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Good afternoon. A major event is brewing here in north London as we | :01:14. | :01:22. | |
prepare for a coronation at the Palace, Alexandra Palace. Three | :01:23. | :01:31. | |
Englishmen Andy Scott are in contention. It should be a lovely | :01:32. | :01:36. | |
couple of days for you in front of the television. We have both the | :01:37. | :01:42. | |
semifinals live this afternoon and evening. This afternoon features | :01:43. | :01:51. | |
Mark Selby taking on one of his best friends, "The Magician" , Shaun | :01:52. | :01:56. | |
Murphy. Shaun is one of my closest friends | :01:57. | :02:17. | |
on the tour. If I am not doing well, I am willing him on. It will | :02:18. | :02:25. | |
be a great privilege for me to see him coming from the juniors, where | :02:26. | :02:31. | |
he was with me to the top of the rankings. He has beaten me the last | :02:32. | :02:35. | |
couple of times here, so I call him one. If you cannot get yourself up | :02:36. | :02:43. | |
for a tournament like this, you are in the wrong business. It would be a | :02:44. | :02:51. | |
dream come true for me to win the triple Crown. I have won the world | :02:52. | :02:56. | |
championship and the United Kingdom championship, so this is that one I | :02:57. | :03:02. | |
need to complete the set. There is nothing between these players, each | :03:03. | :03:09. | |
as enjoyed eight factories over the other. Mark Selby has won the most | :03:10. | :03:23. | |
to recent matches between the two. You may also remember him prevailing | :03:24. | :03:26. | |
in the United Kingdom championship 14 months ago. This should be a | :03:27. | :03:34. | |
cracking match. They have both left it all the last minute in this | :03:35. | :03:39. | |
tournament? Yes, Mark Selby was very lucky to get through against John | :03:40. | :03:46. | |
Higgins and also against Mark Davis in the opening round. Also, Shaun | :03:47. | :03:54. | |
Murphy was behind 4-2 in two different matches, when it is first | :03:55. | :03:59. | |
to six, you really do not want to be doing that. How much dish Shaun | :04:00. | :04:11. | |
Murphy get off to a good start, how important is that? He will not be so | :04:12. | :04:20. | |
worried about it. He said in a press conference he needs to get off to a | :04:21. | :04:27. | |
better start. But has to be said, if Mark Selby does get his teeth into | :04:28. | :04:31. | |
you, it could be a long day. He will want to get off to a better start, | :04:32. | :04:35. | |
but the way that Shaun Murphy is walking round the table, he is | :04:36. | :04:46. | |
looking very competitive. As for Mark Selby, in the elephant in the | :04:47. | :04:51. | |
final frame decider is he has been involved in in his career, he has | :04:52. | :04:57. | |
won everyone. It shows he has a big occasion player. The one table set | :04:58. | :05:02. | |
up here, he does not shirk his responsibilities when it comes down | :05:03. | :05:11. | |
to the last frame. And maybe he is an adrenaline junkie! As ever, at is | :05:12. | :05:19. | |
a very lively London code here that Alexandra Palace. Yes, this venue | :05:20. | :05:30. | |
has been brilliant. Yes, when we were in Wembley Arena, it did not | :05:31. | :05:34. | |
have the same atmosphere. But I think the code is full of | :05:35. | :05:41. | |
anticipation. I think this is one of the great sporting fixtures in the | :05:42. | :05:51. | |
British calendar. Yes, and it is a huge game for both players, because | :05:52. | :05:54. | |
they are desperate to get in the final. It gets the heroes on the | :05:55. | :06:04. | |
back of the neck standing up. Yes, I remember in the old days, we would | :06:05. | :06:12. | |
have been alive on grandstand. Yes, I think it is advantageous to be in | :06:13. | :06:19. | |
the first semifinal, because you can then relax and see the other two | :06:20. | :06:23. | |
players sweating it out in the evening. But we have a fantastic | :06:24. | :06:30. | |
atmosphere. If you think it is lively here, wait until you hear Rob | :06:31. | :06:38. | |
Walker! It is a packed house here and Alexandra Palace. We are | :06:39. | :06:43. | |
starting the semifinal Saturday with a bang! A thrilling occasion in | :06:44. | :06:54. | |
prospect. It features two best friends who took part in the United | :06:55. | :07:00. | |
Kingdom championship final in 2012. Please welcome, a player who has | :07:01. | :07:06. | |
been brilliant this week. Coming from behind twice and flourishing | :07:07. | :07:12. | |
with new-found fitness and you walk on music for the New Year, he is to | :07:13. | :07:18. | |
matches away from completing the snooker triple Crown. He is a class | :07:19. | :07:24. | |
act on and off the table, he is "The Magician" , he is Shaun Murphy. | :07:25. | :07:33. | |
MUSIC: "The Superman Theme" by John Williams. | :07:34. | :08:02. | |
And his opponent, a player with an incredible record in this | :08:03. | :08:10. | |
tournament. His victory over John Higgins is the 11th time he has come | :08:11. | :08:16. | |
through a final frame decider in the Masters. That is why he is the | :08:17. | :08:20. | |
defending champion, he is the "The Jester From Leicester" , he is Mark | :08:21. | :08:25. | |
Selby! MUSIC: "Fast Fuse" by Kasabian. | :08:26. | :08:51. | |
I totally out with John. This is the great occasion in British sport. The | :08:52. | :09:00. | |
first player to have a dozen frames will guarantee themselves a place in | :09:01. | :09:02. | |
the final. JOHN VIRGO: we have got the best | :09:03. | :09:11. | |
seat in the house. Already, a mistake and he has left | :09:12. | :09:32. | |
an easy starter for Mark Selby, not what he was looking for. | :09:33. | :09:47. | |
KEN DOHERTY: Mark just coming round here to see the black wood pot into | :09:48. | :10:02. | |
the bottom left-hand pocket. That shot tells us that it would not. | :10:03. | :10:26. | |
I can only assume that with his opening shot, he wanted to just make | :10:27. | :10:39. | |
sure she got the few food and did not want to be playing anything too | :10:40. | :10:41. | |
delicate. But what good shot that is | :10:42. | :10:58. | |
absolutely sensational with the rest. Absolutely perfect. He could | :10:59. | :11:09. | |
not have placed that any better with his hand. He had a lovely angle to | :11:10. | :11:19. | |
do just dislodge the red away from the blackspot. | :11:20. | :11:46. | |
Very hard to Calderwood are of this match, but I do believe, watching | :11:47. | :11:53. | |
both of them in this tournament, they have not really been winning | :11:54. | :12:00. | |
frames in one visit. Shaun did it for three frames against Mark all, | :12:01. | :12:03. | |
but they have not been doing it consistently. They will have to do | :12:04. | :12:08. | |
that today. He cannot expect to have three chances every frame. Chelsea | :12:09. | :12:16. | |
are to bring some more reds into play. Nicely controlled. | :12:17. | :12:38. | |
Just get into the cue ball just a little bit much. He has caught this | :12:39. | :12:49. | |
on the right-hand side instead of the centre and it has gone all | :12:50. | :13:03. | |
core. He is not guaranteed to be on a colour. | :13:04. | :13:19. | |
He has the year low to go out, but this is a nice angle, but a tough | :13:20. | :13:26. | |
pot. He does not like it. He is bridging | :13:27. | :13:45. | |
across the leather of the pocket. The rate in the heart of the pocket. | :13:46. | :13:59. | |
A good shot, once again. Again, a little bit awkward. He has | :14:00. | :14:30. | |
just lost the cue ball. He is having to work hard here. | :14:31. | :14:41. | |
Excellent. Excellent pot. Yes, and so far, this is a dream start for | :14:42. | :15:02. | |
Mark. There is every chance that he could win the frame without Shaun | :15:03. | :15:03. | |
getting another shot. Here is the brake off shot. As you | :15:04. | :15:31. | |
say, may be a slight lack of concentration. | :15:32. | :15:56. | |
Sometimes, you see on the circuit now, that the player who is winning | :15:57. | :16:02. | |
the toss of the coin very often puts the other player in to start the | :16:03. | :16:05. | |
match. He has worked hard to get in this | :16:06. | :16:21. | |
position. A fantastic start for Mark Selby. A couple more reds and | :16:22. | :16:33. | |
high-value colours. As you say, it was imperative on both of these | :16:34. | :16:37. | |
players that they started winning in one visit. | :16:38. | :16:44. | |
That could have gone wrong, but he is OK. Just this and a black, to | :16:45. | :16:54. | |
clinch the opening frame. This would put him 71 points ahead | :16:55. | :17:00. | |
with only 67 remaining. He used all of the pocket, but it | :17:01. | :17:16. | |
wriggled its way in. So, the poor brake off by Shaun Murphy has cost | :17:17. | :17:17. | |
him dear. this possible. Tremendous. Using the | :17:18. | :18:03. | |
rest and finished absolutely inch perfect. This is the start you would | :18:04. | :18:13. | |
always hope for is a player if you are in a big semifinal. He has had | :18:14. | :18:22. | |
to pull off some tremendous pots. The yellow into the rate centre was | :18:23. | :18:31. | |
also an excellent pot. It is amazing how he shakes his head. He will be | :18:32. | :18:40. | |
disappointed not to make a century. Shaun Murphy only had the opening | :18:41. | :18:41. | |
shot. Yes, a clinical start. What are the | :18:42. | :18:57. | |
chief factors in this? I think that Mark Selby answered one question | :18:58. | :19:01. | |
they are. He needs to score more consistently. He needs to school and | :19:02. | :19:11. | |
take pressure off from self, rather than having to come from behind all | :19:12. | :19:16. | |
the time. The other thing is that Shaun Murphy needs to tighten up his | :19:17. | :19:34. | |
safety play. Yes, there's nothing left to say! To snooker superheroes. | :19:35. | :19:47. | |
Mark Selby is Spiderman, gets you wrapped up in his cobwebs, without | :19:48. | :19:53. | |
Shaun Murphy is coming to save the day as Superman. If he does get | :19:54. | :20:02. | |
behind, he needs to go into superhero mode. So as the world does | :20:03. | :20:09. | |
start spending in the wrong direction, we know that it is the | :20:10. | :20:11. | |
fault of Shaun Murphy! Well said, Steve. I do not quite | :20:12. | :20:23. | |
know where he was going but never mind. | :20:24. | :20:28. | |
I always like to listen to what players talk about after the match. | :20:29. | :20:38. | |
Shaun Murphy said afterwards, that he could not compete tactically with | :20:39. | :20:43. | |
the likes of new Robertson on Mark Selby, so he was going to play his | :20:44. | :20:49. | |
natural attacking game. Obviously, we did not see any of it in that | :20:50. | :20:54. | |
first frame because he only got the one-shot, but clearly, he does not | :20:55. | :21:00. | |
want to get bogged down in long periods of safety. Yes, he will not | :21:01. | :21:09. | |
want Mark Selby today date the pace of the game. | :21:10. | :21:17. | |
This is exactly what he has to do, but he has to get the cue ball close | :21:18. | :21:28. | |
to the baulk cushion. He is going to play these aggressive safety shots. | :21:29. | :21:37. | |
It will force Mark Selby, forces hand slightly. | :21:38. | :22:06. | |
Another terrific part. Not on a colour, so he will just trickle up | :22:07. | :22:13. | |
behind this. Not tight, but he does have the | :22:14. | :22:24. | |
snooker on all of the reds. It should be easy enough to come off | :22:25. | :22:28. | |
the left-hand side and nestle on the one at the top cushion, but the | :22:29. | :22:34. | |
problem is, as you see the shadow covering them all, if he does not | :22:35. | :22:39. | |
catch this just right, he could leave careered onto the right-hand | :22:40. | :22:43. | |
corner, which is what he is looking at now. That is a little bit | :22:44. | :22:51. | |
disconcerting. This could be dangerous. | :22:52. | :22:57. | |
That is the shot you are talking about. As you say, it is quite | :22:58. | :23:08. | |
dangerous. There is the danger of leaving that one into the bottom | :23:09. | :23:16. | |
right. He is perhaps thinking of coming down the rate at hand side. | :23:17. | :23:22. | |
But no matter which one he chooses, he will have to be very very | :23:23. | :23:24. | |
careful. I am not quite certain what he is | :23:25. | :23:47. | |
thinking of. He is trying to nestle into these reds. It is not safe. He | :23:48. | :23:53. | |
has left one into the left middle. The black may be tied up, but I | :23:54. | :25:06. | |
think the pink goes into both of the bottom pocket some, so a decent | :25:07. | :25:09. | |
chance here for Mark Selby. He just about held the angle for the | :25:10. | :25:36. | |
pink into the middle. Just getting his extension because | :25:37. | :26:17. | |
he is trying to reach over quite a few balls. | :26:18. | :27:04. | |
Once he takes this one into the bottom right, it will clear the path | :27:05. | :27:10. | |
for another couple into the left-hand corner pocket. | :27:11. | :27:15. | |
He will be a little bit disappointed beer. He should have been the other | :27:16. | :27:22. | |
side of the pink. But no problem as it turned out. He | :27:23. | :27:35. | |
played the cannon and it has turned out nicely. | :27:36. | :27:42. | |
As you say, the black may be tied up, but with the pink and blue on | :27:43. | :27:50. | |
the spot, this is a very good chance. | :27:51. | :28:14. | |
Does this not just some up snooker? He came into this tremendous | :28:15. | :28:28. | |
atmosphere and he has had one shot in the opening frame and a couple in | :28:29. | :28:39. | |
this one. He paid a good aggressive safety, but Mark potted it and has | :28:40. | :28:48. | |
never looked back. It is the big stage, but he simply has not been | :28:49. | :28:50. | |
given the chance to perform. A couple of red, a couple of | :28:51. | :29:28. | |
colours, that is all he is away from taking this frame. | :29:29. | :29:42. | |
Manages to get around the black. Needs to get high on the blue. Just | :29:43. | :29:46. | |
about. This blue will put him 62 points in | :29:47. | :29:54. | |
front with 67 remaining. A fantastic start from Mark Selby, | :29:55. | :30:15. | |
just what people will be hoping for. When he gets in, he has that cue | :30:16. | :30:17. | |
ball strength. This further frame, well | :30:18. | :30:34. | |
acknowledged from this wonderful crowd out here at Alexandra Palace. | :30:35. | :31:03. | |
He missed out on a century in the first frame, which would have | :31:04. | :31:10. | |
disappointed and slightly, he would like to make amends for that. | :31:11. | :31:29. | |
It doesn't look like Shaun Murphy will have a chance to pot his first | :31:30. | :31:35. | |
ball of the match. This frame is long gone. | :31:36. | :31:42. | |
The chance of a century now increasing. | :31:43. | :32:12. | |
You could not think of a more perfect start, could you? No, | :32:13. | :32:21. | |
fantastic, he has had 318th centuries, would you believe? | :32:22. | :33:06. | |
Needs to be careful screwing off two questions, because the green is not | :33:07. | :33:15. | |
on its spot. -- cushions. Could have done with more pace on the cue ball. | :33:16. | :33:23. | |
He deserves a century, he has been flawless with this contribution. | :33:24. | :33:37. | |
I think we're going to see one now. A good shot. | :33:38. | :34:08. | |
Absolutely wonderful, it really has been, from the first pot in the | :34:09. | :34:15. | |
first frame, he has looked majestic. He did not get the pink, but he got | :34:16. | :34:31. | |
the century. Shaun Murphy, so to pot a ball! 2-0, Mark Selby! | :34:32. | :34:38. | |
We saw it Waldon struggling, he only made 35 points in his match against | :34:39. | :34:42. | |
Ronnie O'Sullivan, and Shaun Murphy is stewing in his chair now, and you | :34:43. | :34:47. | |
watched Mark Selby putting in hours of work yesterday. Yes, I had some | :34:48. | :34:53. | |
practice yesterday, I went into the table and I was chatting to him, and | :34:54. | :34:57. | |
he was grafting yesterday, working on it. He is happy to be through, | :34:58. | :35:03. | |
obviously, but worried that there was some adversity but he was | :35:04. | :35:07. | |
playing so well, but today, years focused on a good start. So crisp, | :35:08. | :35:13. | |
so fluid, that is his highest break of the week. We talk about horses | :35:14. | :35:17. | |
for courses, but why is this man in love with this event? He has | :35:18. | :35:24. | |
performed so well in it. It is hard to say, if you do have a good result | :35:25. | :35:28. | |
at a venue, you are happy to come back year after year. It could be | :35:29. | :35:34. | |
the case that he is naturally gifted when playing in the one-table | :35:35. | :35:37. | |
set-up, so it is the one time when you play on one table only, and you | :35:38. | :35:42. | |
have to get to the semifinals of the World Championships, so a big | :35:43. | :35:46. | |
occasion player but probably loves the centre of attention. He might | :35:47. | :35:48. | |
not be big headed, but when it comes to it, he revels in that situation. | :35:49. | :35:54. | |
Unnerving for Shaun Murphy right now? He has got to open up the balls | :35:55. | :36:01. | |
and play well, but he played probably as good a shot as he has | :36:02. | :36:07. | |
done, but Mark Selby has not been off the screen after he got up. If | :36:08. | :36:11. | |
he is playing this well, it is difficult to put the cue ball and | :36:12. | :36:12. | |
you were. OK, back we go. You say horses for courses, the same | :36:13. | :36:26. | |
applies to the late, great, Paul Hunter. He loved this tournament. He | :36:27. | :36:33. | |
loved this tournament, three times. There is something about the | :36:34. | :36:36. | |
Masters, the one-table set-up, the top 16 players in the world, it is a | :36:37. | :36:46. | |
very special event. And it is amazing, Mark Selby's record, he has | :36:47. | :36:50. | |
played in this tournament, he has said 11 last frame deciders and won | :36:51. | :36:57. | |
every single one. Most players would be happy with a 50-50 split, because | :36:58. | :37:03. | |
it can go either way, but to win every single one is an amazing | :37:04. | :37:05. | |
record. Once again, Shaun Murphy playing an | :37:06. | :37:43. | |
aggressive safety shot, opening up the reds. He has got a good cue | :37:44. | :37:48. | |
ball, so he is in a little spot of bother here. But Shaun Murphy will | :37:49. | :37:54. | |
just be glad of an opportunity to pot ball at the moment. | :37:55. | :38:29. | |
It looks easy enough to play safe at this red, but he has to be careful | :38:30. | :38:35. | |
of the red knew the baulk cushion. Needs to make sure the red does not | :38:36. | :38:40. | |
run into the brown. He was an easy cue ball, tied to the cushion. | :38:41. | :38:57. | |
He does not want the brown going in. He could have been in trouble there. | :38:58. | :39:03. | |
Not bad. This is the view from Hawk-eye. Just | :39:04. | :39:29. | |
coming around the bottom end of the table. Once to try to leave the cue | :39:30. | :39:36. | |
ball down by the top cushion somewhere. | :39:37. | :39:47. | |
He found a gap. An excellent shot. What a shot that was. Absolutely. | :39:48. | :39:57. | |
That is what you get with Mark Selby, as he has proved in the first | :39:58. | :40:04. | |
two frames, he scores heavily and of course, if you think you have got | :40:05. | :40:08. | |
him in trouble, he will need more than one good safety shot to force | :40:09. | :40:13. | |
an error. That was absolutely top drawer safety. And Shaun Murphy with | :40:14. | :40:19. | |
a bit of a problem here. He needs to play on himself. I do not think you | :40:20. | :40:25. | |
can risk playing a pot here. He has to try to get that cue ball in a | :40:26. | :40:30. | |
safe position. It is not a formality. | :40:31. | :40:52. | |
The fact that Mark is looking at the position to leave the cue ball near | :40:53. | :40:59. | |
the baulk cushion shows there is nothing that contempt. You can pop | :41:00. | :41:06. | |
the red above the black, but that is risky, and it is not guaranteed to | :41:07. | :41:10. | |
be on a collar, so percentage-wise, not the type of shot to go for. -- | :41:11. | :41:14. | |
on a collar. Calling all the shots at the moment. | :41:15. | :41:39. | |
As you can see, he can just get through to the red, but Shaun Murphy | :41:40. | :41:41. | |
cannot play safe off of it. Excellent excellent return. A tap on | :41:42. | :42:11. | |
the table in that management from Mark Selby. -- in acknowledgement. | :42:12. | :42:24. | |
He might have to roll up to this red dead weight, but needs to make sure | :42:25. | :42:29. | |
not to push it to the middle. It is almost like he is teasing | :42:30. | :43:00. | |
Shaun Murphy into possibly taking this pot down the cushion. It is | :43:01. | :43:06. | |
very, very difficult, and particularly, he has dominated the | :43:07. | :43:10. | |
first two frames. Mark Selby is saying to him, Shaun Murphy is a | :43:11. | :43:16. | |
little bit cold, obviously. He would love to have a look at this, if he | :43:17. | :43:19. | |
was 2-0 up, there is no doubt he would have a go at this red, but if | :43:20. | :43:24. | |
you are too- zero down and have not part of a ball, it is a bit more | :43:25. | :43:30. | |
difficult. -- potted a ball. If he tries to screw back to the | :43:31. | :43:52. | |
baulk and which might not be on anyway, then the pot is more | :43:53. | :43:55. | |
miscible. -- missable. He got to the baulk end, and he will | :43:56. | :44:34. | |
settle for that. Well, this is just unbelievable. | :44:35. | :45:13. | |
This is unbelievable from Mark Selby. What a pot that was. | :45:14. | :45:23. | |
Fantastic, never touched the side, it was a well worked out shots, and | :45:24. | :45:28. | |
he has worked the cue ball, the black was always there. If you | :45:29. | :45:32. | |
missed it, sometimes it would wobble in the jaws and go safe. A great | :45:33. | :45:43. | |
pot. It is fair to say at the moment, he does not look like | :45:44. | :45:47. | |
missing much. That may have gone a little bit awkward, but what was | :45:48. | :45:51. | |
funny, just in the background, then that red went in, we saw Shaun | :45:52. | :45:56. | |
Murphy just slumping in his seat, and he thought, no! Because that was | :45:57. | :46:02. | |
a good safety shot from Shaun Murphy, and most players would not | :46:03. | :46:07. | |
have taken that red on, it just shows the confidence in Mark Selby | :46:08. | :46:13. | |
so far in this matter should. -- in this match. | :46:14. | :46:48. | |
That was a good shot, he is letting it absolutely perfect on the green, | :46:49. | :46:54. | |
and the reds are spread, and black is available to both corners. Do not | :46:55. | :46:58. | |
rule out a frame-winning contribution here. | :46:59. | :47:50. | |
Four reds above the black, all portable. -- pottable. | :47:51. | :48:23. | |
He could play for the brown or the pink, he has a choice of three | :48:24. | :48:29. | |
colours, if you like. He could play for the blue, but getting the brown | :48:30. | :48:32. | |
out of the way into the left middle, it just makes that pocket | :48:33. | :48:37. | |
available for a couple of reds. There is nothing you can do, you did | :48:38. | :48:50. | |
not have a real chance. You just have to sit there and suffer and | :48:51. | :48:55. | |
hope that you can get a chance. At the moment, it is looking definitely | :48:56. | :49:02. | |
like 3-0. Four frames before the mid-session interval to be played. | :49:03. | :49:11. | |
A bit of contact. It's just took the pace out of the cue ball. | :49:12. | :49:58. | |
This is tremendous stuff, we saw Ronnie O'Sullivan against Ricky | :49:59. | :50:02. | |
Walden, four frames without a reply. OK, this white not be in the same | :50:03. | :50:17. | |
manner as Ronnie O'Sullivan, but it is just as effective. -- this might | :50:18. | :50:28. | |
not be. Now, Shaun Murphy's first chance of | :50:29. | :50:55. | |
the match. He has not had a chance of a pot, and now he needs to find | :50:56. | :50:59. | |
his cue action immediately. 50 points behind a possible 83 | :51:00. | :51:03. | |
remaining. It doesn't surprise you that, can, | :51:04. | :51:22. | |
does it? No, it was straight into a blind pocket, it could've been a | :51:23. | :51:29. | |
easier for Shaun Murphy. -- a lot easier. | :51:30. | :52:07. | |
Well, you looked at that red, but I am not certain that he had enough of | :52:08. | :52:14. | |
that red to play the part. He will have to try to get the cue ball back | :52:15. | :52:18. | |
to the baulk end, you cannot see enough of that red. | :52:19. | :52:27. | |
He played that, such is his cue power, he has the ability to play | :52:28. | :52:33. | |
those kind of shots. They looked dangerous, that he always has some | :52:34. | :52:37. | |
accident to get back to the baulk cushion will stop -- has some action | :52:38. | :52:48. | |
to get back to the baulk cushion. That was OK. | :52:49. | :53:09. | |
Well, it has always been the way in this game, when you're not having | :53:10. | :53:17. | |
the good chance, you never get the run here. Have a look at this kiss | :53:18. | :53:29. | |
off the green. This is such a tough snooker, not only to hit, but to get | :53:30. | :53:38. | |
safety on that. To me, it is long odds not leaving a pot on here. I | :53:39. | :53:46. | |
cannot think of one red that you could nestle on and not leave a | :53:47. | :53:52. | |
chance of a pot stop we know with the miss rule, even though it was a | :53:53. | :53:56. | |
fluke snooker, this will still be called if he doesn't hit a red. It | :53:57. | :54:04. | |
will be put back. Just have to hope that he can hit something and leave | :54:05. | :54:06. | |
it safe, that is all he can do. The miss was called, but unless he | :54:07. | :54:23. | |
is dead straight on this, if he is dead straight, I am not sure that he | :54:24. | :54:28. | |
can get back up to the blue. There you see it. He may have it put back | :54:29. | :54:37. | |
here. Do you think he will have a guilty conscience that he fluke that | :54:38. | :54:46. | |
snooker? No. That tells a story. These two are good friends, but | :54:47. | :54:50. | |
there is no friendship out on the table, that is for sure. | :54:51. | :55:01. | |
That is the line, but I do not know if it will slide to hit that red. | :55:02. | :55:25. | |
He is not getting the slide onto that second cushion, I do not know | :55:26. | :55:31. | |
if that shot is on, he needs to go very close to the loo, a lot of | :55:32. | :55:38. | |
left-hand side. -- he needs to go very close to the blue. | :55:39. | :55:50. | |
He needs to hope for a slide on the second cushion. He needs a lot of | :55:51. | :56:01. | |
left-hand side, he could maybe hit the baulk lines and widen the angle | :56:02. | :56:02. | |
with the left-hand side. An expensive fluke as far as Shaun | :56:03. | :56:22. | |
Murphy is concerned. And he could not have gotten any closer. | :56:23. | :56:33. | |
62 points behind now, you just feel if he doesn't hit a red and get it | :56:34. | :56:41. | |
safe, this frame is beyond him. He is closer this time. And of course, | :56:42. | :56:52. | |
Michaela Tabb has to keep calling the miss, because it is hard to hit | :56:53. | :56:58. | |
a red, but you would expect him to hit a red if he hit a red if he | :56:59. | :57:06. | |
hated with more pace here. -- hit it. Do not get me on the miss rule! | :57:07. | :57:24. | |
Well played! Better! Excellent shot. In fairness, that is about as safe | :57:25. | :57:34. | |
as he could have got it. He has still left a pot on which I'm | :57:35. | :57:40. | |
certain Mark Selby will go for. He has got some insurance, he can play | :57:41. | :57:44. | |
this red into the far corner and I know that he was looking at the Bob | :57:45. | :57:48. | |
Crow line, the baulk cushion, but I would be amazed if he doesn't play a | :57:49. | :57:54. | |
pot here. -- he was looking at the baulk line. You cannot turn down | :57:55. | :57:57. | |
these opportunities. But he missed it, and you can tell | :57:58. | :58:13. | |
from the noise of the crowd that they want to see Shaun Murphy pot a | :58:14. | :58:15. | |
ball at least. Shaun Murphy, that is the first ball | :58:16. | :58:25. | |
he has potted this afternoon. I mentioned before, Mark Selby went | :58:26. | :59:07. | |
for his frame-winning red with the two red on the left-hand side | :59:08. | :59:11. | |
cushion, the wonder the top question, if Shaun Murphy can win | :59:12. | :59:15. | |
the frame on this visit, it would be a minor miracle. But when you are at | :59:16. | :59:22. | |
the table, you have a chance, but boy, this would be something | :59:23. | :59:23. | |
special. He has purposely left an angle on | :59:24. | :00:07. | |
this red into the left centre to try and disturb one of these two on the | :00:08. | :00:10. | |
left-hand cushion. He took his eye off the pot. Yes, a | :00:11. | :00:31. | |
schoolboy error. He was concentrating so much on bringing | :00:32. | :00:35. | |
the red into play, he forgot about the part. Mark can pot this easily | :00:36. | :00:39. | |
enough. He needs red, colour, red. Obviously, the green and brown make | :00:40. | :01:33. | |
a good target. Could he get in behind these two? The pink is going | :01:34. | :01:50. | |
to be very helpful for him. Yes, that has opened up everything. | :01:51. | :02:03. | |
He can play this as a shot to nothing. | :02:04. | :02:13. | |
Now, can he get through? The body language of Shaun suggest not and | :02:14. | :02:28. | |
yes, we can see that the blue is in the way. The only pot on is the one | :02:29. | :02:36. | |
on the left-hand cushion, but this is dangerous. He has got to get | :02:37. | :02:38. | |
this. He had to get that. That is surely the end of the | :02:39. | :02:58. | |
frame, because I think that the red goes to the left corner. So, the | :02:59. | :03:07. | |
black and one more red and it is three frames to nil for Mark Selby. | :03:08. | :03:18. | |
Yes, it was a shot he was forced into playing, he did not really have | :03:19. | :03:38. | |
any other option. As you say, when you are playing well, you get these | :03:39. | :03:44. | |
little breaks, like the blue covering the reds. | :03:45. | :03:57. | |
Everything is pretty easy for Mark Selby at the moment. | :03:58. | :04:49. | |
At least Shaun Murphy dead have a chance, missing their easy red into | :04:50. | :04:56. | |
the middle of trying to play that can, but Mark Selby marches on. It | :04:57. | :05:00. | |
is an afternoon stroll at the moment. | :05:01. | :05:06. | |
It took Shaun Murphy 46 minutes to Potter ball and that was 246 points | :05:07. | :05:21. | |
without reply from Mark Selby. Strangely enough, I actually felt | :05:22. | :05:26. | |
more pressure when you went so long without the opponent potting a ball, | :05:27. | :05:31. | |
because you always expected that something was about to hit you. How | :05:32. | :05:37. | |
would you compare his performance with his other two matches this | :05:38. | :05:42. | |
week? Totally different. Jock and cheese. Basically, Shaun Murphy has | :05:43. | :05:52. | |
not done anything wrong. Typical, you are looking for a good chance, | :05:53. | :06:02. | |
and when you get it, you have got three reds stuck on the left-hand | :06:03. | :06:09. | |
session. -- cushion. Even though you think Mark Selby and Rodney Sullivan | :06:10. | :06:14. | |
are very different in terms of stale, imagine, this is the table, | :06:15. | :06:20. | |
they start with the cue up in the ear at the back, but when the | :06:21. | :06:24. | |
pre-play the shot, they come through like that and drop the back quite | :06:25. | :06:33. | |
significantly. A lot of players are told to keep the cue as parallel as | :06:34. | :06:39. | |
possible. Mark Selby, high at the back and drops down. What is that | :06:40. | :06:47. | |
generating? I think it can generate a lot more power. But it is not a | :06:48. | :06:52. | |
way people are told to play, getting the elbow involved. You actually | :06:53. | :06:58. | |
have the forearm and Ilbo both working, generating the gaming. I | :06:59. | :07:07. | |
have never seen a Coffey star been put to better use in a television | :07:08. | :07:09. | |
studio! Remarkable. The things that you lay in the | :07:10. | :07:15. | |
jungle! bit like that, he used to drop the | :07:16. | :07:34. | |
arm slightly, to generate more backspin. Not many people could | :07:35. | :07:43. | |
screw the ball back as good as John Spencer. He was one of the debates. | :07:44. | :07:52. | |
the blue? It does not look like it. When Mark played that part, he | :07:53. | :08:46. | |
thought that the only one he could possibly leave was the one he was | :08:47. | :08:52. | |
hurting. He could possibly have left it. Shaun can play safe of this, but | :08:53. | :08:58. | |
just not quite having angle to pot it. | :08:59. | :09:18. | |
He was looking at their plant, but that was very risky. He played it in | :09:19. | :09:27. | |
such a way that the cue ball would go back to the baulk area. But it is | :09:28. | :09:36. | |
very straightforward safety shot for Mark Selby. | :09:37. | :10:00. | |
The mid-session interval coming up after this frame. What Shaun Murphy | :10:01. | :10:11. | |
would give for this frame. What a difference, going in 3-1 behind, | :10:12. | :10:16. | |
instead of four frames. Look at the safety success rate. | :10:17. | :10:31. | |
100% for Mark Selby. Shaun and 77%. He has got to find a good safety | :10:32. | :10:50. | |
here. He knows that the former Mark Selby is, he cannot afford to leave | :10:51. | :10:55. | |
him any easy starters. There is a lot of pressure on this. | :10:56. | :11:08. | |
Containing safety shot and looks fine, for the team being. You still | :11:09. | :11:16. | |
feel Mark has got the initiative. Mark wants to put the cue ball down | :11:17. | :11:36. | |
towards the side of the yellow pocket. | :11:37. | :11:44. | |
A little bit shy of pace. But he has covered the red on the right. | :11:45. | :12:20. | |
Applause, but not the best safety. He did not leave a pot on, | :12:21. | :12:30. | |
certainly, nothing that would tempt it Mark, but he will be able to get | :12:31. | :12:34. | |
his hand on the table. Good length with the cue ball, but | :12:35. | :13:27. | |
there is a red available to the left corner. | :13:28. | :13:37. | |
The problem is that you will run into other red and there is no | :13:38. | :13:43. | |
guaranteed to be on a colour and equality is close to the ball | :13:44. | :13:47. | |
cushion, it does not make this any easier. | :13:48. | :14:20. | |
What a shot he has played there. I did not expect him to play at that | :14:21. | :14:33. | |
slow. Well, it just shows you. Maybe he thought he had done all the hard | :14:34. | :14:41. | |
work, the fact that he had got onto the black. You cannot lose your | :14:42. | :14:46. | |
concentration for one second at this game. What is chance he has no | :14:47. | :14:52. | |
handed to Shaun Murphy. Can Shaun take advantage of the situation? It | :14:53. | :14:59. | |
would be his first frame on the scoreboard. | :15:00. | :15:10. | |
He was looking at the lack spot a minute ago, just wanting to find out | :15:11. | :15:20. | |
we have the black would re-spot once it is parted. If it does not go | :15:21. | :15:31. | |
there, the pink sport is available. You really feel that Shaun has to | :15:32. | :15:45. | |
get a sizeable lead at this visit. Immediately playing for that red new | :15:46. | :15:57. | |
the black spot. So, it is now available into one corner pocket, | :15:58. | :16:06. | |
the pink is only open and with the blue on its part, it is a decent | :16:07. | :16:07. | |
chance. Thank goodness for gravity! Rate side of the blue, to just stand | :16:08. | :16:40. | |
down, plenty of reds to choose from, but he would probably like to | :16:41. | :16:48. | |
stay on the black, if he could. That is pretty good. | :16:49. | :17:30. | |
That was a nice cannon, but he does not want to be straight on this. I | :17:31. | :17:42. | |
doing, he has brought these other two red is into play. As you say, I | :17:43. | :17:52. | |
think he may well be a bit straight on that. He is going to have to play | :17:53. | :18:00. | |
the one he did not want to play, because he will run into this other | :18:01. | :18:08. | |
red. It is OK. That could have gone wrong. | :18:09. | :18:23. | |
As we keep saying, this is such a big frame. He will go to the | :18:24. | :18:33. | |
mid-session interval not feeling too bad if he can take this one. He did | :18:34. | :18:39. | |
not have much of a chance in the first three frames, so there is no | :18:40. | :18:42. | |
point beating himself up about the squabbling. It looks pretty | :18:43. | :18:53. | |
straightforward, but, as we all know, there is that little matter of | :18:54. | :18:56. | |
pressure. I am sure he could just drop this in | :18:57. | :19:13. | |
an old for the black, but he does not like it. Yes, I think he is | :19:14. | :19:20. | |
thinking that this is not pertain be dropping in the things did we. He | :19:21. | :19:32. | |
may be overdid it a bit. Such is the cue power, he could play the yellow | :19:33. | :19:43. | |
and screw back. With his cue action, it should not be a problem to get | :19:44. | :19:46. | |
the cue ball back to this end of the table. | :19:47. | :19:59. | |
That needed to run on a couple of inches. This is a bit trickier. | :20:00. | :20:19. | |
It is always the problem. Once you start running out of position, it | :20:20. | :20:30. | |
tends to magnify. This is a lot tougher than the last one. This will | :20:31. | :20:38. | |
be a test of his cueing. Nope, he has missed that. | :20:39. | :20:45. | |
As you say, that is the problem. He was not good on the red which was | :20:46. | :20:54. | |
difficult enough anti-boot all his into that and lost control of | :20:55. | :20:59. | |
desertion, but at least he has not left anything easy. So, a 47 point | :21:00. | :21:12. | |
lead. Mark Selby is looking at the porting angle of this, but this is a | :21:13. | :21:14. | |
tough one to take on. Super shot. He thought it was worth | :21:15. | :21:37. | |
taking that on and all of a sudden, a chance for a counter. | :21:38. | :22:03. | |
This is the red that Shaun Murphy refused a few shots ago because he | :22:04. | :22:11. | |
would be struggling to hold for the black. It mean you cost him. This is | :22:12. | :22:20. | |
what Mark Selby is very good at, these tape of situations. | :22:21. | :22:29. | |
The way he has been point, you might expect him to finish the frame | :22:30. | :22:37. | |
here. It is a tall order, but all of the ball is our out in the open. | :22:38. | :23:00. | |
The lowest one of these three, we know that that will go into the | :23:01. | :23:06. | |
bottom left-hand corner. He just has to be slightly careful here. | :23:07. | :23:16. | |
That is inch perfect. We know have a new favourite for the frame. Both of | :23:17. | :23:30. | |
the red are available into the left middle, but the pink clears path for | :23:31. | :23:38. | |
the reds into the bottom right-hand corner. | :23:39. | :23:51. | |
It just shows you! He was just trying to hold nicely for the pink | :23:52. | :24:06. | |
and nearly missed the red. He was more concerned about the cue ball. | :24:07. | :24:10. | |
It was imperative that he got on that. He has played that | :24:11. | :24:14. | |
beautifully. Shaun Murphy will be absolutely | :24:15. | :24:45. | |
kicking himself. OK, it was a very difficult pink, cueing from | :24:46. | :24:49. | |
underneath the cushion. Here was the shot, he was going up | :24:50. | :25:18. | |
for the blue. And this is where he began to run out of position. | :25:19. | :25:26. | |
Mark Selby will need up to and including the pink to take a four | :25:27. | :25:33. | |
frame lead. As I said, if Shaun could have won | :25:34. | :25:44. | |
this and gun in 3-1 behind, he would not covered too much to tell himself | :25:45. | :25:51. | |
off about. On reflection, he barely had a chance in the opening three | :25:52. | :25:55. | |
frames. But he had a chance in this one and this will really hurt. | :25:56. | :26:05. | |
In goes the blue and he is perfect for the pink and that is all he | :26:06. | :26:10. | |
needs. Any laws. That was not like the | :26:11. | :26:24. | |
first three frames when Mark Selby had to make a counter attack. Shaun | :26:25. | :26:29. | |
Murphy in first with a 48, but that they cost 62 has Mark Selby a four | :26:30. | :26:36. | |
frame lead at the mid-session interval. | :26:37. | :26:45. | |
I have now been joined by Stephen Hendry. He was not just to be on | :26:46. | :26:52. | |
until this evening, but he could not stay away. To me, Mark Selby looks | :26:53. | :27:04. | |
mentally stronger. The likes of Mark Selby, new Robertson, the seem to | :27:05. | :27:11. | |
have overtaken Shaun mentally in the big two moments. Shaun is getting to | :27:12. | :27:17. | |
quarterfinals and semifinals regularly, but he is not going that | :27:18. | :27:21. | |
extra step and looks as if he's slightly getting left behind. As the | :27:22. | :27:26. | |
guy said in court commentary, he did not have a lot to berate himself in | :27:27. | :27:31. | |
the first three frames, but in the fourth frame he did have a chance. | :27:32. | :27:40. | |
Yes, I have said that a few times commentating on Shaun, he has been | :27:41. | :27:45. | |
getting to 40 and in breaking down. It is costing pencil much. I have | :27:46. | :27:50. | |
noticed that happening many teams in the past year. He has two stop it | :27:51. | :27:58. | |
out. You are literally for Fife pot away from winning a frame and he is | :27:59. | :28:03. | |
not doing it. Is there any way back for him? Not against someone like | :28:04. | :28:12. | |
Mark Selby. He has become something of a machine in the big events and I | :28:13. | :28:20. | |
cannot see a way back. Something we talked about before the match | :28:21. | :28:28. | |
started. Shaun said he had to counter what is sometimes a | :28:29. | :28:31. | |
defensive style from Mark Selby and that has not happened. You have | :28:32. | :28:34. | |
always been an exponent of getting in Delhi. Yes, but I always admired | :28:35. | :28:46. | |
the other week Steve played in the 1980s. As I say, you can not win a | :28:47. | :28:58. | |
match in the first session, but you can put a big marker down. Oh there, | :28:59. | :29:08. | |
Shaun Murphy did not have a sniff for three frames. Yes, when you are | :29:09. | :29:18. | |
at a big semifinal like that, with this standard, that is going to cost | :29:19. | :29:25. | |
you. We saw eight yesterday, with Ricky Walden, when he scored 38 and | :29:26. | :29:32. | |
then sat down, possibly feeling quite pleased with himself and then | :29:33. | :29:37. | |
Bailey had another shot during the next six frames. What you think of | :29:38. | :29:46. | |
that match? Atlas fantastic. It was just one of these days we have the | :29:47. | :29:54. | |
pockets looked like buckets. He just controlled that match from the | :29:55. | :29:58. | |
beginning to end beautifully. And you can see the second semifinal | :29:59. | :30:03. | |
later tonight featuring Ronnie O'Sullivan and Stephen Maguire this | :30:04. | :30:18. | |
evening. Mark Selby seems to like the high wire act, and in the last | :30:19. | :30:23. | |
few years, he has left his comeback until later. How has he done this? | :30:24. | :30:27. | |
We have been speaking to him about it. | :30:28. | :30:31. | |
How do you feel about your own game at the moment? At the moment, I am | :30:32. | :30:37. | |
winning, which is good, I do not think I'm playing as well as I did | :30:38. | :30:41. | |
in the last few seasons, I am not as clinical as I have been in the past, | :30:42. | :30:45. | |
but the result is all that counts, and I'm getting that at the moment. | :30:46. | :30:50. | |
You have become a specialist at this event, you have won it three times | :30:51. | :30:53. | |
already. What makes it so special about you? It is the one-table | :30:54. | :31:01. | |
set-up, there is a crowd, and you feel like it is such a special | :31:02. | :31:06. | |
tournament, this is like one of the pinnacle tournament of our sport. | :31:07. | :31:11. | |
The single session format, you always get a result, you have to | :31:12. | :31:17. | |
start with the first ball. Yes, I seem to be doing that, in my first | :31:18. | :31:22. | |
matches I got off to good start is normally I am playing catch up, so I | :31:23. | :31:28. | |
suppose at the interval, I have come out and not really played well, so | :31:29. | :31:32. | |
I'm used to being 3-1 behind instead of in front. Do you know how many | :31:33. | :31:38. | |
final frame decider as you have had in this tournament? I think it has | :31:39. | :31:44. | |
been 11, and I have won them all, which is incredible. What do you put | :31:45. | :31:52. | |
that down to? I think it is because I never give in, I never let my head | :31:53. | :31:57. | |
go down and give in. I try to rely on the matches I have played in the | :31:58. | :32:02. | |
past when I been deciding frames and try to get a positive. You had a | :32:03. | :32:08. | |
very important double yesterday, and important shots, do you feel that | :32:09. | :32:12. | |
you have to quicken your tempo to play better? I play my best when I | :32:13. | :32:19. | |
play a bit quicker, sometimes in the safety shot you have to think a bit | :32:20. | :32:24. | |
more, rather than just play the first shot you see, but I tempo, | :32:25. | :32:28. | |
when I speed up, I think it is a bit better. It is hard out there, you | :32:29. | :32:32. | |
have to tell yourself to get on with it when you know that you're not | :32:33. | :32:38. | |
confident at times. When you are faced with adversity, you seem to | :32:39. | :32:44. | |
produce your best. Yes, it is strange, when I was 5-3 behind | :32:45. | :32:49. | |
against John, I probably felt as relaxed as I had felt to read the | :32:50. | :32:56. | |
match. When I was ahead, I felt a bit nervy, but it is a big name, but | :32:57. | :33:00. | |
5-3, it was strange. I seem to be like that for the majority of my | :33:01. | :33:03. | |
career, when my back is against the wall, I feel relaxed, baby because | :33:04. | :33:07. | |
you have nothing to lose, so you go and play your natural game. -- may | :33:08. | :33:14. | |
be because. What would it mean to claim your fourth Masters title? To | :33:15. | :33:21. | |
be up there like O'Sullivan and Hendry, to have another title under | :33:22. | :33:25. | |
your belt, it is a fantastic achievement, but with it being the | :33:26. | :33:29. | |
Masters, one of the three major tournaments, it would be a great | :33:30. | :33:34. | |
feeling. Thank you for your time and good luck. | :33:35. | :33:43. | |
He is trying to equal Ronnie O'Sullivan. Interesting to say what | :33:44. | :33:46. | |
he said about going to sleep on a big lead, I guess the priority for | :33:47. | :33:50. | |
him here is to avoid that scenario happening again. Yes, one of the | :33:51. | :33:58. | |
differences between Mark Selby and Ronnie O'Sullivan, O'Sullivan is one | :33:59. | :34:01. | |
of the best frontrunners in the game, you just steam rollers. Mark | :34:02. | :34:07. | |
Selby, we will see what happens after the interval, he went 4-1 up | :34:08. | :34:11. | |
on a high standard and then lost the plot after the interval, so it would | :34:12. | :34:15. | |
be interesting what happens today. The importance of the semifinal will | :34:16. | :34:20. | |
be different today. Why do you think that happened? E had the 3-1 lead | :34:21. | :34:24. | |
against take on the other day, and it is the same scenario. They get so | :34:25. | :34:32. | |
psyched up and the adrenaline and the concentration, the focus, and | :34:33. | :34:36. | |
then you relax a bit at the interval and you speak to people, because | :34:37. | :34:41. | |
you're not speaking to anybody out there, and your mindset changes and | :34:42. | :34:44. | |
its take the intensity from your concentration. We look forward to | :34:45. | :34:50. | |
seeing what happens in the next coming frames. You are on duty | :34:51. | :34:53. | |
tonight in the commentary box is for Ronnie O'Sullivan and Stephen | :34:54. | :34:59. | |
Maguire. Stephen Maguire does not like to be bullied around, he will | :35:00. | :35:03. | |
be looking forward to that! Thank you for coming to see us, there is a | :35:04. | :35:09. | |
masterclass going on outside their, at on the table, and now there is | :35:10. | :35:13. | |
another masterclass outside on the practice table out in the arena in | :35:14. | :35:20. | |
Alexandra Palace. There would be some high wire walking from Steve | :35:21. | :35:24. | |
and John, they would be doing a live demonstration, what could possibly | :35:25. | :35:29. | |
go wrong? ! We are here with Jungle Jim! | :35:30. | :35:37. | |
What is going on? I will give you a good hiding! I have a tournament | :35:38. | :35:43. | |
coming up, whilst muggins is still on the circuit, he has retired, you | :35:44. | :35:47. | |
have to practice match play, the only thing to do is get to the | :35:48. | :35:52. | |
events, but you can practice it to a degree, you can play against another | :35:53. | :35:55. | |
good player in playing matches, but one part that is the practice to | :35:56. | :35:59. | |
strongly is the equivalent of the penalty shoot out, that is the | :36:00. | :36:03. | |
re-spotted black. You have to know what shots to play. That they best | :36:04. | :36:09. | |
of five, practice in your club with your mates, had a best of seven, it | :36:10. | :36:12. | |
blackballed shoot out. The most important level, top class | :36:13. | :36:25. | |
level, play object ball safety, to try to guarantee getting be | :36:26. | :36:30. | |
blackballed safe on the cushions. -- the black ball. What is the main | :36:31. | :36:41. | |
advantage of that? The main way to pot that is the double, there is a | :36:42. | :36:49. | |
risk of that. In a perfect world, you want the black slightly lower. | :36:50. | :36:57. | |
That is more difficult. You have to chip onto the top cushion or you | :36:58. | :37:00. | |
could be aimed at and try the double, but that will not work. | :37:01. | :37:07. | |
There are some other ways to play it, to start off. Up and down the | :37:08. | :37:18. | |
spot, the old-fashioned way. We put the cue ball over here, out of the | :37:19. | :37:24. | |
way. It is difficult to get right, massed that up. Play it again. | :37:25. | :37:37. | |
Across the face of it. Up and down, that is a difficult shot because of | :37:38. | :37:41. | |
the fast cloth, you play it for here, look at where it finished. | :37:42. | :37:47. | |
What about if I play on? But that black on the spot for me. This is | :37:48. | :37:54. | |
the most important shot of the match that you will play. What is wrong | :37:55. | :38:05. | |
with the long double? Try it. Did not get the double, but second | :38:06. | :38:13. | |
prize, object ball safety. Object ball safety is the most important | :38:14. | :38:17. | |
thing, we will try to send around three cushions, object ball safety | :38:18. | :38:19. | |
put the black here. It is OK, it is all right. You | :38:20. | :38:34. | |
cannot play that's now. What are you going to play? We will just try a | :38:35. | :38:42. | |
three quarters ball, just chip it on the rail. Object ball safety. That | :38:43. | :38:55. | |
is OK. What will you do off that? Play the blackballed there, leave | :38:56. | :38:58. | |
some distance and get the black safe on the side cushion. Far too hard, I | :38:59. | :39:11. | |
twitched. No! Where that has gone, it is quite tricky. | :39:12. | :39:18. | |
Object ball safety, that is the priority! That is the lesson from | :39:19. | :39:25. | |
that, unless you get a kick. Kicks are perennial problems in snooker. | :39:26. | :39:29. | |
So many people have had their say on why they happen and because so much | :39:30. | :39:34. | |
damage. We saw on earlier with John Higgins going for a green, he got a | :39:35. | :39:38. | |
kick on the green when it was more or less match ball against Mark | :39:39. | :39:42. | |
Selby and Mark Selby got a rip reef and the rest history, Mark Selby is | :39:43. | :39:49. | |
here in this semifinal. What can you do about the kick? | :39:50. | :39:55. | |
He has got a horrendous cake! -- kick. | :39:56. | :40:17. | |
The kick has for decades but snooker players in dire straits, and it has | :40:18. | :40:22. | |
always been that the cause for this is a subject of debate. In the last | :40:23. | :40:27. | |
few months, Shaun Murphy has conducted extensive research with | :40:28. | :40:30. | |
retired teacher and former snooker coach Bob Ledger in an invention to | :40:31. | :40:41. | |
look at the kick. There is a massive difference between a kick and a bad | :40:42. | :40:45. | |
contact. The bad contact can be caused by chalk and dust, a bad | :40:46. | :40:50. | |
strike. The kick with the balls collide and leave the bed of the | :40:51. | :40:55. | |
table which results in the loss of position, a miss, the loss of the | :40:56. | :40:59. | |
match, all of these things, that is chemical. It is solvable. I always | :41:00. | :41:07. | |
thought there was a logic to the kick. The three theories, the first | :41:08. | :41:11. | |
was static, the second was chalk, and I thought this could be | :41:12. | :41:19. | |
chemical. The oil that is present in the cloth during manufacturing, when | :41:20. | :41:23. | |
laid on the table and subjected to the heat, which a lot of the public | :41:24. | :41:28. | |
will not be aware of, just how hot that playing conditioners, the | :41:29. | :41:31. | |
tables are heated from underneath, and the TV lights from above, that | :41:32. | :41:38. | |
heat generates a reaction whereby that oil on that ball actually | :41:39. | :41:43. | |
erodes the surface of the balls that are on the table, and when you get | :41:44. | :41:47. | |
to balls that collide, with two exposed areas, if you like, that is | :41:48. | :41:54. | |
a kick. If the kick is a chemical reaction rather than caused by | :41:55. | :41:57. | |
random factors, the effect can not only be measured, but also | :41:58. | :42:01. | |
predictors, indeed Bob has held the theory for many years that the kick | :42:02. | :42:05. | |
is an intelligent force, so in layman 's terms, and a kick occurs, | :42:06. | :42:09. | |
you know what will happen to both the cue ball and object ball. There | :42:10. | :42:15. | |
is an area of the ball that has got a higher friction than the other | :42:16. | :42:19. | |
parts of the ball, and when this area is contacted, then we have got | :42:20. | :42:23. | |
some logic, for instance, all of the kicks, when the cue ball, that is | :42:24. | :42:27. | |
the ball that you strike with the cue, one that has got forward | :42:28. | :42:32. | |
rotation, then the cue ball tries to climb the object ball when a kick | :42:33. | :42:36. | |
takes place. With reverse spin on the cue ball, it is the object ball | :42:37. | :42:41. | |
that is thrown in the air and the cue ball follows slightly | :42:42. | :42:44. | |
afterwards. When a shot is missed, it is missed on the side and it is | :42:45. | :42:49. | |
predicted by a heightened friction. The governing body in its ongoing | :42:50. | :42:53. | |
quest to improve the game is undertaking extensive research. This | :42:54. | :42:58. | |
is with the manufacturing partners to lessen the impact of the kick. | :42:59. | :43:06. | |
This is very useful research, and we continue to look at the materials | :43:07. | :43:09. | |
that are used, the oils that are used, things like that, and we're | :43:10. | :43:15. | |
doing extensive research to see how we can improve the conditions and | :43:16. | :43:17. | |
the conditions here are already very, very good, the best in the | :43:18. | :43:22. | |
world, actually. We are working closely with manufacturers and with | :43:23. | :43:26. | |
our own team and our players to try to improve these conditions. Despite | :43:27. | :43:29. | |
the shared goal of eliminating the kick from the competition, there are | :43:30. | :43:34. | |
different ways to look at how this can happen. If we can turn off the | :43:35. | :43:42. | |
heaters, I do not know why we have them, they are unnecessary, if we | :43:43. | :43:47. | |
turn that off, that would slow down the chemical reaction from | :43:48. | :43:50. | |
happening. It would not stop it, but it would slow it down. The table | :43:51. | :43:58. | |
heaters are on to keep it dry, if the court is done, the ball feel | :43:59. | :44:01. | |
heavy when they are being struck, and you're the player saying, it is | :44:02. | :44:06. | |
difficult to screw back the cue ball or are, we're not getting the same | :44:07. | :44:11. | |
reaction to applying side to the cue ball. That heat on the table is now | :44:12. | :44:16. | |
at a constant temperature, and we monitor that throughout the events. | :44:17. | :44:21. | |
Whilst they disagree on the role of table heaters, there is another | :44:22. | :44:23. | |
possible solution that is agreed upon. What we are doing is getting a | :44:24. | :44:31. | |
little bit of outside advice, Bob has been very helpful, and we have | :44:32. | :44:33. | |
dogged with another gentleman called Ben Plummer who has been very useful | :44:34. | :44:39. | |
about having different polishers with the ball. -- we have talked | :44:40. | :44:46. | |
with another gentleman. It clings to the ball like a car polish, you | :44:47. | :44:50. | |
apply it and buff it off, and spend what it does is, it restores the | :44:51. | :44:55. | |
outer covering to how it was when it left the factory. We polish them and | :44:56. | :45:06. | |
make them new again, so that however many frames, be it five or six or | :45:07. | :45:11. | |
whenever you start to see a kick, you can change a new set of balls, | :45:12. | :45:19. | |
that like they do in tennis. With a number of new remedies on the table, | :45:20. | :45:23. | |
could we have a situation where the kick is finally given the boot. | :45:24. | :45:28. | |
Some interesting comments there, who won the black ball challenge? It was | :45:29. | :45:42. | |
a draw! What did you think of those assertions? I think you're barking | :45:43. | :45:48. | |
up the wrong tree talking about the cloth of the table heaters, because | :45:49. | :45:52. | |
the one thing that was not mentioned was the effect that the gloves of | :45:53. | :45:56. | |
the referee place on the whole occasion. When the ball is a very | :45:57. | :46:00. | |
dry, they grip each other more, so the natural surface of the ball as | :46:01. | :46:03. | |
being dried out, possibly more by the cloth, because you do not have | :46:04. | :46:08. | |
those in practice, you do not get as many kicks in practice because you | :46:09. | :46:12. | |
do not wear gloves. I would say, if you're going to start relaxing the | :46:13. | :46:16. | |
balls, like they do in pool in certain countries, perhaps even | :46:17. | :46:26. | |
impregnate the clubs with some wax. It is a question of changing the | :46:27. | :46:31. | |
balls after some sessions, which was play along with your theory, with | :46:32. | :46:34. | |
that go down with the majority are players, they have won three frames | :46:35. | :46:39. | |
in a row, they would not be happy with changing the balls after that? | :46:40. | :46:45. | |
Yes, there is that, they have some weight in them also. There is | :46:46. | :46:51. | |
carrying them all about. The funny thing is, I will place on Devils | :46:52. | :46:55. | |
Advocate, sometimes a kick in professional snooker isn't the worst | :46:56. | :47:01. | |
thing to watch. As a player, you hate it. Don't get me wrong, it is | :47:02. | :47:04. | |
another anomaly that can happen in a game. As a player, I would hate it, | :47:05. | :47:08. | |
as a spectator, we should leave it alone! I am sure you can say that | :47:09. | :47:16. | |
because you have retired! I'm sure John Higgins is at home watching | :47:17. | :47:21. | |
this and is livid! It is all part of the game. Let's hope that this | :47:22. | :47:27. | |
doesn't happen here, let us hope that Mark Selby doesn't succumb to | :47:28. | :47:33. | |
slow puncture syndrome, that is what John called it earlier, it is for-0. | :47:34. | :47:37. | |
-- 4-0. It is funny that you mentioned about | :47:38. | :47:48. | |
the referee's gloves, Michaela Tabb, before she comes out, she always | :47:49. | :47:52. | |
weds her gloves, but somewhat on them just to stop them being to | :47:53. | :47:56. | |
dry. -- put some water on them. It stops them from being slippy at | :47:57. | :48:13. | |
times. In the last few years, we have seen times when the referee has | :48:14. | :48:17. | |
dropped the ball when they go to put it back on the spot and it drops on | :48:18. | :48:24. | |
the table. There have been some funny moments, yes. Anyway, there is | :48:25. | :48:28. | |
nothing for us at the moment for Shaun Murphy. His opponent only two | :48:29. | :48:34. | |
frames away from the final, he has got to start putting frames on the | :48:35. | :48:42. | |
scoreboard. He has two do this to have any chance in this match. You | :48:43. | :48:46. | |
would have to feel he would win this frame to have any chance in this | :48:47. | :48:48. | |
match. I saw Shaun Murphy in the press room | :48:49. | :49:03. | |
sitting on his own, and his coach came in and sat with him and was | :49:04. | :49:07. | |
talking away to him, and he looked a bit amused, you know. It is very | :49:08. | :49:11. | |
understandable, particularly after that last frame before the end, that | :49:12. | :49:15. | |
would have really hurt him. Could not do too much in the first two | :49:16. | :49:19. | |
frames, but that last frame before the interval, that would have been | :49:20. | :49:23. | |
very disappointing for him. We have seen it on before, many | :49:24. | :49:51. | |
players have come back from 4-0 down. Mark Selby was 51, five -- | :49:52. | :50:08. | |
5-1, 5-2 up in a previous match, so it is not the and the realms of | :50:09. | :50:10. | |
impossibility. Trying to force the cue ball back of | :50:11. | :50:36. | |
the table, and the way things are going, you just know that it will | :50:37. | :50:40. | |
not run safe, so this is an easy starter for Mark Selby. | :50:41. | :51:08. | |
A nice angle on the blue of who wishes to go into the red. He | :51:09. | :51:15. | |
doesn't have to, but there is an opportunity. | :51:16. | :51:30. | |
He did go into them, and he might been a little bit fortunate here. | :51:31. | :51:36. | |
You might have one to the left middle, but those to read you the | :51:37. | :51:41. | |
right corner, they could easily be made into a planned, you would have | :51:42. | :51:45. | |
thought. He's good at this type of shot, but of course, a former world | :51:46. | :51:51. | |
eight ball champion, so he is good at combination shots, as they call | :51:52. | :52:04. | |
them in pool, we call them plan. -- plants. | :52:05. | :53:05. | |
Dead straight on the painkiller. Would love to get to two of those | :53:06. | :53:13. | |
reds. If you take the red he's looking at, the red is close to the | :53:14. | :53:20. | |
pocket on the pink. Those two reds, blocking the black, he wants to try, | :53:21. | :53:27. | |
that is exactly where he would like the cue ball there, if he could | :53:28. | :53:30. | |
leave the cue ball Berry is positioning his cue, you would be | :53:31. | :53:33. | |
able to get the red to the right of the black. -- where he is | :53:34. | :53:36. | |
positioning his cue. I don't think that has worked out | :53:37. | :55:18. | |
too good. He may not have anything to go for here. Just watching his | :55:19. | :55:25. | |
body language, you can always tell with a player, the drooping of their | :55:26. | :55:31. | |
shoulders, that is a tell-tale sign that he is on nothing. And now the | :55:32. | :55:35. | |
fact she is looking at the baulk and at virtue leave the cue ball, that | :55:36. | :55:39. | |
is end of rake. -- that were to leave. That is end of break. There | :55:40. | :55:50. | |
is the cue ball going? There is a lot of cheering, come | :55:51. | :56:07. | |
on, Shaun Murphy, but there is not a lot to go with here. Needs a good | :56:08. | :56:16. | |
safety shot here. Not a bad target, particularly with the yellow not | :56:17. | :56:22. | |
being on its spot, so, the yellow, green and brown, if he can get | :56:23. | :56:26. | |
somewhere near the baulk Kristian and use those as the blockers. -- | :56:27. | :56:31. | |
baulk cushion. Pretty good. Excellent shot. That | :56:32. | :56:47. | |
was a crafty shot! The perfect line. Half a chance for Shaun Murphy. | :56:48. | :57:28. | |
Under normal circumstances you would expect him to pot this long ball, | :57:29. | :57:33. | |
back up from the blue. That is better. Excellent. | :57:34. | :57:48. | |
He didn't play that confident. Usually likes to stay behind the | :57:49. | :57:56. | |
baulk line, so just stay behind the green. The red are spread, so he is | :57:57. | :58:05. | |
not guaranteed to hit a red here, Mark Selby, and leave it safe. But | :58:06. | :58:13. | |
if any one time, he can. His knowledge of the angles is as good | :58:14. | :58:17. | |
as anyone in the game at the moment, escaping from sneakers and the like. | :58:18. | :58:26. | |
Absolutely, if he can get to this left-hand cushion, well, you cannot | :58:27. | :58:30. | |
see it, but he is trying to lay on the red as close to the left-hand | :58:31. | :58:32. | |
pocket. He purposely came down to make sure | :58:33. | :58:59. | |
that the red doesn't go right into the centre, that is what he could | :59:00. | :59:03. | |
say that shot, because the red would come past the pink entity would have | :59:04. | :59:06. | |
to play a different shot. Was very well work dead, could not play much | :59:07. | :59:08. | |
better than that. If that had been straight, you would | :59:09. | :59:39. | |
have played it, I can only assume the fact that he wrote up to the | :59:40. | :59:43. | |
green, you did have a look at it, but if it had been straight, he | :59:44. | :59:48. | |
would have played it, but he did not want to risk it. You cannot blame | :59:49. | :59:53. | |
him, 4-0 behind, but every mistake he makes now is going to be | :59:54. | :00:00. | |
magnified, in his own mind, apart from what happens on the table. He | :00:01. | :00:03. | |
is really under pressure here. Could pot. Now, this needs to slow | :00:04. | :00:27. | |
up a touch. Is that not always the way? When you always need the run of | :00:28. | :00:35. | |
the ball when you are behind, you never seem to get it. Excellent | :00:36. | :00:46. | |
pot, but as you say, it is Murphy 's law. When you need that little bit | :00:47. | :00:54. | |
of luck, you do not get it. He has had to very good parts in this | :00:55. | :00:56. | |
frame. Very unlucky to finish there. The problem with that is, he has | :00:57. | :01:33. | |
made it awkward cueing, but not so much to play the one on the | :01:34. | :01:36. | |
right-hand side of the cushion, which he can come off the side of. | :01:37. | :01:40. | |
Is fairly straightforward shot for Mark. | :01:41. | :01:49. | |
Yes, this is the one he is looking at. It is not really awkward for | :01:50. | :01:58. | |
him. He could be in trouble here, Shaun. | :01:59. | :02:15. | |
He left Timmy straightforward safety shot. | :02:16. | :03:02. | |
Just looking to see if he rules this red onto the top cushion, will he | :03:03. | :03:11. | |
leave everything safe. He does not see a way back to the baulk area. | :03:12. | :03:27. | |
That is the only one he can hit. He cannot try and pot his way out of | :03:28. | :03:32. | |
trouble, because this will not go past the pink. I wonder if he may | :03:33. | :03:38. | |
try and come off two cushions and clip that couple of reds the. That | :03:39. | :03:53. | |
is very good. That is superb. There did not look as if there was any way | :03:54. | :03:56. | |
he could get the cue ball back to the baulk area. He does not normally | :03:57. | :04:02. | |
take that long over a shot, but that was worth the wait. He played it | :04:03. | :04:08. | |
with the touch of right-hand sidespin. Superb safety. Getting | :04:09. | :04:12. | |
plenty of respect from Mark Selby. Well, excellent safety shot from | :04:13. | :04:32. | |
Shaun Murphy, but he is in trouble once again. This time, he is in | :04:33. | :04:36. | |
accord on all of their heads. He knows that one more mistake, | :04:37. | :04:50. | |
given the way the ball is situated, and it could be another frame gone. | :04:51. | :04:58. | |
Yes, a similar shot to the one I was suggesting last time. It is a very | :04:59. | :05:12. | |
dangerous shot. Anything more than quarter ball and he is virtually | :05:13. | :05:13. | |
guaranteed to leave one on. Well played. Excellent shot. Well | :05:14. | :05:39. | |
done. And a good cue ball. That is to create a skit is from Shaun. -- | :05:40. | :05:44. | |
two great escapes. And another top drawer safety from | :05:45. | :06:21. | |
Mark Selby. Both his potting and his safety plea has been of the higher | :06:22. | :06:23. | |
standard today. Mark Selby is certainly calling the | :06:24. | :06:33. | |
shots in this tactical exchange. He does not have far to walk when he | :06:34. | :07:23. | |
gets out of his seat, does he Shaun? | :07:24. | :07:34. | |
This could be very good. It just ran a fraction too far and there could | :07:35. | :07:43. | |
be a chance of the pot on here for Mark. I think the right-hand one, if | :07:44. | :07:49. | |
he can hit enough of it. Now he took the other one, he | :07:50. | :08:12. | |
thought that would offer him better position and get the cue ball back | :08:13. | :08:19. | |
to the baulk line and the green is possible. | :08:20. | :08:46. | |
Well held for these two grades. This has been very good stuff from Mark | :08:47. | :08:58. | |
Selby. It is his excellent safety shots which have created this | :08:59. | :09:00. | |
opportunity. A bit straight on the blue, so he | :09:01. | :09:18. | |
had to play for the open red. He is wanting to leave himself a thin pot | :09:19. | :09:26. | |
on the pink, so he can come background and disturb that pack of | :09:27. | :09:28. | |
reds. He can hit this with as much pace as | :09:29. | :09:46. | |
you like. Could actually have hit it a lot | :09:47. | :10:09. | |
harder than that. There are so many balls the that it was always going | :10:10. | :10:10. | |
to cushion the cue ball. When we saw the replay, that was the | :10:11. | :10:23. | |
last red that he actually wanted to hit. It was acting as something of a | :10:24. | :10:36. | |
blocker. It does not look as if he can win the frame from this visit, | :10:37. | :10:38. | |
he is looking at the safety. Well, you cannot beat a bit of | :10:39. | :11:24. | |
luck. At the moment, Shaun could do with it. A good run of the ball is | :11:25. | :11:32. | |
will help if he is to make a comeback. | :11:33. | :11:53. | |
Just looking at the safety shot, but if that red that he ported had | :11:54. | :12:06. | |
nestled up at that pocket, the frame could have been over. | :12:07. | :12:22. | |
Yes, that is a snooker. Michaela Tabb having a close look, just in | :12:23. | :12:32. | |
kiss she has two replace any of the balls. | :12:33. | :12:49. | |
As I said earlier, he is very good at peacekeeping from these. -- | :12:50. | :12:55. | |
peacekeeping. on, but I think that Shaun will be | :12:56. | :13:16. | |
quite happy to put this back. That, of course, is why she was | :13:17. | :13:32. | |
having a good look at the situation. If the Miss gets cold, then | :13:33. | :13:39. | |
obviously, the balls have to be replaced. | :13:40. | :13:54. | |
He is just wanting to catch that quarter ball. You always feel with | :13:55. | :14:10. | |
this type of shot, that you feel more comfortable playing it with the | :14:11. | :14:14. | |
trace of sidespin, but he is not doing that. | :14:15. | :14:23. | |
Of course, because he cannot hit anything, he can have as many goes | :14:24. | :14:30. | |
as he wants at this. I think Shaun is just having a bit | :14:31. | :14:40. | |
of exercise! I think Mark Selby is questioning | :14:41. | :15:23. | |
the scoreboard. In the arena, the scoreboard is | :15:24. | :15:54. | |
slightly different to our run. They have got an 18 point difference and | :15:55. | :15:56. | |
we have a 31 point difference. Yes, the score should be 50-19. He | :15:57. | :16:20. | |
is getting on the phone. Maybe he is ordering a pizza. Hello, we have got | :16:21. | :16:31. | |
is problem with the scoreboard! It should be 50-19, that is what we | :16:32. | :17:06. | |
have on the score. They have now reduced marks score! | :17:07. | :17:48. | |
Rate, that is what we have got. We have got the same as they have | :17:49. | :17:50. | |
there. It had better be right, we have got | :17:51. | :18:00. | |
no nails to phone! -- no one else. That tape of shot, as you said, if | :18:01. | :18:39. | |
you catch it too thick, you are virtually always going to leave it, | :18:40. | :18:40. | |
and that is what he has done. He cannot afford to miss these have | :18:41. | :19:14. | |
chances. He has to play no mistake snooker from now on. | :19:15. | :19:47. | |
He could swear of it, but he would be leaving something. | :19:48. | :20:14. | |
Being 31 points behind, he simply can leave another chance for Mark | :20:15. | :20:22. | |
Selby. It shows you how quickly things can change. That is probably | :20:23. | :20:33. | |
as good as he could have done, but he has still left this chance. If | :20:34. | :20:41. | |
this goes on, you have to fancy Mark Selby taking the frame. | :20:42. | :21:09. | |
This is class. Everything is going into the centre of the pocket from | :21:10. | :21:20. | |
Mark Selby. His safety has been top quality. | :21:21. | :21:30. | |
He let that one go a little bit, but he does still have this. I think he | :21:31. | :21:43. | |
suspected that the raid that he wanted to cannon into, he was going | :21:44. | :21:47. | |
to have a much thicker contact with it. This is as good as I have seen | :21:48. | :21:56. | |
him playing for a while. That is virtually the first easy one | :21:57. | :22:10. | |
he has missed in this match. He has the choice of ink or blue. | :22:11. | :22:39. | |
The problem ball is obvious, that one on the left hand cushion. | :22:40. | :22:45. | |
No, he missed that by a long way. That surely no means it will be | :22:46. | :23:14. | |
5-nil. This will put 44 points in front he should have looked at the | :23:15. | :23:21. | |
scoreboard. If he had played the pink no, wait, it is me who has made | :23:22. | :23:26. | |
a mistake. I am getting carried away. There is only 35 remaining! | :23:27. | :23:37. | |
Nearly. Things are just not running the way of Shaun this afternoon. | :23:38. | :24:56. | |
Mainly due to the high standard Mark Selby has set. | :24:57. | :25:01. | |
5-0. No, Mark Selby simply just one frame away from the final of the | :25:02. | :25:30. | |
Dafabet Masters. Any team he has had the chance, he | :25:31. | :25:45. | |
has not been able to take it? Yes, he had a chance in the fourth | :25:46. | :25:51. | |
frame. I know it was difficult, but that at this level, you simply need | :25:52. | :25:59. | |
to get these and score. When you are playing one of the best players in | :26:00. | :26:06. | |
the game, you simply have to score. Ken was saying that he had not seen | :26:07. | :26:09. | |
him playing so fluently as this for quite a long time. Even at the | :26:10. | :26:17. | |
United Kingdom Championships, he was relying a lot more on his defensive | :26:18. | :26:24. | |
skills. Yes, he looks in very clinical mode. If he gets to the | :26:25. | :26:30. | |
final and Rodney Sullivan does beat Stephen Maguire, let alone to | :26:31. | :26:38. | |
superheroes, it will be the irresistible force against the | :26:39. | :26:42. | |
immovable object and it will be interesting who is going to give | :26:43. | :26:48. | |
weight first? They're clearly bit we have a long way to go before that. I | :26:49. | :26:53. | |
am sure Stephen Maguire will something to this day about that. | :26:54. | :27:01. | |
Now, what can Shaun do? He simply asked to play snooker with no | :27:02. | :27:19. | |
mistakes. He has come back before? Yes, but not in this sort of | :27:20. | :27:25. | |
situation. If you are a 4-1 in front, you are still two away from | :27:26. | :27:31. | |
the finishing line. When you get that first one, you are sunk in that | :27:32. | :27:36. | |
year and it is a big hole to dig yourself out of. In the old days, | :27:37. | :27:47. | |
when it was first to name, you still have a chance, but when it is first | :27:48. | :27:52. | |
to only six, you are in a very difficult situation. Mark Selby has | :27:53. | :28:00. | |
never achieved a whitewash in all of his matches at the Masters. That is | :28:01. | :28:08. | |
strange, given his dominance. He is now looking at his first final in | :28:09. | :28:20. | |
seven years, which is extraordinary. Yes he is a tremendous competitor. I | :28:21. | :28:25. | |
take my hat off to him. Whenever he comes up, he really compete. | :28:26. | :28:48. | |
Mark Selby breaks off in the frame which will put him into the final if | :28:49. | :28:58. | |
he is victorious. It is an unexpected squabbling. Yes, I | :28:59. | :29:02. | |
thought this would be a much closer match. | :29:03. | :29:14. | |
So difficult when you are five behind and everything your opponent | :29:15. | :29:22. | |
seems to it is going in in his safety is top quality. When the | :29:23. | :29:29. | |
chances to come along, they just become much more difficult to take | :29:30. | :29:33. | |
them. He did get a couple of chances, Shaun, . You always get | :29:34. | :29:41. | |
chances, but in the first couple of frames, Shaun was completely frozen | :29:42. | :29:50. | |
out. It was nothing to do with him. It was just the standard that Mark | :29:51. | :29:55. | |
was showing. There, he has played the part, got the double kiss and | :29:56. | :30:01. | |
look where the cue ball has finished. When you do not need the | :30:02. | :30:06. | |
luck, you always seem to get it. That is the one thing about this | :30:07. | :30:51. | |
match, Shaun Murphy never stopped playing the aggressive side. And I | :30:52. | :30:54. | |
do not think he is going to stop now, 5-0 down. He needs a bit of | :30:55. | :31:03. | |
help from his opponent, but you cannot see that coming. , because it | :31:04. | :31:12. | |
is not as if Mark Selby is a 1-dimensional player, by any. I | :31:13. | :31:22. | |
cannot recall anybody coming back from high five and zero behind on | :31:23. | :31:34. | |
any event. -- 5-0 behind. I think in a final once, Stephen Hendry was 8-2 | :31:35. | :31:37. | |
behind. Well, he has misjudged that, and | :31:38. | :31:53. | |
Shaun Murphy can get through to this red. He just has got to try and keep | :31:54. | :32:05. | |
a positive thought in his mind here. Forget the scoreboard, forget | :32:06. | :32:09. | |
everything else, just concentrate on one shot at a time. Easier said than | :32:10. | :32:14. | |
done, but that is what he has got to try and do. | :32:15. | :33:24. | |
He wants to leave an ankle after potting this red on the pinks so he | :33:25. | :33:32. | |
can pot that other red away from the pink spot. -- leave an angle. He | :33:33. | :33:42. | |
needs to keep the pink available into a couple of pocket. -- | :33:43. | :33:47. | |
pockets. A little bit thinner on this blue | :33:48. | :34:12. | |
then he would have liked it. But he has controlled the cue ball nicely, | :34:13. | :34:15. | |
and now back in good session. There was a heavy contact there in | :34:16. | :34:34. | |
fairness to Shaun Murphy. Let's have a look at it again. Not quite sure | :34:35. | :34:42. | |
why the red jumped, but it sounded like a heavy contact. You heard the | :34:43. | :34:46. | |
signing from Shaun Murphy the moment he played that shot. -- sighing. It | :34:47. | :35:01. | |
seemed to come off a bit square, the red, you would not expect to miss it | :35:02. | :35:03. | |
under normal circumstances. I always say, the frame that takes | :35:04. | :35:26. | |
you past the winning line is the hardest one to win, but he has paid | :35:27. | :35:28. | |
so well, Mark Selby. -- played. There you go. He wasn't doing that | :35:29. | :35:46. | |
early in the match. I thought it was in for a moment. It was the pace | :35:47. | :35:48. | |
that kept it out. He does not want to risk playing | :35:49. | :36:05. | |
cannons at the moment. An example of his cue action, just a | :36:06. | :36:20. | |
lazy cue action through that cue ball with no effort. | :36:21. | :36:37. | |
He will have to play the cannon this time. He needs a bit of luck. | :36:38. | :36:51. | |
Not bad, but he would have liked to have been closer to these red. | :36:52. | :38:04. | |
Gone are little bit strappy at the moment, just a little bit of oil. -- | :38:05. | :38:10. | |
gone a little bit scrappy. Shaun Murphy needs to take his | :38:11. | :38:20. | |
chances. He played the blue, but just | :38:21. | :38:48. | |
overscrewed it slightly. He has played it nicely, just run a | :38:49. | :39:11. | |
fraction too far, would have been good... | :39:12. | :39:25. | |
Just about. Need more paid on that link and it would not have dropped. | :39:26. | :39:35. | |
-- more pace on that pink. Again, he has lost the cue ball, but | :39:36. | :39:50. | |
he is OK, he has got the pink into the green pocket or the right-centre | :39:51. | :39:51. | |
if he wishes. No, just not happening now for Shaun | :39:52. | :39:59. | |
Murphy. Mark Selby comes to the table 41 | :40:00. | :40:18. | |
points behind with 59 remaining. He looks to drift past the blue, but he | :40:19. | :40:25. | |
didn't. I doubt whether he would be winning the frame at this visit. | :40:26. | :40:34. | |
He is attacking this yellow and a positive manner. | :40:35. | :40:49. | |
He played it pretty well. If it had run down a bit further, he might | :40:50. | :40:57. | |
been able to pot this red and hold for the black, but I do not think | :40:58. | :41:00. | |
this is the case, you will have to go for the blue. | :41:01. | :41:09. | |
Just caught him out. Another chance for Shaun Murphy. 38 point lead. He | :41:10. | :41:20. | |
cannot really get on the pink. The black is not going to be available, | :41:21. | :41:24. | |
Sophie plays blue or baulk colour, he will need more of these remaining | :41:25. | :41:33. | |
reds. -- so if he plays. It is not a given. | :41:34. | :41:46. | |
Just another glance at the scoreboard, the blue would put him | :41:47. | :41:51. | |
ahead. Once new crew needed, but this could | :41:52. | :42:10. | |
be his first frame on the scoreboard. -- on snooker needed. | :42:11. | :42:15. | |
His first step on the ladder, possibly. | :42:16. | :42:46. | |
He hit that all wrong, but he has got away with it. Shaun Murphy will | :42:47. | :42:53. | |
play the double to the right middle, if this goes in, it is frame over. | :42:54. | :43:04. | |
He has left a chance here. Red off the right-hand side cushion, cue | :43:05. | :43:10. | |
ball in behind the black, there is enough room behind the black for the | :43:11. | :43:12. | |
cue ball here. It needs to run. He just needs to be a little bit | :43:13. | :43:49. | |
careful here, Shaun Murphy. Mark Selby need on snooker, but we all | :43:50. | :43:54. | |
know how good he is at the Angles. -- needs one snooker. | :43:55. | :44:08. | |
He tried to get back on the blue, that will not be helping his cause, | :44:09. | :44:16. | |
because he is not on it. He should take the green, that would put 40 | :44:17. | :44:21. | |
points behind so he would need a second snooker. | :44:22. | :44:30. | |
If he was going to play the pot on the red, he could have stunned down | :44:31. | :44:51. | |
to the black, but now, he needs two snookers. | :44:52. | :45:31. | |
Wo snookers is it take ask. -- two snookers is a big ask. You can | :45:32. | :45:45. | |
always rely on Mark Selby, normally thinking of something. | :45:46. | :46:00. | |
Nearly got behind the black. If he had have done, that would have been | :46:01. | :46:08. | |
a really telling snooker but not quite. He does not want to bring the | :46:09. | :46:13. | |
pink away from the baulk cushion, but I do not see how he can avoid | :46:14. | :46:20. | |
it. He did with the double-kiss, so that is pink and brown. Two balls | :46:21. | :46:28. | |
that Mark cannot snooker behind. A good shot. And if Mark doesn't hit | :46:29. | :47:00. | |
this red, I think he will concede. I think you may look at Shaun | :47:01. | :47:38. | |
Murphy. They are nodding at one another. Shaun Murphy avoids the | :47:39. | :47:41. | |
dreaded whitewash and you can hear this reaction on this packed crowd | :47:42. | :47:46. | |
here at Alexandra Palace, they want more, can you give them or? We will | :47:47. | :47:50. | |
see, but he still trails by five frames to one. | :47:51. | :47:55. | |
Having courage and, have irony from the crowd, and he will be really | :47:56. | :47:58. | |
relieved to the crowd, and he will be really | :47:59. | :48:01. | |
invite the whitewash, the embarrassment potential is gone. | :48:02. | :48:07. | |
Yes, thankfully he has won a frame. He had a couple of chances on that | :48:08. | :48:13. | |
one, but Mark Selby. Near the line and he had a look at it and thought, | :48:14. | :48:17. | |
well, I will not get over it so easily, so he got a view lifelines, | :48:18. | :48:21. | |
which good to see him get off the mark. Has the quality dipped a | :48:22. | :48:27. | |
little bit for Mark Selby in that frame with the line inside? | :48:28. | :48:33. | |
Possibly, but you should never judge a player by one frame. Generally, a | :48:34. | :48:39. | |
day 's play is how you judge yourself, by tournament, yes, by | :48:40. | :48:43. | |
year, yes, but on a frame, and a thing can happen. It would be | :48:44. | :48:48. | |
understandable that if he didn't keep that up all the time, but you | :48:49. | :48:52. | |
would expect him to win one of the frames. He is not going to be in a | :48:53. | :48:56. | |
situation where he doesn't get chances, even though Shaun Murphy | :48:57. | :49:00. | |
has gone off to the telephone box to get changed into the kit. The | :49:01. | :49:15. | |
Superman on the! -- onesie! In the first few frames, he has been | :49:16. | :49:21. | |
virtually powerless, what is he doing compare to the form he had all | :49:22. | :49:29. | |
week? He is just up against a better quality of opponent this time. He | :49:30. | :49:33. | |
definitely should have won frame for, but you do not win those | :49:34. | :49:38. | |
frames, and you put yourself under or pressure. Four - zero, 5-0 | :49:39. | :49:44. | |
behind. He has not done too many things wrong today, but what he has | :49:45. | :49:47. | |
done has been highlighted by this play on Mark Selby. You practice on | :49:48. | :49:54. | |
the practice table before the match, but if you're sitting on your chair | :49:55. | :50:01. | |
for two, three frames, then you have not played for about an hour or 45 | :50:02. | :50:07. | |
minutes. We have got one, will be more to come, let us find out? | :50:08. | :50:14. | |
Shaun Murphy will be hoping that is not the last time he has broken off | :50:15. | :50:20. | |
in this match, but he has left the chance of a pot for Mark Selby and | :50:21. | :50:23. | |
the black is available. At first glance, it looks that he | :50:24. | :51:00. | |
has got away with it. Quite a long way away from that pot. | :51:01. | :51:17. | |
It is hard to understand why Shaun Murphy hasn't been on his game | :51:18. | :51:23. | |
today. He did look quite good against Marco Fu in the previous | :51:24. | :51:31. | |
round. Some days, I know we are nit-picking a little bit, but I | :51:32. | :51:37. | |
think that first frame, that first framework he broke off and gave Mark | :51:38. | :51:49. | |
Selby that... Is the door shut? We have got... This seems to be some | :51:50. | :52:03. | |
noise. That seems to be some noise coming from the back of the arena. | :52:04. | :52:29. | |
I think you can come into a match with a game plan, but when you break | :52:30. | :52:39. | |
off as badly as Shaun Murphy did in the first frame, and a know it is | :52:40. | :52:44. | |
only one frame, but that really did give Mark Selby a left, to get on | :52:45. | :52:48. | |
the table, when the frame in one visit, and he gets a chance in the | :52:49. | :52:55. | |
next one. Made 104, so he had gone two frames, Shaun Murphy, which | :52:56. | :52:59. | |
lasted about 25 minutes and not patted a ball, and then the third | :53:00. | :53:04. | |
frame, Selby got in and made 50, and all of a sudden, you feel like you | :53:05. | :53:09. | |
are getting no table time and all that practice you have done, on the | :53:10. | :53:14. | |
practice tables, it was just getting nothing on the match table, and it | :53:15. | :53:19. | |
soon can start to slip away from you. Everything snowballed as well, | :53:20. | :53:26. | |
every time you come to the table, when you have been so cold, | :53:27. | :53:30. | |
everything looks a little bit more difficult and it usually does. I | :53:31. | :53:37. | |
think the other thing that we must... Where is the cue ball going? | :53:38. | :53:43. | |
That is careless, years left the red to the middle. That could be very, | :53:44. | :53:51. | |
very costly. I was also going to say, apart from the potting and | :53:52. | :53:55. | |
brick building from Mark Selby, his safety play, all right, it might | :53:56. | :54:00. | |
have dropped a bit in the last frame, but prior to that, it had | :54:01. | :54:04. | |
been excellent. He was winning the tactical exchanges and freezing Sean | :54:05. | :54:08. | |
ad, but here is the chance to score in this frame but he needs for a | :54:09. | :54:10. | |
place in the final. Just a wrong angle on the black. If | :54:11. | :55:28. | |
you can get the cue ball somewhere where it is now, he will have a read | :55:29. | :55:32. | |
up into the green pocket after potting this black. There you can | :55:33. | :55:36. | |
see, he would love to be on that one into the same pocket as well. -- he | :55:37. | :55:41. | |
will have a red. He played an excellent shot, that | :55:42. | :55:49. | |
was inch perfect. It is good to have another look at | :55:50. | :56:09. | |
that shot. Absolutely to the inch. The black is available into both | :56:10. | :56:27. | |
corners, and actually on this red. I might be thinking about playing the | :56:28. | :56:33. | |
middle to read this. -- two read all. | :56:34. | :56:40. | |
Of course, potting that one opens the red beside it into that pocket | :56:41. | :56:48. | |
as well, and he has got a lovely angle on this red if he wants to | :56:49. | :56:52. | |
bring some order into play. Just slide off the bunch and screw back | :56:53. | :56:56. | |
if he wishes. He will play the follow through, just playing from | :56:57. | :57:01. | |
the red above and staying on the black. He misjudged that, I do not | :57:02. | :57:11. | |
think he is on the black. OK, pink is second prize, but this is not | :57:12. | :57:12. | |
what he played on. I say it wasn't a problem, he made | :57:13. | :57:26. | |
certain of the pink, you knew it would not be perfect on the red, but | :57:27. | :57:31. | |
with new being in the middle pocket, just do not miss the pink. And this | :57:32. | :57:36. | |
is not too difficult a pot. Did not look too difficult, but he | :57:37. | :57:45. | |
has missed it. A bit on the thin side. Where is | :57:46. | :58:17. | |
this red going? Near the pocket. And it will cut in. There is a lot of | :58:18. | :58:21. | |
distance between cue ball and object ball, but it is another half chance | :58:22. | :58:26. | |
for Mark Selby. He already has a 43 point lead. If he can pot this red | :58:27. | :58:32. | |
and get a position on the colour, this could be the match-winning | :58:33. | :58:34. | |
opportunity. Ingo was the red. And it looks like | :58:35. | :58:46. | |
he is going to line absolutely perfectly on the black. This is the | :58:47. | :58:49. | |
chance to clinch it. He played a similar shot before, and | :58:50. | :59:15. | |
he has played that absolutely perfect again. | :59:16. | :59:30. | |
There is one loose red the top of the cluster, and he hasn't really | :59:31. | :59:35. | |
got the perfect angle, so I think he will play for that one loose red. He | :59:36. | :59:43. | |
decided to go into the cluster, it was risky, but he has got on to the | :59:44. | :59:45. | |
left middle. Whether it is automatic is a | :59:46. | :00:01. | |
different matter. But he obviously decided to go for the frame and the | :00:02. | :00:04. | |
Murch. -- match. Not far enough. He really wanted it | :00:05. | :00:42. | |
to slide past the red, so that is probably end of break. Still 83 | :00:43. | :00:51. | |
points remaining, so it is not over yet. | :00:52. | :01:15. | |
The straightforward safety shop would be off that red he is level | :01:16. | :01:28. | |
with on the right-hand side of the table, but he does not want to bring | :01:29. | :01:30. | |
that one back into play. Once again, his safety play as top | :01:31. | :01:41. | |
quality. May just roll-up to the pink here. | :01:42. | :02:20. | |
If he can get it as state as possible. | :02:21. | :02:32. | |
He decided to play an firm and that was a clever shot, trying to bring | :02:33. | :02:43. | |
the other reds back into play. Well thought out and well played. | :02:44. | :03:10. | |
Mark walking round the, complemented Shaun on that shot. Sure and it off | :03:11. | :03:27. | |
to such a bad start that we do not know if his plan to attack would | :03:28. | :03:29. | |
have worked it. He has got a slight problem, but | :03:30. | :03:43. | |
when you have a lead such as 5-1, you can always take the chance of | :03:44. | :03:47. | |
trying to pot your way out of trouble. He has tried to play the | :03:48. | :03:54. | |
containing safety shot, but it is not a good one. He has left the red | :03:55. | :03:57. | |
into the rate centre. -- rate. Shaun knows he cannot afford to miss | :03:58. | :04:17. | |
any more in this frame. Well played. He held his nerve there. | :04:18. | :04:47. | |
He is going to try and get the back black back onto its spot. | :04:48. | :05:17. | |
The black will leave him 40 points behind, with 51 remaining, so he | :05:18. | :05:25. | |
does not necessarily need to take a value colours. I think he was trying | :05:26. | :05:31. | |
to just nudge one of the reds away from the cushion. | :05:32. | :05:43. | |
It is amazing. Stephen Hendry says Shaun Murphy is one of the best rest | :05:44. | :05:53. | |
players in the game and his percentage with it is normally very | :05:54. | :05:58. | |
good, but it has not been in this match. Now, just a red and the | :05:59. | :06:02. | |
colour required. There was unnatural angle to drop in | :06:03. | :06:35. | |
behind these two, but he just made sure of the hot. -- pot. | :06:36. | :06:46. | |
It is not looking good now for Shaun Murphy and his supporters. But you | :06:47. | :06:52. | |
have to take your hat off to Mark Selby. OK, he has missed a few shots | :06:53. | :06:58. | |
in the last couple of frames, but you have to expect that. But he | :06:59. | :07:04. | |
excelled in the earlier part of the match. To snooker 's now required. | :07:05. | :07:16. | |
Vicky will be very pleased and proud of the way that Mark has played. | :07:17. | :07:29. | |
We spoke about his record in this tournament. This will be his fifth | :07:30. | :07:50. | |
appearance in the final in seven years. And as Steve alluded to, he | :07:51. | :08:05. | |
likes the one table centre stage. They call them the Jester and this | :08:06. | :08:17. | |
Alexandra Palace arena has become very special. We have had the | :08:18. | :08:20. | |
tremendous turnout and the atmosphere is also just tremendous. | :08:21. | :08:28. | |
We call him the Jester from Leicester and this is centre stage, | :08:29. | :08:35. | |
he can express himself. In the two table situation, you feel slightly | :08:36. | :08:38. | |
inhibited sometimes. He did not want to knock the | :08:39. | :08:50. | |
yellowing. He was not too bothered about that. | :08:51. | :09:30. | |
He is just wanting that one chance to what the red which will result in | :09:31. | :09:33. | |
the handshake. He could go for this. If this goes | :09:34. | :09:45. | |
on, that will be the end. Well played, Mark Selby. That is | :09:46. | :10:13. | |
an. Shaun Murphy will be ready to concede. | :10:14. | :10:17. | |
This has been a marvellous all-round performance. High-scoring Everly on | :10:18. | :10:27. | |
in the Murch, great tactical play and you always felt, the way he was | :10:28. | :10:34. | |
playing, that once he went five frames in front, he was never going | :10:35. | :10:40. | |
to be pegged back. Shaun comes out of this chair and congratulate Sam. | :10:41. | :10:44. | |
They are great friends. Nothing Shaun could do about that. Mark | :10:45. | :10:57. | |
Selby as shown his class. Getting congratulations from everyone and he | :10:58. | :11:02. | |
is in the final, yet again. He runs out a very comfortable 6-1 winner. | :11:03. | :11:09. | |
Yes, his fifth final in seven years. What sort of statement that he make | :11:10. | :11:21. | |
today? Yes, he is in a very good state for the final. The real Mark | :11:22. | :11:29. | |
Selby town. , simple as that. He always competes. Today, that was | :11:30. | :11:43. | |
more like his 80 game. He often relies on his defensive skills, but | :11:44. | :11:48. | |
that was more like that. A bit easier than you might have | :11:49. | :11:54. | |
anticipated? Yes, I got off to a good start and it was really the | :11:55. | :11:59. | |
fourth frame before Shaun really got a chance. But I built up a | :12:00. | :12:04. | |
convincing lead and it was just a question of keeping it that way. | :12:05. | :12:15. | |
Lately, I got to the United Kingdom championship, but as I said to John, | :12:16. | :12:21. | |
I have not been taking my chances as much in the past. I have maybe been | :12:22. | :12:27. | |
listening to too many people in tinkering with things. I have gone | :12:28. | :12:35. | |
back to playing away I did which got me there. Is there a difference? I | :12:36. | :12:44. | |
think so much of the game is mental. When I play a bit quicker, | :12:45. | :12:52. | |
that is my natural pace, a play a lot better. But out there, it is | :12:53. | :12:58. | |
more difficult, because if you are struggling, everything becomes more | :12:59. | :13:02. | |
difficult. We have been talking about horses for courses and you | :13:03. | :13:10. | |
have a fantastic record to you. I enjoyed the one table setup. Every | :13:11. | :13:17. | |
time you go out there, it feels like a final. The code are fantastic. I | :13:18. | :13:22. | |
seem to do that every team I come here. As a statement, whoever you | :13:23. | :13:30. | |
face, who do you think it will be, Stephen Maguire or Ronnie | :13:31. | :13:40. | |
O'Sullivan? I think Stephen has been struggling for a few years, he would | :13:41. | :13:44. | |
say that himself, he has not won as much as he should of done. But not | :13:45. | :13:49. | |
many people could stop Ronnie Sullivan on the performance he gave | :13:50. | :13:53. | |
yesterday. It will be a great game tonight and I look forward to the | :13:54. | :13:58. | |
final, whoever it is. Will you watch the match tonight? I have got a few | :13:59. | :14:08. | |
friends and family down and proper just relax and go out for food and | :14:09. | :14:14. | |
forget about it. Can you describe why you love this tournament so | :14:15. | :14:21. | |
much? I do not know. I have had a lot in deciding frame is one | :14:22. | :14:29. | |
everyone. It is just the venue. To do it here, I do not know. It is a | :14:30. | :14:34. | |
prestigious tournament and it is the will to win, I never want to lose. | :14:35. | :14:40. | |
It was a terror threat performance and we very much look forward to | :14:41. | :14:47. | |
seeing you tomorrow. -- traffic. We will have the second semifinal at | :14:48. | :14:52. | |
seven o'clock this evening. I match of the Day is on 10:20pm on BBC One. | :14:53. | :15:03. | |
Seven o'clock on BBC Two this evening. See you later. | :15:04. | :15:05. |