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How does it feel to win a Masters? It is proof that you are the best of | :00:36. | :00:44. | |
the best. The World Championship is your first game in every season, but | :00:45. | :00:48. | |
the Masters is the second, because it proves you are the best player in | :00:49. | :00:54. | |
the world. To have the Masters new CV is just incredible. It takes | :00:55. | :01:06. | |
great, determination... A bit. Ronnie O'Sullivan has four Masters, | :01:07. | :01:10. | |
Mark Selby has three Masters, it would be a fascinating battle. This | :01:11. | :01:16. | |
has all the hallmarks of a clash of the titans. | :01:17. | :01:22. | |
It certainly does, good afternoon, Alexandra Palace is packed for one | :01:23. | :01:26. | |
of the great days in snooker in any year. Stand-by for the 40th playing | :01:27. | :01:32. | |
of the final, featuring two specialists of this event, who | :01:33. | :01:36. | |
between them, have won this title seven times. This is the third | :01:37. | :01:39. | |
occasion that there are parts of crossed in a truly matters in the | :01:40. | :01:43. | |
final. -- when there are parts of crossed. The Rocket against the man | :01:44. | :01:57. | |
that he calls the torturer. He is the defending champion and I am | :01:58. | :02:00. | |
current world champion, so I suppose it is good for the spectators, good | :02:01. | :02:04. | |
for everyone that likes to watch snooker. Playing Ronnie O'Sullivan | :02:05. | :02:12. | |
in the final will be a great atmosphere. I played him a few years | :02:13. | :02:16. | |
ago in the Masters final, and it was probably the best atmosphere I have | :02:17. | :02:21. | |
ever played in, and I'm sure it will be brilliant. The crowd get very | :02:22. | :02:25. | |
excited, they love the snooker in London, it is a great atmosphere, I | :02:26. | :02:28. | |
am just really pleased to be part of it. My record speaks for itself. | :02:29. | :02:36. | |
Five out of seven finals is a great achievement, and I will give it my | :02:37. | :02:42. | |
all until the last ball is potted. He is a tough competitor and match | :02:43. | :02:46. | |
player, he has the ability to win matches even when he's not at his | :02:47. | :02:51. | |
best. I call him the torturer, he has tortured a few opponents. Ronnie | :02:52. | :02:58. | |
O'Sullivan has got his opinion, obviously he is a fantastic player, | :02:59. | :03:03. | |
not everyone is as naturally gifted as Ronnie O'Sullivan, but this is my | :03:04. | :03:10. | |
style, and I will do my best. This is a special tournament for me and | :03:11. | :03:14. | |
for all of the players, really, so to get my hands on the trophy would | :03:15. | :03:18. | |
be fantastic, but I have a long way to go. I just have to soak it all | :03:19. | :03:28. | |
up. To join the elite group who have done it four times or more would be | :03:29. | :03:36. | |
a fantastic feeling. Ronnie O'Sullivan has enjoyed a brilliant | :03:37. | :03:38. | |
freewheeling journey to O'Sullivan has enjoyed a brilliant | :03:39. | :03:40. | |
freewheeling journey what is a record 10th Masters final in 20 | :03:41. | :03:44. | |
years, and he is only last three frames along the way, Ferres Mark | :03:45. | :03:56. | |
Selby's nerve was tested with the start difficult frames. This is a | :03:57. | :04:00. | |
match that had no real edge, sharpened by previous contests. | :04:01. | :04:04. | |
Sullivan has prevailed in ten of their previous 17 matches, but Mark | :04:05. | :04:09. | |
Selby has inflicted pain on the way and beaten Ronnie in dramatic last | :04:10. | :04:13. | |
cap styles in the Welsh final of 2008 and in this final in 2010 when | :04:14. | :04:18. | |
he won the last four frames in a row to pick the Rocket to the title in a | :04:19. | :04:28. | |
decided. -- decider. Very few players that can get under | :04:29. | :04:31. | |
Ronnie O'Sullivan skin, Mark Selby is one of them, why is this? Mark | :04:32. | :04:40. | |
Selby stands up to him, he is probably one of two players that can | :04:41. | :04:47. | |
stand up to him on the table. He does not try to frustrate Ronnie | :04:48. | :04:50. | |
O'Sullivan on purpose, but there were signs that some of that defence | :04:51. | :04:54. | |
of this and negativity has been replaced for the time being, with a | :04:55. | :04:57. | |
really fluent, aggressive attacking style. I think it was probably the | :04:58. | :05:03. | |
best performance I have seen from Mark Selby all season. Every time he | :05:04. | :05:07. | |
was getting income he was doing it in one visit, whereas before he was | :05:08. | :05:12. | |
breaking down and was not as consistent and making those big | :05:13. | :05:16. | |
breaks. He has got to stick to his own as Stephen said, Ronnie | :05:17. | :05:20. | |
O'Sullivan can bully you, and you can get into a groove with Ronnie, | :05:21. | :05:23. | |
but if he plays his own game, he will be OK. How equipped is Ronnie | :05:24. | :05:32. | |
O'Sullivan to cope with what Mark Selby will throw at him, I'm talking | :05:33. | :05:35. | |
specifically about his work with Steve Peters? He knows that Mark | :05:36. | :05:41. | |
Selby is up for the challenge and he knows that he can be better. There | :05:42. | :05:47. | |
will be fireworks. It is a fantastic contrast, different styles, they do | :05:48. | :05:51. | |
not really get on that well, there is a bit of needle, and we love a | :05:52. | :05:55. | |
bit of needle, so it would be a great final, I'm looking forward to | :05:56. | :06:02. | |
it. We have waited four years for another head-to-head like this, | :06:03. | :06:05. | |
let's go to Rob Walker, it is all yours. | :06:06. | :06:09. | |
It is the big on! Welcome to the final of the 2014 Masters! This is | :06:10. | :06:14. | |
the matchup that many people wanted to see! It could be absolutely epic! | :06:15. | :06:20. | |
Please welcome, a player who at times this week has been simply | :06:21. | :06:34. | |
sublime, conceding only three frames on routes to this, his record 10th | :06:35. | :06:39. | |
Masters final, he is one of the favoured sons he first won the title | :06:40. | :06:45. | |
in 1995, here he is, ready to turn back the clock in style, is the | :06:46. | :06:49. | |
reigning champion of the world, link and you will miss him! The Rocket! | :06:50. | :06:52. | |
Ronnie O'Sullivan! CHEERING RONNIE O'SULLIVAN - MUSIC: "A Man | :06:53. | :07:12. | |
Should Better Himself" by George Lam. | :07:13. | :07:26. | |
And his opponent, here for his fifth Masters final in seven years, and an | :07:27. | :07:35. | |
amazing records who never knows when he's beaten in this tournament, | :07:36. | :07:40. | |
coming through 265 deciders alone, three times the winner of this | :07:41. | :07:45. | |
crown, he is the defending champion, here comes the just from last, Mark | :07:46. | :07:51. | |
Selby! -- the Jester from last! CHEERING | :07:52. | :07:53. | |
This is the match they have wanted to see all week, and if it is | :07:54. | :08:23. | |
anything like their previous matchups, it will keep us glued all | :08:24. | :08:27. | |
evening! Eight frames to be played this afternoon, the formalities | :08:28. | :08:30. | |
being observed before we get underway, and we say good afternoon | :08:31. | :08:34. | |
to Steve Davis and John Virgo, gentlemen, take it away! | :08:35. | :08:42. | |
Good afternoon, you do not get an atmosphere like this very often, it | :08:43. | :08:47. | |
is absolutely electric, you have been here, Steve, and you have | :08:48. | :08:51. | |
played in these atmospheres, people wonder how you play your hands | :08:52. | :08:58. | |
steady when you play these shots? You are excited as everybody else, | :08:59. | :09:01. | |
but you know that you are there to do a job. Everybody, all of the | :09:02. | :09:14. | |
cameras and the phones away, please. We have been discussing various | :09:15. | :09:18. | |
people, Ronnie's mindset coming into this, and a good yardstick is his | :09:19. | :09:23. | |
attitude off the table as much as on the table, but something I noticed | :09:24. | :09:27. | |
at the start as he walked in, many times when he walked into an | :09:28. | :09:30. | |
auditorium, you does not acknowledge the crowd on little bit, as if he | :09:31. | :09:34. | |
doesn't re-want to be there. But Ronnie O'Sullivan but a hand up to | :09:35. | :09:41. | |
the fans, a sign that he is possibly a tease to himself. -- possibly at | :09:42. | :09:54. | |
ease with himself. Purposely played to skew back to baulk, maybe if it | :09:55. | :10:03. | |
had been a bit further back. It was interesting, what you say, he has | :10:04. | :10:10. | |
embraced the crowd this week, Steve. He has created this tremendous | :10:11. | :10:12. | |
atmosphere that we have got, and for the final should be like that. | :10:13. | :10:33. | |
This leaves safety shot gives Mark Selby a chance for the red into the | :10:34. | :10:42. | |
corner. Very little chance of leaving a red. | :10:43. | :11:00. | |
I thought he would have played the one nearest to the cushion and run | :11:01. | :11:08. | |
around the outside cushions. He could cut along the thin side and | :11:09. | :11:18. | |
click the red. -- flick the red. He has had on pot and not taken | :11:19. | :11:26. | |
advantage. We Ronnie O'Sullivan has playing this week, the standard he | :11:27. | :11:31. | |
has been setting is a re-soak Mark Selby needs to take these half | :11:32. | :11:40. | |
chances. -- the standard he has been setting is very high, so Mark Selby | :11:41. | :11:43. | |
needs to take his chances. This is a nervy start from Mark | :11:44. | :12:00. | |
Selby. Played it perfectly, a perfect angle | :12:01. | :12:23. | |
on the blue. This week, Ronnie O'Sullivan has | :12:24. | :12:41. | |
been very quickly out of the starting blocks. | :12:42. | :13:42. | |
It is always a joy to watch Ronnie O'Sullivan and how he goes building | :13:43. | :13:45. | |
a break. I do not think the two reds by the | :13:46. | :14:06. | |
black spot will part, so therefore, he is working around the pink ball | :14:07. | :14:14. | |
here. -- will pot. He just has got to be careful with this one if he | :14:15. | :14:22. | |
decides to screw back. Nicely held. Close control around the top of the | :14:23. | :14:26. | |
table does bigger difference, positionally. You can close in on | :14:27. | :14:32. | |
the balls. That cue ball bounced off the | :14:33. | :14:56. | |
cushion a bit further. As I say, you do not want to be stretching like | :14:57. | :15:01. | |
this. He has tried to play it a left-handed, but he cannot get in | :15:02. | :15:06. | |
the line, so trying to play it on the rest. Interesting if he goes for | :15:07. | :15:07. | |
the black year. -- here. He did play for the black, so I can | :15:08. | :15:19. | |
only assume that when the black is re-spotted, it will be in the open. | :15:20. | :15:25. | |
He has gone a little bit straight on it, so that is why he has decided to | :15:26. | :15:30. | |
have a change of plan and play for the pink. This is another reason why | :15:31. | :15:38. | |
I think that Ronnie O'Sullivan is mentally sharp and you to do a job | :15:39. | :15:41. | |
this week. -- and here. He needs a good angle now, because | :15:42. | :16:09. | |
this is the last of the easy reds to get on. Decided to leave an angle on | :16:10. | :16:17. | |
the pink and now he will part the pink and stunned into these four | :16:18. | :16:22. | |
reds. You always need a little bit of luck. What is he on now? | :16:23. | :16:41. | |
He was able to see an offer that, and he brought a red into play. | :16:42. | :16:48. | |
Fancy winning this frame now at this visit. | :16:49. | :16:58. | |
There is no better feeling than making a century break in the first | :16:59. | :17:04. | |
frame, it sets you up for the day. It stands her authority on the | :17:05. | :17:14. | |
match. -- its stamps your authority. This pink will put in 68 finds in | :17:15. | :17:20. | |
front with just 67 remaining. -- 68 points. | :17:21. | :17:31. | |
And how easily has he made this break look? | :17:32. | :18:30. | |
Now, he is going to make the century, he has got to bring that | :18:31. | :18:37. | |
red away from the black, so he can do it off the pink. Tremendous. He | :18:38. | :18:47. | |
can just about cut this red in. I'm lucky! Just overcut it, but what a | :18:48. | :18:56. | |
start! The last one that he missed cost him the frame, that was Ronnie | :18:57. | :18:59. | |
O'Sullivan at his absolute best. He wins the first frame. | :19:00. | :19:05. | |
That is the way to start a final, Ronnie O'Sullivan moves past Stephen | :19:06. | :19:15. | |
Hendry with the record for appearances at Masters final. As for | :19:16. | :19:21. | |
Mark Selby, he has won three of the last six titles in this event, and | :19:22. | :19:25. | |
this is his best final in seven years, quite an amazing return for | :19:26. | :19:30. | |
effort in this event, and this has been the event at which he has fared | :19:31. | :19:34. | |
best by a country mile, and I think it undermined his love of the | :19:35. | :19:38. | |
limelight and the one table prestige of the occasion. But it was a good | :19:39. | :19:45. | |
start. Yes, Ronnie O'Sullivan has laid down the marker, a nervous | :19:46. | :19:49. | |
start for Mark Selby, but Ronnie O'Sullivan, straightaway, straight | :19:50. | :19:53. | |
off the mark, scoring very, very heavily and looks really good. In | :19:54. | :19:59. | |
terms of his experience, you would expect one or two jangling nerves, | :20:00. | :20:02. | |
but he seems to relish this occasion, was it strange to have a | :20:03. | :20:10. | |
twitchy start from him? I think that Mark Selby realises the occasion and | :20:11. | :20:14. | |
how big this matches for him, he wants to win well, he does not want | :20:15. | :20:17. | |
to be run over by Ronnie O'Sullivan, was to prove he is as good as him, | :20:18. | :20:23. | |
so it is like a boxing match, Ronnie O'Sullivan has the first punch in. | :20:24. | :20:28. | |
Yes, and it was quite a blow, and we're off and running again. | :20:29. | :20:36. | |
Ronnie O'Sullivan, looking to see if there is any value in going for a | :20:37. | :20:43. | |
pot? They do not come much better than | :20:44. | :20:57. | |
that, absolutely right in the heart of the pocket, beautiful shot. | :20:58. | :21:27. | |
He does appear to be playing snooker on another level at the moment. | :21:28. | :21:33. | |
Perhaps the key to this Masters final is the word relentlessness. | :21:34. | :21:37. | |
Whichever one of these players can get into this mode the quickest | :21:38. | :21:44. | |
could break the other. Ronnie O'Sullivan has got the first chance, | :21:45. | :21:48. | |
a great first frame. Can he keep the pressure on? | :21:49. | :22:00. | |
Maybe he wants a little bit more angle, but I think he can force down | :22:01. | :22:11. | |
here. I do not think the black is available just yet, so he will have | :22:12. | :22:12. | |
to go back up for the blue. He would like to have been a little | :22:13. | :22:37. | |
bit shorter on that, the lights have had an angle on it so he can can the | :22:38. | :22:43. | |
red to the left the black. Trying to get to the potting angle of the | :22:44. | :22:47. | |
pink. This is the last of the open reds. Imparting the Pinky would | :22:48. | :22:54. | |
bring the other reds into play, and he feels that he can pot the pink. | :22:55. | :22:57. | |
-- in potting the pink. You never actually know where the | :22:58. | :23:13. | |
red will end up a new career into it like that, but Ronnie O'Sullivan had | :23:14. | :23:18. | |
every chance of being on a red. A great screw back as well as smashing | :23:19. | :23:22. | |
into the pack, disturbed as many reds as possible. That is all you | :23:23. | :23:25. | |
can hope for with that shot. He had a decision to make, he could | :23:26. | :23:51. | |
have played a drop cannon, but that was risky playing for the blue. He | :23:52. | :23:56. | |
knew there wasn't much risk. Nicely on the colour and perfect on the | :23:57. | :24:03. | |
blue. He hit them really well, only one red moved, but there are enough | :24:04. | :24:05. | |
reds in the open now. That is violent stuff from Ronnie | :24:06. | :24:19. | |
O'Sullivan. If it was the analogy with a boxing match, round one here | :24:20. | :24:23. | |
has pummelled him, second round, he is on the ropes. | :24:24. | :24:49. | |
Has he ran too far? The pink just went in the wrong side of the | :24:50. | :24:56. | |
pocket, that is why the cue ball ran a little bit too far, but it seems | :24:57. | :25:01. | |
as if he is OK. Could not get a good angle on the blue. There is Jimmy | :25:02. | :25:07. | |
White in the audience, and he doesn't come and watch too much | :25:08. | :25:11. | |
snooker, but like us all, he loves watching Ronnie O'Sullivan play. | :25:12. | :25:46. | |
He is nicely on this red. Just seeing if he can get through to the | :25:47. | :25:53. | |
pink here. He would like to play for the pink if he could. | :25:54. | :26:01. | |
A quick glance at the scoreboard, he is still looking for three reds, | :26:02. | :26:05. | |
three colours. So, this could be the key to this | :26:06. | :26:24. | |
second frame. It bounced off the cushion a | :26:25. | :27:07. | |
fraction. Could have been straight on this pink, you could have rolled | :27:08. | :27:18. | |
it in quite quick way. -- quickly. During this week, around that part | :27:19. | :27:23. | |
of the cushion, the top two side cushions have played very fast, | :27:24. | :27:26. | |
playing straight on them and back off again. | :27:27. | :27:33. | |
Has he lost position? His body language looks like it. No, it is | :27:34. | :27:38. | |
OK. We have all run out of superlatives | :27:39. | :27:50. | |
for Ronnie O'Sullivan, but have you ever seen anybody make such a | :27:51. | :27:54. | |
difficult game look so easy in any sport? No. And we know how difficult | :27:55. | :28:08. | |
the game is. And that is a fact. Oh, he has missed the pink, just trying | :28:09. | :28:12. | |
to squeeze it in, but 70 points in front, and just 51 remaining, I | :28:13. | :28:17. | |
think Mark Selby will just be having a bit of practice time here. No | :28:18. | :28:21. | |
thoughts of winning the frame. Just wanted to get his hand on the table | :28:22. | :28:26. | |
and pot a few balls. I would be astonished if Mark Selby | :28:27. | :28:54. | |
was going to be playing for snooker is here. -- snookers here. He is | :28:55. | :29:12. | |
just playing for a bit of fact time. Did he get a kick there? -- playing | :29:13. | :29:22. | |
for a bit of practice time. He not thinking about winning this frame, I | :29:23. | :29:29. | |
think he is conceding it. Ronnie O'Sullivan, well, in top gear very | :29:30. | :29:36. | |
early and looking very, very special out there, 2-0 in front. We have | :29:37. | :29:47. | |
often talked about the ability of Ronnie to bully players. Worrying | :29:48. | :29:56. | |
signs for Mark. He needs to get ten in one of the next couple of frames, | :29:57. | :30:02. | |
because if he is four behind at the interval, he could be in big | :30:03. | :30:08. | |
trouble. A wonderful long red at the start of the second frame. Yes, if | :30:09. | :30:14. | |
Ronnie does have an Achilles heel, it is possibly his long potting. But | :30:15. | :30:23. | |
this week, he has been commended. Everything seems to be totally in | :30:24. | :30:29. | |
sync. He makes a very difficult game like so easy. | :30:30. | :30:34. | |
He just have those lovely touches and when he is in full flow like | :30:35. | :30:46. | |
that, it is so good to watch. He is 38 years of age, he should be in | :30:47. | :30:51. | |
decline with regard to his snooker ability. But he is still the PM and | :30:52. | :31:02. | |
clear in the spot. Yes, I think the restructuring of snooker will help | :31:03. | :31:05. | |
him. He is not going to play every week and I think it will make his | :31:06. | :31:08. | |
career last longer. STEVE DAVIS: yes, it does seem that | :31:09. | :31:37. | |
in the past, at the age of about 40, players have gone off the boil. | :31:38. | :31:43. | |
But I think he has the potential to set the record book straight and set | :31:44. | :31:48. | |
the barriers back to players being well in their 40s at the top of the | :31:49. | :31:54. | |
game. If that is the kiss, he would be capable of winning world | :31:55. | :32:00. | |
Championships in a lot more than just the next couple of years to | :32:01. | :32:05. | |
come. There are records in danger of being broken. | :32:06. | :32:18. | |
JOHN VIRGO: he will not be very happy with that safety shot, he | :32:19. | :32:27. | |
would have wanted it right on the baulk cushion. Brewer. | :32:28. | :32:38. | |
At the moment, Mark Selby has not got his cue arm going at all. | :32:39. | :32:52. | |
At this level, not making the baulk line is the sign that you have not | :32:53. | :32:58. | |
hit the ball at all correctly. It was made more difficult because | :32:59. | :33:16. | |
he was playing it with kiss. So, people or safety shot from Mark did | :33:17. | :33:20. | |
not cost him, which will be a really. | :33:21. | :33:34. | |
That was missable, but the ball is well not in an ideal situation | :33:35. | :33:40. | |
either. The pink and black very much tied up at the moment. It would take | :33:41. | :33:52. | |
some sort of break building to get this all into open play. If anyone | :33:53. | :33:56. | |
can, Ronnie O'Sullivan can. On the wrong side of the blue, so | :33:57. | :34:15. | |
this will need a good shot to get on the next red. | :34:16. | :34:30. | |
I think before he even played this shortcoming he that was probably the | :34:31. | :34:45. | |
likely line that the cue ball would take. | :34:46. | :35:27. | |
Missed this in contact. He has left an easy starter, but as Steve said, | :35:28. | :35:43. | |
with the pink and black tied up, this is not easy. | :35:44. | :35:56. | |
As we speak, Mark Selby has lost all confidence. He could get it back | :35:57. | :36:06. | |
with one or two pots, to get his cue arm going, but he is called at the | :36:07. | :36:17. | |
moment, in more ways than one. A couple of players earlier in the | :36:18. | :36:20. | |
week where complaining about the air conditioning blowing, but at other | :36:21. | :36:31. | |
times, it has seemed too hot. Now that the pink is in open play, | :36:32. | :36:35. | |
things begin to look a lot easier. Although we said it was a tricky | :36:36. | :37:26. | |
situation, you would not put it past him to make the frame winning | :37:27. | :37:30. | |
contribution, the way he is striking the ball. | :37:31. | :38:34. | |
This final, the best of 19 frames, the first to win ten. The first | :38:35. | :38:52. | |
prize of ?200,000. ?90,000 to the runner-up, so they are effectively | :38:53. | :39:00. | |
playing for ?110,000. If a likelihood that the moment that | :39:01. | :39:03. | |
Ronnie O'Sullivan will be listing that trophy. | :39:04. | :39:11. | |
Perhaps I am reading things because he is making the game too easy, but | :39:12. | :39:19. | |
he seems much more in June this week, much more alert and around the | :39:20. | :39:25. | |
table. It may be a funny thing to say, but he seems very focused, even | :39:26. | :39:28. | |
more so than normal. There is a bit more of a spring in | :39:29. | :39:44. | |
his step, a bit more enthusiasm from him around the table. | :39:45. | :39:51. | |
One thing is for certain, in any thing you do, if you enjoy it, , you | :39:52. | :40:03. | |
get on better, even when the pressure is on, you enjoy it. He | :40:04. | :40:15. | |
played sensationally against Ricky Walden the other day and people | :40:16. | :40:21. | |
wonder that he could repeat that and at times during the game with | :40:22. | :40:24. | |
Stephen Maguire, he did exactly that. Stunning stuff. He has just | :40:25. | :40:33. | |
about on the pink. This pink and he will go 68 points in front, with | :40:34. | :40:34. | |
just 67 remaining. for Mark Selby at the moment. He is | :40:35. | :40:59. | |
currently unplayable and that would be with equal table team, but | :41:00. | :41:05. | |
unfortunately for Mark Selby, he has had none. | :41:06. | :41:38. | |
Not the best positional shot, but he deserves a century. He nearly got | :41:39. | :41:48. | |
one in the opening frame. Mark Selby will be sitting there, thinking, I | :41:49. | :41:52. | |
have got to somehow try and get in, because at the moment, he is been | :41:53. | :42:00. | |
steam-rollered. I suppose smashing him over the head | :42:01. | :42:17. | |
with the but of the cue might work, but that is not in the rule book. | :42:18. | :42:35. | |
He was trying to bring the year low into the, but just missed it. -- | :42:36. | :42:47. | |
yellow. He will need a good shot here, because he requires the yellow | :42:48. | :42:51. | |
and the green for the century. Unlucky. He has done everything but | :42:52. | :42:59. | |
make a century so far. Mark Selby is not getting a sniff of a chance so | :43:00. | :43:05. | |
far. It is the third frame in a row for Ronnie O'Sullivan. | :43:06. | :43:15. | |
Steve, words can't really describe what we are seen. It is absolutely | :43:16. | :43:25. | |
superb. OK, no century, but he is winning frames like that, frilly | :43:26. | :43:28. | |
pink and black wear out of commission, sensational stuff. Yes, | :43:29. | :43:34. | |
I went back to the relentlessness of Ronnie O'Sullivan and also, Mark | :43:35. | :43:37. | |
Selby can be similar if he gets going. But it is a big blow so far | :43:38. | :43:46. | |
for Ronnie O'Sullivan to give him. Because snooker is a game of | :43:47. | :43:52. | |
occupying the table, you do not get equal play. Whereas in the likes of | :43:53. | :43:59. | |
golf, darts, you get an equal amount of shots. In the likes of snooker, | :44:00. | :44:05. | |
when you are sitting in the chair, it simply gets lonelier and lonely. | :44:06. | :44:17. | |
At the moment, he really needs to get to the practice table, to get | :44:18. | :44:19. | |
his cue arm going. Yes, it is all happening. Rob | :44:20. | :44:36. | |
Walker, when he introduced Ronnie O'Sullivan said, blink and you will | :44:37. | :44:48. | |
miss him and that has been the kiss. Before you hardly know it, we could | :44:49. | :44:49. | |
be at the mid-session interval. And that would be before Mark Selby | :44:50. | :45:01. | |
is even really had a chance to play. You can see the points scored at the | :45:02. | :45:09. | |
moment 269-14 in favour of Ronnie. And there is the cable time, 84% | :45:10. | :45:23. | |
compared to 16%. -- table. Cracker. Good shot. | :45:24. | :45:28. | |
That will make him feel better. But he knows he has to make the most of | :45:29. | :45:34. | |
these opportunities. The reason why you put in countless | :45:35. | :45:50. | |
hours of practice are for moments like this. | :45:51. | :46:07. | |
Got into that too much. A bit unlucky. Brewer positional play in | :46:08. | :46:16. | |
one respect, but he did not quite on the shot, he got really hold of the | :46:17. | :46:23. | |
cue ball and perhaps Egypt a big bounce off the side cushion, as | :46:24. | :46:25. | |
well. -- he got. After the initial red, he will be | :46:26. | :46:46. | |
disappointed that he only got seven points from a visit. | :46:47. | :47:19. | |
Mark Selby can go for this long red, knowing that the only red he could | :47:20. | :47:37. | |
leave here will be the one he is going for. But how long we wrote | :47:38. | :47:47. | |
again and he has stuck it up. If we want have fallen for Mark Selby at | :47:48. | :47:49. | |
the moment in this tournament. He would have wanted to get a lot | :47:50. | :47:57. | |
closer to that. If this makes the baulk line, he may | :47:58. | :48:15. | |
have a go pretty easy at the green. Ronnie just grimaced slightly, he | :48:16. | :48:43. | |
was looking for more of an angle on that red. He has an angle here to go | :48:44. | :48:50. | |
into the cluster, but the black is missable. | :48:51. | :48:59. | |
This is a bit of pressure on trying to go for frames ahead by the | :49:00. | :49:09. | |
interval. He does not want to miss this, open them up and let Mark | :49:10. | :49:11. | |
Selby in for a counter attack. I think he will have to play for the | :49:12. | :49:56. | |
red up by the left middle pocket. I do not think he has the angle on the | :49:57. | :50:00. | |
black to go Kerry using into the cluster. | :50:01. | :50:21. | |
So, he will play for this one, he would have liked to have been the | :50:22. | :50:29. | |
other side so he could of returned down for the black. But he will be | :50:30. | :50:35. | |
looking for a good angle off the screen. Once he has potted this | :50:36. | :50:42. | |
green and red sitting above the pack, he will have run out of | :50:43. | :50:49. | |
portable red is. Things are made harder they the fact that the blue | :50:50. | :50:50. | |
is not on its spot. Much easier to run back into ball by | :50:51. | :51:10. | |
playing this with topspin, as he was lining up. | :51:11. | :51:20. | |
Ideally, would like to catch this pretty thick. | :51:21. | :51:40. | |
Well, he needed to hit this ball fool, but he only caught at quarter | :51:41. | :51:51. | |
ball. Can he actually get through the gap. Maybe just. | :51:52. | :52:08. | |
Nope, he is not going for it, we thought it was on, but he will know | :52:09. | :52:16. | |
better than us. He also knows the importance of this frame. There is a | :52:17. | :52:23. | |
huge difference going into the mid-session interval only two frames | :52:24. | :52:43. | |
behind, compared to four. Good safety. | :52:44. | :52:56. | |
Another turn of the ball and Mark Selby would have been in a lot of | :52:57. | :53:02. | |
trouble there. A bit fortunate to get down the | :53:03. | :53:33. | |
table and also to hamper Ronnie. He has needed a bit of luck and he has | :53:34. | :53:35. | |
certainly had it there. We see this game is all about | :53:36. | :54:04. | |
fractions. Ronnie did not want to bounce off the baulk cushion like | :54:05. | :54:10. | |
that, but the way things have been going, you expected it almost to | :54:11. | :54:12. | |
keep up eating the green. That was a much better strike on the | :54:13. | :54:28. | |
safety shot. If he can do that, he is much more likely to force an | :54:29. | :54:29. | |
error from Ronnie. Apart from anything else, it will | :54:30. | :54:43. | |
help him get into the rhythm of the match. | :54:44. | :55:04. | |
He does not normally give this so much thought, but that gives you an | :55:05. | :55:19. | |
idea of the difficulty. He knew that there could be a red coming back up | :55:20. | :55:25. | |
the table with them. Yes, he was willing to make that sacrifice, but | :55:26. | :55:30. | |
he did very well to get the cue ball back into ball. -- into the baulk | :55:31. | :55:35. | |
area. At least he is making Ronnie think | :55:36. | :55:55. | |
this frame. There are places on the top cushion | :55:56. | :56:26. | |
which are safe, but you do not want the cue ball coming back out to fire | :56:27. | :56:32. | |
from the top cushion, which has happened. So, this could be as good | :56:33. | :56:38. | |
a chance as Mark Selby is going to get from Ronnie O'Sullivan. It is | :56:39. | :56:43. | |
very missable. This is a chance to get the first | :56:44. | :57:05. | |
frame on the scoreboard and he certainly knows it. He certainly | :57:06. | :57:14. | |
seemed to cue that a hell of a lot better. | :57:15. | :58:15. | |
He let it affect him. He lost his competitive competitive edge there. | :58:16. | :58:26. | |
I am not aware of the person who was clapping. Every now and then, people | :58:27. | :58:38. | |
come to you snooker event and maybe do not know the etiquette and maybe | :58:39. | :58:44. | |
get a bit over excited. Even so, as a professional, you have to deal | :58:45. | :58:55. | |
with everything. But he was very disappointed to miss that one | :58:56. | :59:07. | |
afterwards. In practice, I do not think he would miss that once in | :59:08. | :59:14. | |
1,000 teams. But he does have a 36 point lead, but that could quickly | :59:15. | :59:20. | |
disappear if he does not get this safe. | :59:21. | :59:33. | |
This doesn't look like a bad line at all, could not have played it | :59:34. | :59:36. | |
better. If Ronnie O'Sullivan was to get out | :59:37. | :59:50. | |
of this and leave Mark Selby a chance at a red, that is the one he | :59:51. | :59:57. | |
would be aiming for. If the person that is clapping | :59:58. | :00:19. | |
really loudly and you have an earpiece and, perhaps ease up on the | :00:20. | :00:23. | |
clapping a bit, and it might help your chosen player. | :00:24. | :00:48. | |
There is Patsy Fagan in the audience, 1977 UK champion. There is | :00:49. | :00:54. | |
only one Patsy Fagan! There were a few imposters around | :00:55. | :01:09. | |
last year. Just thinking when he can leave his cue ball in the most | :01:10. | :01:12. | |
awkward position. He is frightened of leaving a long pot on for Ronnie, | :01:13. | :01:16. | |
because he would be thinking that will cost him the frame, but to not | :01:17. | :01:19. | |
overthink it. Trying to use the green as a block. | :01:20. | :01:33. | |
He is tied on the baulk cushion. That is a bit dangerous, but is the | :01:34. | :01:39. | |
green blocking the path to the red? Obviously, it is, because Ronnie has | :01:40. | :01:41. | |
to play safe. He didn't play it, you played it | :01:42. | :01:55. | |
across the other side of the table, played the cue ball into the jaws | :01:56. | :02:03. | |
around the yellow pocket. That click on the green, if he had kissed the | :02:04. | :02:07. | |
green full ball, Mark Selby would have had a good chance to the left | :02:08. | :02:13. | |
corner. It has helped Mark Selby a fraction in as much as it would be | :02:14. | :02:16. | |
difficult for Ronnie O'Sullivan to clear up in one visit. So, he would | :02:17. | :02:22. | |
have been delighted to see the green goal next to that lieu. -- blue. A | :02:23. | :02:30. | |
bit of an insurance policy. He just wanted to leave it in the | :02:31. | :02:54. | |
jaws of the pocket, felt like that was the safest place, but Ronnie | :02:55. | :02:59. | |
O'Sullivan can get this cue ball and not a good red in and get right back | :03:00. | :03:03. | |
into this frame, but with the green being near the blue... A great shot, | :03:04. | :03:16. | |
difficult for Ronnie to win in one visit, but look at that. Beautifully | :03:17. | :03:20. | |
struck. If he can win this frame in one | :03:21. | :03:33. | |
visit, then, I think that is end of story for the day! Of course, he | :03:34. | :03:40. | |
doesn't have to even attempt to. Just two points behind now. Just | :03:41. | :04:43. | |
checking the green. There is no way to get past the blue. | :04:44. | :04:53. | |
Let's see how he goes about trying to bring that green into play. | :04:54. | :05:42. | |
If he doesn't get the potting angle, he will run into the brown, so he | :05:43. | :05:46. | |
needs to play this inch perfect. He's tried to get something | :05:47. | :06:15. | |
happening there, and now, all of a sudden, he has lost control of the | :06:16. | :06:19. | |
tactical part of the frame, but it was never going to be easy. | :06:20. | :06:37. | |
So, even Ronnie O'Sullivan couldn't win that frame in one visit, but an | :06:38. | :06:40. | |
excellent contribution. The chants of snooker in behind the | :06:41. | :07:00. | |
brown for Ronnie O'Sullivan here with the cue ball. It would be hard | :07:01. | :07:05. | |
to force a frame-winning mistake from your opponent with the green | :07:06. | :07:14. | |
mayor. -- green fair. Doesn't want to leave it with a pocket, but that | :07:15. | :07:23. | |
has probably gone far enough. Far enough that Mark Selby cannot play a | :07:24. | :07:28. | |
positional shot off the green. Policy could screw it in with a bit | :07:29. | :07:32. | |
of side. Do you think off to cushions, John? -- two cautions? If | :07:33. | :07:42. | |
he can, there is a possibility. It is difficult to say. Not a bad line, | :07:43. | :07:48. | |
he needs to kiss the green. A great effort. Just could not find the | :07:49. | :07:55. | |
ankle. He needed a fraction of right-hand side to widen it off the | :07:56. | :08:04. | |
second cushion. He needs to be very careful with this safety. | :08:05. | :08:15. | |
Hitting the right-hand side of the green is fraught with danger. | :08:16. | :08:22. | |
Hitting beautiful in the face centre to the corner pocket. That was well | :08:23. | :08:28. | |
struck to keep the green in the bottom half of the table. | :08:29. | :08:38. | |
He played the shot with side spin, it could have all gone wrong. | :08:39. | :08:56. | |
Of course, that is the thing with Ronnie O'Sullivan, you will not | :08:57. | :09:02. | |
outdo him with the safety game. His safety is as good as anybody. I | :09:03. | :09:11. | |
think thin on the green on the right, and use the blue as a | :09:12. | :09:14. | |
stopper. He has caught it from behind. He | :09:15. | :09:36. | |
needs the pink to come to his rescue. He were to be disappointed | :09:37. | :09:45. | |
not to hit the blue with the green. As it is, the cue ball was good. | :09:46. | :10:00. | |
The pink came to his rescue, but a very controlled swerve by Ronnie. I | :10:01. | :10:07. | |
disclose the green and has a chance to the brown. -- in goes the green. | :10:08. | :10:21. | |
In it goes, and now he is 18 points in front with just 80 remaining. You | :10:22. | :10:29. | |
would just roll the blue end. -- 18 remaining. That is 4-0, now, for | :10:30. | :10:37. | |
sure, as they go to the mid-session interval. A frame that Mark Selby | :10:38. | :10:42. | |
should have won, but Markey O'Sullivan, he is not giving him an | :10:43. | :10:48. | |
inch. -- Ronnie O'Sullivan. Mark Selby with an awful lot to think | :10:49. | :10:56. | |
about so early on. 4-0, Ronnie O'Sullivan, absolutely brilliant. | :10:57. | :11:03. | |
I'm sure Mark Selby is delighted with that interval coming there, but | :11:04. | :11:09. | |
that would be very painful for him, especially losing concentration when | :11:10. | :11:12. | |
the frame was at his mercy. Do not lose your concentration what ever | :11:13. | :11:20. | |
you do. Patti got that frame, 3-1 at the interval is not too bad. -- had | :11:21. | :11:28. | |
he got that frame. We have seen a lot of missed long parts, and not | :11:29. | :11:33. | |
only missing them, but how far he is missing them. He is giving Ronnie | :11:34. | :11:36. | |
easy opportunities and he is under pressure. He has been under pressure | :11:37. | :11:44. | |
from the start, you get the feeling, 4-0 behind against Ronnie | :11:45. | :11:47. | |
O'Sullivan, when do you start to fear the worst in this situation? It | :11:48. | :11:53. | |
starts to get almost embarrassment as a feeling, and you do not want to | :11:54. | :11:58. | |
be thinking... You're thinking all sorts. All sorts of things come out | :11:59. | :12:03. | |
of your mind, none of them positive. That chants that he missed, I think, | :12:04. | :12:08. | |
this is good, he will get into the final, but 4-0, I always think in | :12:09. | :12:14. | |
finals, in long frame, you win in the first session and Ronnie looks | :12:15. | :12:21. | |
like doing that. Does panic started to write a new at this point? No, I | :12:22. | :12:27. | |
would not say panic. You do not panic at any time, he has come back | :12:28. | :12:31. | |
before against Ronnie O'Sullivan when he was 4-0 down. I would not | :12:32. | :12:36. | |
panic just yet, but he needs to get a couple of frames before they break | :12:37. | :12:41. | |
for the session tonight, and just get his arm going. Every mistake | :12:42. | :12:45. | |
that he is making, Ronnie O'Sullivan is pushing him, it is the Ronnie | :12:46. | :12:51. | |
O'Sullivan show at the moment. He loves to humiliate his opponents, I | :12:52. | :12:55. | |
used to love it as well, it is a perverse feeling to run them into | :12:56. | :12:58. | |
the ground, and that is what he is doing, he is loving it out there. It | :12:59. | :13:04. | |
is all Ronnie, what a start for him. There have been some great rivalries | :13:05. | :13:08. | |
in snooker over the years, I am sure you remember Alex Higgins against | :13:09. | :13:12. | |
Steve Davis and Stephen Hendry against Jimmy White, some great | :13:13. | :13:16. | |
matches, but this Selby and O'Sullivan rivalry is the most | :13:17. | :13:18. | |
compelling in the sport at the moment, and whilst Selby has said in | :13:19. | :13:22. | |
the past that he really enjoys playing Ronnie, Ronnie has admitted | :13:23. | :13:27. | |
freely that he does not like playing against Mark Selby, he said so in | :13:28. | :13:32. | |
his biography. He called him the torturer, and that is something we | :13:33. | :13:38. | |
have spoken about with both men. I call him the torturer, he has | :13:39. | :13:42. | |
tortured a few opponents, and it has been nice sitting back watching them | :13:43. | :13:46. | |
go through it as well, because a lot of people can be critical and think, | :13:47. | :13:50. | |
Ronnie has cracked up this and that, but until you play somebody like | :13:51. | :13:55. | |
Mark and go through it, you do not really realise what is going on out | :13:56. | :13:59. | |
there sometimes, and Ebdon was like that also. They can stop you from | :14:00. | :14:03. | |
playing, stop you from getting any momentum, just everything is like | :14:04. | :14:10. | |
long, drawn-out frames. It is hard to keep concentration for that | :14:11. | :14:15. | |
amount of time, and especially in a final, the best-of-7, the best of | :14:16. | :14:20. | |
nine, the best of 19, the best of 25, a world final, it is a long, | :14:21. | :14:30. | |
long game. How would you characterise the nature of the | :14:31. | :14:34. | |
rivalry between you both? My record against Ronnie is pretty good, | :14:35. | :14:39. | |
probably the best out of those that are played him, but I think it is | :14:40. | :14:43. | |
great for an outsider, there is Ronnie who is quite talented and | :14:44. | :14:47. | |
then me that has two really work at the game, but it is too different | :14:48. | :14:52. | |
strategies, two different games. I can be really defensive at times, | :14:53. | :14:57. | |
can be attacking at times, and he is obviously always attacking, so it is | :14:58. | :15:00. | |
very strange, but every time you play Ronnie, you know it will be a | :15:01. | :15:04. | |
tough game and you have to play your best to win. Is there any good | :15:05. | :15:09. | |
between you both, because he has a lot of things to say about your | :15:10. | :15:13. | |
play? Obviously, I never ignore anyone, I always say hello to him at | :15:14. | :15:17. | |
things like that, but in the press, he might have said things about me | :15:18. | :15:21. | |
which I do not know if he regrets it, but at the end of the day, I got | :15:22. | :15:25. | |
respect for him as a player, he is one of the greatest players to ever | :15:26. | :15:29. | |
play our game and I am sure he has got respect for me. This rivalry has | :15:30. | :15:36. | |
grown legs a bit. You talk about philosophy, Ronnie sees the | :15:37. | :15:39. | |
philosophy differently to you as well, because he said about your | :15:40. | :15:44. | |
game, eBay is a very negative, long bouts of safety am never takes on a | :15:45. | :15:48. | |
ball unless he will leave it safe and stop is that true? Is that in | :15:49. | :15:53. | |
some respects accurate? Well, sometimes when I play, I work out | :15:54. | :15:58. | |
the percentages and I think, is it worthwhile going for it? The same as | :15:59. | :16:03. | |
everyone else does. But if I'm struggling, I revert to that, and if | :16:04. | :16:06. | |
you are struggling, there is no point in playing long balls if you | :16:07. | :16:10. | |
know you're not good at saying them, because the percentages not there. | :16:11. | :16:16. | |
By Ronnie coming out with that comment, I know that is what he is | :16:17. | :16:20. | |
thinking, so I would be wrong if I wasn't playing that game against him | :16:21. | :16:23. | |
because I know it is getting into his head. Secretly, does everybody | :16:24. | :16:29. | |
wants to play like him when he is really on song and can practically | :16:30. | :16:33. | |
do everything? Do you all wish, in some respects, that you had that | :16:34. | :16:38. | |
level of natural talent? I am sure everybody does, because I think he | :16:39. | :16:43. | |
makes it look so easy, when he is switched on, nobody can touch him, | :16:44. | :16:47. | |
and he is unplayable at times, and everybody wants to play the standard | :16:48. | :16:51. | |
he plays, but it will not always happen, and sometimes he plays in | :16:52. | :16:55. | |
tournaments and he loses to people you would not think he would lose | :16:56. | :16:58. | |
too. Everyone has a different technique in strategy and that is | :16:59. | :17:03. | |
why it is so interesting. It is fascinating when we compare all of | :17:04. | :17:06. | |
the styles of the players, and Ronnie has written a book and he | :17:07. | :17:09. | |
describes you as the torturer will stop he says that you have different | :17:10. | :17:14. | |
mentalities, philosophies, he said that you tortured Graham Dodd, Neil | :17:15. | :17:17. | |
Robertson in the Masters, Shaun Murphy also, but he says I have got | :17:18. | :17:22. | |
a lot of respect for the way he gets results. He says that the best name | :17:23. | :17:28. | |
for you is stick ability Selby, because he was stick to the best | :17:29. | :17:36. | |
that you play. I never give in, I've seen players in the past to play | :17:37. | :17:41. | |
Ronnie O'Sullivan and when they get on -- when he gets on top of them, | :17:42. | :17:44. | |
then they sit in the chair to Jack did, but that is not me. I will | :17:45. | :17:53. | |
always be digging in. Is it pretty? We July kid to be prettier? -- would | :17:54. | :18:02. | |
you like it to be prettier? It doesn't bother me, I have done well, | :18:03. | :18:08. | |
so I must be doing something right. Well, the torturer is being tortured | :18:09. | :18:12. | |
this afternoon, if you were described as the torturer, would you | :18:13. | :18:23. | |
use it? Yes, absolutely, if somebody is annoyed by that, then you use it | :18:24. | :18:28. | |
against them. Mark is very right in what he says, I think he has got a | :18:29. | :18:32. | |
really good attitude. He never gives up. He has seen players collapse | :18:33. | :18:35. | |
against Ronnie O'Sullivan when Ronnie O'Sullivan have gone ahead, | :18:36. | :18:39. | |
but he knows, and O'Sullivan knows, which is reported for Mark Selby, | :18:40. | :18:43. | |
that he will not give up and he will try for every ball. It is nice to | :18:44. | :18:48. | |
play like Ronnie O'Sullivan, but not everybody can play like that. This | :18:49. | :18:52. | |
is all about winning, sometimes you cannot always win pretty, even | :18:53. | :18:55. | |
though we would love to, but when you are not winning pretty, if | :18:56. | :18:58. | |
you're winning ugly, your name is still going on the trophy. Ronnie | :18:59. | :19:04. | |
will expect him to regroup, you would imagine? Yes, Mark has created | :19:05. | :19:10. | |
this impression, this reputation, he is so hard to beat. Mark Selby can | :19:11. | :19:15. | |
play the same game that Ronnie plays, he can play all the shots, | :19:16. | :19:19. | |
and that is the way he wants to win, but he has got this fantastic | :19:20. | :19:22. | |
attitude that he never gives up and it has served him so well. This has | :19:23. | :19:27. | |
the makings of a classic, it might still turn into a classic, you never | :19:28. | :19:32. | |
know, with Mark Selby around! But we have had some fantastic matches in | :19:33. | :19:37. | |
the Masters over the years since 1975, and this man, Mr Hendry, he | :19:38. | :19:40. | |
has six wins from nine finals, but we do not like to remind him about | :19:41. | :19:44. | |
his success all the time, so how about a classic from 1998 against | :19:45. | :19:49. | |
his old sparring partner, Mr Williams? | :19:50. | :20:00. | |
The number one ranked player in the world, Stephen Hendry. CHEERING | :20:01. | :20:08. | |
Stephen had dominated the 90s in a fashion that we had never seen | :20:09. | :20:14. | |
before. This was Masters final eight for him and he was the heavy | :20:15. | :20:21. | |
favourite. Mark Williams was very much a rising star at this time. | :20:22. | :20:28. | |
This was going to be a major breakthrough for him. Stephen Hendry | :20:29. | :20:35. | |
compensating the pink that would give him the opening frame. | :20:36. | :20:45. | |
This effort has shown what a classy and fluid player Williams can be. | :20:46. | :21:31. | |
A typical Stephen comeback. Not touched in the last frame. His | :21:32. | :21:40. | |
concentration comes together. Magnificent, complete clearance by | :21:41. | :21:46. | |
the world number one to go back to macro frames in front. -- to macro | :21:47. | :21:51. | |
frames. He is left-handed, but he cannot | :21:52. | :22:07. | |
stretch over that far. This has now become a difficult pot. He needs to | :22:08. | :22:14. | |
commit himself to drop it in dead weight and he should be OK. He is. A | :22:15. | :22:22. | |
great roar from this conference Centre crowd, and Mark Williams has | :22:23. | :22:26. | |
a big smile on his face delighted that he's going to the mid-session | :22:27. | :22:30. | |
interval trailing by two frames at 5-3 to Stephen Hendry. | :22:31. | :22:59. | |
There is the 100. And with that break of 100, Mark Williams levelled | :23:00. | :23:12. | |
the match at 5-5. He has taken these other two onto the right of the | :23:13. | :23:16. | |
pink, and this is another shot. A tough shot. | :23:17. | :23:42. | |
The reds have opened nicely, and he is writing again. -- right in again. | :23:43. | :23:55. | |
He would have loved to have made another century. It has not | :23:56. | :23:58. | |
happened. The crowd wanted one, but very, very impressive. Increases his | :23:59. | :24:05. | |
lead. He just wants one man for victory. 9-6 to the world number | :24:06. | :24:13. | |
one. Surely he had it in his crafts to win his seventh national title. | :24:14. | :24:25. | |
He has gone a little bit too far, and he has to go all away round the | :24:26. | :24:29. | |
angles to come back. It was a difficult shot. He was a | :24:30. | :24:45. | |
fraction away from being perfect. A mighty roar from the Wembley | :24:46. | :25:12. | |
conference Centre. Mark Williams is still in this match, still two | :25:13. | :25:14. | |
behind at 9-7. A does roar here at Wembley. They | :25:15. | :25:38. | |
always wanted this, never have got it. It is 9-9 here. Two more spots | :25:39. | :25:48. | |
for a re-spotted black. Rapturous applause, but this young | :25:49. | :26:23. | |
man, on the re-spotted black. Very difficult to play the conventional | :26:24. | :26:26. | |
break up and down here, so it would probably be black to the middle of | :26:27. | :26:31. | |
the left-hand side and white to this one, and now the temptation is | :26:32. | :26:38. | |
whether to go for a double or not. Does he have the angle and will he | :26:39. | :26:40. | |
take it on? Quiet! But that camera away, please, | :26:41. | :26:53. | |
quiet, please. -- put that camera. It cannot get any closer! This is | :26:54. | :27:28. | |
incredible again. Mark thought he had the black. The one that Stephen | :27:29. | :27:34. | |
is left with, closest to the side cushion, he is dead straight on the | :27:35. | :27:37. | |
black, this is not an easy shot. I believe that Masters title has | :27:38. | :27:57. | |
gone away from Stephen Hendry. Nothing is easy now. You have to | :27:58. | :28:03. | |
roll it. And a does cheer. Really deserved | :28:04. | :28:16. | |
for young Mark Williams from Wales. He has never been in front in this | :28:17. | :28:26. | |
final against world number one. That slow roll cost Stephen dear, it was | :28:27. | :28:29. | |
a bitter blow and think ruled the end of an era. -- and it signals the | :28:30. | :28:34. | |
end of an era. A fantastic to victory for Mark. The | :28:35. | :28:49. | |
number world status in the world would soon be his. -- number one | :28:50. | :28:56. | |
status. And it was painful, but we enjoyed putting him through that! | :28:57. | :29:04. | |
Talk about torture! Nice hairstyle! A bad hair day! We're waiting for | :29:05. | :29:13. | |
the text message from Mr Williams! That was painful to watch, 9-6 up. | :29:14. | :29:20. | |
The same situation that we had with Ronnie O'Sullivan and Mark Selby in | :29:21. | :29:27. | |
2010, 9-6, he came back and won it. The next frame for Mark Selby, he | :29:28. | :29:31. | |
needs to get a bit of confidence, he is not out of this final by any | :29:32. | :29:34. | |
stretch of the imagination. He will be trying. You will have to scrape | :29:35. | :29:40. | |
off the table, but he will have to do something very quickly. If you've | :29:41. | :29:45. | |
offered it to him now, he would probably take 9-6 down. We have got | :29:46. | :29:52. | |
a change in the commentary box now, Dennis Taylor and John Parrott. | :29:53. | :30:02. | |
DENNIS TAYLOR good afternoon everyone. Potty session we have in | :30:03. | :30:13. | |
prospect. Mark did have a chance in the final | :30:14. | :30:36. | |
frame there, but he did not get a look in in the opening three frames. | :30:37. | :30:42. | |
The rear Ronnie was playing was a bit like in his quarterfinal with | :30:43. | :30:44. | |
Ricky Walden. We have said so many times that Mark | :30:45. | :31:01. | |
Selby produces his best when his back is against the wall and it | :31:02. | :31:07. | |
certainly is here. There is a chance here, but the cue ball is going to | :31:08. | :31:13. | |
go into the pack of Fred 's. How did he find the gap? I think he was | :31:14. | :31:18. | |
hoping to finish on the black. JOHN PARROTT: as one of the | :31:19. | :31:39. | |
commentators said earlier, his long game has been exceptional this | :31:40. | :31:47. | |
week. Yes, Ronnie Wood from the Rolling Stones is here. He keeps | :31:48. | :31:56. | |
disappearing, doesn't he. Ronnie is a big snooker fan and a big friend | :31:57. | :32:02. | |
of Jimmy White and Ronnie O'Sullivan. Jimmy is looking | :32:03. | :32:10. | |
terrific. He is still playing well, also. He played any allegiance to | :32:11. | :32:19. | |
ornament the week before, Jimmy and myself beat Steve Davis and Stephen | :32:20. | :32:22. | |
Hendry. There has been an incredible focus | :32:23. | :32:44. | |
about Ronnie O'Sullivan 's play this week. | :32:45. | :32:50. | |
He has been in his own little Corcoran of concentration. I think | :32:51. | :33:01. | |
you could probably during the Ricky Walden match have played the | :33:02. | :33:05. | |
firework 's exhibition behind him and he would not have heard a thing. | :33:06. | :33:12. | |
Yes, he has played some great sessions of this, but that one was | :33:13. | :33:20. | |
right up there with the best. But this one has looked as if it would | :33:21. | :33:25. | |
be a closing counter. Every time they have played, there has only | :33:26. | :33:34. | |
been a couple of frames in it. Absolute perfection again and the | :33:35. | :33:39. | |
full ball cannon on the pink is what he wants. But there's a surprise, | :33:40. | :33:51. | |
missing the blue. Took his try of the pot and did not catch the pink | :33:52. | :33:59. | |
is intended, either. Slight chance here for more. -- for Mark Selby. It | :34:00. | :34:10. | |
is not easy because the pink is caught, the Black is back from its | :34:11. | :34:16. | |
spot and the blue is on the side cushion, safe. | :34:17. | :34:25. | |
As you say, he is keen to get on the black as soon as possible. He has | :34:26. | :34:33. | |
not come far enough. He was deliberately trying that | :34:34. | :35:02. | |
cannon, but that is the problem with that, if you do not get it right. | :35:03. | :35:09. | |
There is just so much more pressure on every shot, because he is so far | :35:10. | :35:20. | |
behind. Yes, when things are going well and you are maybe if you frames | :35:21. | :35:26. | |
ahead, the things tend to work out, the cannon would be perfect, but | :35:27. | :35:30. | |
when you are feeling, that is the type of thing that happens. | :35:31. | :36:25. | |
Another good safety shop. Mark Warren, you may have seen him in a | :36:26. | :36:38. | |
number of top programmes. He follows the snooker. I remember talking to | :36:39. | :36:44. | |
him at the conference centre in a few years ago. Yes, there are a | :36:45. | :36:53. | |
couple of footballers in the audience as well. There are a couple | :36:54. | :36:57. | |
of Aston Villa players here, that was a good result for them at | :36:58. | :36:59. | |
Liverpool yesterday. Just having a little think about | :37:00. | :37:15. | |
this, he does not want to push a red over the corner pocket. He phoned | :37:16. | :37:25. | |
the gap, but he has brought the red back up the table, but I think the | :37:26. | :37:28. | |
green has come to his rescue. As I see, when you are playing well, | :37:29. | :37:37. | |
you tend to get these little bit is of good fortune. A bit of a problem | :37:38. | :37:47. | |
though, because every time the cue ball comes back down into the baulk | :37:48. | :37:53. | |
area, you have two protect against leaving that red into the left-hand | :37:54. | :37:55. | |
middle. It will be interesting to see if | :37:56. | :38:12. | |
Ronnie takes that on. He did not even look at it. That was a decent | :38:13. | :38:23. | |
shot. It is interesting, it does not look as if it is far off. It is | :38:24. | :38:34. | |
going slightly to the left, but if you hit the first ball correctly, | :38:35. | :38:35. | |
you could make it. Not a bad thing, from Mark 's point | :38:36. | :39:30. | |
of view, to have a bit of the safety exchange. | :39:31. | :39:40. | |
No, he needed to hit the other side of the red. He needed to hit that in | :39:41. | :40:03. | |
the centre. 31 points behind and not the easiest of starts. I think he is | :40:04. | :40:13. | |
going to take the other one up into the top left. | :40:14. | :40:38. | |
He is looking at the year low, it is slightly easier than the pink. -- | :40:39. | :40:44. | |
the yellow ball. He will probably try and pot this | :40:45. | :40:56. | |
and get on the red which is currently covering the ink spot. -- | :40:57. | :41:01. | |
pink. The student to be a bit of a bonus | :41:02. | :41:19. | |
of that. I expected the cue ball to come further down the table. He has | :41:20. | :41:34. | |
got to find the gap and he did not. He may just have got away with it. | :41:35. | :41:39. | |
At first glance, I do not think he has left anything. He hit that all | :41:40. | :41:51. | |
wrong. Is there one which will pot? Yes, the letters. -- the it is. | :41:52. | :42:09. | |
Beautifully cued. Absolutely beautiful. He could not have played | :42:10. | :42:16. | |
that any better. As you said, you cannot hit them any | :42:17. | :42:30. | |
better than that. This is no age earns. 29 in front and there are | :42:31. | :42:39. | |
enough easy red is available. In fact all of them are no available. | :42:40. | :42:50. | |
That was a bit of a double wire me for Mark, by not only missing the | :42:51. | :43:00. | |
pot, but also opening up all of the reds. | :43:01. | :43:13. | |
He was trying to find a gap and he had one eye on that. But it was a | :43:14. | :43:21. | |
very good opening red from Ronnie. Once again, beautifully struck. That | :43:22. | :43:48. | |
was absolutely superb. He is a tremendous player and, as | :43:49. | :44:18. | |
Stephen Hendry says, he is the best front runner in the game. Get behind | :44:19. | :44:28. | |
this man and you have big problems. Yes, Mark has got to find something. | :44:29. | :44:35. | |
But we as a going to come from, that we Ronnie is playing? As I | :44:36. | :44:43. | |
mentioned, the long matches they have played have always been very | :44:44. | :44:49. | |
close, but at the moment, it is all one way traffic. | :44:50. | :45:22. | |
Those pockets must look like buckets at the moment, to Ronnie. Another | :45:23. | :45:42. | |
great display from Ronnie or Sullivan and you know Leeds by five | :45:43. | :45:47. | |
frames to nil. He looks as if he isn't exhibition | :45:48. | :45:59. | |
mode. Alarm bells must be ringing very loud now for Mark Selby. As I | :46:00. | :46:07. | |
said, everything seems very awkward when Mark comes to the table and | :46:08. | :46:13. | |
everything seems a lot simpler when Ronnie comes to the table. | :46:14. | :46:19. | |
Everything he looks at is going in and he is making a quick sort easy. | :46:20. | :46:27. | |
He has been helped by Mark Selby. But as Stephen said, every time he | :46:28. | :46:34. | |
comes to the table, he will be feeling very cold. That frame before | :46:35. | :46:43. | |
the interval could have been very crucial. He may even still be | :46:44. | :47:00. | |
thinking about that easy red. He knows that 3-1 could have been the | :47:01. | :47:13. | |
score. Will he still feel he is in a chance. Yes, he will definitely not | :47:14. | :47:20. | |
give up. But he knows he cannot foul any further behind. He has certainly | :47:21. | :47:26. | |
made his superiority count so far. Yes, I think today is all about "I | :47:27. | :47:40. | |
am the governor and I am going to show you that. " So far, he has been | :47:41. | :47:48. | |
totally focused. There you see it, the first player | :47:49. | :47:55. | |
to ten frames lifts the title. I mentioned earlier, it is 10-7 to | :47:56. | :48:14. | |
Ronnie O'Sullivan in the meetings, but in the longer matches, Mark | :48:15. | :48:20. | |
Selby has a 3-2 lead over Ronnie O'Sullivan. Ronnie O'Sullivan 's | :48:21. | :48:45. | |
victories have been close, but so far, there is nothing close about | :48:46. | :48:47. | |
this one. Yes, this is where true champions | :48:48. | :48:57. | |
have two have total belief in themselves. He have to believe that | :48:58. | :49:03. | |
when the chance comes, the still playing well enough to get back into | :49:04. | :49:04. | |
it. It is easier said than done. But Mark Selby is blessed with a | :49:05. | :49:18. | |
tremendous temperament. But he just cannot get going. Once again, he did | :49:19. | :49:26. | |
not only must the red, but it has come back across. | :49:27. | :49:51. | |
That red being on the right-hand side is perfect to leave a good | :49:52. | :49:59. | |
angle on the blue and go into the pack of that. | :50:00. | :50:10. | |
No, the angle was to wade, but that was what he was looking to do. He | :50:11. | :50:22. | |
will do that here. Just watch how he plays that. That is beautiful. | :50:23. | :50:35. | |
Superb. Unbelievable. Unbelievable at the moment. | :50:36. | :50:40. | |
Look at the shot he has played. The next one after this is just so good. | :50:41. | :50:53. | |
How many times do you do that and you get glued onto the side cushion. | :50:54. | :51:01. | |
He has played that to perfection, he could not have played that any | :51:02. | :51:04. | |
better. You could hear the pin drop in the | :51:05. | :52:45. | |
Alexander Palace at the moment. We are witnessing something very | :52:46. | :52:47. | |
special. This has come slightly tricky. | :52:48. | :53:02. | |
Always much more difficult when they are close together. Yes, he was so | :53:03. | :53:10. | |
close to it. To pick the angle out is quite tough. Now, what can Mark | :53:11. | :53:15. | |
Selby pledges here? -- produce. No, he does have the angle to crash | :53:16. | :53:40. | |
into the two reds that are out of commission at the moment. | :53:41. | :53:46. | |
This would be some performance if he could pinch this frame and he really | :53:47. | :53:57. | |
needs to do it, doesn't he, John? Yes, you have to think that a | :53:58. | :54:02. | |
threefold another frame behind, this is factually all over. -- virtually | :54:03. | :54:13. | |
all over. He has got to do it in this frame. He has got a wonderful | :54:14. | :54:20. | |
temperament. He has been in plenty of two elements where his back has | :54:21. | :54:27. | |
been against a wall, but this is a very stern examination. | :54:28. | :54:33. | |
His only problem are the two or court reds on the right-hand side. | :54:34. | :54:46. | |
-- or court. He had a chance to move one of them, but decided against it. | :54:47. | :55:08. | |
It looks as if he has finished dead straight on the blue. | :55:09. | :55:22. | |
He may try and move the one on the side cushion when he pops this one. | :55:23. | :55:31. | |
That is what he has done and made a pretty good job of it. Well played. | :55:32. | :55:47. | |
That was probably more difficult than when he had the chance to move | :55:48. | :55:52. | |
it when he potted the black a couple of shots ago. | :55:53. | :55:56. | |
It looks as if that red in the ball area behind the brown ball is going | :55:57. | :56:05. | |
to be the problem. You would expect them to get the other ones. | :56:06. | :56:12. | |
Interesting to see what colour he will try and play on. He probably | :56:13. | :56:17. | |
would like to get up onto the ball colours. -- the ball area colours. | :56:18. | :56:52. | |
I think he is thinking of leaving the angle so that he pops this | :56:53. | :56:57. | |
thread and then moves the other one. That was the problem. That was the | :56:58. | :57:18. | |
only problem with moving it from that position. That can happen if | :57:19. | :57:27. | |
you just get in behind it too much, there is nowhere for the cue ball to | :57:28. | :57:28. | |
go. Still, he has got himself back in | :57:29. | :57:47. | |
the frame, only 17 points behind. Just needs a good safety here. | :57:48. | :58:16. | |
He has not only found the gap, I think this is a fairly | :58:17. | :58:21. | |
straightforward up and down shot on the red for Ronnie, so he could be | :58:22. | :58:34. | |
snookered. He would have been, and that not flicked the brown ball. | :58:35. | :58:41. | |
A little bit of noise in the code. I am not sure what that was. | :58:42. | :59:05. | |
That is a good shot under the circumstances, but he did not drop | :59:06. | :59:12. | |
nicely on a colour. But he can just play the snooker. | :59:13. | :59:21. | |
He is back in the frame. I would not expect Ronnie O'Sullivan to miss | :59:22. | :59:33. | |
this, but he needs to try and get it safe. | :59:34. | :59:45. | |
And he's the enough of the yellow to take the pot on? -- can he see | :59:46. | :59:52. | |
enough? That is a thick shaft. That is a | :59:53. | :00:05. | |
superb shot. -- that is a thick shaft. | :00:06. | :01:04. | |
This has been a superb effort. Well played, Mark Selby. A little smile | :01:05. | :01:15. | |
there from his wife. Mark Selby held himself together, | :01:16. | :01:27. | |
that was a great clearance and a little smile from him as well. He | :01:28. | :01:33. | |
has got one frame on the board, but he is still trailing 5-1. | :01:34. | :01:41. | |
Huge relief for Mark Selby in the circumstances, and great character | :01:42. | :01:44. | |
to get into that frame, a lot of work to do. Ronnie O'Sullivan looked | :01:45. | :01:51. | |
like he would go 6-0, it shows a lot of character. He's not going give | :01:52. | :01:57. | |
in, and he produced a good yellow. A lot of pressure. He never gives up. | :01:58. | :02:04. | |
He has got the heart of a line, Mark Selby, even though he is up against | :02:05. | :02:09. | |
a man at the top of his game that makes it look so easy, the best | :02:10. | :02:13. | |
thing to do is to try and make it as tough as possible for Ronnie | :02:14. | :02:17. | |
O'Sullivan. Can you describe the relief he will have at this time? It | :02:18. | :02:23. | |
would be a lovely feeling, you can relax now and get back to work, | :02:24. | :02:27. | |
because there are two macro frames to go, and he can win these two | :02:28. | :02:34. | |
frames. He will always stick to his task, Mark Selby. Even if he wins | :02:35. | :02:41. | |
one of these frames, 6-2 behind, you will be a bit relieved. Ronnie | :02:42. | :02:45. | |
O'Sullivan was looking like he might win the final in this session alone, | :02:46. | :02:49. | |
so there is plenty of heart for Mark Selby and his supporters, and | :02:50. | :02:53. | |
another with a smile from Mark Selby as he potted that black, but he will | :02:54. | :03:01. | |
be very relieved. His highest break was 36, the previous break was 20 in | :03:02. | :03:07. | |
this, it is all about feeling that you're making some points just to | :03:08. | :03:12. | |
loosen up a little bit, it must be massive for him. It is hard to pot | :03:13. | :03:17. | |
the long ball today, he struck that yellow beautifully. That gives you | :03:18. | :03:22. | |
confidence, the fact you have hit a ball properly, probably for the | :03:23. | :03:26. | |
first time in the match, so that was given tremendous belief, so a of | :03:27. | :03:31. | |
belief in himself will stop it is easy for the heads to go down at | :03:32. | :03:36. | |
5-1, and think it is becoming the Ronnie O'Sullivan show, everyone is | :03:37. | :03:39. | |
here to see Ronnie, and you get swallowed up in it. It sends out a | :03:40. | :03:44. | |
message to Ronnie O'Sullivan to say, look, I am not going to go away, and | :03:45. | :03:48. | |
if you take your foot off the pedal for one moment or if you take any | :03:49. | :03:53. | |
liberties, he sends out that message to Ronnie O'Sullivan that I'm going | :03:54. | :03:56. | |
to counterattack and I will still be in the final. Ronnie O'Sullivan must | :03:57. | :04:02. | |
have expected something good to happen for Mark Selby at some point | :04:03. | :04:09. | |
in this match? I do not think that Mark Selby thought he would win | :04:10. | :04:14. | |
10-0, and he probably expected a tough final so far. Two more frames, | :04:15. | :04:20. | |
what, if any inroads can Mark Selby make into Sullivan's lead? | :04:21. | :04:29. | |
That was interesting when both players came into the arena, and he | :04:30. | :04:35. | |
came in first, he got a round of applause, but Mark Selby got a | :04:36. | :04:41. | |
terrific round of applause. They have been fabulous all week, the | :04:42. | :04:44. | |
crowd, they have been so fair. We appreciate some good snooker, a lot | :04:45. | :04:47. | |
of them will be supporting Ronnie, but they have been very, very fair | :04:48. | :04:49. | |
indeed. Mark Selby did not have any chance | :04:50. | :05:13. | |
at the beginning of the match to get any rhythm going. At the moment, his | :05:14. | :05:19. | |
pot success, way below what he usually is. | :05:20. | :06:05. | |
I do not aware that some kind of an insect, something is falling down. | :06:06. | :06:44. | |
-- do not know if is some kind of insect. Did you just open your | :06:45. | :06:52. | |
wallet, John Parrott? ! That is rich coming from you! | :06:53. | :07:14. | |
He has caught the bum bandit has put him out of position, a bit unlucky. | :07:15. | :07:23. | |
-- he has caught the bump and it has put him out of position. | :07:24. | :08:58. | |
He just flicked the yellow. And is he OK? Yes. | :08:59. | :09:18. | |
That needs to keep running. Just a slight angle. He might be able to | :09:19. | :09:30. | |
power this in. He could maybe get to the beds, if not, maybe get a cannon | :09:31. | :09:37. | |
on the pink and black. It was a tough angle to play that shot. It | :09:38. | :09:40. | |
has not quite worked out. Has he got it? Well done! He courted | :09:41. | :10:10. | |
with his cue! That was some cueing! A good pot. That was an awkward | :10:11. | :10:34. | |
spot. Better signs for fans of Mark Selby. | :10:35. | :10:54. | |
I wonder will you try to split the reds here? He did. He was unlucky | :10:55. | :11:02. | |
with the cue ball. Try to open up the red with the yellow. That was | :11:03. | :11:07. | |
quite an attacking shot even though he is 5-1 down. He's still thinking | :11:08. | :11:09. | |
very positively certainly. A very unusual table at the moment, | :11:10. | :11:32. | |
pink and black tied up. The yellow down that far, not something you see | :11:33. | :11:34. | |
every day. That is an extra bonus of three | :11:35. | :12:10. | |
points, hitting the black there. He's having it put back stop. The | :12:11. | :12:26. | |
yellow would have come in handy, he could have potted that, got on the | :12:27. | :12:29. | |
yellow, had a chance. He is having to swerve that shot. It | :12:30. | :12:40. | |
is difficult to judge the pace of it. But he has two swerve it to make | :12:41. | :12:48. | |
the angle, as you can see. That is a better place. A much better place. | :12:49. | :13:10. | |
There might be one available to the middle pocket. He was walking around | :13:11. | :13:21. | |
the table as soon as he made contact with that. | :13:22. | :13:36. | |
This is another chance for Ronnie, but not straightforward. | :13:37. | :13:47. | |
He has not played that many shots left-handed. This is one of them. | :13:48. | :13:56. | |
The reason he has not played many shots left-handed is because he has | :13:57. | :13:58. | |
not been out of position. Still not straightforward, because | :13:59. | :14:21. | |
of the two reds, you cannot go mashing into the reds in front of | :14:22. | :14:27. | |
the pink and black. He has done, but those two read in the way, it was | :14:28. | :14:35. | |
never beyond that. -- were in the way. | :14:36. | :15:16. | |
Ronnie is as good a tactical player as anybody in the game, but he is up | :15:17. | :15:22. | |
against Mark Selby who is one of the best. There is frayed between them. | :15:23. | :15:27. | |
But I think Mark Selby is slightly ahead in the safety Department. | :15:28. | :15:38. | |
That red is safe now, it is in the pocket! It was a very good pot. That | :15:39. | :15:51. | |
is two in this frame already, very cleanly shot. Straight into the bag. | :15:52. | :16:35. | |
He did not get the spot that you suggested, John. He needed the | :16:36. | :16:47. | |
inside red, he got the outside one. Unless Eclipse this red in, down the | :16:48. | :16:51. | |
rail, it looks like the end of Drake. -- break. | :16:52. | :17:07. | |
Under the circumstances, that was a terrific pot. That was far from | :17:08. | :17:11. | |
easy. I might go as far as brilliant. | :17:12. | :17:23. | |
Absolutely wonderful shot. Just slightly overscrewed that of the | :17:24. | :17:29. | |
green. Does not need to go into those red yet. He can play pink and | :17:30. | :17:35. | |
black, go for the blue, there are at least three red Sea can get on the | :17:36. | :17:41. | |
blue, so no need for a cannon. -- at least three red Sea can get on the | :17:42. | :17:43. | |
blue. This really is a wonderful set from | :17:44. | :18:06. | |
Mark Selby, showing true determination. He has been a | :18:07. | :18:12. | |
passenger for most of the afternoon, certainly the first five frames. | :18:13. | :18:36. | |
This is a potential stumbling block, but he is pretty good with | :18:37. | :18:39. | |
the rest. Could have hit that little bit | :18:40. | :19:26. | |
harder. He needs to swing around to take the green. He will get a | :19:27. | :19:29. | |
terrific round of applause if he pulls this off. That looks pretty | :19:30. | :19:37. | |
good, as long as it keeps on coming. It has come up little bit short. The | :19:38. | :19:44. | |
black may be pottable. That is for you would like to be. -- where you | :19:45. | :19:47. | |
would like. 28 in front, so he will need the red | :19:48. | :20:27. | |
to leave Ronnie needing a snooker. It is not guaranteed. | :20:28. | :20:52. | |
There is a bit more to this than meets the eye. Pot the black, keep | :20:53. | :21:04. | |
your ion the black and flicked the red, then he would be OK. That is | :21:05. | :21:06. | |
what he is thinking about. He has missed the red, but at least | :21:07. | :21:28. | |
he is 35 in front with a 30 I've on the table. -- with 35 on the table. | :21:29. | :22:18. | |
That is amazing. When you hit it at that pace, it is so difficult to | :22:19. | :22:23. | |
judge the angle from the cushion, and he finished up hitting it twice. | :22:24. | :22:30. | |
He has got an easy safety shot, but he pulled off a double on the blue | :22:31. | :22:34. | |
in one of his early matches, which was incredible, but in different | :22:35. | :22:38. | |
circumstances here. He has said that too hard. Ronnie has got a chance of | :22:39. | :22:43. | |
potting this and getting on the black. | :22:44. | :23:08. | |
What a pot that was! Absolutely stunning! If he clears up here, Mark | :23:09. | :23:15. | |
Selby will be absolutely kicking himself. He almost had the frame in | :23:16. | :23:25. | |
the bag, then on news safety. -- on loose safety. | :23:26. | :23:36. | |
He needs to leave the correct angle on the blue to run up to the pink | :23:37. | :23:40. | |
and screw back. We have had everything in this | :23:41. | :24:17. | |
match, and now we're going to have a re-spotted black. | :24:18. | :24:25. | |
It is all about the toss of a coin, you want to win the toss, put your | :24:26. | :24:36. | |
opponent in. Massive frame, this. Massively spot. Ronnie did win the | :24:37. | :24:42. | |
toss. He has played it well. We did the | :24:43. | :25:04. | |
earlier when they showed Stephen Hendry and Mark Williams, he took | :25:05. | :25:09. | |
the double on. Ronnie is taking the double on, but you try to get a good | :25:10. | :25:12. | |
cue ball, and this is far from easy. He is settling himself, does he go | :25:13. | :25:29. | |
for the hot? It is far from easy. -- go for the pot? | :25:30. | :26:14. | |
Well, that is later if it pot under the circumstances! -- that is a | :26:15. | :26:26. | |
thick pot. Ronnie O'Sullivan has taken the frame on a re-spotted | :26:27. | :26:32. | |
black and he is now leading 6-1. Just when we thought the psychology | :26:33. | :26:38. | |
of this match was about to change, a lose safety shot just gifted and | :26:39. | :26:43. | |
Sullivan the opportunity. It is unlike Mark Selby to play a safety | :26:44. | :26:48. | |
shot like that. Ronnie O'Sullivan needed a black, but interesting when | :26:49. | :26:52. | |
he potted that lack, he states down on the shot, and it really shows. | :26:53. | :26:57. | |
Sometimes Ronnie O'Sullivan when Mark is that the table, looks order, | :26:58. | :27:03. | |
like he is not caring, but that reaction when he potted that black, | :27:04. | :27:10. | |
incredible. Very unlike Mark Selby, he is so consistent and he takes his | :27:11. | :27:15. | |
time and he knows his way around the table, a very, very loose safety | :27:16. | :27:21. | |
shot. It gave him a shot that Ronnie O'Sullivan had never should have | :27:22. | :27:29. | |
had. A big, big frame in the match. A different complexion on the march, | :27:30. | :27:34. | |
Mark Selby is back and it just showed Ronnie O'Sullivan how | :27:35. | :27:37. | |
determined he was, and teen you how much that frame and, because for me, | :27:38. | :27:42. | |
now, that is the pivotal turning point of the match. 2-5 behind, the | :27:43. | :27:49. | |
pressure reverts to Ronnie O'Sullivan at that point. He starts | :27:50. | :27:55. | |
to think, I played well, the first five frames, it would be | :27:56. | :27:58. | |
disappointed afternoon, now it is a chance to make it 7-1. That would be | :27:59. | :28:05. | |
a very, very long way back, it was done before in Masters finals, but | :28:06. | :28:09. | |
how will this turn had? The last of the afternoon in the opening | :28:10. | :28:11. | |
session? -- turnout? The worst thing that can happen to | :28:12. | :28:35. | |
Ronnie O'Sullivan here is that he would only have a four frame lead. | :28:36. | :28:40. | |
Pretty sure he will be trying to get to seven on the scoreboard. He just | :28:41. | :28:49. | |
cannot get comfortable on the shot, he does not know where to put his | :28:50. | :28:52. | |
hand on the table. A bit of a chance that the pink and | :28:53. | :29:13. | |
the black are tied up. There is a path to get back from the blue here. | :29:14. | :29:29. | |
He is looking to see if he can get on the red just to the right of the | :29:30. | :29:38. | |
black, in such a way that he could flick the other red away and leave | :29:39. | :29:47. | |
himself on the black. He may well be able to do that here. If he cannot | :29:48. | :29:53. | |
do it, he has got the red into the right middle pocket, if the angle is | :29:54. | :29:56. | |
not ideal. Yes, there is not a lot of that red | :29:57. | :30:05. | |
sticking out. Slightly tougher shot. We will find out after this shot. | :30:06. | :30:45. | |
There is one at the back of the bunch. It will be interesting to see | :30:46. | :30:49. | |
if he can get the black into play. Now, let us have a look at that | :30:50. | :30:57. | |
angle. He has put the black into the bunch, | :30:58. | :31:29. | |
but he has a nice angle on the blue, so if he contacts the pink, it will | :31:30. | :31:33. | |
bring the black back into play. That is unlucky. Look at the way | :31:34. | :31:51. | |
that has finished. Yes, you would certainly think at this pace it | :31:52. | :31:57. | |
would have moved the black into play. He is looking at playing a | :31:58. | :32:11. | |
plant. More importantly, he wants to get this safe and remove the red | :32:12. | :32:13. | |
from the bottom left. If anybody could have pooled that | :32:14. | :32:44. | |
shot off, it was Mark Selby, with his knowledge of pool. He would like | :32:45. | :33:00. | |
to play that one again. It actually looks as if the cue ball drifted | :33:01. | :33:01. | |
slightly. The red coming back across. A Rice | :33:02. | :33:17. | |
meal from Ronnie O'Sullivan. If Mark Selby could take this, he | :33:18. | :33:33. | |
would reduce the deficit to 6-2 and it would be came on again. Yes, if | :33:34. | :33:42. | |
he could win the opening session this evening, he would be right back | :33:43. | :33:45. | |
into the match. Just stretching a little bit there, | :33:46. | :34:07. | |
wasn't he? He will be looking to leave and angle on the pink, so he | :34:08. | :34:14. | |
can knock a few red route, or taking a baulk a colour and then coming | :34:15. | :34:18. | |
back into the side of the pack. The red at the back will go, so that | :34:19. | :34:32. | |
is good enough for him for the moment. | :34:33. | :34:56. | |
This is the key shot coming up here, which will open the red zone | :34:57. | :35:09. | |
probably bring the black into play. And the black still sticks in the | :35:10. | :35:13. | |
bunch. Amazing. What a pot. Totally blind pocket. / | :35:14. | :35:30. | |
in beautifully. He is so focused. He wants 7-1 at | :35:31. | :35:53. | |
the interval, that is for sure. It means he has the ultimate respect | :35:54. | :36:12. | |
for his opponent. He has been deposed by him a few teams, so he | :36:13. | :36:19. | |
will want to get as big a lead as possible. | :36:20. | :36:25. | |
He knows that Mark Selby will not go away. | :36:26. | :36:48. | |
It is very tight in and around the pink spot area. | :36:49. | :37:15. | |
What sort of angle does he have won the pink? If he is dead straight, he | :37:16. | :37:29. | |
could maybe hold the pink spot so he could then take the red to the left, | :37:30. | :37:31. | |
but it really depends. I think he is just OK, even if it | :37:32. | :38:02. | |
does go on the spot. It did not go back on the spot, but every shot | :38:03. | :38:04. | |
here is very delicate. Yes, you saw that he raised the end | :38:05. | :38:18. | |
of the cue, to ensure that he did not play a push shot. | :38:19. | :38:28. | |
Taking that one on left-handed. He may have covered the pocket. That | :38:29. | :38:36. | |
was not easy, with the opposite and. This one down the cushion, is | :38:37. | :38:48. | |
not easy. But I think, if that ain't happening, Ronnie O'Sullivan would | :38:49. | :38:58. | |
have won the frame, because he would have been perfectly on this next | :38:59. | :39:05. | |
one. He's witnessed only cushion are absolutely horrible. -- these ones | :39:06. | :39:10. | |
down the cushion. It dropped ten, when it hit the New | :39:11. | :39:41. | |
Year jaw, I did not think that was going to go in. | :39:42. | :40:03. | |
That was about the best he could do. Now, with the pink going on its | :40:04. | :40:14. | |
spot again, this will have to be a safety shot. | :40:15. | :40:30. | |
Good target. He just had to make sure he did not touch it with his | :40:31. | :40:53. | |
waistcoat. I am wondering if the two reds are actually a plant. | :40:54. | :41:01. | |
That is not bad, given the angle he is coming at. Look at the cue ball. | :41:02. | :41:33. | |
Tough shot, this, you cannot get this thick. | :41:34. | :41:47. | |
There is a chance here for Ronnie. I say that as if they are over the | :41:48. | :41:59. | |
pocket, but sometimes, you think that when you are watching Ronnie. | :42:00. | :42:19. | |
The blue ball is once again the target for the safety shot. | :42:20. | :42:37. | |
Ronnie just wanting to land on this red behind the black. You could not | :42:38. | :43:07. | |
get any closer than that without hitting it. | :43:08. | :43:39. | |
The referee just questioning the positioning. Ronnie was just | :43:40. | :43:48. | |
checking that it was exactly in the same spot. | :43:49. | :44:06. | |
Very well played. That was all about the pace. If you catch that too | :44:07. | :44:13. | |
hard, you could put the red on. He has not played that well. A bit | :44:14. | :44:30. | |
similar to the safety shot he played in the previous frame, but at least | :44:31. | :44:33. | |
he has great nearly ball cushion. He has not hit many pure safety | :44:34. | :44:57. | |
shots today, Ronnie, but that was one of them. But he has not been | :44:58. | :45:00. | |
punished. This looks really easy because the | :45:01. | :45:14. | |
red is over the pocket, but you have two cubic well when you are tight on | :45:15. | :45:17. | |
the cushion. -- cue it well. That could not have come out much | :45:18. | :45:32. | |
better. He played that with topspin so that it would not run down the | :45:33. | :45:40. | |
table too much. Another left-handed shot, beautifully played. This is a | :45:41. | :45:48. | |
tough one along the cushion. He does not have two Fawcett because it is | :45:49. | :45:54. | |
tied on the cushion. He plays those so well. He really does. | :45:55. | :46:07. | |
He needs the year low, the green, and the brown. -- the yellow ball. | :46:08. | :46:29. | |
He nearly burst the pocket with that one. Once again, fabulous cueing. He | :46:30. | :46:42. | |
was very impressive in the first five frames scoring wise, but he has | :46:43. | :46:49. | |
been equally impressive in the way he has competed in the last couple | :46:50. | :46:53. | |
of frames when it has been very close. | :46:54. | :46:59. | |
That was a big turning point. Some of the balls he has pocketed here. | :47:00. | :47:09. | |
He is not bothering about the black. Vintage Ronnie O'Sullivan. He | :47:10. | :47:15. | |
takes the session 7-1. He now needs only three more frames | :47:16. | :47:27. | |
for the title. How surprising is that been from both players? I | :47:28. | :47:33. | |
thought it would be a lot closer, similar to the previous matches, but | :47:34. | :47:41. | |
it has been all Ronnie O'Sullivan. Mark Selby get off to a bad start | :47:42. | :47:45. | |
and things have compounded from there. I would say it is essentially | :47:46. | :47:52. | |
all over. A re-spotted black in the penultimate frame, how big was that? | :47:53. | :47:59. | |
Yes, there was that and also the chance he had in the fourth frame. | :48:00. | :48:06. | |
Is there any way back for Mark Selby? Highly unlikely. It has been | :48:07. | :48:15. | |
done before. We will be back at seven o'clock. Letters give you an | :48:16. | :48:21. | |
indication of what is coming up on Match Of The Day. We will be back at | :48:22. | :48:26. | |
seven o'clock with the deciding frame. Good Mark Selby torture | :48:27. | :48:33. | |
slippers genius? We kill we will see. Goodbye for now. | :48:34. | :48:36. |