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Good evening, | 0:00:14 | 0:00:16 | |
and a particular welcome to all of you who said just moments ago, | 0:00:16 | 0:00:20 | |
"Well, I know one TV channel where I can escape the bloody World Cup." | 0:00:20 | 0:00:24 | |
Nope, not a chance. | 0:00:24 | 0:00:25 | |
But come, come, my sport phobic chums, be big about this. | 0:00:25 | 0:00:29 | |
The Greeks did not set out to Troy with such an attitude. | 0:00:29 | 0:00:31 | |
And the fact is, over the next 60 minutes, | 0:00:31 | 0:00:34 | |
there will actually be very little football played. | 0:00:34 | 0:00:37 | |
What we intend to do instead is put under the microscope all | 0:00:37 | 0:00:40 | |
the attended hoopla, rigmarole, folderol | 0:00:40 | 0:00:42 | |
and palaver that comes with this, the most mammoth of modern circuses. | 0:00:42 | 0:00:46 | |
England's here, we're here, this is magic. | 0:00:46 | 0:00:49 | |
The greatest thing in the world! | 0:00:49 | 0:00:51 | |
Tea and toast. And jam. | 0:00:51 | 0:00:53 | |
# Eenie weenie, soccer-eenie Uh-ah-ah | 0:00:53 | 0:00:55 | |
# Hacha-tacha, cucaracha Uh-ah-ah | 0:00:55 | 0:00:57 | |
# Ish billy, rodentoni Unahada rodentoni | 0:00:57 | 0:01:00 | |
# Unahada rodenton Chilly-bop-ow! # | 0:01:00 | 0:01:02 | |
I know they fixed it! | 0:01:02 | 0:01:04 | |
And I got well drunk. | 0:01:04 | 0:01:06 | |
Like lifting the trophy itself, I promise you, | 0:01:06 | 0:01:08 | |
the rewards for all viewers this evening will be lush. | 0:01:08 | 0:01:11 | |
For example, here is a special bonus for everyone currently | 0:01:11 | 0:01:15 | |
watching in 3D. | 0:01:15 | 0:01:16 | |
The ballyhoo for the World Cup is just starting. | 0:01:21 | 0:01:24 | |
Football, football, football. | 0:01:24 | 0:01:26 | |
-The World Cup. -What World Cup? | 0:01:26 | 0:01:28 | |
I love football like I love my mum. | 0:01:30 | 0:01:32 | |
Will you be watching the match tonight, Ma'am? | 0:01:32 | 0:01:35 | |
Well, I don't know what time it is. | 0:01:35 | 0:01:38 | |
-Eight o'clock. -Oh, dinner party. -Will you be cheering on England? | 0:01:38 | 0:01:40 | |
Well, I think one should. | 0:01:40 | 0:01:43 | |
We've won the World Cup once and we got to the semi-final once, | 0:01:43 | 0:01:47 | |
so we're not very good. | 0:01:47 | 0:01:48 | |
-Are you taking your chin to Mexico this year? -I am indeed. | 0:02:09 | 0:02:12 | |
The World Cup is the greatest competition in the world, | 0:02:38 | 0:02:41 | |
that is in the football world, | 0:02:41 | 0:02:43 | |
and certainly it is a great occasion for all in this country. | 0:02:43 | 0:02:47 | |
Mr World Cup himself, Sir Alf Ramsey, | 0:02:47 | 0:02:49 | |
whose mouth moved like a Thunderbird's puppet | 0:02:49 | 0:02:52 | |
and whose clipped diction was entirely self-taught. | 0:02:52 | 0:02:55 | |
Yeah, an Essex boy by birth, Sir Alf totally reinvented himself | 0:02:55 | 0:02:59 | |
as a minor branch of the Royal family, | 0:02:59 | 0:03:01 | |
and rarely let the mask slip. | 0:03:01 | 0:03:03 | |
Fact - he was once asked where his parents lived, and answered, | 0:03:03 | 0:03:07 | |
"Dagenham, I believe." | 0:03:07 | 0:03:10 | |
I believe! | 0:03:10 | 0:03:11 | |
That's the sort of dedication that won England the World Cup, | 0:03:11 | 0:03:14 | |
because, not sure if you know this, they did win it once. | 0:03:14 | 0:03:17 | |
How? Through rigorous training methods | 0:03:17 | 0:03:19 | |
so advanced we still don't quite understand them today. | 0:03:19 | 0:03:22 | |
THEY YELL | 0:03:22 | 0:03:26 | |
And they're ready! | 0:03:30 | 0:03:31 | |
Ready, set, go! | 0:03:31 | 0:03:34 | |
And they're off! | 0:03:34 | 0:03:35 | |
All the way. | 0:03:37 | 0:03:39 | |
-Hold it, hold it. For God's sake, hold it. Right? -Yeah. -Now then... | 0:03:39 | 0:03:43 | |
Oh, my God. | 0:03:43 | 0:03:44 | |
# Mr Ramsey soccer man of England | 0:03:46 | 0:03:49 | |
# Heroes all are they | 0:03:49 | 0:03:51 | |
# We were with them all the way | 0:03:51 | 0:03:55 | |
# Mighty men Let's name them all again | 0:03:57 | 0:04:01 | |
# And sing about them night and day. # | 0:04:01 | 0:04:05 | |
Alf Ramsey took us down to Pinewood Studios, | 0:04:07 | 0:04:10 | |
and Sean Connery was making a film. | 0:04:10 | 0:04:12 | |
# You only live twice | 0:04:14 | 0:04:20 | |
# Or so it seems. # | 0:04:20 | 0:04:26 | |
Yep, in 1966, professional footballers prepared themselves | 0:04:26 | 0:04:30 | |
with horseplay, golf and ligging about with other famous people. | 0:04:30 | 0:04:34 | |
God, we've come a long way. | 0:04:34 | 0:04:36 | |
But just how did we get here? | 0:04:36 | 0:04:38 | |
Well, it's a strange road that has led the game from its crude, | 0:04:38 | 0:04:41 | |
violent cave-man beginnings | 0:04:41 | 0:04:43 | |
right up to the finished article that is Joey Barton today. | 0:04:43 | 0:04:46 | |
In 1390, Chaucer records that illuminated soccer manuscripts | 0:04:48 | 0:04:52 | |
were being painstakingly created by monks in monasteries | 0:04:52 | 0:04:55 | |
as disparate as York and Tintagel. | 0:04:55 | 0:04:58 | |
Tragically, none of these scholars were aware of the toils of their | 0:04:58 | 0:05:01 | |
brethren, and so they were all turning out histories | 0:05:01 | 0:05:04 | |
of Bolton Wanderers. | 0:05:04 | 0:05:05 | |
Football started in England in the 11th century, | 0:05:05 | 0:05:08 | |
when an English peasant, digging in a wood, found a skull, | 0:05:08 | 0:05:12 | |
which he realised must have belonged to one of the hated Danes. | 0:05:12 | 0:05:16 | |
As the Danes had been their former conquerors, | 0:05:18 | 0:05:21 | |
they started kicking the skull around to show their contempt. | 0:05:21 | 0:05:24 | |
Soon, this game called kicking the Dane's head became very popular, | 0:05:24 | 0:05:29 | |
with hundreds on each side, | 0:05:29 | 0:05:30 | |
and the skull was kicked from town to town, causing much damage. | 0:05:30 | 0:05:33 | |
Worse than that, | 0:05:33 | 0:05:35 | |
men were neglecting their compulsory archery practice | 0:05:35 | 0:05:38 | |
to kick the Dane's head. | 0:05:38 | 0:05:39 | |
Between the eighth and 16th centuries, | 0:05:39 | 0:05:42 | |
the Maya Indians and the Aztecs | 0:05:42 | 0:05:44 | |
used to play what was probably one of civilization's first ballgames. | 0:05:44 | 0:05:48 | |
It was called pok ta pok | 0:05:48 | 0:05:51 | |
and it involved keeping a tiny rubber ball off the ground | 0:05:51 | 0:05:55 | |
without using one's hands or one's feet. | 0:05:55 | 0:05:57 | |
This was a considerably more difficult game than football. | 0:05:57 | 0:06:01 | |
Such was the honour of winning this game that the winning captain, | 0:06:01 | 0:06:06 | |
immediately after the end of the game, | 0:06:06 | 0:06:09 | |
went to a religious altar and was decapitated, because the honour | 0:06:09 | 0:06:13 | |
of winning a game meant that you could join the gods immediately. | 0:06:13 | 0:06:17 | |
If it is any consolation to the team captains in Mexico at the moment, | 0:06:17 | 0:06:21 | |
the 20th century gods of soccer are just a little less demanding. | 0:06:21 | 0:06:26 | |
Pok ta pok has since been discredited as a true ancestor | 0:06:26 | 0:06:28 | |
of the modern game, | 0:06:28 | 0:06:30 | |
although the practice of decapitating the winning captain | 0:06:30 | 0:06:32 | |
did survive into the 1950s, | 0:06:32 | 0:06:34 | |
when it finally succumbed to the onslaught of television. | 0:06:34 | 0:06:38 | |
And with TV, came an expansion in the coverage of football, | 0:06:38 | 0:06:42 | |
though obviously we were still a long way from the gung-ho | 0:06:42 | 0:06:45 | |
"England Team Leave For Rio!" mania the modern media churn out. | 0:06:45 | 0:06:49 | |
17 of England's soccer players are seen about to leave | 0:06:53 | 0:06:56 | |
London airport for their flight to Rio for the World Cup contest. | 0:06:56 | 0:06:59 | |
Billy Wright speaks for the team. | 0:06:59 | 0:07:01 | |
The lads are in very good spirits | 0:07:01 | 0:07:03 | |
and I'm going to say that we're going to try our very, | 0:07:03 | 0:07:05 | |
very best to bring the World Cup back to England for you. | 0:07:05 | 0:07:09 | |
Then, off they go, 17 of the best, | 0:07:09 | 0:07:11 | |
and the whole bunch in charge of one air hostess. | 0:07:11 | 0:07:14 | |
Yep, we do like to see our squads at least set out on these foreign | 0:07:18 | 0:07:21 | |
adventures, even if they usually have to sneak back in again | 0:07:21 | 0:07:25 | |
underneath tarpaulins on midnight tugs from Belgium. | 0:07:25 | 0:07:28 | |
There they go! | 0:07:28 | 0:07:29 | |
And where the players lead, their proud army of foot-soldiers | 0:07:29 | 0:07:32 | |
are sure to follow. | 0:07:32 | 0:07:34 | |
It's basically a horse box and we've converted it and, basically, | 0:07:34 | 0:07:38 | |
we've put some, as you've seen, bunk beds in the back | 0:07:38 | 0:07:41 | |
and then we've put a mattress down below. | 0:07:41 | 0:07:45 | |
And I think we sleep seven comfortably. | 0:07:45 | 0:07:48 | |
I've got about 1,000 yen and a handful of shrapnel. | 0:07:48 | 0:07:53 | |
Yeah. | 0:07:53 | 0:07:54 | |
That's all he's got left after travelling thousands of miles | 0:07:54 | 0:07:57 | |
from Hampshire for the World Cup. | 0:07:57 | 0:07:59 | |
The cost of living here has left many destitute, | 0:07:59 | 0:08:01 | |
and Michael is sharing this tiny room in a youth hostel with three | 0:08:01 | 0:08:05 | |
other fans - it's all they can afford. | 0:08:05 | 0:08:07 | |
It's England in the World Cup. | 0:08:07 | 0:08:09 | |
And we're doing superb, the boys are playing well. | 0:08:09 | 0:08:11 | |
And that's where it is, you can't regret it. I'd spend... | 0:08:11 | 0:08:14 | |
I'd spend twice as much. | 0:08:14 | 0:08:16 | |
It's not very wholesome, but it's cheap. | 0:08:16 | 0:08:18 | |
The cheapest packet you can get. | 0:08:18 | 0:08:20 | |
As Michael prepares breakfast, he is desperately hoping a new | 0:08:20 | 0:08:23 | |
credit card will arrive today or he is sleeping in the park. | 0:08:23 | 0:08:26 | |
The credit card never came - a park bench will be Michael's bed tonight. | 0:08:30 | 0:08:34 | |
There will be some with little sympathy for a man who has put | 0:08:34 | 0:08:36 | |
football above food, soccer above sanity. | 0:08:36 | 0:08:39 | |
But for Michael and many others, England's odyssey in the Far East | 0:08:39 | 0:08:42 | |
is something they wouldn't, couldn't miss for the world. | 0:08:42 | 0:08:46 | |
As the excitement builds, | 0:08:46 | 0:08:48 | |
one ten-year-old boy has taken his love of the game a little too far. | 0:08:48 | 0:08:52 | |
Tom Sylvester chose to go bald before his years to | 0:08:52 | 0:08:55 | |
look like his hero Sven. | 0:08:55 | 0:08:57 | |
And here I am. | 0:08:57 | 0:08:59 | |
There are quite a lot of people in the school who dress | 0:08:59 | 0:09:01 | |
up as David Beckham, and I thought, "Heck, Sven would be different." | 0:09:01 | 0:09:05 | |
(SWEDISH ACCENT) "I come from Sweden." | 0:09:05 | 0:09:07 | |
Not only does he look and sound like Sven, | 0:09:07 | 0:09:09 | |
Tom can also play a bit marvellous. | 0:09:09 | 0:09:11 | |
Monterrey has more than mountain views to offer, there is | 0:09:11 | 0:09:14 | |
a pub or the Bulldog spirit still lives on. | 0:09:14 | 0:09:17 | |
Inside, they are doing their best as well. | 0:09:17 | 0:09:19 | |
The reception has impressed one of the first English fans to arrive. | 0:09:19 | 0:09:24 | |
They've treated us, they've treated me, you know, like... | 0:09:24 | 0:09:28 | |
You know. | 0:09:28 | 0:09:29 | |
Just quite, you know? | 0:09:29 | 0:09:30 | |
I've, you know, got respect for them and they've got respect for, | 0:09:30 | 0:09:33 | |
you know, me, even though there is a bad reputation about hooligans. | 0:09:33 | 0:09:37 | |
SHE SINGS | 0:09:37 | 0:09:40 | |
SHE BLOWS A HORN | 0:09:45 | 0:09:47 | |
SHE SINGS | 0:10:01 | 0:10:04 | |
Ole, ole, ole! Ole, ole! | 0:10:07 | 0:10:10 | |
Ole, ole! | 0:10:10 | 0:10:12 | |
Ole, ole, ole, ole! | 0:10:14 | 0:10:16 | |
Ole, ole! | 0:10:16 | 0:10:18 | |
Ole! | 0:10:18 | 0:10:20 | |
The first time I saw that fan in a pram, I was unnerved. | 0:10:23 | 0:10:26 | |
SHE SINGS | 0:10:26 | 0:10:28 | |
Then I realized what we were watching was nothing short | 0:10:28 | 0:10:31 | |
of The Barmy Army meets Samuel Beckett. | 0:10:31 | 0:10:34 | |
Indeed, it is the second most heartening thing ever to happen | 0:10:34 | 0:10:37 | |
in international football. The first is this. | 0:10:37 | 0:10:39 | |
In the final analysis, there was only one memorable shot in the game. | 0:10:39 | 0:10:43 | |
For younger viewers, that clip's not from some knockabout old comedy. | 0:10:49 | 0:10:53 | |
That proud chap, Ken Bailey, was England's mascot | 0:10:53 | 0:10:56 | |
long before mascots where the norm. | 0:10:56 | 0:10:59 | |
All right, he was a bit self-styled and an egomaniac, | 0:10:59 | 0:11:02 | |
but he was a trail blazer, | 0:11:02 | 0:11:04 | |
strutting his stuff for old Albion. | 0:11:04 | 0:11:06 | |
And then, wouldn't you know it, some bloke knocks his hat off | 0:11:06 | 0:11:09 | |
with the remains of a fish and chip dinner. | 0:11:09 | 0:11:12 | |
That's right, pop it back on, John Bull, | 0:11:17 | 0:11:19 | |
but watch out for the saveloys. | 0:11:19 | 0:11:21 | |
Are you getting a glimpse now of why it's the world's greatest trophy? | 0:11:21 | 0:11:25 | |
That said, it's no wonder we do have to clamp down hard | 0:11:25 | 0:11:28 | |
on these hell raisers. | 0:11:28 | 0:11:30 | |
The Spanish police are stressing a low-profile for all | 0:11:30 | 0:11:33 | |
the 30,000 officers who will be involved in policing the World Cup, | 0:11:33 | 0:11:38 | |
a competition that will be all the better | 0:11:38 | 0:11:41 | |
if these men never have to do any work. | 0:11:41 | 0:11:43 | |
Vandalism by football fans is becoming more and more common. | 0:11:46 | 0:11:49 | |
All too often, when they return from the match, they leave behind them | 0:11:49 | 0:11:52 | |
a trail of smashed windows, broken basins and wrecked luggage racks. | 0:11:52 | 0:11:56 | |
Why does this sort of thing happen? | 0:11:57 | 0:12:00 | |
Look at this child. | 0:12:00 | 0:12:02 | |
He has been given a new toy and, at first, he shows it affection. | 0:12:02 | 0:12:06 | |
Along comes an adult and starts to beat the doll around. | 0:12:08 | 0:12:11 | |
The boy watches it all, and now what is he going to do? | 0:12:21 | 0:12:24 | |
He's going to say, "Mum, | 0:12:24 | 0:12:25 | |
"it isn't Yogi Bear's fault that Dad ran off with the au pair." | 0:12:25 | 0:12:29 | |
He's copying the violence he's just seen. | 0:12:31 | 0:12:34 | |
Is this what spectators do? | 0:12:34 | 0:12:36 | |
And we're just getting reports of sporadic violence in Torquay, | 0:12:36 | 0:12:40 | |
Ipswich and London following England's World Cup defeat. | 0:12:40 | 0:12:44 | |
Scotland Yard said they'd been called out | 0:12:44 | 0:12:45 | |
to 18 incidents in London, including youths damaging German-made cars. | 0:12:45 | 0:12:50 | |
Quite honestly, I think it's lack of education. | 0:12:50 | 0:12:52 | |
-Yes, indeed. -I think it's just the football pitch | 0:12:52 | 0:12:55 | |
is used as a bit of a battleground for it. | 0:12:55 | 0:12:56 | |
Yes, precisely. | 0:12:56 | 0:12:57 | |
Also, don't you think maybe it's where young kids | 0:12:57 | 0:13:00 | |
don't have somewhere to get out aggression? | 0:13:00 | 0:13:02 | |
What they need is somewhere they can punch a bag or something. | 0:13:02 | 0:13:05 | |
They can always go to Millwall. | 0:13:05 | 0:13:07 | |
LAUGHTER | 0:13:07 | 0:13:09 | |
There's a prospect of our football grounds being used as pop venues | 0:13:12 | 0:13:15 | |
and all other stuff that's going on there. | 0:13:15 | 0:13:18 | |
What I'd like to talk about is this. Just a second, ma'am. | 0:13:19 | 0:13:23 | |
She's lovely. What I'd like to say is that... | 0:13:23 | 0:13:26 | |
I just want to say one thing. | 0:13:26 | 0:13:28 | |
I want to talk to the fans on the terraces. | 0:13:28 | 0:13:30 | |
In 1988, I went to see Colin Moynihan | 0:13:30 | 0:13:33 | |
and I agreed on the ID cards. | 0:13:33 | 0:13:35 | |
I was for the ID cards in 1988 | 0:13:35 | 0:13:38 | |
and then I went round the terraces dressed as a panda. | 0:13:38 | 0:13:41 | |
Now, I'm the official Football League mascot, | 0:13:41 | 0:13:44 | |
the Panda of Peace, | 0:13:44 | 0:13:45 | |
and what I saw changed my mind. | 0:13:45 | 0:13:48 | |
There's a man there from Millwall. | 0:13:48 | 0:13:50 | |
I've been to Millwall. | 0:13:50 | 0:13:51 | |
If you think there's trouble on the terraces, go to Millwall! | 0:13:51 | 0:13:54 | |
I've been to Arsenal. | 0:13:54 | 0:13:55 | |
If you think there's trouble on the terraces, go there. | 0:13:55 | 0:13:57 | |
There's a man there from Chelsea. | 0:13:57 | 0:13:59 | |
I've been to Chelsea. I've walked 80... | 0:13:59 | 0:14:00 | |
-VOICE INTERRUPTS -Listen! | 0:14:00 | 0:14:02 | |
I've walked 80 Football League... | 0:14:02 | 0:14:04 | |
Let me talk! Let me say something for the fans on the terraces. | 0:14:04 | 0:14:06 | |
-They never get a chance! -The fans... -The grounds today... | 0:14:06 | 0:14:09 | |
THEY TALK OVER EACH OTHER | 0:14:09 | 0:14:11 | |
The family enclosures today, Robert... | 0:14:11 | 0:14:13 | |
Are you looking at what you're doing? | 0:14:13 | 0:14:15 | |
Just a minute, are you talking for the fans? | 0:14:15 | 0:14:16 | |
The fans that I know on the terraces | 0:14:16 | 0:14:18 | |
won't want you doing what you're doing now. | 0:14:18 | 0:14:20 | |
-The fans on the terraces... -I'm sorry, no! | 0:14:20 | 0:14:22 | |
No! | 0:14:22 | 0:14:23 | |
Absolutely not. You're not speaking for the fans that I know. | 0:14:23 | 0:14:26 | |
-SHOUTING: -The fans on the terraces... | 0:14:26 | 0:14:28 | |
The Peace Panda there. | 0:14:28 | 0:14:29 | |
Possibly so-called because it's very difficult for him to find mates. | 0:14:29 | 0:14:32 | |
'Fans on the terraces...' | 0:14:32 | 0:14:34 | |
Just why do football fans, and let's not pretend, | 0:14:34 | 0:14:36 | |
male football fans, feel the need to go on a rampage? | 0:14:36 | 0:14:40 | |
Is there not a better way to channel all that aggression? | 0:14:40 | 0:14:43 | |
MATCH OF THE DAY THEME AND TAP-DANCING | 0:14:43 | 0:14:45 | |
No, not that. | 0:15:11 | 0:15:12 | |
That was bordering on the farcical. | 0:15:12 | 0:15:14 | |
Besides, a recent survey carried out amongst fans of Stoke City | 0:15:14 | 0:15:17 | |
showed barely 70% of them cared for interpretive dance, | 0:15:17 | 0:15:20 | |
and less than half that number would attend a Bob Fosse retrospective | 0:15:20 | 0:15:24 | |
if Stoke had a match on the same day. | 0:15:24 | 0:15:26 | |
No, we need something a little more sympathetic to the terrace mindset. | 0:15:26 | 0:15:31 | |
We were flattered very much the other day when the telephone rang | 0:15:31 | 0:15:34 | |
and who should be on the other end but Peter Shilton. | 0:15:34 | 0:15:36 | |
He was ringing, not to ask us to play for Leicester City. | 0:15:36 | 0:15:39 | |
He wanted John and me to go and join him on one of his training sessions. | 0:15:39 | 0:15:42 | |
'Peter uses an assault course at the camp | 0:15:42 | 0:15:44 | |
'for the first part of his programme. | 0:15:44 | 0:15:46 | |
'Here he trains under the careful eye | 0:15:46 | 0:15:48 | |
'of PT instructor Sergeant Major Scott.' | 0:15:48 | 0:15:50 | |
A bit more spring in your jump. Come on, jump up! | 0:15:50 | 0:15:52 | |
Yeah, good, well done. | 0:15:52 | 0:15:54 | |
'The assault course is only the beginning of Peter's day. | 0:15:56 | 0:15:59 | |
'The really exhausting part of his training | 0:15:59 | 0:16:02 | |
'comes afterwards in the gym.' | 0:16:02 | 0:16:03 | |
Sprint! Let's see you sprint. | 0:16:03 | 0:16:05 | |
Five, six, seven, | 0:16:07 | 0:16:10 | |
eight, nine, ten... | 0:16:10 | 0:16:13 | |
THEY YELP AND GROAN | 0:16:13 | 0:16:15 | |
Come on, get it down. That's it, yes. | 0:16:15 | 0:16:17 | |
All right, change over, change over. | 0:16:17 | 0:16:19 | |
Over the top, come on. Right over the top. | 0:16:19 | 0:16:22 | |
Push it out, push it out. | 0:16:22 | 0:16:24 | |
Come on, lads, come on. | 0:16:24 | 0:16:25 | |
GROANING | 0:16:28 | 0:16:30 | |
A bit more effort! | 0:16:31 | 0:16:33 | |
-I'm falling off. -Last one. | 0:16:33 | 0:16:35 | |
GENTLE POP MUSIC | 0:16:38 | 0:16:41 | |
Pete, thanks very much for letting us join in in your training. | 0:16:53 | 0:16:57 | |
It's been a hard day, though, hasn't it? | 0:16:57 | 0:16:59 | |
Yes, well, I think you need to work very hard | 0:16:59 | 0:17:01 | |
to be a professional footballer, John. | 0:17:01 | 0:17:03 | |
I'm sure you do, Peter. | 0:17:03 | 0:17:04 | |
Thanks very much for coming along on Blue Peter today. | 0:17:04 | 0:17:07 | |
Good luck to you and Leicester for the rest of the season. | 0:17:07 | 0:17:09 | |
-Thanks very much, and I enjoyed it very much. -Good. | 0:17:09 | 0:17:12 | |
Better, but wasn't that a bit steamy for Blue Peter? | 0:17:12 | 0:17:14 | |
Let's find out. | 0:17:14 | 0:17:15 | |
This is my gay friend from Tennessee, Baylen Leonard, | 0:17:15 | 0:17:18 | |
who you may recall advises me on any homoerotic subtexts | 0:17:18 | 0:17:22 | |
I might not have registered. | 0:17:22 | 0:17:23 | |
-Baylen, you're not much of a football fan, are you? -I am now. | 0:17:23 | 0:17:26 | |
-But you wouldn't recognise Peter Shilton, would you? -I would now. | 0:17:26 | 0:17:29 | |
And I take it you're not really a Blue Peter viewer, then? | 0:17:29 | 0:17:32 | |
I am now. | 0:17:32 | 0:17:33 | |
Good, here's some more. | 0:17:33 | 0:17:35 | |
One of the most unusual artists | 0:17:35 | 0:17:37 | |
we've ever come across is Sylvia Gardiner, | 0:17:37 | 0:17:39 | |
who specialises in three-dimensional fabric portraits | 0:17:39 | 0:17:42 | |
like this model of Prince Charles, | 0:17:42 | 0:17:44 | |
which she brought to the studio two years ago. | 0:17:44 | 0:17:47 | |
Well, now, Sylvia, by working out things from old tights | 0:17:47 | 0:17:51 | |
and bits of foam rubber, | 0:17:51 | 0:17:53 | |
has finally decided to turn her hand to a famous sporting face - | 0:17:53 | 0:17:56 | |
Kevin Keegan, the fourth-division Scunthorpe player | 0:17:56 | 0:17:59 | |
who's risen to the dizzy heights of captain of England | 0:17:59 | 0:18:02 | |
and European Footballer of the Year. | 0:18:02 | 0:18:05 | |
Now, Sylvia is really a stickler for detail | 0:18:05 | 0:18:07 | |
and looking at this model of Kevin, | 0:18:07 | 0:18:09 | |
I really think she's surpassed herself | 0:18:09 | 0:18:10 | |
with those familiar, wavy locks, | 0:18:10 | 0:18:12 | |
the friendly smile and, of course, | 0:18:12 | 0:18:14 | |
Kevin is in his all-England strip and if you look closely, | 0:18:14 | 0:18:17 | |
you'll see what I mean about detail - in his V-neck, | 0:18:17 | 0:18:19 | |
you can even see there there's a few hairs on his neck. | 0:18:19 | 0:18:22 | |
In addition to that, Sylvia's even managed to put on | 0:18:22 | 0:18:25 | |
his big gold wedding ring there, | 0:18:25 | 0:18:26 | |
looking very distinctive on his finger. | 0:18:26 | 0:18:29 | |
If we look down the model, you can even see the lump just there - | 0:18:29 | 0:18:32 | |
the outline of his shin pads underneath his socks, | 0:18:32 | 0:18:35 | |
and if I twist one of his elegant feet round, | 0:18:35 | 0:18:37 | |
you'll see he's even got studs on his football boots. | 0:18:37 | 0:18:41 | |
I think the model is an excellent likeness and now it's your chance | 0:18:41 | 0:18:44 | |
to compare it with the real Kevin Keegan himself. | 0:18:44 | 0:18:46 | |
Welcome to Blue Peter, Kevin. | 0:18:46 | 0:18:48 | |
-Delighted to have you with us. -It's nice to be here. | 0:18:48 | 0:18:50 | |
Well, what do you think of your twin? | 0:18:50 | 0:18:52 | |
It's tremendous - the hair, | 0:18:52 | 0:18:55 | |
there's a few hairs here. | 0:18:55 | 0:18:57 | |
It's almost life-sized, and even down to the boots, | 0:18:58 | 0:19:00 | |
I think she's done a tremendous job with it. | 0:19:00 | 0:19:02 | |
I'm glad you like it, because Sylvia would very much like you | 0:19:02 | 0:19:05 | |
to have it as a present, so let me pass it over to you. | 0:19:05 | 0:19:07 | |
What do you think you'll do with it? On the mantelpiece? | 0:19:07 | 0:19:10 | |
Well, I'd like to put it on the mantelpiece at home, | 0:19:10 | 0:19:12 | |
cos my little girl would probably keep pulling it down | 0:19:12 | 0:19:14 | |
and it'd make up for all the times we're away, | 0:19:14 | 0:19:16 | |
but I don't think my wife would like to see two of us round the house. | 0:19:16 | 0:19:19 | |
Well, top marks to everyone there for getting through that | 0:19:19 | 0:19:21 | |
without rolling about on the studio floor. | 0:19:21 | 0:19:24 | |
Of course, you know who it really looked like? | 0:19:24 | 0:19:26 | |
# My name is Tommy Cooper | 0:19:26 | 0:19:28 | |
# I was sitting in my flat | 0:19:28 | 0:19:29 | |
# I thought I'd make a record | 0:19:29 | 0:19:31 | |
# So I made it... | 0:19:31 | 0:19:32 | |
# Ha! Just like that... # | 0:19:32 | 0:19:33 | |
Kevin Keegan, the real Kevin Keegan | 0:19:33 | 0:19:35 | |
and not the one famously played by Tommy Cooper, | 0:19:35 | 0:19:38 | |
was once, thanks to a slip of the tongue by commentator Brian Moore, | 0:19:38 | 0:19:42 | |
rechristened on live TV as "Keggy Keegle". | 0:19:42 | 0:19:45 | |
Most civilised people call him Keggy Keegle even today. | 0:19:45 | 0:19:48 | |
So, while we're here, let's have another couple of taps of the Keg. | 0:19:48 | 0:19:53 | |
I used to carry the football, I used to... | 0:19:53 | 0:19:55 | |
I used to take my brother as a goal post quite a lot, | 0:19:55 | 0:19:57 | |
stick him in the pram. | 0:19:57 | 0:19:58 | |
Nothing new for him to get hit by the ball in the face | 0:19:58 | 0:20:00 | |
and tell my mum we'd used him as a goal post. | 0:20:00 | 0:20:02 | |
If I'm playing draughts against my little baby, I'll still try and win. | 0:20:02 | 0:20:07 | |
That is the way I'm made. | 0:20:07 | 0:20:09 | |
My loser's medal? | 0:20:09 | 0:20:10 | |
No, you can have it if you want it. | 0:20:10 | 0:20:12 | |
That's how I feel about it. | 0:20:12 | 0:20:14 | |
You really do feel that? You'd give it away? | 0:20:14 | 0:20:16 | |
Well, I wouldn't, cos my mum wouldn't let me. | 0:20:16 | 0:20:18 | |
You can talk to these dogs. This dog understands every word you say. | 0:20:18 | 0:20:22 | |
If I was to say to him now, "Ollie, out", | 0:20:22 | 0:20:25 | |
he'd jump straight off this chair | 0:20:25 | 0:20:27 | |
and he'd go out. | 0:20:27 | 0:20:28 | |
Keegle on the couch, there, displaying that elusive blend | 0:20:30 | 0:20:34 | |
of ease and steeliness that soon saw him crowned King Keg of the Pundits. | 0:20:34 | 0:20:39 | |
And what's more, in an era when punditry was untamed, | 0:20:39 | 0:20:42 | |
raw, where studios were battlegrounds | 0:20:42 | 0:20:45 | |
and every desk a foxhole, | 0:20:45 | 0:20:46 | |
when giants ruled the turf. | 0:20:46 | 0:20:49 | |
I don't think there's a need for any substitute at all at the moment. | 0:20:49 | 0:20:53 | |
I must confess I didn't understand what Brian was saying when he says | 0:20:53 | 0:20:56 | |
it's inevitable that we're going to play all down the left-hand side. | 0:20:56 | 0:20:59 | |
I don't understand that at all. | 0:20:59 | 0:21:01 | |
With the composition of the side. | 0:21:01 | 0:21:03 | |
I don't really believe you can have a player of the ability and skill | 0:21:03 | 0:21:06 | |
of a Trevor Francis stood wide on the right-hand side doing nothing | 0:21:06 | 0:21:09 | |
waiting for balls coming in on the right-hand side... | 0:21:09 | 0:21:12 | |
Er, from the left-hand side. | 0:21:12 | 0:21:13 | |
All right, let's discuss that further after we've taken a break. | 0:21:13 | 0:21:16 | |
The discussion during the commercial break was between John and I | 0:21:22 | 0:21:27 | |
as to why we're playing down the left-hand side of the field | 0:21:27 | 0:21:31 | |
and the fact that he can't see why rather puzzles me, | 0:21:31 | 0:21:34 | |
because we have Sansom, Woodcock and Rix. | 0:21:34 | 0:21:38 | |
Now, John said, "You must have been watching a different game to me." | 0:21:38 | 0:21:42 | |
I'd like him to decide if I have been. | 0:21:42 | 0:21:45 | |
Well, all those people at home are going to listen and say, | 0:21:45 | 0:21:47 | |
"Cloughie's won the European Cup twice, so he must be right." | 0:21:47 | 0:21:52 | |
-John... -All of a sudden, now... | 0:21:52 | 0:21:54 | |
-Let me just say... -If it was a discussion and not a row... | 0:21:54 | 0:21:58 | |
I don't want to be between the two of you when there's a row. | 0:21:58 | 0:22:00 | |
Jimmy Greaves pouring oil onto troubled comb-overs there. | 0:22:00 | 0:22:03 | |
Best stay on neutral subjects, like the weather. | 0:22:03 | 0:22:05 | |
How can you talk about a storm | 0:22:05 | 0:22:08 | |
and it not be a hurricane when you have 60-foot oak trees... | 0:22:08 | 0:22:13 | |
..picked out as though it was a bit of watercress | 0:22:14 | 0:22:18 | |
and the whole tops of forests taken off and all levelled? | 0:22:18 | 0:22:23 | |
It's got to be more than a storm, Mike. | 0:22:23 | 0:22:25 | |
I've lived through storms before in my life. | 0:22:25 | 0:22:28 | |
I've lived through everything | 0:22:28 | 0:22:29 | |
and the fact is that the weather people this year | 0:22:29 | 0:22:32 | |
have got nothing right, | 0:22:32 | 0:22:33 | |
absolutely nothing. | 0:22:33 | 0:22:35 | |
If you remember January and February - | 0:22:35 | 0:22:37 | |
"A couple of inches of snow". | 0:22:37 | 0:22:39 | |
I couldn't get in one day | 0:22:39 | 0:22:40 | |
because there was two feet the following morning. | 0:22:40 | 0:22:43 | |
The whole of the summer has been a total disaster. | 0:22:43 | 0:22:46 | |
The biggest problem is that the Met Office now doesn't seem | 0:22:46 | 0:22:50 | |
to be as boring and as efficient as it used to be. | 0:22:50 | 0:22:53 | |
Most of them are too interested in going on Blankety Blank | 0:22:53 | 0:22:56 | |
and bloody Call My Bluff and things like this | 0:22:56 | 0:23:00 | |
and they're paying no attention to the weather. | 0:23:00 | 0:23:02 | |
And the whole thing... | 0:23:02 | 0:23:04 | |
And, if you know, when Trish and the other gink was sat here, | 0:23:04 | 0:23:09 | |
there was no apologies. It was all excuses. | 0:23:09 | 0:23:12 | |
"Oh, well, it's not our fault that we didn't predict this. | 0:23:12 | 0:23:15 | |
"They didn't predict it in Holland." Holland, for Christ's sake? | 0:23:15 | 0:23:18 | |
Have we got to listen to Radio Hilversum now | 0:23:18 | 0:23:19 | |
to get the weather forecast or what? | 0:23:19 | 0:23:21 | |
Jimmy, I understand your anger, but I think we must... | 0:23:21 | 0:23:24 | |
You don't, Mike. | 0:23:24 | 0:23:25 | |
If I came on here and said, | 0:23:25 | 0:23:27 | |
"Right, on Wednesday we've got Minder and The Bill" | 0:23:27 | 0:23:32 | |
and said it week after week, | 0:23:32 | 0:23:34 | |
and we had totally different programmes on, | 0:23:34 | 0:23:36 | |
the Wizard of Oz upstairs would call me in and he'd sack me. | 0:23:36 | 0:23:40 | |
Jack's immediate view was that it was a bad and a dangerous tackle. | 0:23:40 | 0:23:43 | |
Derek believed it was no worse than many he received | 0:23:43 | 0:23:46 | |
in the course of a season. | 0:23:46 | 0:23:47 | |
They argued fiercely on the programme, | 0:23:47 | 0:23:49 | |
and as you'll see, it went on after the programme as well. | 0:23:49 | 0:23:52 | |
JACK CHARLTON: You can have ten quid and we'll run it back on the slow-mo, | 0:23:52 | 0:23:55 | |
we'll get the bets on and I'll take them all. | 0:23:55 | 0:23:57 | |
-DEREK DOUGAN: -Thanks a lot. Thanks very much. | 0:23:58 | 0:24:00 | |
-I'll take all the bets. -Thanks very much indeed. | 0:24:00 | 0:24:02 | |
PADDY CRERAND: Diabolical. Do you want to get it on again? | 0:24:02 | 0:24:05 | |
Where do we go from there? | 0:24:05 | 0:24:06 | |
There's no-one in the world watching that can say | 0:24:06 | 0:24:09 | |
he didn't go over the ball. | 0:24:09 | 0:24:10 | |
The thing really is, he's been on the giving side of it. | 0:24:10 | 0:24:12 | |
I was always on the receiving side of it | 0:24:12 | 0:24:14 | |
and I'm absolutely convinced, absolutely convinced, | 0:24:14 | 0:24:18 | |
that that was blatant obstruction. | 0:24:18 | 0:24:20 | |
I think there's a little bit of collusion | 0:24:20 | 0:24:22 | |
-going on here this afternoon. -No collusion. -No collusion. | 0:24:22 | 0:24:25 | |
There's no doubt, I will stick to my guns | 0:24:25 | 0:24:26 | |
and I will actually defend Pereira. | 0:24:26 | 0:24:28 | |
I've had one advantage than you - | 0:24:28 | 0:24:30 | |
I've played against the guy for 90 minutes. | 0:24:30 | 0:24:32 | |
I wanted the views of the professionals on the panel, | 0:24:32 | 0:24:34 | |
not the lads behind the cameras, the professionals. | 0:24:34 | 0:24:36 | |
I've got four professionals on my side, | 0:24:36 | 0:24:38 | |
-you've only got yourself. -You've only got three professionals. | 0:24:38 | 0:24:41 | |
-I've got four. -You've got three professional | 0:24:41 | 0:24:43 | |
and I happened to talk to... | 0:24:43 | 0:24:44 | |
Half a dozen fellas on the floor agreed with me. | 0:24:44 | 0:24:46 | |
-They're amateurs. -They're entitled to their opinion. | 0:24:46 | 0:24:49 | |
-They're cameramen, not footballers. -Sorry, Derek, to break in. | 0:24:49 | 0:24:53 | |
It is inconclusive. | 0:24:53 | 0:24:54 | |
I think the jury has got to be the millions who are watching us | 0:24:54 | 0:24:56 | |
at this moment and I think the idea might be for you | 0:24:56 | 0:24:58 | |
to send us in a postcard to say | 0:24:58 | 0:25:00 | |
whether you're going to vote for Jackie Charlton | 0:25:00 | 0:25:02 | |
or whether you're going to vote for Derek Dougan. | 0:25:02 | 0:25:04 | |
What? Eh? | 0:25:04 | 0:25:05 | |
That is punditry red in tooth and claw, | 0:25:05 | 0:25:08 | |
and 'tache. | 0:25:08 | 0:25:10 | |
And just look what we have today - | 0:25:10 | 0:25:11 | |
an airbrushed, milquetoast, facsimile of an opinion. | 0:25:11 | 0:25:14 | |
Thanks a lot, Gen-Xers. | 0:25:14 | 0:25:15 | |
As Johnny Rotten once said, ever get the feeling you've been cheated? | 0:25:15 | 0:25:19 | |
And by the way, Derek Dougan - hard-man, no-nonsense, | 0:25:19 | 0:25:22 | |
Wolves-leading Derek Dougan. | 0:25:22 | 0:25:24 | |
How come I never noticed he went through a sartorial phase | 0:25:24 | 0:25:27 | |
saluting fellow Belfast cowboy Van Morrison? | 0:25:27 | 0:25:30 | |
MUSIC: "Jackie Wilson Said" by Van Morrison | 0:25:30 | 0:25:32 | |
Anyway, how did that public vote turn out? | 0:25:32 | 0:25:35 | |
We asked you to be the jury and vote, | 0:25:35 | 0:25:38 | |
and the result was... | 0:25:38 | 0:25:41 | |
What about that? That's a massive majority, Derek. | 0:25:45 | 0:25:48 | |
The people were wrong in 1970 before... | 0:25:48 | 0:25:50 | |
Why don't you answer a different question? | 0:25:50 | 0:25:52 | |
They were wrong before the voted for a Tory government | 0:25:52 | 0:25:55 | |
or a socialist government in 1970. | 0:25:55 | 0:25:57 | |
How can you put it to politics? | 0:25:58 | 0:26:00 | |
Then again, I hold my hand up | 0:26:00 | 0:26:01 | |
and I go with the 78% whose judgment I respect and admire, | 0:26:01 | 0:26:05 | |
but I will still stick with the 22%. | 0:26:05 | 0:26:06 | |
I don't believe that was a vicious, over-the-top... | 0:26:06 | 0:26:09 | |
So there you go, the public voted Jack, 78 to 22. | 0:26:09 | 0:26:13 | |
That's a combov... I mean a walkover! | 0:26:13 | 0:26:16 | |
Actually, when you look at the data, | 0:26:16 | 0:26:18 | |
I think I was right first time there. | 0:26:18 | 0:26:19 | |
There you go! Are you deceived, my friends? Are you buying it? | 0:26:22 | 0:26:27 | |
What was that Santana song from the time? | 0:26:27 | 0:26:29 | |
MUSIC: "Oye Como Va" by Carlos Santana | 0:26:29 | 0:26:31 | |
That's the one. Very '70s. | 0:26:31 | 0:26:33 | |
Of course, not everyone in UK sports broadcasting had... | 0:26:33 | 0:26:36 | |
# Oye como va... # | 0:26:36 | 0:26:38 | |
Well, actually... | 0:26:38 | 0:26:39 | |
Well, just to give you a little idea, this is the sort of thing | 0:26:39 | 0:26:42 | |
they've been listening to on their trannies in Rio and Buenos Aires. | 0:26:42 | 0:26:47 | |
RAPID SOUTH AMERICAN COMMENTARY | 0:26:47 | 0:26:51 | |
COMMENTATOR HOWLS | 0:26:58 | 0:27:02 | |
Argentina! | 0:27:04 | 0:27:06 | |
Ar-r-r-r-gentina, uno! | 0:27:06 | 0:27:10 | |
Go-o-o-o-o-o-ol! | 0:27:10 | 0:27:15 | |
Ar-r-r-gentina! | 0:27:16 | 0:27:20 | |
-SINGING: -Ole! Ola! | 0:27:23 | 0:27:26 | |
HE CONTINUES SINGING | 0:27:26 | 0:27:28 | |
And you lot think you can talk. | 0:27:32 | 0:27:34 | |
You haven't started yet, let me tell you that. | 0:27:34 | 0:27:36 | |
Well, if you sometimes disagree | 0:27:36 | 0:27:38 | |
with the way British commentators operate, just count your blessings - | 0:27:38 | 0:27:42 | |
it could be so easily just like that. | 0:27:42 | 0:27:44 | |
To be fair, you've done really well, | 0:27:44 | 0:27:46 | |
because I thought you would struggle after Take That. | 0:27:46 | 0:27:48 | |
I really did think... | 0:27:48 | 0:27:50 | |
I thought, "Anybody who can't play, who can't write, | 0:27:50 | 0:27:53 | |
"who can't play guitar..." | 0:27:53 | 0:27:54 | |
I thought, "Really struggle." | 0:27:54 | 0:27:56 | |
-Gary Barlow probably kept the band together. -Ricky Martin! | 0:27:56 | 0:27:59 | |
Hold on, I'm telling you now, you've done brilliantly. | 0:27:59 | 0:28:01 | |
Apart from that, you've got a lot of talent. | 0:28:01 | 0:28:03 | |
Thank you very much. Apart from that, what have I actually done? | 0:28:03 | 0:28:06 | |
You've done brilliantly. | 0:28:06 | 0:28:07 | |
The Angels song was top-class, I have to say that. | 0:28:07 | 0:28:10 | |
British pundit panels - | 0:28:10 | 0:28:12 | |
what we lack in naked Latin passion | 0:28:12 | 0:28:14 | |
we make up for in hopelessly gauche encomiums | 0:28:14 | 0:28:16 | |
that make everyone in the studio wish they were dead. | 0:28:16 | 0:28:19 | |
Then again, who do you think you are, Robbie Williams? | 0:28:19 | 0:28:22 | |
How dare you sit on the soccer sofa! | 0:28:22 | 0:28:24 | |
You were only born in 1974. | 0:28:24 | 0:28:25 | |
We didn't even qualify that year. | 0:28:25 | 0:28:27 | |
If you had any talent at all, | 0:28:27 | 0:28:28 | |
you'd have been nine years old in 1966, like I was. | 0:28:28 | 0:28:32 | |
Oh, it was really something. | 0:28:32 | 0:28:34 | |
We welcomed the world. | 0:28:34 | 0:28:35 | |
Businessmen coming, for example, from Brazil, | 0:28:35 | 0:28:38 | |
will bring their ladies with them and they'll expect decent amenities. | 0:28:38 | 0:28:42 | |
One of the questions I did ask going there was, | 0:28:42 | 0:28:44 | |
"What are the ladies lavatories and powder rooms like?" | 0:28:44 | 0:28:47 | |
I'm sorry to say they were almost non-existent on most of the grounds. | 0:28:47 | 0:28:50 | |
Birmingham, in common with many other big cities in this country, | 0:28:50 | 0:28:54 | |
is not well-off for hotels, considering the size of the city | 0:28:54 | 0:28:57 | |
and the fact that the Queen's Hotel, a first-class establishment | 0:28:57 | 0:29:01 | |
and one of the oldest, is to close in the end of this year, | 0:29:01 | 0:29:04 | |
won't help matters for next July. | 0:29:04 | 0:29:06 | |
Because of the hotel problem, | 0:29:06 | 0:29:08 | |
football clubs have appealed to boarding house keepers. | 0:29:08 | 0:29:11 | |
This room in Sheffield will be offered to fans by Mr Herbert Sykes. | 0:29:12 | 0:29:16 | |
I've seen Sheffield before when there's been a big match on. | 0:29:16 | 0:29:19 | |
They're just walking about like spare parts. | 0:29:19 | 0:29:21 | |
They don't know what to do with themselves. | 0:29:21 | 0:29:23 | |
In Middlesbrough, Mrs Noreen Walters speculates on her guests. | 0:29:23 | 0:29:27 | |
Oh, they don't worry me one little bit. | 0:29:27 | 0:29:29 | |
I'd only be having two or three | 0:29:30 | 0:29:32 | |
and it isn't as though I was going to marry them. | 0:29:32 | 0:29:34 | |
As long as they don't start sleepwalking, | 0:29:35 | 0:29:38 | |
we should all get on quite nicely. | 0:29:38 | 0:29:39 | |
What view, then, do foreign agents take | 0:29:39 | 0:29:41 | |
of the World Cup hotel situation, | 0:29:41 | 0:29:43 | |
and what are they planning to do about it? | 0:29:43 | 0:29:45 | |
We've even spoken with the merchant marine of the Soviet Union | 0:29:45 | 0:29:48 | |
to find the possibility of bringing a ship | 0:29:48 | 0:29:51 | |
for our Soviet tourists to live on board. | 0:29:51 | 0:29:53 | |
We'd also like to charter a boat, like this here, | 0:29:54 | 0:29:58 | |
for the World Championship in England | 0:29:58 | 0:30:00 | |
because of the troubles we have with accommodation in your country. | 0:30:00 | 0:30:03 | |
It would be possible that 800 persons | 0:30:04 | 0:30:06 | |
will visit the three first matches | 0:30:06 | 0:30:08 | |
of the German team and stay aboard the boat at night. | 0:30:08 | 0:30:11 | |
Sheffield's entertainment man is Mr Eddie Holland. | 0:30:11 | 0:30:15 | |
Well, already plans are in hand for a nightclub in the City Hall. | 0:30:15 | 0:30:19 | |
We're going to decorate the streets with flowers | 0:30:19 | 0:30:21 | |
and have illuminations up and bands playing. | 0:30:21 | 0:30:24 | |
I would like to see the shops remain open till ten o'clock or midnight. | 0:30:24 | 0:30:29 | |
We should have umbrellas | 0:30:29 | 0:30:30 | |
and tables in the street so that people can dine outside. | 0:30:30 | 0:30:33 | |
Other things I think might be worthwhile - | 0:30:33 | 0:30:35 | |
we could have a beer garden in the garden next to the town hall, | 0:30:35 | 0:30:39 | |
a girlie show at the Lyceum starting at ten o'clock at night, | 0:30:39 | 0:30:42 | |
but above all, late-night drinking and dining in the hotels | 0:30:42 | 0:30:48 | |
and existing restaurants which we have, | 0:30:48 | 0:30:50 | |
so that they go on till two o'clock in the morning. | 0:30:50 | 0:30:52 | |
On a rather different plane, Councillor Leonard Cope. | 0:30:52 | 0:30:56 | |
The Sheffield Experimental Theatre Group | 0:30:56 | 0:30:59 | |
are proposing to do late-night revues | 0:30:59 | 0:31:02 | |
and we're negotiating and hope to get the services | 0:31:02 | 0:31:05 | |
of the Georgian State Dance Company from Russia. | 0:31:05 | 0:31:08 | |
It is indeed a pleasure to take part in an international competition | 0:31:08 | 0:31:14 | |
in the home of football. | 0:31:14 | 0:31:16 | |
We have already enjoyed many matches in Britain. | 0:31:16 | 0:31:19 | |
We look forward to meeting and making many new friends. | 0:31:21 | 0:31:25 | |
Yeah, well, when I say "Welcomed the world", | 0:31:25 | 0:31:27 | |
what I mean is we kept the pubs open an extra half-hour. | 0:31:27 | 0:31:30 | |
Oh, and put an umbrella next to that tea stall in Sheffield Market. | 0:31:30 | 0:31:35 | |
I think the mayor's missus bought a bunch of daffs too. | 0:31:35 | 0:31:38 | |
Anyway, stone the crows, Birmingham. | 0:31:38 | 0:31:40 | |
Surely you could have found a better backdrop | 0:31:40 | 0:31:42 | |
to show us off to the planet than this. | 0:31:42 | 0:31:44 | |
I mean, at least splash out on a litter bin, look at it. | 0:31:44 | 0:31:47 | |
And couldn't he have put down his Daily Mirror | 0:31:47 | 0:31:49 | |
while he was addressing a global audience? | 0:31:49 | 0:31:51 | |
Of course, promising the world flyblown bomb sites in Birmingham | 0:31:51 | 0:31:55 | |
will only get you so far. | 0:31:55 | 0:31:56 | |
The cup was the thing. "Let us see the cup!", they said. | 0:31:56 | 0:32:00 | |
"All right!", we said. "We shall show you the cup." | 0:32:00 | 0:32:02 | |
-CHEERING AND APPLAUSE -"The cup... | 0:32:02 | 0:32:04 | |
"Right, what did we do with it?" | 0:32:04 | 0:32:07 | |
The thieves broke in by forcing the padlock on the main doors | 0:32:07 | 0:32:10 | |
at the back of the building. | 0:32:10 | 0:32:12 | |
Then they got into this stand over a hessian shield at the back | 0:32:12 | 0:32:15 | |
and took the lock off the back of this case and got away with the cup. | 0:32:15 | 0:32:20 | |
Gentlemen, I'm terribly sorry that I'm afraid, at this present moment, | 0:32:20 | 0:32:26 | |
I am unable to make any real form of statement. | 0:32:26 | 0:32:29 | |
I must ask you to appreciate the amount of pressure | 0:32:29 | 0:32:33 | |
that I have been under for the last 30 hours. | 0:32:33 | 0:32:35 | |
They were watching it all the time, in fact, theoretically. | 0:32:35 | 0:32:38 | |
If they were watching it the whole time, | 0:32:38 | 0:32:39 | |
one of them must have taken it, | 0:32:39 | 0:32:41 | |
so therefore they couldn't have been watching it the whole time. | 0:32:41 | 0:32:44 | |
Once I have had a chance to gather my somewhat scattered wits, | 0:32:44 | 0:32:48 | |
then I will indeed talk with you | 0:32:48 | 0:32:50 | |
and give you everything that I possibly can. | 0:32:50 | 0:32:53 | |
Come on, England, seriously. | 0:32:53 | 0:32:55 | |
As the saying goes, you were given one job. | 0:32:55 | 0:32:58 | |
If you are trusted | 0:32:58 | 0:32:59 | |
with one of the most precious icons in modern culture, | 0:32:59 | 0:33:02 | |
don't display it in a Jerry-built fish tank | 0:33:02 | 0:33:04 | |
secured with one of them locks you stick on a suitcase. | 0:33:04 | 0:33:07 | |
No wonder people want to do this to us. | 0:33:07 | 0:33:09 | |
That was the World Cup in England - | 0:33:11 | 0:33:13 | |
comically stolen and then even more comically recovered. | 0:33:13 | 0:33:17 | |
The cup was suddenly found, but not by the police or the men | 0:33:17 | 0:33:21 | |
who were involved in the hunt for it, but by Pickles, | 0:33:21 | 0:33:24 | |
and here we've got Pickles. | 0:33:24 | 0:33:25 | |
Come on, boy! Come on, Pickles! | 0:33:25 | 0:33:27 | |
Come on! Come on! I'll have to go get you. | 0:33:27 | 0:33:29 | |
There's a good boy. Come on, Pickles. | 0:33:29 | 0:33:32 | |
Oh, Pickles and Patch together. Come on. | 0:33:32 | 0:33:35 | |
Stay, Patch. | 0:33:35 | 0:33:37 | |
You stay. Well, this is Pickles. | 0:33:37 | 0:33:39 | |
No! | 0:33:39 | 0:33:40 | |
Pickles was sniffing away at a rather large parcel, | 0:33:41 | 0:33:44 | |
and when Mr Corbett picked it up, he saw a gleam of gold. | 0:33:44 | 0:33:48 | |
I pulled the top off and I could see the top of the statue. | 0:33:48 | 0:33:53 | |
I look back at the base and I see Brazil, '62, | 0:33:53 | 0:33:55 | |
and that's what sort of clicked in my mind. | 0:33:55 | 0:33:59 | |
Pickles certainly won't be forgotten, because he's already got a medal. | 0:33:59 | 0:34:02 | |
-REPORTER: -..naming him Dog Hero of 1966. | 0:34:02 | 0:34:06 | |
There was a more substantial prize - almost £5,000 of reward money. | 0:34:06 | 0:34:10 | |
We'd lost trace of Pickles. | 0:34:10 | 0:34:11 | |
We didn't know if he was alive or not, | 0:34:11 | 0:34:12 | |
and as soon as we came off the air, | 0:34:12 | 0:34:14 | |
our phones just didn't stop ringing with people telling us | 0:34:14 | 0:34:17 | |
that his owner definitely was still alive | 0:34:17 | 0:34:19 | |
and was working for the GPO at Redhill, | 0:34:19 | 0:34:21 | |
so we were able to contact Mr Corbett there by telephone | 0:34:21 | 0:34:23 | |
and he told us a rather sad story - | 0:34:23 | 0:34:25 | |
that just about three years ago, | 0:34:25 | 0:34:27 | |
Pickles developed the extremely bad habit of chasing local cats | 0:34:27 | 0:34:31 | |
and on one occasion, he shot after one, | 0:34:31 | 0:34:34 | |
his lead caught on to something, | 0:34:34 | 0:34:36 | |
and poor old Pickles actually broke his neck. | 0:34:36 | 0:34:39 | |
Serves him right for chasing cats. Oh, dear. | 0:34:39 | 0:34:41 | |
Peter Purves, seen there surrounded by members of the BBC Trust, | 0:34:41 | 0:34:45 | |
not sugar-coating it at all there for the under-tens. | 0:34:45 | 0:34:47 | |
Serves him right for chasing cats. | 0:34:47 | 0:34:49 | |
Now at this point, I know what many of you are saying. | 0:34:49 | 0:34:52 | |
"Oh, England, Pickles, 1966. | 0:34:52 | 0:34:56 | |
"Frank Bough's variable-geometry comb-over." | 0:34:56 | 0:34:58 | |
# Oye como va... # | 0:34:58 | 0:35:00 | |
"What about the rest of Britain? | 0:35:00 | 0:35:02 | |
"Aren't we ludicrous on the international scene also? | 0:35:02 | 0:35:04 | |
"Aren't our fiascos equally noteworthy? | 0:35:04 | 0:35:07 | |
"We're rotten too, you know!" | 0:35:07 | 0:35:08 | |
Well, of course you are, my friends. | 0:35:08 | 0:35:10 | |
And now your time has come. | 0:35:10 | 0:35:12 | |
PRODUCER: OK, stand by. | 0:35:13 | 0:35:15 | |
MUSIC: "Ole Ola" by Rod Stewart | 0:35:17 | 0:35:19 | |
# When the blue shirts run out in Argentina | 0:35:25 | 0:35:29 | |
# Our hearts will be beating like a drum... # | 0:35:29 | 0:35:32 | |
Scotland goes just to win. | 0:35:32 | 0:35:34 | |
It's daft and it's sad | 0:35:34 | 0:35:36 | |
and it's very, very beautiful. | 0:35:36 | 0:35:39 | |
Scotland, level-headed, | 0:35:39 | 0:35:40 | |
only because it's got a chip on both shoulders, | 0:35:40 | 0:35:43 | |
is going to Argentina on business | 0:35:43 | 0:35:46 | |
-and to win. -Ally MacLeod, | 0:35:46 | 0:35:48 | |
manager of Scotland, | 0:35:48 | 0:35:49 | |
the only team in Britain to qualify for the World Cup finals. | 0:35:49 | 0:35:53 | |
Oh, I was over the moon. I had to go and change my trousers. | 0:35:53 | 0:35:57 | |
Fingers crossed, God willing, we'll not let Britain down. | 0:35:57 | 0:36:00 | |
I'm a Scotsman and I'm proud of it. | 0:36:00 | 0:36:02 | |
THEY CHEER | 0:36:02 | 0:36:04 | |
Really proud. And England's not there, we're there. This is magic. | 0:36:04 | 0:36:08 | |
-LAUGHTER -The greatest thing in the world. | 0:36:08 | 0:36:10 | |
When we bring the World Cup home, | 0:36:10 | 0:36:11 | |
the world will recognise us as a separate nation. | 0:36:11 | 0:36:13 | |
We'll get our independence a lot quicker. | 0:36:13 | 0:36:15 | |
# We'll support you ever more | 0:36:15 | 0:36:19 | |
# Bonnie Scotland | 0:36:19 | 0:36:21 | |
# Bonnie Scotland... # | 0:36:21 | 0:36:23 | |
I'm here at one of Mexico's most famous landmarks. | 0:36:23 | 0:36:27 | |
These are the Pyramids of the Moon. | 0:36:27 | 0:36:30 | |
Now, 2,000 years ago, they believed that if you brought men here, | 0:36:30 | 0:36:34 | |
they turned into gods, | 0:36:34 | 0:36:35 | |
so we, of course, have brought Charlie Nicholas. | 0:36:35 | 0:36:37 | |
MEXICAN FLUTE PLAYS | 0:36:39 | 0:36:42 | |
We manufactured about 100,000 of the shirts and we sold them very well | 0:36:47 | 0:36:51 | |
until Scotland started playing and losing. | 0:36:51 | 0:36:53 | |
Have you been able to sell any since? | 0:36:53 | 0:36:55 | |
Yes, we've got shops selling them at £1 | 0:36:55 | 0:36:57 | |
and there's various suggestions about what to do with them - | 0:36:57 | 0:37:00 | |
wear them inside out as a vest or whatever. | 0:37:00 | 0:37:02 | |
Excuse me, sir, would you buy one of these? | 0:37:02 | 0:37:04 | |
No. | 0:37:06 | 0:37:08 | |
Would you buy one of these? | 0:37:08 | 0:37:09 | |
Er, yes. | 0:37:10 | 0:37:11 | |
-You would? -Certainly. | 0:37:11 | 0:37:13 | |
Anything to help the public. | 0:37:13 | 0:37:14 | |
The difference between success and failure is minute. | 0:37:18 | 0:37:21 | |
Now, it all gets down in the end | 0:37:21 | 0:37:23 | |
to putting the ball in the back of the net. | 0:37:23 | 0:37:25 | |
I'm Welsh and wearing an England shirt, | 0:37:25 | 0:37:27 | |
so I don't know why I'm bothering doing it, but I've got caught up | 0:37:27 | 0:37:32 | |
in the momentum, I think, and they're reasonably priced. | 0:37:32 | 0:37:36 | |
The World Cup has created an awful lot of excitement in Spain, | 0:37:36 | 0:37:39 | |
even since last summer | 0:37:39 | 0:37:41 | |
and some of the words that are used, sporting terms, | 0:37:41 | 0:37:44 | |
would be easily recognised by an English speaker, | 0:37:44 | 0:37:47 | |
such as "el passing shot", for someone to pass the ball to you, | 0:37:47 | 0:37:52 | |
and, of course, the thing that Northern Ireland want most - | 0:37:52 | 0:37:54 | |
"el gol", a goal. | 0:37:54 | 0:37:56 | |
The first half-hour of the session had been quiet and relaxed | 0:37:56 | 0:37:59 | |
at a small local football ground at Alcobendas, | 0:37:59 | 0:38:02 | |
about six miles from Madrid. | 0:38:02 | 0:38:04 | |
The session was under the direction of Billy Bingham, the Irish manager, | 0:38:04 | 0:38:07 | |
and watched by hundreds of children on this Spanish public holiday. | 0:38:07 | 0:38:11 | |
There did seem a lack of order and security, | 0:38:11 | 0:38:14 | |
and suddenly came the trouble. | 0:38:14 | 0:38:16 | |
Two men walked on to the pitch hurling abuse at the players | 0:38:18 | 0:38:21 | |
and claiming John O'Neill, the Leicester City defender, | 0:38:21 | 0:38:23 | |
had kicked a child on the touchline. | 0:38:23 | 0:38:25 | |
Billy Bingham failed to calm them. | 0:38:25 | 0:38:27 | |
As the police arrived to restore order, | 0:38:30 | 0:38:32 | |
Bingham and his players retreated to the centre circle. | 0:38:32 | 0:38:35 | |
The Irish manager tried humour where reason hadn't worked. | 0:38:35 | 0:38:38 | |
But the protest grew more angry, and then violent. | 0:38:40 | 0:38:44 | |
The players continued to watch and wait, | 0:38:44 | 0:38:46 | |
their training session in chaos. | 0:38:46 | 0:38:48 | |
The game we're playing isn't available in the shops yet. | 0:38:49 | 0:38:52 | |
There's only one set. | 0:38:52 | 0:38:53 | |
It belongs to the man who devised it, Billy Hamilton. | 0:38:53 | 0:38:57 | |
Well, I had a lot of time on my hands | 0:38:57 | 0:38:58 | |
at the start of the season through injury, | 0:38:58 | 0:39:00 | |
so instead of sitting in the armchair doing nothing, | 0:39:00 | 0:39:03 | |
I came up with this game. | 0:39:03 | 0:39:04 | |
It's a journey through the life of a professional footballer. | 0:39:04 | 0:39:06 | |
You start off as an apprentice, | 0:39:06 | 0:39:08 | |
you do all the hard, menial tasks an apprentice does, | 0:39:08 | 0:39:11 | |
you move on to be a professional player. | 0:39:11 | 0:39:13 | |
Eventually, the winner is the first one to win the World Cup. | 0:39:13 | 0:39:16 | |
"You are seven pounds overweight. Lose two skill." | 0:39:17 | 0:39:21 | |
Billy, just on a serious note, you have had a rotten season. | 0:39:21 | 0:39:24 | |
It would be marvellous to finish it | 0:39:24 | 0:39:25 | |
by playing in the World Cup | 0:39:25 | 0:39:27 | |
and doing well, wouldn't it? | 0:39:27 | 0:39:28 | |
Yeah, it's been a very frustrating season. | 0:39:28 | 0:39:30 | |
There were times when I didn't think I would make it to the World Cup. | 0:39:30 | 0:39:33 | |
Look, it's Billy Hamilton's board game - | 0:39:33 | 0:39:35 | |
possibly the worst-selling World Cup spin off | 0:39:35 | 0:39:38 | |
since Peter Beardsley's love songs album | 0:39:38 | 0:39:40 | |
or Graham Poll's stainless steel referee's retina brush. | 0:39:40 | 0:39:44 | |
The point being, gripping though the tournament is, | 0:39:44 | 0:39:46 | |
it's all meant to be fun. | 0:39:46 | 0:39:48 | |
Isn't it? | 0:39:48 | 0:39:49 | |
Remember World Cup Willie, vintage 1966? | 0:39:49 | 0:39:52 | |
A not-very-fierce and obviously thoroughly tame lion. | 0:39:52 | 0:39:56 | |
What's worrying the minister this time | 0:39:56 | 0:39:58 | |
is that the British bulldog 1982 variety | 0:39:58 | 0:40:00 | |
projects quite the wrong image. | 0:40:00 | 0:40:02 | |
Mr Macfarlane, Bulldog Bobby surely is typically British, | 0:40:02 | 0:40:05 | |
bulldog breed, Churchillian spirit - | 0:40:05 | 0:40:08 | |
what do you object to in him? | 0:40:08 | 0:40:09 | |
Can you hear me, Neil Macfarlane? | 0:40:11 | 0:40:13 | |
Let me try again. | 0:40:14 | 0:40:15 | |
You're looking extremely interested, but can you hear me, Mr Macfarlane? | 0:40:15 | 0:40:19 | |
Well, there's an absolutely frustrated minister. | 0:40:21 | 0:40:24 | |
He can't hear me and I can't talk to him. | 0:40:24 | 0:40:26 | |
We'll see if we can get him, but in the meantime, here's Richard. | 0:40:26 | 0:40:29 | |
-FAINTLY: -Well, details... | 0:40:31 | 0:40:33 | |
STATIC | 0:40:33 | 0:40:35 | |
-..mental hospital... -STATIC | 0:40:35 | 0:40:37 | |
We have given voice to Mr Neil Macfarlane, | 0:40:37 | 0:40:38 | |
the sports minister, who's upset about the image | 0:40:38 | 0:40:41 | |
presented by Bulldog Bobby, the England World Cup mascot. | 0:40:41 | 0:40:44 | |
What are you concerned about, Mr Macfarlane? | 0:40:44 | 0:40:46 | |
I really think that that cartoon caricature of an animal, | 0:40:46 | 0:40:50 | |
and it's something I've always personally had some doubt about | 0:40:50 | 0:40:54 | |
as to whether or not we should ever humanise animals in that way, | 0:40:54 | 0:40:57 | |
and here we have a bulldog standing on its hind legs | 0:40:57 | 0:41:00 | |
with a football at one of its paws and whether or not this is going | 0:41:00 | 0:41:03 | |
to personify all that is best in British football, I doubt very much. | 0:41:03 | 0:41:06 | |
I think he looks rather soft and stupid | 0:41:06 | 0:41:08 | |
rather than belligerent, don't you? | 0:41:08 | 0:41:10 | |
-Well, I think that's a matter of opinion. -Oh, dear. | 0:41:10 | 0:41:12 | |
Lighten up, Chuckles - it's a cartoon dog, not our man in Moscow. | 0:41:12 | 0:41:16 | |
It is indeed a pleasure... | 0:41:16 | 0:41:18 | |
Tell you what, I'll show you something funny. | 0:41:18 | 0:41:20 | |
Do you want to see Trevor Francis getting hit on the head | 0:41:20 | 0:41:23 | |
by a spring-loaded coach door. | 0:41:23 | 0:41:25 | |
-Oh! -See! | 0:41:26 | 0:41:29 | |
That's why the national squad has cartoon characters representing it. | 0:41:29 | 0:41:32 | |
Here it is again. | 0:41:32 | 0:41:33 | |
And if you think we're padding this show out with irrelevant slapstick, | 0:41:35 | 0:41:38 | |
then you are totally missing the deeper subtext. | 0:41:38 | 0:41:41 | |
Showing things like this... | 0:41:41 | 0:41:43 | |
..this... | 0:41:44 | 0:41:45 | |
..and this... | 0:41:47 | 0:41:48 | |
..is actually a clever and frankly subversive comment | 0:41:49 | 0:41:51 | |
on the corporate emptiness | 0:41:51 | 0:41:53 | |
at the heart of this insidious soccer sideshow. | 0:41:53 | 0:41:56 | |
Don't you see what we're saying? | 0:41:56 | 0:41:57 | |
The World Cup is the ultimate example | 0:41:57 | 0:41:59 | |
of man's fruitless search for meaning, | 0:41:59 | 0:42:02 | |
desperate empiricist padding on the way to purgatory. | 0:42:02 | 0:42:05 | |
Padding of the soul, padding of the senses, | 0:42:05 | 0:42:08 | |
but most of all, padding of the TV schedules. | 0:42:08 | 0:42:11 | |
Welcome to the middle of nowhere. | 0:42:13 | 0:42:15 | |
You don't get the impression here | 0:42:15 | 0:42:16 | |
that the World Cup is about to break out, | 0:42:16 | 0:42:18 | |
but that's hardly surprising because we're still in Malta. | 0:42:18 | 0:42:21 | |
In fact, the Irish lads won't arrive in Italy until Friday's ceremony... | 0:42:21 | 0:42:25 | |
HE TUTS Shit. | 0:42:25 | 0:42:26 | |
Done this too many times now. | 0:42:28 | 0:42:29 | |
Yeah. I think we're, erm... | 0:42:32 | 0:42:33 | |
We're losing the impact. | 0:42:35 | 0:42:37 | |
I wanted them all here, really, you see. | 0:42:37 | 0:42:39 | |
SHEPHERD MUTTERS TO SHEEP | 0:42:42 | 0:42:44 | |
All right, roll it now, roll it now, while he's talking. | 0:42:45 | 0:42:47 | |
Welcome to the middle of nowhere. | 0:42:51 | 0:42:53 | |
INTERPRETER SPEAKS ITALIAN | 0:42:55 | 0:42:57 | |
MANCINI SPEAKS ITALIAN | 0:42:58 | 0:43:01 | |
-MANCINI: -Nicol. | 0:43:13 | 0:43:15 | |
INTERPRETER: Steve Nicol. | 0:43:15 | 0:43:16 | |
Talking about Mo Johnston, saying that they're both very good players. | 0:43:16 | 0:43:20 | |
-INTERVIEWER: -Does he think Scotland can do well in the finals? | 0:43:20 | 0:43:23 | |
INTERPRETER SPEAKS ITALIAN | 0:43:23 | 0:43:26 | |
MANCINI SPEAKS ITALIAN | 0:43:28 | 0:43:33 | |
INTERPRETER: Yeah, he thinks that they can go through | 0:43:33 | 0:43:35 | |
from the first phase to the eighth finals. | 0:43:35 | 0:43:38 | |
And what about Brazil and Sweden, will they both go through as well? | 0:43:38 | 0:43:41 | |
INTERPRETER SPEAKS ITALIAN | 0:43:41 | 0:43:44 | |
MANCINI SPEAKS ITALIAN | 0:43:44 | 0:43:46 | |
-REPORTER: -Marco Polo discovered it in China a few centuries ago | 0:43:50 | 0:43:53 | |
and we've been trying to unravel its secrets ever since - | 0:43:53 | 0:43:56 | |
-pasta. -No, no, no, tomato. | 0:43:56 | 0:44:00 | |
The Irish lads love a pasta - | 0:44:00 | 0:44:02 | |
Cannelloni Cascarino, | 0:44:02 | 0:44:04 | |
Tagliatelle Townsend and Macaroni McCarthy - | 0:44:04 | 0:44:06 | |
but there's method in their madness. | 0:44:06 | 0:44:08 | |
Its energy-giving qualities have long been valued | 0:44:08 | 0:44:11 | |
by marathon runners and Tour de France cyclists. | 0:44:11 | 0:44:14 | |
Ruud Gullit even wears it on his head, | 0:44:14 | 0:44:16 | |
Rasta pasta. | 0:44:16 | 0:44:18 | |
We have the lasagnes as well with the pasta, | 0:44:18 | 0:44:21 | |
so it's not just spaghetti. | 0:44:21 | 0:44:23 | |
And the ravioli we have, so it's... | 0:44:23 | 0:44:26 | |
It's come a long way, hasn't it, Jim, | 0:44:26 | 0:44:27 | |
since we used to get it out of a tin and put it on a round of toast. | 0:44:27 | 0:44:31 | |
Howdy, partners, | 0:44:31 | 0:44:32 | |
and welcome to a place you'd be happy in - cowboy country. | 0:44:32 | 0:44:37 | |
This is the end of the Santa Fe Trail. | 0:44:37 | 0:44:39 | |
This is the place all those guys in covered wagons ended up | 0:44:39 | 0:44:42 | |
after avoiding the Red Indians. BULLET RICOCHETS | 0:44:42 | 0:44:45 | |
It's also the place where Billy the Kid was finally gunned down | 0:44:45 | 0:44:48 | |
by Pat Garrett and your predecessors, Butch Cassidy and the Sundance Kid, | 0:44:48 | 0:44:53 | |
they used to roam about in them, thar hills. | 0:44:53 | 0:44:57 | |
Now it's the place where the Scotland World Cup wagon has rolled in. | 0:44:57 | 0:45:01 | |
They're preparing here before they meet three nasty tribes - | 0:45:01 | 0:45:04 | |
Denmark, Uruguay and West Germany in the World Cup shoot out. | 0:45:04 | 0:45:08 | |
Santa Fe is not much different now from the days | 0:45:08 | 0:45:11 | |
when guys who looked like John Wayne rode into town. | 0:45:11 | 0:45:13 | |
I've been hanging about here all week | 0:45:13 | 0:45:15 | |
expecting Clint Eastwood to appear round the corner. | 0:45:15 | 0:45:18 | |
The Indians are still here. | 0:45:19 | 0:45:21 | |
Alex Ferguson has already hit the back of the net | 0:45:21 | 0:45:24 | |
and found out what running at this height really means. | 0:45:24 | 0:45:26 | |
How do you feel after that? | 0:45:29 | 0:45:31 | |
Oh... That was amazing, you know. | 0:45:31 | 0:45:36 | |
We had a couple of shots there, | 0:45:36 | 0:45:38 | |
after you have the shot, you go like that. | 0:45:38 | 0:45:40 | |
HE PANTS | 0:45:40 | 0:45:41 | |
Alex Ferguson might be happy, but he's only the football manager. | 0:45:41 | 0:45:45 | |
I'm the important guy round here, the sheriff. | 0:45:45 | 0:45:47 | |
We're doing our own version of Spring, which is | 0:45:47 | 0:45:50 | |
the first Concerto from that. | 0:45:50 | 0:45:53 | |
It's especially for Italy. | 0:45:53 | 0:45:54 | |
One, two, one, two, 10. | 0:45:56 | 0:45:58 | |
THEY PLAY VIVALDI'S "SPRING" | 0:45:58 | 0:46:00 | |
FOGHORN BLOWS | 0:46:26 | 0:46:28 | |
The World Cup is beloved across our planet. | 0:46:32 | 0:46:35 | |
Because it offers a chance for people from around the world | 0:46:35 | 0:46:39 | |
to be judged not by the place they grew up, the colour of their skin, | 0:46:39 | 0:46:43 | |
or the way they choose to worship, | 0:46:43 | 0:46:45 | |
but by their spirit, skill, and strength. | 0:46:45 | 0:46:48 | |
Soccer is going to be great in the United States. It's becoming strong. | 0:46:50 | 0:46:55 | |
Sobering stuff. | 0:46:55 | 0:46:57 | |
And suddenly, you realise in a wider sense, | 0:46:57 | 0:47:00 | |
there really isn't anything at all funny about this. | 0:47:00 | 0:47:02 | |
But wasn't it always simply bread and circuses? | 0:47:04 | 0:47:08 | |
Or was 1966 really some kind of pure football Eden, | 0:47:08 | 0:47:12 | |
where things moved at a slower kind of pace, | 0:47:12 | 0:47:15 | |
and even the England manager | 0:47:15 | 0:47:17 | |
was content to let the 90 minutes of the match do all the talking? | 0:47:17 | 0:47:21 | |
Well, come on, Alf! Give us something! | 0:47:30 | 0:47:33 | |
How far are you prepared to go to win? I'm thinking now ethically. | 0:47:33 | 0:47:38 | |
Oh, dear. | 0:47:42 | 0:47:43 | |
Now, let's be fair about this. | 0:47:47 | 0:47:49 | |
I would not think in terms of doing anything... | 0:47:49 | 0:47:51 | |
..anything that would be unpleasant. | 0:47:54 | 0:47:56 | |
In terms of playing tiddlywinks and draughts and things such as that, | 0:47:56 | 0:48:01 | |
I wouldn't do... I wouldn't cheat. | 0:48:01 | 0:48:05 | |
I wouldn't cheat. | 0:48:05 | 0:48:07 | |
Well, I don't think I would cheat. | 0:48:07 | 0:48:10 | |
I think we're all, you know, somewhere, | 0:48:10 | 0:48:14 | |
we've all cheated a little sometime. | 0:48:14 | 0:48:17 | |
I think this most certainly is true of I. | 0:48:17 | 0:48:20 | |
I don't think I would cheat at draughts or tiddlywinks. | 0:48:20 | 0:48:25 | |
It's difficult to cheat at darts | 0:48:25 | 0:48:26 | |
unless you're taking your own scores. | 0:48:26 | 0:48:28 | |
EVIL LAUGHTER | 0:48:28 | 0:48:31 | |
Hmm. A great man. | 0:48:31 | 0:48:33 | |
But plenty of pointers there | 0:48:33 | 0:48:35 | |
to his true linguistic roots, weren't there? | 0:48:35 | 0:48:37 | |
I would not think in terms of doing anything. | 0:48:37 | 0:48:40 | |
"I would not think of doing anything." That was a big one. | 0:48:40 | 0:48:44 | |
And, "I think that is true of I," is bordering on the Rastafarian! | 0:48:44 | 0:48:49 | |
-# Dangerous... # -The overall accent? | 0:48:49 | 0:48:51 | |
Dagenham, I believe. | 0:48:51 | 0:48:54 | |
Being kind, we could say it was just another way | 0:48:54 | 0:48:56 | |
he was ahead of the curve. | 0:48:56 | 0:48:58 | |
Most managers today don't speak in their first language either. | 0:48:58 | 0:49:01 | |
Wasn't always like that, of course. | 0:49:01 | 0:49:03 | |
Mr Winterbottom, | 0:49:03 | 0:49:04 | |
do you think that English football is slipping for good now? | 0:49:04 | 0:49:08 | |
Oh, heavens, no. | 0:49:08 | 0:49:09 | |
I mean, we've got to face up to it, | 0:49:09 | 0:49:11 | |
we're getting stronger challenge now by football the world over. | 0:49:11 | 0:49:14 | |
In South America particularly it's highly developed. | 0:49:14 | 0:49:17 | |
'A lecturer in sports science, | 0:49:17 | 0:49:19 | |
'Winterbottom felt success would only come | 0:49:19 | 0:49:22 | |
'by adopting a scientific approach to football.' | 0:49:22 | 0:49:25 | |
He was a prophet. And he taught me a lot. | 0:49:25 | 0:49:29 | |
He convinced me, when I was an England player, | 0:49:29 | 0:49:33 | |
that I should continue as a coach. | 0:49:33 | 0:49:35 | |
Tea and toast and jam, or something like that. | 0:49:35 | 0:49:37 | |
That will suit us. | 0:49:37 | 0:49:38 | |
They don't particularly want to eat too much before the match, | 0:49:38 | 0:49:41 | |
so tea, toast and jam, and there are 17 people. | 0:49:41 | 0:49:45 | |
Norwich City are coming to your hotel at teatime? | 0:49:45 | 0:49:48 | |
Oh, that's absolutely ridiculous. What time are they coming? | 0:49:48 | 0:49:51 | |
What time? | 0:49:51 | 0:49:53 | |
Oh! Talk about flirting with the enemy, this is just plain suicidal. | 0:49:55 | 0:50:00 | |
I wish Mr Fletcher had mentioned that to me or Trevor Lucas, | 0:50:01 | 0:50:04 | |
I never dreamed they would be coming that early and going to your hotel. | 0:50:04 | 0:50:07 | |
I certainly don't want to mix with them at this stage. | 0:50:07 | 0:50:11 | |
Hello, it's Mr Robson, Mr Wood. Ipswich Town football club. | 0:50:16 | 0:50:21 | |
I'd like to bring the players, 17 in number, to the Post House | 0:50:23 | 0:50:28 | |
if that's possible for quarter to five today. | 0:50:28 | 0:50:31 | |
For a light snack before our match, before Norwich City today. | 0:50:31 | 0:50:36 | |
Now, is that possible? Can you accommodate us? | 0:50:36 | 0:50:40 | |
Well, all we want really is very simple, | 0:50:41 | 0:50:43 | |
all we eat is tea and toast. And jam. | 0:50:43 | 0:50:45 | |
Cyril. | 0:50:47 | 0:50:48 | |
-Change of plans. -Mm-hmm. | 0:50:48 | 0:50:50 | |
I've just discovered that Norwich City are going for tea | 0:50:52 | 0:50:54 | |
to the Copdock, so it's ridiculous us going there. | 0:50:54 | 0:50:57 | |
So I've changed the venue, we're going to go to the Post House, | 0:50:57 | 0:51:00 | |
you know, don't you, on the right-hand side. | 0:51:00 | 0:51:02 | |
-Same time, 4.45. -Yeah, fine. -OK? -Yeah. | 0:51:02 | 0:51:05 | |
They're matches that we can win. If we win, we're top of the league. | 0:51:27 | 0:51:30 | |
Once you're there, anything can happen, once you've got there. | 0:51:30 | 0:51:33 | |
So what an incentive it is for you tonight. | 0:51:33 | 0:51:36 | |
You know, as I say, it's not just a match, it's an exceptional match. | 0:51:36 | 0:51:39 | |
Don't let the atmosphere get on top of you, keep calm. | 0:51:39 | 0:51:43 | |
All right, all the best. Stick together, work hard. | 0:51:44 | 0:51:47 | |
One of the problems we might have in the match is the fact that, | 0:51:47 | 0:51:51 | |
and I've got a report about Derby County... | 0:51:51 | 0:51:53 | |
'Before every match, the team gets together | 0:51:53 | 0:51:55 | |
'to hear Robson's assessment of the day's game. | 0:51:55 | 0:51:58 | |
'Robson himself admits that it's hard to bring inspiration to a talk | 0:51:58 | 0:52:02 | |
'that he's given hundreds of times before. | 0:52:02 | 0:52:04 | |
'It's just one part of the pre-match ritual.' | 0:52:04 | 0:52:07 | |
Definitely. Yeah. | 0:52:07 | 0:52:10 | |
OK. | 0:52:14 | 0:52:16 | |
Everything else quiet, Bill. All right. Bye. | 0:52:16 | 0:52:19 | |
You get ten of them on a Sunday. | 0:52:20 | 0:52:22 | |
We do this every Thursday morning, for the last 11 to 12 years. | 0:52:22 | 0:52:26 | |
I feel it's been a great thing to them, | 0:52:28 | 0:52:30 | |
cos it just relaxes them a little bit. | 0:52:30 | 0:52:33 | |
And gets the tension out of the muscle before the Saturday match. | 0:52:33 | 0:52:37 | |
And we often say, if we had a pound for each one we've massaged, Bob. | 0:52:37 | 0:52:40 | |
We'd be wealthy men, | 0:52:40 | 0:52:42 | |
because we massage them on a Monday before the Wednesday game also. | 0:52:42 | 0:52:45 | |
And I think they look forward to it. | 0:52:45 | 0:52:48 | |
The one on the table now is Paul Reaney. | 0:52:48 | 0:52:50 | |
When you think of disappointments that we've had, | 0:52:50 | 0:52:53 | |
we've missed many trophies and things like that, but the first sickening | 0:52:53 | 0:52:57 | |
disappointment I had was when Bobby Collins broke his leg in Turin. | 0:52:57 | 0:53:01 | |
So we decided to come here for the last five years, | 0:53:01 | 0:53:03 | |
for our steaks and beans and toast and tea, | 0:53:03 | 0:53:05 | |
and then we always play bingo, | 0:53:05 | 0:53:06 | |
we've played bingo 13 years at Leeds United. | 0:53:06 | 0:53:09 | |
75. On its own, number five. | 0:53:09 | 0:53:12 | |
All the sixes, 66. Four and three, 43. | 0:53:12 | 0:53:17 | |
Five and six, 56. | 0:53:17 | 0:53:19 | |
-Any strong views about Barry Manilow? -No, not really. | 0:53:20 | 0:53:24 | |
I enjoy his singing enormously, he gets lots of flack, doesn't he? | 0:53:24 | 0:53:28 | |
Must be the big hooter he's got. | 0:53:28 | 0:53:29 | |
People either love him or hate him, it's strange. | 0:53:29 | 0:53:31 | |
I've seen him in concert in actual fact, he was very impressive. | 0:53:31 | 0:53:36 | |
The wife took me out to see him. | 0:53:36 | 0:53:38 | |
There we are! The ladies always do the leading. | 0:53:38 | 0:53:41 | |
Put the nappy on, put the nappy on, Glenn! | 0:53:41 | 0:53:43 | |
-Could you tell me, what is an antiseptic? -Put it in a needle. | 0:53:43 | 0:53:47 | |
Yeah. Right, off you go! | 0:53:47 | 0:53:50 | |
The letter W. Down here, we've got a stunt for you, mate. | 0:53:50 | 0:53:53 | |
Get the chicken leg out the rice pudding! | 0:53:53 | 0:53:56 | |
The plastic chicken leg out the rice pudding. He's done it! | 0:53:56 | 0:53:59 | |
-You cut everything out? -Yeah, we just have a lot of tea, | 0:53:59 | 0:54:02 | |
honey, toast. | 0:54:02 | 0:54:04 | |
I just sort of have a plain chicken. | 0:54:04 | 0:54:06 | |
But a handful of the brave souls | 0:54:06 | 0:54:07 | |
who've attempted to steer England's squad to victory down the years. | 0:54:07 | 0:54:11 | |
And yet, may the record show, | 0:54:11 | 0:54:13 | |
when it came to actually landing the trophy, | 0:54:13 | 0:54:15 | |
the only Brits to have done that are Dagenham Alf... | 0:54:15 | 0:54:18 | |
-This most certainly is true of I. -..and a dog called Pickles. | 0:54:18 | 0:54:21 | |
-There's a good boy, Pickles. -And yet, this year. | 0:54:21 | 0:54:24 | |
This year... Am I wrong for hoping? | 0:54:24 | 0:54:25 | |
Am I deluded for thinking that, come July, | 0:54:25 | 0:54:28 | |
we will all once again be witnessing this sort of thing? | 0:54:28 | 0:54:31 | |
Britain's World Cup team has come home. | 0:54:31 | 0:54:33 | |
This is what Billy Wright had to say. | 0:54:33 | 0:54:36 | |
Can I say how disappointed we are | 0:54:36 | 0:54:37 | |
that we haven't brought the World Cup back with us. | 0:54:37 | 0:54:40 | |
Oh, push off, reality! No, I meant the sort of thing. | 0:54:40 | 0:54:43 | |
CHEERING | 0:54:43 | 0:54:46 | |
The thing I remember is going out on the night to Danny La Rue's club... | 0:54:55 | 0:55:00 | |
# His name was Rico, he wore a diamond... # | 0:55:00 | 0:55:03 | |
He used to have a club in Hanover Square. | 0:55:03 | 0:55:06 | |
I'd arranged for four or five of us to go, me, Bally, | 0:55:06 | 0:55:08 | |
John Connelly, the Burnley winger. | 0:55:08 | 0:55:12 | |
Nobby Stiles and Martin. | 0:55:12 | 0:55:14 | |
Martin Peters, at the last minute after the celebrations at the hotel, | 0:55:14 | 0:55:17 | |
decided, I phoned and said, "Are you coming?" | 0:55:17 | 0:55:20 | |
And he said, "I'm staying in." | 0:55:20 | 0:55:22 | |
I'm amazed that he stayed in, him and his wife Cathy. | 0:55:22 | 0:55:24 | |
I'll never forget that to my dying day. | 0:55:24 | 0:55:27 | |
It was a long day, it was a very emotional day, | 0:55:27 | 0:55:30 | |
a very physical day with the extra time. | 0:55:30 | 0:55:32 | |
I haven't seen my wife for a number of weeks. | 0:55:32 | 0:55:35 | |
And so, it was just, er... the thing that I wanted to do. | 0:55:35 | 0:55:39 | |
I didn't want to go out, shouting and screaming, | 0:55:39 | 0:55:42 | |
and drinking and whatever. I wanted to be quiet. | 0:55:42 | 0:55:44 | |
I'm amazed that he stayed in. | 0:55:44 | 0:55:47 | |
Had a few quid in my pocket, never spent a bean. | 0:55:47 | 0:55:50 | |
Everywhere we went, it was all, bottles of champagne, | 0:55:50 | 0:55:52 | |
and God knows what. And I got well drunk. | 0:55:52 | 0:55:55 | |
And I believe there's a story that you finished up | 0:55:55 | 0:55:57 | |
in a house in East London and met an old friend? | 0:55:57 | 0:56:01 | |
Something like that, yeah. We were... It was strange. | 0:56:01 | 0:56:04 | |
I've met the people couple of times that I met that night since, | 0:56:07 | 0:56:10 | |
a fella called Lenny and his wife. I don't know where they live now. | 0:56:10 | 0:56:14 | |
But I remember in the morning on the Sunday morning, | 0:56:14 | 0:56:16 | |
me and Jimmy Moss had slept on the settee in the living room. | 0:56:16 | 0:56:20 | |
In the morning we went out in the garden, | 0:56:20 | 0:56:23 | |
and I remember sitting having a cup of coffee in the garden. | 0:56:23 | 0:56:26 | |
There was a wall, and all of a sudden a head came over a wall, | 0:56:26 | 0:56:29 | |
and a woman went, "Hello, Jackie!" And I went, it's Mrs Maither! | 0:56:29 | 0:56:33 | |
She lived opposite us in Beatrice Street in Ashington. | 0:56:33 | 0:56:37 | |
And she was... her son or something was next door. | 0:56:37 | 0:56:40 | |
And she just looked over, went, "Hello, Jackie." | 0:56:40 | 0:56:42 | |
And I said, "Hell flames!" You know, it was amazing. | 0:56:42 | 0:56:46 | |
And I got back, my mother played hell with me | 0:56:47 | 0:56:49 | |
for being out all night. But it was... | 0:56:49 | 0:56:52 | |
I was in Leytonstone, I'd never been to Leytonstone before in my life. | 0:56:52 | 0:56:56 | |
The only reason I know it was Leytonstone, | 0:56:56 | 0:56:59 | |
because we asked where we were. | 0:56:59 | 0:57:01 | |
CHEERING | 0:57:01 | 0:57:03 | |
Yes, that's it! | 0:57:13 | 0:57:15 | |
You see, it's happened before, and it can happen again. | 0:57:15 | 0:57:17 | |
We can win this thing again. It's all about belief. | 0:57:17 | 0:57:21 | |
Belief and giving 110%. | 0:57:21 | 0:57:23 | |
And luck. Belief, 110%, and luck. | 0:57:23 | 0:57:28 | |
Oh, happy days are here again, my friends. | 0:57:28 | 0:57:31 | |
Book me on a plane to Rio, boys, I've got a date with destiny. | 0:57:31 | 0:57:34 | |
Because ring it from the rooftops, once again, | 0:57:34 | 0:57:37 | |
England are going to win the World Cup! | 0:57:37 | 0:57:40 | |
Oh, thank you very much! | 0:57:40 | 0:57:42 | |
Kids, ha ha(!) Good night. | 0:57:42 | 0:57:46 | |
There's only one team going to win the World Cup. | 0:57:46 | 0:57:48 | |
And that team who win the World Cup are going to be pleased. | 0:57:48 | 0:57:52 | |
No more football. | 0:57:52 | 0:57:54 | |
HE BLOWS WHISTLE | 0:57:54 | 0:57:55 | |
# I'm in charge of this here match | 0:57:55 | 0:57:57 | |
# With whistle, notebook and stopwatch | 0:57:57 | 0:57:59 | |
# And I'll keep you up to scratch | 0:57:59 | 0:58:01 | |
# Cos I'm the referee | 0:58:01 | 0:58:03 | |
# Which side are you on, which side are you on | 0:58:03 | 0:58:07 | |
# Which side are you on... | 0:58:07 | 0:58:08 | |
# 20 years of dedication | 0:58:08 | 0:58:10 | |
# Training hard to face the nation | 0:58:10 | 0:58:12 | |
# Learning rules with application | 0:58:12 | 0:58:14 | |
# That's what makes a referee | 0:58:14 | 0:58:17 | |
# Which side are you on, which side are you on | 0:58:17 | 0:58:20 | |
# If my notebook I display | 0:58:21 | 0:58:23 | |
# You will soon be on your way | 0:58:23 | 0:58:25 | |
# Remember if you want to play | 0:58:25 | 0:58:28 | |
# That I'm the referee | 0:58:28 | 0:58:29 | |
# Which side are you on | 0:58:29 | 0:58:31 | |
# Which side are you on | 0:58:31 | 0:58:33 | |
# Which side are you on | 0:58:33 | 0:58:35 | |
# Tolerating aggravation | 0:58:35 | 0:58:37 | |
# And preventing altercation | 0:58:37 | 0:58:39 | |
# Cutting short procrastination | 0:58:39 | 0:58:41 | |
# That's what makes a referee | 0:58:41 | 0:58:43 | |
# Which side are you on, which side are you on... # | 0:58:43 | 0:58:47 | |
-Cheers, King. -Cheers, mate. | 0:58:47 | 0:58:48 | |
Still got to drink, ain't he? | 0:58:53 | 0:58:55 | |
That's beautiful. | 0:58:57 | 0:58:58 |