Day 5 Masters Snooker Extra


Day 5

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Welcome to the programme. We're into the quarterfinal stages of the

:00:40.:00:43.

tournament and tonight we are concentrating on the match between

:00:43.:00:47.

the defending champion Neil Robinson and Mark Allen. These two

:00:47.:00:57.
:00:57.:01:06.

have met twice in this tournament Well played. An early chance now. A

:01:06.:01:11.

couple of loose Reds, but he also has an ankle on the blue if he was

:01:11.:01:21.
:01:21.:01:23.

to go straight into the pink. He is On this occasion he has played for

:01:23.:01:26.

the Rick Innocenzi at the back of the bunch, but he has played for it

:01:26.:01:31.

in such a way that the Brits will be scattered all over the table. As

:01:31.:01:36.

long as it is enough action in the cue ball to get back. He might free

:01:36.:01:44.

the pink also here. It is always the worry with the shot, the cue

:01:44.:01:54.
:01:54.:01:57.

ball finishing tight to the side The cue ball comes back, flicking

:01:57.:02:07.
:02:07.:02:26.

It may look fairly simple from Good cueing. It is even more

:02:26.:02:30.

difficult when you play it at that pace, which he had to do to try and

:02:30.:02:35.

go himself on to a red. He cannot afford to just drop the blackened.

:02:35.:02:40.

It is still not ideal by any means. The thing with a shot is that

:02:40.:02:43.

sometimes you are wondering where the cue ball is going and forget to

:02:43.:02:53.
:02:53.:03:23.

He is obviously seen some problems here. He could drop the road into

:03:23.:03:26.

the centre and if he played the blue into the green pocket he will

:03:27.:03:36.
:03:37.:03:43.

be slightly hampered killing my He might have to take the blue into

:03:43.:03:49.

the other corner pocket. He tried to get on the black and he has just

:03:49.:03:56.

covered it slightly. I think with the shot you mentioned, being a

:03:56.:04:04.

left-hander it was awkward with the two Reds. Does he go the blue?

:04:04.:04:11.

is having a long, hard look at it. Maybe it is too tight. He is having

:04:11.:04:21.
:04:21.:04:42.

another close look at it. It must That is a great recovery. Very,

:04:42.:04:52.
:04:52.:05:06.

And he's looking quite confident, After potting a fabulous blue there,

:05:06.:05:16.
:05:16.:05:26.

he was stretching a little bit and That was not expected. And where

:05:26.:05:33.

the cue ball has finished, Neil, also being a left-hander, has two

:05:33.:05:38.

options. He has taken the red that is closest to the pocket. The

:05:38.:05:48.
:05:48.:06:03.

Bridgend is a little awkward. -- Well, after the to Liberation, he

:06:03.:06:06.

decided to take the red mac closest to the cue ball and struck it

:06:07.:06:16.
:06:17.:06:54.

He is eight if you could -- terrific player to watch, Neil

:06:54.:07:04.
:07:04.:07:05.

There is always a big debate who is the best part are we have had in

:07:05.:07:15.
:07:15.:07:16.

the game and he is certainly up We have said it so many times, all

:07:16.:07:22.

the top ones have been left handers. Even now you have Mark Allen, Judd

:07:22.:07:32.
:07:32.:07:33.

Trump, Jimmy White, Mark Williams, the list goes on. Way back in the

:07:33.:07:43.
:07:43.:07:48.

Just looking at the angle here, he would love to get the pink for in

:07:48.:07:58.
:07:58.:08:06.

Something like that. And I think he is on that one to the left corner.

:08:06.:08:15.

That is the one he has dropped on. The plaque is covered for the

:08:15.:08:22.

opposite corner, so it is not straightforward. A little bit of

:08:22.:08:27.

work to do. He might be able to screw up towards the blue. The pink

:08:27.:08:37.
:08:37.:08:41.

This is going to be awkward. pinched a little bit on the pocket

:08:41.:08:47.

there. Potter that redneck -- Brad Keselowski into the side of the jaw.

:08:47.:08:57.
:08:57.:09:06.

John Parrott was probably one of the best in the game at potting a

:09:06.:09:13.

ball, but that one was superb. There are already signs that Neil

:09:13.:09:23.
:09:23.:09:24.

Sometimes there is a match in a tournament we have got a way with

:09:24.:09:34.
:09:34.:09:37.

it a little bit. Sometimes when you're in a tournament after you

:09:37.:09:43.

feel like you may have got not doubt if turned a bit extra --

:09:43.:09:53.
:09:53.:10:03.

He was on a 50 break on his way to winning the match and was a

:10:03.:10:10.

fraction away from finishing on a read mac and Neil made a terrific

:10:10.:10:20.
:10:20.:10:20.

Apology for the loss of subtitles for 54 seconds

:10:20.:11:15.

Already 38 points ahead. He needs a few it more bread balls and colours

:11:15.:11:22.

to make the frame safe. But missed the red Bull proving costly for

:11:22.:11:32.
:11:32.:11:34.

Mark Allen when he was stretched a He was just stretched a little bit

:11:35.:11:44.
:11:45.:12:05.

This is the first time in the break He wasn't anywhere near that and I

:12:05.:12:10.

think the reason for it he was -- was he was so disappointed with his

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previous positional shot. It is a fine 66 break, but maybe it is not

:12:15.:12:19.

going to be enough. Mark Ellen can still win. Look at the way the

:12:19.:12:29.
:12:29.:12:41.

balls are situated. Mark Ellen was There is going to be a gap here, I

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think. He may take the more difficult pot here, the one to the

:12:47.:12:54.

left of the three. He only needs the red, so he can take the one to

:12:54.:13:04.

the left. Get the white backed down towards you were. Once again, how

:13:04.:13:14.
:13:14.:13:33.

You don't lose many friends when you make a break of 66, but they

:13:33.:13:38.

could be the case here if Mark Allen can get the chance. It is a

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difficult chance he is faced with. He either put all his eggs in one

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basket and goes fallout, or tries to find the safety behind the

:13:50.:14:00.
:14:00.:14:19.

yellow and green. And there is your He has overcome it, can you believe

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it?. He looks over Ennis says, I have had enough of this frame-up.

:14:26.:14:36.
:14:36.:15:03.

It a chance to pinch that frame. It A few of the long but he has had to

:15:03.:15:05.

force he has not got anywhere near the pocket, which is going to

:15:05.:15:14.

confuse him a little bit. Have a look at this. It was a wide. The

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sort of thing that can just put a little dent in your confidence.

:15:22.:15:32.
:15:32.:15:37.

Mark will be absolutely sick he has played it like that. What a chance

:15:37.:15:47.
:15:47.:15:54.

I was waiting to see a little touch of side there, but he hit it a

:15:54.:16:04.
:16:04.:16:07.

I know it is their lead early in the frame, but he has a 39 point

:16:07.:16:10.

lead, and if he could put one of them safe, it would not be the

:16:10.:16:16.

worst idea. I like the shot. Well played. Dealer nice and tight on

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:16:26.:16:35.

In fact, the escape route down the right side of the table, below and

:16:35.:16:45.
:16:45.:16:46.

the red are in the way. -- the yellow and the red. He has to be

:16:46.:16:56.
:16:56.:16:57.

careful. That is pretty careless. Another chance for Mark Allen. Can

:16:57.:17:07.
:17:07.:17:29.

He has got to be a bit a bit careful here. The pink will respond,

:17:30.:17:39.

so you have to make sure you do not beat yourself snookered. -- believe

:17:39.:17:49.

He has certainly covered the one on the left-hand side and that is the

:17:49.:17:59.
:17:59.:17:59.

one he has played for. He has to take the other one. It is a thin

:17:59.:18:09.
:18:09.:18:12.

He just has himself slightly out of position, which can happen you play.

:18:12.:18:16.

The last job he was a fraction of getting on the ready intended and

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sometimes it takes you a couple of shots to get back into prime

:18:19.:18:24.

position. It seemed to compound itself in a child becomes worse

:18:24.:18:34.
:18:34.:18:35.

than the one before. -- and each one. It should have been a series

:18:35.:18:45.
:18:45.:18:53.

of simple screws and get ready for As long as this would pass as the

:18:53.:19:03.
:19:03.:19:08.

Blackie is OK. And it does. And It is going to be one apiece and

:19:08.:19:14.

you have to feel that Mark Allen will be feeling a lot better

:19:14.:19:20.

because he has seen Neil Robertson miss a few long pots by quite a

:19:20.:19:30.
:19:30.:19:46.

margin, which is slightly worrying You wouldn't say either player has

:19:46.:19:52.

settled just yet, even though neo- did make a break of 66 and the

:19:52.:20:00.

opening frame. He normally doesn't make too many mistakes. He lost his

:20:00.:20:10.
:20:10.:20:10.

Apology for the loss of subtitles for 54 seconds

:20:10.:20:57.

Mark Allen with the aid of that 49 break gets himself level. It is one

:20:57.:21:07.
:21:07.:21:07.

Apology for the loss of subtitles for 54 seconds

:21:07.:21:55.

Just a straightforward safety shot here. Not a lot he can do. Just

:21:55.:22:02.

slide off the road and get up past the green. He would have to get it

:22:02.:22:06.

close to the cushion because that read mac next to Plews pottable in

:22:06.:22:16.
:22:16.:22:24.

A little bit careless because he might be able to take this bread on

:22:24.:22:29.

next to the blue and play for the black. The only red he would have

:22:29.:22:33.

it is there. If he was to put the white somewhere near the green,

:22:33.:22:43.
:22:43.:22:49.

could he see enough of that the red A couple of T-shirts there. Imagine

:22:49.:22:59.
:22:59.:23:12.

Meanwhile, Mark Allen not that to ble

:23:12.:23:22.
:23:22.:23:22.

Apology for the loss of subtitles for 54 seconds

:23:22.:24:10.

to get two. He did get on the black. No easy red Bull to get on here.

:24:10.:24:14.

They are all covering each other and if he was to force the black in,

:24:14.:24:20.

even the one to the left of the pink, it would snooty him. Bar from

:24:20.:24:30.
:24:30.:24:37.

In the end, he tried to force it in, but his next red was going to be a

:24:37.:24:43.

long one, even if he had had potted the pink is still available. This

:24:43.:24:47.

would be interesting, to see if Neil would take this on. He has

:24:47.:24:53.

missed a few long once. You can see the one, but he might just elect to

:24:53.:25:00.

play the safety shot. He is looking at the possibility of a plant.

:25:00.:25:10.
:25:10.:25:11.

he plays this point he is going to You have to be for bothered about

:25:11.:25:17.

this shot. -- full-blooded. That is the way to play it. Beautifully

:25:17.:25:27.
:25:27.:25:35.

And a similar scenario here. He can pot the black, but he is running up

:25:35.:25:43.

towards the blue. Not easy to get nicely on to next red. In fact, he

:25:43.:25:50.

has hit that a little thicker than he intended. He wanted the white

:25:50.:25:54.

about another six inches across the table to leave this pod slightly

:25:54.:26:04.
:26:04.:26:14.

Just wondering if he can screw this across the face of the pack. yes,

:26:14.:26:19.

he can do it. A beautifully controlled shot. He has played an

:26:19.:26:23.

excellent shot put the plant and another one there. Now he has an

:26:23.:26:28.

angle into the pack. The type of shot here you want to play a nice

:26:28.:26:31.

firm stand up into these so the cue ball does not come back up to the

:26:31.:26:41.
:26:41.:26:44.

top cushion. The priority is to pot He did play the stone shot, but let

:26:44.:26:50.

it slide of the pack and now he is faced... Will show you again. Now

:26:50.:26:55.

we will see if he can knock a long one in, because he has missed a few

:26:55.:27:03.

of them. He is a little bit unlucky. He needed for a contact on the

:27:03.:27:13.

ready it there. -- red Bull. It is interesting. You have played a few

:27:13.:27:16.

of them today. He missed quite a few of them by a long way. There is

:27:16.:27:26.
:27:26.:27:44.

though the white's gone to the cushion, he's still got ang angle

:27:44.:27:48.

to drop the blue in -- an angle to drop the blue in and I'm sure

:27:48.:27:53.

there's a red to the right corner. They all seem to be covering each

:27:53.:27:57.

other so he'd have to be pretty precise here. There's one that will

:27:57.:28:01.

go. Neil's having a look here. If he gets by the middle pocket, the

:28:01.:28:04.

red through the gap there close to the pink spot would be the one to

:28:05.:28:14.
:28:15.:28:26.

play on. But, you know, it's good finish there. He's got to be very

:28:26.:28:31.

careful. He could drop it in. But has he come far enough? He was

:28:31.:28:41.
:28:41.:28:43.

trying to run further to leave the angle than I thought. If he had

:28:43.:28:48.

played that and bounced it off the cushion and back, he'd have give

:28:48.:28:50.

himself a better chance of being on it. Obviously there was too much

:28:50.:29:00.
:29:00.:29:15.

angle. This has been great so far. It's

:29:15.:29:25.
:29:25.:30:01.

had a little bit of everything. reds are nicely situated but he's

:30:01.:30:05.

got to be careful because we can see they're all blocking each other

:30:05.:30:08.

somewhat. You have to make sure and get a good cue ball each time. It's

:30:08.:30:11.

not that they're all in pottable positions. They're all blocking

:30:11.:30:19.

each other, somewhat. And that cannon there has left him

:30:19.:30:24.

on a choice of reds. It's much better now. It's amazing - just

:30:24.:30:28.

that one little cannon has turned the whole situation around and the

:30:28.:30:32.

chance is now there, just a delicate little cannon has opened

:30:32.:30:42.
:30:42.:30:42.

Apology for the loss of subtitles for 54 seconds

:30:42.:31:52.

really has. He's a top-class player in his early frames, but overall,

:31:52.:31:56.

the standard is pretty good. I think Neil did have a 66 in the

:31:56.:32:03.

opening frame. Mark had a chance to pinch that. Mark had a 38 and 49 in

:32:03.:32:08.

the second frame. And now Neil Robertson with this effort - 58 and

:32:08.:32:11.

counting. So it's building up very nicely

:32:12.:32:21.
:32:22.:32:34.

other reds. He can just play this in and there's one in the centre

:32:34.:32:37.

which is virtually guaranteed in position. But Neil feels as if he

:32:37.:32:45.

can get on the one that's behind the pink.

:32:45.:32:50.

And he only needs that red that you mentioned, John. He'll

:32:50.:32:54.

automatically finish on a blue or a baulk colour. But he's had a look

:32:54.:32:58.

there to see if the pink would go - not this this pocket - in the other

:32:58.:33:02.

pocket, but he doesn't have to hold for the pink, as long as he pots

:33:02.:33:12.
:33:12.:33:14.

the red. He's looking round at the

:33:14.:33:17.

scoreboard. He's having another long, hard look at the pink but he

:33:18.:33:21.

looked at it before. Surely there must be enough room. Otherwise, he

:33:21.:33:25.

wouldn't have played for it. Yes. He's having a look to see if he can

:33:25.:33:29.

run round the angles and leave the red either in the middle pocket but

:33:30.:33:35.

- as you say, Denis, he just needs this pink anyway. And he's decided

:33:35.:33:45.
:33:45.:33:58.

that that back red will squeeze in. And Neil Robertson, as John Parrott

:33:58.:34:02.

said - it wasn't easy but that was a terrific 73 break and he's now 2-

:34:02.:34:12.
:34:12.:34:17.

of this little mini session under way. We will have an interval after

:34:17.:34:27.
:34:27.:34:28.

this. There's no real value in trying to pot this red into the

:34:28.:34:31.

left corner, because the black is not available because of the red to

:34:31.:34:41.

the left of it. This shows you what he's looking at

:34:41.:34:45.

f.-In-if that red wasn't to the -- if that red wasn't to the right of

:34:45.:34:55.
:34:55.:34:57.

the black, he'd take that one up get back up the table, which he

:34:57.:35:07.
:35:07.:35:07.

Apology for the loss of subtitles for 54 seconds

:35:07.:36:00.

managed to do, but he didn't get Now the tricky bit - can he get on

:36:00.:36:10.
:36:10.:36:18.

needs to pull up, though. He was almost absolutely perfect, but I

:36:18.:36:22.

think he's gone a little bit too far. He wanted that red next to the

:36:22.:36:32.
:36:32.:36:48.

black. I think he deserved a bit of luck

:36:48.:36:53.

there. Certainly in the opening couple of frames, Neil had the best

:36:54.:37:01.

of the run of the ball. It's bubbling up nicely, this match,

:37:01.:37:06.

Dennis. It certainly is. He's got a bit of insurance with the red and

:37:06.:37:16.
:37:16.:37:20.

he'll old on that and have a chance to open a few more here.

:37:20.:37:24.

Because of that red, he's sliding past now. He hit that nicely as

:37:24.:37:28.

well. He put just enough pace on it to

:37:28.:37:38.
:37:38.:38:05.

come back. And this, already, is a black, but it doesn't really matter

:38:05.:38:15.
:38:15.:38:26.

because he's got a few reds to play were over for his last match. They

:38:26.:38:31.

flew back home to County Antrim. I think they're back again. They were

:38:31.:38:36.

making plans to come back. His mum, Lyn, won't be here. She's normally

:38:36.:38:42.

here supporting her son but she's waiting to go in for an operation.

:38:42.:38:47.

I am sure you're at home watching, Lyn. I hope all goes well with your

:38:47.:38:57.
:38:57.:39:15.

operation. Your son is on his way far this year is held by Mark Allen,

:39:15.:39:25.

no less. It's a break of 136. And there's a possible break of 140 and

:39:25.:39:29.

a not inconsiderable prize of �8,000 for the highest break this

:39:29.:39:39.
:39:39.:40:04.

left corner but he always had this one to the middle. A lot of the

:40:04.:40:08.

time, you're leaving the cue ball where you've got options, rather

:40:08.:40:14.

than just playing for an individual ball each time. You have to leave

:40:14.:40:24.
:40:24.:40:26.

think you think eight and nine shots ahead, but you're so the or

:40:26.:40:30.

sort of using it, you know, different types of shots just to

:40:30.:40:40.
:40:40.:40:43.

leave yourself various choices. It was also one of those strange

:40:43.:40:47.

anomalies that Mark Allen is left- handed and uses the rest right-

:40:47.:40:50.

handed. There's a few players like that, aren't there? I don't know

:40:50.:41:00.
:41:00.:41:17.

and I think he plays to a 5 or 6 there's one of the reds, the middle

:41:17.:41:22.

one of the three behind the pink, was pottable.

:41:22.:41:26.

And if it is - and it looks like it is - he'll certainly play on that

:41:26.:41:36.
:41:36.:42:04.

after the 7 after the 7rom Neil in like that. It was the slightly

:42:04.:42:14.
:42:14.:42:31.

that suits Mark. And when he's in the balls like this, he never looks

:42:31.:42:41.
:42:41.:42:41.

like he's going to miss. He's having a laugh there with the

:42:41.:42:45.

referee and it's great to see him back in the fold. He had some

:42:45.:42:50.

health issues. He had a rough old time of it, did

:42:50.:42:57.

Jan, but he's back to normal. He fell in the bath, believe it or not,

:42:57.:43:01.

and had to have an operation on his vertebrae and then, when he

:43:01.:43:06.

recovered, he went off to China to do some ref do some ref deep

:43:06.:43:09.

vein thrombosis, and was there for five weeks on his own. He said it

:43:09.:43:12.

was fun. Five weeks and nobody could understand a word he was

:43:12.:43:22.
:43:22.:43:35.

sitting in his chair and watching a magnificent 73 from Neil Robertson

:43:35.:43:39.

in the last frame. This has been superb from Mark Allen. And we

:43:39.:43:49.
:43:49.:44:19.

expected as much and we certainly That's the 12th.

:44:19.:44:29.
:44:29.:44:53.

And it's come just at the right missed early on but not many missed

:44:53.:44:59.

in the last couple of frames. One mistake and the frame is over.

:44:59.:45:09.
:45:09.:45:10.

That's the way they're starting to play, these two players.

:45:10.:45:13.

We said it was going to be difficult to pick a winner at the

:45:14.:45:23.
:45:24.:45:29.

start of this. Nothing's changed break. I didn't realise there was

:45:29.:45:33.

enough there. What a fabulous thing that is - it's the highest break in

:45:34.:45:37.

this year's Masters. He's supersided his break of 136 and it

:45:37.:45:40.

came just at the right time. Mark Allen now levels the scores. It's

:45:40.:45:50.
:45:50.:45:50.

Apology for the loss of subtitles for 54 seconds

:45:50.:47:07.

this will cut. It's a thin one. Well, you can see Neil's having a

:47:07.:47:13.

long, hard look at it. It just depends what happens the

:47:13.:47:23.
:47:23.:47:30.

cue ball here. He's had to - he's going to have to hit it so thin.

:47:30.:47:35.

chipped it in. He's played it in such a way that he's controlled it

:47:35.:47:42.

to perfection. Absolutely superb shot and great angle on the blue.

:47:42.:47:49.

Well, they've opened up, but what's he on? There might only be one red

:47:49.:47:55.

pottable, the one to the extreme right, but he didn't catch the pink

:47:55.:47:59.

as he intended, but it still opened the rids. Now, if this one pots,

:47:59.:48:03.

he'll have a go at it, because he'll he head up towards the brown,

:48:03.:48:08.

as you can see it clearly does. You've got a perfect picture there.

:48:08.:48:10.

We'll know if it's in before he does.

:48:10.:48:20.
:48:20.:48:21.

And that's pretty good. He tried to hold it on the blue and

:48:21.:48:25.

he's just come up a little bit short. So it might be the end of

:48:25.:48:33.

break. The only possible red is the one to the left of the pack that he

:48:33.:48:43.
:48:43.:48:45.

could take on after the blue. And that's the one he's played for. And

:48:45.:48:49.

he can get round the back of the black and reds. That's if he pots

:48:49.:48:59.
:48:59.:49:13.

this. Could have been better, could have

:49:13.:49:22.

been a lot better. I don't know whether he can sneak

:49:22.:49:32.
:49:32.:49:35.

past that brown and chip the green in. It's very tight.

:49:35.:49:39.

He's got a long way to travel, because the green is quite a

:49:39.:49:45.

thinnish cut. He's got to maybe hit a dumb of --

:49:45.:49:51.

couple of cushions to get to a red here.

:49:51.:49:56.

In fact, he's hit it off three cushions. How's your luck? Not very

:49:56.:50:06.
:50:06.:50:15.

good. The moment you've got to play the

:50:15.:50:22.

green so thin, you can't get on a good shot with the cue ball. This

:50:22.:50:32.
:50:32.:50:34.

is a tough one, but it's safely in. I tell you what - he made that look

:50:34.:50:44.
:50:44.:50:51.

easy but it was far from easy. Look at his pot success rate, at 95%.

:50:51.:50:55.

Neil Robertson underneath that - well, I suppose it's a magical 90%.

:50:55.:51:05.
:51:05.:51:33.

If you're 90% or above, you're came out the victor between these

:51:33.:51:38.

two 6-3 and he went on to win the tournament. Maybe it's time for a

:51:38.:51:42.

final-frame decider. We might get that, the way they're both playing

:51:42.:51:52.
:51:52.:52:04.

some great final-frame deciders. There was always something

:52:04.:52:14.
:52:14.:52:16.

happening each year. The opening matches, some one 6-5

:52:16.:52:21.

and two went 6-4. You put the top 16 players into the melting pot and

:52:21.:52:31.
:52:31.:52:42.

that's what you get - competitive snooker.

:52:42.:52:51.

He got a heavy contact there, but at least it hasn't spoiled things.

:52:51.:53:01.
:53:01.:53:17.

You can see the red leave the bed left off before the mid-session

:53:17.:53:25.

interval. He made a break of 138 there and

:53:25.:53:33.

superseded his break of 136. So he's in line for that �,000 prize.

:53:33.:53:39.

You wouldn't think it would stand but 138 is quite a target. Yes, and

:53:39.:53:42.

I have to say he deserves everything he gets in this break as

:53:42.:53:45.

well after that lovely little cutback on the red that opened the

:53:45.:53:54.

pack up. He played it very positively. It

:53:54.:53:57.

gave him this chance, which he's making the most of. He looks in

:53:57.:54:07.
:54:07.:54:26.

fine fettle at the minute. The longest frame so far in this

:54:26.:54:31.

match was the opener. 17 minutes. I think it's 16, 12, 11 and this is

:54:31.:54:34.

coming up to nine minutes, so they're getting on with it. Yeah.

:54:34.:54:38.

There hasn't been a great deal of tactical play, but it's just how

:54:38.:54:43.

it's panned out. So the players are virtually clinching a frame with

:54:43.:54:52.

one chance. And not that many pots away from

:54:52.:55:02.

securing this fifth frame. There's options here, but he may

:55:02.:55:12.
:55:12.:55:12.

Apology for the loss of subtitles for 54 seconds

:55:12.:55:58.

just choose to hold the spot. bit special here or the frame is

:55:59.:56:07.

over. He might pot this. He doesn't, but what a start after

:56:07.:56:11.

the interval. One mistake and Mark Allen, with that break of 72, gets

:56:11.:56:21.
:56:21.:56:53.

Woolfs, he is not worried who he is playing. -- plays the balls. And

:56:53.:57:03.
:57:03.:57:04.

that is a bit more like it! Very Swiss through the ball, here. Lots

:57:04.:57:14.
:57:14.:57:21.

of work on the cue ball. -- very smooth through the ball. There was

:57:21.:57:31.
:57:31.:57:39.

ball, some like to stun it. You were a stammer, when to you? Always

:57:39.:57:49.
:57:49.:58:04.

have been! -- you were a stunner. Wife, thank you, Dennis. -- why,

:58:04.:58:14.
:58:14.:58:18.

thank you, Dennis. He does not want to see that happen too often!

:58:18.:58:23.

Especially against an inform Mark Allen. He will probably finish on

:58:23.:58:33.
:58:33.:58:35.

the blue ball. And that is not a bad one. He has an angle on it. He

:58:35.:58:45.
:58:45.:59:08.

has a choice available. It has blue. The angle is important. It is

:59:08.:59:18.
:59:18.:59:22.

important to leave a good angle on the Blacks. -- on the black, which

:59:22.:59:32.
:59:32.:59:34.

he's got. Not totally straightforward, this one.

:59:34.:59:44.
:59:44.:59:44.

Apology for the loss of subtitles for 54 seconds

:59:44.:00:27.

controlled with a perfect angle. may be unlucky again, here. As you

:00:27.:00:34.

said, he had the perfect angle with the blue ball. He hit the pink

:00:34.:00:44.
:00:44.:00:58.

put the disappointment behind you and make sure your next shot is the

:00:58.:01:08.
:01:08.:01:29.

I should imagine there is a plenty -- fair amount of pressure on Neil

:01:29.:01:34.

Robertson at the moment. The only reason he has not scored is because

:01:34.:01:39.

it has been running awkwardly for him. Those safety shots suddenly

:01:39.:01:44.

have more pressure on them. He was looking to see if he would come off

:01:44.:01:54.
:01:54.:02:07.

the side cushion. The left corner or he will leave a possible pot.

:02:07.:02:17.
:02:17.:02:20.

(APPLAUSE). Pretty good pace. That red is just to the left of the pink

:02:20.:02:30.
:02:30.:02:31.

spot. He might still take it on. It wasn't far away. And he killed it

:02:31.:02:41.
:02:41.:02:44.

for the yellow all the green but now that he has missed it... -- he

:02:44.:02:54.
:02:54.:03:01.

held it for the yellow or the green. It is like a game of chess. That

:03:01.:03:05.

was definitely in the middle of the white. Straight in the centre

:03:05.:03:15.
:03:15.:03:16.

pocket and a perfect angle on the blue. Sometimes, that happens. Mark

:03:16.:03:19.

Allen will be thinking he has done all the work but has made it easier

:03:19.:03:29.
:03:29.:03:42.

important junction in this match. He has got to score here. Yes,

:03:42.:03:49.

something he has not had the previous rounds. He never scored a

:03:49.:03:59.
:03:59.:04:07.

can do. REFEREE: 14. They will bounce back again. They will show

:04:07.:04:17.
:04:17.:04:19.

who is boss. REFEREE: 15. There is a chance if he cannons into the red

:04:19.:04:29.
:04:29.:04:57.

Bulls. -- into the reds. Just to bit more on the cue ball. Screwed

:04:57.:05:03.

with some reverse side to throw it out into the middle of the table.

:05:03.:05:10.

But he is looking good again. REFEREE: 30. He got the required

:05:10.:05:19.

left-hand side on that. It hits the cushion. The natural angle would

:05:19.:05:29.
:05:29.:05:32.

have taken him in between the pink and the black. It is amazing the

:05:32.:05:36.

number of people who start playing snooker and think you have to pot

:05:36.:05:46.
:05:46.:05:47.

for the side all the time, but that is not... That was a clever shot he

:05:47.:05:54.

played it there. The pink went through the gap. Very clever.

:05:54.:06:04.
:06:04.:06:04.

Apology for the loss of subtitles for 54 seconds

:06:04.:08:05.

trading blows in this match. Neil Robertson at the moment, 60 and

:08:05.:08:15.
:08:15.:08:22.

counting. Good stuff. REFEREE: 61. (APPLAUSE). COMMENTATOR: I

:08:22.:08:27.

mentioned earlier about Mark Allen making 48 last season. Neil

:08:27.:08:35.

Robertson made 54. He has already made 30 this season. He is one of

:08:35.:08:40.

the top break-builders in action and isn't it enjoyable? It really

:08:40.:08:45.

is. Yes, it shows how well you have got to play these days just to win

:08:45.:08:53.

matches, let alone tournaments. Very high standard. When you get to

:08:53.:09:00.

the Masters, every match is like a final with the top 16 in the world.

:09:00.:09:10.
:09:10.:09:11.

Neil Robertson has made 243 centuries in his career. In 1998...

:09:11.:09:19.

REFEREE: 86. COMMENTATOR: It has been a terrific effort, it really

:09:19.:09:29.
:09:29.:09:34.

has. REFEREE: 89. COMMENTATOR: Yes, we have had 12 centuries so far in

:09:34.:09:44.
:09:44.:09:48.

these Masters. REFEREE: 93. COMMENTATOR: Well, he certainly had

:09:48.:09:56.

to score, and that is exactly what he has done. This for a century.

:09:56.:10:02.

(APPLAUSE). Absolutely superb! It really is! His audience in

:10:02.:10:08.

Alexandra Palace are witnessing some excellent snooker. And what a

:10:08.:10:17.

great response from Neil Robertson. He has responded with that 111 and

:10:17.:10:27.
:10:27.:10:27.

Apology for the loss of subtitles for 54 seconds

:10:27.:11:09.

we are all square at 3 E each. -- 3 has ever played. No, the cue ball

:11:09.:11:14.

think again on the Rhodes. Not what he is looking for at the start of

:11:14.:11:24.
:11:24.:11:33.

this frame. -- thick on the reds. (APPLAUSE).

:11:33.:11:41.

This table is fast. He is just about OK. He looks to be perfect at

:11:41.:11:51.
:11:51.:11:55.

this stage. He has been lucky. He has covered it, but... You would

:11:55.:11:59.

have to say there is a vital bit of tension there because he did not

:11:59.:12:09.
:12:09.:12:09.

Apology for the loss of subtitles for 54 seconds

:12:09.:13:25.

get close to that ball. -- a small amount of tension there. Just had a

:13:25.:13:35.
:13:35.:13:38.

quick look to see if the Blacks went past the pink. -- the black.

:13:38.:13:44.

And there is the answer. It brilliant.

:13:44.:13:51.

brilliant. The work on the cue ball to come back, it could not be done

:13:51.:14:00.

any better. But the thing about that shot as well, he didn't hit it

:14:00.:14:10.
:14:10.:14:12.

that hard and the timing was perfect. This frees the other red

:14:12.:14:18.

to go in this pocket. And it is also clear for the other corner,

:14:18.:14:22.

now. Another four reds are available before he has to go into

:14:22.:14:30.

the bunch. It doesn't mean he will wait until he gets those four reds,

:14:30.:14:40.
:14:40.:14:40.

Apology for the loss of subtitles for 54 seconds

:14:40.:15:40.

but there are a few points on here. 25. COMMENTATOR: He will take the

:15:40.:15:50.
:15:50.:15:55.

pink instead. These are the situations...

:15:55.:16:02.

REFEREE: 32. COMMENTATOR: You have got to hold yourself together when

:16:02.:16:06.

it matters most. An important shot coming up if he decides to go into

:16:06.:16:13.

the bunch. And how is your luck? It goes towards the pocket. He has

:16:13.:16:23.
:16:23.:16:23.

covered it! (APPLAUSE). REFEREE: 38. COMMENTATOR: Somewhat unlucky,

:16:24.:16:29.

there. The only thing I will say in his favour is I cannot see the pack

:16:29.:16:39.
:16:39.:16:52.

natural angle to get back onto the black. Top spin on that, he would

:16:52.:17:02.
:17:02.:17:12.

be bound to be on it. (APPLAUSE) REFEREE: 39. COMMENTATOR: That had

:17:12.:17:22.
:17:22.:17:31.

to be absolutely spot-on. What a great chance. And the

:17:32.:17:36.

standard of this match has been amazing. Just the one frame, the

:17:36.:17:41.

seventh frame, that was a bit awkward. But the rest of them, it

:17:41.:17:47.

has been great stuff. Brilliant. It really has been good. Sensibly,

:17:47.:17:51.

Neil Robertson with the cue ball cleaned. Just one of those shots

:17:51.:18:01.
:18:01.:18:03.

you can get a kick on. He is thinking clear and straight. And

:18:03.:18:13.
:18:13.:18:19.

what a competitor he is! REFEREE: 54. COMMENTATOR: Plenty of grit.

:18:19.:18:24.

Yes, true grit. And what a great film that was! John Wayne, wasn't

:18:24.:18:34.
:18:34.:18:59.

it? REFEREE: 62. For (APPLAUSE).

:18:59.:19:05.

COMMENTATOR: Mark Allen will be getting himself ready for another

:19:05.:19:09.

comeback. He will have to win the last two fr last two frble

:19:09.:19:16.

of doing that, as we have seen this afternoon. He holds the two highest

:19:16.:19:26.

breaks in this year's Masters. 138 and 136.

:19:26.:19:36.
:19:36.:19:47.

REFEREE: 79. COMMENTATOR: There was that

:19:47.:19:53.

cracking shot. It was a natural angle, but he still had to get it.

:19:53.:20:03.
:20:03.:20:06.

REFEREE: 87. COMMENTATOR: We have already had a

:20:06.:20:15.

12 centuries in this year's Masters. This will be number 13.

:20:15.:20:20.

Some noise coming from somewhere backstage... What happened there

:20:20.:20:23.

was Neil Robertson looked at the table and realised he could not

:20:23.:20:31.

beat 138. (LAUGHS). That is why Mark Allen is smiling.

:20:31.:20:39.

(APPLAUSE). Absolutely superb. That is the 13th

:20:39.:20:44.

coming out a good time for the Australian.

:20:44.:20:54.

REFEREE: 101. COMMENTATOR: The standard continues.

:20:54.:20:57.

Neil Robertson with that magnificent century break puts

:20:57.:21:07.
:21:07.:21:09.

himself one frame away from victory. Could we possibly have another

:21:09.:21:16.

deciding frame this year? Mark Allen is still having a little

:21:16.:21:20.

smile with Neil Robertson. That is great to see. Terrific competitors

:21:20.:21:26.

out there on the green cloth but away from it, it is nice to see

:21:26.:21:36.
:21:36.:21:49.

them having a little smile. No real value in taking the red

:21:49.:21:55.

down the left-hand side of the table.

:21:55.:22:03.

It would be a very good shot for nothing.

:22:03.:22:13.
:22:13.:22:32.

(APPLAUSE). COMMENTATOR: The red that is

:22:32.:22:39.

closest to the Blacks is what he would want to play the safety off.

:22:39.:22:47.

-- closest to the black. That is what he has managed to do, but

:22:47.:22:53.

unfortunately, has put the red towards the corner. Not good enough

:22:53.:22:59.

against someone like Neil Robertson. The first chance falls to the

:22:59.:23:02.

Australian. And up until last year, he had never got past the

:23:02.:23:12.
:23:12.:23:13.

quarterfinal at the Masters. This could be another small

:23:14.:23:20.

milestone for him. He has a lot to do before he gets into that

:23:20.:23:30.
:23:30.:23:30.

semifinal. (APPLAUSE).

:23:30.:23:40.
:23:40.:23:47.

Up until that, he had scored 1,000 points.

:23:47.:23:56.

That is not easy. If anything, he got into the cue ball too much.

:23:56.:24:06.
:24:06.:24:07.

This will be the test. There was nothing easy about that.

:24:07.:24:13.

When he got up from that, I thought that he was suddenly thinking to

:24:13.:24:19.

himself, this is too difficult. Getting up may be put that little

:24:19.:24:26.

seed of doubt into his mind. He has finished up right in that

:24:26.:24:33.

bunch of Rhodes. It was always going to be a tough pot at that

:24:33.:24:43.
:24:43.:24:45.

pace. -- right in that bunch of reds. That was well controlled.

:24:45.:24:53.

Much more difficult than it looked. Easy for the ball to run away on

:24:53.:25:03.
:25:03.:25:23.

Very well played. REFEREE: 8, 9. COMMENTATOR: The chance is there

:25:23.:25:33.
:25:33.:25:48.

now and it is a good one. REFEREE: 17.

:25:48.:25:56.

COMMENTATOR: Beautifully controlled, this was.

:25:56.:26:01.

It deserves to go to a final frame decider, the way they have been

:26:01.:26:11.
:26:11.:26:14.

playing today. It has been good stuff.

:26:14.:26:24.
:26:24.:26:41.

REFEREE: 25. COMMENTATOR: And now an important

:26:41.:26:51.
:26:51.:26:53.

part coming up. If he gets the correct cannon here...

:26:53.:26:59.

I think he is OK. He has one to the left. But is there a way to come

:26:59.:27:09.
:27:09.:27:29.

back onto the black? REFEREE: 41. (APPLAUSE) COMMENTATOR: They have

:27:29.:27:39.

been trading punches all afternoon. Just a little bit of movement in

:27:39.:27:49.
:27:49.:27:49.

Apology for the loss of subtitles for 54 seconds

:27:49.:29:56.

They have been nipping and tucking five each. He has made some

:29:56.:30:00.

important clearances in his snickering career, Neil Robertson,

:30:00.:30:10.
:30:10.:30:10.

but this will be a peer. Could people be a serious barrier -- that

:30:10.:30:20.
:30:20.:30:47.

here, but it might not be the worst idea to leave the last red on an

:30:47.:30:57.
:30:57.:31:03.

when he glanced up at the scoreboard. He was already well

:31:03.:31:13.
:31:13.:31:22.

ahead and maybe that is what he had to get onto the red to do that.

:31:22.:31:27.

That is the problem with that shot. Unless he plays the bottom red, is

:31:27.:31:33.

going to move it out the position he can play it into the pink. If he

:31:33.:31:37.

plays the one on the left, he will have to Cannes and the other one.

:31:37.:31:47.
:31:47.:31:57.

Ideally he would have loved to awkwardly. He has a good angle on

:31:57.:32:07.
:32:07.:32:34.

the blue to go a pass the red and very tricky to knock this in. He is

:32:34.:32:38.

looking at it. Hard to see from this angle whether it is possible

:32:38.:32:45.

or not. He has a simple safety shot on if he wanted. I think if the cue

:32:45.:32:49.

ball was in beyond the red he might have a chance of throwing it into

:32:49.:32:59.
:32:59.:33:02.

he could roll it in. The fact he has to cut it into the pocket makes

:33:02.:33:07.

it a lot more difficult, so a good safety and a possible snooker is

:33:07.:33:17.
:33:17.:33:17.

Apology for the loss of subtitles for 54 seconds

:33:17.:34:11.

whether he middle pocket to play shot, but very effective. As ever

:34:11.:34:21.
:34:21.:34:21.

Apology for the loss of subtitles for 54 seconds

:34:21.:35:06.

it is not about hitting it, it is given away. -- eight points he has.

:35:06.:35:16.
:35:16.:35:44.

The shot that he left Mark Allen going to have that decider. We have

:35:44.:35:48.

already had four last frame shoot- outs in this year's Masters. We are

:35:48.:35:58.
:35:58.:36:15.

this final two Reds. He made it red to get back on the black. It

:36:15.:36:25.
:36:25.:36:25.

Apology for the loss of subtitles for 54 seconds

:36:25.:37:32.

way to come off the ball caution. You can see in striking the cue

:37:33.:37:42.
:37:43.:37:49.

ball right of centre to straighten that black. He wants to keep it

:37:49.:37:59.
:37:59.:37:59.

Apology for the loss of subtitles for 54 seconds

:37:59.:38:48.

to the black, but he could put it but very little chance you would

:38:48.:38:58.
:38:58.:39:23.

feel. 37 behind with just 25 on the get on with the deciding frame,

:39:23.:39:29.

John. But could not agree with you more. There is only really deep

:39:29.:39:33.

black that he can play an effective snooker behind. Maybe tried to

:39:33.:39:43.
:39:43.:40:05.

bit, bringing the pink of the cushion. He would have loved to

:40:05.:40:08.

chip it down towards the corner pocket, though. You can get behind

:40:08.:40:13.

it now, but not very effectively or easily. At least if the pig was

:40:13.:40:23.
:40:23.:40:48.

down in the corner he would have a deciding frame. It was that earlier

:40:48.:40:52.

break of 60 that Mark Allen made. Neil Robertson had a chance to

:40:52.:40:56.

pinch the match and he did not take it. And we have a decider now.

:40:56.:41:06.
:41:06.:41:35.

Final frame to siders, they are people how you feel and the an

:41:35.:41:40.

adrenalin rush to get, but there is no better feel when you pick a

:41:40.:41:43.

snooker cue will -- snooker cue up. You dream about getting yourself

:41:43.:41:53.
:41:53.:42:20.

going to be a very tense deciding frame. Either player would have

:42:20.:42:27.

wanted this. Marquez got a shot with a red on the right-hand side

:42:27.:42:31.

if he wants, but the problem is the bread coming back and hitting the

:42:31.:42:41.
:42:41.:43:05.

shot here. The red to the right of the blue, if it goes up into the

:43:05.:43:12.

left corner, he could maybe take that pot on and the natural angle

:43:12.:43:18.

were taken up towards the black. I suppose at this stage you're

:43:18.:43:27.

wanting to be extra careful. He is looking at it. He has come round to

:43:27.:43:33.

look to see where the cue ball would finish. It will be

:43:33.:43:43.
:43:43.:43:46.

interesting to see if he does take and he has knocked the blew in. Now

:43:46.:43:56.
:43:56.:44:02.

he is probably thinking he may be blue in here. Look at this red here.

:44:02.:44:07.

What a shot he is faced with. The natural angle taken right into the

:44:07.:44:17.
:44:17.:44:31.

bunch of red balls. What an early red balls there. The little smile

:44:31.:44:36.

tells you that. Because of the pace it swung around the back of them.

:44:36.:44:46.
:44:46.:45:09.

couldn't see him missing. A good balls up and leave the cue ball. He

:45:09.:45:19.
:45:19.:45:19.

Apology for the loss of subtitles for 54 seconds

:45:19.:46:03.

yellow and green of despots, there first glance, as we show you the

:46:03.:46:09.

shot again, he played perfectly. How does he get into the left side

:46:09.:46:13.

of the pack so he does not leave that read that is over the pocket?

:46:13.:46:19.

How does he get there? There is a part of the caution between brown

:46:19.:46:29.
:46:29.:46:44.

and blue, but there would take some if the blue is in the way. It is

:46:45.:46:52.

very tight. Of these cushions, the angle would widen. He is having a

:46:52.:46:58.

look at it. He may have no option. I certainly do not blame him for

:46:58.:47:08.
:47:08.:47:12.

the blue, as you said. I think that line is somewhere near where he

:47:12.:47:22.
:47:22.:47:33.

doubt, was it?. What a shot that was. Absolutely amazing how he has

:47:33.:47:42.

judged this. Not only pottered, gets himself on to the black. I bet

:47:42.:47:52.
:47:52.:48:04.

Mark cannot believe the outcome cue-ball run half a role too far?

:48:04.:48:08.

He would love to have been on the one on the right-hand side, but I

:48:08.:48:12.

think the pink is blocking it. Q When will be slightly awkward for

:48:12.:48:22.
:48:22.:48:27.

their shot or whether he can pot that and strode off the cushion and

:48:27.:48:33.

then to the black. I do not think he would be able to hold it without

:48:33.:48:43.
:48:43.:49:05.

All the sudden the game opens up. The natural angle would have taken

:49:05.:49:09.

to the cushion. If Mark Allen loses the match after playing their shot,

:49:09.:49:19.
:49:19.:49:19.

he will never believe it. Now he is sitting in the chair, praying that

:49:19.:49:29.
:49:29.:49:38.

Allen played any must have filled in trouble here. The shot he has

:49:38.:49:43.

played, he could play it 10 times and never bought the red, never

:49:44.:49:53.
:49:54.:50:00.

mind eating it? -- never mind careful with this one. It is not

:50:00.:50:04.

perfect for the run through. The screw back would have to be careful.

:50:04.:50:14.
:50:14.:50:19.

I do not blame him for taking this are always banging the drum about

:50:19.:50:23.

all you want in the final frame is a chance. Neil, this is definitely

:50:23.:50:33.
:50:33.:50:47.

the ankle and not only hit the red, but to pocket. It was quite

:50:47.:50:57.
:50:57.:51:08.

of the blue. He has to negotiate the brown and pink, as you can see.

:51:08.:51:15.

At least the loan is off its spot, which helps in potting the blue and

:51:15.:51:25.
:51:25.:51:32.

both at 92%. Nothing to separate these two met players in the

:51:32.:51:37.

quarterfinal. It has been an absorbing match. It is funny, but

:51:37.:51:43.

yellow could be tricky if not careful. It was one of those

:51:44.:51:46.

situations where at first you thought it was alright, but the way

:51:46.:51:53.

he wanted to play the shot it was definitely going to be a potential

:51:53.:52:03.
:52:03.:52:07.

barrier. He is still on one, but without the yield -- that little

:52:08.:52:17.
:52:18.:52:21.

flicker on the alone it would have the black for the same pocket. He

:52:21.:52:31.
:52:31.:52:36.

has the extension on the queue and again. The red might be slightly in

:52:36.:52:44.

his way as we show you the shot again. Can he queue at the White

:52:44.:52:54.
:52:54.:53:00.

next red coming from? It is not one you were to dig down and placed on

:53:00.:53:06.

shot on. You can only really drop it in. I think he has one that

:53:06.:53:16.
:53:16.:53:22.

middle pocket. It will not pass the buck when it is we spotted. He is

:53:22.:53:32.
:53:32.:53:39.

would be very tempted to be playing the glue ear. Or even the green if

:53:39.:53:49.
:53:49.:53:52.

he wanted to. Below it is. -- blew it is. I am not sure if the red

:53:52.:53:57.

needy pink spot goes into the left corner. If it does he is OK, if not

:53:57.:54:01.

he is... There is plenty of room. Not a problem. It is a great chance.

:54:01.:54:06.

It has to be said. It is a chance that definitely did not look on

:54:06.:54:11.

when he came to the table tide in behind the yellow. This would be

:54:11.:54:16.

quite a remarkable win if he was to clinch it from the position he was

:54:16.:54:26.
:54:26.:54:28.

absolutely cursed to be sitting there in the chair and watching

:54:28.:54:32.

this. One of the best shot he played in the entire match and he

:54:32.:54:42.
:54:42.:55:02.

quite amazing and he showed it in his previous match. He was almost

:55:02.:55:12.
:55:12.:55:13.

out of the tournament and he fought back and we could see when he won

:55:13.:55:18.

that match how happy he was when he potted the clinching ball. He

:55:18.:55:28.

really is a fierce competitor. There is his brother watching this

:55:28.:55:38.
:55:38.:55:38.

superb effort here. Mark plays on the to work. He is listening in.

:55:38.:55:48.
:55:48.:55:58.

This is some performance from his has gone in for this break. It was

:55:58.:56:03.

a great shot. Hitting it was the first priority. How well has he

:56:03.:56:08.

taken the rest of these? He has been out of position one or two

:56:08.:56:14.

times, but that's it. The rest of it has been pinpointed. And the

:56:14.:56:18.

ability to play like you're in the club when you're playing in a

:56:18.:56:23.

tournament that mean so much is an art form. This boy is very good at

:56:23.:56:33.
:56:33.:56:38.

Mark Ellen, where he feels that this year's match is definitely

:56:38.:56:43.

slipping away. It has been a brilliant effort, but the defending

:56:43.:56:53.
:56:53.:57:03.

champion has had some good fortune, this quarterfinal. As all great

:57:03.:57:13.
:57:13.:57:16.

champions do, he is doing it in farce and, but what a match we have

:57:16.:57:21.

witnessed here this afternoon. It has been absolutely superb.

:57:21.:57:25.

Fantastic standard. It took a little while to warm up, but from

:57:25.:57:29.

the third frame it has been brilliant all the way through. All

:57:29.:57:33.

I could say to mark Allen is to keep playing the way you laugh. You

:57:33.:57:38.

were going to win tournaments and be at the tail-end of them. He has

:57:38.:57:43.

played a very big part in this match. He has won the World Open

:57:43.:57:53.
:57:53.:57:54.

this year and he certainly could be a future world champion. The man

:57:54.:57:59.

from County Antrim, flying the flag for Northern Ireland. I am sure he

:57:59.:58:06.

will win that World Championship. But this has been absolutely

:58:06.:58:16.
:58:16.:58:18.

fantastic. What a way to finish a match. His third century and he is

:58:19.:58:28.

doing it in style. It is a shame they had to be a loser in the end.

:58:28.:58:32.

Played in a great spirit, these two has. A fine display in the Masters.

:58:32.:58:38.

In the end, it was Neil Roberts and with that magnificent century break

:58:38.:58:43.

did get himself into the semifinal. He takes the match, six frames to

:58:43.:58:47.

He takes the match, six frames to five. Well done to both players.

:58:47.:58:50.

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