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MUSIC PLAYS OVER RADIO | 0:00:02 | 0:00:04 | |
DRILLS WHIR, HAMMER BANGS | 0:00:04 | 0:00:07 | |
In 1993, a 17-year-old car mechanic working in his father's garage | 0:00:08 | 0:00:13 | |
had to ask for the morning off. And his father said, "Why?" | 0:00:13 | 0:00:16 | |
And he said, "Well, I want to audition for a boy band." | 0:00:16 | 0:00:18 | |
And after a pause his father said, "Can you sing?" | 0:00:18 | 0:00:21 | |
He said, "I don't know." And his father said, "Well, be back by two." | 0:00:21 | 0:00:26 | |
And that is how a boy from north Dublin | 0:00:26 | 0:00:29 | |
set out on the road to worldwide stardom. | 0:00:29 | 0:00:33 | |
# ..So good Like I knew we would... # | 0:00:33 | 0:00:36 | |
Shane Lynch is a member of Boyzone, | 0:00:36 | 0:00:38 | |
one of the most successful boy bands in history. | 0:00:38 | 0:00:41 | |
# ..Gonna be so good... # | 0:00:41 | 0:00:43 | |
Young Dubliners plucked from obscurity | 0:00:43 | 0:00:45 | |
as Ireland's answer to Take That. | 0:00:45 | 0:00:49 | |
Nobody knew anything. | 0:00:49 | 0:00:50 | |
We were just five lads taken from our mothers in Ireland | 0:00:50 | 0:00:54 | |
and dropped in London in this band. | 0:00:54 | 0:00:56 | |
It was mental, absolutely mental. | 0:00:56 | 0:00:59 | |
# You will be there... # | 0:00:59 | 0:01:02 | |
Boyzone's career has spanned 22 years, | 0:01:02 | 0:01:05 | |
with a string of hit singles, eight albums, | 0:01:05 | 0:01:08 | |
more than 25 million record sales and a clutch of music industry awards. | 0:01:08 | 0:01:13 | |
-Boyzone! There's your award, guys. -CHEERING | 0:01:13 | 0:01:16 | |
But after seven years in the media spotlight, | 0:01:16 | 0:01:19 | |
Shane's life began to spiral out of control. | 0:01:19 | 0:01:23 | |
He even dabbled in the world of the occult. | 0:01:23 | 0:01:26 | |
I was in a bad way. I was in a bad, bad, dark, dark place. | 0:01:26 | 0:01:29 | |
So I took upon a dark nature because I liked people fearing my character. | 0:01:29 | 0:01:34 | |
I danced with the devil without a doubt. | 0:01:36 | 0:01:38 | |
He scared me. | 0:01:38 | 0:01:39 | |
He had these black contacts in his eyes, | 0:01:39 | 0:01:42 | |
so his eyes were totally black, and he wasn't himself. | 0:01:42 | 0:01:46 | |
# Now I'm a man... # | 0:01:46 | 0:01:48 | |
As Boyzone went their separate ways, help came from an unexpected place. | 0:01:48 | 0:01:53 | |
He found God and... it done him the world of good. | 0:01:53 | 0:01:56 | |
I was hungry...I was hungry for God because of what it was doing for me, | 0:01:56 | 0:02:01 | |
how it was making me feel. | 0:02:01 | 0:02:02 | |
In 2009, Boyzone were back together | 0:02:02 | 0:02:05 | |
recording their first album in nearly a decade when tragedy struck. | 0:02:05 | 0:02:10 | |
On stage with the boys, we will always be five. | 0:02:10 | 0:02:14 | |
He is there and it will always be like that. | 0:02:14 | 0:02:17 | |
# The way you love me... # | 0:02:17 | 0:02:21 | |
Shane self-deprecatingly calls himself a "chancer". | 0:02:21 | 0:02:24 | |
So I want to find out, after all he's been through, | 0:02:24 | 0:02:27 | |
what sort of man that 17-year-old has become. | 0:02:27 | 0:02:30 | |
Ooh, Shane, this is a nice family home. | 0:02:41 | 0:02:43 | |
Did you ever think you'd have a family home as lovely as this? | 0:02:43 | 0:02:47 | |
-Well, welcome to start with, I suppose. -Thank you. | 0:02:47 | 0:02:50 | |
Erm, yeah, as a young man I always... | 0:02:50 | 0:02:52 | |
certainly dreamt of having such things. | 0:02:52 | 0:02:55 | |
I came from a relatively big family, | 0:02:55 | 0:02:57 | |
so I always envisaged when I got older, | 0:02:57 | 0:02:59 | |
yeah, I'd have kids and all that, so... | 0:02:59 | 0:03:01 | |
Shane Eamon Lynch was born in the hot summer of 1976 in Dublin. | 0:03:04 | 0:03:10 | |
Home was six miles to the north-east of the city | 0:03:10 | 0:03:13 | |
in the leafy suburb of Donaghmede, surrounded by girls. | 0:03:13 | 0:03:17 | |
-Poor Shane. I mean, there's five girls and one boy. -Yeah. | 0:03:21 | 0:03:24 | |
So that must have been dreadful in some kind of way, | 0:03:24 | 0:03:27 | |
like, watching all of us with our make-up and our nails. | 0:03:27 | 0:03:30 | |
The only other male in the Lynch household was Shane's dad, Brendan, | 0:03:30 | 0:03:35 | |
a car mechanic who owned his own garage business | 0:03:35 | 0:03:38 | |
and worked long hours. | 0:03:38 | 0:03:40 | |
He'd be gone out of the door before we got up for school, | 0:03:40 | 0:03:43 | |
and by the time we'd gone to bed, he wouldn't be home. You know, it'd be work, work, work, work. | 0:03:43 | 0:03:47 | |
He was a churchgoer, a very devout... | 0:03:47 | 0:03:49 | |
-He is still, I think, a very devout churchgoer? -Yeah. | 0:03:49 | 0:03:53 | |
And so he took you and your sisters and your mum to church every Sunday? | 0:03:53 | 0:03:56 | |
He dragged us. | 0:03:56 | 0:03:58 | |
Meaning, as in, who wants to go to the church when they are a kid? I didn't. | 0:03:58 | 0:04:02 | |
-So they were just stories to you? -Oh, church was nonsense as a child, nonsense. | 0:04:02 | 0:04:05 | |
Why do you want to sit down and listen to some drab old nonsense going on? | 0:04:05 | 0:04:09 | |
It doesn't mean anything to you. | 0:04:09 | 0:04:10 | |
That was busy taking up... time I could be jumping on my BMX, d'you know what I mean? | 0:04:10 | 0:04:14 | |
I used to ride motorbikes, mad about motorbikes at about the age of 12 years old, | 0:04:14 | 0:04:19 | |
fixing motorbikes, riding motorbikes. | 0:04:19 | 0:04:21 | |
So it was kind of a rogue type of feralness. | 0:04:21 | 0:04:25 | |
You were a boy being a boy. | 0:04:25 | 0:04:27 | |
Family life was happy, but at school, Shane struggled from the beginning. | 0:04:30 | 0:04:35 | |
When did you realise you first had a problem with reading? | 0:04:37 | 0:04:40 | |
Erm, I know a lot of the kids were starting to spell their name, | 0:04:40 | 0:04:44 | |
then the teacher says, "Very good. Well done, David. Well done, Michael. Well done, whatever." | 0:04:44 | 0:04:48 | |
There was never, "Well done, Shane," that's for sure. | 0:04:48 | 0:04:50 | |
I mean, they were just another pattern to me, | 0:04:50 | 0:04:54 | |
they weren't letters whatsoever. | 0:04:54 | 0:04:55 | |
In fact, Shane's problems stemmed from dyslexia, | 0:04:55 | 0:04:59 | |
undiagnosed until he was in his 30s. | 0:04:59 | 0:05:02 | |
While they were teaching, you understood the subjects, you just couldn't put it down on the page? | 0:05:02 | 0:05:07 | |
Yes, very much so. I couldn't pick up a book and read it to you, | 0:05:07 | 0:05:10 | |
that would be an impossible task. | 0:05:10 | 0:05:12 | |
I think he just always thought he was a bit stupid, really, | 0:05:12 | 0:05:15 | |
and just didn't take it in. | 0:05:15 | 0:05:16 | |
Well, he was always told that in school, you know. | 0:05:16 | 0:05:19 | |
Shane didn't shine academically, | 0:05:20 | 0:05:23 | |
but he drew attention to himself in other ways. | 0:05:23 | 0:05:26 | |
How did you come to school with a horse? | 0:05:27 | 0:05:30 | |
-TARA LAUGHS -Apparently, he took a horse to school. | 0:05:30 | 0:05:33 | |
I see a guy coming down the road one day | 0:05:33 | 0:05:35 | |
in the middle of our housing estate on a horse | 0:05:35 | 0:05:37 | |
and I thought, "That's cool. That is proper cool, that's what I am going to do." | 0:05:37 | 0:05:42 | |
So I put my money together and I went down to the travellers. | 0:05:42 | 0:05:45 | |
I think it was £30 or something, buy this horse, | 0:05:45 | 0:05:48 | |
no saddle, no reins, no nothing, a bit of rope. | 0:05:48 | 0:05:51 | |
One of my friends said to me, "I saw Shane | 0:05:51 | 0:05:53 | |
"going to school on a horse." I was like, "What?! Are you serious?" | 0:05:53 | 0:05:56 | |
Where did you tie him up when you were at school? | 0:05:56 | 0:05:58 | |
Oh, to the bike rack. Oh, yeah, yeah, tied him to the bike rack, into school. | 0:05:58 | 0:06:02 | |
-Didn't anyone say, "Lynch..."? -Of course but, you know, everything was fine. | 0:06:02 | 0:06:06 | |
And it was only for a day, so there was no real big problem afterwards. | 0:06:06 | 0:06:10 | |
But, you know, I liked being different | 0:06:10 | 0:06:13 | |
and I still like being different. | 0:06:13 | 0:06:14 | |
And then there's this moment at school, your behaviour has been such | 0:06:14 | 0:06:19 | |
that the head teacher, presumably, had had enough of you and he said, | 0:06:19 | 0:06:24 | |
-"That's it, just don't ever come back." And you were only 14. -Yeah. | 0:06:24 | 0:06:28 | |
And there was a disruptive moment within the classroom. He said, "OK, Mr Lynch, stand outside the door". | 0:06:28 | 0:06:32 | |
I stood outside the door and the principal came by and he said, | 0:06:32 | 0:06:35 | |
"Ah, now, Mr Lynch, what are you out here for?" | 0:06:35 | 0:06:37 | |
I said, "Well..." - and genuinely, not telling a lie - | 0:06:37 | 0:06:41 | |
"..I didn't do anything, sir." | 0:06:41 | 0:06:43 | |
And he goes, "That's the point, | 0:06:43 | 0:06:45 | |
"you don't do anything in this school, | 0:06:45 | 0:06:48 | |
"so I'd really appreciate it if you didn't come back." | 0:06:48 | 0:06:51 | |
That must have hurt? | 0:06:51 | 0:06:53 | |
Erm, honestly, I don't remember that emotion back in the day, | 0:06:53 | 0:06:57 | |
other than...probably release and then immediate fear. | 0:06:57 | 0:07:01 | |
"How on earth am I going to tell my parents?" | 0:07:01 | 0:07:03 | |
I was being kicked out of school | 0:07:03 | 0:07:06 | |
because I couldn't do what the rest of the kids could do, | 0:07:06 | 0:07:09 | |
and that's be academic - read, write, you know. | 0:07:09 | 0:07:12 | |
Everything that they were doing, I couldn't do it. | 0:07:12 | 0:07:14 | |
Shane said nothing. | 0:07:16 | 0:07:18 | |
It was 1991, the end of the academic year, | 0:07:18 | 0:07:22 | |
and the Lynch family were heading for Portugal. | 0:07:22 | 0:07:25 | |
MUSIC: Should I Stay Or Should I Go? by The Clash | 0:07:25 | 0:07:28 | |
-And I think that was the summer you turned 15, was it? -Yeah. 15, yeah. | 0:07:28 | 0:07:31 | |
-Yeah. -I think that was the worst summer of my life. | 0:07:31 | 0:07:34 | |
And every day I woke up, the fear of my life, facing the fact | 0:07:34 | 0:07:39 | |
that yesterday I didn't tell my dad I was kicked out of school | 0:07:39 | 0:07:42 | |
and I couldn't go back. | 0:07:42 | 0:07:43 | |
And all summer, you've got to think about how you're going to mention this. | 0:07:43 | 0:07:46 | |
We were coming back from Portugal back to Ireland, | 0:07:49 | 0:07:52 | |
my dad, all of us in the camper van. | 0:07:52 | 0:07:55 | |
September was coming, I'm thinking, "Boy, you know, it's got to happen." | 0:07:55 | 0:07:59 | |
So I built up the courage, and I remember we had these curtains | 0:07:59 | 0:08:03 | |
that separated the front of the camper van to the back, | 0:08:03 | 0:08:06 | |
so my dad could concentrate on driving. | 0:08:06 | 0:08:08 | |
I remember opening the curtains, taking a big deep breath and saying, | 0:08:08 | 0:08:13 | |
"Dad...I really don't like school | 0:08:13 | 0:08:17 | |
"and I'd love an apprenticeship. | 0:08:17 | 0:08:22 | |
"Any chance I can have a job?" | 0:08:22 | 0:08:24 | |
And he kind of took his eye off the road for a second, | 0:08:25 | 0:08:28 | |
looked at me... | 0:08:28 | 0:08:29 | |
-"No problem, son." -SHE GASPS | 0:08:29 | 0:08:32 | |
..and kept on driving. | 0:08:32 | 0:08:34 | |
If I had have done that three months ago, | 0:08:34 | 0:08:37 | |
I would have had the best summer of my life! | 0:08:37 | 0:08:40 | |
And it taught me such an amazing lesson in life, | 0:08:42 | 0:08:45 | |
that we put off, we put off, we put off, we put off, | 0:08:45 | 0:08:48 | |
what we don't want to do or we're scared of, | 0:08:48 | 0:08:50 | |
but, actually, if I had just got it over and done with, it would never have been an issue. | 0:08:50 | 0:08:54 | |
And, honestly, the whole world just... The heavens opened, | 0:08:54 | 0:08:58 | |
the angels sang. And that was it, I was going to work for my dad. | 0:08:58 | 0:09:02 | |
That was it, I became a man. | 0:09:02 | 0:09:04 | |
For the next three years, | 0:09:04 | 0:09:07 | |
Shane worked in the garage learning his father's trade. | 0:09:07 | 0:09:11 | |
I mean, every day in that garage, it was just some of the best times in my life, I loved it. | 0:09:11 | 0:09:15 | |
Rain, hail, sleet, snow, it didn't matter. | 0:09:15 | 0:09:18 | |
Cold spanner stuck to your hands, you know, you didn't wear gloves back in the day, | 0:09:18 | 0:09:22 | |
you didn't have hand protection as they do now, it was just raw! | 0:09:22 | 0:09:25 | |
So there you are, working with your dad, | 0:09:25 | 0:09:27 | |
presumably the radio's on in the garage? | 0:09:27 | 0:09:30 | |
-No, never in the garage. There's no time for listening to music in that garage. -Really? | 0:09:30 | 0:09:34 | |
-So... -You're crazy! I always enjoyed music as a kid. | 0:09:34 | 0:09:37 | |
I wasn't your typical Irish guy - U2, rock, rock, rock. | 0:09:37 | 0:09:41 | |
So I was into, again, being different. | 0:09:41 | 0:09:44 | |
"What's across the pond in America? Hip-hop, wow, amazing, love it." | 0:09:44 | 0:09:47 | |
-And actually genuinely did. -# Always want to get some | 0:09:47 | 0:09:49 | |
# Pick pockets and then they try to play dumb. Yo! # | 0:09:49 | 0:09:52 | |
But I never thought I'd be in music for sure. | 0:09:52 | 0:09:55 | |
No, you wanted to be in cars. | 0:09:55 | 0:09:57 | |
Yeah, I wanted to be in cars. | 0:09:57 | 0:09:58 | |
# ..Answers I can find | 0:09:58 | 0:10:02 | |
# Baby, I want you | 0:10:02 | 0:10:03 | |
# Come, come, come into my arms... # | 0:10:03 | 0:10:11 | |
While Shane was serving his apprenticeship learning about brake systems and diagnostics, | 0:10:11 | 0:10:16 | |
five lads from Manchester were storming the charts. | 0:10:16 | 0:10:19 | |
So your friend, Mark Walton, | 0:10:21 | 0:10:23 | |
he was the one who said to you, "Here, have you heard this Take That? They're fantastic. | 0:10:23 | 0:10:28 | |
"We could be... We could be an Irish boy band." | 0:10:28 | 0:10:31 | |
And you think, "Yeah, that's... Yeah, good idea, let's do that." | 0:10:31 | 0:10:34 | |
Was it as simple as that? | 0:10:34 | 0:10:35 | |
-D'you know, as mad as it is, yes. -SHE LAUGHS | 0:10:35 | 0:10:39 | |
You know, I didn't think, "Oh, how's that going to happen?" | 0:10:39 | 0:10:42 | |
I just went, "That's a great idea, I'm going to be that." | 0:10:42 | 0:10:44 | |
And it's funny cos, like, we went... | 0:10:44 | 0:10:47 | |
In that particular conversation of, | 0:10:47 | 0:10:49 | |
"This band, boy band... OK, cool, sounds good. | 0:10:49 | 0:10:53 | |
"What do we do? We need a manager. Oh, yeah, we need a manager. | 0:10:53 | 0:10:55 | |
"How do we get one of those? I don't know." | 0:10:55 | 0:10:58 | |
So, we had this meeting set up, | 0:10:58 | 0:10:59 | |
it was on Grafton Street at one o'clock in the day with this guy. | 0:10:59 | 0:11:03 | |
But there was still one big hurdle to overcome, | 0:11:04 | 0:11:06 | |
Shane needed time off from the garage. | 0:11:06 | 0:11:09 | |
And for that, he needed permission from his dad. | 0:11:09 | 0:11:12 | |
You don't really take time off work. | 0:11:14 | 0:11:16 | |
Maybe if you had a limb missing, he'd let you away with it, but that's about it. | 0:11:16 | 0:11:19 | |
So, anyway, on the way into work I said, | 0:11:19 | 0:11:22 | |
"Listen, Dad, I've got an interview later on with a manager | 0:11:22 | 0:11:27 | |
"about being in a band". | 0:11:27 | 0:11:28 | |
The most ridiculous thing ever! | 0:11:28 | 0:11:30 | |
And my dad, being him... | 0:11:32 | 0:11:33 | |
..doesn't say much for a second or two, driving away. | 0:11:34 | 0:11:38 | |
He looks across... "Is that right, son?" | 0:11:39 | 0:11:42 | |
He goes, "Tell me something..." | 0:11:43 | 0:11:45 | |
"..do you sing, son?" he says. | 0:11:46 | 0:11:49 | |
I said, "No." | 0:11:49 | 0:11:50 | |
"Oh, right, right." | 0:11:50 | 0:11:52 | |
"What instrument do you play, son?" | 0:11:53 | 0:11:55 | |
I said, "I don't play any instrument." | 0:11:56 | 0:11:58 | |
He goes, "Right, right. | 0:11:58 | 0:12:00 | |
"What are you going to do in this band?" | 0:12:00 | 0:12:02 | |
I said, "I don't really know". | 0:12:03 | 0:12:05 | |
He goes, "OK, be back by two o'clock". | 0:12:05 | 0:12:07 | |
Brilliant. | 0:12:07 | 0:12:09 | |
And so Mark and Shane kept their appointment on Grafton Street | 0:12:10 | 0:12:14 | |
with their prospective manager. | 0:12:14 | 0:12:16 | |
His name was...Louis Walsh. | 0:12:16 | 0:12:19 | |
He opens up this silver briefcase. | 0:12:19 | 0:12:21 | |
-Oh, yes. -He takes out his... | 0:12:21 | 0:12:25 | |
Actually, fax, reels of fax paper back in the day, | 0:12:25 | 0:12:29 | |
and he was showing me, he was showing us. | 0:12:29 | 0:12:31 | |
The amazing thing about that was he was selling himself to us. | 0:12:31 | 0:12:35 | |
And he sold us the dream. Honestly, he said, "Lads, the sun, the moon and the stars will be yours. | 0:12:35 | 0:12:42 | |
"I'm your man." | 0:12:42 | 0:12:43 | |
And, right enough, he sure was. | 0:12:43 | 0:12:45 | |
He really got all the newspapers firing, didn't he? | 0:12:45 | 0:12:48 | |
We started to get recognised for no reason whatsoever, | 0:12:48 | 0:12:51 | |
and we're signing autographs for no reason, | 0:12:51 | 0:12:53 | |
and, you know, we're talking about how great our band is going to be | 0:12:53 | 0:12:56 | |
and we didn't even have a band. | 0:12:56 | 0:12:58 | |
But he really did, he got that ball rolling, he got Ireland excited. | 0:12:58 | 0:13:02 | |
Louis' campaign culminated | 0:13:02 | 0:13:04 | |
in a newspaper advertisement | 0:13:04 | 0:13:07 | |
inviting talented singers | 0:13:07 | 0:13:08 | |
to audition for the new boy band. | 0:13:08 | 0:13:11 | |
I remember way back seeing the advert in the newspaper. | 0:13:11 | 0:13:13 | |
And it was Shane and another lad, | 0:13:13 | 0:13:15 | |
and it was a black-and-white photograph, | 0:13:15 | 0:13:17 | |
and they were kind of hanging out of a tree. | 0:13:17 | 0:13:19 | |
More than 300 boys turned up for the auditions. | 0:13:19 | 0:13:23 | |
You and Mark and Louis watch these auditions go through. | 0:13:23 | 0:13:27 | |
A young Ronan came in front of you, he was only 15? | 0:13:27 | 0:13:30 | |
Ronan was the youngest. | 0:13:30 | 0:13:31 | |
-At 15 he would have came to the audition. -Shane was in the room. | 0:13:31 | 0:13:34 | |
I didn't know who he was, I just thought he was this big... | 0:13:34 | 0:13:38 | |
music guru or something. | 0:13:38 | 0:13:40 | |
I didn't know what he was. | 0:13:40 | 0:13:41 | |
Who was next? You've got Mikey... | 0:13:41 | 0:13:43 | |
-Yeah, Mick, Stephen and Keith, yeah. -And Keith! | 0:13:43 | 0:13:46 | |
So I turned up there and I saw Shane and he said... | 0:13:46 | 0:13:49 | |
You know, he didn't say much, | 0:13:49 | 0:13:50 | |
you could see his eyes going, "What are you doing here?" | 0:13:50 | 0:13:53 | |
You'd already had a sort of passing of the ways with Keith, hadn't you? | 0:13:53 | 0:13:57 | |
Well, I've known Keith all my life practically, I never liked him. | 0:13:57 | 0:14:01 | |
We were... We were chalk and cheese. | 0:14:01 | 0:14:03 | |
We were always enemies. | 0:14:03 | 0:14:05 | |
Two good-looking guys in the same neighbourhood, you know what I mean, it was going to happen. | 0:14:05 | 0:14:09 | |
Oh, he was... He was beautiful! He was a beautiful boy. | 0:14:09 | 0:14:13 | |
My mother was a hairdresser and my father was in the rag trade, | 0:14:13 | 0:14:15 | |
so, you know, I'd good clothes | 0:14:15 | 0:14:18 | |
and I always had a few blond streaks in me hair. | 0:14:18 | 0:14:20 | |
Hair always done, streaks. | 0:14:20 | 0:14:23 | |
Denim, sharp shoes shining, and me, I was covered in muck, dirt, oil, | 0:14:23 | 0:14:29 | |
motorbikes, I was that greasy grimer and he was that shiner, | 0:14:29 | 0:14:33 | |
you know what I mean? | 0:14:33 | 0:14:35 | |
Another striking young wannabe was Dublin boy, Colin Farrell, | 0:14:35 | 0:14:40 | |
now an international film star. | 0:14:40 | 0:14:43 | |
He's a good-looking guy. I mean, Colin Farrell, it was unbelievable. | 0:14:43 | 0:14:48 | |
I think he actually kind of could sing, Colin. | 0:14:48 | 0:14:50 | |
Colin Farrell should have been in Boyzone, if you really look back at it. | 0:14:50 | 0:14:54 | |
He actually really should have been. | 0:14:54 | 0:14:55 | |
I'm probably thankful he's not... now, but he should have been. | 0:14:55 | 0:14:59 | |
With 300 whittled down to ten, this was the last chance to shine, | 0:15:00 | 0:15:05 | |
and time for Shane and Mark | 0:15:05 | 0:15:08 | |
to compete for a place in their own band. | 0:15:08 | 0:15:11 | |
So, they'd all auditioned, you and Mark hadn't auditioned, | 0:15:11 | 0:15:14 | |
so there's a point when you two have to go, | 0:15:14 | 0:15:16 | |
-"We've got to stand up and do this too." -"We've got to do this." | 0:15:16 | 0:15:19 | |
And I remember thinking, | 0:15:19 | 0:15:20 | |
"Wow! I've got to actually get out of my chair and stand at that tin." | 0:15:20 | 0:15:24 | |
I remember the guy on the keyboard playing, er, Careless Whisper, | 0:15:24 | 0:15:29 | |
George Michael, at the time. | 0:15:29 | 0:15:31 | |
And I remember learning the song for about ten minutes before I went in. | 0:15:31 | 0:15:34 | |
And I got into the final cut | 0:15:34 | 0:15:37 | |
by the skin of my teeth or by flying colours, I haven't a clue, | 0:15:37 | 0:15:40 | |
but I just know I was in the band. | 0:15:40 | 0:15:43 | |
-APPLAUSE -Oh, macho men have come to town. | 0:15:43 | 0:15:46 | |
OK. Well, who's who now? You identify yourself. | 0:15:46 | 0:15:49 | |
-I'm Ronan Keating. -Ronan Keating. Where are you from? | 0:15:49 | 0:15:51 | |
Just 24 hours after the final audition, | 0:15:51 | 0:15:54 | |
Louis threw his final six in at the deep end | 0:15:54 | 0:15:57 | |
with an appearance on The Late Late Show presented by Gay Byrne. | 0:15:57 | 0:16:01 | |
..Ireland's answer to Take That. | 0:16:01 | 0:16:03 | |
It was Boyzone but not as we know it. | 0:16:03 | 0:16:06 | |
-The Late Late Show was the biggest show in Ireland. -Hmm. | 0:16:06 | 0:16:10 | |
Their biggest show, it didn't get any bigger, | 0:16:10 | 0:16:12 | |
and we had this slot on the Friday night Late Late Show. | 0:16:12 | 0:16:15 | |
Getting an opportunity like that was fantastic at the time. | 0:16:15 | 0:16:18 | |
We're going to be the new Irish pop group. | 0:16:18 | 0:16:21 | |
-You're going to be the new Irish pop group? -That's right. | 0:16:21 | 0:16:23 | |
-At the teenybopper market? -The teenybopper market. | 0:16:23 | 0:16:25 | |
We thought we were superstars. We were on the television. "We're famous." | 0:16:25 | 0:16:28 | |
-You don't play any instruments or have any songs. -ALL: We do. | 0:16:28 | 0:16:31 | |
-You do? -They don't. They don't, they're lying... | 0:16:31 | 0:16:34 | |
The boys thought that Gay Byrne had invited them onto the show for an interview. | 0:16:34 | 0:16:38 | |
And when...Mr Byrne came in | 0:16:38 | 0:16:41 | |
and he then decided, "Well, no, I'm not happy with that, I want the lads to do something." | 0:16:41 | 0:16:45 | |
-So... -But he was right. | 0:16:45 | 0:16:46 | |
He was right, but it was also, he was very wrong, | 0:16:46 | 0:16:49 | |
because, you know, give us a chance! | 0:16:49 | 0:16:52 | |
"I don't even know this fella, let alone do anything with him." We'd only just been put together. | 0:16:52 | 0:16:56 | |
And so we were kind of shovelled into a corner. | 0:16:56 | 0:16:59 | |
So we said, "Right, lads, let's just get an old song together, we'll do a dance and crack on." | 0:16:59 | 0:17:03 | |
Cue the music. Let's hear it. | 0:17:03 | 0:17:05 | |
# Burn, baby | 0:17:06 | 0:17:08 | |
# All my energy | 0:17:08 | 0:17:09 | |
# Burn, baby, burn, baby | 0:17:09 | 0:17:11 | |
# All my energy | 0:17:11 | 0:17:13 | |
# Burn, baby, burn, baby | 0:17:13 | 0:17:15 | |
# Oh, my fantasy | 0:17:15 | 0:17:16 | |
# Burn, baby, burn, baby... # | 0:17:16 | 0:17:19 | |
We spent the whole day there in one of the dressing rooms | 0:17:19 | 0:17:22 | |
practising that dance routine. | 0:17:22 | 0:17:23 | |
# Burn, baby, burn, baby... # | 0:17:23 | 0:17:25 | |
I know people look at it and go, "You practised that?!" | 0:17:25 | 0:17:28 | |
-But, yes, we actually practised that for a long time. -HE LAUGHS | 0:17:28 | 0:17:31 | |
I remember, the next day we all thought this was the best thing ever, | 0:17:34 | 0:17:37 | |
but little did we know everyone was laughing at us, you know. | 0:17:37 | 0:17:40 | |
-Oh, they really got some stick, didn't they? -Yeah. | 0:17:40 | 0:17:42 | |
You kind of cringe a little bit and you think, "That's going to haunt us for ever." And it does. | 0:17:42 | 0:17:46 | |
I love it, though. There was a time... There really was a time | 0:17:49 | 0:17:52 | |
where I was just distraught by that whole programme. | 0:17:52 | 0:17:56 | |
But, actually, I love it. I love the innocence. I love the nonsense. | 0:17:56 | 0:18:02 | |
I love the fact that you can actually come out on top | 0:18:02 | 0:18:05 | |
no matter how difficult you think the journey is ahead. | 0:18:05 | 0:18:08 | |
I'm not pulling it out of the drawer, saying to my kids or anyone, | 0:18:08 | 0:18:11 | |
"This is a moment of my life." | 0:18:11 | 0:18:13 | |
No, this was the beginning, the birth of Boyzone | 0:18:13 | 0:18:16 | |
-as raw...as raw as you like. -Yeah. | 0:18:16 | 0:18:19 | |
Couldn't walk, couldn't cry, couldn't feed from a bottle, | 0:18:19 | 0:18:23 | |
we were straight off the breast, if you want to call that point, and into the world. | 0:18:23 | 0:18:28 | |
Don't forget, they're called Boyzone. Do you get it? Boys' own. | 0:18:28 | 0:18:32 | |
-Who came up with the name Boyzone? -I don't know where the name actually comes from. | 0:18:32 | 0:18:35 | |
I'd love to tell you a beautiful story about that, all I know is we're called Boyzone | 0:18:35 | 0:18:39 | |
and...that's it. | 0:18:39 | 0:18:41 | |
It worked. | 0:18:41 | 0:18:42 | |
-It worked. -It did, it really worked. | 0:18:42 | 0:18:43 | |
Thank you very much. Well done. | 0:18:43 | 0:18:45 | |
Soon after that, two members of the band left. | 0:18:45 | 0:18:48 | |
Original band member Mark Walton decided to leave | 0:18:48 | 0:18:51 | |
and Richard Rock was sacked. | 0:18:51 | 0:18:54 | |
Will Richard Rock please make himself known. | 0:18:54 | 0:18:56 | |
-Of course it was. Well done, Bill. -APPLAUSE | 0:18:56 | 0:19:00 | |
Richard, I'd like to congratulate you for not being in Boyzone. | 0:19:00 | 0:19:03 | |
LAUGHTER | 0:19:03 | 0:19:05 | |
APPLAUSE | 0:19:05 | 0:19:06 | |
Stand-by Michael Graham was brought in. | 0:19:06 | 0:19:09 | |
But even with a new line-up, | 0:19:09 | 0:19:11 | |
the band nearly didn't make it off the starting grid. | 0:19:11 | 0:19:15 | |
-You and Keith, I mean, you're still mad, you're still a mad 17-year-old boy racer. -Yeah. | 0:19:15 | 0:19:19 | |
-Out one night in your car with dodgy tyres pumped up, driving too fast... -Yeah. | 0:19:19 | 0:19:25 | |
-..Keith is your passenger... -Uh-huh. | 0:19:25 | 0:19:28 | |
..and you lose it. | 0:19:28 | 0:19:29 | |
Yeah, it was about 12 o'clock at night, raining... | 0:19:32 | 0:19:35 | |
..came to a particular corner and out she went sideways, as we say. | 0:19:37 | 0:19:42 | |
And I remember sliding down the road | 0:19:42 | 0:19:43 | |
for quite some time, thinking, "Oh, this is going to hurt." | 0:19:43 | 0:19:46 | |
And I said to Keith, "Hold on tight." | 0:19:46 | 0:19:49 | |
And I just remember sinking into my chair and then - bang! | 0:19:49 | 0:19:52 | |
And we went over and over and over quite a few times. | 0:19:55 | 0:19:59 | |
And we landed upside down in the squashed car, | 0:19:59 | 0:20:02 | |
hanging in our seatbelts. | 0:20:02 | 0:20:03 | |
I couldn't say anything | 0:20:03 | 0:20:04 | |
and I couldn't look because I was afraid of what I might see. | 0:20:04 | 0:20:07 | |
And it was a deadly silence, an absolute deadly silence. | 0:20:07 | 0:20:12 | |
He said, "Are you all right, man?" I went, "Yeah. You?" | 0:20:12 | 0:20:14 | |
He said, "Yeah. Let's get out of this banger." And that's when we pressed the seatbelts | 0:20:14 | 0:20:18 | |
and nearly broke our necks, you know. | 0:20:18 | 0:20:20 | |
Climbed out of the car and Shane was as cool as pie, you know. | 0:20:20 | 0:20:24 | |
I remember the fireman saying, | 0:20:24 | 0:20:26 | |
"Well, lads...can't sing, can't dance, can't flipping drive either." | 0:20:26 | 0:20:32 | |
SHE LAUGHS | 0:20:32 | 0:20:33 | |
That was the defining moment as they drove off. | 0:20:33 | 0:20:37 | |
I think Louis was MAD with you, wasn't he? | 0:20:37 | 0:20:40 | |
Louis was pretty frustrated and angry about the fact | 0:20:40 | 0:20:45 | |
that, obviously, I nearly killed half his band! | 0:20:45 | 0:20:48 | |
For the next few months, Boyzone toured the pubs and clubs of Ireland | 0:20:51 | 0:20:54 | |
in a battered old transit van. | 0:20:54 | 0:20:56 | |
Nothing was handed to us on a plate, we had to go out and earn it for ourselves. | 0:20:57 | 0:21:01 | |
We had these orange overalls, we used to wear them every night. | 0:21:01 | 0:21:04 | |
They were stinking because you couldn't wash them. | 0:21:04 | 0:21:06 | |
You'd take them home and our mas would wash them at the end of the week. | 0:21:06 | 0:21:10 | |
Why would Boyzone wear something like this? | 0:21:10 | 0:21:11 | |
Ireland had never seen a boy band or anything, | 0:21:11 | 0:21:13 | |
so it was really hard for them to even be taken seriously at this point. | 0:21:13 | 0:21:16 | |
Growing up in Northside, Dublin, in a boy band was a tough time back then. | 0:21:16 | 0:21:20 | |
Guys our own age would be calling us all sorts of names. | 0:21:20 | 0:21:23 | |
Vocal harmony groups seem to be all the rage these days. | 0:21:23 | 0:21:26 | |
I'm delighted to introduce - Boyzone. | 0:21:26 | 0:21:29 | |
Yes, they actually got another TV show. | 0:21:29 | 0:21:33 | |
Performing their debut single, they look polished and rehearsed. | 0:21:33 | 0:21:36 | |
# I keep working my way back to you, babe | 0:21:37 | 0:21:41 | |
-ALL: -# With a burning love inside... # | 0:21:41 | 0:21:45 | |
This Four Seasons' cover was only released in Ireland | 0:21:45 | 0:21:48 | |
and peaked at number three. | 0:21:48 | 0:21:49 | |
# And the happiness that died... # | 0:21:49 | 0:21:52 | |
But Boyzone were yet to perform in the UK. | 0:21:52 | 0:21:55 | |
Then we went on the Smash Hits Tour, which kind of changed everything for Boyzone. | 0:21:56 | 0:21:59 | |
The brilliant Boyzone! | 0:21:59 | 0:22:01 | |
CHEERING | 0:22:01 | 0:22:03 | |
Teen magazine Smash Hits | 0:22:08 | 0:22:10 | |
sponsored an annual music tour around the UK | 0:22:10 | 0:22:13 | |
featuring readers' favourite bands | 0:22:13 | 0:22:15 | |
and a Best Band on the Road competition... | 0:22:15 | 0:22:18 | |
..Boyzone! | 0:22:18 | 0:22:19 | |
..which Boyzone won in front of a BBC audience of 11 million viewers. | 0:22:19 | 0:22:24 | |
Everybody at home, we made it. Thank you! | 0:22:24 | 0:22:27 | |
It was the break they needed. | 0:22:27 | 0:22:29 | |
Britain's number two is that old Osmonds' classic, Love Me For A Reason. | 0:22:32 | 0:22:35 | |
They're here, they're live on stage with their biggest fan - Boyzone. | 0:22:35 | 0:22:39 | |
# Don't love me for fun, girl | 0:22:39 | 0:22:42 | |
# Let me be the one, girl | 0:22:42 | 0:22:45 | |
# Love me for a reason... # | 0:22:45 | 0:22:47 | |
And the hits kept coming. | 0:22:47 | 0:22:51 | |
# We're gonna be so good | 0:22:51 | 0:22:53 | |
# Like only we could | 0:22:55 | 0:22:58 | |
# Come on and hit me now | 0:22:58 | 0:23:01 | |
# Gonna be so good... # | 0:23:01 | 0:23:03 | |
I think back in the day, | 0:23:03 | 0:23:06 | |
we weren't a band, we were a product, | 0:23:06 | 0:23:08 | |
the product that got shopped around the world. | 0:23:08 | 0:23:10 | |
We were these quite shy, erm, | 0:23:10 | 0:23:13 | |
polite, nice Irish charming guys. | 0:23:13 | 0:23:16 | |
-GIRL: -'Have they got a girlfriend at the moment?' | 0:23:16 | 0:23:19 | |
-Let's go round. Let's start at that end. Ronan? -No, I haven't. | 0:23:19 | 0:23:21 | |
-Mikey? -No. | 0:23:21 | 0:23:22 | |
-Shane? -Unfortunately, no, but I would love one. | 0:23:22 | 0:23:25 | |
No use appealing on this show. | 0:23:25 | 0:23:27 | |
We were always welcome on every TV show, | 0:23:27 | 0:23:29 | |
cos you always knew you would get | 0:23:29 | 0:23:31 | |
a nice, mannered, polite interview. | 0:23:31 | 0:23:34 | |
# And all of my dreams | 0:23:34 | 0:23:36 | |
# Have been locked up inside | 0:23:36 | 0:23:39 | |
# But you came along and captured my heart, girl... # | 0:23:39 | 0:23:44 | |
In that early stage of the whole band process, | 0:23:44 | 0:23:48 | |
I was happy enough to do my oohs and aahs, | 0:23:48 | 0:23:50 | |
that's all I was there for, I didn't want to take a lead anyway. | 0:23:50 | 0:23:53 | |
# Blaming myself for what I've done... # | 0:23:53 | 0:23:57 | |
Well, Shane was always quite... quiet in the early years. | 0:23:57 | 0:24:01 | |
You know, he kind of kept to himself. | 0:24:01 | 0:24:03 | |
It was kind of hard to figure out who he was and what he was about. | 0:24:03 | 0:24:07 | |
# And now I'm missing you so... # | 0:24:07 | 0:24:09 | |
-I'm the wingman, not the sing-man, you know. -Ah! | 0:24:09 | 0:24:11 | |
Cos that's always what I was, I was the bookend that held up | 0:24:11 | 0:24:16 | |
the, you know, real story in the middle. | 0:24:16 | 0:24:19 | |
-You're going red! -Am I? | 0:24:19 | 0:24:21 | |
-Ah! -SHANE LAUGHS | 0:24:21 | 0:24:23 | |
All right, fellas. What you doing here? | 0:24:23 | 0:24:26 | |
But you all then moved over to London and lived in a flat in Baker Street. | 0:24:26 | 0:24:30 | |
It was a brilliant, brilliant innocent time for us guys, actually. | 0:24:30 | 0:24:34 | |
I'd never lived away from home, let alone the rest of the boys, | 0:24:37 | 0:24:41 | |
so all of a sudden we're in London and we're living in a flat by yourselves. | 0:24:41 | 0:24:44 | |
We stayed in a hotel first on Russell Square, | 0:24:44 | 0:24:46 | |
which was very funny cos we didn't have enough money to pay the bill, | 0:24:46 | 0:24:50 | |
so we had to chuck our bags out a window and we legged it. | 0:24:50 | 0:24:56 | |
# ..London loves... # | 0:24:56 | 0:24:57 | |
And we were given daily money to spend. | 0:24:57 | 0:24:59 | |
How much was your daily money? | 0:24:59 | 0:25:01 | |
-I think it was 15 quid each. -Each? | 0:25:01 | 0:25:04 | |
Yeah, a day. | 0:25:04 | 0:25:05 | |
-Erm... -So you didn't get up to too much? | 0:25:05 | 0:25:07 | |
Didn't get up to anything! I didn't drink, I didn't smoke, I didn't do any of that. | 0:25:07 | 0:25:11 | |
Did you not have a chaperone or anything to look after you? | 0:25:11 | 0:25:13 | |
We had nobody there to look after us, we would go and do whatever interviews and they'd drop us home. | 0:25:13 | 0:25:18 | |
Nobody knew how to cook, nobody knew how to clean, nobody knew anything. | 0:25:18 | 0:25:22 | |
We were just five lads taken from our mothers in Ireland and dropped in London in this band. | 0:25:22 | 0:25:28 | |
Well, yeah, trying to make the time, the day go by sometimes... | 0:25:28 | 0:25:31 | |
We were left to our own devices. | 0:25:31 | 0:25:32 | |
We played hide-and-go-seek in the dark. | 0:25:32 | 0:25:34 | |
-We'd turn off all the lights. -Pitch-black, and play hide-and-go-seek. | 0:25:34 | 0:25:37 | |
All night long, you know what I mean, | 0:25:37 | 0:25:39 | |
cos we were just silly boys released into this world called London. | 0:25:39 | 0:25:43 | |
It was just brilliant! Absolutely brilliant. | 0:25:43 | 0:25:46 | |
Mental. Absolutely mental. | 0:25:46 | 0:25:49 | |
And then when did you get your first big cheque and what was it for? | 0:25:49 | 0:25:52 | |
Erm, I think it would be on our second tour before we saw any money. | 0:25:52 | 0:25:57 | |
So that was... Yeah. | 0:25:57 | 0:25:58 | |
The only reason I know was because I was 19 years old | 0:25:58 | 0:26:01 | |
and I bought a car, of course I did, what else would I do with the money? | 0:26:01 | 0:26:04 | |
-What was the cheque worth? -I think at the time it was about £75,000. | 0:26:04 | 0:26:08 | |
-SHE GASPS -That was my first cheque I'd seen out of Boyzone. | 0:26:08 | 0:26:11 | |
So that 75 grand, I remember thinking, | 0:26:11 | 0:26:13 | |
"Yeah, of course, straight away - boom - Porsche 911." | 0:26:13 | 0:26:16 | |
Of course I did, what else would I do with it? | 0:26:16 | 0:26:18 | |
Well, so now you've got the Porsche 911, you've got some money in the bank, I hope? | 0:26:23 | 0:26:26 | |
-Yeah. -And you're in the big time, that's it. | 0:26:26 | 0:26:29 | |
The winner is...Boyzone! | 0:26:29 | 0:26:31 | |
CHEERING | 0:26:31 | 0:26:34 | |
You've got Best Band in the Universe... | 0:26:34 | 0:26:36 | |
-Thank you very much! -You've got Best Single... | 0:26:36 | 0:26:39 | |
And lastly, you've got... I can't see that... Best Album! | 0:26:39 | 0:26:42 | |
You want that one? | 0:26:42 | 0:26:44 | |
Boyzone! | 0:26:44 | 0:26:46 | |
# I had a picture of you in my mind | 0:26:46 | 0:26:51 | |
# Never knew it could be so wrong... # | 0:26:51 | 0:26:54 | |
With success came confidence and an image to maintain. | 0:26:54 | 0:26:59 | |
CHEERING | 0:26:59 | 0:27:02 | |
# Expressions Impression | 0:27:02 | 0:27:05 | |
# These girls are out to fascinate | 0:27:05 | 0:27:07 | |
# Oh, no-no-no-no-no... | 0:27:07 | 0:27:10 | |
# Whatcha say... # | 0:27:10 | 0:27:12 | |
I heard that you were voted the coolest man in pop. | 0:27:12 | 0:27:15 | |
I heard that as well. | 0:27:15 | 0:27:17 | |
If you look back over the years, I don't think there's any one year that's the same image at all. | 0:27:17 | 0:27:22 | |
Shano always looked like a pop star. | 0:27:23 | 0:27:25 | |
I always looked different from the guys, | 0:27:25 | 0:27:27 | |
always had earrings, gold, whatever, tattoos, | 0:27:27 | 0:27:30 | |
and they were quite clean in that respect. | 0:27:30 | 0:27:33 | |
The uniform we wore, as in, they'd always be in suits, | 0:27:33 | 0:27:35 | |
I would have a long flowing jacket. | 0:27:35 | 0:27:37 | |
Something always was slightly different. | 0:27:37 | 0:27:39 | |
Blond? Dark? No, I think the best were his sticks. | 0:27:39 | 0:27:43 | |
-Do you remember sticks in his hair? -Yes. | 0:27:43 | 0:27:45 | |
That was the funniest hairstyle he ever had. | 0:27:45 | 0:27:48 | |
Little twiggy things sticking out of his head. | 0:27:48 | 0:27:50 | |
# I'll be there when there's no-one else to turn to... # | 0:27:50 | 0:27:54 | |
Yet, despite the flashy image, | 0:27:54 | 0:27:57 | |
Shane remained the shy wingman. | 0:27:57 | 0:28:00 | |
Did your confidence come, though, with your voice and your singing? | 0:28:00 | 0:28:03 | |
I don't think my confidence in music or singing | 0:28:03 | 0:28:05 | |
came till we went live on tour. | 0:28:05 | 0:28:08 | |
Then I understood what it was to be an artist. | 0:28:08 | 0:28:10 | |
# Can't believe the way I feel now. # CHEERING | 0:28:10 | 0:28:13 | |
Performing in front of the crowd? | 0:28:13 | 0:28:14 | |
Singing live on stage with a band to an audience. | 0:28:14 | 0:28:17 | |
So, tell me about preparing for a big arena show. | 0:28:19 | 0:28:23 | |
What's the kind of routine? | 0:28:23 | 0:28:24 | |
You'd probably be in the venue roughly about five o'clock in the day, | 0:28:24 | 0:28:28 | |
sound check, and then press, press, press, press. | 0:28:28 | 0:28:31 | |
# One kiss at a time. # | 0:28:31 | 0:28:33 | |
The last half hour before you were on stage, | 0:28:33 | 0:28:36 | |
if you possibly could, get back to the dressing room and get your head in gear, | 0:28:36 | 0:28:40 | |
cos you're about to stand in front of 10,000 people. | 0:28:40 | 0:28:43 | |
Everybody has their own way. | 0:28:43 | 0:28:45 | |
Shane walks about in his jocks, erm, with his socks on. | 0:28:45 | 0:28:49 | |
His socks up to his knees, cleaning his teeth. | 0:28:49 | 0:28:52 | |
So the lights go, you're all backstage waiting, | 0:28:52 | 0:28:54 | |
any little words or huddle together? | 0:28:54 | 0:28:57 | |
Yeah, we always, as a band, and still do till today, | 0:28:57 | 0:29:00 | |
we always get in our circle and say a little prayer to God, | 0:29:00 | 0:29:03 | |
just giving thanks for being where we are and to say, | 0:29:03 | 0:29:08 | |
"Thanks for putting us here." | 0:29:08 | 0:29:09 | |
CHEERING | 0:29:09 | 0:29:12 | |
And then that moment when you explode on stage and the house goes wild | 0:29:14 | 0:29:18 | |
and the lights are beaming in your eyes like phosphorous or something | 0:29:18 | 0:29:22 | |
and the smoke is swirling... | 0:29:22 | 0:29:24 | |
-Yeah. -Did you ever lose that, "Oh, we're doing this"? | 0:29:24 | 0:29:29 | |
-It's breathtaking. -Yeah. | 0:29:29 | 0:29:31 | |
I don't think I have ever witnessed anything in life as breathtaking | 0:29:31 | 0:29:36 | |
as walking out on stage in front of a crowd like that. | 0:29:36 | 0:29:38 | |
It's... It's... I mean, I don't know how you can possibly explain it. | 0:29:38 | 0:29:43 | |
Amazing emotions. Amazing. | 0:29:43 | 0:29:45 | |
-And you could give each other a look and you'd know what was happening? -Yeah. | 0:29:45 | 0:29:49 | |
I tell you, we'll have a laugh and a joke and the best time. | 0:29:49 | 0:29:52 | |
We'll have such a great time on stage with each other | 0:29:52 | 0:29:55 | |
that the audience know what's going on and they're all part of our show. | 0:29:55 | 0:29:58 | |
We're not the most polished band you'll ever go and see. | 0:29:58 | 0:30:01 | |
To be fair, I don't think I've ever stuck to one routine we've ever done live. | 0:30:01 | 0:30:04 | |
If I want to go over there, I'm going to go over there. | 0:30:04 | 0:30:07 | |
# ..Like I knew we would... # | 0:30:07 | 0:30:08 | |
# Hey! Hey! | 0:30:08 | 0:30:10 | |
# Oh-Oh... # | 0:30:10 | 0:30:12 | |
Shane wasn't the only member of the Lynch household | 0:30:12 | 0:30:15 | |
pursuing a successful career in the music industry. | 0:30:15 | 0:30:18 | |
Girl band B*Witched featured Shane's twin sisters Edele and Keavy. | 0:30:18 | 0:30:24 | |
..And one of them has siblings in Boyzone and B*Witched. | 0:30:24 | 0:30:26 | |
See if you can guess which one. | 0:30:26 | 0:30:28 | |
Tara was in FAB! | 0:30:28 | 0:30:31 | |
# ..I hope we find a way... # | 0:30:31 | 0:30:33 | |
It is crazy that three of us... Sorry, four of us, not three, | 0:30:33 | 0:30:37 | |
-were on the circuit at the same time in the pop world. -It was five. | 0:30:37 | 0:30:40 | |
-Five? -Naomi. | 0:30:40 | 0:30:41 | |
Naomi as well, of course. | 0:30:41 | 0:30:43 | |
-Our little sister was in Buffalo G at that point as well, so... -Yeah. | 0:30:43 | 0:30:46 | |
# Really saying something | 0:30:46 | 0:30:48 | |
# Really saying something... # | 0:30:48 | 0:30:50 | |
Shane was even in sister Naomi's video. | 0:30:50 | 0:30:53 | |
It was so much fun | 0:30:56 | 0:30:57 | |
cos you're just working and hanging out all day and all night. | 0:30:57 | 0:31:00 | |
-What are they like? -Yeah. | 0:31:00 | 0:31:01 | |
Oh, well... | 0:31:01 | 0:31:03 | |
I couldn't say a bad thing about my sisters, to be honest. You know what I mean? | 0:31:03 | 0:31:07 | |
# C'est la vie. # | 0:31:07 | 0:31:10 | |
Cue the music and turn over. | 0:31:10 | 0:31:12 | |
# How can I try now to explain | 0:31:12 | 0:31:15 | |
# When I do he turns away... # | 0:31:15 | 0:31:17 | |
The boy from Dublin who had been kicked out of school for being a waste of time was living the dream. | 0:31:17 | 0:31:23 | |
Boyzone were a household name. | 0:31:24 | 0:31:26 | |
ALL: # I know I have to go... # | 0:31:26 | 0:31:29 | |
Quiet! | 0:31:29 | 0:31:31 | |
And they were enjoying the ever more extreme ways of exploiting them | 0:31:31 | 0:31:35 | |
and their pop rivals. | 0:31:35 | 0:31:37 | |
# That's the way it is. # | 0:31:37 | 0:31:42 | |
CHEERING | 0:31:42 | 0:31:43 | |
Boyzone...fever! | 0:31:43 | 0:31:46 | |
-'What do you wear in bed?' -What do you wear in bed? | 0:31:46 | 0:31:48 | |
Depends on who's with me. | 0:31:48 | 0:31:51 | |
-Are you a bit exhausted? -Not at all. | 0:31:51 | 0:31:53 | |
No, we're five strapping Irish lads, we can go for ever. | 0:31:53 | 0:31:55 | |
But these strapping Irish lads | 0:31:55 | 0:31:58 | |
were feeling the pressure of the punishing schedules. | 0:31:58 | 0:32:01 | |
You've got jet lag, or whatever you're feeling, and you're awake at three, four, five in the morning, | 0:32:02 | 0:32:07 | |
and you know you have to get up at seven to do a TV show and be all spritely. | 0:32:07 | 0:32:11 | |
There's...a terrible desperation in that. | 0:32:11 | 0:32:13 | |
It's very difficult. | 0:32:13 | 0:32:15 | |
It's very hard to see the wood for the trees | 0:32:15 | 0:32:17 | |
and you become quite cranky, | 0:32:17 | 0:32:18 | |
and you get on each other's nerves and stuff like that. | 0:32:18 | 0:32:21 | |
And then as things do, because you're all together, all the time, | 0:32:21 | 0:32:26 | |
in this pressure-cooker bubble, | 0:32:26 | 0:32:28 | |
things obviously start to grate. | 0:32:28 | 0:32:32 | |
-Yeah. -And start to get boring and exhausting and monotonous. | 0:32:32 | 0:32:37 | |
When did you feel that first twinge for you that... | 0:32:37 | 0:32:41 | |
"..I think I've had enough"? | 0:32:42 | 0:32:43 | |
It was probably towards... | 0:32:43 | 0:32:47 | |
About '98, 1998. | 0:32:47 | 0:32:49 | |
I was...starting to change my character, | 0:32:49 | 0:32:55 | |
which... I knew there was a problem. | 0:32:55 | 0:32:57 | |
So, I was... | 0:32:57 | 0:33:00 | |
Rather than being the guy that just got on with things in the early days and made it happen, | 0:33:00 | 0:33:05 | |
I started to step out of line a little bit. | 0:33:05 | 0:33:08 | |
I started to notice that he became more withdrawn in interviews. | 0:33:08 | 0:33:11 | |
We had dreams and hopes, you know, but this has just been amazing for us, this past four years. | 0:33:11 | 0:33:16 | |
So the rest of the boys would talk. And because I know all of them, I know their personalities, | 0:33:16 | 0:33:20 | |
I know they've all got something to say, and Shane would be quiet. | 0:33:20 | 0:33:23 | |
-We liked that one today, so we done it. -We had no choice really. | 0:33:23 | 0:33:28 | |
'I was very unpredictable. I was an unpredictable guy. | 0:33:28 | 0:33:30 | |
'They didn't know what I was going to do next, what I was going to say next.' | 0:33:30 | 0:33:33 | |
-Um... -And not with good humour? | 0:33:33 | 0:33:36 | |
Not with good humour, because I liked people fearing my character. | 0:33:36 | 0:33:40 | |
Because I was shy, it also... kind of put me in a position | 0:33:40 | 0:33:45 | |
where people left me alone. | 0:33:45 | 0:33:47 | |
He'd do some freaky things, like, you know, sit on a windowsill in an apartment | 0:33:47 | 0:33:51 | |
with a sheet over his head all night instead of going to bed. | 0:33:51 | 0:33:54 | |
You kind of think that's a bit strange, that's a bit weird. | 0:33:54 | 0:33:57 | |
He scared me. He had these black contacts in his eyes, | 0:33:57 | 0:34:01 | |
so his eyes were totally black, and he wasn't himself. | 0:34:01 | 0:34:04 | |
Smile, please. | 0:34:04 | 0:34:05 | |
'He just never smiled.' | 0:34:05 | 0:34:07 | |
He always looks, like, kind of quite angry and quite irritated by a lot of situations. | 0:34:07 | 0:34:12 | |
So, where he should have been taking it all in and having the greatest time of his life, | 0:34:12 | 0:34:16 | |
-he actually, behind closed doors, was having the worst of times. -Yeah. | 0:34:16 | 0:34:19 | |
Shane's sisters began to notice other changes in their brother. | 0:34:20 | 0:34:24 | |
I'd meet up with him and it could be 11 o'clock in the morning | 0:34:24 | 0:34:28 | |
and he'd sit there with a pint. | 0:34:28 | 0:34:30 | |
"Oh!" You know, you get a bit kind of, "I don't think I like that." | 0:34:30 | 0:34:33 | |
There was another reason for Shane's unusual behaviour. | 0:34:33 | 0:34:37 | |
It began in 1996 and the release of Boyzone's second album. | 0:34:37 | 0:34:42 | |
We had a Halloween party, all the journalists all there. | 0:34:44 | 0:34:47 | |
I found myself in a room with some people - | 0:34:47 | 0:34:49 | |
I don't know who they were - | 0:34:49 | 0:34:50 | |
and a Ouija board, and it fascinated me. | 0:34:50 | 0:34:52 | |
It really, really did. | 0:34:52 | 0:34:53 | |
And from there, I took onboard | 0:34:53 | 0:34:58 | |
a lot of that darker side of the world. | 0:34:58 | 0:35:00 | |
-Which is very seductive. -Yes. -Yeah. | 0:35:00 | 0:35:02 | |
You know, a lot of people will go to clairvoyants and tarot readings | 0:35:02 | 0:35:06 | |
and they don't realise what they're delving into, | 0:35:06 | 0:35:08 | |
they don't realise that this is | 0:35:08 | 0:35:10 | |
a bad realm that you really don't want to mess with, | 0:35:10 | 0:35:12 | |
and I'm a definite witness of that. | 0:35:12 | 0:35:15 | |
Erm, yeah, I was in a bad way. | 0:35:15 | 0:35:17 | |
I was in a bad, bad, dark, dark place. | 0:35:17 | 0:35:19 | |
Your body is full of tattoos, as we know, | 0:35:19 | 0:35:22 | |
and you have got a broken cross on you somewhere, where is that? | 0:35:22 | 0:35:27 | |
I have a broken crucifix over my heart | 0:35:27 | 0:35:30 | |
that I had done in Hong Kong in about 1998. | 0:35:30 | 0:35:33 | |
-So that was in the grip of this? -Yeah. | 0:35:33 | 0:35:36 | |
Cos I was anti-Christ, I was anti-God, | 0:35:36 | 0:35:39 | |
anti-Bible, anti everything to do with it. | 0:35:39 | 0:35:41 | |
And it's still there, | 0:35:41 | 0:35:43 | |
it's wrapped in some rosary beads now to try and tie it up, | 0:35:43 | 0:35:46 | |
but it's still there. | 0:35:46 | 0:35:48 | |
Well, it's a reminder as well of how far you went. | 0:35:48 | 0:35:51 | |
-Boyzone! -CHEERING | 0:35:51 | 0:35:53 | |
The dark side of Shane, his unpredictability and his drinking, | 0:35:53 | 0:35:58 | |
came to a head at the 1999 MTV Awards, | 0:35:58 | 0:36:01 | |
which were held in Boyzone's hometown of Dublin. | 0:36:01 | 0:36:04 | |
The rest of the band were all done up, suited and booted, | 0:36:04 | 0:36:07 | |
and you couldn't care. | 0:36:07 | 0:36:09 | |
Look at us now! | 0:36:09 | 0:36:10 | |
My kind of thinking was, | 0:36:10 | 0:36:13 | |
"Well, if I go suited and booted like the rest of the lads, | 0:36:13 | 0:36:16 | |
"we're not going to get one, are we?" | 0:36:16 | 0:36:17 | |
I'd like to say thank you to all our fans, family, friends... | 0:36:17 | 0:36:20 | |
'And, actually, we ended up on the stage.' | 0:36:20 | 0:36:22 | |
We were sitting in the audience of MTV with my mum and dad. | 0:36:22 | 0:36:25 | |
I'd just like to thank a couple of people... | 0:36:25 | 0:36:27 | |
And all the boys looking sharp and I was just doing my thing and didn't really care. | 0:36:27 | 0:36:31 | |
Shane had clearly had a lot to drink. | 0:36:31 | 0:36:35 | |
CHEERING | 0:36:35 | 0:36:37 | |
There were all these rumours Boyzone were going their separate ways and were going to split up. | 0:36:37 | 0:36:41 | |
All right, folks? | 0:36:41 | 0:36:42 | |
'Shane wasn't having it, so he started getting quite vulgar' | 0:36:42 | 0:36:45 | |
and then using a couple of swear words, I believe, | 0:36:45 | 0:36:49 | |
which I was quite shocked at at the time. | 0:36:49 | 0:36:51 | |
In the press recently | 0:36:51 | 0:36:55 | |
-there's been a whole load of -BLEEP! | 0:36:55 | 0:36:59 | |
-about Boyzone... -CHEERING | 0:36:59 | 0:37:01 | |
..in the year 2000 about breaking up. | 0:37:02 | 0:37:05 | |
And my poor mam's face just crumpled | 0:37:05 | 0:37:09 | |
and I was just, like, "What's he doing?!" | 0:37:09 | 0:37:11 | |
Well, I was actually hosting the awards and it's, like, "Oh, my God!" | 0:37:11 | 0:37:15 | |
And I have them in my ear going, "OK, move on, move on, on to the next bit. Get him out. Get him out." | 0:37:15 | 0:37:20 | |
If you look at it now, it's actually not that bad. | 0:37:20 | 0:37:22 | |
This is a dude in a boy band having a little something to say. | 0:37:22 | 0:37:25 | |
There's no harm came out of it other than I had a little rant and a go, | 0:37:25 | 0:37:29 | |
but at the time it was like, ooh, shock horror, for sure, we were this innocent boy band. | 0:37:29 | 0:37:34 | |
-All right, folks... -Shane, don't say it! | 0:37:34 | 0:37:36 | |
-It just goes to show you how far he fell. -Yeah. | 0:37:36 | 0:37:39 | |
-Cos he would never normally do things like that ever. -Never. | 0:37:39 | 0:37:42 | |
-We're Irish and we'll be here for a long time. -CHEERING | 0:37:42 | 0:37:46 | |
-I think it was a couple of weeks later we broke up. -SHE LAUGHS | 0:37:47 | 0:37:50 | |
We've all got some stuff to do on our own for a while, | 0:37:50 | 0:37:53 | |
but believe me, Boyzone is stronger than it's ever been before. | 0:37:53 | 0:37:57 | |
Ronan announced the break to fans at the end of a concert in Dublin in January, 2000. | 0:37:57 | 0:38:02 | |
You know, we all had our own demons, and our own things that we had to deal with, | 0:38:04 | 0:38:08 | |
and places we wanted to go and things we wanted to do in our lives. | 0:38:08 | 0:38:12 | |
And, I guess, I was the reason that that break led to a break-up. | 0:38:12 | 0:38:16 | |
Erm, it wasn't easy at times between us all, | 0:38:16 | 0:38:19 | |
people had words to say and it was hard...to take it. | 0:38:19 | 0:38:25 | |
It was a tough time to break up, | 0:38:25 | 0:38:26 | |
when we were coming to the top of our game, we broke up. | 0:38:26 | 0:38:30 | |
Thankfully, we stopped when we did, | 0:38:30 | 0:38:33 | |
because it was about to get real horrible and real messy. | 0:38:33 | 0:38:37 | |
And Ronan went on to do his solo project | 0:38:37 | 0:38:40 | |
and that just lasted for a lot longer than any of us expected. | 0:38:40 | 0:38:44 | |
There was probably never a chance to come out of it if we had continued, you know, | 0:38:44 | 0:38:50 | |
so I was lucky I was left alone in my house in Surrey, | 0:38:50 | 0:38:54 | |
my million pound mansion by myself and all my anger, you know. | 0:38:54 | 0:38:57 | |
So, you sit at home thinking, "What now?" | 0:38:57 | 0:39:00 | |
Yeah, in an odd sense of freedom, because I didn't have anywhere to go. | 0:39:00 | 0:39:04 | |
I used to wake up panicking, thinking I'm meant to be at the airport, | 0:39:04 | 0:39:08 | |
thinking I'm missing the car, "The car's outside!" | 0:39:08 | 0:39:10 | |
-Like, panicked for months and months and months. -Were you drinking? | 0:39:10 | 0:39:14 | |
Yeah, I was drinking a lot...almost to go back into a fantasy world, | 0:39:14 | 0:39:18 | |
-cos music is a fantasy world. -Yeah. | 0:39:18 | 0:39:21 | |
Travelling the world in private jets, | 0:39:21 | 0:39:23 | |
champagne, caviar, limousines, best hotels. | 0:39:23 | 0:39:26 | |
I don't go to the shops, I've never been to the shops, | 0:39:26 | 0:39:29 | |
I don't know what's in my fridge, there's nothing in my fridge, you know. | 0:39:29 | 0:39:32 | |
I didn't know how to live in a normal world because I was taken as a young boy. | 0:39:32 | 0:39:36 | |
I was always looked after by my mother, | 0:39:36 | 0:39:38 | |
into this world of the band, being looked after by people, | 0:39:38 | 0:39:41 | |
did nothing for myself particularly, so now I had to learn. | 0:39:41 | 0:39:43 | |
What were your parents doing at that time? They must have been worried about you? | 0:39:43 | 0:39:47 | |
They didn't know what was going on, | 0:39:47 | 0:39:49 | |
I didn't tell them what was going on. | 0:39:49 | 0:39:51 | |
I wasn't a very open guy and still aren't. | 0:39:51 | 0:39:53 | |
In fact, I find it easier to talk about life on camera | 0:39:53 | 0:39:56 | |
than I do to actually sit and talk to my wife or my parents, | 0:39:56 | 0:40:00 | |
for whatever that reason is. | 0:40:00 | 0:40:01 | |
He didn't know how to cope with whatever he was dealing with in those dark times. | 0:40:03 | 0:40:07 | |
Erm, and I think he would have been quite happy to let us all drift away. | 0:40:07 | 0:40:11 | |
You kind of do that though, don't you? I've gone through some dark times in my life | 0:40:12 | 0:40:15 | |
and you tend to do that, push everyone close enough away. | 0:40:15 | 0:40:18 | |
They didn't really know what was going on, I didn't tell them what was going on, | 0:40:18 | 0:40:22 | |
so I was a one-man band in that respect. | 0:40:22 | 0:40:25 | |
-So who held out a hand to you and helped? -One particular guy, Ben. | 0:40:25 | 0:40:30 | |
Ben Ofoedu. | 0:40:30 | 0:40:31 | |
-Ben was a huge influence on Shane's life. -A huge change. | 0:40:31 | 0:40:34 | |
# Got to turn around... # | 0:40:35 | 0:40:38 | |
In the late-1990s, | 0:40:38 | 0:40:39 | |
Ben Ofoedu was lead singer of the band Phats & Small. | 0:40:39 | 0:40:42 | |
# Listen to what I say... # | 0:40:42 | 0:40:44 | |
But he'd known Shane back in the early days of Boyzone. | 0:40:44 | 0:40:48 | |
Each time it was a different Shane. He would... | 0:40:48 | 0:40:51 | |
You know, when I first met him he never drank, he never... | 0:40:51 | 0:40:55 | |
He was always just more into cars and stuff, but this time he was more reckless, he was more rock-and-roll. | 0:40:55 | 0:41:00 | |
Erm, he had that kind of aggression, it's like, you know, | 0:41:00 | 0:41:04 | |
"I'm watching you. Say the wrong thing and I'll flip." | 0:41:04 | 0:41:08 | |
# Hey, what's wrong with you? | 0:41:08 | 0:41:12 | |
# You're looking kind of down to me... # | 0:41:13 | 0:41:16 | |
Ben, there was something about that guy, he had a beautiful nature, | 0:41:16 | 0:41:21 | |
a beautiful nature, and his heart was for people, | 0:41:21 | 0:41:23 | |
and there was something about what he was talking about really attracted me. | 0:41:23 | 0:41:28 | |
# Listen to what I say... # | 0:41:28 | 0:41:30 | |
I was always a Christian, and I was always very particular about the things I sung about, | 0:41:30 | 0:41:35 | |
and particularly about the things I said, | 0:41:35 | 0:41:37 | |
whereas, at that time, I think Shane would have just said anything. | 0:41:37 | 0:41:40 | |
He didn't really care, he didn't really look at it like that. | 0:41:40 | 0:41:43 | |
# Got to turn around... # | 0:41:43 | 0:41:46 | |
And so, that's when a lot of the subject of God and things like that | 0:41:47 | 0:41:53 | |
started to come up and it became a topic of conversation. | 0:41:53 | 0:41:56 | |
I mean, I grew up in a Catholic household, so I know a lot of biblical stories, | 0:41:56 | 0:42:01 | |
but he was taking them and putting them into my life and showing me | 0:42:01 | 0:42:05 | |
how I was like this particular character or that particular character. | 0:42:05 | 0:42:09 | |
And it just intrigued me to the point of, like, | 0:42:09 | 0:42:11 | |
"Whoa! This...this is amazing!" | 0:42:11 | 0:42:13 | |
And the more we began to talk about it, | 0:42:13 | 0:42:17 | |
he started to reveal to me, slowly but surely, | 0:42:17 | 0:42:20 | |
that there more under the surface was going on | 0:42:20 | 0:42:24 | |
than just that anger with the band stuff. | 0:42:24 | 0:42:27 | |
And stuff that he couldn't quite explain | 0:42:27 | 0:42:30 | |
and he couldn't quite get his mind around. | 0:42:30 | 0:42:32 | |
And, erm, I said, "Listen, I've got to tell you about... | 0:42:34 | 0:42:38 | |
"I've got a problem." | 0:42:38 | 0:42:39 | |
He was experiencing this paralysis where he couldn't move, | 0:42:39 | 0:42:44 | |
his eyes were open and then the dimensions would split, | 0:42:44 | 0:42:48 | |
so the room would open up and things would fly past his eyes and sight | 0:42:48 | 0:42:53 | |
and he couldn't move. | 0:42:53 | 0:42:55 | |
I saw a lot of the spiritual world. | 0:42:55 | 0:42:58 | |
And it manifested itself in this awful sleep paralysis, | 0:42:58 | 0:43:02 | |
which a lot of people do have, but this was terrifying for you. | 0:43:02 | 0:43:06 | |
Yeah, you know, I danced with the devil without a doubt. | 0:43:06 | 0:43:09 | |
I hung out with his demonic principalities, definitely. | 0:43:09 | 0:43:13 | |
Usually, erm, I would have kind of, I would have run a mile, right, | 0:43:13 | 0:43:18 | |
but there was something about Shane that I really feel that I had a connection with. | 0:43:18 | 0:43:24 | |
He probably should have turned and ran because that should have been scary. | 0:43:25 | 0:43:29 | |
He embraced that and he took it onboard and he was like, "Cool, no problem." | 0:43:29 | 0:43:32 | |
And he had the answers for me. | 0:43:32 | 0:43:34 | |
And every day I'd call him | 0:43:34 | 0:43:36 | |
and I got probably a little obsessive, I suppose - | 0:43:36 | 0:43:39 | |
I don't know if he'd ever say that or not! - | 0:43:39 | 0:43:41 | |
but I just wanted to hear his voice. | 0:43:41 | 0:43:43 | |
Even two lines he would speak to me, it was filling me, you know, | 0:43:43 | 0:43:48 | |
it was like just being topped up, topped up, topped up. | 0:43:48 | 0:43:51 | |
From there, I was determined to then find out, "Well, who's God?" | 0:43:51 | 0:43:56 | |
And that was where I really started my journey. | 0:43:56 | 0:44:00 | |
He picked up the phone and actually phoned me after maybe three or four years. | 0:44:00 | 0:44:04 | |
I was like, "Oh, do you not want anything?" | 0:44:04 | 0:44:06 | |
He went, "No, I was just seeing how you were." And I thought, "Wow! | 0:44:06 | 0:44:08 | |
"OK, this church is doing something for you, that's good." | 0:44:08 | 0:44:11 | |
Shane was still slowly putting his life back together when in 2001, | 0:44:13 | 0:44:17 | |
he went to London's Party in the Park. | 0:44:17 | 0:44:20 | |
And I was there, I was drinking, of course I was there drinking. | 0:44:20 | 0:44:23 | |
A young singer working with another Irish boyband, Westlife, spotted him backstage. | 0:44:23 | 0:44:27 | |
I knew who he was. | 0:44:27 | 0:44:29 | |
I said to my friend, "Oh, my God! I think he's so gorgeous." | 0:44:29 | 0:44:32 | |
So my friend said, "Go and talk to him." And I went, "Are you mad? | 0:44:32 | 0:44:36 | |
"No! No, no, no way!" | 0:44:36 | 0:44:38 | |
And I remember this girl came over to talk to me | 0:44:38 | 0:44:40 | |
and she...she was lovely, she was beautiful. | 0:44:40 | 0:44:42 | |
A stunning, stunning girl. I remember thinking, "Wow! She's stunning!" | 0:44:42 | 0:44:46 | |
The two got chatting and numbers were exchanged. | 0:44:46 | 0:44:50 | |
And then I got this text, like, maybe a year later out of the blue, | 0:44:50 | 0:44:54 | |
asking if I wanted to meet up for a drink and I thought, "Yeah, why not?" | 0:44:54 | 0:44:57 | |
And we spent every single day together for a year or more, | 0:44:57 | 0:45:02 | |
not one single day went past that I didn't see that girl. | 0:45:02 | 0:45:06 | |
And every day I'd drive from my house to where she lived, | 0:45:06 | 0:45:10 | |
which is an hour or so away, so that means I couldn't drink. | 0:45:10 | 0:45:13 | |
So she got me off the drink. | 0:45:13 | 0:45:16 | |
She lived with her mum, so I couldn't stay at her mum's house, | 0:45:16 | 0:45:19 | |
because her mum's... It's all very church, it's all very serious. | 0:45:19 | 0:45:22 | |
So I had met somebody who just... | 0:45:22 | 0:45:25 | |
Well, basically, love, I found love. | 0:45:25 | 0:45:26 | |
# Your grace... # | 0:45:26 | 0:45:29 | |
And in Sheena was someone who shares Shane's Christian faith. | 0:45:29 | 0:45:33 | |
It was really important for me that somebody who I was going to marry | 0:45:33 | 0:45:37 | |
and have a family with has faith, believes in God... | 0:45:37 | 0:45:42 | |
..because I don't know how anybody...lives without faith. | 0:45:44 | 0:45:50 | |
I don't understand it. It just doesn't... I don't get it. | 0:45:50 | 0:45:54 | |
BAND PLAYS CHRISTIAN ROCK MUSIC | 0:45:54 | 0:45:57 | |
Yet Shane and Sheena come from very different church traditions. | 0:46:00 | 0:46:03 | |
Sheena's church is Pentecostal. | 0:46:03 | 0:46:06 | |
We come from straight out of scripture. | 0:46:07 | 0:46:09 | |
The Bible says, "Make a joyful noise unto the Lord," and we do that, | 0:46:09 | 0:46:12 | |
we make a joyful noise. | 0:46:12 | 0:46:14 | |
# His hand... # | 0:46:14 | 0:46:17 | |
So I think he found that in the beginning a lot. | 0:46:17 | 0:46:20 | |
You would, coming from, you know, get up, sit down. | 0:46:20 | 0:46:25 | |
It's different, you know, quiet, and to clapping your hands | 0:46:25 | 0:46:28 | |
and singing, and a live band and live music. | 0:46:28 | 0:46:31 | |
And you started to go to Bible Class with her? | 0:46:31 | 0:46:36 | |
Because of Ben, I was hungry... I was hungry for God | 0:46:36 | 0:46:40 | |
because of what it was doing for me, how it was making me feel, | 0:46:40 | 0:46:43 | |
so I started to listen to what, you know, was being said. | 0:46:43 | 0:46:45 | |
And the most amazing thing about that is, I thought | 0:46:45 | 0:46:48 | |
I was going into a classroom, schooling, and it frightened the life out of me. | 0:46:48 | 0:46:52 | |
What our focus is is on giving God... | 0:46:52 | 0:46:55 | |
This was the old fear of not being able to read and write. | 0:46:55 | 0:47:00 | |
I can't read the Bible, so I can't write nothing down. | 0:47:00 | 0:47:04 | |
So I didn't really know what I was getting involved in, | 0:47:04 | 0:47:06 | |
but I just listened and listened and learned and learned. | 0:47:06 | 0:47:09 | |
And the relevance of how the Bible was broken down into today's, you know, | 0:47:09 | 0:47:13 | |
of who we are and how it can deal with our life. | 0:47:13 | 0:47:16 | |
-The relevance? -The relevance. | 0:47:16 | 0:47:17 | |
And he came to one and then you couldn't stop him from coming to them, basically, | 0:47:17 | 0:47:21 | |
I think he just learnt so much. | 0:47:21 | 0:47:23 | |
I loved it! I could not get enough of it. | 0:47:23 | 0:47:26 | |
It was the most magical thing ever. | 0:47:26 | 0:47:28 | |
The Bible sort of opened up | 0:47:28 | 0:47:30 | |
in a way that he had never known or seen before. | 0:47:30 | 0:47:34 | |
And then you got baptised? | 0:47:34 | 0:47:36 | |
Yeah. That's a fantastic blessing in anyone's life, to be baptised. | 0:47:36 | 0:47:41 | |
I wish I was back there, nearly 12 years ago now | 0:47:41 | 0:47:44 | |
when I first came to God. | 0:47:44 | 0:47:46 | |
I would love to have that again. | 0:47:46 | 0:47:47 | |
I'd love to be in that place where I was just... | 0:47:47 | 0:47:50 | |
that zeal, that vessel getting filled up by that knowledge, | 0:47:50 | 0:47:54 | |
that joy, that love, it's incredible. | 0:47:54 | 0:47:57 | |
I think it's amazing the journey he's gone through from what he was, | 0:47:57 | 0:48:00 | |
to be strong enough to come through it. It's something to be quite proud of it. | 0:48:00 | 0:48:04 | |
I'm quite proud of it and he should be too, cos it's a big deal making a turn like that. | 0:48:04 | 0:48:08 | |
# You're the air that I breathe | 0:48:08 | 0:48:11 | |
# Girl, you're all that I need | 0:48:11 | 0:48:14 | |
# And I wanna thank you, lady... # | 0:48:14 | 0:48:18 | |
Shane's life was back on track. | 0:48:18 | 0:48:20 | |
In 2007, he married Sheena. | 0:48:20 | 0:48:23 | |
Stephen Gately was best man and, soon afterwards, | 0:48:23 | 0:48:26 | |
Boyzone were reunited after a seven-year break. | 0:48:26 | 0:48:30 | |
At that stage, we'd all had to live in reality for seven years. | 0:48:30 | 0:48:34 | |
We'd come out of our bubble, we realised how lucky we had been. | 0:48:34 | 0:48:38 | |
And to get that opportunity and chance again was very special. | 0:48:38 | 0:48:41 | |
We didn't...we didn't blink. We enjoyed every moment. | 0:48:41 | 0:48:45 | |
The group were planning a fourth studio album | 0:48:46 | 0:48:49 | |
when tragedy struck in October 2009. | 0:48:49 | 0:48:52 | |
Tributes are being paid to the Boyzone singer, Stephen Gately, | 0:48:55 | 0:48:58 | |
who's died while on holiday on the Spanish island of Majorca | 0:48:58 | 0:49:00 | |
at the age of 33... | 0:49:00 | 0:49:02 | |
Before Stephen, he hadn't had anybody close in his life | 0:49:04 | 0:49:09 | |
that had passed away and it came as a real... | 0:49:09 | 0:49:13 | |
real shock to him, erm, to all of them. | 0:49:13 | 0:49:16 | |
Stephen died, aged 33, of an undiagnosed heart condition. | 0:49:19 | 0:49:24 | |
You know, Steo and Shano had a very, you know, | 0:49:25 | 0:49:28 | |
a particular strong bond. | 0:49:28 | 0:49:30 | |
You know, Shane looked after Steo, you know, | 0:49:30 | 0:49:34 | |
protected him almost, in a way. | 0:49:34 | 0:49:36 | |
I loved him, loved him dearly. | 0:49:36 | 0:49:39 | |
He, to me, he was my little brother. | 0:49:39 | 0:49:41 | |
Now he's older than I, er, by a year or so, | 0:49:41 | 0:49:44 | |
but he was always my little brother. | 0:49:44 | 0:49:46 | |
Shane is one of the hardest, toughest men I have ever met. | 0:49:46 | 0:49:49 | |
But, you know, to see him break like he did broke my heart. | 0:49:51 | 0:49:55 | |
The boys came together and they were amazing for Steo. | 0:50:07 | 0:50:10 | |
The way they flew over to him and made sure he got back safe | 0:50:10 | 0:50:13 | |
and organised the whole funeral and everything. | 0:50:13 | 0:50:15 | |
The boys also made a promise to Stephen's parents. | 0:50:16 | 0:50:20 | |
Stephen had to spend a night in the church before his funeral. | 0:50:21 | 0:50:25 | |
And his mother just basically said that, um, he didn't like the dark | 0:50:25 | 0:50:29 | |
and she didn't want him in the church on his own. | 0:50:29 | 0:50:31 | |
And we just said, "Well, look, hang on. | 0:50:31 | 0:50:34 | |
"We'll spend the night in the church with him." | 0:50:34 | 0:50:37 | |
To lay next to a coffin all night, | 0:50:37 | 0:50:39 | |
that's a spooky thing to do, to be fair. | 0:50:39 | 0:50:41 | |
But we all... we got our sleeping bags, | 0:50:41 | 0:50:44 | |
the priest came in with a couple of bottles of wine for us, and at... | 0:50:44 | 0:50:49 | |
I think it was about 12 o'clock at night. We were all starving hungry! | 0:50:49 | 0:50:52 | |
I didn't think about food, and there was a knock on the church door - | 0:50:52 | 0:50:56 | |
no word of a lie, if you know the name - but in came Daniel O'Donnell. | 0:50:56 | 0:51:01 | |
-No! -In came Daniel O'Donnell with a load of fish and chips. | 0:51:01 | 0:51:05 | |
-Did he?! -We sat, we ate. | 0:51:05 | 0:51:08 | |
We laughed, we joked, erm, just told amazing stories about Steo. | 0:51:08 | 0:51:14 | |
But it was an amazing thing to do, a magical thing to do. | 0:51:14 | 0:51:17 | |
We seen him off with joy instead of sorrow. | 0:51:17 | 0:51:21 | |
That was unique. That was very special for the four of us, | 0:51:21 | 0:51:24 | |
cos it was our last night together as a five-piece, I guess. | 0:51:24 | 0:51:28 | |
And, er, yeah, we laughed and we cried | 0:51:28 | 0:51:30 | |
and we got through the night together and... | 0:51:30 | 0:51:32 | |
..the next morning, we laid our brother to rest. It was very hard. | 0:51:33 | 0:51:36 | |
Very, very difficult. | 0:51:36 | 0:51:39 | |
# For all I've been blessed with in this life | 0:51:39 | 0:51:43 | |
# There was an emptiness in me | 0:51:45 | 0:51:50 | |
# I was imprisoned by the power of gold... # | 0:51:53 | 0:51:58 | |
Were you angry with God? | 0:51:58 | 0:52:00 | |
I don't...I don't know the future of what he has planned. | 0:52:00 | 0:52:04 | |
I can only accept it, because that's his time. That was Steo's time. | 0:52:04 | 0:52:07 | |
# Let the world stop turning... # | 0:52:07 | 0:52:11 | |
When he passed, we were in the middle of making an album and... | 0:52:11 | 0:52:15 | |
it was very easy just to go, "We're not that band any more," | 0:52:15 | 0:52:19 | |
to call it a day and to stop, | 0:52:19 | 0:52:20 | |
and I'm so thankful we didn't. | 0:52:20 | 0:52:22 | |
I'm so thankful we finished the album. | 0:52:22 | 0:52:24 | |
We realised that the one thing Steo would have wanted | 0:52:29 | 0:52:32 | |
was for Boyzone to go on, because it allowed Steo almost, | 0:52:32 | 0:52:36 | |
his memory to live on too through the songs. | 0:52:36 | 0:52:39 | |
# Why-y-y | 0:52:40 | 0:52:44 | |
# I lay my heart down on the floor! # | 0:52:44 | 0:52:48 | |
Boyzone's album Brother was released five months after Stephen's death | 0:52:50 | 0:52:55 | |
and features the last vocals he ever recorded. | 0:52:55 | 0:52:58 | |
# But I gave it all away | 0:52:58 | 0:53:00 | |
-STEPHEN: -# I-I-I-I-I... # | 0:53:00 | 0:53:02 | |
It went platinum in the week Stephen would've turned 34. | 0:53:03 | 0:53:06 | |
Of course I shed many a tear and still do sometimes, um, | 0:53:10 | 0:53:14 | |
usually one of the times you're not expecting it | 0:53:14 | 0:53:17 | |
is when it kind of hits you. | 0:53:17 | 0:53:19 | |
Um, the best times I can have with Stephen today is | 0:53:19 | 0:53:24 | |
with the other boys, cos that's my memories, that's our stories, | 0:53:24 | 0:53:27 | |
that's when we talk about him and that's when we celebrate him. | 0:53:27 | 0:53:30 | |
# I showed you love You wanted more-ore-ore... # | 0:53:30 | 0:53:37 | |
On stage with the boys, what I feel is we will always be five. | 0:53:37 | 0:53:41 | |
In my head, he's there and it's brilliant to have him there. | 0:53:41 | 0:53:46 | |
-STEPHEN: -# I gave it all away. # | 0:53:47 | 0:53:50 | |
22 years after their Late Late Show debut, | 0:53:58 | 0:54:01 | |
Boyzone are stronger than ever, | 0:54:01 | 0:54:03 | |
recording, touring, enjoying each other's company. | 0:54:03 | 0:54:07 | |
They are brothers. | 0:54:08 | 0:54:10 | |
When they get together, honestly, it is... | 0:54:10 | 0:54:13 | |
out and out, just you laugh and you laugh and you laugh. | 0:54:13 | 0:54:17 | |
When they tour, they'll be touring the world, | 0:54:19 | 0:54:21 | |
but they still share one dressing room, running around laughing, | 0:54:21 | 0:54:25 | |
like they were when they were 17. | 0:54:25 | 0:54:27 | |
It's a real beautiful thing to see. | 0:54:27 | 0:54:29 | |
It's like time just stood still. | 0:54:31 | 0:54:35 | |
Shane's demons are well and truly behind him. | 0:54:36 | 0:54:40 | |
The Shane I know now, really I suppose, | 0:54:40 | 0:54:42 | |
is kind of like the Shane I first met. | 0:54:42 | 0:54:44 | |
But it was a different Shane in the middle. | 0:54:44 | 0:54:47 | |
You know, we all had to go to an extreme to grow up, to come back, | 0:54:47 | 0:54:51 | |
to find out the person that we want to be for the rest of our lives. | 0:54:51 | 0:54:54 | |
And he smiles a lot more than he used to, definitely. | 0:54:54 | 0:54:59 | |
He's a pure gentleman. He has a heart the size of, of Ireland. | 0:54:59 | 0:55:02 | |
And 12 years after his baptism, | 0:55:03 | 0:55:05 | |
faith remains at the centre of Shane's life. | 0:55:05 | 0:55:08 | |
He found God and it done him the world of good. | 0:55:08 | 0:55:12 | |
Shane started to find his faith and, er, everything changed for Shano. | 0:55:12 | 0:55:17 | |
And, you know what, he's just... he's one in a billion. | 0:55:17 | 0:55:20 | |
The thing is, I love Jesus, I love, love, love, love my Lord, my God | 0:55:20 | 0:55:25 | |
and for what he has taken me from to what I am now. | 0:55:25 | 0:55:28 | |
But that said, like everything, it gets to a point you have to now | 0:55:28 | 0:55:33 | |
find a balance in life and God eventually does let your hand go, | 0:55:33 | 0:55:38 | |
meaning, I've got two daughters, er, my little Marlee now, | 0:55:38 | 0:55:42 | |
she's three years old, but I'll still hold her hand | 0:55:42 | 0:55:45 | |
walking on the pavement. | 0:55:45 | 0:55:46 | |
She's not ready to be let go yet. | 0:55:46 | 0:55:49 | |
And God will eventually get to that point where he lets your hand go, | 0:55:49 | 0:55:52 | |
so there's a little bit of comfort that almost feels has slightly gone, | 0:55:52 | 0:55:57 | |
but it's also your time to show you're not going to run out onto the road! | 0:55:57 | 0:56:01 | |
# Sometimes if I stopped You closed my eyes | 0:56:01 | 0:56:05 | |
# I believe that it's all true Believe it! # | 0:56:07 | 0:56:12 | |
-And we're nearly at Christmas. -Yeah! | 0:56:12 | 0:56:14 | |
And so, Christmas obviously makes you very happy. | 0:56:14 | 0:56:17 | |
What are you doing for Christmas? | 0:56:17 | 0:56:18 | |
I got into panto in 2004, I think, was my first one. | 0:56:18 | 0:56:22 | |
'So, this year, I am playing Captain Hook.' | 0:56:22 | 0:56:25 | |
I am Prince Michael of Donegal! | 0:56:25 | 0:56:28 | |
Once upon a time, I was a prince... | 0:56:28 | 0:56:30 | |
-Oh! -..and now I'm the baddie! | 0:56:30 | 0:56:32 | |
Christmas food. Who does the cooking? Sheena or you? | 0:56:32 | 0:56:35 | |
We have a very strange tradition in the Lynch household, | 0:56:35 | 0:56:39 | |
where Christmas dinner doesn't consist of a turkey. | 0:56:39 | 0:56:43 | |
It consists of shellfish, so lobsters. | 0:56:43 | 0:56:45 | |
-He cooks a wicked lobster and steak. -He does. | 0:56:46 | 0:56:49 | |
-I'm cooking a lobster tails... -Ooh! | 0:56:50 | 0:56:53 | |
..in a champagne sauce and a hint of Irish. | 0:56:53 | 0:56:57 | |
What? | 0:56:57 | 0:56:58 | |
Oh, some potatoes. | 0:56:58 | 0:57:00 | |
Lobsters - yeah, at Christmas, I know, it's weird. | 0:57:00 | 0:57:03 | |
Erm, I think that's definitely a Lynch thing. | 0:57:03 | 0:57:05 | |
Pretty damn nice dinner, to be fair. | 0:57:05 | 0:57:07 | |
-You're more than welcome. -I'll be round. | 0:57:07 | 0:57:09 | |
-What time do you eat? Is it after the Queen? -Around two o'clock. | 0:57:09 | 0:57:12 | |
-Perfect, just before the Queen. -Yeah. | 0:57:12 | 0:57:13 | |
-Shane, thank you and Happy Christmas! -Happy Christmas. Thank you. | 0:57:13 | 0:57:17 | |
-# I can't deny what I believe -What I believe, yeah! | 0:57:18 | 0:57:24 | |
-# I can't be what I'm not -I know, I know... # | 0:57:24 | 0:57:29 | |
What a story and how unabashed Shane is when he talks about his faith | 0:57:29 | 0:57:34 | |
and he talks so eloquently about his beliefs as well. | 0:57:34 | 0:57:38 | |
And I think that story about God holding your hand | 0:57:38 | 0:57:41 | |
until you are ready to let go safely is perhaps a Christmas present | 0:57:41 | 0:57:46 | |
that we can all share and take home from Shane. | 0:57:46 | 0:57:49 | |
-# That's all that matters to me -No, no matter what... # | 0:57:49 | 0:57:52 | |
Next week, I meet Linford Christie - | 0:57:55 | 0:57:58 | |
European, Commonwealth, World and Olympic gold medallist. | 0:57:58 | 0:58:02 | |
I feel that I was born to run. | 0:58:02 | 0:58:06 | |
A failed drugs test marred his career, | 0:58:06 | 0:58:08 | |
but he's always denied wrong-doing. | 0:58:08 | 0:58:11 | |
People can say lots of bad things about me, | 0:58:11 | 0:58:13 | |
but to say they can prove I have taken drugs... | 0:58:13 | 0:58:17 | |
It's a load of rubbish. | 0:58:17 | 0:58:18 | |
Linford talks about the role of his faith during the highs and the lows. | 0:58:18 | 0:58:24 | |
# Pass around the bottle and we'll share your troubles | 0:58:24 | 0:58:28 | |
# Say la, la, la, la, la, la Love will save the day | 0:58:28 | 0:58:32 | |
# Pass around the bottle and we'll share your troubles | 0:58:33 | 0:58:38 | |
# Say la, la, la, la, la, la Love will save the day | 0:58:38 | 0:58:42 | |
# Say la, la, la, la, la, la Love will save the day. # | 0:58:42 | 0:58:47 | |
-CHEERING -Thank you! | 0:58:47 | 0:58:49 |