Final, Part 1 Masters Snooker


Final, Part 1

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How does it feel to win a Masters? It is proof that you are the best of

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the best. The World Championship is your first game in every season, but

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the Masters is the second, because it proves you are the best player in

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the world. To have the Masters new CV is just incredible. It takes

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great, determination... A bit. Ronnie O'Sullivan has four Masters,

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Mark Selby has three Masters, it would be a fascinating battle. This

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has all the hallmarks of a clash of the titans.

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It certainly does, good afternoon, Alexandra Palace is packed for one

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of the great days in snooker in any year. Stand-by for the 40th playing

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of the final, featuring two specialists of this event, who

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between them, have won this title seven times. This is the third

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occasion that there are parts of crossed in a truly matters in the

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final. -- when there are parts of crossed. The Rocket against the man

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that he calls the torturer. He is the defending champion and I am

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current world champion, so I suppose it is good for the spectators, good

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for everyone that likes to watch snooker. Playing Ronnie O'Sullivan

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in the final will be a great atmosphere. I played him a few years

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ago in the Masters final, and it was probably the best atmosphere I have

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ever played in, and I'm sure it will be brilliant. The crowd get very

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excited, they love the snooker in London, it is a great atmosphere, I

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am just really pleased to be part of it. My record speaks for itself.

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Five out of seven finals is a great achievement, and I will give it my

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all until the last ball is potted. He is a tough competitor and match

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player, he has the ability to win matches even when he's not at his

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best. I call him the torturer, he has tortured a few opponents. Ronnie

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O'Sullivan has got his opinion, obviously he is a fantastic player,

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not everyone is as naturally gifted as Ronnie O'Sullivan, but this is my

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style, and I will do my best. This is a special tournament for me and

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for all of the players, really, so to get my hands on the trophy would

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be fantastic, but I have a long way to go. I just have to soak it all

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up. To join the elite group who have done it four times or more would be

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a fantastic feeling. Ronnie O'Sullivan has enjoyed a brilliant

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freewheeling journey to O'Sullivan has enjoyed a brilliant

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freewheeling journey what is a record 10th Masters final in 20

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years, and he is only last three frames along the way, Ferres Mark

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Selby's nerve was tested with the start difficult frames. This is a

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match that had no real edge, sharpened by previous contests.

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Sullivan has prevailed in ten of their previous 17 matches, but Mark

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Selby has inflicted pain on the way and beaten Ronnie in dramatic last

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cap styles in the Welsh final of 2008 and in this final in 2010 when

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he won the last four frames in a row to pick the Rocket to the title in a

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decided. -- decider. Very few players that can get under

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Ronnie O'Sullivan skin, Mark Selby is one of them, why is this? Mark

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Selby stands up to him, he is probably one of two players that can

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stand up to him on the table. He does not try to frustrate Ronnie

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O'Sullivan on purpose, but there were signs that some of that defence

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of this and negativity has been replaced for the time being, with a

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really fluent, aggressive attacking style. I think it was probably the

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best performance I have seen from Mark Selby all season. Every time he

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was getting income he was doing it in one visit, whereas before he was

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breaking down and was not as consistent and making those big

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breaks. He has got to stick to his own as Stephen said, Ronnie

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O'Sullivan can bully you, and you can get into a groove with Ronnie,

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but if he plays his own game, he will be OK. How equipped is Ronnie

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O'Sullivan to cope with what Mark Selby will throw at him, I'm talking

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specifically about his work with Steve Peters? He knows that Mark

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Selby is up for the challenge and he knows that he can be better. There

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will be fireworks. It is a fantastic contrast, different styles, they do

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not really get on that well, there is a bit of needle, and we love a

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bit of needle, so it would be a great final, I'm looking forward to

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it. We have waited four years for another head-to-head like this,

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let's go to Rob Walker, it is all yours.

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It is the big on! Welcome to the final of the 2014 Masters! This is

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the matchup that many people wanted to see! It could be absolutely epic!

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Please welcome, a player who at times this week has been simply

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sublime, conceding only three frames on routes to this, his record 10th

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Masters final, he is one of the favoured sons he first won the title

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in 1995, here he is, ready to turn back the clock in style, is the

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reigning champion of the world, link and you will miss him! The Rocket!

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Ronnie O'Sullivan! CHEERING RONNIE O'SULLIVAN - MUSIC: "A Man

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Should Better Himself" by George Lam.

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And his opponent, here for his fifth Masters final in seven years, and an

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amazing records who never knows when he's beaten in this tournament,

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coming through 265 deciders alone, three times the winner of this

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crown, he is the defending champion, here comes the just from last, Mark

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Selby! -- the Jester from last! CHEERING

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This is the match they have wanted to see all week, and if it is

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anything like their previous matchups, it will keep us glued all

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evening! Eight frames to be played this afternoon, the formalities

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being observed before we get underway, and we say good afternoon

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to Steve Davis and John Virgo, gentlemen, take it away!

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Good afternoon, you do not get an atmosphere like this very often, it

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is absolutely electric, you have been here, Steve, and you have

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played in these atmospheres, people wonder how you play your hands

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steady when you play these shots? You are excited as everybody else,

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but you know that you are there to do a job. Everybody, all of the

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cameras and the phones away, please. We have been discussing various

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people, Ronnie's mindset coming into this, and a good yardstick is his

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attitude off the table as much as on the table, but something I noticed

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at the start as he walked in, many times when he walked into an

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auditorium, you does not acknowledge the crowd on little bit, as if he

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doesn't re-want to be there. But Ronnie O'Sullivan but a hand up to

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the fans, a sign that he is possibly a tease to himself. -- possibly at

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ease with himself. Purposely played to skew back to baulk, maybe if it

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had been a bit further back. It was interesting, what you say, he has

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embraced the crowd this week, Steve. He has created this tremendous

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atmosphere that we have got, and for the final should be like that.

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This leaves safety shot gives Mark Selby a chance for the red into the

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corner. Very little chance of leaving a red.

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I thought he would have played the one nearest to the cushion and run

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around the outside cushions. He could cut along the thin side and

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click the red. -- flick the red. He has had on pot and not taken

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advantage. We Ronnie O'Sullivan has playing this week, the standard he

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has been setting is a re-soak Mark Selby needs to take these half

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chances. -- the standard he has been setting is very high, so Mark Selby

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needs to take his chances. This is a nervy start from Mark

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Selby. Played it perfectly, a perfect angle

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on the blue. This week, Ronnie O'Sullivan has

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been very quickly out of the starting blocks.

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It is always a joy to watch Ronnie O'Sullivan and how he goes building

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a break. I do not think the two reds by the

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black spot will part, so therefore, he is working around the pink ball

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here. -- will pot. He just has got to be careful with this one if he

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decides to screw back. Nicely held. Close control around the top of the

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table does bigger difference, positionally. You can close in on

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the balls. That cue ball bounced off the

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cushion a bit further. As I say, you do not want to be stretching like

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this. He has tried to play it a left-handed, but he cannot get in

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the line, so trying to play it on the rest. Interesting if he goes for

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the black year. -- here. He did play for the black, so I can

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only assume that when the black is re-spotted, it will be in the open.

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He has gone a little bit straight on it, so that is why he has decided to

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have a change of plan and play for the pink. This is another reason why

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I think that Ronnie O'Sullivan is mentally sharp and you to do a job

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this week. -- and here. He needs a good angle now, because

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this is the last of the easy reds to get on. Decided to leave an angle on

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the pink and now he will part the pink and stunned into these four

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reds. You always need a little bit of luck. What is he on now?

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He was able to see an offer that, and he brought a red into play.

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Fancy winning this frame now at this visit.

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There is no better feeling than making a century break in the first

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frame, it sets you up for the day. It stands her authority on the

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match. -- its stamps your authority. This pink will put in 68 finds in

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front with just 67 remaining. -- 68 points.

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And how easily has he made this break look?

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Now, he is going to make the century, he has got to bring that

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red away from the black, so he can do it off the pink. Tremendous. He

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can just about cut this red in. I'm lucky! Just overcut it, but what a

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start! The last one that he missed cost him the frame, that was Ronnie

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O'Sullivan at his absolute best. He wins the first frame.

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That is the way to start a final, Ronnie O'Sullivan moves past Stephen

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Hendry with the record for appearances at Masters final. As for

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Mark Selby, he has won three of the last six titles in this event, and

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this is his best final in seven years, quite an amazing return for

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effort in this event, and this has been the event at which he has fared

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best by a country mile, and I think it undermined his love of the

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limelight and the one table prestige of the occasion. But it was a good

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start. Yes, Ronnie O'Sullivan has laid down the marker, a nervous

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start for Mark Selby, but Ronnie O'Sullivan, straightaway, straight

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off the mark, scoring very, very heavily and looks really good. In

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terms of his experience, you would expect one or two jangling nerves,

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but he seems to relish this occasion, was it strange to have a

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twitchy start from him? I think that Mark Selby realises the occasion and

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how big this matches for him, he wants to win well, he does not want

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to be run over by Ronnie O'Sullivan, was to prove he is as good as him,

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so it is like a boxing match, Ronnie O'Sullivan has the first punch in.

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Yes, and it was quite a blow, and we're off and running again.

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Ronnie O'Sullivan, looking to see if there is any value in going for a

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pot? They do not come much better than

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that, absolutely right in the heart of the pocket, beautiful shot.

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He does appear to be playing snooker on another level at the moment.

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Perhaps the key to this Masters final is the word relentlessness.

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Whichever one of these players can get into this mode the quickest

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could break the other. Ronnie O'Sullivan has got the first chance,

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a great first frame. Can he keep the pressure on?

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Maybe he wants a little bit more angle, but I think he can force down

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here. I do not think the black is available just yet, so he will have

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to go back up for the blue. He would like to have been a little

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bit shorter on that, the lights have had an angle on it so he can can the

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red to the left the black. Trying to get to the potting angle of the

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pink. This is the last of the open reds. Imparting the Pinky would

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bring the other reds into play, and he feels that he can pot the pink.

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-- in potting the pink. You never actually know where the

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red will end up a new career into it like that, but Ronnie O'Sullivan had

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every chance of being on a red. A great screw back as well as smashing

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into the pack, disturbed as many reds as possible. That is all you

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can hope for with that shot. He had a decision to make, he could

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have played a drop cannon, but that was risky playing for the blue. He

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knew there wasn't much risk. Nicely on the colour and perfect on the

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blue. He hit them really well, only one red moved, but there are enough

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reds in the open now. That is violent stuff from Ronnie

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O'Sullivan. If it was the analogy with a boxing match, round one here

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has pummelled him, second round, he is on the ropes.

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Has he ran too far? The pink just went in the wrong side of the

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pocket, that is why the cue ball ran a little bit too far, but it seems

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as if he is OK. Could not get a good angle on the blue. There is Jimmy

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White in the audience, and he doesn't come and watch too much

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snooker, but like us all, he loves watching Ronnie O'Sullivan play.

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He is nicely on this red. Just seeing if he can get through to the

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pink here. He would like to play for the pink if he could.

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A quick glance at the scoreboard, he is still looking for three reds,

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three colours. So, this could be the key to this

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second frame. It bounced off the cushion a

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fraction. Could have been straight on this pink, you could have rolled

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it in quite quick way. -- quickly. During this week, around that part

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of the cushion, the top two side cushions have played very fast,

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playing straight on them and back off again.

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Has he lost position? His body language looks like it. No, it is

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OK. We have all run out of superlatives

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for Ronnie O'Sullivan, but have you ever seen anybody make such a

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difficult game look so easy in any sport? No. And we know how difficult

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the game is. And that is a fact. Oh, he has missed the pink, just trying

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to squeeze it in, but 70 points in front, and just 51 remaining, I

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think Mark Selby will just be having a bit of practice time here. No

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thoughts of winning the frame. Just wanted to get his hand on the table

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and pot a few balls. I would be astonished if Mark Selby

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was going to be playing for snooker is here. -- snookers here. He is

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just playing for a bit of fact time. Did he get a kick there? -- playing

:29:13.:29:22.

for a bit of practice time. He not thinking about winning this frame, I

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think he is conceding it. Ronnie O'Sullivan, well, in top gear very

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early and looking very, very special out there, 2-0 in front. We have

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often talked about the ability of Ronnie to bully players. Worrying

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signs for Mark. He needs to get ten in one of the next couple of frames,

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because if he is four behind at the interval, he could be in big

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trouble. A wonderful long red at the start of the second frame. Yes, if

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Ronnie does have an Achilles heel, it is possibly his long potting. But

:30:15.:30:23.

this week, he has been commended. Everything seems to be totally in

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sync. He makes a very difficult game like so easy.

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He just have those lovely touches and when he is in full flow like

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that, it is so good to watch. He is 38 years of age, he should be in

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decline with regard to his snooker ability. But he is still the PM and

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clear in the spot. Yes, I think the restructuring of snooker will help

:31:03.:31:05.

him. He is not going to play every week and I think it will make his

:31:06.:31:08.

career last longer. STEVE DAVIS: yes, it does seem that

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in the past, at the age of about 40, players have gone off the boil.

:31:38.:31:43.

But I think he has the potential to set the record book straight and set

:31:44.:31:48.

the barriers back to players being well in their 40s at the top of the

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game. If that is the kiss, he would be capable of winning world

:31:55.:32:00.

Championships in a lot more than just the next couple of years to

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come. There are records in danger of being broken.

:32:06.:32:18.

JOHN VIRGO: he will not be very happy with that safety shot, he

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would have wanted it right on the baulk cushion. Brewer.

:32:28.:32:38.

At the moment, Mark Selby has not got his cue arm going at all.

:32:39.:32:52.

At this level, not making the baulk line is the sign that you have not

:32:53.:32:58.

hit the ball at all correctly. It was made more difficult because

:32:59.:33:16.

he was playing it with kiss. So, people or safety shot from Mark did

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not cost him, which will be a really.

:33:21.:33:34.

That was missable, but the ball is well not in an ideal situation

:33:35.:33:40.

either. The pink and black very much tied up at the moment. It would take

:33:41.:33:52.

some sort of break building to get this all into open play. If anyone

:33:53.:33:56.

can, Ronnie O'Sullivan can. On the wrong side of the blue, so

:33:57.:34:15.

this will need a good shot to get on the next red.

:34:16.:34:30.

I think before he even played this shortcoming he that was probably the

:34:31.:34:45.

likely line that the cue ball would take.

:34:46.:35:27.

Missed this in contact. He has left an easy starter, but as Steve said,

:35:28.:35:43.

with the pink and black tied up, this is not easy.

:35:44.:35:56.

As we speak, Mark Selby has lost all confidence. He could get it back

:35:57.:36:06.

with one or two pots, to get his cue arm going, but he is called at the

:36:07.:36:17.

moment, in more ways than one. A couple of players earlier in the

:36:18.:36:20.

week where complaining about the air conditioning blowing, but at other

:36:21.:36:31.

times, it has seemed too hot. Now that the pink is in open play,

:36:32.:36:35.

things begin to look a lot easier. Although we said it was a tricky

:36:36.:37:26.

situation, you would not put it past him to make the frame winning

:37:27.:37:30.

contribution, the way he is striking the ball.

:37:31.:38:34.

This final, the best of 19 frames, the first to win ten. The first

:38:35.:38:52.

prize of ?200,000. ?90,000 to the runner-up, so they are effectively

:38:53.:39:00.

playing for ?110,000. If a likelihood that the moment that

:39:01.:39:03.

Ronnie O'Sullivan will be listing that trophy.

:39:04.:39:11.

Perhaps I am reading things because he is making the game too easy, but

:39:12.:39:19.

he seems much more in June this week, much more alert and around the

:39:20.:39:25.

table. It may be a funny thing to say, but he seems very focused, even

:39:26.:39:28.

more so than normal. There is a bit more of a spring in

:39:29.:39:44.

his step, a bit more enthusiasm from him around the table.

:39:45.:39:51.

One thing is for certain, in any thing you do, if you enjoy it, , you

:39:52.:40:03.

get on better, even when the pressure is on, you enjoy it. He

:40:04.:40:15.

played sensationally against Ricky Walden the other day and people

:40:16.:40:21.

wonder that he could repeat that and at times during the game with

:40:22.:40:24.

Stephen Maguire, he did exactly that. Stunning stuff. He has just

:40:25.:40:33.

about on the pink. This pink and he will go 68 points in front, with

:40:34.:40:34.

just 67 remaining. for Mark Selby at the moment. He is

:40:35.:40:59.

currently unplayable and that would be with equal table team, but

:41:00.:41:05.

unfortunately for Mark Selby, he has had none.

:41:06.:41:38.

Not the best positional shot, but he deserves a century. He nearly got

:41:39.:41:48.

one in the opening frame. Mark Selby will be sitting there, thinking, I

:41:49.:41:52.

have got to somehow try and get in, because at the moment, he is been

:41:53.:42:00.

steam-rollered. I suppose smashing him over the head

:42:01.:42:17.

with the but of the cue might work, but that is not in the rule book.

:42:18.:42:35.

He was trying to bring the year low into the, but just missed it. --

:42:36.:42:47.

yellow. He will need a good shot here, because he requires the yellow

:42:48.:42:51.

and the green for the century. Unlucky. He has done everything but

:42:52.:42:59.

make a century so far. Mark Selby is not getting a sniff of a chance so

:43:00.:43:05.

far. It is the third frame in a row for Ronnie O'Sullivan.

:43:06.:43:15.

Steve, words can't really describe what we are seen. It is absolutely

:43:16.:43:25.

superb. OK, no century, but he is winning frames like that, frilly

:43:26.:43:28.

pink and black wear out of commission, sensational stuff. Yes,

:43:29.:43:34.

I went back to the relentlessness of Ronnie O'Sullivan and also, Mark

:43:35.:43:37.

Selby can be similar if he gets going. But it is a big blow so far

:43:38.:43:46.

for Ronnie O'Sullivan to give him. Because snooker is a game of

:43:47.:43:52.

occupying the table, you do not get equal play. Whereas in the likes of

:43:53.:43:59.

golf, darts, you get an equal amount of shots. In the likes of snooker,

:44:00.:44:05.

when you are sitting in the chair, it simply gets lonelier and lonely.

:44:06.:44:17.

At the moment, he really needs to get to the practice table, to get

:44:18.:44:19.

his cue arm going. Yes, it is all happening. Rob

:44:20.:44:36.

Walker, when he introduced Ronnie O'Sullivan said, blink and you will

:44:37.:44:48.

miss him and that has been the kiss. Before you hardly know it, we could

:44:49.:44:49.

be at the mid-session interval. And that would be before Mark Selby

:44:50.:45:01.

is even really had a chance to play. You can see the points scored at the

:45:02.:45:09.

moment 269-14 in favour of Ronnie. And there is the cable time, 84%

:45:10.:45:23.

compared to 16%. -- table. Cracker. Good shot.

:45:24.:45:28.

That will make him feel better. But he knows he has to make the most of

:45:29.:45:34.

these opportunities. The reason why you put in countless

:45:35.:45:50.

hours of practice are for moments like this.

:45:51.:46:07.

Got into that too much. A bit unlucky. Brewer positional play in

:46:08.:46:16.

one respect, but he did not quite on the shot, he got really hold of the

:46:17.:46:23.

cue ball and perhaps Egypt a big bounce off the side cushion, as

:46:24.:46:25.

well. -- he got. After the initial red, he will be

:46:26.:46:46.

disappointed that he only got seven points from a visit.

:46:47.:47:19.

Mark Selby can go for this long red, knowing that the only red he could

:47:20.:47:37.

leave here will be the one he is going for. But how long we wrote

:47:38.:47:47.

again and he has stuck it up. If we want have fallen for Mark Selby at

:47:48.:47:49.

the moment in this tournament. He would have wanted to get a lot

:47:50.:47:57.

closer to that. If this makes the baulk line, he may

:47:58.:48:15.

have a go pretty easy at the green. Ronnie just grimaced slightly, he

:48:16.:48:43.

was looking for more of an angle on that red. He has an angle here to go

:48:44.:48:50.

into the cluster, but the black is missable.

:48:51.:48:59.

This is a bit of pressure on trying to go for frames ahead by the

:49:00.:49:09.

interval. He does not want to miss this, open them up and let Mark

:49:10.:49:11.

Selby in for a counter attack. I think he will have to play for the

:49:12.:49:56.

red up by the left middle pocket. I do not think he has the angle on the

:49:57.:50:00.

black to go Kerry using into the cluster.

:50:01.:50:21.

So, he will play for this one, he would have liked to have been the

:50:22.:50:29.

other side so he could of returned down for the black. But he will be

:50:30.:50:35.

looking for a good angle off the screen. Once he has potted this

:50:36.:50:42.

green and red sitting above the pack, he will have run out of

:50:43.:50:49.

portable red is. Things are made harder they the fact that the blue

:50:50.:50:50.

is not on its spot. Much easier to run back into ball by

:50:51.:51:10.

playing this with topspin, as he was lining up.

:51:11.:51:20.

Ideally, would like to catch this pretty thick.

:51:21.:51:40.

Well, he needed to hit this ball fool, but he only caught at quarter

:51:41.:51:51.

ball. Can he actually get through the gap. Maybe just.

:51:52.:52:08.

Nope, he is not going for it, we thought it was on, but he will know

:52:09.:52:16.

better than us. He also knows the importance of this frame. There is a

:52:17.:52:23.

huge difference going into the mid-session interval only two frames

:52:24.:52:43.

behind, compared to four. Good safety.

:52:44.:52:56.

Another turn of the ball and Mark Selby would have been in a lot of

:52:57.:53:02.

trouble there. A bit fortunate to get down the

:53:03.:53:33.

table and also to hamper Ronnie. He has needed a bit of luck and he has

:53:34.:53:35.

certainly had it there. We see this game is all about

:53:36.:54:04.

fractions. Ronnie did not want to bounce off the baulk cushion like

:54:05.:54:10.

that, but the way things have been going, you expected it almost to

:54:11.:54:12.

keep up eating the green. That was a much better strike on the

:54:13.:54:28.

safety shot. If he can do that, he is much more likely to force an

:54:29.:54:29.

error from Ronnie. Apart from anything else, it will

:54:30.:54:43.

help him get into the rhythm of the match.

:54:44.:55:04.

He does not normally give this so much thought, but that gives you an

:55:05.:55:19.

idea of the difficulty. He knew that there could be a red coming back up

:55:20.:55:25.

the table with them. Yes, he was willing to make that sacrifice, but

:55:26.:55:30.

he did very well to get the cue ball back into ball. -- into the baulk

:55:31.:55:35.

area. At least he is making Ronnie think

:55:36.:55:55.

this frame. There are places on the top cushion

:55:56.:56:26.

which are safe, but you do not want the cue ball coming back out to fire

:56:27.:56:32.

from the top cushion, which has happened. So, this could be as good

:56:33.:56:38.

a chance as Mark Selby is going to get from Ronnie O'Sullivan. It is

:56:39.:56:43.

very missable. This is a chance to get the first

:56:44.:57:05.

frame on the scoreboard and he certainly knows it. He certainly

:57:06.:57:14.

seemed to cue that a hell of a lot better.

:57:15.:58:15.

He let it affect him. He lost his competitive competitive edge there.

:58:16.:58:26.

I am not aware of the person who was clapping. Every now and then, people

:58:27.:58:38.

come to you snooker event and maybe do not know the etiquette and maybe

:58:39.:58:44.

get a bit over excited. Even so, as a professional, you have to deal

:58:45.:58:55.

with everything. But he was very disappointed to miss that one

:58:56.:59:07.

afterwards. In practice, I do not think he would miss that once in

:59:08.:59:14.

1,000 teams. But he does have a 36 point lead, but that could quickly

:59:15.:59:20.

disappear if he does not get this safe.

:59:21.:59:33.

This doesn't look like a bad line at all, could not have played it

:59:34.:59:36.

better. If Ronnie O'Sullivan was to get out

:59:37.:59:50.

of this and leave Mark Selby a chance at a red, that is the one he

:59:51.:59:57.

would be aiming for. If the person that is clapping

:59:58.:00:19.

really loudly and you have an earpiece and, perhaps ease up on the

:00:20.:00:23.

clapping a bit, and it might help your chosen player.

:00:24.:00:48.

There is Patsy Fagan in the audience, 1977 UK champion. There is

:00:49.:00:54.

only one Patsy Fagan! There were a few imposters around

:00:55.:01:09.

last year. Just thinking when he can leave his cue ball in the most

:01:10.:01:12.

awkward position. He is frightened of leaving a long pot on for Ronnie,

:01:13.:01:16.

because he would be thinking that will cost him the frame, but to not

:01:17.:01:19.

overthink it. Trying to use the green as a block.

:01:20.:01:33.

He is tied on the baulk cushion. That is a bit dangerous, but is the

:01:34.:01:39.

green blocking the path to the red? Obviously, it is, because Ronnie has

:01:40.:01:41.

to play safe. He didn't play it, you played it

:01:42.:01:55.

across the other side of the table, played the cue ball into the jaws

:01:56.:02:03.

around the yellow pocket. That click on the green, if he had kissed the

:02:04.:02:07.

green full ball, Mark Selby would have had a good chance to the left

:02:08.:02:13.

corner. It has helped Mark Selby a fraction in as much as it would be

:02:14.:02:16.

difficult for Ronnie O'Sullivan to clear up in one visit. So, he would

:02:17.:02:22.

have been delighted to see the green goal next to that lieu. -- blue. A

:02:23.:02:30.

bit of an insurance policy. He just wanted to leave it in the

:02:31.:02:54.

jaws of the pocket, felt like that was the safest place, but Ronnie

:02:55.:02:59.

O'Sullivan can get this cue ball and not a good red in and get right back

:03:00.:03:03.

into this frame, but with the green being near the blue... A great shot,

:03:04.:03:16.

difficult for Ronnie to win in one visit, but look at that. Beautifully

:03:17.:03:20.

struck. If he can win this frame in one

:03:21.:03:33.

visit, then, I think that is end of story for the day! Of course, he

:03:34.:03:40.

doesn't have to even attempt to. Just two points behind now. Just

:03:41.:04:43.

checking the green. There is no way to get past the blue.

:04:44.:04:53.

Let's see how he goes about trying to bring that green into play.

:04:54.:05:42.

If he doesn't get the potting angle, he will run into the brown, so he

:05:43.:05:46.

needs to play this inch perfect. He's tried to get something

:05:47.:06:15.

happening there, and now, all of a sudden, he has lost control of the

:06:16.:06:19.

tactical part of the frame, but it was never going to be easy.

:06:20.:06:37.

So, even Ronnie O'Sullivan couldn't win that frame in one visit, but an

:06:38.:06:40.

excellent contribution. The chants of snooker in behind the

:06:41.:07:00.

brown for Ronnie O'Sullivan here with the cue ball. It would be hard

:07:01.:07:05.

to force a frame-winning mistake from your opponent with the green

:07:06.:07:14.

mayor. -- green fair. Doesn't want to leave it with a pocket, but that

:07:15.:07:23.

has probably gone far enough. Far enough that Mark Selby cannot play a

:07:24.:07:28.

positional shot off the green. Policy could screw it in with a bit

:07:29.:07:32.

of side. Do you think off to cushions, John? -- two cautions? If

:07:33.:07:42.

he can, there is a possibility. It is difficult to say. Not a bad line,

:07:43.:07:48.

he needs to kiss the green. A great effort. Just could not find the

:07:49.:07:55.

ankle. He needed a fraction of right-hand side to widen it off the

:07:56.:08:04.

second cushion. He needs to be very careful with this safety.

:08:05.:08:15.

Hitting the right-hand side of the green is fraught with danger.

:08:16.:08:22.

Hitting beautiful in the face centre to the corner pocket. That was well

:08:23.:08:28.

struck to keep the green in the bottom half of the table.

:08:29.:08:38.

He played the shot with side spin, it could have all gone wrong.

:08:39.:08:56.

Of course, that is the thing with Ronnie O'Sullivan, you will not

:08:57.:09:02.

outdo him with the safety game. His safety is as good as anybody. I

:09:03.:09:11.

think thin on the green on the right, and use the blue as a

:09:12.:09:14.

stopper. He has caught it from behind. He

:09:15.:09:36.

needs the pink to come to his rescue. He were to be disappointed

:09:37.:09:45.

not to hit the blue with the green. As it is, the cue ball was good.

:09:46.:10:00.

The pink came to his rescue, but a very controlled swerve by Ronnie. I

:10:01.:10:07.

disclose the green and has a chance to the brown. -- in goes the green.

:10:08.:10:21.

In it goes, and now he is 18 points in front with just 80 remaining. You

:10:22.:10:29.

would just roll the blue end. -- 18 remaining. That is 4-0, now, for

:10:30.:10:37.

sure, as they go to the mid-session interval. A frame that Mark Selby

:10:38.:10:42.

should have won, but Markey O'Sullivan, he is not giving him an

:10:43.:10:48.

inch. -- Ronnie O'Sullivan. Mark Selby with an awful lot to think

:10:49.:10:56.

about so early on. 4-0, Ronnie O'Sullivan, absolutely brilliant.

:10:57.:11:03.

I'm sure Mark Selby is delighted with that interval coming there, but

:11:04.:11:09.

that would be very painful for him, especially losing concentration when

:11:10.:11:12.

the frame was at his mercy. Do not lose your concentration what ever

:11:13.:11:20.

you do. Patti got that frame, 3-1 at the interval is not too bad. -- had

:11:21.:11:28.

he got that frame. We have seen a lot of missed long parts, and not

:11:29.:11:33.

only missing them, but how far he is missing them. He is giving Ronnie

:11:34.:11:36.

easy opportunities and he is under pressure. He has been under pressure

:11:37.:11:44.

from the start, you get the feeling, 4-0 behind against Ronnie

:11:45.:11:47.

O'Sullivan, when do you start to fear the worst in this situation? It

:11:48.:11:53.

starts to get almost embarrassment as a feeling, and you do not want to

:11:54.:11:58.

be thinking... You're thinking all sorts. All sorts of things come out

:11:59.:12:03.

of your mind, none of them positive. That chants that he missed, I think,

:12:04.:12:08.

this is good, he will get into the final, but 4-0, I always think in

:12:09.:12:14.

finals, in long frame, you win in the first session and Ronnie looks

:12:15.:12:21.

like doing that. Does panic started to write a new at this point? No, I

:12:22.:12:27.

would not say panic. You do not panic at any time, he has come back

:12:28.:12:31.

before against Ronnie O'Sullivan when he was 4-0 down. I would not

:12:32.:12:36.

panic just yet, but he needs to get a couple of frames before they break

:12:37.:12:41.

for the session tonight, and just get his arm going. Every mistake

:12:42.:12:45.

that he is making, Ronnie O'Sullivan is pushing him, it is the Ronnie

:12:46.:12:51.

O'Sullivan show at the moment. He loves to humiliate his opponents, I

:12:52.:12:55.

used to love it as well, it is a perverse feeling to run them into

:12:56.:12:58.

the ground, and that is what he is doing, he is loving it out there. It

:12:59.:13:04.

is all Ronnie, what a start for him. There have been some great rivalries

:13:05.:13:08.

in snooker over the years, I am sure you remember Alex Higgins against

:13:09.:13:12.

Steve Davis and Stephen Hendry against Jimmy White, some great

:13:13.:13:16.

matches, but this Selby and O'Sullivan rivalry is the most

:13:17.:13:18.

compelling in the sport at the moment, and whilst Selby has said in

:13:19.:13:22.

the past that he really enjoys playing Ronnie, Ronnie has admitted

:13:23.:13:27.

freely that he does not like playing against Mark Selby, he said so in

:13:28.:13:32.

his biography. He called him the torturer, and that is something we

:13:33.:13:38.

have spoken about with both men. I call him the torturer, he has

:13:39.:13:42.

tortured a few opponents, and it has been nice sitting back watching them

:13:43.:13:46.

go through it as well, because a lot of people can be critical and think,

:13:47.:13:50.

Ronnie has cracked up this and that, but until you play somebody like

:13:51.:13:55.

Mark and go through it, you do not really realise what is going on out

:13:56.:13:59.

there sometimes, and Ebdon was like that also. They can stop you from

:14:00.:14:03.

playing, stop you from getting any momentum, just everything is like

:14:04.:14:10.

long, drawn-out frames. It is hard to keep concentration for that

:14:11.:14:15.

amount of time, and especially in a final, the best-of-7, the best of

:14:16.:14:20.

nine, the best of 19, the best of 25, a world final, it is a long,

:14:21.:14:30.

long game. How would you characterise the nature of the

:14:31.:14:34.

rivalry between you both? My record against Ronnie is pretty good,

:14:35.:14:39.

probably the best out of those that are played him, but I think it is

:14:40.:14:43.

great for an outsider, there is Ronnie who is quite talented and

:14:44.:14:47.

then me that has two really work at the game, but it is too different

:14:48.:14:52.

strategies, two different games. I can be really defensive at times,

:14:53.:14:57.

can be attacking at times, and he is obviously always attacking, so it is

:14:58.:15:00.

very strange, but every time you play Ronnie, you know it will be a

:15:01.:15:04.

tough game and you have to play your best to win. Is there any good

:15:05.:15:09.

between you both, because he has a lot of things to say about your

:15:10.:15:13.

play? Obviously, I never ignore anyone, I always say hello to him at

:15:14.:15:17.

things like that, but in the press, he might have said things about me

:15:18.:15:21.

which I do not know if he regrets it, but at the end of the day, I got

:15:22.:15:25.

respect for him as a player, he is one of the greatest players to ever

:15:26.:15:29.

play our game and I am sure he has got respect for me. This rivalry has

:15:30.:15:36.

grown legs a bit. You talk about philosophy, Ronnie sees the

:15:37.:15:39.

philosophy differently to you as well, because he said about your

:15:40.:15:44.

game, eBay is a very negative, long bouts of safety am never takes on a

:15:45.:15:48.

ball unless he will leave it safe and stop is that true? Is that in

:15:49.:15:53.

some respects accurate? Well, sometimes when I play, I work out

:15:54.:15:58.

the percentages and I think, is it worthwhile going for it? The same as

:15:59.:16:03.

everyone else does. But if I'm struggling, I revert to that, and if

:16:04.:16:06.

you are struggling, there is no point in playing long balls if you

:16:07.:16:10.

know you're not good at saying them, because the percentages not there.

:16:11.:16:16.

By Ronnie coming out with that comment, I know that is what he is

:16:17.:16:20.

thinking, so I would be wrong if I wasn't playing that game against him

:16:21.:16:23.

because I know it is getting into his head. Secretly, does everybody

:16:24.:16:29.

wants to play like him when he is really on song and can practically

:16:30.:16:33.

do everything? Do you all wish, in some respects, that you had that

:16:34.:16:38.

level of natural talent? I am sure everybody does, because I think he

:16:39.:16:43.

makes it look so easy, when he is switched on, nobody can touch him,

:16:44.:16:47.

and he is unplayable at times, and everybody wants to play the standard

:16:48.:16:51.

he plays, but it will not always happen, and sometimes he plays in

:16:52.:16:55.

tournaments and he loses to people you would not think he would lose

:16:56.:16:58.

too. Everyone has a different technique in strategy and that is

:16:59.:17:03.

why it is so interesting. It is fascinating when we compare all of

:17:04.:17:06.

the styles of the players, and Ronnie has written a book and he

:17:07.:17:09.

describes you as the torturer will stop he says that you have different

:17:10.:17:14.

mentalities, philosophies, he said that you tortured Graham Dodd, Neil

:17:15.:17:17.

Robertson in the Masters, Shaun Murphy also, but he says I have got

:17:18.:17:22.

a lot of respect for the way he gets results. He says that the best name

:17:23.:17:28.

for you is stick ability Selby, because he was stick to the best

:17:29.:17:36.

that you play. I never give in, I've seen players in the past to play

:17:37.:17:41.

Ronnie O'Sullivan and when they get on -- when he gets on top of them,

:17:42.:17:44.

then they sit in the chair to Jack did, but that is not me. I will

:17:45.:17:53.

always be digging in. Is it pretty? We July kid to be prettier? -- would

:17:54.:18:02.

you like it to be prettier? It doesn't bother me, I have done well,

:18:03.:18:08.

so I must be doing something right. Well, the torturer is being tortured

:18:09.:18:12.

this afternoon, if you were described as the torturer, would you

:18:13.:18:23.

use it? Yes, absolutely, if somebody is annoyed by that, then you use it

:18:24.:18:28.

against them. Mark is very right in what he says, I think he has got a

:18:29.:18:32.

really good attitude. He never gives up. He has seen players collapse

:18:33.:18:35.

against Ronnie O'Sullivan when Ronnie O'Sullivan have gone ahead,

:18:36.:18:39.

but he knows, and O'Sullivan knows, which is reported for Mark Selby,

:18:40.:18:43.

that he will not give up and he will try for every ball. It is nice to

:18:44.:18:48.

play like Ronnie O'Sullivan, but not everybody can play like that. This

:18:49.:18:52.

is all about winning, sometimes you cannot always win pretty, even

:18:53.:18:55.

though we would love to, but when you are not winning pretty, if

:18:56.:18:58.

you're winning ugly, your name is still going on the trophy. Ronnie

:18:59.:19:04.

will expect him to regroup, you would imagine? Yes, Mark has created

:19:05.:19:10.

this impression, this reputation, he is so hard to beat. Mark Selby can

:19:11.:19:15.

play the same game that Ronnie plays, he can play all the shots,

:19:16.:19:19.

and that is the way he wants to win, but he has got this fantastic

:19:20.:19:22.

attitude that he never gives up and it has served him so well. This has

:19:23.:19:27.

the makings of a classic, it might still turn into a classic, you never

:19:28.:19:32.

know, with Mark Selby around! But we have had some fantastic matches in

:19:33.:19:37.

the Masters over the years since 1975, and this man, Mr Hendry, he

:19:38.:19:40.

has six wins from nine finals, but we do not like to remind him about

:19:41.:19:44.

his success all the time, so how about a classic from 1998 against

:19:45.:19:49.

his old sparring partner, Mr Williams?

:19:50.:20:00.

The number one ranked player in the world, Stephen Hendry. CHEERING

:20:01.:20:08.

Stephen had dominated the 90s in a fashion that we had never seen

:20:09.:20:14.

before. This was Masters final eight for him and he was the heavy

:20:15.:20:21.

favourite. Mark Williams was very much a rising star at this time.

:20:22.:20:28.

This was going to be a major breakthrough for him. Stephen Hendry

:20:29.:20:35.

compensating the pink that would give him the opening frame.

:20:36.:20:45.

This effort has shown what a classy and fluid player Williams can be.

:20:46.:21:31.

A typical Stephen comeback. Not touched in the last frame. His

:21:32.:21:40.

concentration comes together. Magnificent, complete clearance by

:21:41.:21:46.

the world number one to go back to macro frames in front. -- to macro

:21:47.:21:51.

frames. He is left-handed, but he cannot

:21:52.:22:07.

stretch over that far. This has now become a difficult pot. He needs to

:22:08.:22:14.

commit himself to drop it in dead weight and he should be OK. He is. A

:22:15.:22:22.

great roar from this conference Centre crowd, and Mark Williams has

:22:23.:22:26.

a big smile on his face delighted that he's going to the mid-session

:22:27.:22:30.

interval trailing by two frames at 5-3 to Stephen Hendry.

:22:31.:22:59.

There is the 100. And with that break of 100, Mark Williams levelled

:23:00.:23:12.

the match at 5-5. He has taken these other two onto the right of the

:23:13.:23:16.

pink, and this is another shot. A tough shot.

:23:17.:23:42.

The reds have opened nicely, and he is writing again. -- right in again.

:23:43.:23:55.

He would have loved to have made another century. It has not

:23:56.:23:58.

happened. The crowd wanted one, but very, very impressive. Increases his

:23:59.:24:05.

lead. He just wants one man for victory. 9-6 to the world number

:24:06.:24:13.

one. Surely he had it in his crafts to win his seventh national title.

:24:14.:24:25.

He has gone a little bit too far, and he has to go all away round the

:24:26.:24:29.

angles to come back. It was a difficult shot. He was a

:24:30.:24:45.

fraction away from being perfect. A mighty roar from the Wembley

:24:46.:25:12.

conference Centre. Mark Williams is still in this match, still two

:25:13.:25:14.

behind at 9-7. A does roar here at Wembley. They

:25:15.:25:38.

always wanted this, never have got it. It is 9-9 here. Two more spots

:25:39.:25:48.

for a re-spotted black. Rapturous applause, but this young

:25:49.:26:23.

man, on the re-spotted black. Very difficult to play the conventional

:26:24.:26:26.

break up and down here, so it would probably be black to the middle of

:26:27.:26:31.

the left-hand side and white to this one, and now the temptation is

:26:32.:26:38.

whether to go for a double or not. Does he have the angle and will he

:26:39.:26:40.

take it on? Quiet! But that camera away, please,

:26:41.:26:53.

quiet, please. -- put that camera. It cannot get any closer! This is

:26:54.:27:28.

incredible again. Mark thought he had the black. The one that Stephen

:27:29.:27:34.

is left with, closest to the side cushion, he is dead straight on the

:27:35.:27:37.

black, this is not an easy shot. I believe that Masters title has

:27:38.:27:57.

gone away from Stephen Hendry. Nothing is easy now. You have to

:27:58.:28:03.

roll it. And a does cheer. Really deserved

:28:04.:28:16.

for young Mark Williams from Wales. He has never been in front in this

:28:17.:28:26.

final against world number one. That slow roll cost Stephen dear, it was

:28:27.:28:29.

a bitter blow and think ruled the end of an era. -- and it signals the

:28:30.:28:34.

end of an era. A fantastic to victory for Mark. The

:28:35.:28:49.

number world status in the world would soon be his. -- number one

:28:50.:28:56.

status. And it was painful, but we enjoyed putting him through that!

:28:57.:29:04.

Talk about torture! Nice hairstyle! A bad hair day! We're waiting for

:29:05.:29:13.

the text message from Mr Williams! That was painful to watch, 9-6 up.

:29:14.:29:20.

The same situation that we had with Ronnie O'Sullivan and Mark Selby in

:29:21.:29:27.

2010, 9-6, he came back and won it. The next frame for Mark Selby, he

:29:28.:29:31.

needs to get a bit of confidence, he is not out of this final by any

:29:32.:29:34.

stretch of the imagination. He will be trying. You will have to scrape

:29:35.:29:40.

off the table, but he will have to do something very quickly. If you've

:29:41.:29:45.

offered it to him now, he would probably take 9-6 down. We have got

:29:46.:29:52.

a change in the commentary box now, Dennis Taylor and John Parrott.

:29:53.:30:02.

DENNIS TAYLOR good afternoon everyone. Potty session we have in

:30:03.:30:13.

prospect. Mark did have a chance in the final

:30:14.:30:36.

frame there, but he did not get a look in in the opening three frames.

:30:37.:30:42.

The rear Ronnie was playing was a bit like in his quarterfinal with

:30:43.:30:44.

Ricky Walden. We have said so many times that Mark

:30:45.:31:01.

Selby produces his best when his back is against the wall and it

:31:02.:31:07.

certainly is here. There is a chance here, but the cue ball is going to

:31:08.:31:13.

go into the pack of Fred 's. How did he find the gap? I think he was

:31:14.:31:18.

hoping to finish on the black. JOHN PARROTT: as one of the

:31:19.:31:39.

commentators said earlier, his long game has been exceptional this

:31:40.:31:47.

week. Yes, Ronnie Wood from the Rolling Stones is here. He keeps

:31:48.:31:56.

disappearing, doesn't he. Ronnie is a big snooker fan and a big friend

:31:57.:32:02.

of Jimmy White and Ronnie O'Sullivan. Jimmy is looking

:32:03.:32:10.

terrific. He is still playing well, also. He played any allegiance to

:32:11.:32:19.

ornament the week before, Jimmy and myself beat Steve Davis and Stephen

:32:20.:32:22.

Hendry. There has been an incredible focus

:32:23.:32:44.

about Ronnie O'Sullivan 's play this week.

:32:45.:32:50.

He has been in his own little Corcoran of concentration. I think

:32:51.:33:01.

you could probably during the Ricky Walden match have played the

:33:02.:33:05.

firework 's exhibition behind him and he would not have heard a thing.

:33:06.:33:12.

Yes, he has played some great sessions of this, but that one was

:33:13.:33:20.

right up there with the best. But this one has looked as if it would

:33:21.:33:25.

be a closing counter. Every time they have played, there has only

:33:26.:33:34.

been a couple of frames in it. Absolute perfection again and the

:33:35.:33:39.

full ball cannon on the pink is what he wants. But there's a surprise,

:33:40.:33:51.

missing the blue. Took his try of the pot and did not catch the pink

:33:52.:33:59.

is intended, either. Slight chance here for more. -- for Mark Selby. It

:34:00.:34:10.

is not easy because the pink is caught, the Black is back from its

:34:11.:34:16.

spot and the blue is on the side cushion, safe.

:34:17.:34:25.

As you say, he is keen to get on the black as soon as possible. He has

:34:26.:34:33.

not come far enough. He was deliberately trying that

:34:34.:35:02.

cannon, but that is the problem with that, if you do not get it right.

:35:03.:35:09.

There is just so much more pressure on every shot, because he is so far

:35:10.:35:20.

behind. Yes, when things are going well and you are maybe if you frames

:35:21.:35:26.

ahead, the things tend to work out, the cannon would be perfect, but

:35:27.:35:30.

when you are feeling, that is the type of thing that happens.

:35:31.:36:25.

Another good safety shop. Mark Warren, you may have seen him in a

:36:26.:36:38.

number of top programmes. He follows the snooker. I remember talking to

:36:39.:36:44.

him at the conference centre in a few years ago. Yes, there are a

:36:45.:36:53.

couple of footballers in the audience as well. There are a couple

:36:54.:36:57.

of Aston Villa players here, that was a good result for them at

:36:58.:36:59.

Liverpool yesterday. Just having a little think about

:37:00.:37:15.

this, he does not want to push a red over the corner pocket. He phoned

:37:16.:37:25.

the gap, but he has brought the red back up the table, but I think the

:37:26.:37:28.

green has come to his rescue. As I see, when you are playing well,

:37:29.:37:37.

you tend to get these little bit is of good fortune. A bit of a problem

:37:38.:37:47.

though, because every time the cue ball comes back down into the baulk

:37:48.:37:53.

area, you have two protect against leaving that red into the left-hand

:37:54.:37:55.

middle. It will be interesting to see if

:37:56.:38:12.

Ronnie takes that on. He did not even look at it. That was a decent

:38:13.:38:23.

shot. It is interesting, it does not look as if it is far off. It is

:38:24.:38:34.

going slightly to the left, but if you hit the first ball correctly,

:38:35.:38:35.

you could make it. Not a bad thing, from Mark 's point

:38:36.:39:30.

of view, to have a bit of the safety exchange.

:39:31.:39:40.

No, he needed to hit the other side of the red. He needed to hit that in

:39:41.:40:03.

the centre. 31 points behind and not the easiest of starts. I think he is

:40:04.:40:13.

going to take the other one up into the top left.

:40:14.:40:38.

He is looking at the year low, it is slightly easier than the pink. --

:40:39.:40:44.

the yellow ball. He will probably try and pot this

:40:45.:40:56.

and get on the red which is currently covering the ink spot. --

:40:57.:41:01.

pink. The student to be a bit of a bonus

:41:02.:41:19.

of that. I expected the cue ball to come further down the table. He has

:41:20.:41:34.

got to find the gap and he did not. He may just have got away with it.

:41:35.:41:39.

At first glance, I do not think he has left anything. He hit that all

:41:40.:41:51.

wrong. Is there one which will pot? Yes, the letters. -- the it is.

:41:52.:42:09.

Beautifully cued. Absolutely beautiful. He could not have played

:42:10.:42:16.

that any better. As you said, you cannot hit them any

:42:17.:42:30.

better than that. This is no age earns. 29 in front and there are

:42:31.:42:39.

enough easy red is available. In fact all of them are no available.

:42:40.:42:50.

That was a bit of a double wire me for Mark, by not only missing the

:42:51.:43:00.

pot, but also opening up all of the reds.

:43:01.:43:13.

He was trying to find a gap and he had one eye on that. But it was a

:43:14.:43:21.

very good opening red from Ronnie. Once again, beautifully struck. That

:43:22.:43:48.

was absolutely superb. He is a tremendous player and, as

:43:49.:44:18.

Stephen Hendry says, he is the best front runner in the game. Get behind

:44:19.:44:28.

this man and you have big problems. Yes, Mark has got to find something.

:44:29.:44:35.

But we as a going to come from, that we Ronnie is playing? As I

:44:36.:44:43.

mentioned, the long matches they have played have always been very

:44:44.:44:49.

close, but at the moment, it is all one way traffic.

:44:50.:45:22.

Those pockets must look like buckets at the moment, to Ronnie. Another

:45:23.:45:42.

great display from Ronnie or Sullivan and you know Leeds by five

:45:43.:45:47.

frames to nil. He looks as if he isn't exhibition

:45:48.:45:59.

mode. Alarm bells must be ringing very loud now for Mark Selby. As I

:46:00.:46:07.

said, everything seems very awkward when Mark comes to the table and

:46:08.:46:13.

everything seems a lot simpler when Ronnie comes to the table.

:46:14.:46:19.

Everything he looks at is going in and he is making a quick sort easy.

:46:20.:46:27.

He has been helped by Mark Selby. But as Stephen said, every time he

:46:28.:46:34.

comes to the table, he will be feeling very cold. That frame before

:46:35.:46:43.

the interval could have been very crucial. He may even still be

:46:44.:47:00.

thinking about that easy red. He knows that 3-1 could have been the

:47:01.:47:13.

score. Will he still feel he is in a chance. Yes, he will definitely not

:47:14.:47:20.

give up. But he knows he cannot foul any further behind. He has certainly

:47:21.:47:26.

made his superiority count so far. Yes, I think today is all about "I

:47:27.:47:40.

am the governor and I am going to show you that. " So far, he has been

:47:41.:47:48.

totally focused. There you see it, the first player

:47:49.:47:55.

to ten frames lifts the title. I mentioned earlier, it is 10-7 to

:47:56.:48:14.

Ronnie O'Sullivan in the meetings, but in the longer matches, Mark

:48:15.:48:20.

Selby has a 3-2 lead over Ronnie O'Sullivan. Ronnie O'Sullivan 's

:48:21.:48:45.

victories have been close, but so far, there is nothing close about

:48:46.:48:47.

this one. Yes, this is where true champions

:48:48.:48:57.

have two have total belief in themselves. He have to believe that

:48:58.:49:03.

when the chance comes, the still playing well enough to get back into

:49:04.:49:04.

it. It is easier said than done. But Mark Selby is blessed with a

:49:05.:49:18.

tremendous temperament. But he just cannot get going. Once again, he did

:49:19.:49:26.

not only must the red, but it has come back across.

:49:27.:49:51.

That red being on the right-hand side is perfect to leave a good

:49:52.:49:59.

angle on the blue and go into the pack of that.

:50:00.:50:10.

No, the angle was to wade, but that was what he was looking to do. He

:50:11.:50:22.

will do that here. Just watch how he plays that. That is beautiful.

:50:23.:50:35.

Superb. Unbelievable. Unbelievable at the moment.

:50:36.:50:40.

Look at the shot he has played. The next one after this is just so good.

:50:41.:50:53.

How many times do you do that and you get glued onto the side cushion.

:50:54.:51:01.

He has played that to perfection, he could not have played that any

:51:02.:51:04.

better. You could hear the pin drop in the

:51:05.:52:45.

Alexander Palace at the moment. We are witnessing something very

:52:46.:52:47.

special. This has come slightly tricky.

:52:48.:53:02.

Always much more difficult when they are close together. Yes, he was so

:53:03.:53:10.

close to it. To pick the angle out is quite tough. Now, what can Mark

:53:11.:53:15.

Selby pledges here? -- produce. No, he does have the angle to crash

:53:16.:53:40.

into the two reds that are out of commission at the moment.

:53:41.:53:46.

This would be some performance if he could pinch this frame and he really

:53:47.:53:57.

needs to do it, doesn't he, John? Yes, you have to think that a

:53:58.:54:02.

threefold another frame behind, this is factually all over. -- virtually

:54:03.:54:13.

all over. He has got to do it in this frame. He has got a wonderful

:54:14.:54:20.

temperament. He has been in plenty of two elements where his back has

:54:21.:54:27.

been against a wall, but this is a very stern examination.

:54:28.:54:33.

His only problem are the two or court reds on the right-hand side.

:54:34.:54:46.

-- or court. He had a chance to move one of them, but decided against it.

:54:47.:55:08.

It looks as if he has finished dead straight on the blue.

:55:09.:55:22.

He may try and move the one on the side cushion when he pops this one.

:55:23.:55:31.

That is what he has done and made a pretty good job of it. Well played.

:55:32.:55:47.

That was probably more difficult than when he had the chance to move

:55:48.:55:52.

it when he potted the black a couple of shots ago.

:55:53.:55:56.

It looks as if that red in the ball area behind the brown ball is going

:55:57.:56:05.

to be the problem. You would expect them to get the other ones.

:56:06.:56:12.

Interesting to see what colour he will try and play on. He probably

:56:13.:56:17.

would like to get up onto the ball colours. -- the ball area colours.

:56:18.:56:52.

I think he is thinking of leaving the angle so that he pops this

:56:53.:56:57.

thread and then moves the other one. That was the problem. That was the

:56:58.:57:18.

only problem with moving it from that position. That can happen if

:57:19.:57:27.

you just get in behind it too much, there is nowhere for the cue ball to

:57:28.:57:28.

go. Still, he has got himself back in

:57:29.:57:47.

the frame, only 17 points behind. Just needs a good safety here.

:57:48.:58:16.

He has not only found the gap, I think this is a fairly

:58:17.:58:21.

straightforward up and down shot on the red for Ronnie, so he could be

:58:22.:58:34.

snookered. He would have been, and that not flicked the brown ball.

:58:35.:58:41.

A little bit of noise in the code. I am not sure what that was.

:58:42.:59:05.

That is a good shot under the circumstances, but he did not drop

:59:06.:59:12.

nicely on a colour. But he can just play the snooker.

:59:13.:59:21.

He is back in the frame. I would not expect Ronnie O'Sullivan to miss

:59:22.:59:33.

this, but he needs to try and get it safe.

:59:34.:59:45.

And he's the enough of the yellow to take the pot on? -- can he see

:59:46.:59:52.

enough? That is a thick shaft. That is a

:59:53.:00:05.

superb shot. -- that is a thick shaft.

:00:06.:01:04.

This has been a superb effort. Well played, Mark Selby. A little smile

:01:05.:01:15.

there from his wife. Mark Selby held himself together,

:01:16.:01:27.

that was a great clearance and a little smile from him as well. He

:01:28.:01:33.

has got one frame on the board, but he is still trailing 5-1.

:01:34.:01:41.

Huge relief for Mark Selby in the circumstances, and great character

:01:42.:01:44.

to get into that frame, a lot of work to do. Ronnie O'Sullivan looked

:01:45.:01:51.

like he would go 6-0, it shows a lot of character. He's not going give

:01:52.:01:57.

in, and he produced a good yellow. A lot of pressure. He never gives up.

:01:58.:02:04.

He has got the heart of a line, Mark Selby, even though he is up against

:02:05.:02:09.

a man at the top of his game that makes it look so easy, the best

:02:10.:02:13.

thing to do is to try and make it as tough as possible for Ronnie

:02:14.:02:17.

O'Sullivan. Can you describe the relief he will have at this time? It

:02:18.:02:23.

would be a lovely feeling, you can relax now and get back to work,

:02:24.:02:27.

because there are two macro frames to go, and he can win these two

:02:28.:02:34.

frames. He will always stick to his task, Mark Selby. Even if he wins

:02:35.:02:41.

one of these frames, 6-2 behind, you will be a bit relieved. Ronnie

:02:42.:02:45.

O'Sullivan was looking like he might win the final in this session alone,

:02:46.:02:49.

so there is plenty of heart for Mark Selby and his supporters, and

:02:50.:02:53.

another with a smile from Mark Selby as he potted that black, but he will

:02:54.:03:01.

be very relieved. His highest break was 36, the previous break was 20 in

:03:02.:03:07.

this, it is all about feeling that you're making some points just to

:03:08.:03:12.

loosen up a little bit, it must be massive for him. It is hard to pot

:03:13.:03:17.

the long ball today, he struck that yellow beautifully. That gives you

:03:18.:03:22.

confidence, the fact you have hit a ball properly, probably for the

:03:23.:03:26.

first time in the match, so that was given tremendous belief, so a of

:03:27.:03:31.

belief in himself will stop it is easy for the heads to go down at

:03:32.:03:36.

5-1, and think it is becoming the Ronnie O'Sullivan show, everyone is

:03:37.:03:39.

here to see Ronnie, and you get swallowed up in it. It sends out a

:03:40.:03:44.

message to Ronnie O'Sullivan to say, look, I am not going to go away, and

:03:45.:03:48.

if you take your foot off the pedal for one moment or if you take any

:03:49.:03:53.

liberties, he sends out that message to Ronnie O'Sullivan that I'm going

:03:54.:03:56.

to counterattack and I will still be in the final. Ronnie O'Sullivan must

:03:57.:04:02.

have expected something good to happen for Mark Selby at some point

:04:03.:04:09.

in this match? I do not think that Mark Selby thought he would win

:04:10.:04:14.

10-0, and he probably expected a tough final so far. Two more frames,

:04:15.:04:20.

what, if any inroads can Mark Selby make into Sullivan's lead?

:04:21.:04:29.

That was interesting when both players came into the arena, and he

:04:30.:04:35.

came in first, he got a round of applause, but Mark Selby got a

:04:36.:04:41.

terrific round of applause. They have been fabulous all week, the

:04:42.:04:44.

crowd, they have been so fair. We appreciate some good snooker, a lot

:04:45.:04:47.

of them will be supporting Ronnie, but they have been very, very fair

:04:48.:04:49.

indeed. Mark Selby did not have any chance

:04:50.:05:13.

at the beginning of the match to get any rhythm going. At the moment, his

:05:14.:05:19.

pot success, way below what he usually is.

:05:20.:06:05.

I do not aware that some kind of an insect, something is falling down.

:06:06.:06:44.

-- do not know if is some kind of insect. Did you just open your

:06:45.:06:52.

wallet, John Parrott? ! That is rich coming from you!

:06:53.:07:14.

He has caught the bum bandit has put him out of position, a bit unlucky.

:07:15.:07:23.

-- he has caught the bump and it has put him out of position.

:07:24.:08:58.

He just flicked the yellow. And is he OK? Yes.

:08:59.:09:18.

That needs to keep running. Just a slight angle. He might be able to

:09:19.:09:30.

power this in. He could maybe get to the beds, if not, maybe get a cannon

:09:31.:09:37.

on the pink and black. It was a tough angle to play that shot. It

:09:38.:09:40.

has not quite worked out. Has he got it? Well done! He courted

:09:41.:10:10.

with his cue! That was some cueing! A good pot. That was an awkward

:10:11.:10:34.

spot. Better signs for fans of Mark Selby.

:10:35.:10:54.

I wonder will you try to split the reds here? He did. He was unlucky

:10:55.:11:02.

with the cue ball. Try to open up the red with the yellow. That was

:11:03.:11:07.

quite an attacking shot even though he is 5-1 down. He's still thinking

:11:08.:11:09.

very positively certainly. A very unusual table at the moment,

:11:10.:11:32.

pink and black tied up. The yellow down that far, not something you see

:11:33.:11:34.

every day. That is an extra bonus of three

:11:35.:12:10.

points, hitting the black there. He's having it put back stop. The

:12:11.:12:26.

yellow would have come in handy, he could have potted that, got on the

:12:27.:12:29.

yellow, had a chance. He is having to swerve that shot. It

:12:30.:12:40.

is difficult to judge the pace of it. But he has two swerve it to make

:12:41.:12:48.

the angle, as you can see. That is a better place. A much better place.

:12:49.:13:10.

There might be one available to the middle pocket. He was walking around

:13:11.:13:21.

the table as soon as he made contact with that.

:13:22.:13:36.

This is another chance for Ronnie, but not straightforward.

:13:37.:13:47.

He has not played that many shots left-handed. This is one of them.

:13:48.:13:56.

The reason he has not played many shots left-handed is because he has

:13:57.:13:58.

not been out of position. Still not straightforward, because

:13:59.:14:21.

of the two reds, you cannot go mashing into the reds in front of

:14:22.:14:27.

the pink and black. He has done, but those two read in the way, it was

:14:28.:14:35.

never beyond that. -- were in the way.

:14:36.:15:16.

Ronnie is as good a tactical player as anybody in the game, but he is up

:15:17.:15:22.

against Mark Selby who is one of the best. There is frayed between them.

:15:23.:15:27.

But I think Mark Selby is slightly ahead in the safety Department.

:15:28.:15:38.

That red is safe now, it is in the pocket! It was a very good pot. That

:15:39.:15:51.

is two in this frame already, very cleanly shot. Straight into the bag.

:15:52.:16:35.

He did not get the spot that you suggested, John. He needed the

:16:36.:16:47.

inside red, he got the outside one. Unless Eclipse this red in, down the

:16:48.:16:51.

rail, it looks like the end of Drake. -- break.

:16:52.:17:07.

Under the circumstances, that was a terrific pot. That was far from

:17:08.:17:11.

easy. I might go as far as brilliant.

:17:12.:17:23.

Absolutely wonderful shot. Just slightly overscrewed that of the

:17:24.:17:29.

green. Does not need to go into those red yet. He can play pink and

:17:30.:17:35.

black, go for the blue, there are at least three red Sea can get on the

:17:36.:17:41.

blue, so no need for a cannon. -- at least three red Sea can get on the

:17:42.:17:43.

blue. This really is a wonderful set from

:17:44.:18:06.

Mark Selby, showing true determination. He has been a

:18:07.:18:12.

passenger for most of the afternoon, certainly the first five frames.

:18:13.:18:36.

This is a potential stumbling block, but he is pretty good with

:18:37.:18:39.

the rest. Could have hit that little bit

:18:40.:19:26.

harder. He needs to swing around to take the green. He will get a

:19:27.:19:29.

terrific round of applause if he pulls this off. That looks pretty

:19:30.:19:37.

good, as long as it keeps on coming. It has come up little bit short. The

:19:38.:19:44.

black may be pottable. That is for you would like to be. -- where you

:19:45.:19:47.

would like. 28 in front, so he will need the red

:19:48.:20:27.

to leave Ronnie needing a snooker. It is not guaranteed.

:20:28.:20:52.

There is a bit more to this than meets the eye. Pot the black, keep

:20:53.:21:04.

your ion the black and flicked the red, then he would be OK. That is

:21:05.:21:06.

what he is thinking about. He has missed the red, but at least

:21:07.:21:28.

he is 35 in front with a 30 I've on the table. -- with 35 on the table.

:21:29.:22:18.

That is amazing. When you hit it at that pace, it is so difficult to

:22:19.:22:23.

judge the angle from the cushion, and he finished up hitting it twice.

:22:24.:22:30.

He has got an easy safety shot, but he pulled off a double on the blue

:22:31.:22:34.

in one of his early matches, which was incredible, but in different

:22:35.:22:38.

circumstances here. He has said that too hard. Ronnie has got a chance of

:22:39.:22:43.

potting this and getting on the black.

:22:44.:23:08.

What a pot that was! Absolutely stunning! If he clears up here, Mark

:23:09.:23:15.

Selby will be absolutely kicking himself. He almost had the frame in

:23:16.:23:25.

the bag, then on news safety. -- on loose safety.

:23:26.:23:36.

He needs to leave the correct angle on the blue to run up to the pink

:23:37.:23:40.

and screw back. We have had everything in this

:23:41.:24:17.

match, and now we're going to have a re-spotted black.

:24:18.:24:25.

It is all about the toss of a coin, you want to win the toss, put your

:24:26.:24:36.

opponent in. Massive frame, this. Massively spot. Ronnie did win the

:24:37.:24:42.

toss. He has played it well. We did the

:24:43.:25:04.

earlier when they showed Stephen Hendry and Mark Williams, he took

:25:05.:25:09.

the double on. Ronnie is taking the double on, but you try to get a good

:25:10.:25:12.

cue ball, and this is far from easy. He is settling himself, does he go

:25:13.:25:29.

for the hot? It is far from easy. -- go for the pot?

:25:30.:26:14.

Well, that is later if it pot under the circumstances! -- that is a

:26:15.:26:26.

thick pot. Ronnie O'Sullivan has taken the frame on a re-spotted

:26:27.:26:32.

black and he is now leading 6-1. Just when we thought the psychology

:26:33.:26:38.

of this match was about to change, a lose safety shot just gifted and

:26:39.:26:43.

Sullivan the opportunity. It is unlike Mark Selby to play a safety

:26:44.:26:48.

shot like that. Ronnie O'Sullivan needed a black, but interesting when

:26:49.:26:52.

he potted that lack, he states down on the shot, and it really shows.

:26:53.:26:57.

Sometimes Ronnie O'Sullivan when Mark is that the table, looks order,

:26:58.:27:03.

like he is not caring, but that reaction when he potted that black,

:27:04.:27:10.

incredible. Very unlike Mark Selby, he is so consistent and he takes his

:27:11.:27:15.

time and he knows his way around the table, a very, very loose safety

:27:16.:27:21.

shot. It gave him a shot that Ronnie O'Sullivan had never should have

:27:22.:27:29.

had. A big, big frame in the match. A different complexion on the march,

:27:30.:27:34.

Mark Selby is back and it just showed Ronnie O'Sullivan how

:27:35.:27:37.

determined he was, and teen you how much that frame and, because for me,

:27:38.:27:42.

now, that is the pivotal turning point of the match. 2-5 behind, the

:27:43.:27:49.

pressure reverts to Ronnie O'Sullivan at that point. He starts

:27:50.:27:55.

to think, I played well, the first five frames, it would be

:27:56.:27:58.

disappointed afternoon, now it is a chance to make it 7-1. That would be

:27:59.:28:05.

a very, very long way back, it was done before in Masters finals, but

:28:06.:28:09.

how will this turn had? The last of the afternoon in the opening

:28:10.:28:11.

session? -- turnout? The worst thing that can happen to

:28:12.:28:35.

Ronnie O'Sullivan here is that he would only have a four frame lead.

:28:36.:28:40.

Pretty sure he will be trying to get to seven on the scoreboard. He just

:28:41.:28:49.

cannot get comfortable on the shot, he does not know where to put his

:28:50.:28:52.

hand on the table. A bit of a chance that the pink and

:28:53.:29:13.

the black are tied up. There is a path to get back from the blue here.

:29:14.:29:29.

He is looking to see if he can get on the red just to the right of the

:29:30.:29:38.

black, in such a way that he could flick the other red away and leave

:29:39.:29:47.

himself on the black. He may well be able to do that here. If he cannot

:29:48.:29:53.

do it, he has got the red into the right middle pocket, if the angle is

:29:54.:29:56.

not ideal. Yes, there is not a lot of that red

:29:57.:30:05.

sticking out. Slightly tougher shot. We will find out after this shot.

:30:06.:30:45.

There is one at the back of the bunch. It will be interesting to see

:30:46.:30:49.

if he can get the black into play. Now, let us have a look at that

:30:50.:30:57.

angle. He has put the black into the bunch,

:30:58.:31:29.

but he has a nice angle on the blue, so if he contacts the pink, it will

:31:30.:31:33.

bring the black back into play. That is unlucky. Look at the way

:31:34.:31:51.

that has finished. Yes, you would certainly think at this pace it

:31:52.:31:57.

would have moved the black into play. He is looking at playing a

:31:58.:32:11.

plant. More importantly, he wants to get this safe and remove the red

:32:12.:32:13.

from the bottom left. If anybody could have pooled that

:32:14.:32:44.

shot off, it was Mark Selby, with his knowledge of pool. He would like

:32:45.:33:00.

to play that one again. It actually looks as if the cue ball drifted

:33:01.:33:01.

slightly. The red coming back across. A Rice

:33:02.:33:17.

meal from Ronnie O'Sullivan. If Mark Selby could take this, he

:33:18.:33:33.

would reduce the deficit to 6-2 and it would be came on again. Yes, if

:33:34.:33:42.

he could win the opening session this evening, he would be right back

:33:43.:33:45.

into the match. Just stretching a little bit there,

:33:46.:34:07.

wasn't he? He will be looking to leave and angle on the pink, so he

:34:08.:34:14.

can knock a few red route, or taking a baulk a colour and then coming

:34:15.:34:18.

back into the side of the pack. The red at the back will go, so that

:34:19.:34:32.

is good enough for him for the moment.

:34:33.:34:56.

This is the key shot coming up here, which will open the red zone

:34:57.:35:09.

probably bring the black into play. And the black still sticks in the

:35:10.:35:13.

bunch. Amazing. What a pot. Totally blind pocket. /

:35:14.:35:30.

in beautifully. He is so focused. He wants 7-1 at

:35:31.:35:53.

the interval, that is for sure. It means he has the ultimate respect

:35:54.:36:12.

for his opponent. He has been deposed by him a few teams, so he

:36:13.:36:19.

will want to get as big a lead as possible.

:36:20.:36:25.

He knows that Mark Selby will not go away.

:36:26.:36:48.

It is very tight in and around the pink spot area.

:36:49.:37:15.

What sort of angle does he have won the pink? If he is dead straight, he

:37:16.:37:29.

could maybe hold the pink spot so he could then take the red to the left,

:37:30.:37:31.

but it really depends. I think he is just OK, even if it

:37:32.:38:02.

does go on the spot. It did not go back on the spot, but every shot

:38:03.:38:04.

here is very delicate. Yes, you saw that he raised the end

:38:05.:38:18.

of the cue, to ensure that he did not play a push shot.

:38:19.:38:28.

Taking that one on left-handed. He may have covered the pocket. That

:38:29.:38:36.

was not easy, with the opposite and. This one down the cushion, is

:38:37.:38:48.

not easy. But I think, if that ain't happening, Ronnie O'Sullivan would

:38:49.:38:58.

have won the frame, because he would have been perfectly on this next

:38:59.:39:05.

one. He's witnessed only cushion are absolutely horrible. -- these ones

:39:06.:39:10.

down the cushion. It dropped ten, when it hit the New

:39:11.:39:41.

Year jaw, I did not think that was going to go in.

:39:42.:40:03.

That was about the best he could do. Now, with the pink going on its

:40:04.:40:14.

spot again, this will have to be a safety shot.

:40:15.:40:30.

Good target. He just had to make sure he did not touch it with his

:40:31.:40:53.

waistcoat. I am wondering if the two reds are actually a plant.

:40:54.:41:01.

That is not bad, given the angle he is coming at. Look at the cue ball.

:41:02.:41:33.

Tough shot, this, you cannot get this thick.

:41:34.:41:47.

There is a chance here for Ronnie. I say that as if they are over the

:41:48.:41:59.

pocket, but sometimes, you think that when you are watching Ronnie.

:42:00.:42:19.

The blue ball is once again the target for the safety shot.

:42:20.:42:37.

Ronnie just wanting to land on this red behind the black. You could not

:42:38.:43:07.

get any closer than that without hitting it.

:43:08.:43:39.

The referee just questioning the positioning. Ronnie was just

:43:40.:43:48.

checking that it was exactly in the same spot.

:43:49.:44:06.

Very well played. That was all about the pace. If you catch that too

:44:07.:44:13.

hard, you could put the red on. He has not played that well. A bit

:44:14.:44:30.

similar to the safety shot he played in the previous frame, but at least

:44:31.:44:33.

he has great nearly ball cushion. He has not hit many pure safety

:44:34.:44:57.

shots today, Ronnie, but that was one of them. But he has not been

:44:58.:45:00.

punished. This looks really easy because the

:45:01.:45:14.

red is over the pocket, but you have two cubic well when you are tight on

:45:15.:45:17.

the cushion. -- cue it well. That could not have come out much

:45:18.:45:32.

better. He played that with topspin so that it would not run down the

:45:33.:45:40.

table too much. Another left-handed shot, beautifully played. This is a

:45:41.:45:48.

tough one along the cushion. He does not have two Fawcett because it is

:45:49.:45:54.

tied on the cushion. He plays those so well. He really does.

:45:55.:46:07.

He needs the year low, the green, and the brown. -- the yellow ball.

:46:08.:46:29.

He nearly burst the pocket with that one. Once again, fabulous cueing. He

:46:30.:46:42.

was very impressive in the first five frames scoring wise, but he has

:46:43.:46:49.

been equally impressive in the way he has competed in the last couple

:46:50.:46:53.

of frames when it has been very close.

:46:54.:46:59.

That was a big turning point. Some of the balls he has pocketed here.

:47:00.:47:09.

He is not bothering about the black. Vintage Ronnie O'Sullivan. He

:47:10.:47:15.

takes the session 7-1. He now needs only three more frames

:47:16.:47:27.

for the title. How surprising is that been from both players? I

:47:28.:47:33.

thought it would be a lot closer, similar to the previous matches, but

:47:34.:47:41.

it has been all Ronnie O'Sullivan. Mark Selby get off to a bad start

:47:42.:47:45.

and things have compounded from there. I would say it is essentially

:47:46.:47:52.

all over. A re-spotted black in the penultimate frame, how big was that?

:47:53.:47:59.

Yes, there was that and also the chance he had in the fourth frame.

:48:00.:48:06.

Is there any way back for Mark Selby? Highly unlikely. It has been

:48:07.:48:15.

done before. We will be back at seven o'clock. Letters give you an

:48:16.:48:21.

indication of what is coming up on Match Of The Day. We will be back at

:48:22.:48:26.

seven o'clock with the deciding frame. Good Mark Selby torture

:48:27.:48:33.

slippers genius? We kill we will see. Goodbye for now.

:48:34.:48:36.

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