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COMMENTATOR: It's been a fabulous match. Ronnie O'Sullivan, well he is | :00:39. | :00:47. | |
back. My first Masters' final. My date with destiny. | :00:48. | :00:52. | |
Taught Tait unbelievable match. That's what it means to Barry | :00:53. | :01:00. | |
Hawkins. Very - COMMENTATOR:. Very proud. Fan twastic venue to | :01:01. | :01:06. | |
play in, especially when it is full up. COMMENTATOR: You cannot get your | :01:07. | :01:18. | |
breath. What a pot that was. The Ally Pally, snooker's theatre of | :01:19. | :01:22. | |
dreams. Only the greats have won the Masters. I would rather play well | :01:23. | :01:29. | |
and lose than play bad and win. COMMENTATOR: It's been sensational. | :01:30. | :01:34. | |
One of the greatest matches you have ever seen. O'Sullivan may have won | :01:35. | :01:39. | |
the title five times. He has also lost five finals. I'm not one for | :01:40. | :01:45. | |
wanting to grind out. It has to come easy to me. | :01:46. | :01:54. | |
Hazel Irvine: Good evening. Great view here of the main Palm Court | :01:55. | :02:01. | |
entrance as the crowds stream into the main auditorium. This place was | :02:02. | :02:08. | |
built in the 1860s to commemorate a royal birth of Princess Alexandra | :02:09. | :02:14. | |
but in Victorian Britain it became known as the People's Palace and | :02:15. | :02:20. | |
140-years on it is the people's champion, Ronnie O'Sullivan who | :02:21. | :02:23. | |
appears to be on cruise control for his sixth Master. The rocket needs | :02:24. | :02:28. | |
only three more frames against world number 8, Barry Hawkins, to complete | :02:29. | :02:31. | |
a remarkable return to the top of his sport. | :02:32. | :02:37. | |
It was nice for the crowd favourite to be back on home turf. Ronnie was | :02:38. | :02:44. | |
expected to steam roll his way towards the sixth Masters' title. | :02:45. | :02:48. | |
But the rocket never had it his own way, setting up Barry to take the | :02:49. | :02:53. | |
first frame. COMMENTATOR: Plenty of tension out there in this opening | :02:54. | :02:58. | |
frame. However, Ronnie soon found his feet, making a wonderful 70 | :02:59. | :03:00. | |
break in frame two. And in the And in the very next | :03:01. | :03:10. | |
frame, made the first century of the final. COMMENTATOR: He only needed | :03:11. | :03:15. | |
one chance. What did he do? He clears the table with that | :03:16. | :03:20. | |
magnificent break of 136. Barry had the the opportunity to bounce back. | :03:21. | :03:21. | |
Two great reds. Ultimately, he couldn't take the | :03:22. | :03:35. | |
frame. Ronnie, 3-1 up at the break. It was much the same after the | :03:36. | :03:39. | |
interval. Ronnie taking full advantage of Barry Hawkins' errors | :03:40. | :03:41. | |
to take the next two frames. COMMENTATOR: Oh my word. What a pot | :03:42. | :03:54. | |
that was. A break of 77 in the seventh, including this fantastic | :03:55. | :03:57. | |
pot on the black and Ronnie goes five year. | :03:58. | :04:01. | |
And a 72 break in the final frame of the session for the Rocket to lead | :04:02. | :04:08. | |
7-1 and it looks like he is running away with it. | :04:09. | :04:12. | |
Now he is well on his way to equalling my record of six Masters' | :04:13. | :04:20. | |
titles. The walk from the dressing room to | :04:21. | :04:25. | |
the table is always a surreal affair especially in a two-session match | :04:26. | :04:28. | |
like the Masters' final. You have done it once but this is the final | :04:29. | :04:31. | |
session, you know the crowd will really be up for it. In this match | :04:32. | :04:36. | |
it depends where you are up to in the game. If you are in front by a | :04:37. | :04:40. | |
wrong way, you are worried you might throw it away, don't dare do that. | :04:41. | :04:44. | |
On the other hand, if you are a long way behind, you need that first | :04:45. | :04:47. | |
frame on the board. Whichever way, you are nervous. And what an | :04:48. | :04:52. | |
atmosphere we have with 2,000 people. An atmosphere I'm sure both | :04:53. | :04:57. | |
players would love to have been feeding on but so far in the final | :04:58. | :05:00. | |
it's been the Ronnie O'Sullivan show. As for Barry Hawkins what is | :05:01. | :05:04. | |
it about this evening? He is playing for pride. Trying to change that | :05:05. | :05:09. | |
score board into an air of respectability and if he can have | :05:10. | :05:16. | |
one of those miracle sessions and play no-miss snooker, I might make | :05:17. | :05:20. | |
the Rocket wobble a bit before he gets his hands on this trophy for | :05:21. | :05:23. | |
the sixth time. Ladies and gentlemen, please welcome | :05:24. | :05:27. | |
the two-time ranking event winner, Barry Hawkins. | :05:28. | :05:36. | |
CHEERING AND APPLAUSE | :05:37. | :06:17. | |
And now, the five time Champion of the World, the Rocket, Ronnie | :06:18. | :06:21. | |
O'Sullivan. CHEERING AND | :06:22. | :06:29. | |
APPLAUSE So are we heading for the most | :06:30. | :07:01. | |
one-sided Masters' final, since last year or can Barry Hawkins produce a | :07:02. | :07:04. | |
career-defining comeback. Let's year or can Barry Hawkins produce a | :07:05. | :07:12. | |
out as we join Ken Doherty and John Virgo. | :07:13. | :07:24. | |
JOHN VIRGO: Fair play to him. He has a mountain to climb but he is not | :07:25. | :07:29. | |
apologising. KEN DOHERTY: Not at all. | :07:30. | :07:36. | |
What a reception he got. The referee finding it hard to control the | :07:37. | :07:38. | |
crowd. What an atmosphere. This is what it is all about, John. | :07:39. | :07:51. | |
Yes, the final night of any of our major tournaments, if you have never | :07:52. | :07:55. | |
been to one, buy a ticket, you are going to love the atmosphere, there | :07:56. | :07:56. | |
is nothing like it. REFEREE: Not with the players on the | :07:57. | :08:12. | |
table, thank you. It's going to be such a tall order | :08:13. | :08:34. | |
for Barry Hawkins. He has Terry Griffiths in his corner. Of course, | :08:35. | :08:38. | |
he will be feeding him words of encouragement. Trying to keep the | :08:39. | :08:46. | |
positive thoughts in the mind but it is very difficult, isn't it, when | :08:47. | :08:50. | |
you are playing against someone who is playing at the highest standard, | :08:51. | :08:54. | |
John, you know, it is difficult to stop. Yes, as John Parrot said at | :08:55. | :09:02. | |
the beginning, Barry willk coming out and he will be just playing for | :09:03. | :09:06. | |
pride. Take one shot at a time. I know it is an old cliche but it | :09:07. | :09:08. | |
applies here. First chance. He played it that pacy because he | :09:09. | :09:23. | |
thought he was going to run into other reds. He thought - if I play | :09:24. | :09:28. | |
it with pace I will be able to run through them. He didn't hit much, | :09:29. | :09:31. | |
and that's why he has finished near the balk cushion. Just the safety | :09:32. | :09:33. | |
shot to play. He has tried to cover part-way down | :09:34. | :09:57. | |
the left-hand side but I think he has just left a gap for Ronnie at | :09:58. | :09:59. | |
the outside of this red. Um, we have seen that happen a few | :10:00. | :10:10. | |
times this week and particularly down that side of the table. It is | :10:11. | :10:13. | |
almost like the ball has drifted slightly. | :10:14. | :10:16. | |
Yes, I was just going to say exactly the same thing. We saw Shaun Murphy, | :10:17. | :10:21. | |
the defending champion in his opening match, concede a frame by | :10:22. | :10:25. | |
three misses but Barry not having it replaced at the moment because he | :10:26. | :10:28. | |
thinks there is a possible pot on. But now he has decided to have it | :10:29. | :10:33. | |
put back and then down that same side, Mark Allen, in the waterer | :10:34. | :10:36. | |
final, he did exactly the same, missed it twice, got a warning but | :10:37. | :10:40. | |
then made certain he hit it on the third occasion. -- in the | :10:41. | :10:43. | |
quarter-final. Neil Robertson as well on that same | :10:44. | :10:52. | |
side. Let's get a birds bird's eye view. | :10:53. | :10:57. | |
Well, perfect there. The good thing about that, as far as the frame | :10:58. | :11:04. | |
goes, it brings the black into play. Yes, whoever can win the safety | :11:05. | :11:18. | |
exchange now, as you say, Ken, with the black in the open, it'll be a | :11:19. | :11:20. | |
good chance. He'd better catch that thin to the | :11:21. | :11:31. | |
left-hand side of the table. The right-hand side of the table is a | :11:32. | :11:40. | |
bit contested. I don't see that? It'll have to be very precise. | :11:41. | :11:49. | |
Well, just playing the containing safety. | :11:50. | :12:19. | |
A little short of pace but that yellow is going to be hampering | :12:20. | :12:24. | |
Barry somewhat. Oh and that considered, what a | :12:25. | :12:38. | |
superb shot this is. Very well-played. | :12:39. | :12:40. | |
APPLAUSE Oh, the chance of a red but very do | :12:41. | :13:04. | |
I have find a path back to balk area. There is a gap. Well, he might | :13:05. | :13:14. | |
miss the reds with a lot of right-hand side. He tried to find a | :13:15. | :13:16. | |
gap. But it was very difficult. That's the name of the game - | :13:17. | :13:49. | |
REFEREE: Foul and a better than that. | :13:50. | :14:51. | |
REFEREE: Foul and a of the reds | :14:52. | :14:51. | |
REFEREE: Foul and a wishes to pot the yellow | :14:52. | :14:56. | |
REFEREE: Foul and a to bring | :14:57. | :15:11. | |
That was unlucky. He was unfortunate not to leave a pot on but that won't | :15:12. | :15:38. | |
do Barry's confidence any good, missing that yellow. He needs to be | :15:39. | :15:43. | |
at the top of his game this evening, if he is going to get anything out | :15:44. | :15:45. | |
of Where is the cue ball going? | :15:46. | :15:48. | |
REFEREE: Foul, Ronnie O'Sullivan 4. Nice pot. I was hoping for a little | :15:49. | :16:23. | |
cannon on the green so he would be on the blue, right-centre but a | :16:24. | :16:27. | |
tricky pot to the left-centre, with the cue ball going up towards the | :16:28. | :16:29. | |
redses. He couldn't have cued that green | :16:30. | :16:52. | |
much better. Looking at, that the pink is out of commission. So is the | :16:53. | :16:58. | |
black. So, doing well, Ronnie here it make this a sizeable | :16:59. | :17:00. | |
contribution. The way they are at the moment. He would love to get the | :17:01. | :17:07. | |
blue back on its own spot. A little bit straight on it. | :17:08. | :17:14. | |
The three reds to the right of the pink, the bottom one spots into the | :17:15. | :17:21. | |
bottom right-hand pocket. He could use that at some stage to dislodge | :17:22. | :17:26. | |
the other two but obviously not on this occasion. | :17:27. | :17:36. | |
Perfect for the blue now. A lovely shot. | :17:37. | :18:05. | |
Very difficult to generate the amount of topspin required to get | :18:06. | :18:10. | |
back up for the blue. So I think that will be end of break. It was | :18:11. | :18:16. | |
always going to be a very difficult ask to make any sizeable | :18:17. | :18:17. | |
contribution, as I said at the time. Where is the cueball going? Well, | :18:18. | :18:31. | |
now it is safe. If it had gone in, it would have been a lot easier for | :18:32. | :18:33. | |
Barry. This game, as we always say, is all | :18:34. | :18:39. | |
about fractions. He needs the blue to husband rescue. | :18:40. | :18:59. | |
I think it has but there is a red in the middle of the table that's | :19:00. | :19:01. | |
possible. Lovely, right in the heart of the | :19:02. | :19:15. | |
pocket. His potting this week has been as good as it has been for | :19:16. | :19:20. | |
quite a while. I have not seen it better. Sometimes this afternoon... | :19:21. | :19:24. | |
Over the years it has been his Achilles heel but this week he has | :19:25. | :19:29. | |
been on top form with his long pot success. | :19:30. | :19:35. | |
I think that's right, 65%. A lot of the time for long pots, they are | :19:36. | :19:42. | |
shots for nothing. Any other part of the game I'm looking for 90% or | :19:43. | :19:45. | |
above, pot success and likewise. Can he get that safe? He judged it | :19:46. | :20:00. | |
well. Well there in the audience there is Hayley Turner. Retired. I | :20:01. | :20:09. | |
can't believe it. And with LesBarton, great follower of | :20:10. | :20:11. | |
snooker, goes to all the tournaments. A great friend of | :20:12. | :20:15. | |
Ronnie's and all the snooker players. Why did you do it? | :20:16. | :20:25. | |
One of the great jockeys, belief me, you have ever seen, lady jockey. -- | :20:26. | :20:32. | |
believe me. Oh, that was very thick. He will be | :20:33. | :20:52. | |
lucky not to leave anything here. That was a long, long way away from | :20:53. | :20:54. | |
the pot there. Well, I'm certain Ronnie was | :20:55. | :21:14. | |
convinced he was going to hit that red. He misjudged it. Even Ronnie | :21:15. | :21:20. | |
can see the funny side of that one. It looked like he was playing hard | :21:21. | :21:24. | |
match snooker but he expected that red to career into another one. Once | :21:25. | :21:28. | |
it didn't, it was back up the table and it is a nice easy starter. | :21:29. | :21:46. | |
Didn't want that little kiss on the red. It has just knocked it into a | :21:47. | :22:39. | |
safer position. He still has this red with the rest. | :22:40. | :22:52. | |
Can he - well, it will be difficult to get on his next red. | :22:53. | :23:01. | |
He had to put a lot of pace into it. Tried to screw it in-off the side | :23:02. | :23:08. | |
cushion and that was quite a difficult shot. It's only that red | :23:09. | :23:14. | |
that he knocked safe, John. If he hadn't knocked it safe he could have | :23:15. | :23:18. | |
stunned that red and got on the pink. And that pink there, when you | :23:19. | :23:23. | |
are 7-1 behind, all the more difficult. But Ronnie has not made | :23:24. | :23:25. | |
the best job of that shot. Just a fraction too hard, the bounce | :23:26. | :23:42. | |
off the side cushion. A little bit like the first frame of | :23:43. | :24:05. | |
the match. Very scrappy. Barry Hawkins in the end won it. Of | :24:06. | :24:10. | |
course, that was the only frame he has put on the score board so far. | :24:11. | :24:15. | |
But he won't mind if it is a scrappy frame. | :24:16. | :24:20. | |
A good safety but there is a possible pot on here. | :24:21. | :24:32. | |
Well, he didn't attempt it. You can see the reason why. Excellent | :24:33. | :24:39. | |
safety. Just coming off the side cushion, | :24:40. | :24:55. | |
trying it lay on the red on the top cushion. But he has to be careful. | :24:56. | :25:00. | |
He is going to be leaving a pot on, up to the green pocket, if Ronnie | :25:01. | :25:05. | |
wishes to take it on. The red just below the pink to the left pots but | :25:06. | :25:09. | |
Ronnie again, looks like he is refusing | :25:10. | :25:26. | |
It is certainly a sign, John, with some of the shots that he has | :25:27. | :25:32. | |
refused, that he has certainly kept his focus. OK he is 7-1 ahead. He | :25:33. | :25:38. | |
has certainly kept his focus. He is trying to keep the pressure on his | :25:39. | :25:42. | |
opponent, without pushing the boat out. Yes, absolutely. Taking nothing | :25:43. | :25:45. | |
for granted. This red goes. Once again, much too thick. If you | :25:46. | :26:03. | |
are going to miss those, you have to hit them thin. That cue ball will | :26:04. | :26:07. | |
not go past the blue area, then you leave a chance. | :26:08. | :26:31. | |
Snr well, not the best positional shot. He didn't want that cue ball | :26:32. | :26:34. | |
so close to the side cushion. He made it look easy. The scores are | :26:35. | :26:46. | |
now level. Still not a straightforward run to | :26:47. | :26:59. | |
the winning line, though. Well, he can play the pink here off | :27:00. | :27:32. | |
a couple of cushions and try to get close to the yellow. Although it is | :27:33. | :27:36. | |
on the left-hand side, it is not a problem for Ronnie being able to use | :27:37. | :27:41. | |
the left hand. But he has come a bit wide off the mark where he wanted to | :27:42. | :27:44. | |
be. It is such a big target, that brown | :27:45. | :27:58. | |
and blue Ian indeed the green, for a snooker. -- and indeed. | :27:59. | :28:03. | |
So it is the age-old problem. No problem hitting the yellow. Got to | :28:04. | :28:07. | |
get it safe. Is that safe or will he take it on? | :28:08. | :28:22. | |
It doesn't look like. You always look at this type of | :28:23. | :28:35. | |
shot. Is the safety easier than the pot? That's what he is considering. | :28:36. | :28:56. | |
Well, decided he didn't want it take the pot on, but that's not the best | :28:57. | :29:03. | |
safety. Chance for Barry if he can knock this yellow in. | :29:04. | :29:28. | |
Oh, another couple of inches off that side cushion and it would have | :29:29. | :29:36. | |
been perfect for Barry. Yes, so much tougher. He has opened up the brown | :29:37. | :29:43. | |
and the blue. As you said, John, talk about | :29:44. | :29:53. | |
fractions of the game. Another inch or two off the side cushion and he | :29:54. | :29:57. | |
would have been perfect. But it wasn't straightforward for Ronnie. | :29:58. | :30:00. | |
Played it as a shot to nothing and has got the snooker. | :30:01. | :30:17. | |
Where is this green going? The only hope for Barry that it is dead | :30:18. | :30:30. | |
straight. If it isn't, at a slight angle, he just has to put it, to be | :30:31. | :30:32. | |
on the brown. -- pot it. This brown, to go 18 points in | :30:33. | :30:40. | |
front, with 18 remaining. Well, the chances are coming thick | :30:41. | :31:05. | |
and fast for Barry Hawkins. Can he take this last one? He needs the | :31:06. | :31:09. | |
four remaining colours. He needs a bit of help from the blue | :31:10. | :31:25. | |
or the pink, and he has had none. I don't think he will get another | :31:26. | :31:26. | |
chance this frame now. Not perfect on the blue. No, don't | :31:27. | :31:45. | |
even think he can attempt a double, either. An attempt at the right | :31:46. | :31:51. | |
corner. He doesn't want to knock the blue | :31:52. | :32:02. | |
off the side cushion and lunch to the top cushion near the black, | :32:03. | :32:05. | |
because Barry will bring the black interplay. | :32:06. | :32:17. | |
APPLAUSE Well, it's been an amazing frame, | :32:18. | :32:27. | |
this. The quality of snooker we have seen so far in this tournament and | :32:28. | :32:30. | |
And that's a very good shot by in this match, chances are not being | :32:31. | :32:41. | |
And that's a very good shot by Barry. Remember, if he pots the | :32:42. | :32:45. | |
three remaining balls he will take it will be spotted black and Ronnie | :32:46. | :32:49. | |
can only just get to the edge of this. He has looked to see if he can | :32:50. | :32:53. | |
get to the top cushion first, but I'm not certain he can get enough | :32:54. | :33:00. | |
behind the here. -- the blue here. He did manage to leave distance | :33:01. | :33:02. | |
between cue Borland object ball. Looks very straight, doesn't it? So | :33:03. | :33:21. | |
difficult to try and get macro want it and get the cue ball close to | :33:22. | :33:23. | |
this pink. I'm surprised you didn't say, where | :33:24. | :33:38. | |
is the cue ball going there, John. Trying the stun off the side | :33:39. | :33:54. | |
cushion. He needs the pink to slow up. He has left a pot on, but | :33:55. | :34:01. | |
whether Ronnie would take it on or not, it's risky. | :34:02. | :34:08. | |
For all the barrage of breaks we've seen during the match these are so | :34:09. | :34:27. | |
exciting, these types of frames. They are, and it goes without saying | :34:28. | :34:31. | |
how important this is for Barry Hawkins. | :34:32. | :34:45. | |
Well, it's a good safety shot but the only problem is has he left a | :34:46. | :34:51. | |
double? I'm not quite sure if it is on. The longest frame of the match, | :34:52. | :34:55. | |
this one. The second longest frame was the | :34:56. | :35:06. | |
first frame of the match. This looks a good length. | :35:07. | :35:07. | |
APPLAUSE He has got to hit it, got to get it | :35:08. | :35:30. | |
safe. Well, you would think Ronnie would take this on. This, for the | :35:31. | :35:33. | |
frame. Oh! Whether it going? Oh, no! You | :35:34. | :35:48. | |
can not believe it! It never ceases to amaze you, this game. When you | :35:49. | :35:55. | |
don't need the luck, you get it. What a fluke! All the effort that | :35:56. | :35:59. | |
was put in that frame by both players and it ends like that. Mani | :36:00. | :36:04. | |
O'Sullivan hangs his head in shame, but when he looks at the scoreboard | :36:05. | :36:11. | |
he won't mind. He is seven clear, 8-1. | :36:12. | :36:12. | |
HAZEL IRVINE: The longest frame of the match so | :36:13. | :36:16. | |
far, when it's not your day at appears to be not, he scored a | :36:17. | :36:19. | |
horrible day of trying to keep control of the cue ball and then | :36:20. | :36:24. | |
that, John. It's incredible what can happen on there. Ronnie caught the | :36:25. | :36:28. | |
jaw, comes across, it happens to go over there at the perfect base to | :36:29. | :36:31. | |
come off and get the cannon and going and if you start knocking | :36:32. | :36:35. | |
those in its time for everyone to wrap up. Your impression of what has | :36:36. | :36:38. | |
been an interesting match, but it's been very one-sided. For those | :36:39. | :36:42. | |
joining us, having missed the opening exchanges this afternoon, | :36:43. | :36:47. | |
7-1 obviously anti-rocketed, if you'll pardon the pun, to that | :36:48. | :36:51. | |
immediately after Hawkins had won the first frame. It's been one-way | :36:52. | :36:56. | |
traffic since then, hasn't it? It has on this afternoon's session, it | :36:57. | :37:01. | |
wasn't much that Barry Hawkins had totally bad luck, but he didn't have | :37:02. | :37:04. | |
anything going his way. All the shots he had left were difficult | :37:05. | :37:08. | |
ones and the chasm opened up. Ronnie didn't play unbelievably well but he | :37:09. | :37:12. | |
did enough and did his job. In that frame there, Ronnie O'Sullivan was | :37:13. | :37:15. | |
very patient for his chance to try to win the frame. I know he got the | :37:16. | :37:20. | |
fluke in the end, but there were a lot of shots he turned down. He | :37:21. | :37:23. | |
decided to make Barry Hawkins work as hard as possible for it and it | :37:24. | :37:26. | |
shows great maturity, to know your opponent is the one that is | :37:27. | :37:30. | |
desperate to win the frame and you can pick your moments. As it was, | :37:31. | :37:35. | |
it's not Barry Hawkins' Day at all. It doesn't seem like it. Compared to | :37:36. | :37:39. | |
yesterday, when he beat Judd Trump, his scoring so far in this match, 48 | :37:40. | :37:46. | |
and 46 have been his top breaks. Going back to Ronnie, the word to | :37:47. | :37:49. | |
use is businesslike. That's exactly what he has been all day. He has | :37:50. | :37:55. | |
played to play winning snooker. He's two frames away from victory. | :37:56. | :38:00. | |
REFEREE: Mani O'Sullivan the break. COMMENTATOR: | :38:01. | :38:07. | |
That's what they're playing for, a beautiful Waterford Crystal trophy. | :38:08. | :38:15. | |
And of course should Mani O'Sullivan winter night, John, emulates what | :38:16. | :38:21. | |
the great Stephen Hendry did, six Masters titles. | :38:22. | :38:33. | |
Yes, we all accept the weight Ronnie plays, the ability he has, all the | :38:34. | :38:41. | |
records are there for the taking authority is concerned, if he is | :38:42. | :38:48. | |
prepared to it. -- the records are there for the taking as far as he's | :38:49. | :38:52. | |
concerned, if he is prepared to dedicate himself to it. | :38:53. | :39:18. | |
A couple of other interesting spectators in the front row. The | :39:19. | :39:30. | |
guitarist from Oasis, and Andy Goldstein, former presenter of Talk | :39:31. | :39:36. | |
Sport, only joking, Andy. A very keen, avid snooker fans, always | :39:37. | :39:42. | |
making an appearance down here. At the Alexandra Palace. | :39:43. | :39:51. | |
Well, there are worse nudges you could have. | :39:52. | :40:22. | |
It's always interesting to see how Ronnie O'Sullivan goes about making | :40:23. | :40:27. | |
the break. His priority will be thinking now, how can I get on a red | :40:28. | :40:30. | |
to get the black on its spot. He has spotted this one, so | :40:31. | :40:42. | |
obviously the black will go in the opposite corner to this red. | :40:43. | :41:18. | |
He will be a little bit disappointed, he overhit that | :41:19. | :41:24. | |
slightly. He played for the blue in the middle, played for the corner. | :41:25. | :41:28. | |
They are all going Ronnie's way at the moment. | :41:29. | :42:44. | |
If Barry can just get past this brown to play the pot on this red, | :42:45. | :42:51. | |
he wouldn't have to do anything, if he'd pot that it's bound to be on | :42:52. | :42:56. | |
the black. I don't think he can. Having to play the safety. If it | :42:57. | :43:05. | |
runs as it is heading, well, but for the kiss on the brown it wouldn't be | :43:06. | :43:10. | |
very good but he has left Ronnie here a long straight red and he has | :43:11. | :43:12. | |
knocked a few of these in this week. It's not only the pot, it's the | :43:13. | :43:46. | |
control as well, and how sweet a cue that long read. Beautiful. | :43:47. | :43:53. | |
Yes, and the thing is when you strike the ball that well you don't | :43:54. | :43:58. | |
have to hit it particularly hard and that's what he does. He gets right | :43:59. | :44:02. | |
through the cue ball and gets an immediate reaction. | :44:03. | :44:08. | |
That's what annoys him, of course, all his last visit, when he misses | :44:09. | :44:14. | |
That's what annoys him, of course, an easy red. He thinks he shouldn't | :44:15. | :44:14. | |
miss anything. Getting very close to the point of | :44:15. | :44:52. | |
no return in this frame for Barry Hawkins. 56 points and counting. | :44:53. | :45:15. | |
You made the point, John, it's Ronnie's shot time, only 15 seconds | :45:16. | :45:21. | |
per shot now. Earlier in this match it was down to | :45:22. | :45:29. | |
13. I can only think of Tony Draco, who | :45:30. | :45:35. | |
had that sort of average shot time. He needs a red and colour, he | :45:36. | :45:55. | |
doesn't need to overthink this. Bit the bullet, really, he didn't want | :45:56. | :45:59. | |
to knock the red safe under caution but he knew by dropping that red in | :46:00. | :46:04. | |
he'd be nicely on the bank. Bank is all he needs. In it goes, 67 remain. | :46:05. | :46:11. | |
Barry Hawkins won't be winning this frame. | :46:12. | :46:52. | |
Pot this red to leave a nice angle on the pink, so he can dislodge the | :46:53. | :46:58. | |
red he left safe a few shots ago. Nearly a lucky 15, but it didn't | :46:59. | :47:29. | |
matter for the frame. Apart from the missed red, which she didn't leave | :47:30. | :47:33. | |
anything, didn't do a lot wrong that frame. And now he's just one frame | :47:34. | :47:39. | |
away from his sixth Masters title. HAZEL IRVINE: | :47:40. | :47:43. | |
And we are now the record books -- scouring the record books and that | :47:44. | :47:48. | |
belongs to Steve Davis against Mike Hallett in 1988, 9-0. 10-2, Johne | :47:49. | :47:53. | |
Murphy against Neil Robertson, that was a surprise. When you're in this | :47:54. | :47:57. | |
position, when you are dominating a match like that, can you describe | :47:58. | :48:01. | |
what it feels like and how good it feels? Yes, do you know what, the | :48:02. | :48:06. | |
funny thing is you know full well there is a possibility it's not a | :48:07. | :48:09. | |
spectacle because it not going to be close but you don't care that. You | :48:10. | :48:18. | |
just love having it all your own way. I think probably all the top | :48:19. | :48:21. | |
players are pretty good bullies, so they like it that way. I don't think | :48:22. | :48:24. | |
Ron is necessarily the same animal but he will consider it a job well | :48:25. | :48:28. | |
done today. It looks like it will get over the line pretty soon. It | :48:29. | :48:31. | |
would be an amazing achievement were he to win met Wood here. He is eight | :48:32. | :48:36. | |
months out of the game. You look at it, he has beaten a double triple | :48:37. | :48:42. | |
Crown winner, Mark Williams, the reigning world champ, Stuart | :48:43. | :48:44. | |
Bingham, and he's one of the way against Barry Hawkins. It's an | :48:45. | :48:49. | |
amazing achievement. It certainly is, straight in against the cream of | :48:50. | :48:52. | |
the crop, you walk straight through the door and you know you have a | :48:53. | :48:54. | |
the crop, you walk straight through the door and you know you have a | :48:55. | :48:57. | |
touch -- tough match from ball one. I said in commentary it's the best | :48:58. | :49:03. | |
to 19 but you see the players, but this is right in at ball one and | :49:04. | :49:07. | |
this is an unbelievable performance. What can Hawkins do to hold this | :49:08. | :49:12. | |
one? COMMENTATOR: | :49:13. | :49:14. | |
We said at the start of the evening he is playing for pride. I think now | :49:15. | :49:19. | |
he would love to get us to the mid-session interval and to do that | :49:20. | :49:21. | |
he will have to win the next two frames. | :49:22. | :49:44. | |
Barry getting up off the shot, someone shouts in an inopportune | :49:45. | :49:53. | |
moment. When he came out tonight, we remarked on it, how he embraced the | :49:54. | :49:59. | |
reception he got. That's tough to do when you are so far behind. | :50:00. | :50:05. | |
Absolutely, you called it right. It's a sense of pride that you want | :50:06. | :50:10. | |
to get a few frames on the board. It has happened to me, I know exactly | :50:11. | :50:12. | |
how he feels. Ronnie beat me in the UK final one | :50:13. | :50:23. | |
year and it was 10-1. I was just happy to get one frame. But that is | :50:24. | :50:29. | |
the situation. You do get a little bit embarrassed out there. And I | :50:30. | :50:32. | |
hope he doesn't, because he has played magnificently all week. | :50:33. | :50:38. | |
But he would certainly bring the house down and if you did get his | :50:39. | :50:41. | |
first frame on the board tonight. Another excellent safety shot this. | :50:42. | :51:41. | |
An air of desperation about that one. I didn't see where the colour | :51:42. | :52:13. | |
was going to come from if he potted the red. | :52:14. | :52:27. | |
Nothing at this end of the table, so he's going to have to play the | :52:28. | :52:33. | |
straight ball Wood blue. Tried to force the cue ball through the reds | :52:34. | :52:35. | |
but good pop needed. -- pot needed. And got. Super. | :52:36. | :52:44. | |
APPLAUSE Cleverly playing the black and in | :52:45. | :53:43. | |
playing the black he notices Wood nudges the red away from the black. | :53:44. | :53:54. | |
Such a quick thinking snooker brain. A genius at work, John, that's all | :53:55. | :53:56. | |
And the magnitude of this you can say. | :53:57. | :54:05. | |
And the magnitude of this achievement as well is even greater, | :54:06. | :54:10. | |
the fact that his last tournament on the television was back in April, at | :54:11. | :54:14. | |
the World Championship. Eight and a half months ago. Quite incredible. | :54:15. | :54:31. | |
Yes, I was talking earlier on about Barry Hawkins playing for pride, but | :54:32. | :54:37. | |
I think that's what motivates Ronnie, his pride in performance, | :54:38. | :54:41. | |
that's what keeps him going, that's what enables him, if you like, the | :54:42. | :54:45. | |
comeback after a long lay-off. He just wants to show people how well | :54:46. | :54:49. | |
he can play the game. He gets very disappointed some of his interviews | :54:50. | :54:53. | |
afterwards a bit downbeat, but because he's trying so hard to show | :54:54. | :54:56. | |
people how he can play. When he is at the top of his game, | :54:57. | :55:07. | |
which he will tell you he hasn't been this week, he is unbelievable, | :55:08. | :55:11. | |
the greatest player ever. We are here | :55:12. | :55:33. | |
I remember a reporter coming up to me once that the World Championship | :55:34. | :55:39. | |
after he had been a year out and he came back and won it and he said, | :55:40. | :55:43. | |
what do you think about what the other players think, he can have a | :55:44. | :55:47. | |
year out and win it, and they will have two appreciate they are in the | :55:48. | :55:49. | |
era of a genius, and it's a fact. Most importantly it's great to see | :55:50. | :55:58. | |
him back. Just wanting one more red and | :55:59. | :56:12. | |
colour. You feel for Barry. Put up that great performance | :56:13. | :56:29. | |
against Judd Trump. He will be disappointed the way he has played. | :56:30. | :56:37. | |
He has had chances today. But that's the frame, surely. | :56:38. | :56:46. | |
APPLAUSE His six Masters trophy, what a | :56:47. | :56:50. | |
performance. You just have to admire it. I'm sure Barry will admire it as | :56:51. | :56:51. | |
well. INAUDIBLE | :56:52. | :57:27. | |
He likes the top and tail it with a century. -- he would like the top | :57:28. | :57:33. | |
and tail it with a century. Believe me, he will try to get the tonne | :57:34. | :57:41. | |
here, but not quite. He will say, well played. Ronnie will be | :57:42. | :57:48. | |
sympathetic for Barry, who has not played his best | :57:49. | :57:51. | |
sympathetic for Barry, who has not O'Sullivan winning a sixth title, | :57:52. | :57:55. | |
proves once again that when he gets his cue out of the case he is the | :57:56. | :58:00. | |
one to beat. Six times Masters champion, and he winced the Dafabet | :58:01. | :58:03. | |
Masters by 10-1. Brilliant! HAZEL IRVINE: | :58:04. | :58:14. | |
Ladies and gentlemen, let's give it up for those of our finalists | :58:15. | :58:18. | |
lights. Barry, if I can grab a quick word with you. Barry, you always | :58:19. | :58:24. | |
seem to meet this man in finals when he's coming back from a very long | :58:25. | :58:28. | |
sabbatical. To quote Jimmy White, you really must be beginning to | :58:29. | :58:34. | |
annoy you now, yes? I wish he'd retire, to be fair! No, I'm | :58:35. | :58:42. | |
disappointed in my performance today, to be fair. I didn't give | :58:43. | :58:46. | |
Ronnie a game at all. I just said to him there, if he thought he was | :58:47. | :58:51. | |
cueing around corners yesterday he was -- he should have felt my arm | :58:52. | :58:56. | |
today, it's just how it goes sometimes and it's a bit | :58:57. | :59:00. | |
disappointing really. How difficult was it to follow up that wonderful | :59:01. | :59:03. | |
pork -- performance against Judd Trump yesterday, and UK bout into | :59:04. | :59:07. | |
this final, a big occasion, you have a lot to reflect on. It's the first | :59:08. | :59:11. | |
time you've got past the first round. What are the positivity will | :59:12. | :59:16. | |
take away from this week? If someone said I would get to the final and | :59:17. | :59:20. | |
played Ronnie in the final, I would have ripped off their arm but when | :59:21. | :59:28. | |
you get to the final you want to perform and it's hard to take | :59:29. | :59:31. | |
positives at the moment because I'm a bit disappointed in how I | :59:32. | :59:33. | |
performed today, but I played well most of the week. I am sure back I | :59:34. | :59:37. | |
will look back and think I did well, it's one of those things. It is | :59:38. | :59:40. | |
indeed. Barry Hawkins, well played. APPLAUSE | :59:41. | :59:48. | |
He Ronnie O'Sullivan, champion of the Masters once again for a sixth | :59:49. | :59:54. | |
time. I tell you what, after eight months away and I know you are a | :59:55. | :59:58. | |
perfectionist, you must be chuffed with that performance. I'm over the | :59:59. | :00:04. | |
moon. I watched Barry playing in his semifinal over Judd Trump and I knew | :00:05. | :00:08. | |
I needed to raise my level and play like I did against Selby. Today I | :00:09. | :00:12. | |
managed to do that. I managed my emotions well, it is such a big | :00:13. | :00:16. | |
occasion against someone I knew was in form. I'm delighted to play as | :00:17. | :00:21. | |
well as I had done. You were down on yourself yesterday when you came | :00:22. | :00:25. | |
into the studio last night. What has made the difference today. Dr Steve | :00:26. | :00:28. | |
Peters arrived here this morning. Did that help you? Having him here | :00:29. | :00:33. | |
put pressure on me. I have to behave myself, you know. He just mentioned | :00:34. | :00:38. | |
a couple of things to me. He is right. I knew I had to just focus on | :00:39. | :00:42. | |
playing each ball and getting involved in the match. I was able to | :00:43. | :00:47. | |
do that today. It was just a shame Barry just never - if he had played | :00:48. | :00:53. | |
like he did in the semis, we could have had a brilliant match. Well | :00:54. | :00:58. | |
done to Barry. He had another great tournament. Eight months away. How | :00:59. | :01:00. | |
surprised are you to be standing here as a champion? I'm never | :01:01. | :01:04. | |
normally surprised I win tournaments. I'm surprised I have | :01:05. | :01:10. | |
won my first one after eight months. I still think, you know, if I can | :01:11. | :01:14. | |
produce some form, it doesn't matter how much time you take out, you | :01:15. | :01:18. | |
still have the talent and the game there. It is about producing it when | :01:19. | :01:23. | |
it matters and I was able to do it this week. You are now level with | :01:24. | :01:26. | |
the great Stephen Hendry in the Masters' titles. He is a couple | :01:27. | :01:30. | |
ahead of you in the world titles. What motivation is it to keep | :01:31. | :01:34. | |
chasing that? I mean this is just a week. So you are manage to keep your | :01:35. | :01:39. | |
form. It is easier to keep it for a week. But for 17 days, it is a | :01:40. | :01:44. | |
grind. I will give it a go and we'll see what happens. | :01:45. | :01:47. | |
What is the schedule? I know a lot of people watching will want to | :01:48. | :01:50. | |
know, is this you back on the circuit for it the rest of the | :01:51. | :01:54. | |
season? What are your plans? I'll play most of the UK and European | :01:55. | :01:58. | |
events and take it from there, really. And just play whatever you | :01:59. | :02:02. | |
fancy. There are so many tournaments these days, you have the option to | :02:03. | :02:06. | |
pick and chose. We used to only have six. Now you have 36. It is great to | :02:07. | :02:11. | |
have the choices, you know. Ladies and gentlemen, the incredible | :02:12. | :02:13. | |
Rocket, Ronnie O'Sullivan. CHEERING AND | :02:14. | :02:19. | |
APPLAUSE Ladies and gentlemen, please welcome | :02:20. | :02:24. | |
your presentation party. Barry the hen Chairman of World Snooker. The | :02:25. | :02:31. | |
head of sponsorship and the 1984 Masters' champion, the Whirl wind, | :02:32. | :02:32. | |
Jimmy White. The runner-up receiving a silver | :02:33. | :02:48. | |
medal and a cheque for ?90,000. What a run to the final it was for bory | :02:49. | :02:54. | |
Hawkins. APPLAUSE | :02:55. | :02:58. | |
-- Barry Hawkins. And the winner, receiving a cheque | :02:59. | :03:13. | |
for ?200,000, the trophy and the title. 2016, Dafabet Masters' | :03:14. | :03:21. | |
champion, Ronnie O'Sullivan. Your champion, Ronnie O'Sullivan. | :03:22. | :03:28. | |
APPLAUSE Well, eight months out. Didn't seem | :03:29. | :03:53. | |
to matter. Straight back in. Wins the Masters for a sixth time. Sum up | :03:54. | :03:58. | |
the achievement. Basically when he has had a bit of a break, he puts | :03:59. | :04:01. | |
himself under pressure and comes back and does it once again. Yes, I | :04:02. | :04:08. | |
think that it would be fair to say that other than Mark Williams, | :04:09. | :04:11. | |
people didn't perform against him. Still to this day, Ronnie O'Sullivan | :04:12. | :04:14. | |
puts people out of their strike because they know how good he is. | :04:15. | :04:18. | |
They put paid to a few players this week who could have given him | :04:19. | :04:22. | |
trouble. He looks a lot happier than after his semifinal pictures. He | :04:23. | :04:25. | |
sure does. At the beginning of the week we asked him what he was | :04:26. | :04:29. | |
expecting. He said he just wanted to win a match coming back. Obviously | :04:30. | :04:33. | |
there is a bit of kidology when Ronnie is concerned, but he didn't | :04:34. | :04:37. | |
seem to be in the most confident form when he came out. He sets | :04:38. | :04:42. | |
himself exacting standards and sometimes you can't win matches | :04:43. | :04:47. | |
playing at your best. He comes in, as John said in commentary, a bit | :04:48. | :04:51. | |
downbeat. He puts pressure on himself. There is psychology in | :04:52. | :04:55. | |
there. 'S fantastic player. We have seen this week, he is total box | :04:56. | :04:59. | |
office. Every time he plays, the session is sold out. It is brilliant | :05:00. | :05:03. | |
to watch. I thought that performance today was very professional, very | :05:04. | :05:06. | |
business-like. Played every shot correct. Hard-match play. And scored | :05:07. | :05:13. | |
when he got his chances. He was tough to play against. He is almost | :05:14. | :05:21. | |
very hard to play. I mentioned Dr Steve Peters. And we were talking to | :05:22. | :05:26. | |
Damien Hirst about this. The right message in his ear T calmed him | :05:27. | :05:30. | |
down. Not transformed, but it an improved one. He didn't win any | :05:31. | :05:35. | |
opportunities. If the shot was there to play the right shot, and there | :05:36. | :05:38. | |
was nothing but played the right shot. Barry was struggling to get | :05:39. | :05:44. | |
going, and Ronnie knew that. He didn't give him lifelines. He kept | :05:45. | :05:48. | |
the peddle to the metal and he was very proeggs iffal today. I | :05:49. | :05:53. | |
mentioned to Barry, he must be sick of the sight of Ronnie, every time | :05:54. | :05:58. | |
he takes a sabbatical, he comes back and it is Barry he has to play. It | :05:59. | :06:02. | |
has been tough luck from Barry's point of view. From Barry's Hawkins' | :06:03. | :06:06. | |
perspective, he said he had a bad day, he didn't feel comfortable. | :06:07. | :06:10. | |
Sometimes the early part of a match can dictate what happens. Barry | :06:11. | :06:14. | |
Hawkins was left with awkward shots. They went wrong and the end result | :06:15. | :06:18. | |
from that perspective was he got into more of a hole as the match | :06:19. | :06:22. | |
went on. Sometimes you just have to go out - it just wasn't to be for | :06:23. | :06:26. | |
Barry Hawkins. It wasn't the case. He has turned up this week, 16 best | :06:27. | :06:30. | |
players in the world, he's come second. If he reflects on t the | :06:31. | :06:33. | |
final was disappointing, he didn't turn up and play as well as he can. | :06:34. | :06:37. | |
But a big three final. A nice cheque, confidence boosted. He | :06:38. | :06:40. | |
played very, very well. Today wasn't his day, it didn't go his way. He | :06:41. | :06:44. | |
came up against a wonderful champion. But he had a good week. He | :06:45. | :06:49. | |
will have to look back at the match with Judd Trump and show what he is | :06:50. | :06:53. | |
capable of. Back-to-back centuries. And a wonderful victory to beat Judd | :06:54. | :06:57. | |
Trump who was in remarkable form himself. Yes, you can only try your | :06:58. | :07:02. | |
best on the day. I think from Barry Hawkins' perspective, it does cement | :07:03. | :07:06. | |
his place in the top 16 properly. Those top 16 places are very hard | :07:07. | :07:12. | |
fought for and I think he now is a player whose stock has risen but, | :07:13. | :07:16. | |
still, he would love to win one of the big ones. What now for Ronnie? | :07:17. | :07:21. | |
He says he is going to be a pretty permanent feature for the rest of | :07:22. | :07:25. | |
the season. And clearly in this sort of form, which will clearly get | :07:26. | :07:29. | |
better as we go towards the Cruisable, a threat for the #w0r8d | :07:30. | :07:34. | |
title? He is but not the only runner in that field. -- world title. Judd | :07:35. | :07:40. | |
Trump and Robertson will have a say. Williamson will turn his form and | :07:41. | :07:43. | |
and John Higgins has played brilliantly. The tournament has had | :07:44. | :07:51. | |
magnificent standards. Ronnie didn't play Trump. It is a big test, 17 | :07:52. | :07:56. | |
days a marathon of the mind. For snooker, great to have him back, | :07:57. | :08:00. | |
yes? Oh, yes. Obviously there has never been a situation where one | :08:01. | :08:02. | |
player has been bigger than the game. But I think we are the closest | :08:03. | :08:07. | |
we have ever had, to be quite honest. The great Alex Higgins was a | :08:08. | :08:10. | |
big draw. You need the big draws, the crowd as you can see, they love | :08:11. | :08:15. | |
t with Jimmy White it was a similar situation. But the game of snooker | :08:16. | :08:19. | |
is in rude health because of so many good players. How much great matches | :08:20. | :08:22. | |
have we seen this week? The standard seems to get better and better. The | :08:23. | :08:26. | |
crowd have really been entertained I think these days. They have and they | :08:27. | :08:30. | |
were entertained in your day and indeed in your day and these eras | :08:31. | :08:35. | |
have co-alested over the years and in fact, we have time in hand | :08:36. | :08:41. | |
because it is foretu to us because at 9.00pm there is a new pock pock | :08:42. | :08:46. | |
drama about to launch in 50 minutes' time. It is the Rack Pack and tells | :08:47. | :08:51. | |
the heady storivity development of snooker in the '80s through the eyes | :08:52. | :08:57. | |
of Alex "Hurricane" Higgins and Steve Interesting Davis and the rest | :08:58. | :09:00. | |
of the merry crew in those days. It is something to behold. We have been | :09:01. | :09:03. | |
behind the scenes during filming of the Rack Pack. | :09:04. | :09:08. | |
"Hurricane" Higgins. I'm an entertainerment Please welcome, | :09:09. | :09:12. | |
Steve Davis. I'm going to make you and me very rich. I know Will hope | :09:13. | :09:16. | |
that's your snooker cue. What are you doing, Alex? | :09:17. | :09:26. | |
You have to tell the story of how snooker went from the backrooms of | :09:27. | :09:30. | |
these small clubs to become a massive national sporting event. It | :09:31. | :09:32. | |
is the story of the characters and the people behind that, you know. | :09:33. | :09:39. | |
You have the people who are burgeoning management like Barry hen | :09:40. | :09:43. | |
making it proeggs iffal and organised and commercialised, the | :09:44. | :09:47. | |
sport, and the raw natural talents of Higgins and White, who were great | :09:48. | :09:49. | |
folk heroes of their day. I was wondering if you might provide | :09:50. | :10:08. | |
me with some information about the tables and facilities in this | :10:09. | :10:09. | |
establishment. Now he, what the pockets are like | :10:10. | :10:22. | |
and the slate. -- you know. Do you need me to call your mum? No | :10:23. | :10:28. | |
matter how many times you looked at t Davis emerges as, you know, he | :10:29. | :10:35. | |
transformed the game with Barry hen and Higgins, his shadow hangs over | :10:36. | :10:37. | |
that whole era. -- with Barry Hearne. I'm sorry, I | :10:38. | :10:50. | |
can't he keep my eyes open. What do you say we make that interesting. If | :10:51. | :10:55. | |
you say so, Alex. They became the two opposing forces, if you like, | :10:56. | :10:59. | |
that seemed to be the story we were telling. I have been waiting a long | :11:00. | :11:04. | |
time to meet a man like you, Davis. I bet that's something you don't | :11:05. | :11:08. | |
hear very often. You see, I think snooker is going to be big. Properly | :11:09. | :11:13. | |
big. Bigger, even than wrestling. I'm being serious. And I want us to | :11:14. | :11:19. | |
go into partnership together. It was really interesting to get into the | :11:20. | :11:25. | |
world of snooker, especially in its golden age and how sexy it was and | :11:26. | :11:29. | |
how cool it was. It is definitely very unique and probably could have | :11:30. | :11:33. | |
only happened at that time and just shows you how snooker mad the world | :11:34. | :11:40. | |
was, you know. The working title with the film was Dallas with Balls | :11:41. | :11:45. | |
which is a quote from Barry Hearne. We had good and bad day guys and | :11:46. | :11:52. | |
snooker in the middle. The millions out there don't tune in to watch the | :11:53. | :11:59. | |
snooker. They tune in to watch the soap opera. It is Dallas with Balls | :12:00. | :12:04. | |
and you are JR and Bobby Ewing rolled into one It was a brilliant | :12:05. | :12:07. | |
character to play. There is plenty to go with. When you watch all the | :12:08. | :12:13. | |
footage of Barry, he is a real character. Davis, I want you to meet | :12:14. | :12:18. | |
Brian, he is going to write your autobiography. I'm only 23. It | :12:19. | :12:22. | |
doesn't matter. He will pad it out, loads of diagrams. That way even | :12:23. | :12:26. | |
Jimmy White can read it. It has been a difficult project in lots of ways. | :12:27. | :12:30. | |
We have picked a period piece with characters people remember well and | :12:31. | :12:33. | |
fondly and we have had to be accurate to that and in the middle | :12:34. | :12:37. | |
of it all they have to play snooker, one of the most difficult sports in | :12:38. | :12:41. | |
the world. They have learned the sport, how to hold the cue and walk | :12:42. | :12:44. | |
around the table properly. One of the tricky things of this job was | :12:45. | :12:48. | |
learning to play like Steve and hold his physicality and his chance and | :12:49. | :12:51. | |
his cue action and sort of get my head around playing like that. | :12:52. | :12:55. | |
COMMENTATOR: He can pot this black and I think he has to go for it. | :12:56. | :13:01. | |
This is the big shot of the frame. And that, coupled with visual | :13:02. | :13:04. | |
effects, I think no-one has really tried before, in any kind of snooker | :13:05. | :13:10. | |
or pool film. Now another difficult red into the centre pocket. We are | :13:11. | :13:16. | |
confident our film has captured the accuracy of sport in a really | :13:17. | :13:20. | |
interesting way. COMMENTATOR: Alex not able to afford any mistakes. | :13:21. | :13:27. | |
Right-hand corner. You only vb one view of snooker, the camera above | :13:28. | :13:31. | |
the table in any match. It is always the same angle. This film totally | :13:32. | :13:34. | |
takes you down to the level of the players. -- you only have one view. | :13:35. | :13:40. | |
It little bit of rock 'n' roll. It has everything. | :13:41. | :13:45. | |
The script is funny and the way it is brought together by the actors, | :13:46. | :13:50. | |
brings a lot of humour to it. You are four hours' late. They are | :13:51. | :14:03. | |
baying for blood in there. Where have you been? They love me. I am | :14:04. | :14:09. | |
eight people's champion. Ladies and gentlemen, please welcome, the world | :14:10. | :14:12. | |
champion, Alex... But it is also dark as well. And that's necessary. | :14:13. | :14:21. | |
Me and you, James. We are the only two that ever played for love. | :14:22. | :14:30. | |
You need tragedy and comedy in there. There is a lot of tragedy. A | :14:31. | :14:37. | |
lot of really emotional heart-felt, heart-warming scenes as well. | :14:38. | :14:45. | |
I love you babby. From the first moment I held you in my arms. And | :14:46. | :14:56. | |
now your daddy is playing in the final tomorrow. It's going to change | :14:57. | :15:02. | |
everything. I hope that it's a timeless story. The drama is there. | :15:03. | :15:07. | |
I think anybody can appreciate that. I hope that viewers of the modern | :15:08. | :15:12. | |
game actually might go - yes, you know, there was a time when perhaps | :15:13. | :15:18. | |
the game had a few more characters. # We'll show you what we can do | :15:19. | :15:25. | |
# With a load of balls and a snooker cue...# | :15:26. | :15:27. | |
We all know the way people consume drama and TV these days is changing | :15:28. | :15:31. | |
and hopefully we are at the forefront of that and this will be a | :15:32. | :15:36. | |
project that reaches out to a lot of people and creates more | :15:37. | :15:39. | |
opportunities to do things like this in the future. The reason why we | :15:40. | :15:44. | |
want to launch it and premier it on iPlayer is because it has such a | :15:45. | :15:47. | |
following from that era. There is a lot of nostalga and want and love | :15:48. | :15:51. | |
for snooker. Tonally, it is strong, big emotional moments and a lot of | :15:52. | :15:55. | |
wild behaviour. It feels right people would come to find it on | :15:56. | :15:59. | |
iPlayer and hopefully further down the line it'll go on the telly. This | :16:00. | :16:03. | |
is the box office. And in a slightly surreal situation, | :16:04. | :16:14. | |
I'm delighted to welcome to the studio, the real Steve Davis, the | :16:15. | :16:19. | |
real Barry Hern, and the man who played Barry, rather brilliantly, I | :16:20. | :16:22. | |
have to say in the film, Kevin Bishop. Kevin, someone said to me | :16:23. | :16:27. | |
your portrayal was perfect apart from the fact you were not loud | :16:28. | :16:31. | |
enough. I'm in the sure that's accurate. What was it like to be | :16:32. | :16:36. | |
Barry Hern? It was nice to read a character on the script that jumped | :16:37. | :16:40. | |
out on the page. It is great to see someone with great lines, with a lot | :16:41. | :16:44. | |
of charisma. To play that person, you really know, it was really easy, | :16:45. | :16:48. | |
because it was there to jump into, you know. I loved it. I'm slightly | :16:49. | :16:54. | |
nervous sitting next to bory. As I usually am whenever he is in the | :16:55. | :16:58. | |
room. But, the director, Brian Welsh said to me - don't play him too big. | :16:59. | :17:03. | |
We want it to be more dramatic and a lot of Barry 's lines in the film | :17:04. | :17:08. | |
are very, very funny. I said I feel like they were jokes, we can make | :17:09. | :17:12. | |
them funnier. He said it pull it back. When I met Barry for the first | :17:13. | :17:16. | |
time I realised I probably could have gone three or four times' | :17:17. | :17:19. | |
bigger. He is quite a character in real life. Barry what was your | :17:20. | :17:25. | |
impression and your input? None, none really, I think it is from | :17:26. | :17:29. | |
research. They saw Steve and me. They forbade the actors to meet the | :17:30. | :17:34. | |
characters in real life. I never met Kevin until after it was all done. | :17:35. | :17:39. | |
But, you know, it was one of the most enjoyable experiences of my | :17:40. | :17:43. | |
life, for a long time watching this. It transported you back, you know, | :17:44. | :17:48. | |
to your youth, if you like, to when it was so exciting, all beginning, | :17:49. | :17:53. | |
me and the ginger nut taking on the world. And I phoned Steve before he | :17:54. | :17:58. | |
had watched it and said - there are two things you have to know about | :17:59. | :18:02. | |
this film, it is brilliant, one, and two, I come across like a bit of a | :18:03. | :18:07. | |
loud mouth barrow boy and you come across like a boring nerd. They've | :18:08. | :18:11. | |
nailed us both. That's exactly how we were. Steve, did you realise how | :18:12. | :18:15. | |
much of a nerd you actually were, until you saw the film? Obviously | :18:16. | :18:21. | |
not. But it is frightening being in the same room as two Barry Herns. I | :18:22. | :18:26. | |
wasn't ready for the first one. Obviously Barry has grown to be a | :18:27. | :18:29. | |
caricature of himself over the years but back then they were all treading | :18:30. | :18:33. | |
new paths. Barry was like, effectively like my older brother | :18:34. | :18:37. | |
leading me down a road. I was just a kid who could play snooker but Barry | :18:38. | :18:41. | |
had experience in the world. He was full of bravado. To me it was like - | :18:42. | :18:45. | |
this bloke knows everything. He is always positive. You nailed that | :18:46. | :18:48. | |
part fantastic. Now, obviously, now, you know every time he comes out | :18:49. | :18:54. | |
with a cliche but at the time he was started along the cliche road. I was | :18:55. | :18:58. | |
learning cliches big time. You You got the moment. I have to say the | :18:59. | :19:04. | |
actors, throughout the whole thing were breath-takingly good. Whoever | :19:05. | :19:07. | |
cast this is the real hero of the movie. They have found - I mean, | :19:08. | :19:12. | |
unbelievable detail and unbelievable characters that made me think that I | :19:13. | :19:17. | |
was actually on a time machine going back 30-odd years. That's got to be | :19:18. | :19:22. | |
the greatest he compliment. Whoever cast it did an amazing job. There is | :19:23. | :19:30. | |
one moment you, Kevin, as Barry were teaching Steve how to be robotic and | :19:31. | :19:34. | |
ruthless and menacing by sipping his water in a certain way. I loved | :19:35. | :19:38. | |
that. I wondered how much truth is there in that scene and could it | :19:39. | :19:42. | |
have been true, if it wasn't? I think it was pretty nailed on. You | :19:43. | :19:46. | |
didn't have to deal with him early on? They captured so many key lines. | :19:47. | :19:51. | |
Of course in any movie they are going to stretch the boundaries a | :19:52. | :19:56. | |
little bit. But they captured the whole mood of it, because although | :19:57. | :19:59. | |
life has been sweet they were the most exciting times of my life and | :20:00. | :20:03. | |
working with Steve on this mission, for both of us, was just, to | :20:04. | :20:08. | |
recapture t I had almost forgotten how good it was until I saw the | :20:09. | :20:12. | |
film. Well, your portrayal of this man is brilliant. And Luke T wrecks | :20:13. | :20:20. | |
daway's portrayal of the Hurricane was terrific. You are with him now. | :20:21. | :20:26. | |
I have had the privilege of watching this Luke. I'm going to shake your | :20:27. | :20:30. | |
hand. What a job you have made of it. I knew Alex Higgins for over 30 | :20:31. | :20:35. | |
years and what a job you have done. When you were approached what was | :20:36. | :20:39. | |
initial thinking First of all I was fortunate to be asked to play such | :20:40. | :20:43. | |
an incredible character and someone who has influenced the game so much | :20:44. | :20:48. | |
and been such a legend for so many people. I felt honoured. Did you | :20:49. | :20:54. | |
play snooker? I played a few games of pool in the pub. That was T I was | :20:55. | :20:59. | |
being taught from scratch. I think you said to me you use ood YouTube | :21:00. | :21:03. | |
to find the footage. How many hours of that did you watch? I don't think | :21:04. | :21:08. | |
there is much on YouTube I haven't watched in terms of Alex's games and | :21:09. | :21:12. | |
interviews and documentaries. It is a really good research to see him | :21:13. | :21:16. | |
and get his physicality around the table. And you had a very good | :21:17. | :21:21. | |
snooker player, Tony Chapel. A legend. He was amazing. Thank you, | :21:22. | :21:26. | |
man. He was so helpful. We only got a limited amount of time with with | :21:27. | :21:30. | |
him but he was incredible at teaching myself and Will and James | :21:31. | :21:33. | |
to played Jimmy White, all the different styles they played in. It | :21:34. | :21:37. | |
is all the mannerisms that were just his. Boys, we were in the studio and | :21:38. | :21:43. | |
the legacy lives on, we are always in the studio going - hello, babes, | :21:44. | :21:47. | |
how are you doing. You will end up getting that It is hard not to, I | :21:48. | :21:52. | |
know. He is an amazing character and just, you know, it was an honour to | :21:53. | :21:57. | |
be able to bring him to the screen. We went out the other night. Me and | :21:58. | :22:04. | |
Stephen Hendry and we talked about Alex for about 40 minutes. That was | :22:05. | :22:07. | |
the character he was. The legacy. We are still talking about him. And | :22:08. | :22:11. | |
there has been Hurricane Alex this weekend. He has touched down in that | :22:12. | :22:15. | |
way. I felt it was fantastic. I'm going to watch it again. You did a | :22:16. | :22:20. | |
brilliant job. All the Beggs for what you do in the future. Really | :22:21. | :22:26. | |
great. I have to ask Steve. How much does that portrayal by Luke actually | :22:27. | :22:31. | |
sum-up both his genius of the Hurricane but also with the tragic | :22:32. | :22:36. | |
self-destructiveness in the end? I think he nailed it, as all the cast | :22:37. | :22:40. | |
Z it was like being back there at the time. When I was watching the | :22:41. | :22:44. | |
early part, obviously my own nerdy part I was laughing, but by the end | :22:45. | :22:48. | |
I was in tears because it was like that. And I didn't know the whole | :22:49. | :22:52. | |
story of Alex Higgins behind the scenes but it is true to life, I | :22:53. | :22:57. | |
think it all happened, if not exactly then very close to it. It | :22:58. | :23:00. | |
could have happened exactly that way. I actually thought - by the end | :23:01. | :23:06. | |
I was sorry for Alex. It shows how the drinking destroyed him. It was | :23:07. | :23:10. | |
about the fact that perhaps he was tortured by my image, the fact that | :23:11. | :23:15. | |
that was what everybody was telling him he should have been like but it | :23:16. | :23:19. | |
was laughter and tears. Ffs a fantastic piece of drama. Any | :23:20. | :23:24. | |
snooker player -- it was a fantastic piece of drama. Any snooker player, | :23:25. | :23:28. | |
or fan, even if they didn't grow up in that era will love it. And from | :23:29. | :23:33. | |
the '80s to right now. Kevin your impression on what you have seen, | :23:34. | :23:38. | |
you have seen a modern-day personality par excellence, in | :23:39. | :23:40. | |
Ronnie O'Sullivan. How much did you enjoy that experience? Fantastic. It | :23:41. | :23:45. | |
is my first time I have been to the snooker. I have been watching the | :23:46. | :23:48. | |
tournament the whole way through. Today I have been watching it, glued | :23:49. | :23:53. | |
to T it is amazing. It has been incredible. He is so good, Ronnie at | :23:54. | :23:59. | |
the moment. He is fantastic. I must admit I feel a bit sorry for poor, | :24:00. | :24:04. | |
old Barry. I'm sure you do and something he will reflect on but he | :24:05. | :24:09. | |
has got to a final. Just a thought, Kevin, I don't know if he he | :24:10. | :24:13. | |
currently has had manager. Maybe I will take him on, you never know. I | :24:14. | :24:22. | |
can make him rich. Barry as El Supremo, what is your view of | :24:23. | :24:27. | |
Barry's return? Well, somebody summed it up by saying no player is | :24:28. | :24:32. | |
bigger than the sport but Ronnie probably gets as close as you can | :24:33. | :24:36. | |
get. He has put bums on seats and millions of viewers on the seat | :24:37. | :24:41. | |
watching. He has a God-given talent. My only worry about Ronnie is he | :24:42. | :24:44. | |
doesn't appreciate it enough for what God has given him and the | :24:45. | :24:49. | |
entertainment he can give to people. I'm happy to see him back. He came | :24:50. | :24:55. | |
back in a Championship League. He played in a tournament in four days. | :24:56. | :24:59. | |
He won every match and made nine centuries. He got through to a final | :25:00. | :25:03. | |
which will be played in a month or so's time. He has a love for the | :25:04. | :25:07. | |
game. He has his demons and moments of self-doubt in the same way that | :25:08. | :25:12. | |
the great man, Alex had. I want to see Ronnie stay in the right path | :25:13. | :25:16. | |
and the right path for him is playing competitive snooker. You | :25:17. | :25:19. | |
won't win every game because there are so many great players but he | :25:20. | :25:25. | |
shows the talent. The spark that we need in any sport. The top players. | :25:26. | :25:31. | |
It lights up the bill boards for the Crucible. It it is another baby | :25:32. | :25:35. | |
altogether. It is 17 days. It is real, hard slog. Whether Ronnie has | :25:36. | :25:42. | |
the consistency. Again going back it Alex, a wonderful player had who | :25:43. | :25:47. | |
never had the consistency when he played. If Ronnie can keep the | :25:48. | :25:51. | |
consistency and keep fresh, he can win several more. There are no | :25:52. | :25:58. | |
gymmys. No gymmys. 17 days of something you will never miss. | :25:59. | :26:04. | |
That's about all we have time for. Let me remind you of what is coming | :26:05. | :26:09. | |
next over the next few weeks and months. Next up, it is the Welsh | :26:10. | :26:12. | |
Open snooker, starting on BBC Wales from Monday 15th February: | :26:13. | :26:17. | |
and before you can say frame-winning contribution, it'll be time to head | :26:18. | :26:29. | |
to Sheffield as Stuart Bingham tries to break the Crucible curse and win | :26:30. | :26:33. | |
it the next year. It all gets under way on Saturday, 16th April and | :26:34. | :26:36. | |
continues until, well, about July - or at least sometimes that's what it | :26:37. | :26:40. | |
feels like. Speaking of the World Championships. Another one tomorrow | :26:41. | :26:45. | |
here on BBC Two from 1.00pm, at the start of the world indoor balls. But | :26:46. | :26:50. | |
it is just about time to say goodbye. My thapgs to my guests | :26:51. | :26:54. | |
here. We are very much looking forward to seeing the Rack Pack | :26:55. | :26:58. | |
shortly. In fact once we have wrapped up here we are going | :26:59. | :27:02. | |
straight to iPlayer and to download it and to have a very good laugh at | :27:03. | :27:08. | |
Steve Davis' ginger Barnett for the next couple of hours. So from all of | :27:09. | :27:15. | |
us here at the Ally Pally, it has been a great week. We will catch you | :27:16. | :27:17. | |
very soon. Goodbye. MUSIC: (They Long To Be) Close To You | :27:18. | :28:26. | |
by The Carpenters | :28:27. | :28:30. |