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I love this job, you know. | 0:00:02 | 0:00:03 | |
Talking to people about their faith, | 0:00:03 | 0:00:05 | |
no matter what their faith is | 0:00:05 | 0:00:06 | |
and discussing how it's influenced their daily lives, | 0:00:06 | 0:00:09 | |
their decisions on their careers. | 0:00:09 | 0:00:11 | |
And when I'm with them, I often take an awful lot of photographs, | 0:00:11 | 0:00:14 | |
and I've got a card here I really must get printed up at some stage, | 0:00:14 | 0:00:17 | |
but, you know, finding somewhere to... | 0:00:17 | 0:00:18 | |
ORGAN PLAYS | 0:00:18 | 0:00:20 | |
Oh, I say, that's a bit of luck. | 0:00:20 | 0:00:22 | |
LAUGHTER | 0:00:25 | 0:00:26 | |
Is that the 128 megabytes memory card or the 256? | 0:00:26 | 0:00:29 | |
The 256. | 0:00:29 | 0:00:31 | |
Good, well, that's all very straightforward. | 0:00:31 | 0:00:33 | |
Should have those ready for you... | 0:00:33 | 0:00:35 | |
..in about an hour. | 0:00:36 | 0:00:37 | |
Perfect, that's the length of the chat with my next guest. | 0:00:37 | 0:00:40 | |
See you in about an hour, then. | 0:00:41 | 0:00:42 | |
A direct descendant of William the Conqueror, | 0:00:44 | 0:00:47 | |
my guest this week | 0:00:47 | 0:00:48 | |
is one of the most quintessentially English gentlemen there is. | 0:00:48 | 0:00:53 | |
Alexander Armstrong made his name | 0:00:53 | 0:00:54 | |
playing stiff upper-lipped characters | 0:00:54 | 0:00:57 | |
as part of a comedy double act. | 0:00:57 | 0:00:58 | |
The big thing about me is I'm just myself, and that's who I am, right? | 0:00:58 | 0:01:01 | |
And if you don't like that, then you can just deal with it, girlfriend, | 0:01:01 | 0:01:03 | |
because that's who I am! | 0:01:03 | 0:01:04 | |
The quiz show he presents has such a devoted following | 0:01:04 | 0:01:07 | |
that it's become a national institution. | 0:01:07 | 0:01:09 | |
APPLAUSE | 0:01:09 | 0:01:11 | |
Right, if everyone's ready, let's play Pointless. | 0:01:11 | 0:01:13 | |
He spent his childhood immersed | 0:01:13 | 0:01:15 | |
in the rituals of the Church of England. | 0:01:15 | 0:01:17 | |
I think he would say he's a good churchman. | 0:01:17 | 0:01:20 | |
Church is part of who he is. | 0:01:20 | 0:01:23 | |
And if that's not enough, he's also the new James Bond... | 0:01:23 | 0:01:27 | |
Well, of the rodent world. | 0:01:27 | 0:01:28 | |
Saving the world's what I do, Penfold. | 0:01:28 | 0:01:31 | |
But throughout his successful career of comedy and broadcasting, | 0:01:31 | 0:01:35 | |
Alexander has held another passion. | 0:01:35 | 0:01:38 | |
One that he's been hiding in plain sight. | 0:01:38 | 0:01:40 | |
# Your hair is cool | 0:01:40 | 0:01:42 | |
# Your eyes divine... # | 0:01:42 | 0:01:44 | |
Whenever he could, | 0:01:44 | 0:01:45 | |
Alexander Armstrong grasped the opportunity to sing. | 0:01:45 | 0:01:49 | |
# You will get a sentimental feeling... # | 0:01:49 | 0:01:53 | |
It's a love that began in the church pews as a choirboy. | 0:01:54 | 0:01:58 | |
Now Alexander is finally hoping to take his singing career main stage. | 0:01:58 | 0:02:03 | |
# I would be strong, | 0:02:03 | 0:02:07 | |
# For there is much to suffer... # | 0:02:07 | 0:02:12 | |
It will only cement him further in the nation's heart. | 0:02:14 | 0:02:18 | |
But despite a charmed life of talent and fame, | 0:02:20 | 0:02:23 | |
Alexander hasn't escaped the blows that life throws at all of us. | 0:02:23 | 0:02:27 | |
There are still things back there that I haven't really... | 0:02:27 | 0:02:30 | |
..entirely dealt with, I think. | 0:02:33 | 0:02:35 | |
I'm really looking forward to meeting Alexander Armstrong, | 0:02:37 | 0:02:41 | |
and finding out if that affable, slightly bumbling fellow | 0:02:41 | 0:02:44 | |
that we know and love so well on Pointless is really him - | 0:02:44 | 0:02:48 | |
and has a childhood spent sitting in the pews of churches | 0:02:48 | 0:02:52 | |
influenced the way he feels about God? | 0:02:52 | 0:02:55 | |
And is he really that nice? | 0:02:55 | 0:02:57 | |
As I arrive at Alexander's house, | 0:03:09 | 0:03:11 | |
I can't resist meeting some of his rather unusual family members. | 0:03:11 | 0:03:14 | |
So this is Denzel and Dennis? | 0:03:16 | 0:03:17 | |
This is Denzel and Dennis. | 0:03:17 | 0:03:19 | |
In another field, we have Delilah and Dominic. | 0:03:19 | 0:03:22 | |
They're all beginning with D, you might have noticed. | 0:03:22 | 0:03:24 | |
-OK. -There's a bit of a family soap opera going on at the moment. | 0:03:24 | 0:03:28 | |
One of them suddenly turned on another one, | 0:03:28 | 0:03:29 | |
and that one will be filthy because they all spit at it. | 0:03:29 | 0:03:33 | |
It's so unfair. | 0:03:33 | 0:03:35 | |
It's miserable, really. | 0:03:35 | 0:03:36 | |
I think, though, I'm going to have to take you inside, | 0:03:36 | 0:03:39 | |
-I want to talk to you. -OK. -Yes. -Let's go and do it. | 0:03:39 | 0:03:41 | |
To the house. | 0:03:41 | 0:03:42 | |
Alexander Henry Fenwick Armstrong, known to all as Xander, | 0:03:44 | 0:03:48 | |
was born on the 2nd of March 1970, the youngest of three children. | 0:03:48 | 0:03:53 | |
You have an older brother? | 0:03:55 | 0:03:56 | |
Yeah - older brother, older sister. | 0:03:56 | 0:03:57 | |
There's only a year and a half between them, | 0:03:57 | 0:03:59 | |
-and then a gap of three years and then me. -Ooh. | 0:03:59 | 0:04:02 | |
So, yes, quite... | 0:04:02 | 0:04:04 | |
I think, we're very close, actually, we're a very close family, | 0:04:06 | 0:04:08 | |
but inevitably they always were the tennis players | 0:04:08 | 0:04:11 | |
and I was always the ball boy, if you see what I mean. | 0:04:11 | 0:04:14 | |
-The three... -And when their friends come round, | 0:04:14 | 0:04:16 | |
they shut the door in your face? | 0:04:16 | 0:04:17 | |
Slightly - and so my reaction was to be a pain, which I did very well. | 0:04:17 | 0:04:22 | |
The Armstrong family lived in the wilds of Northumberland, | 0:04:24 | 0:04:27 | |
his mother a magistrate and his father the village doctor. | 0:04:27 | 0:04:31 | |
I imagine he spent his entire childhood | 0:04:31 | 0:04:33 | |
running through hills, scrumping apples | 0:04:33 | 0:04:35 | |
and playing the violin or something, | 0:04:35 | 0:04:36 | |
that's my guess. | 0:04:36 | 0:04:38 | |
Well, I think he had a very old-fashioned upbringing. | 0:04:38 | 0:04:41 | |
I think my upbringing is fairly old-fashioned, | 0:04:41 | 0:04:45 | |
but not in comparison with his. He went to school on a donkey! | 0:04:45 | 0:04:47 | |
I'm not sure they had shoes, sort of dirt floors, | 0:04:47 | 0:04:49 | |
lived on a farm or something. | 0:04:49 | 0:04:51 | |
I think they relied on their own invention a lot. | 0:04:51 | 0:04:53 | |
I think that's probably where a certain amount | 0:04:53 | 0:04:55 | |
of his creativity comes from, because, | 0:04:55 | 0:04:58 | |
let me tell you, if you grew up there, you had to be creative! | 0:04:58 | 0:05:01 | |
You were remote when you are growing up in Northumberland, weren't you? | 0:05:03 | 0:05:06 | |
We were. And we lived, we really did live right in the middle of nowhere. | 0:05:06 | 0:05:10 | |
I mean, I wouldn't have had it any other way, but we were about | 0:05:10 | 0:05:14 | |
four-and-a-half miles away from our nearest village. | 0:05:14 | 0:05:18 | |
Despite such a remote existence, | 0:05:19 | 0:05:21 | |
community was at the heart of the Armstrong family. | 0:05:21 | 0:05:25 | |
I think, when you're the son of a doctor, | 0:05:25 | 0:05:27 | |
you are necessarily very involved in your wider community. | 0:05:27 | 0:05:30 | |
And I think that has had a real impact on him. | 0:05:30 | 0:05:33 | |
The highlight of the Armstrong's social life | 0:05:34 | 0:05:36 | |
was their weekly visit to church. | 0:05:36 | 0:05:39 | |
Church was one of the events in our... | 0:05:39 | 0:05:41 | |
You know, we lived in the middle of nowhere, | 0:05:41 | 0:05:43 | |
we'd come into the village for church. | 0:05:43 | 0:05:44 | |
It was quite exciting - we'd see people. | 0:05:44 | 0:05:46 | |
You know, my father was a church warden, | 0:05:46 | 0:05:49 | |
and...and his father before him! | 0:05:49 | 0:05:51 | |
It just sounds like such a sort of... | 0:05:51 | 0:05:53 | |
"Oh, here we go." But it was a big part of our week. | 0:05:53 | 0:05:57 | |
You know, in parts... | 0:05:57 | 0:05:59 | |
I think my father would very much see it as part of his, | 0:05:59 | 0:06:02 | |
part and parcel of his job as a doctor, as well. | 0:06:02 | 0:06:05 | |
Talking of which, I mean, my goodness, | 0:06:05 | 0:06:07 | |
the number of times medical emergencies would happen in church, | 0:06:07 | 0:06:10 | |
because it would be Sunday morning, there'd be lots of people | 0:06:10 | 0:06:12 | |
that would come from the old people's home and things like that. | 0:06:12 | 0:06:15 | |
So at least two or three times a year | 0:06:15 | 0:06:16 | |
Dad would have to jump over pews | 0:06:16 | 0:06:18 | |
and we'd be sort of beaming with pride at our father, | 0:06:18 | 0:06:21 | |
the great medical man who would then rush to the aid... | 0:06:21 | 0:06:24 | |
Our father, who art a doctor. | 0:06:24 | 0:06:25 | |
Who art a doctor, yeah. | 0:06:25 | 0:06:27 | |
I can't pretend that we didn't fidget and muck about | 0:06:27 | 0:06:30 | |
and generally misbehave. | 0:06:30 | 0:06:33 | |
It was great, I loved church. | 0:06:33 | 0:06:35 | |
When Alexander was very young, | 0:06:36 | 0:06:38 | |
he made a secret discovery in his parents' house. | 0:06:38 | 0:06:41 | |
It would be the start of a lifelong passion. | 0:06:41 | 0:06:44 | |
I would wake up before everyone else woke up, | 0:06:44 | 0:06:48 | |
and I could never go back to sleep. | 0:06:48 | 0:06:50 | |
I would always go downstairs and explore. | 0:06:50 | 0:06:52 | |
The first thing I always went to was the record player, | 0:06:52 | 0:06:55 | |
and I would just put a record on, which was completely forbidden, | 0:06:55 | 0:06:58 | |
but down in the early hours I could put records on. | 0:06:58 | 0:07:00 | |
-I just loved the act of... -Oh, yes. | 0:07:00 | 0:07:03 | |
You'd bring the control down and the arm would then come down | 0:07:03 | 0:07:06 | |
-in its own sweet time. -Oh! -I loved that. | 0:07:06 | 0:07:09 | |
VIOLIN CONCERTO PLAYS | 0:07:11 | 0:07:13 | |
And what were you listening to? | 0:07:14 | 0:07:15 | |
I would listen to my parents' record collection. | 0:07:15 | 0:07:17 | |
I'd work my way through, and it was largely classical music. | 0:07:17 | 0:07:20 | |
But it just felt so grown up. | 0:07:20 | 0:07:22 | |
I loved that. I think being the youngest, it mattered a lot to me, | 0:07:22 | 0:07:26 | |
to be able to live in this rather grown-up world of classical music. | 0:07:26 | 0:07:31 | |
So I would learn to love, from a very early age, | 0:07:31 | 0:07:35 | |
Beethoven violin concerto - | 0:07:35 | 0:07:37 | |
I remember listening to that. | 0:07:37 | 0:07:39 | |
Alexander's love for music | 0:07:47 | 0:07:49 | |
would continue to grow throughout his life, | 0:07:49 | 0:07:52 | |
but his idyllic rural childhood was not to last. | 0:07:52 | 0:07:56 | |
Like his older brother and sister before him, | 0:07:56 | 0:07:58 | |
Alexander was sent to boarding school. | 0:07:58 | 0:08:01 | |
How old were you when you are packed off to boarding school? | 0:08:03 | 0:08:06 | |
I was seven and a half when I went off to boarding school. | 0:08:06 | 0:08:10 | |
-That's young. -It is young. | 0:08:10 | 0:08:12 | |
And that will sound to a lot of people | 0:08:12 | 0:08:14 | |
like an act of heartless brutality on the part of my parents, but... | 0:08:14 | 0:08:18 | |
I mean, really, it absolutely destroyed them, as well. | 0:08:20 | 0:08:22 | |
They absolutely hated us going off to boarding school, | 0:08:22 | 0:08:26 | |
but we lived in the middle of nowhere. | 0:08:26 | 0:08:29 | |
-Do you remember that first day... -Oh, God, I do... | 0:08:29 | 0:08:31 | |
-When you turned up and had to wave your parents goodbye? -I do. | 0:08:31 | 0:08:34 | |
I know. It was an evening, you'd turn up in the evening. | 0:08:34 | 0:08:37 | |
And you'd sort of - you'd been looking forward to it, | 0:08:37 | 0:08:39 | |
and you had no idea what it was going to be. | 0:08:39 | 0:08:41 | |
I literally had no idea at all. | 0:08:41 | 0:08:43 | |
You turn up and it's all fine, | 0:08:43 | 0:08:44 | |
you're quite excited when you're going. | 0:08:44 | 0:08:46 | |
Because it is exciting, you're going off - | 0:08:46 | 0:08:49 | |
it's one big sleepover | 0:08:49 | 0:08:50 | |
with lots of people who are going to be your best friends | 0:08:50 | 0:08:52 | |
and you have all your new kit | 0:08:52 | 0:08:53 | |
and you've got stuff with your name written on, | 0:08:53 | 0:08:55 | |
and you've got - you know, it's very exciting. | 0:08:55 | 0:08:57 | |
There's a torch with Armstrong written on it, | 0:08:57 | 0:09:00 | |
and a tuck box and things. It's... | 0:09:00 | 0:09:04 | |
And then you arrive, and all that resolve just goes... | 0:09:04 | 0:09:06 | |
"Gah..." You know, and... | 0:09:06 | 0:09:09 | |
Everyone's desperately trying to be cheerful, | 0:09:09 | 0:09:12 | |
and then the moment comes, | 0:09:12 | 0:09:13 | |
and your parents say, "Well, that's excellent. | 0:09:13 | 0:09:16 | |
"We'll write. We'll write to you," and then off they go. | 0:09:16 | 0:09:20 | |
It was pretty bleak. I mean... | 0:09:22 | 0:09:24 | |
There's no getting around the bleakness | 0:09:24 | 0:09:27 | |
of...of that. | 0:09:27 | 0:09:29 | |
But, oh, God, you miss, you miss home. | 0:09:29 | 0:09:32 | |
Home is almost a religious thing | 0:09:32 | 0:09:33 | |
and everything to do with home you revere and you hold tight. | 0:09:33 | 0:09:37 | |
Home would remain precious to Alexander, | 0:09:39 | 0:09:42 | |
but eventually he embraced boarding school life. | 0:09:42 | 0:09:46 | |
You did end up loving it. | 0:09:46 | 0:09:47 | |
Hogwarts is quite a good example - I can point to... | 0:09:47 | 0:09:50 | |
You have to imagine the enormous adventures and camaraderie | 0:09:50 | 0:09:54 | |
of that dormitory life, and wonderful friendships. | 0:09:54 | 0:09:58 | |
I mean, really, truly wonderful friendships that you have, | 0:09:58 | 0:10:02 | |
and actually, you do have a lovely time there, actually. | 0:10:02 | 0:10:08 | |
You do, and you are looked after very well. | 0:10:08 | 0:10:10 | |
It was at his boarding school | 0:10:10 | 0:10:12 | |
that Alexander was given the opportunity | 0:10:12 | 0:10:15 | |
to embrace his love for music and nurture a great talent. | 0:10:15 | 0:10:19 | |
Were you singing at prep school? | 0:10:20 | 0:10:22 | |
-Yes, that's where singing suddenly took hold. -Ah! | 0:10:22 | 0:10:24 | |
Did you know you had a voice, before you got there? | 0:10:24 | 0:10:27 | |
I sort of did, actually, I sort of did. | 0:10:27 | 0:10:29 | |
I knew I could hold a tune. | 0:10:29 | 0:10:30 | |
And then when I got there I was very pleased, | 0:10:30 | 0:10:33 | |
because my brother had been in the choir there. | 0:10:33 | 0:10:35 | |
The choir was run by this absolute saint of a woman, | 0:10:35 | 0:10:39 | |
the headmaster's wife, Mrs Dakin, she was called. | 0:10:39 | 0:10:42 | |
We were taught in their house, so it wasn't done in a classroom, | 0:10:42 | 0:10:45 | |
it was done in a really nice - very sort of cosy, | 0:10:45 | 0:10:49 | |
around the kitchen table, and you're allowed to eat biscuits and things, | 0:10:49 | 0:10:53 | |
which no-one else was allowed to do. | 0:10:53 | 0:10:55 | |
It just felt like a really exciting privilege to do music. | 0:10:55 | 0:10:59 | |
So that was lovely, and music then took over. | 0:10:59 | 0:11:03 | |
Alexander would sing as a chorister for the rest of his education. | 0:11:04 | 0:11:09 | |
Day after day he would spend hours in holy buildings, | 0:11:09 | 0:11:12 | |
immersed in the long traditions of sacred language and music. | 0:11:12 | 0:11:16 | |
It would have a profound influence on him, | 0:11:17 | 0:11:19 | |
becoming the foundation of his Christian faith. | 0:11:19 | 0:11:23 | |
Like all little choristers, | 0:11:23 | 0:11:25 | |
he grew up from a very young age caught up in that daily literature, | 0:11:25 | 0:11:29 | |
that daily round of prayer | 0:11:29 | 0:11:31 | |
in a cavernous and beautiful building in Edinburgh, | 0:11:31 | 0:11:36 | |
at the Great Cathedral. | 0:11:36 | 0:11:39 | |
I think, for Xander, | 0:11:39 | 0:11:41 | |
and for many people who come to the church and religion through music, | 0:11:41 | 0:11:46 | |
there's a quality to music-making | 0:11:46 | 0:11:48 | |
that isn't just about notes and scores, | 0:11:48 | 0:11:51 | |
it is very much about offering the gifts | 0:11:51 | 0:11:53 | |
that they've been given by God in the service of the church. | 0:11:53 | 0:11:56 | |
So I think music is far more than just an art form for him, | 0:11:56 | 0:12:01 | |
I think it is part of his spirituality. | 0:12:01 | 0:12:05 | |
What is your faith, how would you describe it? | 0:12:05 | 0:12:07 | |
I don't know. For me, it's part and parcel with music, really. | 0:12:07 | 0:12:11 | |
It's through having sung... | 0:12:11 | 0:12:15 | |
I mean, not just sung a bit, but sung endlessly. | 0:12:15 | 0:12:19 | |
I mean, pretty much every day of the week | 0:12:19 | 0:12:22 | |
from...with a couple of breaks here and there, | 0:12:22 | 0:12:25 | |
but from the age of about 11 to the age of 23. | 0:12:25 | 0:12:27 | |
The service that belongs to you as a chorister is evensong. | 0:12:27 | 0:12:30 | |
-Oh, yes. -That's the service that's yours. | 0:12:30 | 0:12:32 | |
You do that one five times a week. | 0:12:32 | 0:12:34 | |
CHOIR SINGS | 0:12:34 | 0:12:37 | |
It's very ancient and very ritualistic, which I love. | 0:12:41 | 0:12:43 | |
And it's full of beautiful music, which I love, | 0:12:46 | 0:12:49 | |
and it's full of pauses for reflection and contemplation. | 0:12:49 | 0:12:53 | |
It takes place at that lovely time of just when evening's coming in, | 0:12:57 | 0:13:01 | |
in the gathering darkness, in the naves. | 0:13:01 | 0:13:03 | |
I find that there's something... | 0:13:07 | 0:13:10 | |
immensely powerful and comforting in that, and I draw... | 0:13:10 | 0:13:14 | |
I draw huge comfort from that. | 0:13:14 | 0:13:16 | |
It's something that I think is a sort of presence. | 0:13:16 | 0:13:20 | |
I like going to church, I find it comforting. | 0:13:20 | 0:13:22 | |
I like that it's a place I can turn to | 0:13:22 | 0:13:24 | |
in desperate need. | 0:13:24 | 0:13:26 | |
When Alexander was 17 he faced the hardest moment of his young life. | 0:13:30 | 0:13:35 | |
Tragedy struck his family | 0:13:37 | 0:13:38 | |
when his younger cousin Alistair was being driven home from school | 0:13:38 | 0:13:42 | |
one day by his friend's mother and a drunk driver hit their car. | 0:13:42 | 0:13:46 | |
Alistair, his friend and his friend's mother were all killed. | 0:13:48 | 0:13:52 | |
I think when you were young you lost your cousin, didn't you, | 0:13:53 | 0:13:56 | |
-who was very young? -I did, I did. | 0:13:56 | 0:13:59 | |
That must have been difficult, as a young man - | 0:13:59 | 0:14:02 | |
-you were only about 17, I think? -Mm. | 0:14:02 | 0:14:04 | |
Yes, I was 17 and it came out of a clear blue sky. | 0:14:04 | 0:14:09 | |
These lovely cousins of ours. | 0:14:09 | 0:14:11 | |
That was... | 0:14:13 | 0:14:15 | |
I mean, just an extraordinary shock, really. | 0:14:15 | 0:14:19 | |
Funny how... | 0:14:19 | 0:14:20 | |
It's funny how the way life moves on. | 0:14:22 | 0:14:24 | |
You... | 0:14:24 | 0:14:25 | |
There are still things back there that I haven't really... | 0:14:25 | 0:14:29 | |
..entirely dealt with, I think, in a funny way. | 0:14:31 | 0:14:35 | |
I always know that it's a thing I can go back to and... | 0:14:35 | 0:14:38 | |
Um... | 0:14:41 | 0:14:43 | |
-Do you wish to stop? -No, it's all right. | 0:14:44 | 0:14:47 | |
It's funny. One of the great... | 0:14:49 | 0:14:51 | |
I think one of things about life is you do... | 0:14:52 | 0:14:57 | |
..constantly move on. | 0:14:58 | 0:15:00 | |
And there's so much grouting | 0:15:00 | 0:15:03 | |
and so much weft and weave in our lives, um... | 0:15:03 | 0:15:08 | |
that you, you are able to move on. | 0:15:08 | 0:15:12 | |
It was just, yes, such an extraordinary shock | 0:15:14 | 0:15:17 | |
because you think, with...with young people, | 0:15:17 | 0:15:19 | |
you're always thinking of the future, | 0:15:19 | 0:15:21 | |
that's what young people are, that's what they represent. | 0:15:21 | 0:15:25 | |
So, yes, that's a, it's a... | 0:15:25 | 0:15:27 | |
really, really... | 0:15:27 | 0:15:29 | |
..harsh lesson in that ending, you know, in the reality of that ending. | 0:15:31 | 0:15:37 | |
But in a funny way, | 0:15:37 | 0:15:40 | |
it was the first time I started to think of... | 0:15:40 | 0:15:44 | |
..I suppose, think of spirit, actually. | 0:15:47 | 0:15:49 | |
Alistair... There are things that'll never die, | 0:15:49 | 0:15:51 | |
I'll always remember and always... | 0:15:51 | 0:15:54 | |
having been alive, he's therefore always alive, he's alive, that's it. | 0:15:54 | 0:16:00 | |
Alexander had found comfort in a faith | 0:16:02 | 0:16:05 | |
born from his time as a choirboy. | 0:16:05 | 0:16:07 | |
As he got older he moved nearer home to Durham School. | 0:16:09 | 0:16:12 | |
It's quite old-fashioned, lots of old Victorian values, | 0:16:14 | 0:16:16 | |
it was all about sport, really, | 0:16:16 | 0:16:18 | |
and if you weren't any good at sport - | 0:16:18 | 0:16:19 | |
and I wasn't especially good at sport - | 0:16:19 | 0:16:21 | |
you weren't really, you weren't really anyone, you know, | 0:16:21 | 0:16:25 | |
the sportsmen were revered. | 0:16:25 | 0:16:27 | |
To compensate for a lack of sporting prowess, | 0:16:28 | 0:16:31 | |
Alexander began to develop another talent. | 0:16:31 | 0:16:35 | |
Alex was always good fun in class, | 0:16:35 | 0:16:36 | |
he was lively, responsive, very witty. | 0:16:36 | 0:16:40 | |
He had wonderful impressions of the staff - very good mimic. | 0:16:42 | 0:16:45 | |
In fact, I would say a brilliant mimic. | 0:16:45 | 0:16:48 | |
I don't think he would object if I said he timed his efforts at A Level | 0:16:48 | 0:16:52 | |
very, very well indeed. | 0:16:52 | 0:16:54 | |
And I'll leave it at that - but he came out very well, | 0:16:54 | 0:16:56 | |
I think he got a grade A in English - | 0:16:56 | 0:16:59 | |
but in class he was good, outside of class he was better. | 0:16:59 | 0:17:02 | |
One of your teachers, Mr Dias...? | 0:17:02 | 0:17:04 | |
-Oh, yes... -He remembers you very well | 0:17:04 | 0:17:07 | |
doing well in class but you were even better out of it | 0:17:07 | 0:17:11 | |
when you were doing all your impersonations. | 0:17:11 | 0:17:14 | |
Yes, it's funny how often comics say that. | 0:17:14 | 0:17:16 | |
Actually, that story that comedy arose out of mimicry. | 0:17:16 | 0:17:22 | |
It's a very easy way to win friends at school | 0:17:22 | 0:17:24 | |
when you arrive at a big school, | 0:17:24 | 0:17:27 | |
if you can actually get about five or six of the teachers off pat, | 0:17:27 | 0:17:32 | |
your...you become, your worth, your value, goes up colossally. | 0:17:32 | 0:17:38 | |
There was... We had a wonderful woman called Mrs Rollings, | 0:17:38 | 0:17:41 | |
who used to teach pottery... | 0:17:41 | 0:17:42 | |
-SOFT GEORDIE ACCENT: -Pottery - and she had a very particular way | 0:17:42 | 0:17:46 | |
of talking. It's a smoker's... When people smoke, | 0:17:46 | 0:17:51 | |
there's a very tight-lipped, | 0:17:51 | 0:17:53 | |
sort of, you know, it's a smoker's way of talking. | 0:17:53 | 0:17:57 | |
And Mrs Rollings basically would talk about pottery "as a craft". | 0:17:57 | 0:18:02 | |
And I remember that we adored Mrs Rollings, she was lovely. Oh, God... | 0:18:02 | 0:18:06 | |
That's a Newcastle accent. | 0:18:06 | 0:18:08 | |
-That's right, yes. -So, you were up in Newcastle? | 0:18:08 | 0:18:10 | |
That's right, I was in Durham. | 0:18:10 | 0:18:12 | |
I was at Durham. | 0:18:12 | 0:18:13 | |
After Durham, Alexander headed to Trinity College Cambridge. | 0:18:15 | 0:18:19 | |
At university, the comic side of Alexander was given room to blossom. | 0:18:20 | 0:18:25 | |
He'd got to Trinity on a choral scholarship, | 0:18:25 | 0:18:27 | |
but it was now that he also joined the famous comedy club, | 0:18:27 | 0:18:31 | |
The Footlights. | 0:18:31 | 0:18:32 | |
He was a wonderful presence, because he was always acting, | 0:18:32 | 0:18:35 | |
doing Footlights and things like that, | 0:18:35 | 0:18:37 | |
and you could see how talented he was, | 0:18:37 | 0:18:39 | |
and even then he was singing, | 0:18:39 | 0:18:40 | |
and you could see there was something about him | 0:18:40 | 0:18:42 | |
that made you think, "I'm going to keep an eye on this guy." | 0:18:42 | 0:18:45 | |
Who were the names in your years? | 0:18:45 | 0:18:48 | |
In my... In my gang, Mel and Sue, lovely Mel and Sue. | 0:18:48 | 0:18:53 | |
Sacha Baron Cohen was there? | 0:18:53 | 0:18:54 | |
Sacha was there, as well. | 0:18:54 | 0:18:56 | |
I didn't know Sacha particularly well... | 0:18:56 | 0:18:57 | |
Will Sutcliffe was another part of that gang. | 0:18:57 | 0:19:00 | |
-Richard Osman? -Richard Osman! But he wasn't in the Footlights. | 0:19:00 | 0:19:03 | |
-Oh, wasn't he? -No! I know! | 0:19:03 | 0:19:04 | |
Funniest man, funniest man I've ever met, | 0:19:04 | 0:19:06 | |
and he wasn't in the Footlights. | 0:19:06 | 0:19:08 | |
We were in the same college together at Cambridge, | 0:19:08 | 0:19:10 | |
he moved with a different crowd than I did - and he still does! | 0:19:10 | 0:19:14 | |
It was in the Footlights | 0:19:15 | 0:19:16 | |
that Alexander was given the opportunity to hone his funny side. | 0:19:16 | 0:19:21 | |
Oh, make no mistake, these were terrible... | 0:19:21 | 0:19:24 | |
We used to write terrible things. | 0:19:24 | 0:19:25 | |
I think that's why Footlights is so good, | 0:19:25 | 0:19:27 | |
you get all these things out of your system. | 0:19:27 | 0:19:29 | |
Having written lots and lots of really terrible things, | 0:19:29 | 0:19:31 | |
you then start landing on things you think, "Ah, that's... | 0:19:31 | 0:19:34 | |
"Here we go, this is quite fun." | 0:19:34 | 0:19:36 | |
You start to learn how to formalise your meanderings, | 0:19:36 | 0:19:39 | |
that's probably it. | 0:19:39 | 0:19:40 | |
In 1992, Alexander reached the end of his formal education, | 0:19:40 | 0:19:45 | |
he had graduated, and now had to make a choice. | 0:19:45 | 0:19:48 | |
I was thinking, "Actually, what am I going to do?" | 0:19:50 | 0:19:52 | |
because I always imagined | 0:19:52 | 0:19:53 | |
that during that three-year period there would be a great moment of, | 0:19:53 | 0:19:57 | |
"Ahhh... Of course, I'm going to go and work for ICI," | 0:19:57 | 0:20:01 | |
or, "Ahhh, of course, I'm going to be a chartered accountant!" | 0:20:01 | 0:20:05 | |
It's beckoning. | 0:20:05 | 0:20:07 | |
These things I thought were going to be perfectly plain to me. | 0:20:07 | 0:20:11 | |
Nothing, nothing at all, not a hint, a clue of anywhere I wanted to go. | 0:20:11 | 0:20:16 | |
However, the music had been - | 0:20:16 | 0:20:18 | |
you know, you're trained, you're trained, | 0:20:18 | 0:20:22 | |
you work so hard, your technique, your discipline, | 0:20:22 | 0:20:25 | |
everything is at its absolute peak, | 0:20:25 | 0:20:28 | |
so you come to the end of your third year of singing | 0:20:28 | 0:20:31 | |
in this semiprofessional capacity, | 0:20:31 | 0:20:34 | |
right at the top of your game, 22, 23, | 0:20:34 | 0:20:38 | |
I was the soloist on the last recording we did with Trinity | 0:20:38 | 0:20:41 | |
and then, then what? | 0:20:41 | 0:20:44 | |
Am I going to go on, go on and maybe study music? | 0:20:44 | 0:20:47 | |
The other way was to go towards comedy - | 0:20:47 | 0:20:49 | |
and that way I could instantly see what was going to happen, | 0:20:49 | 0:20:52 | |
because a gang of friends of mine were setting up this comedy club | 0:20:52 | 0:20:55 | |
in Notting Hill and saying, "Come on, come and be a part of it." | 0:20:55 | 0:20:58 | |
So I went - I went comedy. | 0:20:58 | 0:21:00 | |
And shortly after university, | 0:21:00 | 0:21:02 | |
Alexander met the man who would become his first other half. | 0:21:02 | 0:21:06 | |
Ben was at Cambridge, I knew of Ben, | 0:21:06 | 0:21:09 | |
Ben was quite well-known at Cambridge, | 0:21:09 | 0:21:11 | |
he was a very conspicuous figure in the Footlights. | 0:21:11 | 0:21:14 | |
He had a band, went out with Rachel Weisz. | 0:21:14 | 0:21:18 | |
You know, Ben was a bit of a sort of golden boy. | 0:21:18 | 0:21:20 | |
I mainly heard about Xander through reputation, | 0:21:20 | 0:21:22 | |
because I heard about this very, very funny actor | 0:21:22 | 0:21:26 | |
who was always laughing in the plays that he was in, | 0:21:26 | 0:21:29 | |
he couldn't stop corpsing, basically, | 0:21:29 | 0:21:33 | |
during any play that he was in! | 0:21:33 | 0:21:37 | |
I'd seen Ben perform - | 0:21:37 | 0:21:39 | |
and Ben has this lovely line in just acutely observed character comedy. | 0:21:39 | 0:21:45 | |
He has a sort of mannered comic style | 0:21:45 | 0:21:47 | |
which is so subtle, but once you've clicked into it | 0:21:47 | 0:21:52 | |
it's just irresistible, | 0:21:52 | 0:21:54 | |
and he's just a wonderful, wonderful, comic personality, Ben. | 0:21:54 | 0:21:59 | |
Did you finally meet on a drunken night? | 0:21:59 | 0:22:01 | |
We finally met on a drunken night, pretty much. | 0:22:01 | 0:22:04 | |
Yeah, and we went straight into writing, writing sketches. | 0:22:04 | 0:22:07 | |
I used to write these little sketches and send them to him, | 0:22:07 | 0:22:11 | |
IN the hope of sort of enticing him | 0:22:11 | 0:22:14 | |
to, you know, come and be in a... come and do a double act with me. | 0:22:14 | 0:22:18 | |
And yeah, eventually, we sort of decided to, | 0:22:18 | 0:22:22 | |
one of the sketches I sent him, | 0:22:22 | 0:22:24 | |
we performed it at a sort of sketch night. | 0:22:24 | 0:22:26 | |
I think I walked on stage, | 0:22:26 | 0:22:28 | |
immediately forgot all of the lines that I'd written. | 0:22:28 | 0:22:31 | |
And we just laughed, we laughed and laughed and laughed | 0:22:31 | 0:22:34 | |
and we both had the same sort of, slightly off-kilter | 0:22:34 | 0:22:37 | |
sense of humour. | 0:22:37 | 0:22:39 | |
It's a really, really fortunate thing, | 0:22:39 | 0:22:42 | |
but something just clicked. | 0:22:42 | 0:22:43 | |
Armstrong had met Miller - | 0:22:45 | 0:22:47 | |
but to make it in comedy you first need to make it | 0:22:47 | 0:22:49 | |
at the Edinburgh Fringe. | 0:22:49 | 0:22:52 | |
We'd gone in 1994 and had, I think, the most bruising review - | 0:22:52 | 0:22:57 | |
which I can still remember every word of. | 0:22:57 | 0:23:01 | |
I remember it saying, | 0:23:01 | 0:23:02 | |
"Armstrong and Miller have invented a new kind of comedy - | 0:23:02 | 0:23:05 | |
"one which isn't funny and has no jokes whatsoever." | 0:23:05 | 0:23:09 | |
And we'd been really quite... That had really cut us to the quick. | 0:23:09 | 0:23:14 | |
But despite the slating, Alexander and Ben refused to give up. | 0:23:14 | 0:23:19 | |
And we'd worked really hard for a couple of years - | 0:23:19 | 0:23:21 | |
we didn't go back in '95, but in '96 we went back, | 0:23:21 | 0:23:25 | |
feeling we'd really...and we were like a different act. | 0:23:25 | 0:23:29 | |
It's very competitive, it's a cut-throat business now. | 0:23:29 | 0:23:31 | |
And basically there's young guys like us... | 0:23:31 | 0:23:34 | |
-Muscling in. -Muscling in! | 0:23:36 | 0:23:37 | |
So, your career path could be | 0:23:37 | 0:23:38 | |
presenting Edinburgh Nights in ten years. | 0:23:38 | 0:23:40 | |
Yeah! | 0:23:40 | 0:23:41 | |
And we had the most amazing time, | 0:23:42 | 0:23:44 | |
and we got nominated for the Perrier Award, | 0:23:44 | 0:23:47 | |
and we got given our own show, and it was amazing. | 0:23:47 | 0:23:51 | |
Guys, if you're thinking of going out drinking tonight, OK, | 0:23:51 | 0:23:53 | |
could you do something for us? | 0:23:53 | 0:23:55 | |
Before you order a second beer, just think to yourself, | 0:23:55 | 0:23:58 | |
do I really need another to have fun? | 0:23:58 | 0:24:00 | |
Because the second beer can easily lead to a third beer, | 0:24:02 | 0:24:05 | |
and before you know it, you've had four beers. | 0:24:05 | 0:24:09 | |
That's a great night out for you guys, sure, | 0:24:09 | 0:24:11 | |
but it's overtime for your liver. | 0:24:11 | 0:24:13 | |
'The fantastic thing was the audience reaction,' | 0:24:13 | 0:24:16 | |
people just laughed at us on stage | 0:24:16 | 0:24:18 | |
and that's really what you, you know, that's sort of what you need, | 0:24:18 | 0:24:22 | |
and you need, sort of, people just to be laughing | 0:24:22 | 0:24:24 | |
at the combination of the two of you for a reason they can't explain. | 0:24:24 | 0:24:28 | |
In 1997, Alexander and Ben hit our screens with Armstrong And Miller. | 0:24:31 | 0:24:36 | |
I think my favourite Armstrong And Miller sketch | 0:24:38 | 0:24:40 | |
is anything with the RAF pilots in it. | 0:24:40 | 0:24:42 | |
Here, have you heard about Chalky and all this? | 0:24:42 | 0:24:45 | |
He's actually a spy for, like, that lot we're fighting. | 0:24:45 | 0:24:47 | |
-The Germans or whatever. -No way! | 0:24:47 | 0:24:50 | |
Chalky? A spy? | 0:24:50 | 0:24:51 | |
-You mean Chalky? -Yeah, man! Chalky. | 0:24:51 | 0:24:53 | |
Chalky Von Schmidt, a spy? | 0:24:53 | 0:24:54 | |
The genius of it, to take the language of the modern teenager | 0:24:56 | 0:25:00 | |
and put it in the mouth of a Battle of Britain pilot | 0:25:00 | 0:25:03 | |
is a level of genius on a sort of Python level. | 0:25:03 | 0:25:05 | |
I swear down. He's been giving the Germans | 0:25:05 | 0:25:08 | |
all, like, spoilers about the war and this. | 0:25:08 | 0:25:09 | |
Oh, my days, that is so two-faced! | 0:25:09 | 0:25:11 | |
It was a very particular thing we used to try and achieve | 0:25:11 | 0:25:14 | |
with Armstrong and Miller which was to go very much for style, | 0:25:14 | 0:25:17 | |
to try and pastiche style as well as we possibly could, | 0:25:17 | 0:25:22 | |
so you'd almost get a laugh from recognition, | 0:25:22 | 0:25:24 | |
rather than necessarily from gags, | 0:25:24 | 0:25:26 | |
and then we'd put something... we'd put a slightly odd tilt on it. | 0:25:26 | 0:25:30 | |
The train approaching Platform 2 is the 07:44 to Marylebone. | 0:25:30 | 0:25:35 | |
I love you all. | 0:25:35 | 0:25:37 | |
Let's hear it for commuting! | 0:25:37 | 0:25:38 | |
Whoo! Whoo! Whoo! | 0:25:38 | 0:25:41 | |
It's just two guys mucking about, two people who can really act, | 0:25:41 | 0:25:45 | |
which is quite unusual for comics, two guys who can really write, | 0:25:45 | 0:25:48 | |
which is less unusual, and two guys that had great chemistry | 0:25:48 | 0:25:51 | |
and right from the start, you could tell it was going to be a hit. | 0:25:51 | 0:25:54 | |
Armstrong and Miller would prove to be a successful double act | 0:25:56 | 0:25:58 | |
for the next 15 years. | 0:25:58 | 0:26:01 | |
Whilst working on the second series of Armstrong And Miller, | 0:26:03 | 0:26:06 | |
Alexander received some terrible news about a good friend of his. | 0:26:06 | 0:26:10 | |
Tell me about Charlie Waller. | 0:26:11 | 0:26:13 | |
I got to know Charlie very well because - through his brother, | 0:26:13 | 0:26:17 | |
his brother Rick was a very good friend of mine at Trinity. | 0:26:17 | 0:26:21 | |
He was just an absolute superstar, Charlie, one of the funniest... | 0:26:21 | 0:26:26 | |
genuinely funny, funny people you could ever wish to meet. | 0:26:26 | 0:26:31 | |
He would light up a room, Charlie, when he came in. | 0:26:31 | 0:26:35 | |
He was a big lad, a bit of a sort of... | 0:26:35 | 0:26:37 | |
He was a useful forward in rugby. | 0:26:37 | 0:26:40 | |
It was the summer of 1997, the summer of Princess Diana's death. | 0:26:42 | 0:26:47 | |
This is BBC Television from London. | 0:26:48 | 0:26:51 | |
A short while ago, Buckingham Palace confirmed the death of Diana, | 0:26:51 | 0:26:54 | |
Princess of Wales. | 0:26:54 | 0:26:55 | |
I remember the day after the Princess of Wales' funeral, | 0:26:55 | 0:26:59 | |
driving up to Sheffield. | 0:26:59 | 0:27:01 | |
I was driving up on the Sunday afterwards | 0:27:01 | 0:27:03 | |
and I remember the motorway just being lined with flowers, | 0:27:03 | 0:27:08 | |
it was...it just felt a bit dreamlike, | 0:27:08 | 0:27:11 | |
it was just a very odd thing. | 0:27:11 | 0:27:12 | |
I suddenly got a call | 0:27:13 | 0:27:15 | |
from my girlfriend, then, saying... | 0:27:15 | 0:27:18 | |
..Charlie Waller's killed himself. | 0:27:20 | 0:27:22 | |
And as I... | 0:27:25 | 0:27:27 | |
I should think, far too many of us know what that sensation is like | 0:27:27 | 0:27:32 | |
when you're... You know, we all get told snippets of news | 0:27:32 | 0:27:36 | |
like that, that just... Thwang! | 0:27:36 | 0:27:39 | |
And you are sort of thrown into a mad sort of, "What the...? | 0:27:39 | 0:27:45 | |
"Who? Charlie? Why? | 0:27:45 | 0:27:48 | |
"What?" | 0:27:48 | 0:27:50 | |
It turned out Charlie had been suffering... | 0:27:50 | 0:27:52 | |
suffering from depression for years | 0:27:52 | 0:27:55 | |
and nobody had particularly known, no-one had really known about it. | 0:27:55 | 0:27:58 | |
You know? But Charlie, of all people, | 0:27:58 | 0:28:01 | |
this great rock of a man, | 0:28:01 | 0:28:05 | |
should have been suffering all this time. | 0:28:05 | 0:28:08 | |
So, what Charlie's family did, | 0:28:08 | 0:28:11 | |
is they said, "Right, that's it," immediately, "We're not... | 0:28:11 | 0:28:13 | |
"We're not going to spend all this time lamenting Charlie. | 0:28:13 | 0:28:17 | |
"Charlie is too big a presence for that." | 0:28:17 | 0:28:20 | |
You know, again, there's my theory about people, | 0:28:20 | 0:28:23 | |
someone like Charlie, he doesn't die, | 0:28:23 | 0:28:26 | |
Charlie's around, Charlie will be around for a very, very long time. | 0:28:26 | 0:28:30 | |
Not least of all in the name of this - | 0:28:31 | 0:28:33 | |
he lives on in the name of this trust, | 0:28:33 | 0:28:35 | |
the Charlie Waller Memorial Trust, | 0:28:35 | 0:28:37 | |
which has been set up to deal with the issue of latent depression. | 0:28:37 | 0:28:41 | |
You know? I mean, latent, only to everyone else, | 0:28:41 | 0:28:43 | |
but depression that people keep under wraps. | 0:28:43 | 0:28:46 | |
And it's so hidden, | 0:28:46 | 0:28:47 | |
and young men don't have the dialogue to use and... | 0:28:47 | 0:28:51 | |
Exactly - and, tragically, | 0:28:51 | 0:28:53 | |
-it is young men that seem to be the most afflicted by it. -Yes. | 0:28:53 | 0:28:57 | |
Extraordinary statistics. | 0:28:57 | 0:29:00 | |
And, yes, it's just a matter of... | 0:29:00 | 0:29:02 | |
As in, as in every area of life, | 0:29:02 | 0:29:06 | |
it's all about making sure channels of communication are maintained | 0:29:06 | 0:29:10 | |
-and always open. -Yes. Yes. | 0:29:10 | 0:29:12 | |
Today, Alexander is a patron of the Charlie Waller Memorial Trust. | 0:29:12 | 0:29:17 | |
Our vision is of a world where people understand | 0:29:17 | 0:29:21 | |
and talk openly about depression. | 0:29:21 | 0:29:23 | |
Fantastic! A wedding! | 0:29:27 | 0:29:29 | |
By 2002, | 0:29:29 | 0:29:31 | |
Alexander had established himself as a regular presence on our screens, | 0:29:31 | 0:29:35 | |
both on programmes and in between them. | 0:29:35 | 0:29:37 | |
I'm not going to lie to you, | 0:29:37 | 0:29:39 | |
as a man of impeccable driving skill, | 0:29:39 | 0:29:40 | |
the reward for careful drivers tempts me. | 0:29:40 | 0:29:43 | |
Hang on! | 0:29:43 | 0:29:44 | |
Four of you, one of me - I make that Pimms o'clock, don't you? | 0:29:44 | 0:29:48 | |
Then, one day in April 2002, | 0:29:50 | 0:29:52 | |
he went on a shopping trip that would change his life. | 0:29:52 | 0:29:56 | |
We met when I was an events organiser at Harvey Nichols | 0:29:56 | 0:30:00 | |
and he was doing personal shopping | 0:30:00 | 0:30:03 | |
with his friend and my boss wanted to set us up. | 0:30:03 | 0:30:07 | |
I fell absolutely head over heels in love with her | 0:30:07 | 0:30:10 | |
the first time I saw her. I thought, just the most lovely person! | 0:30:10 | 0:30:14 | |
He took my number and he sent me... | 0:30:14 | 0:30:16 | |
it was quite, sort of... | 0:30:16 | 0:30:19 | |
quite an old-fashioned courtship in that he sent me texts every day, | 0:30:19 | 0:30:22 | |
which is not old-fashioned, | 0:30:22 | 0:30:23 | |
but we wouldn't see each other for a good couple of weeks | 0:30:23 | 0:30:26 | |
and they were very funny - every day I got a text, | 0:30:26 | 0:30:28 | |
very funny, telling me about his day and I thought, | 0:30:28 | 0:30:31 | |
"Oh, maybe he's quite interesting." | 0:30:31 | 0:30:33 | |
Did it all happen very quickly? | 0:30:33 | 0:30:35 | |
-Engagement and wedding? -It did, really. | 0:30:35 | 0:30:37 | |
The engagement happened very... Oh, God, I knew instantly. | 0:30:37 | 0:30:40 | |
I mean, I really did know before terribly long | 0:30:40 | 0:30:43 | |
that she was exactly the person I wanted to marry. | 0:30:43 | 0:30:47 | |
Anyhow, I bit my tongue for as long as was decently possible, | 0:30:47 | 0:30:51 | |
then I think, really, | 0:30:51 | 0:30:53 | |
it was a year after we'd been going out I asked her to marry me, | 0:30:53 | 0:30:56 | |
which I think is probably, most people say, | 0:30:56 | 0:30:59 | |
"Well, that's a bit quick, isn't it?" But you know, I just knew. | 0:30:59 | 0:31:02 | |
Absolutely knew. | 0:31:02 | 0:31:04 | |
Today, Alexander and Hannah run a very busy household. | 0:31:04 | 0:31:09 | |
He's got a lot of children. He's got four sons, they're all mini Xanders. | 0:31:09 | 0:31:12 | |
Yes, we like to have a lot of dependants | 0:31:12 | 0:31:14 | |
dangling off us at any one time. | 0:31:14 | 0:31:16 | |
In fact, he's such a good dad that one of the main reasons | 0:31:16 | 0:31:20 | |
that I married my wife | 0:31:20 | 0:31:21 | |
was so that Xander would be the uncle | 0:31:21 | 0:31:23 | |
of my, as yet, unborn children. | 0:31:23 | 0:31:25 | |
So, we have two unbelievably naughty dogs. | 0:31:25 | 0:31:28 | |
-Hello! -This is Genghis! -Who's this? -Hello, Genghis! | 0:31:28 | 0:31:31 | |
Here are the questions! | 0:31:31 | 0:31:32 | |
Do you...? | 0:31:32 | 0:31:33 | |
The animals are just crazy. | 0:31:34 | 0:31:36 | |
Two cats, five chickens. | 0:31:36 | 0:31:38 | |
I think they're just a family who can't stop. | 0:31:38 | 0:31:41 | |
Two Shetland ponies. | 0:31:41 | 0:31:42 | |
One old lady pony who's gorgeous, called Shimoo. | 0:31:42 | 0:31:46 | |
And sometimes she sounds a little anguished. | 0:31:46 | 0:31:48 | |
I think five llamas now. | 0:31:48 | 0:31:50 | |
Because juggling children, Xander and llamas, now, | 0:31:50 | 0:31:55 | |
is quite a burden for anyone to bear. | 0:31:55 | 0:31:58 | |
Listen, I think Xander just likes to surround himself | 0:31:58 | 0:32:01 | |
with life, you know? | 0:32:01 | 0:32:02 | |
He's got as many kids as I think he's allowed to have, | 0:32:02 | 0:32:05 | |
he tries to pack as many animals as he's allowed to have | 0:32:05 | 0:32:07 | |
into his life, as well. | 0:32:07 | 0:32:09 | |
You know, I think that tells you something about the man, | 0:32:09 | 0:32:13 | |
that he just wants life around him. | 0:32:13 | 0:32:14 | |
He wants to interact with it. | 0:32:14 | 0:32:16 | |
That's where he's happy. | 0:32:16 | 0:32:18 | |
Xander is a proper family man. | 0:32:18 | 0:32:21 | |
He loves his children and he is immensely kind and generous. | 0:32:21 | 0:32:26 | |
Alexander is keen for his children | 0:32:26 | 0:32:27 | |
to have the same Christian upbringing he had. | 0:32:27 | 0:32:30 | |
I know church means a lot to Xander. | 0:32:30 | 0:32:32 | |
We have Sunday lunch with him quite often and he's often late back | 0:32:32 | 0:32:35 | |
with whichever of the children he's taken to church. He always goes. | 0:32:35 | 0:32:38 | |
It's always lovely to see him with his boys, | 0:32:38 | 0:32:42 | |
and I think he delights in trying to introduce them | 0:32:42 | 0:32:45 | |
to the same tradition in which he grew up. | 0:32:45 | 0:32:47 | |
Of course, now he is so famous, he turns lots of heads - | 0:32:47 | 0:32:50 | |
but he is pretty much part of the family here at Saint Paul's. | 0:32:50 | 0:32:53 | |
It's a nice hour, just to sort of take out, | 0:32:53 | 0:32:56 | |
and it's really good for - I think it's great for the children. | 0:32:56 | 0:32:58 | |
It's good for the children to be a bit bored. | 0:32:58 | 0:33:00 | |
I like the idea of going to church, | 0:33:00 | 0:33:03 | |
and I like, as a result of having gone to church when we were little, | 0:33:03 | 0:33:06 | |
I'm perfectly comfortable in church, | 0:33:06 | 0:33:07 | |
and I therefore have great affection for the idea of church. | 0:33:07 | 0:33:12 | |
By 2003, Alexander's personal life was coming together. | 0:33:13 | 0:33:18 | |
But his professional life was starting to unravel. | 0:33:18 | 0:33:21 | |
Armstrong And Miller had continued for eight successful years, | 0:33:22 | 0:33:26 | |
but it was now showing signs of strain. | 0:33:26 | 0:33:28 | |
They were heading for a big bust-up. | 0:33:28 | 0:33:30 | |
Very good. | 0:33:32 | 0:33:34 | |
Well, I read, and you can tell me if this isn't real or true, | 0:33:34 | 0:33:37 | |
that you apparently had a bit of a hissy fit | 0:33:37 | 0:33:39 | |
and you were the one who went, "I'm stopping this for a bit." | 0:33:39 | 0:33:42 | |
-I did. -Did you? -I did have a hissy fit. | 0:33:42 | 0:33:44 | |
We'd been working together for about eight years by that stage. | 0:33:44 | 0:33:50 | |
I remember, we were working on a screenplay | 0:33:50 | 0:33:54 | |
and the screenplay we had started on, | 0:33:54 | 0:33:57 | |
we just got further and further away from the story that I really loved. | 0:33:57 | 0:34:01 | |
I did just say, "Right, sorry, I'm not enjoying this any more, | 0:34:01 | 0:34:04 | |
"la, la, la, la, la, I'm off." And... | 0:34:04 | 0:34:07 | |
-Yeah, it was quite a cathartic moment. -Was it? | 0:34:08 | 0:34:11 | |
I felt he was entirely justified at the time, to be honest with you. | 0:34:12 | 0:34:15 | |
It really just deepens your relationship, I think. | 0:34:15 | 0:34:18 | |
Because if you don't voice those things, | 0:34:18 | 0:34:22 | |
it'll just come out in other ways. | 0:34:22 | 0:34:24 | |
You're better off just telling the person | 0:34:24 | 0:34:26 | |
what really annoys you about them! | 0:34:26 | 0:34:29 | |
It puts odd pressures on you, being a writer, trying to write - | 0:34:30 | 0:34:33 | |
not just writing stuff that you hope is going to be funny. | 0:34:33 | 0:34:36 | |
Mm. | 0:34:36 | 0:34:37 | |
And you're... You know, | 0:34:37 | 0:34:41 | |
to be sociable, your reaction if someone tells you a joke, | 0:34:41 | 0:34:43 | |
you would always say, "Ha-ha, that's great!" | 0:34:43 | 0:34:46 | |
If you are working and you are working with someone | 0:34:46 | 0:34:48 | |
and writing jokes together, you end up going, | 0:34:48 | 0:34:50 | |
"Mm, yeah, I think we need to lose a little bit from the middle | 0:34:50 | 0:34:53 | |
"and tighten up the end of it there." | 0:34:53 | 0:34:55 | |
It's not a great arena to be in. | 0:34:55 | 0:34:58 | |
You can do it for a long time, | 0:34:58 | 0:35:00 | |
but there comes a point when you just think, | 0:35:00 | 0:35:02 | |
"Oh, God, why don't you like any of the things I'm...?" | 0:35:02 | 0:35:05 | |
There comes a point where you do just... | 0:35:05 | 0:35:07 | |
you have slightly tested each other's patience. | 0:35:07 | 0:35:10 | |
There have been times when Xander's blown up at me, | 0:35:10 | 0:35:12 | |
and there's times when I've blown up at him. | 0:35:12 | 0:35:14 | |
It's not the kind of relationship where we then sit down | 0:35:14 | 0:35:17 | |
and discuss that for weeks on end, | 0:35:17 | 0:35:19 | |
trying to figure out who was right and who was wrong. | 0:35:19 | 0:35:22 | |
It's like a sibling relationship. | 0:35:22 | 0:35:23 | |
It's like, "OK, fair enough." | 0:35:23 | 0:35:25 | |
-Are you all right? -Yes. | 0:35:25 | 0:35:27 | |
After four series, the pair took a five-year break. | 0:35:27 | 0:35:30 | |
Just I thought I was your main homeboy, isn't it? | 0:35:30 | 0:35:33 | |
Harsh. | 0:35:34 | 0:35:35 | |
Alexander needed to find a new job. | 0:35:40 | 0:35:42 | |
An opportunity arose to have a go in a new area of broadcasting. | 0:35:43 | 0:35:47 | |
Good evening. | 0:35:47 | 0:35:49 | |
Welcome to Have I Got News For You. | 0:35:49 | 0:35:50 | |
My name is Alexander Armstrong, and if I seem familiar to you, | 0:35:50 | 0:35:53 | |
it's because I'm a regular on ITV. | 0:35:53 | 0:35:56 | |
Footballers' Wives, Coronation Street, Emmerdale - | 0:35:56 | 0:35:58 | |
you name it, I've done some adverts in the middle of it! | 0:35:58 | 0:36:01 | |
Good evening and welcome to Have I Got News For You. | 0:36:01 | 0:36:03 | |
I'm Alexander Armstrong. | 0:36:03 | 0:36:05 | |
How many have you done? You hold the record. | 0:36:05 | 0:36:07 | |
I think I've done 25, or something like that. | 0:36:07 | 0:36:10 | |
I think, on the back of that, Countdown approached me | 0:36:10 | 0:36:14 | |
and said would I be interested in doing Countdown. | 0:36:14 | 0:36:17 | |
I liked the idea of that cos I love Countdown | 0:36:17 | 0:36:20 | |
and I love the idea of A JOB! You know? | 0:36:20 | 0:36:22 | |
I mean, this was an actual contract. | 0:36:22 | 0:36:26 | |
In my line of work, as a sort of jobbing comedian, | 0:36:26 | 0:36:29 | |
that's not really something you generally get. | 0:36:29 | 0:36:32 | |
People often say, "Why did you do this?" | 0:36:32 | 0:36:34 | |
or, "Why did you do this role? "Why did you do this programme?" | 0:36:34 | 0:36:37 | |
The short answer was always, "Because I was asked." | 0:36:37 | 0:36:40 | |
It's not like one... You're not sifting through things, | 0:36:40 | 0:36:44 | |
going, "No. No. I won't do that." | 0:36:44 | 0:36:45 | |
You basically just take... You get what you're given. | 0:36:45 | 0:36:47 | |
You didn't take Countdown... | 0:36:47 | 0:36:49 | |
I didn't take Countdown because the only thing about Countdown was, | 0:36:49 | 0:36:53 | |
sort of enshrined within Countdown | 0:36:53 | 0:36:54 | |
was Richard Whiteley's way of doing it. | 0:36:54 | 0:36:58 | |
So I didn't see a great deal of scope for making it my own | 0:36:58 | 0:37:02 | |
in that sort of way. | 0:37:02 | 0:37:03 | |
So I very reluctantly, and after great thought, | 0:37:03 | 0:37:06 | |
said, "No, actually, I won't do that." | 0:37:06 | 0:37:09 | |
Then I think that's what Pointless grew out of, | 0:37:09 | 0:37:11 | |
cos Endemol were just putting it together, | 0:37:11 | 0:37:13 | |
and they thought, "Well, actually... Ooh, we hadn't thought of him!" | 0:37:13 | 0:37:16 | |
Right, if everyone's ready, let's play Pointless. | 0:37:16 | 0:37:19 | |
It would be the birth of a show with an unusual approach. | 0:37:19 | 0:37:23 | |
All our players need to do is score as few points as they possibly can. | 0:37:23 | 0:37:27 | |
And the start of Alexander's second on-screen relationship. | 0:37:27 | 0:37:31 | |
I think we always thought at some point we'd work together, | 0:37:31 | 0:37:33 | |
and every time we met up, because we knew each other from college, | 0:37:33 | 0:37:36 | |
we'd always sit and have a gossip, and we'd always say, | 0:37:36 | 0:37:38 | |
"We must work together, we must work together." | 0:37:38 | 0:37:40 | |
I don't think either of us thought, 20 years later, | 0:37:40 | 0:37:43 | |
it would be quite in the way that we have done. | 0:37:43 | 0:37:45 | |
There's only one person left for me to introduce. | 0:37:45 | 0:37:47 | |
He asks the questions that make the inside of your head itch. | 0:37:47 | 0:37:51 | |
It's my Pointless friend, it's Richard. | 0:37:51 | 0:37:53 | |
Hiya. Hiya. | 0:37:53 | 0:37:55 | |
'There was an instant rapport because I've known him' | 0:37:55 | 0:37:58 | |
for 20 years. | 0:37:58 | 0:38:00 | |
It was one of those enormous bits of good fortune. | 0:38:00 | 0:38:03 | |
We never had to work at our relationship, | 0:38:03 | 0:38:05 | |
we never had to work at trying to make each other laugh | 0:38:05 | 0:38:07 | |
cos we knew how to immediately. | 0:38:07 | 0:38:10 | |
We went through, we did the top 70 most popular celebrities | 0:38:10 | 0:38:12 | |
with the initials AA. | 0:38:12 | 0:38:14 | |
It's great. I've got a whole list here if you want to see them | 0:38:14 | 0:38:17 | |
-at some point. -Yeah... -ALEXANDER CHUCKLES | 0:38:17 | 0:38:19 | |
Hold on a minute... | 0:38:22 | 0:38:23 | |
I'm just thinking of you. | 0:38:26 | 0:38:28 | |
It's interesting you weren't on the list. | 0:38:28 | 0:38:31 | |
It is 70 - that's a lot of people on there. | 0:38:31 | 0:38:33 | |
Yeah, that's a lot. | 0:38:33 | 0:38:34 | |
Pointless, I absolutely love it. | 0:38:34 | 0:38:36 | |
I think it's a very, very hard game to play. | 0:38:36 | 0:38:39 | |
And I can tell you that with some...experience, | 0:38:39 | 0:38:42 | |
having been out in the first round of Pointless Celebrities. | 0:38:42 | 0:38:46 | |
Hello, I'm Ben and I used to be in a comedy double act. | 0:38:46 | 0:38:49 | |
LAUGHTER | 0:38:49 | 0:38:51 | |
That's debatable! | 0:38:51 | 0:38:52 | |
If you just played that game, | 0:38:55 | 0:38:56 | |
it wouldn't be nearly so entertaining a programme. | 0:38:56 | 0:38:59 | |
What's brilliant about it is that Richard and Xander are given | 0:38:59 | 0:39:02 | |
the opportunity and the room to also enjoy what they're doing. | 0:39:02 | 0:39:07 | |
-You used to do a show with Ben Miller, right? -I did, yes. | 0:39:07 | 0:39:10 | |
-What was it called? -Armstrong And Miller. | 0:39:10 | 0:39:11 | |
Armstrong And Miller? Terrific. Cos I used to watch it. | 0:39:11 | 0:39:14 | |
I'm honestly a fan, I'm a fan, | 0:39:14 | 0:39:16 | |
but, Ben, if I'm brutally frank with you, | 0:39:16 | 0:39:20 | |
I mainly watched it for Ben because I liked the comedy bits. | 0:39:20 | 0:39:23 | |
I liked your bit because you do | 0:39:25 | 0:39:27 | |
the slightly dour, kind of straight man stuff. | 0:39:27 | 0:39:30 | |
You know, "Oh, God, that's a bit depressing." | 0:39:30 | 0:39:32 | |
Then Ben comes along and boom, boom, punch line, punch line, | 0:39:32 | 0:39:34 | |
smashing it into the net. | 0:39:34 | 0:39:37 | |
Then you think, cos when Ben does something, I'm laughing, | 0:39:37 | 0:39:39 | |
I'm just doubled up like that. | 0:39:39 | 0:39:41 | |
Then I get a minute and a half where I can relax | 0:39:41 | 0:39:43 | |
cos you're on and you're doing something. | 0:39:43 | 0:39:46 | |
You think, here he is, like the comedy Grim Reaper. | 0:39:46 | 0:39:50 | |
That's me. That was... Yeah... | 0:39:50 | 0:39:52 | |
APPLAUSE | 0:39:52 | 0:39:55 | |
Richard and I, we've just had such a lovely time across the series. | 0:39:56 | 0:40:00 | |
I think lots of the most successful shows recently | 0:40:00 | 0:40:03 | |
have been presented by duos. | 0:40:03 | 0:40:05 | |
You've got Mel and Sue, Ant and Dec, and I think it's the same thing. | 0:40:05 | 0:40:08 | |
When you've got two people who you know are friends | 0:40:08 | 0:40:11 | |
and who you know like each other | 0:40:11 | 0:40:12 | |
and who you know delight in making each other laugh, | 0:40:12 | 0:40:14 | |
then it's something you can't fake. | 0:40:14 | 0:40:16 | |
Let's see how many of our 100 people said Podgorica. | 0:40:16 | 0:40:19 | |
Despite the clear rapport between Alexander and Richard, | 0:40:19 | 0:40:23 | |
in the early days, no-one knew if the show would be a success. | 0:40:23 | 0:40:26 | |
Oh, it's a pointless! | 0:40:29 | 0:40:31 | |
I told Xander from episode one Pointless wouldn't be a hit | 0:40:31 | 0:40:33 | |
because I've made so many shows over the years | 0:40:33 | 0:40:36 | |
and most shows aren't hits. It's very difficult. | 0:40:36 | 0:40:38 | |
Every time you get a hit, you're very blessed. | 0:40:38 | 0:40:40 | |
He would go, because Xander is enthusiastic about EVERYTHING, | 0:40:40 | 0:40:43 | |
he's like a big puppy dog. | 0:40:43 | 0:40:44 | |
Literally, everything he ever does, he thinks will be brilliant, | 0:40:44 | 0:40:47 | |
which is such a nice way to live life. | 0:40:47 | 0:40:49 | |
I mean, deluded, but nice. | 0:40:49 | 0:40:50 | |
He would say, "No, I think this is going to run for ever, | 0:40:50 | 0:40:53 | |
"I think we'll end up doing 500 of these." | 0:40:53 | 0:40:56 | |
Now we've ended up doing 1,200 of these, | 0:40:56 | 0:40:58 | |
and a bit of me is annoyed that he was right. | 0:40:58 | 0:41:00 | |
I've got pastries, I've got tea. Would you like a cup of tea? | 0:41:00 | 0:41:03 | |
Oh, I really would. That's just what I need. | 0:41:03 | 0:41:05 | |
There you go. That's nice, isn't it? | 0:41:05 | 0:41:08 | |
Isn't it? | 0:41:08 | 0:41:09 | |
The audience quickly warmed to | 0:41:09 | 0:41:11 | |
the awkward charm of Alexander and Richard, | 0:41:11 | 0:41:14 | |
and the show became a hit. | 0:41:14 | 0:41:16 | |
We started very small, | 0:41:16 | 0:41:17 | |
hidden away in the afternoon schedules on BBC Two. | 0:41:17 | 0:41:20 | |
Now we get to do it on BBC One before the news. | 0:41:20 | 0:41:23 | |
I mean, it's the most absurd privilege to have that slot. | 0:41:23 | 0:41:26 | |
How many times a day does somebody come to you and go, | 0:41:26 | 0:41:30 | |
"You're... It's Pointless, isn't it?!" | 0:41:30 | 0:41:32 | |
Um... That's... | 0:41:32 | 0:41:35 | |
Yeah, it's a lot, it's a lot of times. | 0:41:35 | 0:41:37 | |
It's nice. It means I have... | 0:41:37 | 0:41:39 | |
People get a nice surprise, I think, when they see someone... | 0:41:39 | 0:41:41 | |
Sometimes they think they know you. This happens quite a lot. | 0:41:41 | 0:41:44 | |
I've done that many a time before when it's somebody who I think, | 0:41:44 | 0:41:48 | |
"Oh, I definitely know them. Who's that?" | 0:41:48 | 0:41:50 | |
"We know them." And it's not. | 0:41:50 | 0:41:52 | |
-It's Robert De Niro. -Yeah, it's Robert De Niro. | 0:41:52 | 0:41:54 | |
I'm always on the train with him after Marylebone(!) | 0:41:54 | 0:41:57 | |
Because we film Pointless in such a lovely environment, | 0:41:57 | 0:42:01 | |
Richard and I are so completely and entirely ourselves on that show. | 0:42:01 | 0:42:07 | |
So it's quite nice in a way. | 0:42:07 | 0:42:08 | |
It does mean that people feel they know me quite well, | 0:42:08 | 0:42:11 | |
and they genuinely probably do. | 0:42:11 | 0:42:12 | |
Today, Pointless has become a national institution. | 0:42:14 | 0:42:18 | |
I confidently predict it's going to be a cracking show today. | 0:42:19 | 0:42:22 | |
I think so. | 0:42:22 | 0:42:23 | |
And now it means so much to people. | 0:42:23 | 0:42:26 | |
My father - he's 92 - he loves it! It's a point in the day. | 0:42:26 | 0:42:31 | |
Students love it. | 0:42:31 | 0:42:33 | |
Something to eat their breakfast with! | 0:42:33 | 0:42:35 | |
But I understand that students do drinking games to it. | 0:42:35 | 0:42:38 | |
I believe they do. | 0:42:38 | 0:42:39 | |
I think every time I say, "Thank you very much indeed," | 0:42:39 | 0:42:41 | |
or something like that. | 0:42:41 | 0:42:43 | |
Something I say all the time. | 0:42:43 | 0:42:44 | |
It's terrible, the awful grooves you find yourself going up. | 0:42:44 | 0:42:48 | |
When you're doing something so many times, | 0:42:48 | 0:42:50 | |
even if I thought of another way of saying, | 0:42:50 | 0:42:53 | |
"Could the second players now please stand up to the podium?" | 0:42:53 | 0:42:55 | |
there's only a limit, | 0:42:55 | 0:42:57 | |
there's only about five ways you can really say that. | 0:42:57 | 0:42:59 | |
Xander and I are often given presents by people, which is lovely. | 0:42:59 | 0:43:02 | |
The thing I most encourage is cake. | 0:43:02 | 0:43:05 | |
-Oh... -Very...impressive. | 0:43:05 | 0:43:08 | |
-Wow. -Look at that. -APPLAUSE | 0:43:08 | 0:43:12 | |
People bring us some unusual things, shall we say. | 0:43:12 | 0:43:16 | |
I'm retired now, but I do a lot of knitting, | 0:43:16 | 0:43:18 | |
and I've brought you a present. | 0:43:18 | 0:43:19 | |
-Oh, have you? -Yes. | 0:43:19 | 0:43:22 | |
You do get a lot of presents on the show. | 0:43:22 | 0:43:24 | |
-It's nice. -It is nice. -It's nice. | 0:43:24 | 0:43:26 | |
-Poems, knitted animals... -Knitted things. | 0:43:26 | 0:43:29 | |
We've had knitted versions, | 0:43:29 | 0:43:30 | |
Richard and I have had knitted versions of ourselves given. | 0:43:30 | 0:43:33 | |
Oooooh, look at that! | 0:43:33 | 0:43:34 | |
APPLAUSE | 0:43:34 | 0:43:36 | |
They're to scale as well. | 0:43:36 | 0:43:38 | |
We had lovely knitted dolls on one show. | 0:43:39 | 0:43:41 | |
People had knitted things that looked a tiny bit voodoo doll-ish - | 0:43:41 | 0:43:44 | |
I'm going to be honest, | 0:43:44 | 0:43:45 | |
but they were cute, and we had a little pretend fight with those. | 0:43:45 | 0:43:48 | |
-Buh-chuh! -Urgh! -Boom! -Guh! -Ugh! | 0:43:48 | 0:43:52 | |
Get off my desk! | 0:43:52 | 0:43:54 | |
-And you keep them? -We do. | 0:43:54 | 0:43:56 | |
Not in here? | 0:43:56 | 0:43:57 | |
No, interestingly, perhaps not in here. | 0:43:57 | 0:43:59 | |
I still have my knitted doll at home, which is rather lovely. | 0:43:59 | 0:44:02 | |
Over the last few years, the gentle charm of Pointless | 0:44:02 | 0:44:06 | |
has come to mean something very special to its viewers. | 0:44:06 | 0:44:10 | |
For one of those viewers, | 0:44:10 | 0:44:11 | |
it would come to mean something more than just entertainment. | 0:44:11 | 0:44:14 | |
In July 2015, Pooja Raja woke one morning | 0:44:16 | 0:44:19 | |
to find she had no feeling from the waist down. | 0:44:19 | 0:44:22 | |
I had emergency surgery on my spine, | 0:44:23 | 0:44:26 | |
and after a long investigation, | 0:44:26 | 0:44:28 | |
it turned out I had a really rare tumour. | 0:44:28 | 0:44:31 | |
It was difficult waiting, not knowing what was wrong with me | 0:44:31 | 0:44:36 | |
and also, just going through the motions of the daily routine. | 0:44:36 | 0:44:42 | |
Like, I couldn't lift things, | 0:44:42 | 0:44:44 | |
or I could walk for five minutes and then I'd be in pain. | 0:44:44 | 0:44:47 | |
During that time, Pointless meant a lot to me. | 0:44:48 | 0:44:52 | |
It played a part in my routine, | 0:44:52 | 0:44:55 | |
and I looked forward to 5:15 every day. | 0:44:55 | 0:44:58 | |
I'd play around with my physio times | 0:44:58 | 0:45:00 | |
so I could be sat on the sofa at 5:15. | 0:45:00 | 0:45:04 | |
When you're on at daytime, at 5:15, | 0:45:04 | 0:45:06 | |
you do become part of people's lives, is the truth. | 0:45:06 | 0:45:09 | |
Especially if you are less mobile, | 0:45:09 | 0:45:11 | |
especially if there are reasons | 0:45:11 | 0:45:13 | |
why the television is very important to you, | 0:45:13 | 0:45:15 | |
and I think you become part of people's routine, | 0:45:15 | 0:45:18 | |
which is incredibly special. | 0:45:18 | 0:45:20 | |
I think that if you do a show for people that they like at that point | 0:45:20 | 0:45:24 | |
and if they like you, there's a very, very powerful bond. | 0:45:24 | 0:45:29 | |
Eventually, Pooja made a full recovery, | 0:45:29 | 0:45:32 | |
and in September this year, | 0:45:32 | 0:45:33 | |
she was able to be a member of the Pointless studio audience. | 0:45:33 | 0:45:37 | |
Being in the audience, it meant a lot, | 0:45:38 | 0:45:40 | |
just cos of what I'd been through last year. | 0:45:40 | 0:45:42 | |
The amount of people who come up to us on the street | 0:45:42 | 0:45:45 | |
and say that it's important in their day | 0:45:45 | 0:45:47 | |
or in their parents' day or people have been convalescing | 0:45:47 | 0:45:50 | |
or people who have just had a baby - all sorts of things - | 0:45:50 | 0:45:52 | |
just say, "It's very important to me to be able to sit down, | 0:45:52 | 0:45:55 | |
"have a cup of tea and watch that show." | 0:45:55 | 0:45:57 | |
We both take that unbelievably seriously. | 0:45:57 | 0:46:00 | |
Across the country, there are many viewers for whom the show | 0:46:01 | 0:46:04 | |
has taken on great importance. | 0:46:04 | 0:46:05 | |
Amongst them was one of Alexander's childhood idols. | 0:46:07 | 0:46:11 | |
During the last few years of his life, | 0:46:11 | 0:46:13 | |
the legendary record producer Sir George Martin | 0:46:13 | 0:46:16 | |
would always make a point of watching Pointless. | 0:46:16 | 0:46:19 | |
George Martin, who, of course, the Beatles and...he was so very ill | 0:46:20 | 0:46:24 | |
and he loved Pointless, and it got him through his final illness. | 0:46:24 | 0:46:27 | |
I mean, there's a beautiful sort of cyclical thing here. | 0:46:27 | 0:46:32 | |
George Martin was behind so many things I adored. | 0:46:32 | 0:46:36 | |
I mean, obviously the Beatles. | 0:46:36 | 0:46:38 | |
I mean, the Beatles... I became obsessed with the Beatles | 0:46:38 | 0:46:41 | |
from the age of about seven, I should think. | 0:46:41 | 0:46:43 | |
But he'd also done so many comedy things as well. | 0:46:43 | 0:46:46 | |
He'd done lots of The Goons, Peter Sellers things later. | 0:46:46 | 0:46:50 | |
He'd done lots of Beyond The Fringe stuff | 0:46:50 | 0:46:52 | |
with Jonathan Miller and Alan Bennett. | 0:46:52 | 0:46:54 | |
I have sort of love for George Martin. | 0:46:54 | 0:46:57 | |
I mean, huge love for George Martin. | 0:46:57 | 0:46:58 | |
Respect, admiration, all of those sorts of things, | 0:46:58 | 0:47:01 | |
as this sort of ethereal figure. | 0:47:01 | 0:47:03 | |
Not someone who really even lived in the same world, | 0:47:03 | 0:47:06 | |
I always...I rather felt. | 0:47:06 | 0:47:08 | |
And then, after he died, I got an e-mail from Giles, his son, | 0:47:08 | 0:47:13 | |
saying, "Dad was a big fan, | 0:47:13 | 0:47:16 | |
"And it would mean a lot to him if you read at his memorial service". | 0:47:16 | 0:47:21 | |
And I just... | 0:47:21 | 0:47:22 | |
-I mean...the honour of that. -Wow. | 0:47:23 | 0:47:27 | |
-I mean, just wonderful, I mean, extraordinary. -What did you read? | 0:47:27 | 0:47:30 | |
I actually did a Beyond The Fringe. | 0:47:30 | 0:47:32 | |
There's a really lovely Beyond The Fringe. | 0:47:32 | 0:47:34 | |
It was Jonathan Miller and Peter Cook. | 0:47:34 | 0:47:37 | |
Perkins, sorry to drag you away from the fun, old boy. | 0:47:37 | 0:47:41 | |
That's all right, sir. | 0:47:41 | 0:47:42 | |
-War's not going very well, you know. -Oh, my God. | 0:47:42 | 0:47:45 | |
"We need somebody to pep up the war effort. | 0:47:45 | 0:47:48 | |
"What we need at this stage of the war is a futile gesture." | 0:47:48 | 0:47:51 | |
-Perkins. -Sir. | 0:47:51 | 0:47:52 | |
-I want you to lay down your life. -Yes, sir. | 0:47:52 | 0:47:54 | |
We need a futile gesture at this stage. | 0:47:54 | 0:47:58 | |
"So what I want you to do is, basically, get on your plane, | 0:47:58 | 0:48:02 | |
"pop over to Bremen, don't come back." | 0:48:02 | 0:48:05 | |
That's basically, just what we need at this stage of the war! | 0:48:05 | 0:48:08 | |
He had a very good, quirky, dark sense of humour, | 0:48:08 | 0:48:11 | |
and that really, really appealed to him. | 0:48:11 | 0:48:12 | |
Oh, it was lovely. I mean, it was extraordinary. | 0:48:12 | 0:48:15 | |
It was like suddenly being invited into one of your dreams. | 0:48:15 | 0:48:17 | |
Isn't it extraordinary - a piece of work that you thought | 0:48:17 | 0:48:20 | |
might just pay a few bills for 30 programmes | 0:48:20 | 0:48:22 | |
-has now brought you these untold gifts. -Extraordinary. | 0:48:22 | 0:48:28 | |
We've been told that the Queen watches it - I love that. | 0:48:28 | 0:48:30 | |
-Did you know that? -Does she? -Yes! | 0:48:30 | 0:48:32 | |
Well, I don't know. | 0:48:32 | 0:48:34 | |
All we know is that the music to Pointless | 0:48:34 | 0:48:35 | |
is heard down her, down the little passage. | 0:48:35 | 0:48:38 | |
Oh, she'd be very good at the royal family rounds, wouldn't she? | 0:48:38 | 0:48:41 | |
You've got to hope she'd be. | 0:48:41 | 0:48:42 | |
I imagine she's probably very good at flags, capital cities. | 0:48:42 | 0:48:46 | |
-Yes, yes. Anything to do with... -Horse racing. -..the Commonwealth. | 0:48:46 | 0:48:49 | |
Very good. Anything to do with the Commonwealth. | 0:48:49 | 0:48:51 | |
-Nailing every single one of those, I should think. -Yeah. -Yeah. | 0:48:51 | 0:48:54 | |
You should get her on. | 0:48:54 | 0:48:56 | |
I think she and Phil, come on together. | 0:48:56 | 0:48:59 | |
-Have you asked them? -We haven't yet. I mean, that's probably | 0:48:59 | 0:49:02 | |
the only reason they haven't come on, I should think. | 0:49:02 | 0:49:05 | |
Through the success of Pointless, | 0:49:05 | 0:49:07 | |
Alexander had found fame and adoration. | 0:49:07 | 0:49:10 | |
But there was a part of him that was still not fulfilled. | 0:49:10 | 0:49:13 | |
His passion for his first love, music, had refused to go away. | 0:49:13 | 0:49:19 | |
# Deck the halls with boughs of holly. # | 0:49:19 | 0:49:23 | |
He knows that he's an amazing singer, | 0:49:23 | 0:49:25 | |
and it really is his sort of... it's his biggest talent, really. | 0:49:25 | 0:49:29 | |
And I think he's always been itching to show it off. | 0:49:29 | 0:49:32 | |
I know singing's very important to Xander. | 0:49:32 | 0:49:34 | |
It's a very big part of his life, and always has been. | 0:49:34 | 0:49:36 | |
I know that he's always singing at weddings, | 0:49:36 | 0:49:38 | |
and when I got married to his sister-in-law, | 0:49:38 | 0:49:42 | |
we didn't ask Xander to sing at our wedding, cos we thought it'd be nice | 0:49:42 | 0:49:45 | |
for him to get to go to a wedding where he didn't have to sing. | 0:49:45 | 0:49:47 | |
And then afterwards, I sort of heard on the grapevine | 0:49:47 | 0:49:49 | |
he was a bit offended we hadn't asked him to sing. | 0:49:49 | 0:49:51 | |
Cos I think if he goes to some big spiritual event, he likes to sing, | 0:49:51 | 0:49:54 | |
to sort of connect with it. | 0:49:54 | 0:49:56 | |
I think he spent most of his comedy career, if he's honest, | 0:49:56 | 0:50:00 | |
trying to find ways to turn his comedy career and his acting career | 0:50:00 | 0:50:04 | |
into a singing career. | 0:50:04 | 0:50:05 | |
Xander's singing is incredibly important to him. | 0:50:05 | 0:50:07 | |
It's where everything began, | 0:50:07 | 0:50:09 | |
with being a choir boy and a choral scholar, | 0:50:09 | 0:50:11 | |
it's the first time that people sort of looked and listened to him | 0:50:11 | 0:50:14 | |
and enjoyed it, and he enjoyed them enjoying him. | 0:50:14 | 0:50:16 | |
From there comes acting, comedy, and all those things. | 0:50:16 | 0:50:19 | |
So it's a lovely way of things coming full circle now | 0:50:19 | 0:50:22 | |
that people want to hear him sing. | 0:50:22 | 0:50:24 | |
And because he'd become very famous, | 0:50:24 | 0:50:26 | |
he had a sort of built-in fan base ready to sing to. | 0:50:26 | 0:50:29 | |
# When true lovers meet in Mayfair | 0:50:29 | 0:50:33 | |
# So the legends tell... # | 0:50:33 | 0:50:36 | |
In 2015, Alexander decided it was finally time | 0:50:36 | 0:50:40 | |
to give his singing career a chance. | 0:50:40 | 0:50:42 | |
It was only last year when I started singing properly again, | 0:50:42 | 0:50:48 | |
that I remembered, I remembered the pain of not singing any more. | 0:50:48 | 0:50:54 | |
# There were angels dining | 0:50:54 | 0:50:58 | |
# At The Ritz... # | 0:50:58 | 0:51:00 | |
Last Christmas, Alexander's first album topped the charts, | 0:51:00 | 0:51:04 | |
and he's hoping to do the same this year with his new album. | 0:51:04 | 0:51:08 | |
Honestly, I can see in his eyes it's the thing that he really loves, | 0:51:08 | 0:51:11 | |
and it's lovely when you see | 0:51:11 | 0:51:13 | |
a friend and someone you like and respect | 0:51:13 | 0:51:15 | |
doing the thing they really love, and he does. | 0:51:15 | 0:51:18 | |
# Are you going to Scarborough Fair? # | 0:51:18 | 0:51:24 | |
The latest album has been absolutely all-consuming. | 0:51:24 | 0:51:28 | |
He's worked incredibly hard. | 0:51:28 | 0:51:31 | |
I'm so proud of him. | 0:51:32 | 0:51:34 | |
He really has taken the bull by the horns. | 0:51:34 | 0:51:37 | |
# ..the one who lives there | 0:51:37 | 0:51:40 | |
# She once was a true love of mine. # | 0:51:40 | 0:51:48 | |
But now, AT LAST, you said that last year | 0:51:48 | 0:51:52 | |
you were able to use your voice properly again, | 0:51:52 | 0:51:55 | |
professionally again. | 0:51:55 | 0:51:56 | |
You had an album that topped the charts | 0:51:56 | 0:51:59 | |
-over this period, the Christmas period. -Yeah, yeah. | 0:51:59 | 0:52:01 | |
And this year, you've done it again. | 0:52:01 | 0:52:03 | |
Yes. | 0:52:05 | 0:52:06 | |
The latest album not only demonstrates his vocal talent, | 0:52:07 | 0:52:10 | |
but it also reflects Alexander's faith. | 0:52:10 | 0:52:13 | |
CHOIR SINGS | 0:52:13 | 0:52:15 | |
It's title is inspired by | 0:52:15 | 0:52:17 | |
the annual carol service from King's College, Cambridge, | 0:52:17 | 0:52:20 | |
and comes from a prayer about the Christian belief | 0:52:20 | 0:52:23 | |
that death is not the end. | 0:52:23 | 0:52:25 | |
We've called that album, we've called it Upon A Different Shore, | 0:52:26 | 0:52:29 | |
Upon A Different Shore, but it comes from... | 0:52:29 | 0:52:31 | |
I mean, that's a line that comes from the Bidding prayer | 0:52:31 | 0:52:34 | |
of the King's carols. | 0:52:34 | 0:52:35 | |
And it was written by Eric Milner-White in the 1920s. | 0:52:35 | 0:52:39 | |
So when the Great War was still... | 0:52:39 | 0:52:41 | |
only...I mean, so fresh in everyone's lives. | 0:52:41 | 0:52:45 | |
Let us too remember all those whom we have loved, but see no longer. | 0:52:45 | 0:52:51 | |
Those whose lives have influenced and enriched our own, | 0:52:51 | 0:52:56 | |
and who now rejoice with us, but on another shore | 0:52:56 | 0:53:01 | |
and with a greater understanding. | 0:53:01 | 0:53:03 | |
It's just so beautifully put. | 0:53:03 | 0:53:05 | |
"Those who rejoice with us, | 0:53:05 | 0:53:07 | |
"but upon another shore and in a greater light", | 0:53:07 | 0:53:10 | |
and that's one of those prayers that, | 0:53:10 | 0:53:13 | |
every time I hear it, I just think... | 0:53:13 | 0:53:14 | |
-HE CHUCKLES -"That's...that's just lovely." | 0:53:14 | 0:53:18 | |
Just something that moves me profoundly. | 0:53:18 | 0:53:20 | |
And it's doing it right now. | 0:53:20 | 0:53:22 | |
I can't even say it. | 0:53:22 | 0:53:23 | |
Even talking about it brings tears to my eyes. | 0:53:23 | 0:53:27 | |
# I never made promises lightly | 0:53:27 | 0:53:30 | |
# And there have been some that I've broken... # | 0:53:32 | 0:53:36 | |
And, listen, I rib him mercilessly about it, | 0:53:36 | 0:53:39 | |
about the song choices and the kind of music he does, | 0:53:39 | 0:53:42 | |
and all that kind of stuff, | 0:53:42 | 0:53:43 | |
and I will never stop ribbing him about it, | 0:53:43 | 0:53:45 | |
but I'm incredibly proud of what he's done. | 0:53:45 | 0:53:47 | |
It makes you very happy to see how happy it makes him, as well. | 0:53:47 | 0:53:51 | |
Over the last 20 years, Alexander has graced our living rooms | 0:53:51 | 0:53:55 | |
with his comedy acting, presenting and now singing. | 0:53:55 | 0:53:58 | |
It almost feels like he's an old friend. | 0:53:58 | 0:54:01 | |
But what do those closest to him make of him? | 0:54:01 | 0:54:03 | |
He's a proper toff. | 0:54:05 | 0:54:07 | |
But he's also...one of the most down-to-earth people I've ever met. | 0:54:07 | 0:54:12 | |
If I had to sum up Xander, | 0:54:12 | 0:54:14 | |
I would say he's like a sort of lovely, enthusiastic puppy dog, | 0:54:14 | 0:54:18 | |
who had the immense good fortune | 0:54:18 | 0:54:20 | |
to be brought up on a lovely, big, open farm, | 0:54:20 | 0:54:23 | |
full of other animals who he got on with. | 0:54:23 | 0:54:25 | |
And he is genuinely hilarious. | 0:54:25 | 0:54:28 | |
He's a very funny man, he's a very kind man, | 0:54:28 | 0:54:31 | |
he makes me laugh more than anybody. | 0:54:31 | 0:54:33 | |
And, you know, when you're going through | 0:54:33 | 0:54:35 | |
bringing up children and life in general, | 0:54:35 | 0:54:38 | |
having a funny soulmate is a real gift. | 0:54:38 | 0:54:41 | |
I'm aware he has a faith, | 0:54:41 | 0:54:42 | |
I'm aware he has a way of looking at the world. | 0:54:42 | 0:54:44 | |
He wants people to be happy, he wants there to be justice, | 0:54:44 | 0:54:47 | |
you know, he wants the world to be a more equitable place. | 0:54:47 | 0:54:51 | |
His beliefs come from kindness, | 0:54:51 | 0:54:53 | |
and anyone whose beliefs come from kindness - | 0:54:53 | 0:54:55 | |
I don't care what faith they are or lack of faith they are - | 0:54:55 | 0:54:57 | |
you know, those are my people. | 0:54:57 | 0:54:58 | |
He's a very genuine person, a lovely person to be around. | 0:54:58 | 0:55:02 | |
There are some people in life, when you meet, | 0:55:02 | 0:55:03 | |
you think this feels a little costly, | 0:55:03 | 0:55:06 | |
and there are other people who are very generous in the way they are, | 0:55:06 | 0:55:09 | |
and it's always good to be in his company. | 0:55:09 | 0:55:11 | |
He is like Mr Fezziwig in Dickens's Christmas Carol, | 0:55:11 | 0:55:14 | |
the guy who throws the biggest, best Christmas party. | 0:55:14 | 0:55:16 | |
In fact, he's probably the Ghost Of Christmas Present, Xander. | 0:55:16 | 0:55:19 | |
He is a guy who just wants to make | 0:55:19 | 0:55:21 | |
everything lovely as possible for everyone else, | 0:55:21 | 0:55:24 | |
and if everyone else is happy, then Xander is happy. | 0:55:24 | 0:55:26 | |
And I don't think you could have a better quality. | 0:55:26 | 0:55:28 | |
And now Christmas, here we are. What Christmas means to you...? | 0:55:28 | 0:55:32 | |
Christmas. Well, you won't be surprised to hear that | 0:55:32 | 0:55:34 | |
Christmas is about music, | 0:55:34 | 0:55:36 | |
from about the second week of Advent on. | 0:55:36 | 0:55:41 | |
I think the Messiah, the Christmas Oratorio, | 0:55:41 | 0:55:44 | |
there are various other Bach cantatas as well | 0:55:44 | 0:55:47 | |
that I always think of as being especially Christmassy. | 0:55:47 | 0:55:50 | |
In fact, you know, as autumn comes in | 0:55:50 | 0:55:52 | |
and the nights start to draw in a bit, | 0:55:52 | 0:55:55 | |
I always get very excited about | 0:55:55 | 0:55:57 | |
the, not just the music of Christmas, | 0:55:57 | 0:55:59 | |
the smells of Christmas I love. | 0:55:59 | 0:56:02 | |
-Big on presents? -Yes. | 0:56:02 | 0:56:05 | |
We try and drip feed the presents in. | 0:56:05 | 0:56:07 | |
Otherwise you get this terrifying sort of "BOOM" | 0:56:07 | 0:56:09 | |
with presents on Christmas Day, | 0:56:09 | 0:56:10 | |
and the children literally just running around, going, | 0:56:10 | 0:56:13 | |
"Ah-ha-ha-ha-ha-ha-ha! Throw away. Ah-ha-ha-ha-ha-ha-ha! Throw away." | 0:56:13 | 0:56:16 | |
Well, we thought we'd bring you something, | 0:56:16 | 0:56:18 | |
-and this is because we know that on Pointless... -Yes. | 0:56:18 | 0:56:22 | |
..people do knit you marvellous Richards and Xanders, | 0:56:22 | 0:56:27 | |
which I know when you find them, you will put in here. | 0:56:27 | 0:56:31 | |
This is something that you might like to go with them. | 0:56:31 | 0:56:34 | |
How in...credi... | 0:56:34 | 0:56:38 | |
-Oh, look at that! -Yes. | 0:56:38 | 0:56:41 | |
Look! And it's been sort of wrapped up with a... | 0:56:41 | 0:56:44 | |
That could even hang on a tree, Fern, is what I'm thinking. | 0:56:44 | 0:56:46 | |
-Yes, it's a knitted llama. -It's a knitted llama! | 0:56:46 | 0:56:48 | |
And I'm so sorry, I will send a Christmas hat. | 0:56:48 | 0:56:51 | |
I just didn't manage to have time to knit him a little hat. | 0:56:51 | 0:56:54 | |
That's just... You didn't knit that, did you? | 0:56:54 | 0:56:57 | |
-No! -No, I was going to say! | 0:56:57 | 0:56:59 | |
"I just didn't have time to knit you the hat". | 0:56:59 | 0:57:02 | |
But look at that! | 0:57:02 | 0:57:04 | |
I think that's...lovely. | 0:57:04 | 0:57:06 | |
This is closer than I've ever been allowed to get to a llama. | 0:57:06 | 0:57:09 | |
-Yes. -Llamas are generally... | 0:57:09 | 0:57:11 | |
they're lovely up to a distance of about six feet, | 0:57:11 | 0:57:13 | |
and then they're a little bit... | 0:57:13 | 0:57:14 | |
-a little bit spitty. -But that's the fun of them. | 0:57:14 | 0:57:16 | |
Oh, how lovely! Thank you very, very much indeed. | 0:57:16 | 0:57:18 | |
It's been lovely talking to you. | 0:57:18 | 0:57:20 | |
-Great pleasure. -Thank you very much indeed. | 0:57:20 | 0:57:22 | |
Good luck with the album, and happy Christmas. | 0:57:22 | 0:57:23 | |
And to you! Happy Christmas! | 0:57:23 | 0:57:25 | |
Well, Alexander's just gone off to make me a cup of tea, | 0:57:30 | 0:57:32 | |
which is very nice of him. | 0:57:32 | 0:57:33 | |
I'm sitting here in this gorgeous home, | 0:57:33 | 0:57:35 | |
and I've just found his BAFTA - | 0:57:35 | 0:57:36 | |
he doesn't mention that, that was just hidden away. | 0:57:36 | 0:57:39 | |
That's for Armstrong And Miller. | 0:57:39 | 0:57:41 | |
What a lovely man he is. | 0:57:41 | 0:57:43 | |
Very sincere, very straightforward, | 0:57:43 | 0:57:45 | |
and a kind of dashing 1950s hero. | 0:57:45 | 0:57:48 | |
He's lovely, isn't he? | 0:57:48 | 0:57:50 | |
And he makes a really good cup of tea. | 0:57:50 | 0:57:52 | |
Next week, I meet boxing legend Nigel Benn. | 0:57:53 | 0:57:56 | |
He talks about his troubled teens, following a family tragedy. | 0:57:57 | 0:58:01 | |
I just changed, something in my heart was severed. | 0:58:01 | 0:58:04 | |
How success opened up a world of womanising and drugs, | 0:58:04 | 0:58:08 | |
which ended in an attempted suicide. | 0:58:08 | 0:58:10 | |
I don't know if I wanted to die. | 0:58:10 | 0:58:13 | |
I think I just wanted to sort of say, "You know what? | 0:58:13 | 0:58:15 | |
"You're going to be all right." | 0:58:15 | 0:58:17 | |
And how a belief in God has turned his life around. | 0:58:17 | 0:58:21 | |
And so I stand close to him. | 0:58:21 | 0:58:22 | |
Once I'm close to him... I can't go wrong. | 0:58:22 | 0:58:26 | |
-ALEXANDER: -# Snow had fallen snow on snow | 0:58:28 | 0:58:34 | |
# Snow on snow | 0:58:34 | 0:58:38 | |
# In the bleak midwinter | 0:58:40 | 0:58:46 | |
# Long ago. # | 0:58:46 | 0:58:52 |