | |
was granted. I would say I was more delighted | :45:15. | :45:21. | |
for Daniel than Daniel was for himself, because I knew how | :45:21. | :45:26. | |
important it was to him to be blessed in the eyes of God in the | :45:26. | :45:29. | |
Catholic Church. We would have been together but it would always have | :45:29. | :45:34. | |
been, there would always have been a little sorrow in his heart if he | :45:34. | :45:39. | |
hadn't been able to have God's blessing. How important was that to | :45:39. | :45:46. | |
you? It was important to me, but I don't think I would not have, I | :45:46. | :45:50. | |
think we would have stayed together anyway. I don't think that we | :45:50. | :45:55. | |
should expect the Church to change all rules to accept everybody, but | :45:55. | :46:00. | |
I do think that the Church needs to be more accepting and it needs to | :46:00. | :46:06. | |
be a broader Church, even though I'm a part. I'm very much am | :46:06. | :46:13. | |
Catholic. But love is love. Love is love and God is love. Exactly. | :46:13. | :46:21. | |
you have to, you know - things are never black and white. Did you keep | :46:21. | :46:26. | |
the news of Majella and your impending marriage from the fans? | :46:26. | :46:32. | |
Or did they know? Initially we did And what it was reaction, all | :46:32. | :46:36. | |
positive? Oh yes. All positive, there's always a few that would | :46:36. | :46:42. | |
disagree with it and you would get letters from people saying that, | :46:42. | :46:49. | |
"Oh, she's married and she's divorced "but we had got over that. | :46:49. | :46:53. | |
And most of them letters, in fact all of them were unsigned. Any | :46:53. | :47:03. | |
:47:03. | :47:03. | ||
letter you get is not signed is not worth dealing with. | :47:03. | :47:10. | |
The big day came on 4th November 2002, and there supporting him was | :47:10. | :47:14. | |
his old schoolfriend and first band member. I went down to his house | :47:14. | :47:21. | |
that morning. I did the normal stuff that I suppose every best man | :47:21. | :47:25. | |
would do, the things that you are supposed to look after and sort out | :47:25. | :47:31. | |
on the morning. It was all very normal stuff. We thought in the | :47:31. | :47:36. | |
morning in the house, it was only when we got to the chapel that | :47:36. | :47:44. | |
there were so many TV crews. So many people. This was not going to | :47:44. | :47:53. | |
be any ordinary affair. 500 people at the wedding. 40 of the guests | :47:53. | :48:00. | |
were mine and 460 were from Daniel. I asked Daniel if he would sing a | :48:00. | :48:06. | |
song, You By My Side, and the words are beautiful. | :48:06. | :48:13. | |
# I never thought I would see this day, your friends and my family | :48:13. | :48:18. | |
smiling." I said, I would love tow sing that. He said no, it is my | :48:18. | :48:23. | |
wedding day and I'm not singing. The communion started and he leaned | :48:23. | :48:29. | |
over and said, "I need to go to the toilet." I thought, "Oh, my God, go | :48:29. | :48:33. | |
on then, quick." This ripple of laughter started when people | :48:33. | :48:39. | |
realised. I started to look around and the next thing... | :48:39. | :48:48. | |
# With you by my side # That's how I see us # | :48:48. | :48:55. | |
I went into floods of tears. I could nearly cry now. It was so, I | :48:55. | :49:05. | |
:49:05. | :49:10. | ||
so didn't expect it. APPLAUSE Daniel gave imagine Madge a fairy- | :49:10. | :49:16. | |
tale wedding and in return she's given his image a make-over. | :49:16. | :49:20. | |
think Majella has sharpened him up. I'm not saying he was always the | :49:20. | :49:26. | |
Irish boy at heart, but she's made him a lot more suave than he used | :49:26. | :49:30. | |
to be. She makes him shop for suits in America when they visit there. | :49:30. | :49:35. | |
She makes sure he is styled correctly. His stage presence is | :49:35. | :49:41. | |
much better simply because of Majella. | :49:41. | :49:47. | |
Daniel has brought that new confidence to tours of Canada, | :49:47. | :49:54. | |
Australia and especially America. # To my heroes as they sang my | :49:54. | :49:57. | |
favourite song # Feted love and I still miss | :49:57. | :50:00. | |
someone # He has become a favourite on TV | :50:00. | :50:04. | |
channels over there with his Irish charm going down well. | :50:04. | :50:10. | |
# I wonder what it would be like to be a country star # | :50:10. | :50:13. | |
He has been extremely successful in the last several years. People | :50:13. | :50:17. | |
would turn on their telly in the morning and see Daniel and turn on | :50:18. | :50:22. | |
their fellly in the evening and see Daniel. Gradually they got to know | :50:22. | :50:27. | |
him. To the extent he became something of a superstar. He now | :50:27. | :50:32. | |
works every year in Branson Missouri in a theatre there. The | :50:32. | :50:36. | |
beauty of that is that Daniel doesn't have to tour the States, | :50:36. | :50:44. | |
which is very time-consuming. People come to him. | :50:44. | :50:54. | |
:50:54. | :50:59. | ||
# O Lord my God # When I in awesome wonder | :50:59. | :51:02. | |
# Consider all... # We take the fan there is for a week, | :51:02. | :51:08. | |
we take in five shows for him. Branson itself, it is quaint, it is | :51:08. | :51:16. | |
unique. It is a small town on the 65 South and it has a population of | :51:16. | :51:21. | |
3,600 people. Believe it or not it has 7 million visitor as year. It's | :51:21. | :51:27. | |
a country music Mecca. There are 42 theatres, 97 hotels, so all the big | :51:27. | :51:32. | |
stars go and take theatres in Branson Missouri. Daniel has the | :51:32. | :51:40. | |
record for his shows in Branson of having I think it is 44 or 45 | :51:40. | :51:44. | |
coach-loads go to his show. That's the record of coaches attending. | :51:44. | :51:49. | |
And now so many years later, Daniel O'Donnell is the number one artist | :51:49. | :51:59. | |
:51:59. | :52:05. | ||
One of the things that goes with stardom is your very own place of | :52:05. | :52:10. | |
pilgrimage for the fans. Just as Elvis has Graceland, Dolly Parton | :52:10. | :52:18. | |
has Doyle wood, now Daniel has his visitors' centre in Donegal. | :52:18. | :52:22. | |
were looking at all the different bits of memorabilia. I said, what | :52:22. | :52:28. | |
are you going to do with this? He said, I don't really know. I said | :52:28. | :52:34. | |
open up a visitor centre, he said, do you think anybody would come and | :52:34. | :52:40. | |
see it? I said, of course they would. Fans can glimpse into his | :52:40. | :52:43. | |
childhood and inspect his earlier attempts at writing. Many pride of | :52:43. | :52:48. | |
place is his MBE, presented to him in Dublin by Prince Charles. And | :52:49. | :52:52. | |
perhaps the most popular exhibit is Majella's wedding dress. His whole | :52:52. | :52:58. | |
life is laid out for all to see. He's even been known to drop in | :52:58. | :53:02. | |
occasionally himself. See this picture here? This is when I'm | :53:02. | :53:07. | |
young, and then airbrushing started. So this is without the airbrushing | :53:07. | :53:13. | |
and then as you go down the line, there's no lines at all! I said to | :53:13. | :53:20. | |
them, stop that airbrushing. expected 5,000 people in the first | :53:20. | :53:24. | |
year. We still have a couple of weeks to run, but to date we have | :53:24. | :53:28. | |
just tipped over the 10,000 people it has been very popular. Very, | :53:28. | :53:37. | |
very popular. Daniel's popularity has grown | :53:37. | :53:41. | |
through the decades this. Year he is celebrate a singing career which | :53:41. | :53:46. | |
has spanned 30 years. He's sold over 10 million albums and is now a | :53:46. | :53:51. | |
millionaire, but he doesn't take any of it for granted. I'm very | :53:51. | :53:56. | |
lucky to have been age to have a very comfortable life. So I'm very | :53:56. | :54:04. | |
grateful for the life that I have had. Just always aware of that. I | :54:04. | :54:09. | |
think that's important. So the money that you earn, you are not | :54:10. | :54:14. | |
mean, I know, that you are very generous, but you understand the | :54:14. | :54:20. | |
value of it? I think it has all to do with being brought up where I | :54:20. | :54:29. | |
was and not always having money. Before I started being successful, | :54:29. | :54:36. | |
I really had no money. So I think you always, you're always aware and | :54:36. | :54:42. | |
respectful of that. And you're a man who enjoys a bargain? I love a | :54:42. | :54:50. | |
bargain. I would rather get something op a sale than pay the | :54:50. | :54:57. | |
full whack. I'm always looking for the two or one. You're talking | :54:57. | :55:02. | |
about cheapest, if you can get it two for one, take it, even if you | :55:02. | :55:09. | |
don't need it at the time. When he's not out shopping for bargains | :55:09. | :55:14. | |
or on tour, Daniel heads home to don gaffe. It is where he and | :55:14. | :55:16. | |
Majella look forward to spending their time together, especially at | :55:16. | :55:26. | |
:55:26. | :55:43. | ||
Is Christmas important to you? love Christmas, love it. I love | :55:43. | :55:48. | |
Christmas trees and decorations. Love, I love the Mass at Christmas. | :55:48. | :55:56. | |
You get to sing in the choir. I love that whole thing, and our | :55:56. | :56:05. | |
chapel is beautiful. It's very special. Every Christmas since | :56:05. | :56:10. | |
Daniel was a boy he has sang on Christmas Eve in midnight Mass in | :56:10. | :56:15. | |
his church at home. # All across the land dawn as | :56:15. | :56:18. | |
brand-new morn # This comes to pass | :56:18. | :56:27. | |
# When a child is born # But he has always sang and it is | :56:27. | :56:30. | |
really important. It's a real tradition, we go to midnight Mass, | :56:30. | :56:35. | |
he sings, we go back to his sister's house. We have soup and | :56:35. | :56:39. | |
sandwiches, every single year. lot of people think Christmas is | :56:39. | :56:42. | |
overcommercialised and the religious means has disappeared. | :56:42. | :56:47. | |
Can you still sift through the tinsel to get that? I think so. | :56:47. | :56:54. | |
Sure it is commercialised but when you strip it all down, even if | :56:54. | :56:57. | |
you're giving presents, whether we are big or small, you're giving | :56:57. | :57:01. | |
them. That's giving to somebody. You're giving to somebody. The | :57:01. | :57:06. | |
closest we are going to get to God on this earth is the person we meet | :57:06. | :57:13. | |
next. So when you give, that's who you're giving to really. What's | :57:13. | :57:19. | |
your best present that Majella has given you? I think herself more | :57:19. | :57:29. | |
than anything. Good answer. What we have together is priceless. Daniel, | :57:29. | :57:33. | |
happy Christmas. Thank you very much. It's been lovely. Thank you | :57:33. | :57:43. | |
very much. It's a pleasure. # God be with you till me meet | :57:43. | :57:53. | |
:57:53. | :57:54. | ||
again # By his counsel's uphold you # | :57:54. | :57:59. | |
Has meeting him today changed my preconceived ideas you have about | :57:59. | :58:05. | |
him? Isn't he funny? Isn't he shrewd? And doesn't he have a | :58:05. | :58:09. | |
fantastic marriage with Majella? And I love his faith. It's sincere, | :58:09. | :58:13. | |
it has a simplicity and he is open about it. I'm a big Daniel | :58:13. | :58:20. | |
O'Donnell fan. Next week I meet Dionne Warwick, | :58:20. | :58:24. | |
music legend and trailblazer for black performers. She talks about | :58:24. | :58:27. | |
her enduring faith through 50 years in show business. | :58:27. | :58:34. | |
And how that belief helped her deal with the death of her cousin, | :58:34. | :58:37. | |
Whitney Houston. It is now at the point where I'm beginning to | :58:37. | :58:41. |