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records that he holds, that does
surprise me. | 0:00:21 | 0:00:22 | |
records that he holds, that does
surprise me. | 0:00:22 | 0:00:28 | |
records that he holds, that does
surprise me. | 0:00:28 | 0:00:35 | |
Good evening to year and welcome to
snooker extra, extended highlights | 0:00:35 | 0:00:39 | |
of the quarterfinals of the 2018
Dafabet masters. We have of Shaun | 0:00:39 | 0:00:47 | |
Murphy taking on Judd Trump, for
many people, a good bet to win the | 0:00:47 | 0:00:52 | |
tournament this year. Commentary
from Stephen Hendry and John Virgo. | 0:00:52 | 0:01:02 | |
STEPHEN HENDRY: To be honest it'll
be like watching an exhibition match | 0:01:10 | 0:01:12 | |
today. I can't see many safety shot
is being played. Could be the match | 0:01:12 | 0:01:22 | |
of the tournament, this one, if both
players play to their ability. | 0:01:22 | 0:01:30 | |
players play to their ability. Judd
Trump decided to turn that long pot | 0:01:33 | 0:01:36 | |
down, the main reason being thought
it was a risky pot, plus the | 0:01:36 | 0:01:41 | |
guaranteed position on the colour.
Yes, I think it is going to be a | 0:01:41 | 0:01:53 | |
terrific game, and hopefully both
players play well. If I could give | 0:01:53 | 0:01:57 | |
an edge in one department, and this
might seem a strange thing to say, | 0:01:57 | 0:02:04 | |
Judd's safety play, it has improved
over the last couple of seasons, and | 0:02:04 | 0:02:09 | |
Shaun, Jimmy, always struggles a bit
on the safety side. But it would be | 0:02:09 | 0:02:14 | |
all about when you get your chances,
taking them. When you watch Shaun | 0:02:14 | 0:02:23 | |
Murphy, no matter how well he plays,
you sense he's going to give you | 0:02:23 | 0:02:29 | |
chances, there's always going to be
careless shot where you think... | 0:02:29 | 0:02:37 | |
Played that safety shot with lots of
side, through three or four | 0:03:20 | 0:03:23 | |
cushions, Judd Trump, but a little
bit short on reaching the baulk. | 0:03:23 | 0:03:35 | |
Well, John, there an example. Some
of Shaun Murphy's careless safety | 0:03:35 | 0:03:40 | |
play. | 0:03:40 | 0:03:46 | |
play. To kiss the black,
unbelievable. | 0:03:46 | 0:03:52 | |
Not the best shot from Judd, wrong
side of the blue. There is one loose | 0:03:56 | 0:04:00 | |
red. Maybe he feels he's got a angle
to force the cue ball between green | 0:04:00 | 0:04:09 | |
and brown and go into the cluster.
No, playing for the one loose red. | 0:04:09 | 0:04:18 | |
Needed to have a little bit more
pace on it. There's bound to be a | 0:04:18 | 0:04:24 | |
little bit of tension in the arm,
first frame. Screwing off the bunch | 0:04:24 | 0:04:34 | |
here, maybe after the blue.
APPLAUSE | 0:04:34 | 0:04:40 | |
That's just a very aggressive shot.
To have such confidence in your | 0:04:44 | 0:04:49 | |
ability to play those... | 0:04:49 | 0:04:55 | |
With Ronnie O'Sullivan losing
yesterday, he has virtually owned | 0:05:03 | 0:05:06 | |
this tournament in the last few
years, all these top players will be | 0:05:06 | 0:05:10 | |
sensing an opportunity. | 0:05:10 | 0:05:20 | |
Nice touch. Played that really well.
Of the players still left in it, any | 0:05:24 | 0:05:31 | |
of them could win this Masters
title, Shaun Murphy being one of | 0:05:31 | 0:05:35 | |
them, and John Higgins. Kyren
Wilson, Mark Allen, Judd Trump. | 0:05:35 | 0:05:43 | |
Still looking to add this title to
their CV. All very aggressive | 0:05:43 | 0:05:50 | |
players left in the tournament. Play
the game the right way. | 0:05:50 | 0:05:59 | |
the game the right way. Pretty
impressive in his first round match, | 0:06:03 | 0:06:05 | |
Judd Trump. Without being at his
absolute best. The key to winning | 0:06:05 | 0:06:14 | |
these big events is to get better as
the tournament goes on. | 0:06:14 | 0:06:27 | |
This is a shot with such confidence.
You might be a little bit itchy in | 0:07:02 | 0:07:08 | |
the first frame, but the screw
through the bunch, look what he's | 0:07:08 | 0:07:12 | |
missing if he leaves it. Incredible
talent, Judd Trump. Very important | 0:07:12 | 0:07:19 | |
he gets a good angle on the blue.
That was the last of the loose reds. | 0:07:19 | 0:07:26 | |
Maybe a little bit too much angle.
Normally we would say run into the | 0:07:26 | 0:07:31 | |
pink. He wants to avoid the pink
hue, just running past the | 0:07:31 | 0:07:35 | |
right-hand side of the pink, as we
look. Even then, it's gone wrong. | 0:07:35 | 0:07:47 | |
Looking at the join of those two
breadstick and maybe with slightly | 0:07:51 | 0:07:54 | |
less pace, but that is only being
wise after the event. -- at the join | 0:07:54 | 0:08:03 | |
of those two reds, together. | 0:08:03 | 0:08:09 | |
The easy as safety shot is of the
red to the right-hand cushion but | 0:08:16 | 0:08:19 | |
there is no way he's going to place
that. | 0:08:19 | 0:08:23 | |
APPLAUSE | 0:08:23 | 0:08:32 | |
Take the cue ball some well behind
the green now on the baulk cushion. | 0:08:32 | 0:08:37 | |
-- somewhere behind. | 0:08:37 | 0:08:39 | |
Of course, this is the nature of
snooker. John, at 49 opening the | 0:08:54 | 0:09:02 | |
reds. But, now, if Shaun Murphy was
to get the next chance, he wouldn't | 0:09:02 | 0:09:08 | |
have a lot to do. | 0:09:08 | 0:09:16 | |
have a lot to do. The first shot
that Judd Trump played, the safety | 0:09:17 | 0:09:19 | |
shot, perhaps it was a little bit
wary of Shaun Murphy's long game. | 0:09:19 | 0:09:25 | |
Perhaps needs to play a little bit
more containing safety today. He's | 0:09:25 | 0:09:32 | |
definitely in the top two or three
in the world, Shaun Murphy, but day | 0:09:32 | 0:09:41 | |
in, day out, he's so strong in that
department with a long pots. | 0:09:41 | 0:09:48 | |
Well, that has worked out OK for
Judd. There is possibly red will | 0:10:27 | 0:10:33 | |
pot, the one immediately between the
black and pink, a thin cut. That | 0:10:33 | 0:10:43 | |
works too thin. It has not settled
-- he has not settled yet, Shaun. | 0:10:43 | 0:10:53 | |
He played that with a lot of
left-hand side just to check the cue | 0:11:07 | 0:11:13 | |
ball, and couldn't have played it
any better. This red will cut back | 0:11:13 | 0:11:18 | |
into the left corner. He caught it
much too thick, and now there's a | 0:11:18 | 0:11:26 | |
chance for Judd. If he knocks in
this long red, you think it would be | 0:11:26 | 0:11:33 | |
the frame clincher. | 0:11:33 | 0:11:42 | |
Judd Trump is never as comfortable
when he's rolling the ball zone. | 0:11:49 | 0:11:58 | |
Seems to prefer punching the cue
ball. He missed that by a long way, | 0:11:58 | 0:12:04 | |
and he is fortunate, really, to have
left the cue ball by the side | 0:12:04 | 0:12:08 | |
cushion. You can see the way the
reds are, now, if Shaun was to get | 0:12:08 | 0:12:12 | |
the next opportunity we could well
have favourite for this frame. Those | 0:12:12 | 0:12:19 | |
49 points would count for nothing.
Kicking the red up the table. He has | 0:12:19 | 0:12:28 | |
got a good cue ball. Wasn't
guaranteed to have a good cue ball, | 0:12:28 | 0:12:36 | |
mind, but in, close to the cushion.
Nothing easy for Judd to go at. If | 0:12:36 | 0:12:44 | |
he can pot this red to the corner...
Now, which is the more risky, the | 0:12:44 | 0:12:52 | |
pot of the safety? Taking the pot
on. Don't blame him. | 0:12:52 | 0:13:03 | |
on. Don't blame him. Once again, a
long way away. And now Shaun Murphy | 0:13:04 | 0:13:08 | |
gets his opportunity. | 0:13:08 | 0:13:13 | |
gets his opportunity. We won't be
playing the one to the left corner, | 0:13:13 | 0:13:17 | |
he is hampered, but he has got one
to the right middle and one to the | 0:13:17 | 0:13:21 | |
right corner. | 0:13:21 | 0:13:30 | |
CROWD GASPS | 0:13:33 | 0:13:39 | |
Well, it is amazing, the scheme, it
is amazing. He has just not settled | 0:13:39 | 0:13:43 | |
yet. -- amazing, this game. He
expected the red to go to the right | 0:13:43 | 0:13:52 | |
side of the pocket and that is why
he ran three, Inc. I'm amazed at | 0:13:52 | 0:13:57 | |
Judd turning town, Stephen. This is
a very defensive shot. The shot that | 0:13:57 | 0:14:07 | |
Shaun Murphy played, should play to
the one above black instead. Maybe | 0:14:07 | 0:14:16 | |
those two long balls that Judd
missed by a long way has put him off | 0:14:16 | 0:14:22 | |
taking another one on. That can only
be the reason because with the cue | 0:14:22 | 0:14:31 | |
ball-in-hand, he could have elected
to go for the red and you fear that, | 0:14:31 | 0:14:36 | |
if Judd pots the next red, he will
win the frame. | 0:14:36 | 0:14:44 | |
win the frame. He certainly went
back to his seat when he left Shaun | 0:14:45 | 0:14:48 | |
with that chance. | 0:14:48 | 0:14:56 | |
I don't think he was bothered to
getting the cue ball back to baulk, | 0:15:06 | 0:15:11 | |
just not about getting the
double-kiss and leaving the red on. | 0:15:11 | 0:15:18 | |
53 point lead, Judd Trump, but there
are plenty of reds available. | 0:15:18 | 0:15:28 | |
He'll be disappointed with that one.
Shaun's and a couple of goes, one | 0:15:34 | 0:15:40 | |
with a safety and one with the cut,
and he's cut them too thin. If he | 0:15:40 | 0:15:46 | |
catches this just right... A chance
now to get right back in the frame. | 0:15:46 | 0:15:52 | |
APPLAUSE
The black looks to be the ball to | 0:15:52 | 0:16:00 | |
play. It is going to play the black
he might as well play the cannon to | 0:16:00 | 0:16:04 | |
try to bring these four reds into
play. | 0:16:04 | 0:16:07 | |
CROWD GASPS
That was a big shot. It was the | 0:16:07 | 0:16:15 | |
right shot. | 0:16:15 | 0:16:22 | |
right shot. And he knew, if you
missed it, it was probably going to | 0:16:22 | 0:16:25 | |
cost him the frame. Sometimes, the
risks you have to take at this | 0:16:25 | 0:16:29 | |
level. | 0:16:29 | 0:16:36 | |
level. He had two half chances,
Shaun, to get right back in this | 0:16:36 | 0:16:40 | |
frame, but he'll be lucky to get
another one. | 0:16:40 | 0:16:46 | |
another one. 59 points in the lead,
so just looking for this red. This | 0:16:47 | 0:16:53 | |
red will put him 60 ahead with 59
remaining. | 0:16:53 | 0:16:56 | |
APPLAUSE | 0:16:56 | 0:17:01 | |
He cued that nicely. | 0:18:11 | 0:18:13 | |
A bit of an exhibition shot here, to
pot the black, coming off the baulk | 0:18:24 | 0:18:29 | |
cushion. He could play to cannon
yellow. | 0:18:29 | 0:18:35 | |
APPLAUSE
And a yellow went in nicely. | 0:18:39 | 0:18:49 | |
He's on the green. Nicely for a
left-hander. | 0:18:50 | 0:18:54 | |
APPLAUSE
You would say that Judd Trump has | 0:18:54 | 0:19:00 | |
settled the better of the two
players are judging by this opening | 0:19:00 | 0:19:06 | |
frame. The only thing that would
concern Judd slightly, he went for a | 0:19:06 | 0:19:13 | |
couple of long pots and missed them
by quite a distance. As I say, just | 0:19:13 | 0:19:23 | |
a few exhibition shots, which is
what we like to do. | 0:19:23 | 0:19:27 | |
APPLAUSE
A little smile from both players. | 0:19:27 | 0:19:30 | |
Nice to see. So, Shaun Murphy didn't
settle at all in that first frame. | 0:19:30 | 0:19:39 | |
And Judd Trump, in the end, got the
job done. He leads, 1-0. | 0:19:39 | 0:19:47 | |
REFEREE: Second frame, Judd Trump
the break. | 0:19:48 | 0:19:54 | |
Decent break of shot, there from
Judd. With any break of shot, | 0:20:02 | 0:20:09 | |
nowadays, if you don't leave the pot
on, you are happy with it. | 0:20:09 | 0:20:14 | |
Another example of that safety shot
that Judd likes to play. | 0:20:36 | 0:20:44 | |
that Judd likes to play. I agree
with you, he does like to play it, | 0:20:44 | 0:20:47 | |
but you plate with side. If the cue
ball is tied to the baulk cushion it | 0:20:47 | 0:20:52 | |
is not a shot you can play so that
is why Shaun needs to get a good | 0:20:52 | 0:20:56 | |
length with his safety, whenever
possible. Oppose macro -- | 0:20:56 | 0:21:01 | |
APPLAUSE | 0:21:01 | 0:21:07 | |
This is a careless one. Shaun is
hampered by the yellow and it might | 0:21:15 | 0:21:23 | |
be a reason for not taking on a red
into the right corner. He wouldn't | 0:21:23 | 0:21:28 | |
blink an eye taking this on
normally. Still looking at it, | 0:21:28 | 0:21:35 | |
though, so he must have free enough
cueing action. Beautiful, beautiful | 0:21:35 | 0:21:39 | |
chewing. | 0:21:39 | 0:21:47 | |
chewing. -- cueing. He knew that he
didn't have to do much with the cue | 0:21:47 | 0:21:55 | |
ball to get position on the colour,
so that careless safety from Judd | 0:21:55 | 0:21:59 | |
could cost him. Could cost him the
frame. | 0:21:59 | 0:22:11 | |
There is none better than Shaun with
the rest. So it is either risk | 0:22:40 | 0:22:46 | |
rolling through for the black or
screen back for pink and blue. | 0:22:46 | 0:22:59 | |
Only played one match before this
but he's yet to miss a shot in the | 0:23:00 | 0:23:07 | |
tournament with the rest. | 0:23:07 | 0:23:17 | |
He will really want to punish Judd
Trump for that very poor safety shot | 0:23:32 | 0:23:37 | |
and win this frame in one visit. | 0:23:37 | 0:23:48 | |
It is just so careless to hit the
yellow. | 0:23:50 | 0:23:57 | |
In a position to play for the back.
It is the red to the right of the | 0:24:04 | 0:24:10 | |
black that is putting him. I don't
know whether he might play a cannon | 0:24:10 | 0:24:14 | |
here, coming off cushions. He could
not have put that better with his | 0:24:14 | 0:24:21 | |
hand. Inch perfect. Lovely angle,
just to stun across. He might with a | 0:24:21 | 0:24:29 | |
cannon for the red to the right of
the black. He can still leave | 0:24:29 | 0:24:33 | |
himself low on the black and go into
the bunch. Not too much pace. He | 0:24:33 | 0:24:37 | |
wants to leave that red to the right
corner. It is a small cannon. But | 0:24:37 | 0:24:43 | |
look at the target now to hit, if
you get the right angle on the | 0:24:43 | 0:24:47 | |
black. Still a couple of reds
available, but it is a big target. | 0:24:47 | 0:24:57 | |
Two reds available to the right
corner. That's what he'll play for | 0:24:57 | 0:25:02 | |
this time. There may be one on the
right-hand edge of the cluster that | 0:25:02 | 0:25:08 | |
goes to left corner. And it
certainly looks as though he's | 0:25:08 | 0:25:14 | |
settled in now. He looked a bit edgy
in the first frame. But making his | 0:25:14 | 0:25:20 | |
way through this contribution with
no problems, whatsoever. That | 0:25:20 | 0:25:27 | |
lovely, simple shot he played to the
black, just a little dab, getting | 0:25:27 | 0:25:35 | |
tough on the red. He plays at a
great pace, although is that end a | 0:25:35 | 0:25:43 | |
break, or does he have a red to the
right middle? | 0:25:43 | 0:25:50 | |
APPLAUSE | 0:25:54 | 0:25:59 | |
Great recovery. Probably not going
to leave anything but it still | 0:26:00 | 0:26:08 | |
needed potting, and he's nicely on
the black. Well, nicely on the | 0:26:08 | 0:26:17 | |
black, but this is it! Almost a
mirror image of the last frame. Judd | 0:26:17 | 0:26:24 | |
Trump getting in first, got a break
of 49, and Shaun had chances to | 0:26:24 | 0:26:31 | |
pinch that frame. Same applies here.
Bad decision, for me. That is a | 0:26:31 | 0:26:43 | |
shocker. Shouldn't have left himself
hampered, there, and could always | 0:26:43 | 0:26:48 | |
happen the way he played it. Don't
know why he's bringing the cue ball | 0:26:48 | 0:26:52 | |
back that way. Very strange shot.
But he still has a chance to show -- | 0:26:52 | 0:26:58 | |
still has a chance to put this
black. Look where this cue ball is | 0:26:58 | 0:27:03 | |
now. He will be fuming inside, Judd
Trump. He can pot this red but can | 0:27:03 | 0:27:14 | |
you avoid the kiss on the brown? He
couldn't avoid a kiss on the brown | 0:27:14 | 0:27:19 | |
and he couldn't pot the red. He has
let go a good chance to pinch the | 0:27:19 | 0:27:25 | |
frame. The shake of the head shows
you his annoyance. | 0:27:25 | 0:27:40 | |
That was not quite as intended
there. Just having a look at | 0:28:29 | 0:28:35 | |
That was not quite as intended
there. Just having a look at the red | 0:28:35 | 0:28:36 | |
immediately below the pink and if it
is comfortable to the corner. It | 0:28:36 | 0:28:39 | |
obviously isn't. He has played
another red. It is a thin one. | 0:28:39 | 0:28:53 | |
This is good shot. | 0:29:18 | 0:29:23 | |
If he is playing the pot here he
needs to avoid the kiss on the | 0:29:31 | 0:29:34 | |
second red. That is probably why he
overcut it. | 0:29:34 | 0:29:47 | |
Using his cue power there. OK, he
was hoping maybe the red could go in | 0:30:30 | 0:30:36 | |
but his main intention was to screw
back to the baulk cushion. He made a | 0:30:36 | 0:30:40 | |
good job of that. But this red does
pot. | 0:30:40 | 0:30:46 | |
This bread is on. He can play it
with the bottom of the cue ball, | 0:31:01 | 0:31:06 | |
which we prefers to letting it
possibly finish on the pink. So much | 0:31:06 | 0:31:15 | |
stronger. A little bit unlucky, he
didn't put the red in the middle of | 0:31:15 | 0:31:20 | |
the pocket which is maybe why he
hasn't finished nights on the pink. | 0:31:20 | 0:31:26 | |
Can he go thin on the pink? Can go
behind the brown? That is the shot | 0:31:26 | 0:31:33 | |
to pay -- play if he can. He has to
be with a thin on the pink. | 0:31:33 | 0:31:39 | |
-- wafer thin. It gives them the
advantage now in this frame. OK, he | 0:31:42 | 0:31:50 | |
may 43 points behind but Shaun will
do well here not to leave the | 0:31:50 | 0:31:57 | |
chance. He is thinking. If he can
just come past the middle pocket and | 0:31:57 | 0:32:06 | |
maybe nestle on this red that is
closer to the left corner pocket in | 0:32:06 | 0:32:11 | |
the middle pocket is in the way. | 0:32:11 | 0:32:21 | |
A nice hit. I think he may have left
a pot on here. | 0:32:21 | 0:32:37 | |
If he did or did not it doesn't
matter. | 0:32:47 | 0:32:54 | |
matter. Yes, slowly but surely he is
moving all the reds into open play. | 0:32:54 | 0:32:59 | |
If he does get an opportunity it is
going to be a good one. | 0:32:59 | 0:33:07 | |
A similar type of shot but he played
before. He just flicked the red thin | 0:33:15 | 0:33:19 | |
and I thought he could possibly have
left the red that is near the black | 0:33:19 | 0:33:24 | |
spot. He is playing it again but he
needs to nestle. He is playing it | 0:33:24 | 0:33:30 | |
with pace and trying to get back up
the table. | 0:33:30 | 0:33:37 | |
the table. I don't know about that
as a shot. If Judd can pot this red | 0:33:37 | 0:33:45 | |
and glide the cue ball back to the
middle of the table then I suggest | 0:33:45 | 0:33:48 | |
he plays it but if he cannot then he
can have it replaced. He thinks he | 0:33:48 | 0:33:53 | |
can get on the pink. | 0:33:53 | 0:34:03 | |
He found the pass. It is not ideal
by any means. A tough yellow. It is | 0:34:04 | 0:34:11 | |
the ball that will get him back to
this end of the table. It looks to | 0:34:11 | 0:34:18 | |
me that he is making the most of the
pot. He concentrated so much on that | 0:34:18 | 0:34:23 | |
he didn't really think about the cue
ball. You need to make sure you are | 0:34:23 | 0:34:28 | |
on the brown at least. That is a
pretty good shot on the yellow. This | 0:34:28 | 0:34:34 | |
is a nice red. The cue ball has just
travelled. I thought it would be on | 0:34:34 | 0:34:42 | |
the red to the left corner. A great
pot on the yellow. Underneath the | 0:34:42 | 0:34:46 | |
cushion. | 0:34:46 | 0:34:54 | |
cushion. Second chance to pinch this
frame. This would hurt Shaun Murphy. | 0:34:54 | 0:35:01 | |
Whenever you are digging down you
really have to find the middle of | 0:35:01 | 0:35:04 | |
the cue ball and he did that. Of
course, this red are closest to the | 0:35:04 | 0:35:10 | |
left corner is the one he wants to
get rid of. It makes the black | 0:35:10 | 0:35:14 | |
available. | 0:35:14 | 0:35:19 | |
available. He struggled the pink in.
It is frames like this that can | 0:35:21 | 0:35:29 | |
really turn matches. | 0:35:29 | 0:35:35 | |
really turn matches. Yes,
absolutely, when you have two top | 0:35:35 | 0:35:37 | |
players it is hard to pick a winner.
It is the frames you win that you | 0:35:37 | 0:35:41 | |
should not have that sometimes
decide the outcome of the match. | 0:35:41 | 0:35:49 | |
There is just so much action on the
cue ball there, so little effort. | 0:35:49 | 0:35:57 | |
Possibly we are watching the two
players in the world that get more | 0:35:58 | 0:36:01 | |
action on the cue ball than anyone
else. Ronnie O'Sullivan does as well | 0:36:01 | 0:36:07 | |
but the cue power of these two
players is incredible. Effortless as | 0:36:07 | 0:36:10 | |
well. | 0:36:10 | 0:36:20 | |
A nice angle on this red, just a
stone to the top cushion. | 0:36:21 | 0:36:34 | |
A good shot that to leave himself
not straight on the black so he can | 0:36:36 | 0:36:40 | |
bring the cue ball out for the red.
This is the key one. A nice angle on | 0:36:40 | 0:36:50 | |
the red and if he pops it it will be
a nice one on the black. Now the | 0:36:50 | 0:36:56 | |
frame is at his mercy. You always
feel with a left-handed player it is | 0:36:56 | 0:37:02 | |
a lot easier to get on the yellow.
Margin of error for a left-hander. | 0:37:02 | 0:37:10 | |
Six points behind and he needs up to
and including the pink. | 0:37:10 | 0:37:23 | |
I suppose the only way he can go
wrong is getting on the blue. | 0:37:30 | 0:37:39 | |
He finished up with a perfect angle
on the blue and Shaun will have to | 0:37:55 | 0:37:59 | |
sit and suffer this one out. | 0:37:59 | 0:38:07 | |
sit and suffer this one out. Shaun
Murphy has a break of 52. Judd Trump | 0:38:07 | 0:38:11 | |
took the first frame but he got his
chance and he took it. He now leads | 0:38:11 | 0:38:17 | |
by 2-1. -- 2-0. | 0:38:17 | 0:38:24 | |
I think Shaun can get to this red to
the left middle. If he is going to | 0:38:50 | 0:38:58 | |
go for it he has to make sure he
gets the pot and played the next | 0:38:58 | 0:39:02 | |
shot. | 0:39:02 | 0:39:12 | |
He trusted to luck, and he got none.
A good pot. Shaun has missed a few | 0:39:23 | 0:39:29 | |
good chances and sometimes the ball
is never forgive you. I think he can | 0:39:29 | 0:39:35 | |
hit the black but if you cannot get
back to the ball and there is no | 0:39:35 | 0:39:39 | |
value in it. | 0:39:39 | 0:39:45 | |
value in it. I suppose if he dropped
the cue and he could get to the edge | 0:39:45 | 0:39:53 | |
off it and get the cue ball in the
top cushion. You know, if you put | 0:39:53 | 0:40:00 | |
the cue ball somewhere near that
circle. If he nominates another | 0:40:00 | 0:40:08 | |
colour he is going to have to play
it and it will be called this. I | 0:40:08 | 0:40:13 | |
think he can get through to the
black. | 0:40:13 | 0:40:24 | |
It looks like he could hit an edge
of it, you never know. He has | 0:40:26 | 0:40:30 | |
nominated brown. He will have to
have another go. A long way away. | 0:40:30 | 0:40:41 | |
You wouldn't think it is possible
for him not to be able to hit the | 0:40:45 | 0:40:49 | |
black. | 0:40:49 | 0:40:54 | |
black. A very delicate replacing the
cue ball here is required. Of course | 0:40:54 | 0:41:00 | |
he will have checked whether he has
a path to the black. He can hit the | 0:41:00 | 0:41:07 | |
edge of the black, I don't see why
he cannot hit this cue ball back to | 0:41:07 | 0:41:11 | |
the top cushion. | 0:41:11 | 0:41:18 | |
the top cushion. Well, he just said
to the referee, I don't think I can | 0:41:19 | 0:41:22 | |
hit the black full ball, but if you
can get the half ball on the | 0:41:22 | 0:41:25 | |
right-hand side you could try to
come out but he has decided the line | 0:41:25 | 0:41:29 | |
he took for the brown and hit the
yellow, can he play the same shot | 0:41:29 | 0:41:32 | |
again? No. | 0:41:32 | 0:41:41 | |
again? No. He is putting the cue
ball somewhere near the right | 0:41:41 | 0:41:44 | |
pocket, is that not safe? Is seems
to me that he can do it. He said he | 0:41:44 | 0:41:48 | |
could not get the black full ball,
but if he cannot hit it full ball | 0:41:48 | 0:41:52 | |
then he must be able to get half of
it. Surely then he could play the | 0:41:52 | 0:41:56 | |
cue ball back to the baulk cushion.
It would be reasonably safe, you | 0:41:56 | 0:42:00 | |
would have thought. | 0:42:00 | 0:42:06 | |
would have thought. Anyway, he had a
go at the brown and he hit the | 0:42:06 | 0:42:08 | |
yellow and then he thought on the
line he was going he would hit the | 0:42:08 | 0:42:11 | |
yellow 20 nominated and nearly hit
the brown. It is decision time. | 0:42:11 | 0:42:17 | |
Going back to brown. A good line. A
better line. Not quite there. | 0:42:17 | 0:42:28 | |
better line. Not quite there. These
points are adding up. | 0:42:31 | 0:42:40 | |
What is it going to be this time?
Yellow? | 0:42:58 | 0:43:09 | |
Yellow? Of course, the other thing
to remember here, and he can hit the | 0:43:10 | 0:43:14 | |
black but I think the point that
Shaun was making, because he cannot | 0:43:14 | 0:43:18 | |
hit the black full ball and the miss
would be called, if he could hit the | 0:43:18 | 0:43:22 | |
black full ball then eventually he
would have to play the black, | 0:43:22 | 0:43:25 | |
wouldn't he? | 0:43:25 | 0:43:33 | |
wouldn't he? Brown again. It just
needs a little bit more right-hand | 0:43:33 | 0:43:38 | |
side. | 0:43:38 | 0:43:43 | |
side. No, we have got a bit more of
a noise from the audience there. | 0:43:46 | 0:43:53 | |
That is not going to affect the
referee 's decision. | 0:43:53 | 0:44:01 | |
You see how it nestles down into a
little indentation where he is | 0:44:18 | 0:44:22 | |
striking down into the cue ball. | 0:44:22 | 0:44:32 | |
striking down into the cue ball. It
definitely looks from that angle | 0:44:32 | 0:44:33 | |
that he could hit that ball. It is
all happening now. | 0:44:33 | 0:44:40 | |
all happening now. It is a delicate
job. | 0:44:43 | 0:44:48 | |
You have to be having a laugh. It is
important for Shaun because he is | 0:44:55 | 0:45:05 | |
having to readjust slightly. At the
moment he is trying to play it with | 0:45:05 | 0:45:09 | |
a trace of right-hand side. | 0:45:09 | 0:45:15 | |
I just cannot get a touch in. It
obviously was touching the red and | 0:45:35 | 0:45:44 | |
he just cannot get it there. As
Shaun was striking down there will | 0:45:44 | 0:45:48 | |
be a little indentation in the cloth
which the cue ball keeps rocking | 0:45:48 | 0:45:52 | |
back to. Of course, if it is not
touching then he will be able to see | 0:45:52 | 0:46:00 | |
the black quite comfortably. | 0:46:00 | 0:46:08 | |
the black quite comfortably. I know
one person who will be hoping that | 0:46:08 | 0:46:11 | |
Shaun escapes from this this time,
and that is the referee. | 0:46:11 | 0:46:21 | |
Yellow. Good choice. Good choice.
The referee will be over the moon! | 0:46:40 | 0:46:49 | |
Shaun is not too disappointed
either. | 0:46:49 | 0:46:55 | |
This could be a Judd Trump special
here. | 0:47:09 | 0:47:15 | |
You don't normally do that with the
flies. I hate to tell you that, I | 0:47:22 | 0:47:26 | |
know you don't like them, but there
was a wasp in the arena the other | 0:47:26 | 0:47:29 | |
day. | 0:47:29 | 0:47:34 | |
It has gone now. | 0:47:43 | 0:47:53 | |
That was a little bit off-putting
for Judd there, in all honesty. | 0:47:57 | 0:48:01 | |
Maybe he should have just taken a
step back. Yes, there is another | 0:48:01 | 0:48:07 | |
one. It is not that one anymore, I
guarantee you that. That's his | 0:48:07 | 0:48:15 | |
brother! | 0:48:15 | 0:48:20 | |
brother! Yes, it was a wasp. | 0:48:20 | 0:48:26 | |
It is not the easiest of chances. He
is using the rest. You have to fancy | 0:48:32 | 0:48:40 | |
him to pot it, he doesn't miss many
with the rest. Commentators curse. | 0:48:40 | 0:48:50 | |
Yes, all that getting out of the
sleeker and 20 kilowatts and I think | 0:48:50 | 0:48:54 | |
the concentration has gone. | 0:48:54 | 0:49:04 | |
He did not intend for the red to run
into the blue. He has left a pot of | 0:49:21 | 0:49:24 | |
this red. Hide under the ocean. It
is hard to see whether comes from. | 0:49:24 | 0:49:38 | |
What a wonderful shot. | 0:49:38 | 0:49:47 | |
Just going into this a little bit
too much. Is there a gap between the | 0:50:14 | 0:50:18 | |
red and the black? Not quite. | 0:50:18 | 0:50:26 | |
red and the black? Not quite. I
cannot see anything else he can pot. | 0:50:26 | 0:50:32 | |
He is having a look. I cannot see
anything. Unless there is a gap | 0:50:34 | 0:50:46 | |
between pink and blue that gives him
the edge of a red. It doesn't look | 0:50:46 | 0:50:50 | |
like it from here. There was the
edge but not enough to pot it. | 0:50:50 | 0:51:02 | |
He to the corner. He needs the cover
cover. Got one. A little bit | 0:51:58 | 0:52:06 | |
fortunate. I know the brown was the
target but you could not risk | 0:52:06 | 0:52:11 | |
knocking the red towards the corner
pocket. As it happens the brown has | 0:52:11 | 0:52:17 | |
come to his rescue. | 0:52:17 | 0:52:27 | |
This one is probably more telling is
a safety shot. Particularly if he | 0:52:39 | 0:52:45 | |
cannot get past the blue. He can,
but can he cover the right corner? | 0:52:45 | 0:52:59 | |
The cue ball needs to travel.
Another trademark. Judd Trump safety | 0:52:59 | 0:53:11 | |
around the ankles. He has left this
red. | 0:53:11 | 0:53:18 | |
red. A good chance that the reds are
pretty well in the open now. | 0:53:18 | 0:53:28 | |
pretty well in the open now. Again,
level cueing. It has not been the | 0:53:30 | 0:53:36 | |
type of frame that I have expected
in this match from these two. They | 0:53:36 | 0:53:40 | |
all count. An important one for
Shaun Murphy. Get back into this | 0:53:40 | 0:53:50 | |
match. | 0:53:50 | 0:53:57 | |
This red will make points all
square. Everything in front of him. | 0:53:57 | 0:54:03 | |
No real tricky balls to stop him.
This is a great chance now. The way | 0:54:03 | 0:54:13 | |
the first two frames, and
particularly the last one, he will | 0:54:13 | 0:54:18 | |
feel he desperately needs this one. | 0:54:18 | 0:54:29 | |
He will have to play for the pink of
the left middle now. You don't want | 0:54:49 | 0:54:53 | |
to leave yourself too straight. He
decided to play the web and through | 0:54:53 | 0:55:00 | |
and it is important the red on the
baulk end he had a bit more margin | 0:55:00 | 0:55:04 | |
for error. | 0:55:04 | 0:55:09 | |
Leaving himself on this red he can
get the black back on its spot. | 0:55:17 | 0:55:30 | |
He decided that he would play back
for the pink. The reason I thought | 0:55:58 | 0:56:02 | |
he would play for their black is the
red to the left of the black would | 0:56:02 | 0:56:05 | |
have been available. The Blackwood
have only been available into one | 0:56:05 | 0:56:11 | |
corner, but that shouldn't have been
a problem. Anyway, it is as he sees | 0:56:11 | 0:56:15 | |
it. | 0:56:15 | 0:56:23 | |
He has got that cue ball running
loose at the moment but he is OK to | 0:56:39 | 0:56:44 | |
pot the blue as long as he avoids
the kiss on the yellow, he should be | 0:56:44 | 0:56:48 | |
OK. | 0:56:48 | 0:56:53 | |
32 points the lead, still looking
for three more reds. | 0:56:59 | 0:57:06 | |
for three more reds. Not an absolute
formality. | 0:57:08 | 0:57:18 | |
He played that quite nicely but this
red is missable. | 0:57:38 | 0:57:48 | |
red is missable. The cue ball just
bounced off an inch or two too far | 0:57:48 | 0:57:51 | |
to make it a comfortable red. I will
go back and I know people have the | 0:57:51 | 0:57:59 | |
choices to make but I don't
understand why he didn't play for | 0:57:59 | 0:58:02 | |
the black. Here we are in the break.
Just get the black back on its spot | 0:58:02 | 0:58:07 | |
and it gives the frame a bit more
normality. When he played the blue | 0:58:07 | 0:58:15 | |
for the red I thought he could play
pink for the red he just missed. A | 0:58:15 | 0:58:18 | |
lovely angle on the pink to drop on
it. Sometimes a sign of maybe not | 0:58:18 | 0:58:27 | |
completely relaxed or concentrating
properly when you played the wrong | 0:58:27 | 0:58:30 | |
shots and you do not see the right
shots. Sometimes you try and take | 0:58:30 | 0:58:37 | |
the easy way out. Yes, it caught up
with him in the end. You're | 0:58:37 | 0:58:45 | |
absolutely right. This is tricky.
Well, it is not the worst kiss on | 0:58:45 | 0:58:56 | |
the blue. | 0:58:56 | 0:59:01 | |
The he didn't pot the blue cleanly.
That's worthy cue ball has come up | 0:59:13 | 0:59:20 | |
about a foot short. | 0:59:20 | 0:59:29 | |
about a foot short. This red is
missable, although I don't expect | 0:59:29 | 0:59:31 | |
him to. Looks to have a nice angle
to play for the red into the same | 0:59:31 | 0:59:39 | |
pocket of the black. Doesn't want to
be straight. Doesn't want to be | 0:59:39 | 0:59:45 | |
straight. | 0:59:45 | 0:59:50 | |
He's right back in the frame. Good
shot. | 1:00:06 | 1:00:14 | |
APPLAUSE
Needed a natural angle to get | 1:00:14 | 1:00:22 | |
somewhere close to the yellow. Great
pot on the black. Putting the cue | 1:00:22 | 1:00:30 | |
ball behind the brown, here. | 1:00:30 | 1:00:39 | |
Made contact with the blue. Now this
new kit is made harder because the | 1:00:43 | 1:00:47 | |
yellow is in the middle of the
table. So much more difficult to get | 1:00:47 | 1:00:51 | |
safe. | 1:00:51 | 1:00:56 | |
safe. -- now this snooker is made
harder. When you think back to the | 1:00:59 | 1:01:07 | |
points he gave away earlier on in
this frame, it all counts up at the | 1:01:07 | 1:01:13 | |
end. Missed it. It was the place
that did it. | 1:01:13 | 1:01:22 | |
that did it. There is no way that
Judd will not have this replaced. I | 1:01:23 | 1:01:30 | |
think it is OK, what I think pink
was on the spot, I think the black | 1:01:30 | 1:01:35 | |
was on its spot and those war the
only two balls that moved. Quite an | 1:01:35 | 1:01:41 | |
easy replacement | 1:01:41 | 1:01:48 | |
easy replacement job for Jan
Verhaas. That was Robert was and | 1:01:48 | 1:01:50 | |
that is where it is now, and that is
absolutely perfect. Looks good to | 1:01:50 | 1:01:56 | |
me. | 1:01:56 | 1:02:01 | |
Here is a look at where it was.
Absolutely perfect. | 1:02:06 | 1:02:14 | |
Absolutely perfect. He is hitting
and hoping for the best that we can | 1:02:14 | 1:02:17 | |
get it safe. Hoping for the best.
Where's the cue ball going? The | 1:02:17 | 1:02:28 | |
black got on their way. The cue ball
was going towards the corner pocket, | 1:02:28 | 1:02:32 | |
but Shaun has got it safe and that
was the main thing, as far as he was | 1:02:32 | 1:02:37 | |
concerned. Just look at the cue ball
here. Heading straight for that | 1:02:37 | 1:02:41 | |
corner pocket, but the black
intervened. | 1:02:41 | 1:02:50 | |
intervened. Pool safety from Judd,
bour safety. And that's probably | 1:02:50 | 1:02:53 | |
going to cost him the frame. Shaun
Murphy gets a chance to put his | 1:02:53 | 1:03:00 | |
first frame on the scoreboard.
LAUGHTER | 1:03:00 | 1:03:14 | |
LAUGHTER | 1:03:14 | 1:03:21 | |
Three people decided to leave the
arena, just as he gets on this very | 1:03:21 | 1:03:25 | |
important chance.
APPLAUSE | 1:03:25 | 1:03:36 | |
Eight points the lead. Just brown
and blue needed. | 1:03:40 | 1:03:50 | |
These frames could have gone either
way, really. Not what we expected | 1:04:01 | 1:04:09 | |
from these two. Yet to catch fire,
if you like. Both pretty nervy. | 1:04:09 | 1:04:23 | |
You will want to make certain of
this. Just one snooker needed at the | 1:04:24 | 1:04:31 | |
moment. And that'll be mightily
relieved Shaun Murphy. | 1:04:31 | 1:04:39 | |
relieved Shaun Murphy. Judd Trump
into just another one to make it | 1:04:39 | 1:04:42 | |
3-0, but Shaun Murphy will be
delighted he has got a frame on the | 1:04:42 | 1:04:46 | |
scoreboard. Judd Trump leads, 2-1. | 1:04:46 | 1:04:57 | |
REFEREE: Frame six, Judd Trump to
break. | 1:05:01 | 1:05:08 | |
The important thing with these types
of matches when you are not playing | 1:05:17 | 1:05:22 | |
well, is just think of the number of
frames you need to win the match, | 1:05:22 | 1:05:27 | |
the number six. Just keep thinking
of that. | 1:05:27 | 1:05:33 | |
It's Shaun Murphy going to be the
first of these two players to break | 1:05:49 | 1:05:56 | |
free from the style of snooker we
have seen so far, and win the frame | 1:05:56 | 1:06:00 | |
in one visit? | 1:06:00 | 1:06:08 | |
in one visit? With the talent that
we got on show today, there hasn't | 1:06:08 | 1:06:11 | |
been one, yet. | 1:06:11 | 1:06:21 | |
Sometimes, John, if one player
starts playing well it can spark the | 1:06:33 | 1:06:36 | |
other into life. As we have alluded
to a few times, maybe the match has | 1:06:36 | 1:06:43 | |
become too important for both
players. There is a lot of talk | 1:06:43 | 1:06:51 | |
around the armies and the powers
that the winner of this match would | 1:06:51 | 1:06:54 | |
be favourite to win the tournament.
-- around the Alexandra Palace. | 1:06:54 | 1:07:00 | |
Maybe that is just adding more
pressure to the match. That's | 1:07:00 | 1:07:06 | |
unusual for Shaun to Mr blue like
that. -- to miss a blue. After a | 1:07:06 | 1:07:15 | |
good long pot, in amongst the balls,
good chance to score heavily, and it | 1:07:15 | 1:07:19 | |
comes to an abrupt end. | 1:07:19 | 1:07:30 | |
comes to an abrupt end. When I said
that Trump had lost interest, in | 1:07:30 | 1:07:35 | |
that firm he needed two snookers. He
has still very much got an interest | 1:07:35 | 1:07:40 | |
in winning this match and going on
to win the Masters. Just one of | 1:07:40 | 1:07:44 | |
those days, both players struggling.
Judd Trump, unbelievably, still to | 1:07:44 | 1:07:53 | |
make a century in this tournament.
His highest break, 55. | 1:07:53 | 1:08:06 | |
Not the right angle on this pink.
Might have to go in and out of | 1:08:06 | 1:08:13 | |
baulk. | 1:08:13 | 1:08:18 | |
Got to avoid the yellow. He's not
played for a specific red, more hit | 1:08:22 | 1:08:34 | |
and hope, and he will be pretty
happy with that result. | 1:08:34 | 1:08:41 | |
happy with that result. He couldn't
have hoped for much better. He's got | 1:08:41 | 1:08:44 | |
this red to the corner which he
feels he can pot and hold for the | 1:08:44 | 1:08:50 | |
pink, which he could do comfortably.
Having a bit of a problem with his | 1:08:50 | 1:08:56 | |
cue at the moment. Finding the bit
sticky. A damp cloth usually does | 1:08:56 | 1:09:00 | |
the trick. Why bring it with a damp
cloth, and then just let it dry | 1:09:00 | 1:09:07 | |
naturally. -- white it with a damp
cloth. | 1:09:07 | 1:09:15 | |
With a maple cue, you have two dry
it with a dry cloth, after. Is that | 1:09:17 | 1:09:26 | |
a fat? I use an Ash cue, so... You
learn something everyday! | 1:09:26 | 1:09:37 | |
The ash cue has a grain running down
the grain, as you can clearly see | 1:09:48 | 1:09:53 | |
there. The maple cue has nothing. | 1:09:53 | 1:10:01 | |
Down the years the majority of the
top players have used the ash. I | 1:10:17 | 1:10:22 | |
think it is a stronger bit of wood.
Yes. The first cue I ever had was a | 1:10:22 | 1:10:28 | |
maple. But then I was given an ash
cue and I used it all my career. And | 1:10:28 | 1:10:34 | |
that was the thing. In those days
you use to use the same cue | 1:10:34 | 1:10:39 | |
throughout your career, whereas now
with technology, well, Ronnie | 1:10:39 | 1:10:46 | |
O'Sullivan gets new cues made nearly
every season. | 1:10:46 | 1:10:53 | |
every season. He goes to John Price,
as most of the top players do, and | 1:10:53 | 1:11:01 | |
he makes him an exact replica.
Annual was fuel with the ash, | 1:11:01 | 1:11:08 | |
because of the grain, that it
sometimes looks different when you | 1:11:08 | 1:11:11 | |
look down the cue -- and you always
feel with the ash. And meanwhile, | 1:11:11 | 1:11:19 | |
Judd Trump, he's taking these very
well. The pink's out of commission | 1:11:19 | 1:11:28 | |
now but he still got a nice angle on
either red the play nicely on the | 1:11:28 | 1:11:32 | |
black. And this black will put him
40 points in front with remaining. | 1:11:32 | 1:11:41 | |
So, only a couple of reds away from
extending his lead to two frames | 1:11:41 | 1:11:47 | |
once again. | 1:11:47 | 1:11:52 | |
Good place of the red to the right
of the pink of the left middle but | 1:11:57 | 1:12:02 | |
he's looking at that one to the
right middle. Just this black and | 1:12:02 | 1:12:11 | |
one more red required. | 1:12:11 | 1:12:17 | |
His highest break of the match so
far. His previous was 61. | 1:12:24 | 1:12:35 | |
far. His previous was 61. Just what
he needed, Judd Trump, to win the | 1:12:35 | 1:12:38 | |
frame in one visit with one scoring
break. | 1:12:38 | 1:12:44 | |
break. Seem to be struggling with
his patience in the last frame. Has | 1:12:49 | 1:12:54 | |
to be said, of course, that this
opportunity came all about from | 1:12:54 | 1:13:01 | |
Shaun missing the blue to the far
corner pocket. After a good long | 1:13:01 | 1:13:06 | |
opening red, I looked to have a good
chance, but this is what we expect, | 1:13:06 | 1:13:12 | |
you make a mistake when you're in,
your opponent taking full advantage. | 1:13:12 | 1:13:17 | |
It's not having as much today, but
this could be good signs for the | 1:13:17 | 1:13:22 | |
Judd Trump camp. -- it's not
happening as much today. Looks to | 1:13:22 | 1:13:29 | |
have played this nicely. Just Nice
to creep by the yellow. It didn't, | 1:13:29 | 1:13:34 | |
but it is on to the middle but this
could be his first -- could be our | 1:13:34 | 1:13:44 | |
first century and Judd's first of
the tournament. We've already had 21 | 1:13:44 | 1:13:50 | |
centuries. | 1:13:50 | 1:13:55 | |
centuries. And the blue, being where
it is, of course, perfect for a | 1:13:56 | 1:14:00 | |
left-hander. | 1:14:00 | 1:14:05 | |
CROWD GASPS
Well, what a pity. It doesn't really | 1:14:13 | 1:14:20 | |
matter to do Judd Trump, I suppose,
Shaun Murphy had a chance on a good | 1:14:20 | 1:14:28 | |
long red to keep it going and a nice
break of 91 from Judd Trump they | 1:14:28 | 1:14:32 | |
sent two frames in front once again.
REFEREE: Thank you, ladies and | 1:14:32 | 1:14:42 | |
gentlemen. Frame seven, Shaun Murphy
to break. | 1:14:42 | 1:14:53 | |
Decent break. Good length of the cue
ball. | 1:15:01 | 1:15:07 | |
Unfortunate, unwanted eyes should
say, the flick on the green to leave | 1:15:23 | 1:15:28 | |
this rate for Shaun Murphy. It is a
big frame for Shaun Murphy. | 1:15:28 | 1:15:42 | |
Made the pot easier. He could play
it with as much pace as he wanted. | 1:15:45 | 1:15:50 | |
Any little bounce off the baulk
cushion, he was bound to be nicely | 1:15:50 | 1:15:53 | |
on the green, which he is. But he's
got to make the most of these | 1:15:53 | 1:15:59 | |
opportunities. Because if you don't,
it just saps your confidence. | 1:15:59 | 1:16:08 | |
it just saps your confidence. He had
his first chance in the last frame | 1:16:08 | 1:16:11 | |
and didn't make the best of it. I be
amazed if he didn't play for the | 1:16:11 | 1:16:16 | |
blue, there. He is overrun that. --
he has overrun that. | 1:16:16 | 1:16:28 | |
He has been very good with the rest.
Could be looking to drop it in dead | 1:16:46 | 1:16:52 | |
weight for the black did the
opposite corner just play the stunt | 1:16:52 | 1:16:54 | |
of the back of a black, which ever
makes you feel more comfortable. The | 1:16:54 | 1:17:00 | |
stun round the back of the black.
Couldn't have played it better. | 1:17:00 | 1:17:08 | |
APPLAUSE
Thing is about this sort of | 1:17:08 | 1:17:19 | |
situation, particularly as Shaun is
struggling somewhat, you don't want | 1:17:19 | 1:17:23 | |
to get ahead of yourself, there.
Just trying to get a nice rhythm | 1:17:23 | 1:17:27 | |
going. Don't go to click and then
don't start looking for problems | 1:17:27 | 1:17:35 | |
that are not there. This is a good
chance. Just recognise it for being | 1:17:35 | 1:17:41 | |
that. He's played that mostly. He's
broke reds into play and still has a | 1:17:41 | 1:17:49 | |
nice position on the black. Big
moments in the match, now, for me, | 1:17:49 | 1:17:55 | |
for Shaun. You know what he's
capable of, and so busy. The fact | 1:17:55 | 1:18:04 | |
that he's not produced, just adding
that pressure. | 1:18:04 | 1:18:12 | |
And the reason for that, then, he
has put in a trace of right-hand | 1:19:14 | 1:19:18 | |
side, just a little bit firm, and it
pushed the cue ball into the red. | 1:19:18 | 1:19:22 | |
Lucky to see it drop. That will
heighten his senses and make him | 1:19:22 | 1:19:31 | |
take nothing for granted. Nearly
broke down, there. | 1:19:31 | 1:19:44 | |
Took the easy way of getting
position. He will be guaranteed to | 1:19:57 | 1:20:01 | |
be on this red. Two reds, two
colours, that's what's required. | 1:20:01 | 1:20:16 | |
He's not played the best shot their
to make it automatic to get on this | 1:20:16 | 1:20:22 | |
last open red.
APPLAUSE | 1:20:22 | 1:20:32 | |
He will be pretty sure of this red
with the rest. Frame ball, 4-2 down. | 1:20:32 | 1:20:39 | |
A bit of pressure on it. A little
bit of work to do with the cue ball. | 1:20:39 | 1:20:48 | |
To move the red. -- to move the
colour after the red. Went right in | 1:20:48 | 1:20:58 | |
the heart of the pocket. And this
black hole put here 70 points in | 1:20:58 | 1:21:04 | |
front with just 67 remaining. | 1:21:04 | 1:21:12 | |
front with just 67 remaining. Better
from Shaun Murphy, apart from that | 1:21:12 | 1:21:16 | |
one red that he wore bowled in the
left corner, he's taken this very | 1:21:16 | 1:21:23 | |
well. -- that he wobbled. It is
amazing. He has played a mediocre | 1:21:23 | 1:21:33 | |
match all day. Then with Judd Trump
Windsor framing one visit. And Shaun | 1:21:33 | 1:21:40 | |
Murphy follows him in the next
frame. A chance for Shaun to get one | 1:21:40 | 1:21:50 | |
here, century break. | 1:21:50 | 1:22:00 | |
You would like to finish long on
this red to bring the other one into | 1:22:05 | 1:22:10 | |
play, but he can't do it this time.
Earth, but he did at that time, | 1:22:10 | 1:22:21 | |
absolutely perfect. Sure of the
century now, surely. | 1:22:21 | 1:22:34 | |
The blue or the link for the 22nd
century of the tournament. Would you | 1:22:39 | 1:22:46 | |
believe it? Neither the eye. Anyway,
I didn't get a century but a | 1:22:46 | 1:22:53 | |
marvellous break of 95 from Shaun
Murphy. Match on, 4-2 Judd Trump. | 1:22:53 | 1:23:07 | |
Decent break-off shot from Judd.
That will get the crowd involved | 1:23:18 | 1:23:23 | |
again. | 1:23:23 | 1:23:28 | |
again. These long, drawn-out frames,
not only the players lose a bit of | 1:23:29 | 1:23:32 | |
concentration, so do the audience.
But the last two frames will have | 1:23:32 | 1:23:37 | |
sparked everybody into life. The
first to 6, remember, for a place in | 1:23:37 | 1:23:44 | |
the semifinal. Could be touching
ball. Well, now, as | 1:23:44 | 1:23:59 | |
it was Jan Verhaas would have
declared it. But the path back to | 1:24:01 | 1:24:07 | |
the baulk for Judd. So just playing
to this top cushion. Shaun, with an | 1:24:07 | 1:24:15 | |
easy shot back to the baulk end. | 1:24:15 | 1:24:25 | |
A little bit short of pace. Shaun,
having a look at the possibility of | 1:24:45 | 1:24:51 | |
a plant, but he can't get through
it. It is covered by the brown. | 1:24:51 | 1:24:57 | |
These are the two reds who was
looking at. It could possibly be | 1:24:57 | 1:25:00 | |
made into a plant, looking at them
as he has done, he's given the game | 1:25:00 | 1:25:07 | |
away for his opponent. So many
giving Judd a chance of that plan. | 1:25:07 | 1:25:15 | |
-- so maybe giving Judd a chance of
that plant. He has underhit that | 1:25:15 | 1:25:24 | |
badly. This red is on to the left
corner. | 1:25:24 | 1:25:36 | |
corner. Judd's have a look at the
plant. But this should be well | 1:25:36 | 1:25:41 | |
within his range. Applause macro
nicely end. It stops short of the | 1:25:41 | 1:25:50 | |
baulk line, bound to be on green or
yellow, and he is. And he can play | 1:25:50 | 1:25:58 | |
for that plant now if he fancies it.
The choice of playing for the plant | 1:25:58 | 1:26:06 | |
or the red above the black to the
right corner. Yellow or green will | 1:26:06 | 1:26:13 | |
work. | 1:26:13 | 1:26:23 | |
He got very close to that middle
pocket. His heart would have been in | 1:26:24 | 1:26:28 | |
his mouth. Anyway, is OK now. | 1:26:28 | 1:26:34 | |
That plan, not dead set, but because
of his close together it can be | 1:26:56 | 1:27:00 | |
reversed. It depends how we get on
the blue where they will play it or | 1:27:00 | 1:27:04 | |
not. He is a bit thin on the blue to
play for it, will he risk cannoning | 1:27:04 | 1:27:10 | |
into the pink? Into the think he
went, but that is not that plant in. | 1:27:10 | 1:27:19 | |
Have a look again. This had to be
on, surely. He hits the pink. The | 1:27:19 | 1:27:28 | |
pink hits the red to the right of
it, which has gone on to those two | 1:27:28 | 1:27:33 | |
reds. That was careless. That was
not unlucky. | 1:27:33 | 1:27:40 | |
Hmm. Just slightly off, but that
just reversed it. And in its win. He | 1:27:49 | 1:28:03 | |
could have played the plant and
probably would have done if he had | 1:28:03 | 1:28:07 | |
finished straight on the blue. Maybe
a bit less space on the break into | 1:28:07 | 1:28:15 | |
the reds. Anyway, whatever, Shaun
Murphy, after playing a very good | 1:28:15 | 1:28:21 | |
safety, it didn't cost him a lot,
and he's got the chance to level the | 1:28:21 | 1:28:27 | |
match at this visit. | 1:28:27 | 1:28:33 | |
Just OK. | 1:29:55 | 1:30:01 | |
He won't be happy with that one.
That is a mistake. | 1:30:32 | 1:30:45 | |
He played a stone and got more of a
screw on it. | 1:30:45 | 1:30:53 | |
screw on it. -- stun. He is not out
of the woods yet. He is not out of | 1:30:56 | 1:31:01 | |
the woods yet. I have got a feeling
that pot was born out of | 1:31:01 | 1:31:09 | |
frustration. There is pressure on
this blue. But right in the heart of | 1:31:09 | 1:31:19 | |
the pocket. So just beginning to up
his game. | 1:31:19 | 1:31:29 | |
his game. Still looking for red,
colour, red. | 1:31:29 | 1:31:38 | |
Red now will put him 47 points in
front with 43 remaining. He is just | 1:32:03 | 1:32:11 | |
checking the school and making
servant -- certain. I don't blame | 1:32:11 | 1:32:17 | |
him for that. This red to level the
match. | 1:32:17 | 1:32:26 | |
Well, I wouldn't think of, or
overthink this. Just roll of the | 1:32:46 | 1:32:50 | |
blue rain. 43 points remaining and
53 in front. | 1:32:50 | 1:33:01 | |
53 in front. There you see it. Three
snooker is needed. 34-macro point | 1:33:01 | 1:33:05 | |
snookers. | 1:33:05 | 1:33:12 | |
snookers. Judd may not even carry
on. Yes, I don't know. Sometimes you | 1:33:13 | 1:33:20 | |
find yourself over thinking these
shots and trying to be too clever. | 1:33:20 | 1:33:29 | |
59 and the frame Shaun Murphy. He
will concede. Shaun Murphy from 4-2 | 1:33:29 | 1:33:37 | |
behind has now squared the match. | 1:33:37 | 1:33:41 | |
Best-of-3 now to get into the
semifinal. The standard has gone up | 1:33:55 | 1:34:02 | |
in the last two or three frames,
back to the sort of snooker we | 1:34:02 | 1:34:05 | |
expected from these two. | 1:34:05 | 1:34:12 | |
The pressure will just keep ramping
up now in this match. | 1:34:25 | 1:34:37 | |
Sending the red towards the corner.
If Judd can avoid a kiss on the | 1:35:39 | 1:35:47 | |
second red he will be tempted by
this red into the right corner, | 1:35:47 | 1:35:52 | |
although he is looking for the
possibility of a plant. I think that | 1:35:52 | 1:35:59 | |
is more the kiss of trying not to
knock the red over the pocket. He | 1:35:59 | 1:36:04 | |
wants to get it back to the baulk
cushion. He has hit this badly. He | 1:36:04 | 1:36:09 | |
will be looking up to leave this
word. -- red. He has not left it. It | 1:36:09 | 1:36:19 | |
looks big pocket. If that cue ball
was not as close to the baulk | 1:36:19 | 1:36:23 | |
cushion, Shaun would take this on.
He may well still take this on. And | 1:36:23 | 1:36:31 | |
it did. A beautiful shot. He
deserves to be on the black. The | 1:36:31 | 1:36:38 | |
shot of the match there. Any pot on
the black is probably acceptable but | 1:36:38 | 1:36:48 | |
look at that, he probably never
needed the red. A superb hit. He is | 1:36:48 | 1:36:55 | |
going to need another one here if he
goes for this red. The position on | 1:36:55 | 1:36:58 | |
the black. | 1:36:58 | 1:37:07 | |
the black. Looks very straight and
the more pace you put into this type | 1:37:07 | 1:37:10 | |
of shot the more difficult it is.
You don't want to try and pinch | 1:37:10 | 1:37:14 | |
anything. Beautifully. | 1:37:14 | 1:37:23 | |
anything. Beautifully. This shot a
man already potted previously, I | 1:37:23 | 1:37:25 | |
love the way Shaun Murphy just gets
down and plays the shot, there is | 1:37:25 | 1:37:29 | |
never a doubt in his mind once he
has decided to play the shot. It is | 1:37:29 | 1:37:37 | |
when he gets up from the shot
sometimes, that is when he is least | 1:37:37 | 1:37:42 | |
likely to pot it. That long red, as
soon as he saw it he just got down | 1:37:42 | 1:37:48 | |
and played it. | 1:37:48 | 1:37:57 | |
A chance of a pot here for Judd. He
has got to start knocking these long | 1:38:10 | 1:38:15 | |
ones in as well now. | 1:38:15 | 1:38:20 | |
ones in as well now. Well, I will
forgive him for that. You always are | 1:38:20 | 1:38:23 | |
on the side of hitting it too soon
and he probably thought if he hit to | 1:38:23 | 1:38:27 | |
think he could run into the black
and that would be a dangerous shot. | 1:38:27 | 1:38:32 | |
He maybe didn't even play the pot
there. | 1:38:32 | 1:38:41 | |
The double-kiss. But it has run
safe. | 1:38:53 | 1:39:03 | |
Another double-kiss. He has a tough
red here. I think he just passes the | 1:39:58 | 1:40:11 | |
yellow. He can't afford to miss it.
A great shot. A good kiss on the | 1:40:11 | 1:40:25 | |
green. He may even be able to get
through to the yellow which would be | 1:40:25 | 1:40:28 | |
a bonus. | 1:40:28 | 1:40:35 | |
He has gone into the bunch. He needs
to get through the gap from the red | 1:40:57 | 1:41:02 | |
into the main bunch. He did do. A
good shot. | 1:41:02 | 1:41:18 | |
The wrong side of the blue, but that
red on the right corner is available | 1:41:24 | 1:41:30 | |
so he can just drop this blew in
unless he has angle to go around the | 1:41:30 | 1:41:34 | |
table but he can just drop it in.
Particularly with the yellow not | 1:41:34 | 1:41:40 | |
being on the spot, he could run into
the yellow and ruin his position. I | 1:41:40 | 1:41:45 | |
don't know why he doesn't just rule
it in -- roll it in. It is adjacent | 1:41:45 | 1:41:50 | |
to the right-hand corner. That was
the wise choice. Yes, at this stage | 1:41:50 | 1:42:01 | |
in the match you do not take risks
unnecessarily. | 1:42:01 | 1:42:13 | |
unnecessarily. A great view of the
way Judd drop ends up -- a great | 1:42:13 | 1:42:20 | |
view of the wagered trompe lines it
up. That is where you can go wrong | 1:42:20 | 1:42:29 | |
if you hit the ball too hard and it
doesn't give a chance for the cue to | 1:42:29 | 1:42:33 | |
come back online. He is in good
shape now. | 1:42:33 | 1:42:46 | |
shape now. I think that little
cluster, I think the end red, he is | 1:42:46 | 1:42:49 | |
having a look right now, that end
red goes in the same pocket as black | 1:42:49 | 1:42:54 | |
but maybe not of this shot. Two
straight on the black but he played | 1:42:54 | 1:42:58 | |
that nicely for the red to the right
middle. | 1:42:58 | 1:43:05 | |
middle. Well, does that red go? It
would be handy if it did. But it | 1:43:06 | 1:43:12 | |
looks tight. Decision time for Judd.
He could screw back off the side | 1:43:12 | 1:43:21 | |
cushion for the black or look for a
nice angle on the blue. He has got | 1:43:21 | 1:43:29 | |
the nice angle on the blue. Now,
there is a red that is just out of | 1:43:29 | 1:43:35 | |
that cluster of five, sticking out
or stop if you play the cannon into | 1:43:35 | 1:43:40 | |
the pink it could go wrong.
Obviously this red we were talking | 1:43:40 | 1:43:47 | |
about a few moments ago does go.
That made the choice of easy one. | 1:43:47 | 1:44:01 | |
That made the choice of easy one. He
is looking at the red to the right | 1:44:01 | 1:44:03 | |
middle and it is an awkward red and
he is thinking, can I get rid of | 1:44:03 | 1:44:07 | |
this now? There was no problem
playing that one. He may have to | 1:44:07 | 1:44:13 | |
play at Cannes and this time,
though. He is not as straight on the | 1:44:13 | 1:44:20 | |
black as he probably would like. He
doesn't have to play with a lot of | 1:44:20 | 1:44:23 | |
pace. I always knew he would be on
the one to the right middle. He | 1:44:23 | 1:44:29 | |
couldn't have played better. A
lovely controls positional shot | 1:44:29 | 1:44:31 | |
there. | 1:44:31 | 1:44:41 | |
there. In fact, he has given this a
bit of thought and he tells me he is | 1:44:41 | 1:44:45 | |
very straight on the red to the
right middle, which is a bit | 1:44:45 | 1:44:48 | |
unfortunate when you see it, it
couldn't be straighter. Any sort of | 1:44:48 | 1:44:53 | |
angle would have been nicely | 1:44:53 | 1:44:59 | |
angle would have been nicely on the
blue, but he just had to bite the | 1:44:59 | 1:45:01 | |
bullet. This shot, pot the blue and
get a good line and length for one | 1:45:01 | 1:45:07 | |
of these reds to the right corner.
He was unlucky there. | 1:45:07 | 1:45:18 | |
He needs this cue ball to slow up,
but does the red go into the right | 1:45:22 | 1:45:26 | |
middle? Not as played. Not as played
but... It is all about the role of | 1:45:26 | 1:45:34 | |
the ball here and there. And that
roll off the ball favoured him then. | 1:45:34 | 1:45:45 | |
The thing you could say about that
shot, Stephen, the line he picks, | 1:45:49 | 1:45:54 | |
give him a chance of being on all
four reds in the middle of the table | 1:45:54 | 1:46:01 | |
so it was well played. He knows the
importance of this is it now. -- of | 1:46:01 | 1:46:10 | |
this visit now. He just needs the
thing to go 53 points in front with | 1:46:10 | 1:46:17 | |
51 remaining. He is back in the
lead. It is Shaun Murphy who is | 1:46:17 | 1:46:27 | |
playing catch up, it appears, once
again. | 1:46:27 | 1:46:36 | |
again. Still not seen a century, but
the last three frames, well, they | 1:46:36 | 1:46:40 | |
have really picked up. Great quality
now. | 1:46:40 | 1:46:49 | |
now. This time that was a good
double-kiss. | 1:46:54 | 1:47:05 | |
Just a bit too straight on the blue.
You cannot get close on the yellow, | 1:47:25 | 1:47:29 | |
but being left-handed it makes the
yellow a little bit easier. Surely | 1:47:29 | 1:47:34 | |
we will see the 22nd century break
of the Dafabet Masters this time. He | 1:47:34 | 1:47:43 | |
needs to show up -- slow up this cue
ball though. | 1:47:43 | 1:47:49 | |
ball though. Green and brown for the
time. | 1:47:49 | 1:47:55 | |
time. -- stun two. It this time, the
first century for Judd. Yes! | 1:47:59 | 1:48:12 | |
first century for Judd. Yes! This is
quality now. At the business end | 1:48:12 | 1:48:17 | |
Judd Trump produces his best break
of the match, of the tournament. | 1:48:17 | 1:48:25 | |
Pick your pocket, pick your pocket.
Oh, we would go for the easy one? | 1:48:31 | 1:48:37 | |
Does it drop? Does it drop? Not
quite, but it doesn't matter, 111. | 1:48:37 | 1:48:44 | |
Shaun Murphy will who has been
playing catch up for most of this | 1:48:44 | 1:48:47 | |
match, he is playing it again, but
this time Judd Trump is one frame | 1:48:47 | 1:48:52 | |
away from a place in the semifinal
and he leads 5-4. | 1:48:52 | 1:49:00 | |
Frame ten, Judd Trump to break. | 1:49:06 | 1:49:13 | |
Well, probably not the best break
off all stop Shaun is taking this | 1:49:30 | 1:49:34 | |
on. He wants to avoid the
double-kiss. He got the double-kiss | 1:49:34 | 1:49:40 | |
but no harm done. | 1:49:40 | 1:49:48 | |
Yes, it certainly appears now that
the shackles have been shaken off by | 1:49:57 | 1:50:01 | |
both players. | 1:50:01 | 1:50:08 | |
both players. That was an aggressive
safety there from Judd. It is always | 1:50:08 | 1:50:13 | |
a dangerous thing to do against a
long potter of Shaun Murphy 's | 1:50:13 | 1:50:19 | |
prowess, but it is a pretty good
one. | 1:50:19 | 1:50:25 | |
one. And that is a poor one from
Shaun. It is Judd forgets the first | 1:50:30 | 1:50:33 | |
chance. He got that too thin. Could
that be Shaun Murphy 's last match | 1:50:33 | 1:50:40 | |
of this championship? | 1:50:40 | 1:50:46 | |
of this championship? It was well
played. He wanted to be low on this | 1:50:46 | 1:50:49 | |
black and just nudge the Reddaway.
Just got to be delicate, this shot. | 1:50:49 | 1:50:57 | |
Careful not to snooty yourself with
one very different of the other. | 1:50:57 | 1:51:02 | |
Steady. He decided to take it out of
the equation and lots of top spin | 1:51:02 | 1:51:08 | |
powered through. | 1:51:08 | 1:51:18 | |
This is exactly the kind of
opportunity you want to win the | 1:51:18 | 1:51:21 | |
match. Going bad foul Judd Trump has
started to score, you have got to | 1:51:21 | 1:51:27 | |
fancy him. | 1:51:27 | 1:51:33 | |
Nothing Shaun can do, the poor
safety. He can sit there now and | 1:51:40 | 1:51:44 | |
wonder if he will get another visit
to the table. This was it. Much too | 1:51:44 | 1:51:51 | |
thin. Captured near the red and
healthy cue ball at this half of the | 1:51:51 | 1:51:59 | |
table. | 1:51:59 | 1:52:08 | |
table. Normally pretty reliable,
Judd Trump, when he gets a chance of | 1:52:09 | 1:52:12 | |
closing out of match. | 1:52:12 | 1:52:22 | |
closing out of match. Three reds and
three blacks. | 1:52:22 | 1:52:27 | |
three blacks. I mean, the maximum
will be the last thing on his mind | 1:52:29 | 1:52:33 | |
but it just keeps you focused. | 1:52:33 | 1:52:42 | |
I will be surprised if he plays for
the black of this red now. It is a | 1:52:55 | 1:52:59 | |
lot easier to play for the think you
would have thought. But no, he is | 1:52:59 | 1:53:03 | |
coming down for the black. Yes, he
doesn't want to play the pain, dusty | 1:53:03 | 1:53:11 | |
because the fingers back on its
bottom blocks up another red so he | 1:53:11 | 1:53:14 | |
is staying on the black. He wants
people to stop and quickly. He has | 1:53:14 | 1:53:20 | |
got to play the rednecks to green
spot now. Little bit of adrenaline | 1:53:20 | 1:53:25 | |
in that shot. He is lucky to have
the alternative red to go out. There | 1:53:25 | 1:53:31 | |
was no bounce off the cushion and
just adrenaline really. But good | 1:53:31 | 1:53:38 | |
recovery. A good solid pot. And
nicely on the brown. | 1:53:38 | 1:53:53 | |
A little grimace there. Straighter
on this red. Just looking for | 1:54:02 | 1:54:07 | |
another 25 points to get to the
slickers required stage from this | 1:54:07 | 1:54:11 | |
visit from this position. Opening
them up. He is OK. | 1:54:11 | 1:54:22 | |
them up. He is OK. It worked out
absolutely beautifully. Just | 1:54:22 | 1:54:25 | |
stretching slightly, being
left-handed. He can play | 1:54:25 | 1:54:28 | |
right-handed. He obviously doesn't
fancy using the rest. Is he prepared | 1:54:28 | 1:54:37 | |
to play it right-handed that the
most important moment of the match? | 1:54:37 | 1:54:45 | |
Yes, right in the heart of the
pocket. The frame and match are now | 1:54:47 | 1:54:52 | |
at his mercy. | 1:54:52 | 1:55:00 | |
Two reds and two blacks and one more
red, that is all that is required. | 1:55:05 | 1:55:16 | |
Yes, the first half of the match was
very scrappy and it was Judd Trump | 1:55:22 | 1:55:27 | |
found his form first. In that
respect, I would say he is a | 1:55:27 | 1:55:32 | |
deserved winner. | 1:55:32 | 1:55:38 | |
deserved winner. His race may well
have been run. | 1:55:38 | 1:55:45 | |
have been run. But not quite yet.
Just the wrong angle on the pink. | 1:55:45 | 1:55:54 | |
Oh, but he played that well. He
played that absolutely inch perfect | 1:55:54 | 1:56:03 | |
stop he could go 68 points in front
with just 67 remaining. Snooker | 1:56:03 | 1:56:07 | |
required. You could just see that
Judd Trump had a slight intake of | 1:56:07 | 1:56:14 | |
breath because he knew what that
meant. Yes, that pink was a | 1:56:14 | 1:56:19 | |
fantastic shot. To miss the reds.
Yes comic had to hit it absolutely | 1:56:19 | 1:56:25 | |
central in the pocket. If he had a
cannon you may have run the cue ball | 1:56:25 | 1:56:29 | |
off and the judgment of the two
conditions to finish on the red was, | 1:56:29 | 1:56:34 | |
well, it was absolutely inch
perfect. He made 111 in the last | 1:56:34 | 1:56:39 | |
frame. Here is the pink. No merging
forever and the judgment of pace, | 1:56:39 | 1:56:46 | |
brilliant. -- no margin for error. I
agree with you that overall when you | 1:56:46 | 1:56:52 | |
look at the match, even when the
both players were beginning to | 1:56:52 | 1:56:57 | |
struggle, you just always felt that
Judd might have the extra bit of | 1:56:57 | 1:57:00 | |
edge. It was a poor safety shot from
Shaun in this frame that caught him | 1:57:00 | 1:57:07 | |
out and he has sat down ever since
and he won't be getting up again | 1:57:07 | 1:57:11 | |
until he comes to shake Judd 's
hand. | 1:57:11 | 1:57:21 | |
hand. Is 139 highest break? Yes, it
is the highest break made by window. | 1:57:21 | 1:57:30 | |
It was made against Judd strangely
enough. | 1:57:30 | 1:57:40 | |
enough. Back-to-back centuries.
Absolutely marvellous. He has a | 1:57:40 | 1:57:46 | |
possible 140 on which would give him
that £10,000 for the high break in | 1:57:46 | 1:57:53 | |
the Dafabet Masters. | 1:57:53 | 1:57:59 | |
the Dafabet Masters. He missed the
blue. | 1:57:59 | 1:58:05 | |
What a match it turned out to be. | 1:58:18 | 1:58:23 | |
What a finish by Judd Tromp. It is
111 and 113. He is through to the | 1:58:23 | 1:58:32 | |
semifinal where he will play Kyren
Wilson on Saturday. A match to look | 1:58:32 | 1:58:35 | |
forward to that Judd Trump showing a
class above Shaun Murphy at the end | 1:58:35 | 1:58:41 | |
there and he runs out the winner by
6-4. | 1:58:41 | 1:58:43 | |
there and he runs out the winner by
6-4. | 1:58:43 | 1:58:46 | |
An excellent win for Judd Trump and
disappointment for Shaun Murphy and | 1:58:46 | 1:58:50 | |
Judd is back in action at 1:15pm on
BBC One in that semifinal against | 1:58:50 | 1:58:55 | |
Kyren Wilson. We will see you again.
From all of us here, good night. | 1:58:55 | 1:59:01 |