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Hello and a warm welcome. Unless you
watched our live coverage earlier, | 0:00:31 | 0:00:35 | |
we will show you something I bet you
have never seen before. More on that | 0:00:35 | 0:00:41 | |
later plus we have highlights of
four amazing matches coming up. | 0:00:41 | 0:00:51 | |
This is the way the draw looked at
the start of play. | 0:01:15 | 0:01:28 | |
Let's go to the one eagerly
anticipated, two very good friends | 0:01:31 | 0:01:38 | |
of the ring, but fierce competitors
on it. It is Greg Harlow against | 0:01:38 | 0:01:43 | |
Mervyn King. Mervyn King is the
master of the draw game but recent | 0:01:43 | 0:01:48 | |
seasons have been barren by his
standards. A drop in the rankings | 0:01:48 | 0:01:53 | |
reflect that drop in form. Greg
Harlow, he is the current Scottish | 0:01:53 | 0:02:02 | |
International open champion and
world number one. Mervyn King took | 0:02:02 | 0:02:06 | |
the first two ends to build a two
shot lead. But Greg Harlow had | 0:02:06 | 0:02:14 | |
fought back and when we join the
action he's leading 5-4 going into | 0:02:14 | 0:02:17 | |
the seventh. | 0:02:17 | 0:02:27 | |
APPLAUSE | 0:02:38 | 0:02:40 | |
COMMENTATOR: A lot of players would
have changed on to the forehand. Can | 0:02:51 | 0:02:55 | |
see an edge of the jack and can get
the shot but from Mervyn, it is more | 0:02:55 | 0:03:01 | |
of I will stick with the hand I know
I get a good second shot. Just not | 0:03:01 | 0:03:05 | |
reaching. That is exactly what would
be going through his mind. | 0:03:05 | 0:03:12 | |
Just the one, 15 inch gap. Time to
move now because any touch brings | 0:03:38 | 0:03:48 | |
the black into play. Gentle, gentle
to get back from there. | 0:03:48 | 0:03:56 | |
Greg Harlow senses an opportunity.
One shot up. Great opening bowl, if | 0:04:11 | 0:04:19 | |
you can add to the pressure. Any
touch on the forehand on the jack | 0:04:19 | 0:04:31 | |
will bring it to that bowl. Mervyn
is going to try and use it as a | 0:04:31 | 0:04:40 | |
shoulder to drop off. Not even,
going for the weight. This is a | 0:04:40 | 0:04:45 | |
difficult shot. Holding on. Tell you
what, he wasn't far away from | 0:04:45 | 0:04:53 | |
getting what he wanted, but that
movements of the jack is a major | 0:04:53 | 0:04:57 | |
bonus for him. Also an inch or two
from disaster. If it touched the red | 0:04:57 | 0:05:05 | |
bowl, it was three against him. He
can look to the heavens, but I think | 0:05:05 | 0:05:12 | |
it has been kinder than he realised. | 0:05:12 | 0:05:16 | |
Just missed the line slightly, the
wait was bad. It is one and a | 0:05:49 | 0:06:03 | |
measure. Maybe time-out is about to
come. The forehand draw, the back | 0:06:03 | 0:06:13 | |
and play, risky. Three different
chances. I would fancy two from the | 0:06:13 | 0:06:22 | |
indication of the rings. If it is
two, I would contemplate playing | 0:06:22 | 0:06:26 | |
through it. It might just stop on
the green bowl. It is a hard effort | 0:06:26 | 0:06:33 | |
to draw, this. Going for it again.
Not surprised. Just needs to drop | 0:06:33 | 0:06:42 | |
down on the inside. Run-through and
it touched the jack, this might make | 0:06:42 | 0:06:50 | |
the double. Goodness me. He held his
hand up an apology, not sure he had | 0:06:50 | 0:06:58 | |
to. He played the shot, got a
fortunate result to a certain | 0:06:58 | 0:07:03 | |
extent, but he was online to make
something happen. I am with him on | 0:07:03 | 0:07:07 | |
the apology. Any run-through bowl is
very, very hard to judge. It really | 0:07:07 | 0:07:15 | |
is. It's normally a bit of luck on a
run-through bowl. He was just a | 0:07:15 | 0:07:22 | |
quarter bowl of target. If he came
of it and ran onto the jack, it was | 0:07:22 | 0:07:29 | |
a perfect shot. He just cannot gauge
run-through 's. They are lovely when | 0:07:29 | 0:07:37 | |
they work for you, but they do hurt.
That looks like it is a clear road. | 0:07:37 | 0:07:47 | |
It is a big two. | 0:07:47 | 0:07:53 | |
It is two, what a turnaround that
is. | 0:07:58 | 0:08:04 | |
STUDIO: With the lead retained,
Mervyn King didn't look back as he | 0:08:04 | 0:08:10 | |
took the next two ends and the first
set. In the second set, rejoin it | 0:08:10 | 0:08:15 | |
with Greg Harlow leading 3-1, going
into the fourth end. | 0:08:15 | 0:08:21 | |
COMMENTATOR: Strong, opening bowl. | 0:08:40 | 0:08:43 | |
It is a good start, but in a match
of this quality, you almost expect | 0:08:52 | 0:08:57 | |
Greg to beat it. Making sure he was
arriving. Didn't want to take any | 0:08:57 | 0:09:07 | |
chances on that dropping short. He
wasn't hanging back with that one. | 0:09:07 | 0:09:15 | |
He doesn't like it, it represents a
target that might not come into play | 0:09:36 | 0:09:42 | |
immediately. Greg isn't hanging
around. He's underneath. Just how | 0:09:42 | 0:09:46 | |
much underneath with his own bowl.
That is the one I was looking at, at | 0:09:46 | 0:09:51 | |
the back. Goodness me. | 0:09:51 | 0:09:59 | |
Greg's first two bowls, off the
rink. Mervyn, dropping in for | 0:10:12 | 0:10:16 | |
another. Doesn't want to leave a
target, but he would love to turn | 0:10:16 | 0:10:20 | |
that jack around the corner. He's
not going to. That has made the | 0:10:20 | 0:10:26 | |
target so much wider. Could end up
with the jack in the ditch. Mervyn | 0:10:26 | 0:10:35 | |
want that back, fair to say. Did he
pull it again? He has come under. | 0:10:35 | 0:10:43 | |
You have just witnessed something
very rare. Wayward weight shots from | 0:10:43 | 0:10:48 | |
Greg Harlow on the forearm. You
would lose money all day long | 0:10:48 | 0:10:55 | |
betting on that one. He did seem to
go a little bit faster than normal. | 0:10:55 | 0:11:03 | |
Greg is very dangers on that very
controlled weight shots. I don't | 0:11:03 | 0:11:11 | |
think he has a lot of choice, he may
have to go again. Take the risk. He | 0:11:11 | 0:11:23 | |
doesn't have a bowl on the rink.
This is his final delivery and he | 0:11:23 | 0:11:28 | |
will go for it. He is on the front
inside edge of the matter. Which | 0:11:28 | 0:11:33 | |
means he's going for it. He likes
it. Didn't matter in some respects | 0:11:33 | 0:11:40 | |
because unless he touched the jack,
but bowl was taken. Three. Three | 0:11:40 | 0:11:48 | |
shots, Mervyn King. Indeed he did.
His bowl, not touching, is lifted | 0:11:48 | 0:11:56 | |
out. He uses the end and he loses
the lead. | 0:11:56 | 0:12:04 | |
STUDIO: Be traded singles in the
next two ends. | 0:12:04 | 0:12:10 | |
APPLAUSE
He has tidied up his opening bowl, | 0:12:29 | 0:12:35 | |
Greg Harlow, after a few loose one. | 0:12:35 | 0:12:40 | |
That is a better one again. | 0:12:49 | 0:12:54 | |
That's not a very pretty target for
Greg Harlow. Great picture from what | 0:13:08 | 0:13:12 | |
he can see, effectively, from the
mats. Single bowl target. | 0:13:12 | 0:13:21 | |
That will not help Mervyn. Your
bowl, there is an inch gap. You are | 0:13:26 | 0:13:36 | |
about inches short of jack high.
Interesting way to describe that. | 0:13:36 | 0:13:48 | |
The closest edge to Mervyn is about
six inches short. But the distance | 0:13:48 | 0:13:55 | |
is only an inch. That is obviously
enough for Mervyn. He liked what he | 0:13:55 | 0:14:06 | |
heard. Beautifully played. | 0:14:06 | 0:14:16 | |
This target is a horrible one. He
has no choice. He doesn't want to | 0:14:18 | 0:14:25 | |
lose it two or three. He has got to
go for it. I think he knew that | 0:14:25 | 0:14:32 | |
actually from a couple of yards away
from Amat, the look on Greg's face | 0:14:32 | 0:14:37 | |
was enough to tell me he realised he
was getting half of his own. This is | 0:14:37 | 0:14:44 | |
really difficult now because I don't
think he can get the two bowls | 0:14:44 | 0:14:51 | |
without the jack going. Both Greg
Harlow's bowls have gone off the | 0:14:51 | 0:14:59 | |
rink. The one you can see is the
only one he has on the rink. | 0:14:59 | 0:15:08 | |
That is a great place to put it. | 0:15:13 | 0:15:22 | |
He doesn't even have the advantage
of the last bowl, Greg Harlow. It is | 0:15:32 | 0:15:37 | |
a horrible situation he finds
himself in. It certainly is. | 0:15:37 | 0:15:42 | |
Time-out called. He only has one
bowl, if he takes that out he will | 0:15:42 | 0:15:49 | |
be looking at losing four. What he
is trying to work out is where he | 0:15:49 | 0:15:53 | |
can put to help things. He's putting
his foot around the jack for this | 0:15:53 | 0:15:59 | |
sort of area. But if the jack goes
into this area, he's going to lose | 0:15:59 | 0:16:03 | |
three shots. I think he is in so
much trouble here. He is a minimum | 0:16:03 | 0:16:15 | |
two down. The third could be close.
The best would be to draw the bowl | 0:16:15 | 0:16:24 | |
of and lie in, but goodness me, that
is hard. | 0:16:24 | 0:16:28 | |
It is all about connections on the
outside of the bowl, that is what he | 0:16:38 | 0:16:41 | |
is looking for. If he wasn't going
to make a connection, that is the | 0:16:41 | 0:16:46 | |
best he can do. Guaranteed to take
the back bowl out. He will be | 0:16:46 | 0:16:54 | |
thinking if Mervyn makes a slip, I
will only use two. Every chance he | 0:16:54 | 0:17:03 | |
will be four down with two to play
in a setting must win can Mervyn | 0:17:03 | 0:17:09 | |
deliver here? | 0:17:09 | 0:17:11 | |
This could change the whole
complexion. He's playing wide just | 0:17:17 | 0:17:23 | |
to try and get in jack high.
Beautiful. He plays it so well | 0:17:23 | 0:17:30 | |
whenever he has to go wide for a
jack high bowl. Wide, drifting shots | 0:17:30 | 0:17:37 | |
work because you don't have to get
to the jack, you just have to get | 0:17:37 | 0:17:41 | |
closer to the nearest one than the
opposition. People become to jack | 0:17:41 | 0:17:47 | |
focused and Mervyn is an expert in
avoiding that. | 0:17:47 | 0:17:50 | |
STUDIO: After that there was no way
back for the two-time defending | 0:17:50 | 0:17:54 | |
champion and with the writing on the
wall in the last end, Greg Harlow | 0:17:54 | 0:17:58 | |
conceded the match.
Congratulations, that was some | 0:17:58 | 0:18:04 | |
lovely stuff. Obviously I am
delighted to win. I think we both | 0:18:04 | 0:18:08 | |
could have played a bit better, but
in and out, brilliant shots. But | 0:18:08 | 0:18:13 | |
glad to get over the line yes. You
seem to be struggling a bit for your | 0:18:13 | 0:18:19 | |
line and length to be consistent? To
be honest, I didn't get into my | 0:18:19 | 0:18:25 | |
rhythm today, I didn't get going.
Mervyn played well and he is a | 0:18:25 | 0:18:30 | |
worthy winner, I hope he goes on to
win the title, it will be nice. Some | 0:18:30 | 0:18:35 | |
scrappy stuff but he played the
better bowls, tight bowls on that | 0:18:35 | 0:18:40 | |
was the difference. I couldn't find
any answers to his close touches. | 0:18:40 | 0:18:45 | |
The most important thing, if you can
get your first bowl in, you will | 0:18:45 | 0:18:49 | |
always put pressure on your opponent
and you were doing that regularly? | 0:18:49 | 0:18:57 | |
Yes, it is key to get your first
bowl then, I did it most of the | 0:18:57 | 0:19:00 | |
time. We know you as the master of
the drawer shot, but you are playing | 0:19:00 | 0:19:05 | |
with weight, and this is the second
end of the first set, hugely | 0:19:05 | 0:19:11 | |
important in turning things around?
I play with more weight than I have | 0:19:11 | 0:19:15 | |
done in the last 24 years. I wasn't
drawing as well and thought I would | 0:19:15 | 0:19:19 | |
just go for a few shots. I won one
of, got one and I thought I would | 0:19:19 | 0:19:25 | |
keep trying. Hard to sit and watch
that, but he did well with them? I | 0:19:25 | 0:19:32 | |
have played him hundreds of times
and plays that shot all day long. | 0:19:32 | 0:19:36 | |
But the some reason on the world
Bowls tour, he has not played as | 0:19:36 | 0:19:40 | |
many shots. But I am know he's
capable of it so I wasn't surprised | 0:19:40 | 0:19:44 | |
seeing them coming down.
Quarterfinal Mervyn. You must be | 0:19:44 | 0:19:49 | |
feeling pretty confident now?
Reasonable, take each game as it | 0:19:49 | 0:19:54 | |
comes and go out there and play as
well as that, I have a chance. | 0:19:54 | 0:20:02 | |
Congratulations. Commiserations,
Greg, always great to see you here. | 0:20:02 | 0:20:05 | |
I'm sure you will be back picking up
trophies on the tour. | 0:20:05 | 0:20:10 | |
Mervyn King, through to the
quarterfinals. Next up we have a | 0:20:10 | 0:20:15 | |
firm favourite, Andy Thomson, the
Anglo Scot, he was up against young | 0:20:15 | 0:20:21 | |
Jamie Chestney. 30-year-old chess
knee up against Thompson. Jamie | 0:20:21 | 0:20:29 | |
Chestney one his first ranking event
at the International open in | 0:20:29 | 0:20:33 | |
Blackpool and it was the younger man
who took the first set here. The key | 0:20:33 | 0:20:37 | |
moment coming in the seventh end
when the slightly fortunate weighted | 0:20:37 | 0:20:40 | |
shot gave Jamie Chestney trouble to
put him in control. It is 20 years | 0:20:40 | 0:20:46 | |
since Andy won this event. His luck
was going against him this year. | 0:20:46 | 0:20:55 | |
This squeeze through and a possible
gap to help Jamie Chestney get the | 0:20:55 | 0:21:00 | |
advantage. | 0:21:00 | 0:21:04 | |
There would be no way back that Andy
Thomson in this match, by now Jamie | 0:21:06 | 0:21:14 | |
Chestney was turning the screw. Andy
Thomson couldn't respond to it, and | 0:21:14 | 0:21:23 | |
Jamie Chestney into the quarters. He
is a really impressive player, Jamie | 0:21:23 | 0:21:31 | |
Chestney, I wonder how far he will
go. Next we have a match covering | 0:21:31 | 0:21:38 | |
Paul Foster against Mark Dawes.
The bowler from Blackpool earned a | 0:21:38 | 0:21:42 | |
place in the top 16 in 2016 and has
moved up to 12th in the last couple | 0:21:42 | 0:21:48 | |
of years. You are something special
when your list of achievements | 0:21:48 | 0:21:52 | |
spreads across three pages. Paul
Foster has picked up trophies and | 0:21:52 | 0:21:56 | |
gold medals across the globe. We
join the action in the fourth end | 0:21:56 | 0:22:01 | |
with Paul Foster leading 2-1. You
have your commentators of Paul | 0:22:01 | 0:22:09 | |
Mitchell and fresh from his match
earlier in the day, Andy Thomson. | 0:22:09 | 0:22:14 | |
COMMENTATOR: There is a big gap
forcing yourself into the top eight. | 0:22:18 | 0:22:21 | |
You have got to be the Paul Foster
of this tournament to get into the | 0:22:21 | 0:22:27 | |
top eight. | 0:22:27 | 0:22:28 | |
Paul Foster, former world number
one. Currently at number four. | 0:22:45 | 0:22:53 | |
He has found his line, Paul Foster. | 0:23:35 | 0:23:42 | |
I think Mark is contemplating
running bowl. Easy, wide target, I | 0:23:49 | 0:23:57 | |
think he likes it. He is unlucky. He
was asking if the two bowls for | 0:23:57 | 0:24:03 | |
touching? Yes, I think you probably
thought if he could take one, he | 0:24:03 | 0:24:08 | |
could take them both out. Unlucky
result, he hit the target again. If | 0:24:08 | 0:24:18 | |
he caught the other bowl, he could
have removed two of them. As it is, | 0:24:18 | 0:24:26 | |
there is room to draw another. | 0:24:26 | 0:24:28 | |
Looks like he will put it back in.
Exactly where it was. Will it be | 0:24:39 | 0:24:56 | |
deja vu, knowing your opponent has
right to reply. Mark will be | 0:24:56 | 0:25:02 | |
feeling, what happens if I strike
this? I cannot see him getting a bad | 0:25:02 | 0:25:07 | |
result. I don't think any of Paul's
bowls are touches. Looks like he is | 0:25:07 | 0:25:11 | |
shaping up for the drawer. Playing
the same bowl. Looked tight out of | 0:25:11 | 0:25:21 | |
the hand. Held up with the weight.
He was underneath, so he is still | 0:25:21 | 0:25:27 | |
two down. You expect him to draw
another. You expect him to put it on | 0:25:27 | 0:25:39 | |
top, not just get it close. | 0:25:39 | 0:25:44 | |
Number three. Brilliant bowls.
Perfectly done. For bowls within a | 0:25:58 | 0:26:08 | |
couple of inches, effectively. He
had one lifted out. Three shots, | 0:26:08 | 0:26:12 | |
Paul Foster. Final bowl coming in
here. Plenty of room for Paul | 0:26:12 | 0:26:19 | |
Foster, perfect start, great
bowling. Paul Foster, bringing with | 0:26:19 | 0:26:30 | |
him, appeared to Perth this year. It
is the fashion these days. Your | 0:26:30 | 0:26:38 | |
co-commentator has also got one,
what do you think of that one? It is | 0:26:38 | 0:26:43 | |
a nice shade of grey! Looking very
smart. He suits the beard, I | 0:26:43 | 0:26:55 | |
wouldn't admit that to him, but it
does suit him. I did sport a beard | 0:26:55 | 0:27:00 | |
for a little while, it was quickly
removed after instructions from my | 0:27:00 | 0:27:07 | |
good lady. To be fair, I also looked
ridiculous. | 0:27:07 | 0:27:15 | |
Good reply. | 0:27:24 | 0:27:28 | |
Keeping a close eye on this one,
Paul Foster. Has arguably improve | 0:27:41 | 0:27:55 | |
things for his opponent. | 0:27:55 | 0:28:00 | |
Beautifully played. Tempting target
for Paul Foster. Good back and | 0:28:14 | 0:28:24 | |
running here, wouldn't be surprised
to see this one. Bowl or jack. | 0:28:24 | 0:28:29 | |
It was out the side and that will go
on the restart. Paul Foster's is a | 0:28:41 | 0:28:47 | |
touch. It will turn into basically a
drawing contest. Mark has the | 0:28:47 | 0:28:54 | |
advantage, two bowls to Paul's one.
I don't think any of these bowls | 0:28:54 | 0:29:06 | |
will count, so I don't think it
really matters. | 0:29:06 | 0:29:11 | |
Judge to perfection. Better from
Paul. Too much room for Mark to draw | 0:29:18 | 0:29:31 | |
another. | 0:29:31 | 0:29:32 | |
Suddenly a wider line. It is, a lot
wider than Mark. -- certainly. | 0:29:43 | 0:29:52 | |
You've not draw it, have you?! That
is outrageous! Give us a chance! | 0:29:52 | 0:29:59 | |
That is brilliant. Mark will be
thinking, what's going on here. We | 0:29:59 | 0:30:07 | |
thought he was too wide. He was
right on the very edge of the ditch. | 0:30:07 | 0:30:12 | |
But he knows his bowls and that is a
work of art. It's brilliant. | 0:30:12 | 0:30:18 | |
Time-out called. That is the first
for Mark. | 0:30:18 | 0:30:25 | |
I think Mark has probably got to
take a chance on the backhand and | 0:30:32 | 0:30:35 | |
try to run Paul's bowl off but the
danger is removing your own but he | 0:30:35 | 0:30:41 | |
has to take a chance and try to
score. It is getting to that point | 0:30:41 | 0:30:47 | |
in the set, four down, you don't
really want to be five or six down. | 0:30:47 | 0:30:53 | |
He is playing backhand across the
head here. The line looks fair. He's | 0:30:53 | 0:30:58 | |
having a look. He's given it every
chance. Great bowl. No wonder he | 0:30:58 | 0:31:09 | |
goes up the rink. That brings out
the best in some players and we have | 0:31:09 | 0:31:15 | |
just seen -- seen three exceptional
bowls. STUDIO: Dawes was still | 0:31:15 | 0:31:24 | |
trailing by two shots as we rejoin
it for the last end of the first | 0:31:24 | 0:31:28 | |
set. | 0:31:28 | 0:31:29 | |
The percentage success rate of Paul
Foster's opening bowl is | 0:31:49 | 0:31:54 | |
astronomical. Yes, very good. Making
it hard for Mark to score. Two is | 0:31:54 | 0:32:04 | |
always gettable, though. You can't
fault that, it might give him a | 0:32:04 | 0:32:07 | |
chance later on. The ideal bowl for
Paul Foster here is a foot or two | 0:32:07 | 0:32:22 | |
behind. He has his hand to his face,
he knew it wasn't a good one. It | 0:32:22 | 0:32:28 | |
might act as a protector somewhere
along the line. He is not happy with | 0:32:28 | 0:32:31 | |
that. With every reason. | 0:32:31 | 0:32:34 | |
Do you gamble and try to go for the
jack? | 0:32:42 | 0:32:55 | |
He is round it and again it might
not be the shot but it is a useful | 0:32:55 | 0:33:02 | |
bowl. Mark has to be careful. He has
good position. | 0:33:02 | 0:33:07 | |
He gathers the information and
processes it. Trying to split the | 0:33:18 | 0:33:29 | |
two red bowls, that will be the
target. I don't think he will be | 0:33:29 | 0:33:33 | |
happy with that, not at all. It
gives Mark still a big chance here. | 0:33:33 | 0:33:41 | |
Any movement of the jack, Paul
realises this has given him a | 0:33:41 | 0:33:45 | |
chance. He could be lying to all
three. | 0:33:45 | 0:33:54 | |
-- two or three. He is positive. It
is a little under and a bad result | 0:33:58 | 0:34:08 | |
from that point of view. He will
have to try to find a drive. This is | 0:34:08 | 0:34:21 | |
an awkward head for Paul. He cannot
cover everything. Mark has three | 0:34:21 | 0:34:28 | |
deep bowls. The bowl to the right of
the picture is still in. Yes. And | 0:34:28 | 0:34:40 | |
that is going to be awkward for him.
He has called a time-out and you can | 0:34:40 | 0:34:44 | |
see the position on the right-hand
side. Paul Foster, it is difficult, | 0:34:44 | 0:34:52 | |
because he will work out where he
thinks it is likely to go. This will | 0:34:52 | 0:35:01 | |
certainly be through but there might
be a chance for Mark Dawes to score | 0:35:01 | 0:35:05 | |
at least two. I think if he slices
that jack on the other angle the | 0:35:05 | 0:35:16 | |
score is two or three I think. The
dot on the right-hand side of the | 0:35:16 | 0:35:27 | |
screen, if he slices the jack into
the area he will certainly score two | 0:35:27 | 0:35:32 | |
and possibly three. Paul Foster
watches his opponent. He has missed | 0:35:32 | 0:35:40 | |
it. He doesn't like it. He never
gave it a chance and Paul Foster | 0:35:40 | 0:35:45 | |
will take the opening set. | 0:35:45 | 0:35:48 | |
STUDIO: Foster continued with his
brilliant bowls into the second set | 0:35:51 | 0:35:57 | |
and we picked it up with him leading
far one -- 5-1 after four ends. | 0:35:57 | 0:36:05 | |
COMMENTATOR: Winner twice of this
tournament, in 2009 against Ian Ward | 0:36:08 | 0:36:13 | |
and Nicky Brett in 2012. | 0:36:13 | 0:36:17 | |
He is hanging in. It is so difficult
because look where Paul Foster is | 0:36:47 | 0:36:54 | |
and he pulls out a great bowl. He is
not far away and he starts to build | 0:36:54 | 0:37:05 | |
the dangerous position. Mark Dawes
has played exceptionally well no | 0:37:05 | 0:37:08 | |
matter what happens but he needs to
take that next level and the next | 0:37:08 | 0:37:14 | |
few ends will be interesting.
Stating the obvious but he has to | 0:37:14 | 0:37:19 | |
score in this end. He has given
himself an exceptional chance. Great | 0:37:19 | 0:37:23 | |
bowl and we might see a drive from
Paul. Two down, he has to hit this. | 0:37:23 | 0:37:32 | |
He has not brought out the weight
too often. Playing the running bowl | 0:37:32 | 0:37:37 | |
as opposed to the very fast drive.
Got it. 50% happy with that, it | 0:37:37 | 0:37:43 | |
takes one away. If he had nudged
that jack out, his two green bowls | 0:37:43 | 0:37:51 | |
were in good receiving positions and
you're talking millimetres. It was | 0:37:51 | 0:37:57 | |
only that. Mark will be trying to
replace the last bowl. Trying to get | 0:37:57 | 0:38:03 | |
a bit of pressure on Paul's final
delivery. | 0:38:03 | 0:38:14 | |
Paul is only one down, this will be
back to the draw. | 0:38:18 | 0:38:30 | |
A rare bowl not reaching from Paul
Foster. Shall we be critical of | 0:38:42 | 0:38:47 | |
him?! He knows where to find us! But
he obviously didn't intend it. That | 0:38:47 | 0:38:52 | |
is David Gourlay. He will be
involved with Scotland for the | 0:38:52 | 0:38:59 | |
Commonwealth games which we were
talking about earlier. He will be | 0:38:59 | 0:39:05 | |
happy that his player, Paul Foster,
is playing well. A chance for Mark | 0:39:05 | 0:39:11 | |
to score a double, this looks good
and very well played by Mark Dawes. | 0:39:11 | 0:39:17 | |
It is superb stuff. | 0:39:17 | 0:39:20 | |
And having lost three straight ends,
it gives him a chance to set the | 0:39:23 | 0:39:29 | |
mat, although it is causing some
discomfort at the moment! He is very | 0:39:29 | 0:39:34 | |
undecided, really. Where do I put
this to put him off? | 0:39:34 | 0:39:48 | |
Always good when you change the
length to get the opening bowl close | 0:40:01 | 0:40:06 | |
but Mark probably realises that
isn't going to be close enough. It | 0:40:06 | 0:40:10 | |
does not look bad from that
particular angle but you get the | 0:40:10 | 0:40:13 | |
feeling it is just not good enough. | 0:40:13 | 0:40:24 | |
It just puts added pressure on to
your next bowl. | 0:40:25 | 0:40:33 | |
And there is the improvement. | 0:40:36 | 0:40:47 | |
He has turned his back already on
that one. He missed the line. He | 0:40:51 | 0:41:00 | |
knew it immediately. | 0:41:00 | 0:41:06 | |
He is going to come the other way.
Mark Dawes playing his fourth | 0:41:09 | 0:41:16 | |
Scottish International Open having
made his debut in 2014. Nudging the | 0:41:16 | 0:41:22 | |
ball back, that is number two. This
might force Paul into weight here. | 0:41:22 | 0:41:31 | |
He doesn't hang about. Close. He
likes it. Not a particularly kind | 0:41:35 | 0:41:44 | |
result for him but it does open
things up. And he still has a bowl | 0:41:44 | 0:41:48 | |
to play. He hits the target. Two of
the bowls stay in but still two down | 0:41:48 | 0:41:57 | |
and Mark should draw a third shot
here. | 0:41:57 | 0:42:00 | |
In a way, he may be doesn't want
this want to go to close because it | 0:42:08 | 0:42:15 | |
gives him a target so interesting to
see where it finishes. Very good. | 0:42:15 | 0:42:23 | |
That's the way to do it. Paul Foster
did have the best back bowl so if he | 0:42:23 | 0:42:30 | |
had left it either side it might
have been a tempting target. Paul is | 0:42:30 | 0:42:34 | |
looking at a runner here, I think it
is still a backhand draw. Difficult | 0:42:34 | 0:42:40 | |
to get a shot but he should be able
to get a second. The forehand, | 0:42:40 | 0:42:46 | |
playing the drive. It is
full-blooded. The jack has broken! I | 0:42:46 | 0:42:53 | |
have never seen that before! That is
coming out of his paycheque! What is | 0:42:53 | 0:42:59 | |
the ruling? I don't think I have
ever seen that! Part of the jack | 0:42:59 | 0:43:05 | |
remained on the rink and another
part of it is off the rink. That | 0:43:05 | 0:43:10 | |
jack surely must go off and on to
the spot. That is superb. He treated | 0:43:10 | 0:43:18 | |
it like Play-Doh. That's
unbelievable. I would have thought | 0:43:18 | 0:43:26 | |
that the bigger half would have
counted. Surely that goes on to the | 0:43:26 | 0:43:32 | |
crease but I would think.
Absolutely. -- onto the re-spot. | 0:43:32 | 0:43:41 | |
They are going to put it on the
re-spot and then it is going to have | 0:43:41 | 0:43:46 | |
to be a measure. I think Paul will
score two here on the re-spot. They | 0:43:46 | 0:43:52 | |
are checking here. Paul is not happy
with that. That's not right, surely? | 0:43:52 | 0:44:00 | |
It is not a dead end. I think he is
appealing it. I would agree. That | 0:44:00 | 0:44:07 | |
jack was going off, surely it can't
be... It is a conference of the | 0:44:07 | 0:44:13 | |
officials here and they are going to
have to I think consult the rule | 0:44:13 | 0:44:18 | |
book as to what happens. He is
arguing and he is right to argue as | 0:44:18 | 0:44:25 | |
well that the jack was going off. I
agree with that. It has to be the | 0:44:25 | 0:44:32 | |
re-spot. He was not happy and right
to not be happy. Two shots, Paul | 0:44:32 | 0:44:42 | |
Foster. Paul Foster knows his bowls.
And to be fair, the markers and | 0:44:42 | 0:44:51 | |
umpires here are first class and
they were happy to listen. That see | 0:44:51 | 0:44:54 | |
this strike again. This is
brilliant. It was definitely going | 0:44:54 | 0:44:59 | |
off. And to meet the majority is in
the ditch and therefore it has to go | 0:44:59 | 0:45:06 | |
on the re-spot. STUDIO:
Unprecedented scenes leaving foster | 0:45:06 | 0:45:10 | |
with what was to prove an
unassailable lead and he went on to | 0:45:10 | 0:45:13 | |
win the second set for the victory
which takes him safely into the | 0:45:13 | 0:45:18 | |
quarterfinals. | 0:45:18 | 0:45:20 | |
which takes him safely into the
quarterfinals. Without doubt that | 0:45:20 | 0:45:23 | |
was the best matchwinner seen here
all week. Congratulations, well | 0:45:23 | 0:45:26 | |
played. Once again, delighted with
how I played but all credit to Mark | 0:45:26 | 0:45:33 | |
Connolly stuck in there and I
couldn't really played much better | 0:45:33 | 0:45:35 | |
in the first set but it shows how
good he is. I'm just delighted. It | 0:45:35 | 0:45:41 | |
was incredible because you did play
a wonderful match and many other | 0:45:41 | 0:45:45 | |
players would be out and you would
be standing next to me looking ahead | 0:45:45 | 0:45:48 | |
to the quarterfinal. I'm a little
disappointed to be honest, the first | 0:45:48 | 0:45:54 | |
bowl, when Paul missed which was not
often, I did not get in and you know | 0:45:54 | 0:45:58 | |
he will play well. While I am
reasonably happy, I know I can play | 0:45:58 | 0:46:02 | |
better and you have do to beat Paul.
He does put so much pressure on | 0:46:02 | 0:46:06 | |
particularly with the first bowl.
That was key and the two times the | 0:46:06 | 0:46:11 | |
missed, it is like 18 inch and a
foot off and he puts three inside | 0:46:11 | 0:46:16 | |
and you can't leave that much. You
certainly can't. Amazing stuff and | 0:46:16 | 0:46:20 | |
we should talk about the
controversial moment and the talking | 0:46:20 | 0:46:24 | |
point which was this split jack. We
will show you it but talk us through | 0:46:24 | 0:46:30 | |
it. I knew I could run at it. I had
a chance of getting it but I was not | 0:46:30 | 0:46:38 | |
expecting the jack to crack! I was
trying to take a couple out and I | 0:46:38 | 0:46:43 | |
knew his bolt was in the ditch and I
would count two but it's not often | 0:46:43 | 0:46:47 | |
you see that. I think the first call
was for the end to be played again | 0:46:47 | 0:46:52 | |
but you agreed that was wrong? I
genuinely don't know what the rule | 0:46:52 | 0:46:56 | |
is and to be there to pull the jack
looked like it was going out of this | 0:46:56 | 0:47:00 | |
side. I was more disappointed that I
was good to get back in the set and | 0:47:00 | 0:47:05 | |
he hit the target and I was two
down. I did not know the rule and I | 0:47:05 | 0:47:09 | |
was happy to go with the umpire.
Have you experienced that before? | 0:47:09 | 0:47:13 | |
I've never seen it, I've never done
it. I know that our a lot of hard | 0:47:13 | 0:47:18 | |
hitters on the tour but you don't
expect the jack to crack like that. | 0:47:18 | 0:47:20 | |
I said I would never cheat in bowls
with the jack was only going one | 0:47:20 | 0:47:25 | |
way. You saw the look on my face, we
are talking a turning point in the | 0:47:25 | 0:47:31 | |
match. I know Mark is lane three but
the re-spot and I get two and I | 0:47:31 | 0:47:35 | |
think everybody thought it was going
that way and I think it is only | 0:47:35 | 0:47:39 | |
fair. And you agreed? Yes, it was
going that way is up I genuinely | 0:47:39 | 0:47:44 | |
didn't know the rule and it was fair
enough. I probably would have said, | 0:47:44 | 0:47:48 | |
if the rule is not clarified and we
have to go with that, I would have | 0:47:48 | 0:47:54 | |
said to Paul, you have the two. Have
you ever seen a split jack? | 0:47:54 | 0:48:01 | |
Unbelievable. Let's deal with the
last match today which was Perry | 0:48:01 | 0:48:05 | |
Martin against Michael Stepney. The
joiner from Elgin is no stranger to | 0:48:05 | 0:48:11 | |
this portable rink in that having
played in the Champion of champions | 0:48:11 | 0:48:15 | |
final on two separate occasions. It
may have needed a tie-break but | 0:48:15 | 0:48:19 | |
Perry Martin's victory over Jonathan
Ross in the first round was | 0:48:19 | 0:48:23 | |
extremely impressive. It was a cagey | 0:48:23 | 0:48:26 | |
Ross in the first round was
extremely impressive. It was a cagey | 0:48:26 | 0:48:27 | |
start to this match with neither
player able to exert control and we | 0:48:27 | 0:48:30 | |
picked it up on the seventh end with
Michael Stepney leaving 4-3. | 0:48:30 | 0:48:36 | |
COMMENTATOR: Hopefully this jack
will stay the distance in this | 0:48:38 | 0:48:42 | |
match! Michael Stepney going for one
of his big drives, we might see | 0:48:42 | 0:48:47 | |
something happening to it. It's not
often you see the jack... I have | 0:48:47 | 0:48:53 | |
seen them split in half sometimes
but not having the top sliced off | 0:48:53 | 0:48:57 | |
like a boiled egg. I have seen them
almost disintegrate believe it or | 0:48:57 | 0:49:01 | |
not. But that would have been a much
harder as Ishant to make, the fact | 0:49:01 | 0:49:08 | |
that the jack was going off the rink
at that angle made it an easy | 0:49:08 | 0:49:12 | |
decision. The Paul Foster match with
Mark Dawes... But we have plenty of | 0:49:12 | 0:49:19 | |
jacks. Michael Stepney likes that
one. And the jack split, it was | 0:49:19 | 0:49:34 | |
probably one quarter and three
quarters and the three quarters | 0:49:34 | 0:49:37 | |
smashed its way into the side. It
was definitely going in that | 0:49:37 | 0:49:41 | |
direction but fortunately it was
covered by television and we were | 0:49:41 | 0:49:44 | |
able to analyse it. Good bowl,
really good correction. The | 0:49:44 | 0:49:49 | |
integrity of the jack is absolutely
key when you think how much of a | 0:49:49 | 0:49:55 | |
battering they take. They did try to
drill them at one stage and put a | 0:49:55 | 0:50:02 | |
camera into it but it wasn't really
a bright idea! For lots of reasons. | 0:50:02 | 0:50:07 | |
The fact that they lost a lot of
cameras when the jacks were | 0:50:07 | 0:50:13 | |
destroyed did not help but nobody
had actually worked out that if you | 0:50:13 | 0:50:18 | |
hit the jack the camera goes into
the carpet. You're not going to get | 0:50:18 | 0:50:21 | |
much out of that. And it needs to be
in an almost perfect position, it's | 0:50:21 | 0:50:27 | |
not always going to be facing front
but worth a try. Here comes Perry | 0:50:27 | 0:50:34 | |
Martin again. A little touch on
that. Even better. He got around it | 0:50:34 | 0:50:41 | |
nice and clean. I think he will look
at this and say it has to be worth | 0:50:41 | 0:50:45 | |
coming into, two down, seventh end.
No waste of time with this one. It | 0:50:45 | 0:50:53 | |
looks under. And the follow-through
and shot draw. You were saying with | 0:50:53 | 0:51:01 | |
the follow-through is before, you
just can't gauge them but he put his | 0:51:01 | 0:51:04 | |
hand up right away. We have seen a
couple this week, the unexpected, | 0:51:04 | 0:51:11 | |
seeing it stunned and then coming
once more. That her! He played two | 0:51:11 | 0:51:20 | |
beautiful bowls and got it on a
fluke. Trying hard with this one. | 0:51:20 | 0:51:31 | |
Very close to the jack. Just needed
anything past that and he was there. | 0:51:31 | 0:51:43 | |
So close. Past it and he was drawing
the shot. Michael Stepney has given | 0:51:44 | 0:51:52 | |
one away with the last bowl. He will
have to be canny here. He will not | 0:51:52 | 0:52:01 | |
give this work the way, I can tell
you. Seventh end is a key end. | 0:52:01 | 0:52:11 | |
STUDIO: Stepney went on to take the
first set 8-3 and we will pick it up | 0:52:22 | 0:52:28 | |
again in the fifth end of the second
set with the Scot leading 5-2. | 0:52:28 | 0:52:34 | |
COMMENTATOR: Full length jack. | 0:52:44 | 0:52:49 | |
Perry Martin has talked about
becoming less uptight on the rink. | 0:52:57 | 0:53:01 | |
It is the complete opposite for
Michael Stepney, is reputation is as | 0:53:01 | 0:53:06 | |
laid-back as they come.
Unfortunately, so is this bowl. | 0:53:06 | 0:53:16 | |
I have seen Michael animated at
international level, I know he knows | 0:53:22 | 0:53:26 | |
how to get excited if he tries that
singles is different. | 0:53:26 | 0:53:39 | |
This one is struggling a little bit
as well. It looked lazy and it is | 0:53:50 | 0:53:55 | |
lazier. Not a time to go walkabout,
not at 5-2 with five ends to go. | 0:53:55 | 0:54:09 | |
He has a chance with this. It should
come right into the jack. | 0:54:11 | 0:54:23 | |
Two short bowls, you have to be a
little bit careful not to over | 0:54:37 | 0:54:40 | |
correct but this has to run all the
way to the jack. He has got it. A | 0:54:40 | 0:54:46 | |
big recovery bowl. He has played
quite a few of those in the match to | 0:54:46 | 0:54:53 | |
great effect. That was two, possibly
three against him and now the | 0:54:53 | 0:55:02 | |
pressure goes back on his opponent.
He will play down the forehand and | 0:55:02 | 0:55:09 | |
just try to move the red bowl in.
This is a hard shot he is trying. I | 0:55:09 | 0:55:15 | |
am surprised he played with that
weight, I thought he would have | 0:55:15 | 0:55:18 | |
played with a bit less. He was
aiming for the right side that occur | 0:55:18 | 0:55:22 | |
outside edge of the bowl but it
would have been hard to have stayed | 0:55:22 | 0:55:27 | |
in for any more than one with that
sort of weight. | 0:55:27 | 0:55:31 | |
Forehand runners, you are always
conscious if you go wide that you | 0:55:33 | 0:55:38 | |
are just go to hold off. The value
of Michael Stepney's third bowl, it | 0:55:38 | 0:55:50 | |
could have been 5-5 but instead he
is looking to go 6-2 ahead and | 0:55:50 | 0:55:53 | |
possibly more. I don't think there
is enough room for that. It needed | 0:55:53 | 0:56:00 | |
to go past it. Still a big recovery. | 0:56:00 | 0:56:05 | |
STUDIO: And a double the next end
meant the writing was on the wall | 0:56:08 | 0:56:13 | |
for Perry Martin. It Michael Stepney
who went through to the | 0:56:13 | 0:56:16 | |
quarterfinals with a comfortable
8-3, 8-4 victory. | 0:56:16 | 0:56:22 | |
very happy with how you played. I
think David Corkill said that any | 0:56:23 | 0:56:28 | |
aggressive play from your opponent
and you have the answer. I was | 0:56:28 | 0:56:30 | |
really happy, Perry had a very good
start in the first set and I thought | 0:56:30 | 0:56:35 | |
I had to stick in and I got one
lucky result early on. It spurred me | 0:56:35 | 0:56:40 | |
on to keep on sticking in and
getting better. And I guess this | 0:56:40 | 0:56:46 | |
portable rink is different from what
you're used to but you are getting | 0:56:46 | 0:56:50 | |
experience of playing on it on the
World Bowls Tour. Definitely it is a | 0:56:50 | 0:56:54 | |
lot different, I struggled on the
pace massively in the second set, a | 0:56:54 | 0:56:58 | |
lot of short bowls and Michael
played really well. The first set, | 0:56:58 | 0:57:03 | |
two ends stick out where I could
have scored seven shots and ended up | 0:57:03 | 0:57:07 | |
dropping two but that's how it goes
and he played really well and had | 0:57:07 | 0:57:11 | |
the answer to everything. We have
completed half of the quarterfinal | 0:57:11 | 0:57:15 | |
draw and we know that Jamie Chestney
will be there with Mervyn King Paul | 0:57:15 | 0:57:20 | |
Foster and Michael Stepney. We will
deal with the bottom half tomorrow. | 0:57:20 | 0:57:25 | |
It has been a great day, no doubt,
but Corky saw some wonderful shots | 0:57:25 | 0:57:30 | |
but which did he think was the best? | 0:57:30 | 0:57:33 | |
My shot of the day comes from the
match between Mark Dawes and Paul | 0:57:36 | 0:57:41 | |
Foster, a brilliant game. Paul
Foster had been fantastic in the | 0:57:41 | 0:57:47 | |
first set, restricting Mark Dawes to
three singles and in the second set | 0:57:47 | 0:57:51 | |
and suddenly Mark Dawes is playing
so much better. Foster is 5-3 in | 0:57:51 | 0:57:56 | |
front but three down on the rink and
the next shot is really important. | 0:57:56 | 0:58:00 | |
Forehand drive, the jack split and
it goes across, which is very rare | 0:58:04 | 0:58:10 | |
but the important thing was that at
that moment Paul Foster had to | 0:58:10 | 0:58:14 | |
change the head and he was going to
be one shot down at 6-5 if he did | 0:58:14 | 0:58:20 | |
not strike but he did and got it
perfect with the front bowl. Reece | 0:58:20 | 0:58:25 | |
Burke position, picks up two and
goes into a 3-7 positive position | 0:58:25 | 0:58:30 | |
and cruise on to win the set and
match -- re-spot position. That is | 0:58:30 | 0:58:36 | |
almost it from us but our live
coverage gets back under way | 0:58:36 | 0:58:39 | |
tomorrow at 1pm on BBC Two Scotland.
It had been a fantastic day here at | 0:58:39 | 0:58:45 | |
the Dewars Centre in Perth, please
join us tomorrow, it's going to be | 0:58:45 | 0:58:49 | |
another cracker but from all of us
here, goodbye for now. | 0:58:49 | 0:58:52 |