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Hello. Good afternoon to you, welcome back to Alexandra Palace and | :00:32. | :00:39. | |
the 2017 Masters. We at the quarter-finals stage. Big crowd in | :00:40. | :00:42. | |
here today. Always a special atmosphere on a Friday afternoon. | :00:43. | :00:46. | |
Ronnie O'Sullivan safely through to the semifinals. He will meet Marco | :00:47. | :00:51. | |
Fu, who at the age of 39 is showing the type of form that could land him | :00:52. | :00:52. | |
his first ever Masters title. The longer he looks at this, the | :00:53. | :01:08. | |
more it's on. It's on! It's guaranteed, as well. | :01:09. | :01:15. | |
He has apologised, I don't know why. No attempt to get the right side of | :01:16. | :01:29. | |
the blue there. Just wants to get on with it. He can get 140 with the | :01:30. | :01:41. | |
pink. He is asking. He is asking somebody else. He played it to the | :01:42. | :01:47. | |
top! Hello! Superb. | :01:48. | :01:53. | |
Absolutely superb. It gives him a 5-2 lead with the highest break made | :01:54. | :01:58. | |
in the Masters this year so far. 140. | :01:59. | :02:05. | |
Marco has been the star of the tournament so far. Ronnie O'Sullivan | :02:06. | :02:13. | |
beat Neil Robertson yesterday. Marco was sparkling last night as you have | :02:14. | :02:16. | |
seen. Tomorrow afternoon will be a cracker. Today our live match for | :02:17. | :02:23. | |
you here on BBC Two, world champion Mark Selby taking on Barry Hawkins. | :02:24. | :02:26. | |
Tonight it's Ding Junhui taking on Joe Perry. | :02:27. | :02:31. | |
Good afternoon to you, Steve Davis alongside me this afternoon. Great | :02:32. | :02:35. | |
to see you. Marco Fu, last night you were in commentary, a brilliant | :02:36. | :02:39. | |
performance. Yes and the form of a player is always changing and it's | :02:40. | :02:42. | |
obvious that Marco Fu is in great form but what is fascinating with | :02:43. | :02:46. | |
Marco Fu is he has been around in the game long enough you would think | :02:47. | :02:50. | |
we have already seen what escapable of, but somehow he seems to have | :02:51. | :02:53. | |
generated another level. He is walking around the table with an air | :02:54. | :02:56. | |
of confidence I don't think I have seen. He looks relaxed and | :02:57. | :02:59. | |
comfortable and confident and he doesn't seem to be worried about | :03:00. | :03:03. | |
winning or losing, he is just playing. He gave himself so much to | :03:04. | :03:08. | |
do in that opening match against Judd Trump that he won. He was 3-0 | :03:09. | :03:11. | |
down at one stage. Never was there any sense of panic at all in that | :03:12. | :03:16. | |
match? . That's the sign of somebody superconfident about his game. Has | :03:17. | :03:19. | |
Marco Fu regenerated himself and gone to another level? Can he win | :03:20. | :03:24. | |
this event? Can he win the big ones? That's the question then. Can he | :03:25. | :03:28. | |
win? Yeah, he can. He is well capable of it. Obviously the | :03:29. | :03:34. | |
standard of players around is so strong and he anything can happen, | :03:35. | :03:37. | |
you need to get off to a good start is to help but he is in the form of | :03:38. | :03:41. | |
his life. Absolutely. At the moment Marco Fu is going to be ?10,000 | :03:42. | :03:46. | |
richer because he has the top break of 140. We have been treated to some | :03:47. | :03:50. | |
magnificent snooker this week. Great noise inside the venue last night | :03:51. | :03:59. | |
when he made that 140. Mark Selby, you expect him to get | :04:00. | :04:05. | |
more centuries. In the format of this Masters 28 is the record, we | :04:06. | :04:08. | |
are on 18 so far. It could be broken. | :04:09. | :04:14. | |
Our live match this afternoon here on BBC Two sees Barry Hawkins, last | :04:15. | :04:21. | |
year's runner-up taking on the main man, Mark Selby. | :04:22. | :04:37. | |
Mark Selby going for the triple Crown. Marks out of ten for his | :04:38. | :05:11. | |
performances so far? I think he probably say five after the first | :05:12. | :05:15. | |
round against Mark Williams. Talking about form, I am not sure you can | :05:16. | :05:19. | |
judge the absolute counterform like you can judge form over a season. If | :05:20. | :05:22. | |
you are looking at the performances of Barry Hawkins and Mark Selby in | :05:23. | :05:27. | |
the first round, yeah, Barry Hawkins is in good, Mark a bit dodgy. But | :05:28. | :05:31. | |
every match is different. Do you find, I have just seen Mark and he | :05:32. | :05:35. | |
looks relaxed, do you think given the fact he is the world champion as | :05:36. | :05:40. | |
well that he relishes big moments, big crowds here today, quarter-final | :05:41. | :05:44. | |
match? Yeah, he is a big occasion player. Barry Hawkins is also, | :05:45. | :05:49. | |
perhaps not regarded in the same way but he should be. Perhaps the X | :05:50. | :05:53. | |
Factor is there extra pressure on Mark trying to get this triple | :05:54. | :05:57. | |
Crown? If he feels any more pressure it's a tougher job for him. He was | :05:58. | :06:02. | |
in that position in 2013 in the World Championship and Barry Hawkins | :06:03. | :06:06. | |
beat him in the second round so there is added pressure. Barry has a | :06:07. | :06:09. | |
good record against Mark, they're close in matches. So expect a tough | :06:10. | :06:13. | |
match today. Don't expect Barry Hawkins to fold either. OK, thank | :06:14. | :06:17. | |
you very much. Let's have a chat with JP in the commentary box with | :06:18. | :06:20. | |
our boys this afternoon. I am and this is a cracking match. | :06:21. | :06:26. | |
As for Mark, if you are building a snooker player and add all those | :06:27. | :06:29. | |
qualities together he is pretty much it. He is one of probably the best, | :06:30. | :06:34. | |
he is up there as one of of the best match players of all time. So hard | :06:35. | :06:37. | |
to beat. He has won tournaments playing his B game and that's very | :06:38. | :06:41. | |
difficult. Every part of his game is so good and even when he is not at | :06:42. | :06:45. | |
the top of his game he can still beat you. He is going for this Grand | :06:46. | :06:49. | |
Slam, he will be trying to put that to the back of his mind, he will | :06:50. | :06:53. | |
keep getting reminded of that with the press, is that bringing extra | :06:54. | :06:57. | |
pressure? Certainly think he brought extra pressure in his first round | :06:58. | :07:01. | |
match against Mark Williams, to be taken to a decider. One significant | :07:02. | :07:07. | |
thing, we all remember Mark Williams getting a kick on the blue. He said | :07:08. | :07:11. | |
after, I still thought I was going to get another shot. What a | :07:12. | :07:15. | |
clearance it was to win frame and match. He can do it under pressure. | :07:16. | :07:19. | |
He is the man to beat. Thank you very much. Let's see how Mark Selby | :07:20. | :07:25. | |
can do this afternoon. Can he keep up his brilliant form? | :07:26. | :07:31. | |
Ken, the smartest dressed man in commentary! | :07:32. | :07:50. | |
Steve, I remember Barry Hawkins saying that's the greatest result of | :07:51. | :07:54. | |
his career, will he think about that today as he walks out here? I don't | :07:55. | :07:59. | |
know. Every match is another day. You get yourself ready for it. Mark | :08:00. | :08:02. | |
will be considered the favourite for this, but when you look at Barry's | :08:03. | :08:09. | |
CV, finalist here at the Masters and the World Championship, it's a good | :08:10. | :08:12. | |
pedigree. If Barry is going to win does he have to get off to a good | :08:13. | :08:17. | |
start just hanging on in there? It's nice to get a lead because you put | :08:18. | :08:20. | |
your opponent under pressure. But you have to go with the employee. | :08:21. | :08:24. | |
Barry can play as well from behind as in front. It's always nicer to | :08:25. | :08:29. | |
get off to a good start. Am I able to put you on the spoz as I have | :08:30. | :08:35. | |
been doing all week and say who is going to win? You can but you will | :08:36. | :08:38. | |
be left hanging for the answer! Thank you very much, I will ask you | :08:39. | :08:41. | |
again throughout the afternoon. When you look at Barry and the way he is | :08:42. | :08:45. | |
playing and he has made this final and knows this venue very well. Does | :08:46. | :08:49. | |
he walk in with added confidence? Yeah, and he has proven to himself | :08:50. | :08:54. | |
that he can play in the one table set-up at the Masters, some players | :08:55. | :08:58. | |
struggle to do that. The other thing that occurred to me this week is the | :08:59. | :09:02. | |
standard we have seen is always of a high standard, the fact we have had | :09:03. | :09:06. | |
lots of 6-5s in the afternoon, are you surprised by that? I didn't see | :09:07. | :09:10. | |
the script but apparently the night-time matches are quick so we | :09:11. | :09:14. | |
can all go home and the afternoon matches are comfortable. I just | :09:15. | :09:18. | |
think that perhaps there is a little bit more fire in the room in the | :09:19. | :09:22. | |
afternoon sessions when it's live on BBC. The night-time sessions, once | :09:23. | :09:29. | |
were the big occasions, somehow seem to be more flat. That's just an | :09:30. | :09:33. | |
observation. The afternoon sessions, massive. Let's hope we have another | :09:34. | :09:37. | |
cracking afternoon of snooker live here on BBC Two. It's Barry Hawkins | :09:38. | :09:42. | |
and Mark Selby. Good afternoon to our MC, Rob Walker. Good afternoon, | :09:43. | :09:47. | |
ladies and gentlemen. We are edging closer to the Crowning of the 2017 | :09:48. | :09:51. | |
Masters champion. Today we complete the line-up for the semifinals with | :09:52. | :09:54. | |
a match between a three-time champion and one of last year's | :09:55. | :09:59. | |
finalists. We are ready to go again here at Alexandra Palace! | :10:00. | :10:03. | |
APPLAUSE AND CHEERING Please welcome a player who has | :10:04. | :10:22. | |
really found his form at the Masters in the last two visits. Runner-up 12 | :10:23. | :10:27. | |
months ago and on Wednesday night he beat former Masters champion Shaun | :10:28. | :10:33. | |
Murphy 6-1 with a cracking first round win, a two-time ranking event | :10:34. | :10:38. | |
winner, he is poised, he is ready, here comes The Hawk, Barry Hawkins! | :10:39. | :10:53. | |
And his opponent, a laidback man who has an iron will to win on the | :10:54. | :11:14. | |
table. Coming through yet another final frame decider against Mark | :11:15. | :11:18. | |
Williams in the first round, he has spent more than 100 consecutive | :11:19. | :11:22. | |
weeks as world number one, he is your reigning world and UK champion, | :11:23. | :11:26. | |
the Jester from Leicester, he is Mark Selby! | :11:27. | :11:38. | |
Your sporting weekend starts here on BBC Two live for you. Mark Selby and | :11:39. | :11:59. | |
Barry Hawkins. Good afternoon again to John and Ken. | :12:00. | :12:04. | |
Good afternoon, Jason. Good afternoon everybody. Very | :12:05. | :12:13. | |
interesting match-up this. Barry Hawkins to break. The world number | :12:14. | :12:18. | |
one, world champion, UK champion, but the form that Barry Hawkins has | :12:19. | :12:22. | |
shown in his last match when disposing of Shaun Murphy in double | :12:23. | :12:25. | |
quick time, he will be coming into this match with lots of confidence, | :12:26. | :12:30. | |
Ken. Yeah, absolutely. I spoke to him afterwards and he was delighted. | :12:31. | :12:34. | |
Of course he got to the final last year so he has bags of experience, | :12:35. | :12:40. | |
Barry Hawkins. Loves playing here at the Masters. It's going to be facing | :12:41. | :12:47. | |
a different proposition today. Mark Selby a man in form as you said. I | :12:48. | :12:51. | |
am wondering whether a little bit of added pressure of trying to hold all | :12:52. | :12:56. | |
three majors at the same time, whether it will have any effect, he | :12:57. | :13:01. | |
is not that type of individual to let it affect him too much, John? I | :13:02. | :13:06. | |
wouldn't have thought so. He has gone through periods where he's | :13:07. | :13:10. | |
openly admitted that he has doubted himself and his ability. | :13:11. | :13:14. | |
But I think he is at one with himself now. | :13:15. | :13:15. | |
World number one for 100 weeks. Caught that a bit too thick. | :13:16. | :13:24. | |
So the first chance goes to Barry. Quite some way away from that pot. | :13:25. | :13:56. | |
That will unnerve him slightly. Yeah, no matter how much practice | :13:57. | :14:13. | |
you do on the practice table, I saw Barry with his mentor, Terry | :14:14. | :14:16. | |
Griffiths, nothing like when you come out here and the atmosphere. | :14:17. | :14:24. | |
So Mark will be relieved to get this opportunity. | :14:25. | :14:39. | |
He has a nice angle on the yellow. I don't think he will be going into | :14:40. | :14:45. | |
the pack of reds. He may try to get to the red to the right of the pink. | :14:46. | :15:17. | |
I am wondering whether he is drop the red in and try and take the | :15:18. | :15:23. | |
black next, John. He would have a nice angle on the black, if he left | :15:24. | :15:26. | |
the cue ball below the pack of reds and got a nice angle on the black | :15:27. | :15:31. | |
and he could go into the pack of reds from the black. Sounds like a | :15:32. | :15:36. | |
good idea to me. He can run this through and bounce | :15:37. | :15:42. | |
off the top cushion. Oh! He got a kick. | :15:43. | :15:48. | |
He has took all the pace out of the cue ball. I don't think the black is | :15:49. | :15:51. | |
on now. Got a heavy contact. Struggled to go in the pocket. | :15:52. | :16:00. | |
Can he cut the black in? I think that was the plan, the one | :16:01. | :16:23. | |
you suggested, Ken. Once he finished there and couldn't pot the black, he | :16:24. | :16:27. | |
will be frustrated with that. I have been speaking to a few players, the | :16:28. | :16:31. | |
table has been playing magnificently all week. Haven't seen many bounces | :16:32. | :16:36. | |
off the cushions or many kicks. That is one of the few occasions where a | :16:37. | :16:41. | |
kick has really stopped a player in his tracks. Haven't seen many of | :16:42. | :16:45. | |
these this week. Look at it again. Watch the red leave the table. | :16:46. | :16:53. | |
By and large, over the week - that's probably one of the reasons we have | :16:54. | :16:59. | |
seen so many century breaks, 18 so far in the tournament. | :17:00. | :17:03. | |
Well on the way to beat the Masters record. | :17:04. | :17:11. | |
I think the record is 31 centuries. That's when we had a couple of | :17:12. | :17:17. | |
wildcard matches, we had extra matches. I think 28 may be the | :17:18. | :17:22. | |
record without the wildcard matches. We are well on the way to beat that. | :17:23. | :17:33. | |
Yeah, the standard seems to get higher. | :17:34. | :17:39. | |
When you get to the nitty gritty of a tournament, as we are now, playing | :17:40. | :17:43. | |
for a place in the semifinal, tension does build. | :17:44. | :17:59. | |
A quick glance at it. He will play the easier safety shot. | :18:00. | :18:44. | |
That red closest to the baulk cushion is the problem red here. | :18:45. | :18:56. | |
Could be a little while rolling into reds and trying to get the cue ball | :18:57. | :19:00. | |
back on the cushion. You are not going to get much change from these | :19:01. | :19:07. | |
two guyses, John. No, the referee, from Malta, has declared a touching | :19:08. | :19:12. | |
ball, but that's not going to ease the situation because as Ken said, | :19:13. | :19:17. | |
you can't play safe to the baulk end. | :19:18. | :19:26. | |
Another attempter left here, the one to the left of the pink, to the | :19:27. | :19:32. | |
right middle. That's why players don't like this | :19:33. | :19:37. | |
type of situation, because you keep leaving attempts and eventually | :19:38. | :19:40. | |
someone goes and gets it and it can be a frame-winner. | :19:41. | :19:44. | |
He is thinking about it. He is looking at the potting angle. | :19:45. | :19:52. | |
But deciding against it. We shouldn't be in a position where | :19:53. | :20:01. | |
we have a rerack here. There may be a gap to this red, into | :20:02. | :20:41. | |
the green pocket but it's fraught with a lot of danger, particularly | :20:42. | :20:45. | |
where the cue ball is, tight to the top cushion. Again just rolling into | :20:46. | :20:50. | |
the red may leave a touching ball here again. | :20:51. | :21:03. | |
If Barry can nudge one of these reds away, because the fact they're so | :21:04. | :21:08. | |
close together it's easy for Mark just to keep dropping into those | :21:09. | :21:13. | |
two, but when he gets one away it will make his next shot more | :21:14. | :21:15. | |
difficult and that's what Barry is doing here. | :21:16. | :21:20. | |
Yeah, the essential part of this is to get a good cue ball tight to the | :21:21. | :21:24. | |
top cushion and he has not done that. | :21:25. | :21:32. | |
Is this the time when Mark Selby pushes the boat out? | :21:33. | :21:41. | |
As you say, now there is no easy roll-up, Ken. | :21:42. | :21:54. | |
The tighter he gets to this cushion the more advantage he will gain. | :21:55. | :22:03. | |
That's not close enough. Yeah, he will be disappointed with | :22:04. | :22:09. | |
that, Mark. If he was tight to the top cushion here, he would have had | :22:10. | :22:14. | |
Barry Hawkins in a bit of trouble but now he can easily dig into the | :22:15. | :22:18. | |
cue ball here and get it back to the top cushion. Got to be careful with | :22:19. | :22:20. | |
where he knocks the red. That's a very good shot. | :22:21. | :22:32. | |
APPLAUSE Now the option of rolling up to a | :22:33. | :22:48. | |
red is not there now. Mark Selby is going to have to find a different | :22:49. | :22:52. | |
shot. He is looking to see does the green pot into the yellow pocket? | :22:53. | :22:56. | |
Because he could possibly have a go at this red into the left centre and | :22:57. | :23:02. | |
put the cue ball up near the top right corner and if the red goes in | :23:03. | :23:06. | |
he may be on the green. But I am not quite sure from our angle whether | :23:07. | :23:14. | |
that green pots, John. Looking at the way the reds are | :23:15. | :23:18. | |
situated, the next player to pot a red could have a frame-winning | :23:19. | :23:20. | |
opportunity. There is no doubt about that. | :23:21. | :23:25. | |
All the reds are in the open, apart from one near the left cushion. | :23:26. | :23:31. | |
That wouldn't stop someone winning the frame. | :23:32. | :23:37. | |
The fact he keeps looking at the green tells me he is going to take | :23:38. | :23:44. | |
this red on to the left centre. He thinks if he knocks it in, | :23:45. | :23:49. | |
possibly a green. Yeah it was a clever shot. Had the | :23:50. | :24:15. | |
red gone in he was on the green and the green must pot, obviously. But | :24:16. | :24:18. | |
the fact where the cue ball is he has covered the red into the yellow | :24:19. | :24:25. | |
pocket and he hasn't left Barry a straightforward pot. | :24:26. | :24:29. | |
Red into the left middle is covered, as well. | :24:30. | :24:42. | |
It was quite a clever shot he played there. Barry has to find a safety | :24:43. | :24:46. | |
position now. He may be tempted which by the red | :24:47. | :25:02. | |
closest to the cue ball, play it to the right corner pocket. | :25:03. | :25:10. | |
It's pretty straight. I know it's the first frame and he | :25:11. | :25:16. | |
has the memory of the last pot he played he missed. This is a bit more | :25:17. | :25:22. | |
difficult but he is taking it on. Oh! So close. I think he thought | :25:23. | :25:28. | |
that was in. Has he overscrewed it and left the | :25:29. | :25:32. | |
red to the opposite corner. You can see the look on his face, he thought | :25:33. | :25:34. | |
it was in. It looked in, as well. | :25:35. | :25:43. | |
He has overscrewed that cue ball and left a straightforward chance now | :25:44. | :25:44. | |
for Mark Selby. Let's look at this again. | :25:45. | :26:09. | |
And how close it was to going into the pocket. | :26:10. | :26:28. | |
In these situations it's easy to pot red and yellow but you want to start | :26:29. | :26:34. | |
getting on the higher value colours and that's why he is going to play | :26:35. | :26:37. | |
this red now to the left middle and play on the blue. He would like to | :26:38. | :26:43. | |
get those reds around the pink. He didn't finish too good on that | :26:44. | :27:37. | |
red. He is going to play the blue. Has to avoid the cannon on the | :27:38. | :27:44. | |
brown. Don't think it would be a problem. Well, I said it wouldn't be | :27:45. | :27:49. | |
a problem! He will be disappointed with that. | :27:50. | :27:53. | |
That was the only thing he had to do, was avoid the kiss. Someone of | :27:54. | :27:57. | |
his quality you didn't expect him to run into the brown. | :27:58. | :28:14. | |
Didn't make the most of that opportunity. | :28:15. | :28:17. | |
Very edgy start from both players. APPLAUSE | :28:18. | :28:51. | |
A good shot. Certainly not a straightforward | :28:52. | :29:03. | |
safety here. This could go wrong. Would you | :29:04. | :29:54. | |
believe it? He might have left a path to this red. The red he played, | :29:55. | :30:01. | |
if he doesn't kiss it, it could get back to the Balkan end. Could Barry | :30:02. | :30:07. | |
just get back to the yellow? He certainly can. Oh, but at the | :30:08. | :30:23. | |
moment, just a fraction out. You would have expected him to get that | :30:24. | :30:31. | |
into the right centre. It just hit the near jaw. I did not expect the | :30:32. | :30:40. | |
cue ball to go that far. He was trying to cover this red. | :30:41. | :30:52. | |
The thing is he was so close to the condition, he just concentrated | :30:53. | :30:59. | |
fully on the pot, he knew he would run into other balls, but to go in | :31:00. | :31:04. | |
and having had the pink and the red, you have got to say it was unlucky. | :31:05. | :31:14. | |
This is another chance for Barry. This one is a nice easy starter, you | :31:15. | :31:16. | |
would think. That was nicely played and judged, | :31:17. | :32:08. | |
to get top side of the blue. Just looking at the two red is planted in | :32:09. | :32:12. | |
the centre. He is having a quick look at them now. He still has the | :32:13. | :32:16. | |
loose red, left of the bank. That will be handy. | :32:17. | :32:35. | |
I can only assume he is playing for the planned. If he was playing for | :32:36. | :32:47. | |
the red to the left of the pink he would not have missed. The planned | :32:48. | :32:51. | |
it is. He needs to be careful he does not overrun the cue ball. Well, | :32:52. | :33:05. | |
not bad. A little bit closer to the condition than he would like. I | :33:06. | :33:10. | |
assume the red to the left of the pink doesn't go to the right middle. | :33:11. | :33:14. | |
If it did he should have played for it. So, maybe not as straightforward | :33:15. | :33:25. | |
as it looks. This blue will put the points all square. So, they are all | :33:26. | :33:33. | |
square. They might stay that way. Nothing easy here. He is trying to | :33:34. | :33:42. | |
get a half ball kiss on the red, try to bring it into play. It is still | :33:43. | :33:48. | |
be on the other red, the right centre. This is a difficult pot. He | :33:49. | :33:59. | |
played it nicely. He has got an angle on the green. A nice angle. | :34:00. | :34:34. | |
Another good solid pot there. This black will put on 12 points in | :34:35. | :34:43. | |
front. He will only need the three remaining reds. The way they are | :34:44. | :34:45. | |
situated, it will not be easy. Being a left-hander, it is no | :34:46. | :35:02. | |
problem for the left-hand red a long vacation. He might be on the top red | :35:03. | :35:04. | |
as well. This is a little test here. Never | :35:05. | :35:23. | |
easy. If he wanted to be better on the black, he would have maybe | :35:24. | :35:30. | |
didn't touch the side. A tough black, as you say. Rolled it in. You | :35:31. | :35:35. | |
just saw there, the black didn't go in the middle of the pocket, it went | :35:36. | :35:41. | |
in off the right-hand jaw. If he had got it straight in the middle he | :35:42. | :35:45. | |
would have been on the red. It just went in the wrong side of the | :35:46. | :35:50. | |
pocket, which meant he had the black too thick. He is 20 points in the | :35:51. | :35:58. | |
league, but there are still 43 remaining. | :35:59. | :36:20. | |
Well, there is always the double. He wouldn't say he is perfect on the | :36:21. | :36:29. | |
black again, but he has given himself a chance. The crowd realised | :36:30. | :36:31. | |
the red was in even before we did. No, no, he has missed it. Had it to | :36:32. | :36:54. | |
the far jaw. I didn't expect him to miss that. The only saving ball for | :36:55. | :37:06. | |
Barry might be the pink ball. I am just wondering if he has an angle on | :37:07. | :37:10. | |
the red to try to knock the encounter. -- knock the pink pound. | :37:11. | :37:21. | |
That is what he has tried to do, but he hasn't. He has not finished in | :37:22. | :37:31. | |
the ideal position here. If he plays the black he will have to play it | :37:32. | :37:36. | |
mission first to get the ball back up for the yellow. The other | :37:37. | :37:40. | |
alternative is to play the green. The big problem will be the pink and | :37:41. | :37:44. | |
that is why he tried to disturb it when potting the red. | :37:45. | :38:00. | |
Well, later on in the match I wouldn't expect him to miss that. On | :38:01. | :38:08. | |
his first frame we have seen a pupil is missed. It is the nature of the | :38:09. | :38:11. | |
first frame in a very important match. | :38:12. | :38:24. | |
Not on the green. The green is what he is in need of. He is in the lead, | :38:25. | :38:38. | |
but there are 25 points remaining. He certainly will not be taking this | :38:39. | :38:42. | |
green on. It is too difficult to cut it into the right-hand corner | :38:43. | :38:46. | |
pocket. He will try to get the cue ball up behind the brown. That is | :38:47. | :38:54. | |
pretty good. It looks very good indeed. An excellent shot. He is | :38:55. | :39:05. | |
on the green, but it looks like he will have to play a thin contact. We | :39:06. | :39:19. | |
have seen players missing the ball completely in a shot like this. That | :39:20. | :39:27. | |
is superb. That is a superb shot. To hit it that thing to get the green | :39:28. | :39:32. | |
and bring the pink into play, remember. This frame is all now down | :39:33. | :39:38. | |
to two parts of the green. This was an excellent shot. Also | :39:39. | :40:06. | |
clever. He played that in such a way that he was going to try to bring | :40:07. | :40:12. | |
the pink into play as well. He is going to try to double this a cross | :40:13. | :40:18. | |
and get the green somewhere. The middle of the top cushion. I think | :40:19. | :40:27. | |
the other thing that is commendable when he played that seen in green, | :40:28. | :40:30. | |
if he had missed the green he would have finished up needing a snooker. | :40:31. | :40:38. | |
A tough shot but very well worked out. It is not difficult to play | :40:39. | :40:44. | |
saviour because if you knock the green to the left corner pocket, | :40:45. | :40:47. | |
which is blocked by the black comedy Green will be safe. Barry couldn't | :40:48. | :40:53. | |
have played that much better in all honesty. An excellent shot. I | :40:54. | :41:09. | |
wouldn't think you would want to risk playing it straight. You would | :41:10. | :41:13. | |
like to come off the top cushion first, but I do not think that is an | :41:14. | :41:18. | |
option. People have to be very delicate here, otherwise he knocks | :41:19. | :41:22. | |
the black in. -- he will have two be. Delicate he was. | :41:23. | :41:45. | |
He was lucky he was able to get to the cushion first. The green | :41:46. | :44:48. | |
The question is does mark Selby? If it does cut it is a thin one. It | :44:49. | :45:01. | |
would be a natural for the cue ball to go back to the Bocking End and | :45:02. | :45:13. | |
get a position on the ground. Well, he doesn't think it does cut. Using | :45:14. | :45:24. | |
the jaw, he could not have played that any better. Great shot. | :45:25. | :45:36. | |
Straightforward for Barry to hit this green. He will be careful not | :45:37. | :45:49. | |
to hit it too hard. He will certainly be happy with that. Mark | :45:50. | :45:53. | |
Selby will not be taking this green on. | :45:54. | :46:09. | |
The free time is just coming up to 34 minutes now. Didn't played the | :46:10. | :46:21. | |
pot there. Disappointed though, he could have picked a better is than | :46:22. | :46:31. | |
that. It is in the 35th minute now, this frame. I was expected to be the | :46:32. | :46:36. | |
longest of the match. I know both of them have a good tactical game, but | :46:37. | :46:40. | |
it is built around potting and brick building. It is just a typical first | :46:41. | :46:51. | |
frame. Mark Selby is 75%, Barry is 78%. You are looking at 98%. I am | :46:52. | :46:57. | |
sure that is what it will end up at. It is just one of these first frame | :46:58. | :47:00. | |
encounters that get tense. I don't think that Mark Selby | :47:01. | :47:16. | |
thought it would go. In it went. You see the little shrug. Snooker is | :47:17. | :47:26. | |
required. Didn't think it went. Just squeezed in. Good shot. Use it. 25 | :47:27. | :47:30. | |
ahead, 22 remaining. One snooker required. Barry will not | :47:31. | :48:13. | |
be taking this for granted. Nice balls to snooker behind. | :48:14. | :48:25. | |
This was amazing. I never thought of this. Just about went in. Hit the | :48:26. | :48:36. | |
edge of the pocket. I did not think it was possible, especially from | :48:37. | :48:45. | |
that distance. An excellent report. If you don't get the snooker, you | :48:46. | :48:49. | |
have got to get the ball safe and he has not done that. Mark knows that | :48:50. | :48:59. | |
if Barry Potts is brown, it is frame over. Where is the brown going? | :49:00. | :49:18. | |
Barry thought it was in. Has he played in the middle? | :49:19. | :49:30. | |
Decided to play the brown because he didn't think he could get the | :49:31. | :49:36. | |
snooker offered. Now it is all about Snickers. Barry was walking round | :49:37. | :49:40. | |
because he thought it was in. Your chair is the other way. It could be | :49:41. | :49:49. | |
costly. With the pink at one end and the black at the other, definitely a | :49:50. | :49:54. | |
chance. They are close enough to be cushion, both balls, to lay a good | :49:55. | :49:56. | |
snooker. That's what they say, if your | :49:57. | :50:40. | |
opponent needs a snooker, you play one. Mark Wood get a snooker of this | :50:41. | :50:46. | |
and less he is very lucky. He has also got to get the blue safe. He | :50:47. | :50:54. | |
has done a bad pot well. He is still within a glimmer of a chance to win | :50:55. | :50:56. | |
this frame. He will be lucky to get away with | :50:57. | :51:44. | |
this. He lost control of that. If you don't think you can get a | :51:45. | :51:49. | |
snooker, your priority is to get the object ball safe. That will keep you | :51:50. | :52:03. | |
in the frame. He still cannot pot that belief. OK, the pink is not in | :52:04. | :52:09. | |
a great position for a snooker now. If you could sneak the cue ball | :52:10. | :52:13. | |
behind that it would be a very good snooker, a very tough one to escape | :52:14. | :52:18. | |
from. He would have to be so accurate. He will not want to pot | :52:19. | :52:25. | |
the blue. 40 minutes it has been. As he hit it hard enough? Is it hard | :52:26. | :52:30. | |
enough? Just an inch or two. Not a bad line. It would have been a very | :52:31. | :52:40. | |
difficult snooker to escape from. Barry will be aware, he will not be | :52:41. | :52:44. | |
taking any liberties here to try to get the blue safe or knock it over a | :52:45. | :52:50. | |
pocket, tried to force Mark Selby into potting the blue. As you said, | :52:51. | :53:00. | |
he will not want to pot the blue and stage. He might have a chance here | :53:01. | :53:14. | |
of two or three conditions. Now, can Barry pot this blue into the left | :53:15. | :53:22. | |
centre? Is it not too risky? He might be concerned about knocking | :53:23. | :53:26. | |
the black in, one of the black, all the negative thoughts that go | :53:27. | :53:33. | |
through your mind. As I say, everybody is very keen watching | :53:34. | :53:41. | |
this, but I think this will be the slowest frame of the match. It has | :53:42. | :53:48. | |
gone in. Avoided the case on the black. No way Mark Selby will carry | :53:49. | :53:58. | |
on. Three snooker is needed on the pink and black. An impossible task. | :53:59. | :54:06. | |
The referee just waiting for him to call a halt. After a frame that | :54:07. | :54:15. | |
nearly took 42 minutes it goes to Barry Hawkins. He leads the world | :54:16. | :54:21. | |
champion by 1-0. Throughout this Masters, the afternoon session, we | :54:22. | :54:24. | |
have had scintillating snooker and that is the largest opening frame we | :54:25. | :54:29. | |
have had. You are right. There was one shot at the start when Mark | :54:30. | :54:32. | |
Selby had a shock when he was dropping the ball in with the rest | :54:33. | :54:37. | |
which makes a difference to the frame. A brilliant chance because if | :54:38. | :54:41. | |
he drops this in, comes on the black, it is a natural angle. He | :54:42. | :54:46. | |
could have won the frame in one visit. That one child changed the | :54:47. | :54:53. | |
game. It is highlighted by the fact Mark Selby was in amongst the balls | :54:54. | :55:17. | |
and got a flick Nicely on the red. I am sure the | :55:18. | :57:06. | |
black pots into the bottom right. He will just push off the red above it. | :57:07. | :57:10. | |
He has managed to miss it. Still, nicely on the black. It is | :57:11. | :57:18. | |
imperative now that he gets on the red that is to the right of the | :57:19. | :57:23. | |
black and cleared the black. He is perfect and the black. I don't know | :57:24. | :57:29. | |
what he is thinking about here. Maybe looking a future ahead. He has | :57:30. | :57:34. | |
to play for the red to the right of the black ear. He didn't. That does | :57:35. | :57:38. | |
surprise me. He might not get a better chance. And a recent wife he | :57:39. | :57:49. | |
wouldn't play for that? He was hedging his bets. He was guaranteed | :57:50. | :57:53. | |
to be on the spread and he just wants to be on the black little | :57:54. | :57:57. | |
straighter and so he can take the red. He was trying to play two shots | :57:58. | :58:01. | |
in one there. If he overran that he was on this red, if the overheated | :58:02. | :58:07. | |
he was on the red to the right of the black. Still a few options for | :58:08. | :58:18. | |
him here. He wanted to be a bit straighter. This red is stopping the | :58:19. | :58:23. | |
black being available to both corners. He cannot get position for | :58:24. | :58:29. | |
the black onto the left corner. He has had to play the cannon. If it | :58:30. | :58:34. | |
has gone wrong, he only has himself to blame. I totally agree. He didn't | :58:35. | :58:43. | |
have the confidence a couple of shots to the red out of the way. I | :58:44. | :58:52. | |
don't think he can bend it enough to get that bread. It might be the end | :58:53. | :59:03. | |
of the break. Let's have a look at that black he | :59:04. | :59:40. | |
played. He is probably playing it in such a way that if the overheads | :59:41. | :59:44. | |
that he will always be on this red here. He was still on the red to the | :59:45. | :59:48. | |
right of the black and probably wasn't confident enough to track it | :59:49. | :59:50. | |
straightaway. The first time he looked perfect. He | :59:51. | :59:58. | |
had the line. He had to hit it a little bit slower. It was essential | :59:59. | :00:00. | |
to get that red away from the black. That's not the best safety shot from | :00:01. | :00:09. | |
Mark unless it creeps behind the brown. | :00:10. | :00:17. | |
He is a bit fortunate there. He could well have left the red... | :00:18. | :00:51. | |
APPLAUSE That was a good pot, not perfect on | :00:52. | :01:06. | |
the yellow or brown, but a lot of the players now would screw this | :01:07. | :01:10. | |
brown into the right middle and screw off the baulk cushion but he | :01:11. | :01:16. | |
doesn't want anything to do with that. | :01:17. | :01:23. | |
Just looking there at Barry's expression, pulled his face a little | :01:24. | :01:31. | |
bit. He wanted to be tight to this yellow to cut out the one-cushion | :01:32. | :01:35. | |
escape. He has hit it a little bit too hard. | :01:36. | :01:42. | |
Yeah, there is the escape. A little bit of side, just to widen the | :01:43. | :01:47. | |
angle. Just overhit the cue ball slightly. | :01:48. | :02:09. | |
Wanted to be nestled tightly to that bunch of reds. | :02:10. | :02:47. | |
You can tell from Mark's body language he thought he had hit that | :02:48. | :02:52. | |
red too thick. This red is on to the right corner | :02:53. | :03:02. | |
and I think the black is available to the opposite corner. | :03:03. | :03:19. | |
It's across slightly. It just decelerated. So a chance here. | :03:20. | :03:44. | |
If you just half quit on the shot, the cue ball doesn't go... The only | :03:45. | :03:57. | |
downside for Mark is he is tight on to the cushion. | :03:58. | :03:57. | |
A good shot. A little bit surprising, but | :03:58. | :06:15. | |
obviously part of his game plan. He doesn't take too many undue risks. | :06:16. | :06:21. | |
He's playing the world champion, the world number one, UK champion, so he | :06:22. | :06:24. | |
will give him every respect. Good attacking safety. And Mark | :06:25. | :07:33. | |
Selby is in a real spot of bother here. If it doesn't get this safe, | :07:34. | :07:37. | |
then Barry Hawkins, you would think, would win this frame. | :07:38. | :07:43. | |
Sensational. Helen lucky to catch the blue. What a tremendous hit that | :07:44. | :07:52. | |
was. Unlucky, as I say, to make contact with the blue, which stopped | :07:53. | :07:59. | |
the White in its tracks. Yes, that was the great escape. Let's have a | :08:00. | :08:05. | |
look at this again. Got a perfect contact on the red, just so unlucky | :08:06. | :08:10. | |
to hit the blue full ball. Chance again for Barry Hawkins. | :08:11. | :08:14. | |
Just overran the cue ball slightly. Going into the red just above the | :08:15. | :08:26. | |
black ear and... Has to just be careful. Just had a quick look at | :08:27. | :08:39. | |
the red to the right centre. No. No. Still a bit edgy, both players. | :08:40. | :08:45. | |
Didn't expect him to miss that. Neither did I, he set up the frame | :08:46. | :08:49. | |
winning opportunity and didn't take it. And when you miss those few | :08:50. | :08:56. | |
chances, it can really hurt if you lose the frame. | :08:57. | :09:18. | |
It wasn't the cleanest hotpots, but it has gone in -- of pots. And it | :09:19. | :09:34. | |
has given a chance to Mark Selby. The three reds around the pink spot | :09:35. | :09:38. | |
area, certainly one is available into the right middle. Maybe the | :09:39. | :09:42. | |
bottom one, the one nearest the blackspot, is available to the right | :09:43. | :09:43. | |
corner. He has played for that read you | :09:44. | :10:07. | |
spoke about into the right centre. -- that red. Doesn't look like it is | :10:08. | :10:19. | |
touching ball, it may pot. Good part, back, into the centre. Now the | :10:20. | :10:26. | |
two reds above the black, I think the top one will pot. Not sure about | :10:27. | :10:29. | |
the bottom one. If he pots this read, try and get on | :10:30. | :10:39. | |
the pink here. -- this red. He's so good in these type of | :10:40. | :11:22. | |
situations, John, the back is against the wall a little bit, a | :11:23. | :11:29. | |
little bit nervy, but when he gets a chance to win the frame, he is so | :11:30. | :11:35. | |
deadly, his positional play is always very, very good. But he has | :11:36. | :11:42. | |
great bottle, as we say. Yes, and as you say, the positional side of it, | :11:43. | :11:47. | |
the cue ball control... It is or was made a little bit easier towards the | :11:48. | :11:50. | |
end of the frame because there is not the congestion of the Reds, you | :11:51. | :12:00. | |
don't have to play Canons. Although he ended up playing one there. If he | :12:01. | :12:06. | |
had been on the practice table, he would have played that with a lot | :12:07. | :12:11. | |
more left-hand side and played for the opposite corner, but a little | :12:12. | :12:15. | |
more tension in the arm, you don't want to risk playing with a lot of | :12:16. | :12:19. | |
side. Could have been better on this red. No problem. No the cue ball is | :12:20. | :12:25. | |
having to travel up and down the table. I think he is just about OK | :12:26. | :12:32. | |
on this Brown, deep screw on the -- off the cushion. | :12:33. | :12:56. | |
Looking at his body language there, I think he played the cannon on the | :12:57. | :13:05. | |
red, to hold for the pink. I am not sure there was any need to, plenty | :13:06. | :13:10. | |
of room around the red. He is going to need a good part on this blue | :13:11. | :13:12. | |
now. -- a good pot. Nicely on the red. And he can pop | :13:13. | :13:33. | |
this red and leave the cue ball somewhere in the vicinity where the | :13:34. | :13:40. | |
red is now and have a nice angle to get up for the yellow. | :13:41. | :13:51. | |
Is he a little bit straight? I think he may be. He didn't want to play | :13:52. | :14:01. | |
the yellow. He didn't want to be playing the yellow into the far left | :14:02. | :14:06. | |
corner, wants to be playing it in the far right corner because there | :14:07. | :14:09. | |
is always a possibility that if you don't screw back far enough, you | :14:10. | :14:13. | |
could snooker yourself with the brown coming down the other side of | :14:14. | :14:18. | |
the table -- and coming down the other side of the table, it wouldn't | :14:19. | :14:25. | |
be a danger. You can overdo it but he looks to have played this | :14:26. | :14:31. | |
absolutely inch perfect. Yellow, green and brown required. | :14:32. | :14:37. | |
Good angle on the green. If he pots it, bound to be on the brown. | :14:38. | :14:51. | |
In it goes and nicely on the brown and this brown will take him 23 in | :14:52. | :14:57. | |
front with only 18 remaining. So the disappointed Barry Hawkins | :14:58. | :15:12. | |
there. Yes, that Mr Black, a good opportunity. He has had a couple of | :15:13. | :15:17. | |
opportunities in this frame, Barry Hawkins, but Mark Selby showing a | :15:18. | :15:20. | |
lot of character here. He did it in his last match in the last frame | :15:21. | :15:24. | |
against Mark Williams. He is so good when his back is against the wall | :15:25. | :15:28. | |
and if you give him a chance, that is what -- he will take it and that | :15:29. | :15:35. | |
is what you're up against in this man. A 76 break, Mark Selby the | :15:36. | :15:42. | |
match. 1-1, that is more like it from the | :15:43. | :15:45. | |
world champion, but when will we see the Mark Selby we are used to seeing | :15:46. | :15:49. | |
at this tournament? It goes to show that when you are number one and | :15:50. | :15:53. | |
fancied to win, you can be nervous and make poor decisions. In the | :15:54. | :15:58. | |
beginning of the frame, he had a red in the corner off the far cushion | :15:59. | :16:01. | |
and you know the middle pocket is there, you know it is not moving, | :16:02. | :16:06. | |
but why play it at that place where you can bring the middle pocket into | :16:07. | :16:09. | |
play? He has looked a bit nervous in his chair and that break was a lot | :16:10. | :16:13. | |
better than it looked because he lost the cue ball a few times. You | :16:14. | :16:17. | |
don't expect Mark Selby to be nervous in an event like this, do | :16:18. | :16:22. | |
you? You would think not but I suppose every tournament, every | :16:23. | :16:25. | |
situation you come into on the day, if you don't get off to a wonderful | :16:26. | :16:29. | |
start, you don't settle down. I do think the start of a match, you | :16:30. | :16:33. | |
can't make yourself play well first frame but if you are in the zone, | :16:34. | :16:37. | |
sometimes you get off to a good start. But your form will always go | :16:38. | :16:41. | |
up and down, so perhaps he is not in the best of form, perhaps he hasn't | :16:42. | :16:48. | |
been practising well over Christmas and has lost a bit. On the other | :16:49. | :16:51. | |
hand, it may be the way the games have started. If I was Barry, I | :16:52. | :16:58. | |
would be kicking myself, in with good chances, the Black off the | :16:59. | :17:03. | |
spot, he should be 2-0 up. If you flick through the newspapers, when | :17:04. | :17:06. | |
they talk about Mark Selby, they talk about the triple Crown, he has | :17:07. | :17:10. | |
won the world championship, UK Championship. Does that help or we | :17:11. | :17:16. | |
don't know, we are not inside his brain but we don't know how much he | :17:17. | :17:20. | |
is carrying around with him as excess luggage, if you like, but | :17:21. | :17:27. | |
maybe it is having a bearing. What do you think, boys? | :17:28. | :17:30. | |
JOHN VIRGO: Just nice to be in a position to win the triple Crown! | :17:31. | :17:37. | |
KEN DOHERTY: we wouldn't know what it feels like. But I would like to | :17:38. | :17:43. | |
have been there. And embrace it. Maybe it is wearing a little bit, he | :17:44. | :17:53. | |
hasn't looked at his normal imperious best. Showed great form in | :17:54. | :17:58. | |
the UK championship, beating Ronnie O'Sullivan in the final, but didn't | :17:59. | :18:03. | |
play particularly well against Mark Williams, although he made that | :18:04. | :18:08. | |
wonderful break in the last frame. Has looked a bit nervy in the | :18:09. | :18:12. | |
opening exchanges of this match, but maybe that last break will settle | :18:13. | :18:19. | |
him down a little bit. Yes, you have got to agree with JP in the studio, | :18:20. | :18:22. | |
Barry will be absolutely kicking himself. He played a terrific safety | :18:23. | :18:28. | |
shot, put Mark in trouble and then didn't take advantage. | :18:29. | :18:34. | |
Where has the cue ball gone? First time today, John. It is amazing how | :18:35. | :18:51. | |
many times that can happen. You have got a slight angle, you think you | :18:52. | :18:55. | |
can run through and you just catch it that little too full and bang, | :18:56. | :19:00. | |
you go in with it. And he had to force it back of the table because | :19:01. | :19:05. | |
you can see the black's tied up. Mark Selby will have do do the same | :19:06. | :19:06. | |
here. He knocks it in. And there is | :19:07. | :19:22. | |
probably value here in playing the blue and playing the cannon into the | :19:23. | :19:26. | |
king. The reason I say that is because the pink is tied up at the | :19:27. | :19:30. | |
moment and if he does hit the pink full ball with pace, there is a | :19:31. | :19:33. | |
chance the red could release the black. He has to hit this pink full | :19:34. | :19:42. | |
ball, lots of pace in it, screw. Well, it's not too bad. He didn't | :19:43. | :19:47. | |
get the screw but he is still on this red to the left corner pocket. | :19:48. | :19:52. | |
The only problem there is he hasn't brought the pink into play but he | :19:53. | :19:58. | |
will get another chance at it. It's amazing, when the red are just | :19:59. | :20:04. | |
slightly loose, he hit that pink absolutely perfect and hardly | :20:05. | :20:05. | |
anything moved. But they are just slightly loose, so | :20:06. | :20:15. | |
they are all going into one another and stopping one another from | :20:16. | :20:19. | |
moving. As Ken said, he has another chance to play the same shot. I see | :20:20. | :20:24. | |
no reason why he wouldn't, it is hard to win a frame with only the | :20:25. | :20:30. | |
blue and baulk colours available. There is definitely value going in | :20:31. | :20:35. | |
between the red and the pink into that little gap. He's a little | :20:36. | :20:43. | |
hesitant in case he may block that red but he should be OK. He needs | :20:44. | :20:49. | |
that pink into play. Didn't hit into the gap. And again, not on the red. | :20:50. | :20:59. | |
Just wanted to hit into the gap, but he cut the pink first -- caught the | :21:00. | :21:07. | |
pink first. Is this red on up into the green pocket? | :21:08. | :21:17. | |
Well, just about passes the blue but he will be more concerned where the | :21:18. | :21:22. | |
cue ball finishes, because there is a red ball over this right corner. | :21:23. | :21:27. | |
He doesn't want to leave that one, because this is a tough pot. It is | :21:28. | :21:31. | |
not there. A little bit surprised. I was | :21:32. | :21:44. | |
talking earlier about Barry Hawkins's game plan, I don't think | :21:45. | :21:47. | |
he would have been playing that red. It was a very risky shot to go for. | :21:48. | :21:56. | |
Just felt it was more out of frustration that he went through it, | :21:57. | :22:01. | |
he had an easy safety shot on. Pushed the boat out there. | :22:02. | :23:35. | |
Doesn't matter that he is the wrong side of the blue, that red on the | :23:36. | :23:43. | |
baulk cushion, he can play that easily enough. Points now all | :23:44. | :23:50. | |
square. It is not going to be the easiest to | :23:51. | :23:55. | |
win this frame in this visit. But there are more chances of you | :23:56. | :24:11. | |
winning it when you are at the table than when you are sat in your seat. | :24:12. | :24:23. | |
Yeah, well, not that last red, the second last red, has opened the path | :24:24. | :24:26. | |
of the pink into that bottom right-hand corner pocket, so have | :24:27. | :24:32. | |
got to wreck it on the brown and try and get the pink back on its spot. | :24:33. | :24:40. | |
It is a little straight but he can either screw for blue or pink. | :24:41. | :25:17. | |
He is coming around to have a look at the pink. | :25:18. | :26:53. | |
25 points, the lead now. So these three raids in the opener, with | :26:54. | :27:00. | |
pinks, would be enough to get into the snooker is required stage. So he | :27:01. | :27:05. | |
doesn't have to be concerned about bringing the black into play. Just | :27:06. | :27:08. | |
needs to keep close control of the cue ball. | :27:09. | :27:16. | |
He has become a very solid, reliable player over the last few seasons. He | :27:17. | :27:26. | |
certainly has. His all-round game is very good. | :27:27. | :27:36. | |
I think getting to the final of the World Championships certainly helped | :27:37. | :27:46. | |
him. And of course, he has got Terry Griffiths in his corner. He will be | :27:47. | :27:50. | |
giving him all the words that give relief to a player. -- belief to a | :27:51. | :27:58. | |
player. Sometimes you do doubt your ability when you are not getting | :27:59. | :28:06. | |
results. Yeah, he has been to, of course, the world final and won a | :28:07. | :28:10. | |
couple of ranking tournaments as well and was a finalist here last | :28:11. | :28:15. | |
year. That was a great experience -- wasn't a great experience, he only | :28:16. | :28:23. | |
won the one frame. But he has become very consistent over the last few | :28:24. | :28:29. | |
years and, of course, when you win those first ranking tournaments, it | :28:30. | :28:32. | |
gives you that extra little bit of confidence for the bigger stage. | :28:33. | :28:38. | |
Incurs the pink, nice can. Mark Selby won't be getting back to the | :28:39. | :28:44. | |
table here, I don't think -- in those the pink, nice cannon. | :28:45. | :28:52. | |
It is one of those situations, you might as well make certain of the | :28:53. | :29:00. | |
red because if he does that, Mark Selby won't be going back to the | :29:01. | :29:07. | |
table, you would think. So just make sure of this red, don't worry too | :29:08. | :29:08. | |
much about position. Well, it's not there, but as I say, | :29:09. | :29:33. | |
doubtful that Mark... Yes, another concession. So Mark Selby was all | :29:34. | :29:44. | |
guns blazing and no Barry Hawkins in a 2-1 lead. | :29:45. | :29:47. | |
Shia Barry Hawkins was very disappointing in the UK | :29:48. | :29:51. | |
Championships, but promising signs. Yes and from Mark Selby's position, | :29:52. | :29:56. | |
perhaps a few decisions he has made wrong. I hesitate to criticise the | :29:57. | :30:02. | |
world champion and UK number one, but I thought he was in trouble | :30:03. | :30:05. | |
playing this softer, he could have played it harder and this one, this | :30:06. | :30:10. | |
is eggs and baskets, I don't know how he was trying to get out of | :30:11. | :30:14. | |
jail, committing to a shot where he is guaranteed to stick his opponent | :30:15. | :30:18. | |
up. Very strange choice, he could be sitting there and will has knocked | :30:19. | :30:23. | |
it in but that's not the point. Percentage-wise, you go to the pack | :30:24. | :30:26. | |
and your disappointed you're not on one and force yourself to take one | :30:27. | :30:30. | |
but not Mark Selby, his shot selection is usually sorted out. Not | :30:31. | :30:34. | |
desperation but a little bit like trying to push the boat out. | :30:35. | :30:41. | |
It is easy setting up your end criticising. You do play the shot | :30:42. | :30:46. | |
you see. On another Day he would have taken different shots. Barry | :30:47. | :30:52. | |
Hawkins took his chance and he will keep taking them. He was nervous at | :30:53. | :30:57. | |
the start but that was an excellent break. It was very well constructed. | :30:58. | :31:06. | |
He had great shoot control. Barry immediately comes to the table. He | :31:07. | :31:13. | |
has a party to the left corner. It looks like a potting angle where he | :31:14. | :31:18. | |
could find a path back to the baulk and -- book end. He will be going | :31:19. | :31:31. | |
all out for this. A good opening red. He purposefully left the cue | :31:32. | :31:38. | |
ball short of the bold colours. Attacking the red just above the | :31:39. | :31:54. | |
black and it is absolutely inch perfect. He has a nice angle on this | :31:55. | :31:59. | |
red. He can push the red out of the way. | :32:00. | :33:13. | |
Just tidying up a few loose red Sea. Before he contemplates going into | :33:14. | :33:22. | |
the pack. He has a couple of choices here. They couple of reds to the | :33:23. | :33:26. | |
left corner. He has wandered to the right centre. -- he has won to the | :33:27. | :33:39. | |
right centre. The rate at the bottom of the pack is also available. | :33:40. | :34:19. | |
A little bit low. A little shake of the hit. He can pot this. There is | :34:20. | :34:26. | |
an alternative to the right middle that he has not look that yet. You | :34:27. | :34:33. | |
want to be on position where if you pocket you are guaranteed the next | :34:34. | :34:38. | |
ball. The red he is playing now, it is not guaranteed. Keep your eye on | :34:39. | :34:47. | |
the cue ball. Well, he just managed to get enough on it. That was a good | :34:48. | :34:52. | |
shot. When you play that type of back spin shot, the harder you | :34:53. | :34:57. | |
headed, the less chance you give it for the back spin to take effect. He | :34:58. | :34:59. | |
did that nicely. Obviously the pink spot is | :35:00. | :35:19. | |
available. He will have to get as close to his own spot as he can. It | :35:20. | :35:24. | |
looks to me as though it will be just above the black. For the red is | :35:25. | :35:31. | |
just above the black. Not touching. The direct line between the black, | :35:32. | :35:34. | |
the blue and the red. Pretty good. On the blue and I wouldn't think he | :35:35. | :35:59. | |
would risk playing a cannon here. From what we have seen so far, he is | :36:00. | :36:04. | |
quite prepared to take loose red balls early on in the break. The top | :36:05. | :36:09. | |
red of the cluster does go to the left corner. He undertook that a | :36:10. | :36:18. | |
fraction, but it shouldn't be a problem. If he gets a good angle on | :36:19. | :36:22. | |
the blue he might consider playing a little cannon. He has got to loose | :36:23. | :36:28. | |
red and he will be thinking he would be unlucky not to be on one of them. | :36:29. | :36:32. | |
He cannot win this frame without opening that little cluster of six. | :36:33. | :36:39. | |
He could play a little cannon, as you said. Just not the blue game. He | :36:40. | :36:44. | |
will always be on the red to the right centre if he gets a full ball. | :36:45. | :36:49. | |
He will have to get it from though at the apex red. And he didn't hit | :36:50. | :36:56. | |
the red at the top of the pack. Is he unlucky? Look at his body | :36:57. | :37:09. | |
language. He is not on it. I am surprised he played with so much | :37:10. | :37:13. | |
place. I did not think it was necessary. If he could've ended at | :37:14. | :37:19. | |
the top of the red he didn't need it. It is the end of the break. He | :37:20. | :37:25. | |
could be considered a little bit unlucky, but you always take a | :37:26. | :37:35. | |
chance when you play a cannon. A nice safety shot to finish with. A | :37:36. | :37:39. | |
44 point lead. Still 91 available. This is a big shock. He is more | :37:40. | :38:25. | |
intent on getting the cue ball back to the Balkans. He thought the red | :38:26. | :38:31. | |
might ruffle the jaws at this end, not at the other end. | :38:32. | :38:51. | |
This could be the frame-winner. Put it in a delightfully. He only has | :38:52. | :39:05. | |
two drop the blue in. He doesn't have to do anything with the cue | :39:06. | :39:13. | |
ball. That looks for my money likely will have a two frame advantage, the | :39:14. | :39:22. | |
interval. It has to be said, Mark Selby has still not found his best | :39:23. | :39:30. | |
form. No. The devoted could be coming at a good time for him to | :39:31. | :39:34. | |
gather himself, his thoughts, clear his hit a little bit, because he | :39:35. | :39:38. | |
looks a little bit nervous at the moment. | :39:39. | :40:00. | |
I think he is OK. I think you can avoid the kiss on the thing. He | :40:01. | :40:12. | |
couldn't. It has gone slightly wrong. What looked a formality is | :40:13. | :40:22. | |
not only more. On this the red is available. It looks as though it is. | :40:23. | :40:40. | |
Lucky to have this. He didn't have to do anything with the cue ball, | :40:41. | :40:45. | |
just roll the blinking. Just a red needed. He will go 64 ahead with 59 | :40:46. | :40:57. | |
remaining. Well, it looked for all the world he could pot that red. | :40:58. | :41:04. | |
Maybe he couldn't. I would like to see that won the game. How did he | :41:05. | :41:12. | |
miss that? He has left a half chance here for | :41:13. | :41:46. | |
Mark Selby. 63 points behind, 67 remaining. This would be a blow to | :41:47. | :41:51. | |
Barry Hawkins, but this is the big shock. Not there. He won't be | :41:52. | :41:57. | |
getting another chance. It could have been a different game. | :41:58. | :42:26. | |
When Barry missed that red. Sometimes if you are having a bad | :42:27. | :42:29. | |
Day you give your opponent an easy start. That was a difficult shot he | :42:30. | :42:36. | |
left for Mark. Very difficult. He is trying to hold for the black as | :42:37. | :42:48. | |
well. Just came across it slightly. It has been pretty decent stuff | :42:49. | :42:53. | |
after the break Mark Selby in the second frame. It looked like he | :42:54. | :42:56. | |
would get going, but Barry rallied in the last two. I think Barry has | :42:57. | :43:04. | |
got a plan. I am not certain what Mark is planning. You can never | :43:05. | :43:08. | |
addicted what will happen, but in the last frame when he pushed the | :43:09. | :43:13. | |
ball out, played the very difficult rate, it is not something Barry | :43:14. | :43:19. | |
Hawkins would have played. We had a 42 minute first frame. We had a 20 | :43:20. | :43:27. | |
minute frame and then one that only lasted 12 minutes. It has not been | :43:28. | :43:30. | |
slow since the first frame. He is taking these nicely. A break | :43:31. | :44:53. | |
of 63. His tea will taste nice during the mid-session interval. He | :44:54. | :44:59. | |
leads the world champion by 3-1. Initiative to Barry Hawkins. We will | :45:00. | :45:02. | |
talk about in a moment. Something is happening with Mark Selby. He does | :45:03. | :45:08. | |
look happy. That last chance was difficult. It was a difficult shot. | :45:09. | :45:13. | |
I don't know, he just looks so nervous. He is not imposing himself | :45:14. | :45:20. | |
at all. He is just not right at all. It is a two horse race but only one | :45:21. | :45:26. | |
is galloping. When I said, if you are giving marks out of ten for Mark | :45:27. | :45:32. | |
Selby you would give him a five. As we also said at the start, at any | :45:33. | :45:38. | |
one time in a game of snooker, there are players in form and going out of | :45:39. | :45:43. | |
form. We are so used to sing Mark Selby in good form, whether it is | :45:44. | :45:46. | |
imperious or great fighting form, it is a shock to see him a bit | :45:47. | :45:50. | |
underpowered. If he has come into some bad form, the fascination is | :45:51. | :45:55. | |
how does he dig himself out of this hole. Every time you go to the table | :45:56. | :45:59. | |
it is a new test. It is only snooker, it is not football that is | :46:00. | :46:06. | |
so energetic, but how much did the Mike Williams much to him mentally. | :46:07. | :46:10. | |
He went through the ringer. Has left a little sky. Barry Hawkins has the | :46:11. | :46:16. | |
lead and he has been talking to Ken Doherty because Barry was knocked | :46:17. | :46:19. | |
out quite surprisingly in the early stages of the UK championship in | :46:20. | :46:24. | |
York. Now he is keen to do well here and at the Crucible in April. | :46:25. | :46:32. | |
Welcome. Congratulations on your first round win. Six when -- 6-1 | :46:33. | :46:41. | |
win. Not a bad start, beating John Murphy. Easier than you would have | :46:42. | :46:47. | |
expected. It a lot easier. To play pretty solid was quite pleasing. I | :46:48. | :46:53. | |
didn't expect to beat him with such an easy scoreline. He made a few | :46:54. | :46:58. | |
uncharacteristic mistakes, a couple of easy safety shot the giving me an | :46:59. | :47:05. | |
opportunity. I was delighted. You look very comfortable. Even from the | :47:06. | :47:08. | |
first ball. I felt pretty comfortable. I was very nervous. I | :47:09. | :47:17. | |
settled pretty quick and having the run last year helped me to settle a | :47:18. | :47:21. | |
bit quicker. Let's talk about last year. We have a lot in common | :47:22. | :47:27. | |
because Ronnie Beeney in a final. I was lucky to get one. I spoke to you | :47:28. | :47:36. | |
afterwards and he said I was embarrassed. Sometimes you get like | :47:37. | :47:42. | |
that. It hasn't affected you, is it? No, I was disappointed straight | :47:43. | :47:46. | |
after. You want to put a good show one for yourself. You want to win, | :47:47. | :47:51. | |
that is why you are there. To get battered 10-1 is demoralising. When | :47:52. | :47:57. | |
you are sitting out there, you just want to go home. Overall I can't be | :47:58. | :48:06. | |
too hard on myself. It was the final of the Masters. When you reflect on | :48:07. | :48:14. | |
it, easy it was a good run, a good experience. The next time, which he | :48:15. | :48:19. | |
did in the would championship, you got your revenge. Is that what you | :48:20. | :48:24. | |
reflect on? I think I did. I definitely worried about him more | :48:25. | :48:29. | |
than myself in the final. I didn't play my game at all. Taking nothing | :48:30. | :48:35. | |
away from Ronnie, when he starts steam-rolling, it is hard to stop | :48:36. | :48:39. | |
him. I was definitely worried about him. I did learn from the final and | :48:40. | :48:44. | |
tried to use that in the World Championship and not worry about him | :48:45. | :48:49. | |
as much. It worked out well for me. Was that one of the best | :48:50. | :48:53. | |
performances you have had on TV? To beat Ronnie was a love in as well? | :48:54. | :49:01. | |
Definitely one of the biggest wins of my career. To be Ronnie was | :49:02. | :49:04. | |
living in his own backyard, especially because he didn't play | :49:05. | :49:10. | |
badly at all cost of it was a great standard. Coming through that much | :49:11. | :49:16. | |
give me a little more confidence. We have won a couple of ranking | :49:17. | :49:18. | |
tournaments as well. The next stage is one of these majors. You have | :49:19. | :49:25. | |
been right at the business end of the would championship and the | :49:26. | :49:29. | |
Masters. It is good. You want to keep doing well. If I can win one of | :49:30. | :49:35. | |
the big ones, that would be great, because they are the majors. They | :49:36. | :49:40. | |
are the ones you watch on TV all the time. If I can win one of the big | :49:41. | :49:45. | |
ones by the time I am finished, that would be great. What about the | :49:46. | :49:51. | |
influence of Terry Griffiths, what influence has he had? Since you have | :49:52. | :49:56. | |
been with them you have gone up the levels. He has definitely help me. I | :49:57. | :50:00. | |
have been with them for maybe six years or something like that. As | :50:01. | :50:04. | |
soon as I started working with him I've noticed a change straightaway. | :50:05. | :50:09. | |
He covered a couple of technical things I was doing wrong that I | :50:10. | :50:13. | |
didn't notice. Sometimes it takes somebody like that to point them out | :50:14. | :50:17. | |
for you to realise you are doing something wrong. The only help you | :50:18. | :50:23. | |
can get is that. It can get a bit lonely out there. I listen to him | :50:24. | :50:27. | |
and I have been working with him for quite a while. He has definitely | :50:28. | :50:36. | |
made my game improve a bit. I would have known you for a long time on | :50:37. | :50:41. | |
the circuit. People watching you on TV as well. They don't know anything | :50:42. | :50:45. | |
about Barry Hawkins, away from the secretive. You keep your private | :50:46. | :50:50. | |
life private, but what do you do, what do you like doing, what other | :50:51. | :50:54. | |
sports do you do? Nothing. I just play snooker. I love going down the | :50:55. | :51:00. | |
social club and having a drink with my friends. When you are playing | :51:01. | :51:05. | |
snooker, it is serious. You are planning for your living. I try to | :51:06. | :51:10. | |
provide for my family and win tournaments and all that sort of | :51:11. | :51:14. | |
stuff. Behind the scenes I love having a laugh and joke and a few | :51:15. | :51:23. | |
beers with boys. I suppose, it has changed since the old days. It is | :51:24. | :51:28. | |
more professional manner. I am not but boring. As being a family Mann | :51:29. | :51:36. | |
changed a bit? Yes. Having a son, it is a cliche, but you look at things | :51:37. | :51:42. | |
differently. My life revolves around him and the wife. A term I get some | :51:43. | :51:48. | |
spirits and we do stuff together. It is so busy now, the jerk. You don't | :51:49. | :51:53. | |
get that much time at home. What about your next opponent? He is | :51:54. | :52:00. | |
going for the triple Crown. Only four other people have held the UK, | :52:01. | :52:05. | |
the world and the Masters in the same year. Mark Selby will be a | :52:06. | :52:09. | |
tough opponent. He is the best player by far in the world. So | :52:10. | :52:15. | |
consistent. He wins tournament with his second game. That shows you how | :52:16. | :52:19. | |
good he is. We have a similar game, a similar style. Not as well as him. | :52:20. | :52:27. | |
It is something that needs to improve a little bit more, my second | :52:28. | :52:32. | |
game. He inspires me. He works really hard on his game and I think | :52:33. | :52:37. | |
I am one of those players as well. If I am not of the time then I | :52:38. | :52:41. | |
notice the difference. I try to put the hours in when I can. He is | :52:42. | :52:48. | |
someone to the property and I keep working hard and he shows you what | :52:49. | :52:55. | |
you can achieve. Best of luck. What a lovely gentleman. What a nice | :52:56. | :52:59. | |
little watch that was. He is a lovely lad. I was chatting to him. | :53:00. | :53:04. | |
We were having a laugh and he is a good lad to have around. Have you | :53:05. | :53:09. | |
seen an improvement in his game when he has been working with Terry? We | :53:10. | :53:14. | |
have seen an improvement in his game over time. His stature is growing in | :53:15. | :53:19. | |
the game. There was a time when he was disregarded as a potential | :53:20. | :53:23. | |
champion in defence but he has got rid of that now. He is genuinely | :53:24. | :53:27. | |
guaranteed a top 16 players and has produced astonishing stuff. I am not | :53:28. | :53:34. | |
sure of the time frame from Terry Griffiths, if you do with Terry as a | :53:35. | :53:38. | |
coach, you have someone who is committed to you, not just your | :53:39. | :53:43. | |
technique, but mental well-being. Also someone who has been in the | :53:44. | :53:49. | |
pit. It is easy to live with someone when they have been there. Did you | :53:50. | :53:57. | |
expect Barry to push on? He unexpectedly made the final in 2013, | :53:58. | :54:04. | |
losing to Ronnie or southern. Did you expect him to push on after | :54:05. | :54:09. | |
that? It is difficult to push and because of how many players there | :54:10. | :54:12. | |
are cueing up with in the win tournaments. All you Kunduz put | :54:13. | :54:18. | |
yourself in the frame that you are now one of the elite. He has done | :54:19. | :54:23. | |
that. The next phase is can he have a period of time dominating the | :54:24. | :54:28. | |
game. It is so hard to do. Especially when there are so many | :54:29. | :54:32. | |
top players. The other players will look at the draw and see him and say | :54:33. | :54:37. | |
I am glad he is in my section. He is a great matchplay. Very confident, | :54:38. | :54:42. | |
thinks the game, works hard. You know you are in for a match with | :54:43. | :54:48. | |
them. He is 3-1 up against the world champion, a Mann he has trouble | :54:49. | :54:53. | |
against. I don't feel that in the situation today that if he gets the | :54:54. | :54:58. | |
chances he will baulk at them. After his first-round match, which him | :54:59. | :55:05. | |
well, it is not necessarily a yardstick. He might be in these and | :55:06. | :55:08. | |
a bit quicker mid-to-late than Mark Selby who struggled in his first | :55:09. | :55:12. | |
round match. The last three matches he played, he hasn't won a free over | :55:13. | :55:19. | |
Mark Selby. He has lost 4-0 and 3-0. Now he has a lead at the interval. | :55:20. | :55:28. | |
He can put the things that have gone before him behind and he is doing | :55:29. | :55:33. | |
that today. This is our first quarterfinal for you today. The | :55:34. | :55:38. | |
other is Joe Perry digging on Ding Junhui. Better a look at the hit to | :55:39. | :55:44. | |
hit here. They have played 14 matches. They first met in the | :55:45. | :55:54. | |
Masters in 2004, but Perry won the last meeting here two years ago. | :55:55. | :55:57. | |
Ding Junhui has been talking to Steve. Looking back at 2016, here is | :55:58. | :56:13. | |
a question, this moment? Winning the Shanghai Masters or final in the | :56:14. | :56:20. | |
World Championship? That is a big question. You want me to pick it? | :56:21. | :56:36. | |
What do you think? Winning is good. They would championship is still the | :56:37. | :56:42. | |
biggest event. I don't know. I think it is the final. This has always | :56:43. | :56:49. | |
been my dream, to get in the final first and then think about winning a | :56:50. | :56:55. | |
tournament. I've had one Shanghai before, this is the second time. | :56:56. | :56:59. | |
This is a good moment to win the second time, but they weren't final, | :57:00. | :57:06. | |
it was my first time. It is massive. You were very emotional when he won | :57:07. | :57:12. | |
in Shanghai. The few tears. Yes. I was so excited. That was your 12th | :57:13. | :57:21. | |
ranking event victory and only five players have won more than 12 | :57:22. | :57:25. | |
events. You have a good record in building up. I hope I can do more. I | :57:26. | :57:38. | |
tried my best. I cannot stay in my best form of year, all season, all | :57:39. | :57:42. | |
of my career. I do however much I can because when I get older, I will | :57:43. | :57:48. | |
maybe not be as good. I want to win more. I wanted to try my best in | :57:49. | :57:55. | |
every tournament. If I can do better and better, when I am looking back | :57:56. | :57:59. | |
when I get older, I think I will have nothing to regret. I think I | :58:00. | :58:06. | |
have done a good jaw. There is nothing to think about, I missed | :58:07. | :58:11. | |
this or that. The only thing that really, and everybody talks about | :58:12. | :58:14. | |
it, the only thing left for the record it for you is the World | :58:15. | :58:20. | |
Championship. This last year he got to the final, it is another step | :58:21. | :58:26. | |
further forward. It is a big help. Mark Selby told me a lot. To do it | :58:27. | :58:33. | |
in a word final is a massive experience. You need to learn of the | :58:34. | :58:39. | |
tables, the different styles, because it is a different compared | :58:40. | :58:45. | |
to the semifinals. This is a new stage. And regularly practice | :58:46. | :58:52. | |
routines, you are just doing exactly the same, you are not changing | :58:53. | :58:56. | |
anything, you are not trying to get something else? I don't want to put | :58:57. | :59:07. | |
myself thinking too much, overthinking. I wanted to play | :59:08. | :59:15. | |
naturally. I try to play my regular game every shot. I want to be the | :59:16. | :59:19. | |
same in the match. Turning our attention to the Masters. You have | :59:20. | :59:25. | |
won the Masters in 2011. If you are back to the time of the famous match | :59:26. | :59:30. | |
with Ronnie, a long time back, you look at yourself now. DEV a | :59:31. | :59:34. | |
different person? Yes. I feel more relaxed. The crowd like you. Yes. | :59:35. | :59:48. | |
The one thing I will do good in is my jaw. If people come to watch. | :59:49. | :59:59. | |
Good luck today. Thank you. One of the first men through to the | :00:00. | :00:05. | |
quarter-finals and in many ways he has gone under the radar. We have | :00:06. | :00:08. | |
not spent much time talking about him. No, I don't think he is back to | :00:09. | :00:13. | |
his best. He did enough to win the other day. It's an interesting | :00:14. | :00:16. | |
match-up with Joe Perry. Originally he had a good record against him but | :00:17. | :00:21. | |
the last two occasions it's been Perry beat him 6-4 and 4-1, I think. | :00:22. | :00:25. | |
He has knocked him out in a couple of events. That's an interesting | :00:26. | :00:30. | |
match tonight. You sat opposite him, did you detect a more relaxed Ding | :00:31. | :00:37. | |
Junhui? We all do, it may be he has a better command of the English | :00:38. | :00:40. | |
language and you can have more chat with him, I think he has matured as | :00:41. | :00:44. | |
a person and player. He knows he can't win every match. He is a | :00:45. | :00:47. | |
little bit more philosophical I think because of that and probably a | :00:48. | :00:51. | |
better player. Yet the fact he got to the final of the World | :00:52. | :00:54. | |
Championship last year, even if there is no too much more room for | :00:55. | :00:57. | |
improvement he is still improving. You have to wonder as well whether | :00:58. | :01:02. | |
in many ways it goes back to what we were saying about Mark Selby and | :01:03. | :01:06. | |
talking about the triple Crown. We were always talking about Ding | :01:07. | :01:09. | |
Junhui and the world Crown and when is he going to win it? You wonder | :01:10. | :01:13. | |
whether he has come to terms with that added pressure? He has been | :01:14. | :01:17. | |
close. The semifinal before one year when he should have got through. He | :01:18. | :01:21. | |
is knocking on the door. It's so hard, so many good players about and | :01:22. | :01:25. | |
you have to hope it's your year. Maybe it's Joe Perry's year after | :01:26. | :01:29. | |
all he beat Joe Bingham. There's plenty of people that fancy the job | :01:30. | :01:33. | |
here. They know full well that every best of 11 matches is a winnable | :01:34. | :01:37. | |
experience these days. ' All fancy they're good enough. Every player | :01:38. | :01:41. | |
that comes to this tournament has won events, therefore, they have | :01:42. | :01:44. | |
inner confidence in some shape or form, even if they're not | :01:45. | :01:47. | |
necessarily totally in current form, they've won. | :01:48. | :01:51. | |
Yeah, Joe's going to be a dangerous opponent. The other day he was | :01:52. | :01:55. | |
saying he wasn't really enjoying his snooker and had been on a bad run | :01:56. | :01:59. | |
but nothing like winning a match to give you confidence. You can watch | :02:00. | :02:08. | |
it live on enBBC Two tonight. Then you will need to press your red | :02:09. | :02:12. | |
button and Hazel will have highlights on BBC Two. | :02:13. | :02:17. | |
Let's bring you up to date with this afternoon's quarter-final. Mark | :02:18. | :02:25. | |
Selby and Barry Hawkins. The world number one slightly | :02:26. | :02:31. | |
nervous as he walked out to the Alexandra Palace today. | :02:32. | :02:34. | |
Hawkins took the first frame with a fantastic pot. Mark didn't really | :02:35. | :02:42. | |
like that. Mark roared back in the second frame. With a break of 76. | :02:43. | :02:51. | |
Then this misread from Mark Selby allowed Barry Hawkins to get back | :02:52. | :02:56. | |
into it. He followed up with a break of 63 to lead 2-1. | :02:57. | :03:00. | |
Barry much more relaxed, move comfortable in frame four. | :03:01. | :03:04. | |
He leads at the mid session interval by 3-1. | :03:05. | :03:14. | |
Many a time the interval has changed the match. For him he will have to | :03:15. | :03:18. | |
hope it's happened today. If he plays like before he is in big | :03:19. | :03:21. | |
trouble in this match. We analyse these pictures a lot, Steve, when we | :03:22. | :03:26. | |
look at Mark there, there is something today that is affecting | :03:27. | :03:31. | |
him. Doesn't look content at all. I think once again he hasn't got a | :03:32. | :03:34. | |
good start. Every player would love to get off to a flyer. It hasn't | :03:35. | :03:41. | |
happened, so he is playing catch-up, hopefully from his perspective he | :03:42. | :03:44. | |
got a bit of rhythm going on the practice table. Can Barry Hawkins | :03:45. | :03:50. | |
seal a place in the semifinal? Let's join John. | :03:51. | :03:54. | |
Yes, a question to ask now for Mark Selby. When we talk about games like | :03:55. | :04:01. | |
this and I said before the interval, Ken, it's hard to have a game plan, | :04:02. | :04:04. | |
but there is certain shots you are going to take on and certain shots | :04:05. | :04:09. | |
you are going to refuse. At the moment I think that Barry Hawkins | :04:10. | :04:16. | |
seems more comfortable in his skin than Mark Selby. Yeah and | :04:17. | :04:21. | |
particularly in that frame where he took that risky red up into the | :04:22. | :04:26. | |
green pocket and left Barry a chance to win the Graham. It's amazing how | :04:27. | :04:30. | |
intervals can sometimes -- to win the frame. It's amazing how | :04:31. | :04:34. | |
intervals can sometimes win matches. He has left the pot here. | :04:35. | :04:44. | |
I didn't see him in the players' room or the press room in the | :04:45. | :04:52. | |
interval, Mark. Barry was in there talking with Terry. I assume Mark | :04:53. | :05:00. | |
went to the practice table. I did see him in the practice room. I | :05:01. | :05:06. | |
think he has to dig in now. You have to say there is not many | :05:07. | :05:10. | |
better players at digging in than Mark Selby. That's a mistake from | :05:11. | :05:15. | |
Barry. Left a chance for this red. | :05:16. | :05:20. | |
OK, it's not easy being close to the baulk cushion but it's a chance. | :05:21. | :05:27. | |
You can tell from the angle there it's not straightforward. Would have | :05:28. | :05:34. | |
liked to have been straighter on that red. The cue ball looks to be | :05:35. | :05:40. | |
going towards the blue. Again this is a tough pot. | :05:41. | :05:46. | |
If he misses it he will be leaving... Digging down into the cue | :05:47. | :05:50. | |
ball. Oh! | :05:51. | :05:58. | |
Well, thought he was going to get away with it there when the cue ball | :05:59. | :06:02. | |
careered into the red and black. Would have made it more difficult | :06:03. | :06:06. | |
playing it that way, John. As you say, if he rolled it in he would | :06:07. | :06:10. | |
have probably finished up not on a colour, trying to force the angle to | :06:11. | :06:14. | |
get on a colour. If this red goes to the right middle | :06:15. | :06:18. | |
he doesn't have a lot to do, Barry. He is bound to be on the black and | :06:19. | :06:21. | |
it definitely goes to the right middle. | :06:22. | :06:37. | |
APPLAUSE Played it very nicely. | :06:38. | :07:01. | |
A few reds in the open. He will be already contemplating about going | :07:02. | :07:12. | |
into the pack of reds. And working out how he is going to develop them. | :07:13. | :07:20. | |
Yeah, it's one of those situations, there is a red above the black which | :07:21. | :07:29. | |
is available sometime, if he could come low on that red, that's | :07:30. | :07:32. | |
separated from the bunch, he could pot that and bring other reds into | :07:33. | :07:34. | |
play. He has played on it almost | :07:35. | :07:37. | |
immediately. In potting this he can bring things | :07:38. | :07:42. | |
into play. Two ways of playing this, the run through or the screwback. | :07:43. | :07:46. | |
You felt as if you had more control with the screwback. Sometimes you | :07:47. | :07:49. | |
play with top spin it runs through too far. | :07:50. | :07:53. | |
How will he play it? Above centre or below centre? | :07:54. | :07:58. | |
Above centre. Keep your eye on the cue ball. | :07:59. | :08:04. | |
Controlled it lovely. Didn't play with too much pace so he | :08:05. | :08:08. | |
wasn't going to open too many reds but still brought in another couple | :08:09. | :08:09. | |
of reds into play. The red at the bottom of the pack to | :08:10. | :08:31. | |
the left pots, as well. He is not lacking in the cue power | :08:32. | :09:06. | |
department. He can play this both ways around the angles, or deep | :09:07. | :09:10. | |
screw it. He played it very nicely indeed. | :09:11. | :09:14. | |
Excellent shot. APPLAUSE | :09:15. | :09:21. | |
A similar situation, he could go up for the blue here, if he wishes. | :09:22. | :09:28. | |
Four reds, four blacks. But I am sure his main priority is winning | :09:29. | :09:32. | |
the frame. Will he stay on the black here? | :09:33. | :09:39. | |
Looks like he is going to. As I said, that red just above the | :09:40. | :09:45. | |
black to the left will pot into the bottom right corner pocket. | :09:46. | :09:48. | |
If he goes too far he always has the red into the left centre. | :09:49. | :10:22. | |
I don't think he will have maximum on his mind just yet. The obvious | :10:23. | :10:29. | |
shot here seems to be to play for the red to the left middle, leave a | :10:30. | :10:32. | |
nice angle on the blue to play the split. | :10:33. | :10:36. | |
He has not got a great angle on the black here to go into the reds. | :10:37. | :10:43. | |
The frame is more important than the maximum. | :10:44. | :10:51. | |
He didn't get op the red in the left middle to be able to play for the | :10:52. | :10:53. | |
blue. So it's back for the black. Needs a good angle on the black, | :10:54. | :11:03. | |
though. That's not it. | :11:04. | :11:11. | |
Too straight. More of an angle he could have | :11:12. | :11:14. | |
stunned off the top cushion into the reds. Now he is looking to see | :11:15. | :11:19. | |
anything is pottable by dropping the black in. | :11:20. | :11:28. | |
Maybe the outside red? Yeah, this red is the only one you | :11:29. | :11:33. | |
would say. Two reds at the bottom to the right and maybe a plant that he | :11:34. | :11:38. | |
could make into the right centre. But the obvious red is that one, the | :11:39. | :11:41. | |
extreme left of the bunch. That's not good, he is going to be | :11:42. | :11:53. | |
hampered by the black. Wanted to take that red on up into the yellow | :11:54. | :11:58. | |
pocket. He has looked at the two reds right of the pack. | :11:59. | :12:01. | |
Is is he going to have another look? No, he is going to take this up into | :12:02. | :12:07. | |
the yellow pocket. He won't be holding for the black this time. | :12:08. | :12:13. | |
Excellent shot! APPLAUSE | :12:14. | :12:24. | |
OK, wrong side of the blue but a nice angle - we watch that again. It | :12:25. | :12:30. | |
was a superb pot. Didn't go all out for good position. | :12:31. | :12:36. | |
He has got into the pack. What is he on? | :12:37. | :12:42. | |
Head down tells me nothing. You have to say a little bit unlucky | :12:43. | :12:57. | |
there. OK, could have hit it harder, but still it was a very good shot. | :12:58. | :13:02. | |
You would expect into a pack of seven reds and a pink something is | :13:03. | :13:06. | |
going to come out. Have to concentrate on getting that | :13:07. | :13:19. | |
cue ball tight to the baulk cushion. Yes, he will finish with a 62-point | :13:20. | :13:25. | |
lead, but still 83 remaining. In this situation you like to put a red | :13:26. | :13:29. | |
against the cushion, but don't do that and sacrifice a good safety. | :13:30. | :13:33. | |
Don't see the point in that. Mark Selby coming down this end of | :13:34. | :14:13. | |
the table, it must be pretty tight. There is a lot of distance between | :14:14. | :14:18. | |
cue ball and red, so he could swerve it. | :14:19. | :14:23. | |
It's a big shot. He knows if he makes a mess of it and leaves Barry | :14:24. | :14:28. | |
one more chance it will be end of frame. | :14:29. | :14:35. | |
But it's a terrific pot. APPLAUSE | :14:36. | :14:44. | |
A good pot this. Yeah, fantastic, wasn't it? As you said, John, | :14:45. | :14:52. | |
pressure on it, as well. Now, what can he do? | :14:53. | :14:59. | |
In a way it is unfortunate, I mean, he can play the brown, but the green | :15:00. | :15:07. | |
looks the obvious ball and the yellow is slightly hampering him. | :15:08. | :15:11. | |
Well, not really. Just about judging the pace of the shot. | :15:12. | :15:19. | |
He has played that very well. This would be a steal. | :15:20. | :15:36. | |
He has had a look at the red above the black. | :15:37. | :15:43. | |
That 62 point lead could soon evaporate with the position of the | :15:44. | :15:50. | |
balls at the moment. But again a bit of pressure on Mark Selby here. He | :15:51. | :15:57. | |
produced a good break in the second frame when he was behind. But since | :15:58. | :16:08. | |
then he's looked a little bit nervous, John. Yeah, doesn't look | :16:09. | :16:14. | |
comfortable with his game so far. But this could really be giving him | :16:15. | :16:16. | |
a big boost of confidence. 44 points behind and 59 remaining so | :16:17. | :16:40. | |
plenty of points to spare. That's the red he would like to get | :16:41. | :16:44. | |
on, the one to the left of the black. | :16:45. | :16:52. | |
I don't think the black pots. I think the red just above it does. | :16:53. | :17:01. | |
He will have to clear all these rip maining balls to win the frame at | :17:02. | :17:22. | |
this lift. -- remaining. He will be just happy to have the opportunity. | :17:23. | :17:27. | |
Yeah. A little awkward on this pink. | :17:28. | :17:40. | |
Wanted to be higher with the cue ball. He doesn't have the angle now. | :17:41. | :17:58. | |
Having a quick look at the blue. The problem is he if plays the pink | :17:59. | :18:05. | |
he will have to run around the two cushions. I don't think he is | :18:06. | :18:09. | |
straight enough to hold the spot. If he plays the pink he will have to | :18:10. | :18:12. | |
really cue this well to run around off two cushions. | :18:13. | :18:22. | |
He is leaving himself a red that he knows he will have to use the rest | :18:23. | :18:26. | |
with the extension. It's not perfect. He needs a good | :18:27. | :18:42. | |
angle on pink or blue here to get on the awkward last red. | :18:43. | :19:03. | |
Decided to go up for the blue and he's not quite far enough. | :19:04. | :19:08. | |
He is too straight. The pink is no good. He is looking | :19:09. | :19:23. | |
at the brown, swinging it round off two cushions. A tough pot. | :19:24. | :19:34. | |
Excellent pot. APPLAUSE | :19:35. | :19:42. | |
Yeah, it's OK. Would have loved to have been straighter on this red | :19:43. | :19:45. | |
because the cue ball is going into the black. Doesn't want to knock the | :19:46. | :19:49. | |
black safe. That's OK. Did that red go in off | :19:50. | :20:06. | |
the black or the cue ball? I think the cue ball just hit it on the way | :20:07. | :20:15. | |
around. Just have another look. Anyway, it went in. That's all you | :20:16. | :20:20. | |
are bothered about now. One good positional shot from pink to yellow | :20:21. | :20:22. | |
now. What a steal this would be. | :20:23. | :20:30. | |
He has played for it in the right middle. It needs to run. | :20:31. | :20:36. | |
Just about perfect, I think. Wouldn't fancy him missing now. Just | :20:37. | :20:56. | |
so good in these positions when he is behind and just enough points on | :20:57. | :21:01. | |
the table. He did it in frame two when he was behind. Yeah, it's like | :21:02. | :21:06. | |
his concentration goes up a notch. This could be a massive turning | :21:07. | :21:20. | |
point in this match. Barry Hawkins had a 62-point lead and went into | :21:21. | :21:27. | |
the pack of reds off the blue and nothing came available. | :21:28. | :21:33. | |
Well, just hold on a minute. Hold on a second. He has hit that much too | :21:34. | :21:38. | |
hard. With the black not being on its spot | :21:39. | :21:41. | |
and close to the pocket, you would think he would be able to get in and | :21:42. | :21:49. | |
out of baulk. Should have been easier than this. | :21:50. | :22:04. | |
It's OK. But it still needs due care and | :22:05. | :22:13. | |
attention. Superb! He leaves the arena. He knew | :22:14. | :22:33. | |
how big a frame that was. Barry Hawkins made a break of 62. | :22:34. | :22:45. | |
Matches and moments like this can turn on pivotal moments in sport and | :22:46. | :22:52. | |
that could be potentially be one. It's a tremendous clearance, | :22:53. | :22:55. | |
considering he has looked nervous and out of sorts. His cue ball | :22:56. | :23:00. | |
hasn't been great. Barry Hawkins, you are cursed. He has played a | :23:01. | :23:04. | |
brilliant shot off the blue, couldn't hit it any better. For all | :23:05. | :23:08. | |
those balls to split up like that, for all the world you think you are | :23:09. | :23:12. | |
going to be on one. Game over. To finish there He drops his head, so | :23:13. | :23:17. | |
unlucky. It's taken nothing away from the clearance. You couldn't hit | :23:18. | :23:21. | |
that harder, he controlled it as well as he could have done. He got | :23:22. | :23:26. | |
into that area of the pack. That's the way it goes in snooker, but from | :23:27. | :23:33. | |
there on in Mark Selby proves why, he may be a different style to | :23:34. | :23:37. | |
others in the game, he is still huge box office because the tightrope | :23:38. | :23:42. | |
walk he produces sometimes. We saw it in the World Championship against | :23:43. | :23:45. | |
Ronnie O'Sullivan under pressure. He is producing under pressure, where | :23:46. | :23:48. | |
other players would crumble and he is doing it on the table. That's why | :23:49. | :23:52. | |
he has great admiration amongst players and also the fans. John made | :23:53. | :23:59. | |
a good point in commentary, as if his concentration level goes up a | :24:00. | :24:02. | |
notch. It's like they need a challenge to get them going, it | :24:03. | :24:07. | |
might be the challenge that kicks him on, because he has been second | :24:08. | :24:13. | |
best. Your back is against the wall and sometimes you can think clearer. | :24:14. | :24:19. | |
At that point he is not woring about being champion, he has to clear the | :24:20. | :24:23. | |
balls. It probably focussed his mind. We have said this the mid | :24:24. | :24:27. | |
session interval comes at the wrong time for Barry, he is playing well. | :24:28. | :24:30. | |
Suddenly Mark has this opportunity to go back. There was a moment as | :24:31. | :24:36. | |
Mark was clearing up there, a moment our cameras caught Harry Hawkins. A | :24:37. | :24:40. | |
raised eyebrow. He knew what was going on. -- Barry. When you have | :24:41. | :24:45. | |
had a shot like Barry had and you know sitting in the chair the player | :24:46. | :24:49. | |
you are playing against is going to get the first long red, you just | :24:50. | :24:51. | |
know that. That was your chance to win the frame t didn't work out. A | :24:52. | :24:55. | |
funny thing and you are sitting there thinking he is going to make | :24:56. | :24:59. | |
this and it's the realisation he is going to clear up. Very much so. | :25:00. | :25:04. | |
It's all to play for. Barry Hawkins leads 3-2. Back to John and Ken. | :25:05. | :25:10. | |
Wondering will he take this red on? He could leave the cue ball in such | :25:11. | :25:52. | |
a way it would only leave the red should he miss, but a difficult pot. | :25:53. | :25:55. | |
He decided against it. He could have played that a little | :25:56. | :25:59. | |
bit better. He wanted that cue ball tight to this top cushion. He has | :26:00. | :26:03. | |
left a chance here for Mark Selby. Not sure he is on the red closest to | :26:04. | :26:09. | |
the black but he is on a red up into the green pocket. | :26:10. | :26:17. | |
Yeah, obviously can't get through to the red just to the right of the | :26:18. | :26:22. | |
black but he has this one to the far right. | :26:23. | :26:31. | |
No, so still not firing on all cylinders. | :26:32. | :26:40. | |
Here is the black in the last frame. A bit of a reaction here as well | :26:41. | :26:51. | |
from Mark Selby. Geeing himself up. He knew how important that break | :26:52. | :26:55. | |
could turn out to be. It only wins one frame. | :26:56. | :27:03. | |
Barry with a chance here. APPLAUSE | :27:04. | :27:10. | |
He is on the pink. He gets the first good chance. | :27:11. | :28:28. | |
The red above the black is the one I am sure he will be trying to get on | :28:29. | :28:34. | |
next because he can use that to open up some more reds. He has to stay | :28:35. | :28:41. | |
low on this, get the cue ball somewhere where it is now. | :28:42. | :29:03. | |
Could go into the pack here because he has a wonderful angle. | :29:04. | :29:11. | |
Normally he likes to mop up the open reds before he goes into the pack. | :29:12. | :29:15. | |
Certainly has a lovely angle here, John. Plenty of value going into the | :29:16. | :29:21. | |
pack because of the loose red. I was surprised when he potted the last | :29:22. | :29:26. | |
red he didn't try to screw off the bottom of the cluster and bring a | :29:27. | :29:31. | |
few into play. Once again decided against it. I | :29:32. | :29:36. | |
think he's come out, don't know whether he discussed it with Terry | :29:37. | :29:41. | |
before the match, not to take undue risks. Feeling that Mark may be | :29:42. | :29:50. | |
under pressure with this thought of winning the three majors and don't | :29:51. | :29:51. | |
push the boat out too far. So far, it's been working. You have | :29:52. | :30:03. | |
to say, as the guys in the studio said, in the last frame when he got | :30:04. | :30:08. | |
62 unlucky not to be on one of the reds. If he had been on one that | :30:09. | :30:11. | |
would have been the end of frame. He played that well. | :30:12. | :30:16. | |
He has landed perfect on the blue to play the cannon. He has to avoid the | :30:17. | :30:21. | |
loose one. That line of four, he wants to hit that one full in the | :30:22. | :30:23. | |
face. No, catch the loose one, or you're | :30:24. | :30:38. | |
likely to finish on nothing, and that's the case. | :30:39. | :30:49. | |
There's no need to miss this red. It just shows you he had a couple of | :30:50. | :30:54. | |
opportunities to bring the reds into play. He decided to play for the | :30:55. | :31:01. | |
loose reds, now he needs a good pot to keep this play going. He'll take | :31:02. | :31:05. | |
it on. But they are difficult, those. | :31:06. | :31:18. | |
Now, has he got away with it? P APPLAUSE | :31:19. | :31:21. | |
He can go back to his seat, now, Barry. He will be thinking he should | :31:22. | :31:24. | |
have made more of the chance, and he should. | :31:25. | :31:29. | |
He had a wonderful angle to go into the pack. | :31:30. | :31:31. | |
. Maybe he should have taken the opportunity then. | :31:32. | :31:40. | |
This is certainly no gimme, this red, into this pocket. | :31:41. | :31:49. | |
No. Overcut it! It wasn't straightforward. The cue ball in the | :31:50. | :31:55. | |
pocket... It make it is that much easier for Barry Hawkins. Cue | :31:56. | :32:00. | |
ball-in-hand, a choice of reds to play for. He's still got the problem | :32:01. | :32:06. | |
of bringing the reds, the main bunch of reds into the main play if he is | :32:07. | :32:10. | |
going to win the frame at this visit. But it's a chance. You would | :32:11. | :32:17. | |
think you'd want to do it now, Ken? Get a nice angle on this red. | :32:18. | :32:22. | |
Knowing you have the red in the far right-hand corner if it doesn't go | :32:23. | :32:26. | |
well. That's the reason he is taking this | :32:27. | :32:31. | |
on. Leaving the red as insurance. He doesn't have to go into the pack | :32:32. | :32:36. | |
with full pace here but he's got to try to hit that red right up the | :32:37. | :32:48. | |
pink spot for the ball, if he can. APPLAUSE | :32:49. | :32:54. | |
It's OK. It's OK. You know, when I looked at that | :32:55. | :32:59. | |
cluster, I thought, if that red were going off the pink into the pocket? | :33:00. | :33:04. | |
It was close enough. That would have deterred me from hitting it, it was | :33:05. | :33:10. | |
so much pace. But as you say, Ken, it's turned out all right. | :33:11. | :33:22. | |
It's a little thicker than was needed. | :33:23. | :33:24. | |
It dropped. Obviously the red in the middle of | :33:25. | :33:56. | |
the table will go. And he's landed on it absolutely plum. There was a | :33:57. | :34:01. | |
little shake of his head there, I don't know if that was a red he | :34:02. | :34:04. | |
would play for but he'll be happy with it. | :34:05. | :34:08. | |
I don't think it was but he'll certainly take it. This is a good | :34:09. | :34:13. | |
response from Barry Hawkins. Just a couple of pots away now to | :34:14. | :34:32. | |
reassert his two-frame advantage. That equates to just this red and | :34:33. | :34:57. | |
sexual abuse sexual abuse, as we have said, be two frames behind | :34:58. | :35:03. | |
again. Snookers required. | :35:04. | :35:12. | |
APPLAUSE It's always nice to win a frame when | :35:13. | :35:19. | |
your opponent has stolen a frame from you in the manner had did in | :35:20. | :35:25. | |
the last game. When you talk about turning points | :35:26. | :35:40. | |
in matches, you felt it would have been a turning point had Mark Selby | :35:41. | :35:43. | |
won this frame. . Yes. | :35:44. | :35:49. | |
But you could say that Barry's now steadied the ship somewhat. | :35:50. | :36:22. | |
Well, he won't be too bothered about missing the red. | :36:23. | :36:34. | |
A nod to the referee, on and Barry Hawkins reasserts that two-frame | :36:35. | :36:39. | |
lead at 4-2. What are we thinking chaps, one of the upsets of the | :36:40. | :36:43. | |
Masters? I don't think so. Barry Hawkins, by his nature is a top 16 | :36:44. | :36:48. | |
player but at the moment he's in better form. The two players are | :36:49. | :36:55. | |
top-class. Mark is not firing on all cylinders and he's gone about his | :36:56. | :37:03. | |
game very well, Barry Hawkins. And a good temperament there, he had to | :37:04. | :37:08. | |
watch Mark Selby go ahead, and then there was a good response. | :37:09. | :37:14. | |
And there is a frustration for the player, you have some problems, and | :37:15. | :37:20. | |
it's not happening at the moment but he's running out of time. | :37:21. | :37:26. | |
And how much is it down to Barry catching Mark on an off day? It's an | :37:27. | :37:43. | |
advantage he has got. There are many times you catch a top player on an | :37:44. | :37:46. | |
off day and you crack at the chance of beating them. It is strength of | :37:47. | :37:48. | |
character. And talking about centuries earlier, 18 so far in the | :37:49. | :37:50. | |
tournament but yet to have one this afternoon. | :37:51. | :37:57. | |
Back to Ken. The obligatory red is being left on here. | :37:58. | :38:05. | |
Mark will take this on. He would love to knock this in. | :38:06. | :38:19. | |
Oh, at the moment he has a touch of the nearlyis and the kiss on brown | :38:20. | :38:21. | |
has not helped. As a player, Ken, that type of red | :38:22. | :38:24. | |
that Mark's played, halfway there, you would have thought he would have | :38:25. | :38:31. | |
potted it? He got so close, that's why he's left it. | :38:32. | :40:01. | |
His body language will tell us he might take this red on into the | :40:02. | :40:09. | |
bottom left-hand corner pocket, leaving the cue ball down on the | :40:10. | :40:11. | |
right-hand side. Pot a black. I think he was more concerned | :40:12. | :40:29. | |
leaving the cue ball near the top cushion. | :40:30. | :40:39. | |
If this has the pace, he could tie it behind the yellow here. | :40:40. | :40:43. | |
Just a fraction short, that was all. He doesn't have the edge of the | :40:44. | :41:17. | |
reds, then this could go wrong this safety shot. He could not the red | :41:18. | :41:22. | |
out of the right-hand corner pocket here. He's got to be careful. | :41:23. | :41:27. | |
He needs a cover. I think he may have got one. Fair play. He's got an | :41:28. | :41:34. | |
excellent cue ball but he hasn't got the cover. But the red being so | :41:35. | :41:40. | |
close to the side cushion is no gimme. | :41:41. | :41:48. | |
But... It begs the question, what's the alternative? | :41:49. | :42:15. | |
This is a possibility. A line up that red. | :42:16. | :42:22. | |
Trying to come back down the left-hand side of the table and try | :42:23. | :42:27. | |
to cover the red that's closest to the bottom right-hand corner pocket. | :42:28. | :42:30. | |
He could be knocking this red over the hol eas well. | :42:31. | :42:36. | |
Yeah, he needs a good cue ball, though, doesn't he? Oh, and he's got | :42:37. | :42:45. | |
one. That's an excellent shot. Top drawer. | :42:46. | :43:22. | |
Well, I can't see a pot-on. Well, not one that could get you on a | :43:23. | :43:32. | |
colour. He will have to be very accurate | :43:33. | :43:37. | |
with his contact on the red. So accurate. | :43:38. | :43:48. | |
He's got to catch that red just so. He's playing in another red but it's | :43:49. | :43:57. | |
a similar sort of line. Too thick. Too thick. So here's a | :43:58. | :44:03. | |
chance for Barry. I'm not certain of the availability of the black to the | :44:04. | :44:05. | |
left corner. a red to the left corner, that | :44:06. | :44:16. | |
wouldn't give him position on the black. Maybe that blacks just a | :44:17. | :44:23. | |
little too tight to go. He can still look for the blue. One | :44:24. | :44:28. | |
good pot and it will give him a great chance. | :44:29. | :44:45. | |
Excellent pot, right in the heart of the pock E | :44:46. | :44:59. | |
He's got an angle on the blue. Back up for the red close to the cue | :45:00. | :45:02. | |
ball here. The fact that the yellow and brown | :45:03. | :45:07. | |
weren't on the spots made it a simple shot. It's all about judging | :45:08. | :45:11. | |
the pace and he's done that perfectly. Let's have a look to see | :45:12. | :45:17. | |
if the pink is available... Not for now, I'm sure he'll play for the | :45:18. | :45:29. | |
blue but yes, that pink goes. Is he going to play for it now or | :45:30. | :45:32. | |
play this red with the rest? Head love the pink spot to be | :45:33. | :45:50. | |
available. I'm not sure whether it is or not. Where is the pink spot? | :45:51. | :46:02. | |
It's hidden! There it is. Pink won't go in its own spot but the highest | :46:03. | :46:05. | |
available, which would be the brown spot. He's going to have to | :46:06. | :46:09. | |
concentrate on the blue for the time being. | :46:10. | :46:16. | |
Yeah, this is the red that he'd love to get rid of. Thinking, a few shots | :46:17. | :46:22. | |
ahead here, he could get the top side of the blue and then try to get | :46:23. | :46:27. | |
on to that red to the left of the black. That's the one he's looking | :46:28. | :46:33. | |
at. If you can put the cue ball into a position to get on that red it | :46:34. | :46:38. | |
would be perfect to try to win the frame from this position, it would | :46:39. | :46:42. | |
open the black to both pockets. He has to be precise with this | :46:43. | :46:45. | |
positional shot. This is a good bit of key shot to | :46:46. | :46:51. | |
the frame. It looks inch-perfect. It looks | :46:52. | :46:56. | |
absolutely inch-perfect. Well, as long as he can pot this red and not | :46:57. | :47:02. | |
disturb the black... Nice little shot. | :47:03. | :47:09. | |
The chance is there now. Well, this game never creases to | :47:10. | :47:43. | |
amaze you. He looked as if he had done all the hard work. And maybe | :47:44. | :47:48. | |
that's what he thought. He just took the plaque for granted. You cannot | :47:49. | :47:52. | |
drop your guard for a second! What a miss. | :47:53. | :48:14. | |
He wants to play the red that's in the open. If he's straight enough, I | :48:15. | :48:21. | |
know he's close to the red but he's only got to dab it in, so to speak, | :48:22. | :48:24. | |
and he will be on the black. It was a good dab! It was a | :48:25. | :48:50. | |
dab-a-dab-doo! Now, what can Mark Selby do here? If ever he needed | :48:51. | :48:58. | |
another good frame-winning break, it's here. | :48:59. | :49:09. | |
He needs this start. He's done it on a couple of frames. | :49:10. | :49:21. | |
Well, Barry will be sat there, bemused and bewildered at missing | :49:22. | :49:31. | |
that black. Just thinking maybe he went too | :49:32. | :49:37. | |
straight on the red. Mark is in perfect position. Barry | :49:38. | :49:40. | |
will be sitting there and suffering. Just the angle to run around off two | :49:41. | :50:02. | |
cushions. He now takes the lead. He's got a | :50:03. | :50:12. | |
four-point advantage. Make that 11 points. So the red's in | :50:13. | :50:19. | |
the open. The one close to the right corner, he'll save that as a reserve | :50:20. | :50:21. | |
if he does run out of position. Just a matter of keeping your | :50:22. | :50:44. | |
concentration now, and not playing a careless shot as he opponent did. | :50:45. | :50:59. | |
Yes, and here's the black again. He got himself into a prime position | :51:00. | :51:07. | |
and then took his eye off the black, concentrating on the little cannon | :51:08. | :51:10. | |
into the reds. And we saw when Barry missed it, you | :51:11. | :51:19. | |
saw him stand up - it's a real shock to the system, isn't it? Shock | :51:20. | :51:29. | |
horror, it really is. Yes, this will probably hurt him a | :51:30. | :51:36. | |
lot more than the 62-point lead he had a couple of frames ago. And as | :51:37. | :51:41. | |
you said, John, it's the shock of missing it. It really unnerves you. | :51:42. | :51:54. | |
As you say, when he made the 62 break he could consider himself as | :51:55. | :51:59. | |
unlucky. And you can put that behind you, then. | :52:00. | :52:05. | |
But that wasn't the case here, 33 points to lead, red cover, red | :52:06. | :52:16. | |
required. He's hanging in there, Mark, no | :52:17. | :52:21. | |
doubt about it. He's been thrown a life line and he's Dooley taking it | :52:22. | :52:29. | |
so far. Just the blue and the red required. | :52:30. | :52:35. | |
He's got to be careful he doesn't cover the pocket with the other red | :52:36. | :52:39. | |
when he's screwing back to the side cushion. But no danger of that so. | :52:40. | :52:46. | |
This red to go 40 points ahead with just 35 remaining. | :52:47. | :53:00. | |
APPLAUSE So the miss on the black has cost | :53:01. | :53:11. | |
him the frame. And it's cost him not only the | :53:12. | :53:18. | |
frame, John but a 5-2 lead. One frame away from victory, it would | :53:19. | :53:24. | |
have been. Now all those negative thoughts will | :53:25. | :53:29. | |
be running through Barry's mind now. If he can get the pink, he can make | :53:30. | :53:41. | |
a century. He's got the red. He can make the century with the | :53:42. | :53:43. | |
black and the six remaining colours. Quite funny, Jason Mohammed in the | :53:44. | :54:02. | |
studio, said there hadn't been a century break in this match so far | :54:03. | :54:07. | |
but we might get to see one now. We've had 18 in the tournament so | :54:08. | :54:15. | |
far. This is again, John, it's been a | :54:16. | :54:19. | |
wonderful break under the pressure that he has been put under by his | :54:20. | :54:34. | |
opponent. Well not the right side of the blue but, the century's only for | :54:35. | :54:42. | |
record purposes. As far as he's concerned he's already made 452 | :54:43. | :54:46. | |
centuries, which is amazing in the time he's been a pro. He played it | :54:47. | :54:51. | |
solid. Beautiful shot. | :54:52. | :55:04. | |
Took the gift that Barry hawkins offered him up. Easy, the black off | :55:05. | :55:13. | |
the spot. He's still one behind but he'll be | :55:14. | :55:20. | |
feeling a lot better now. We could be in for a long afternoon. That was | :55:21. | :55:25. | |
sheer class from Mark Selby. Yes, is the ultimate predator of the | :55:26. | :55:33. | |
game going to whoop in on the Hawk. But it is ominous, isn't it? All of | :55:34. | :55:37. | |
a sudden you get the feeling he is tuning in. It's a funny thing in | :55:38. | :55:46. | |
this game. He missed a spot on the black. He can't believe he's done it | :55:47. | :55:52. | |
himself. I'm not saying this is the reason for it but sometimes it | :55:53. | :55:55. | |
happens, after you have played a shot that is really good the one | :55:56. | :55:59. | |
before, because this is class. He is stunning this, not cannon the black | :56:00. | :56:03. | |
and miss the flick on the red. He is so happy with the shot he made, put | :56:04. | :56:09. | |
all of the cons station to that one and missed the next one. | :56:10. | :56:14. | |
And a they get into the comfort zone, and all of a sudden a lapse in | :56:15. | :56:22. | |
concentration? Yes, so glad to get that one done, and don't concentrate | :56:23. | :56:26. | |
on the next one. And sometimes, you put a fraction | :56:27. | :56:30. | |
more pressure on yourself. You could see the shock on his face. The hand | :56:31. | :56:38. | |
went like that, "oh, my God" And we read so much into the body language | :56:39. | :56:43. | |
from here. What I have to say is, where does he keep finding the | :56:44. | :56:47. | |
clearances from? He is second best, and when he comes to a clearance, he | :56:48. | :56:53. | |
keeps making them. And Mark Selby, he revels in all | :56:54. | :56:57. | |
different types of snooker. He enjoys the game. Everything's a | :56:58. | :57:01. | |
challenge and he rises to the challenge. 19 centuries. Very good | :57:02. | :57:10. | |
standards as you expect. The tables have been playing lovely. It will be | :57:11. | :57:15. | |
reclothed, the tables, they are only two days old. But it will be done | :57:16. | :57:20. | |
tomorrow night before the final. Steve, can you see us getting more | :57:21. | :57:24. | |
in the current stage as to where we are now? Could that record of | :57:25. | :57:34. | |
centuries be beaten? I think, from the current stage, I think that | :57:35. | :57:41. | |
record might be beaten. Not the best break off, Mark Selby. As I said, | :57:42. | :57:46. | |
when he stalled frame five, he's within one. He needs to get to make | :57:47. | :57:53. | |
the frames, turning points to get level. But he's given Barry a chance | :57:54. | :58:00. | |
here. And fair play to Barry. He is getting the disappointments | :58:01. | :58:08. | |
but it doesn't knock him off. On the next frame, he's potting. | :58:09. | :58:14. | |
Excellent pot. A little kiss on the red and it would have been top side | :58:15. | :58:19. | |
of the blue. But he's still OK. He can pot the blue and get down to the | :58:20. | :58:25. | |
two reds and the black spot. Especially the one to the right of | :58:26. | :58:30. | |
it. That's pretty good. He's on that red | :58:31. | :58:33. | |
perfectly. An excellent shot. Yes, he played for the red to the | :58:34. | :59:02. | |
left of the black now. Clearing the black for the corner pockets. | :59:03. | :59:11. | |
He won't be taking anything for granted, though. He looked as if he | :59:12. | :59:18. | |
was to win the last frame and missed the black off its spot, so that will | :59:19. | :59:21. | |
sharpen his senses somewhat. You could say he stalled all three | :59:22. | :59:56. | |
of them really. He's never really been first in and built up a lead in | :59:57. | :00:05. | |
any frame. He's always been playing catch-up in frames. | :00:06. | :00:18. | |
It's like he's been hanging on to Barry's coat tails. He will be | :00:19. | :00:27. | |
disappointed with that break, Mark Selby, to leave this opening red. It | :00:28. | :00:33. | |
was an excellent pot, nonetheless. He has plenty of options here, | :00:34. | :00:38. | |
Barry. This red will pot and when he pots this the one to the right of it | :00:39. | :00:47. | |
will be pottable, as well. Just kissed it into the pack. Certainly | :00:48. | :00:52. | |
to the right centre. He has a nice angle, as we see | :00:53. | :01:10. | |
Mark's break-off. Look at this. He has done this a couple of times, | :01:11. | :01:15. | |
just not swinging it in behind that yellow. | :01:16. | :01:25. | |
Yeah, you have - maybe a foot this side of the baulk line to get behind | :01:26. | :01:32. | |
the yellow. If you don't get behind the yellow | :01:33. | :01:37. | |
you are always going to - not perfect here but you wouldn't expect | :01:38. | :01:38. | |
Barry to miss this. Solid. I don't think the red at the | :01:39. | :01:49. | |
top of the cluster is available. We saw him nudge it into the cluster. | :01:50. | :01:54. | |
Ken mentioned it. He is going to have to play - there you see it | :01:55. | :01:59. | |
doesn't go. If he plays to the right of the pink he will cannon into the | :02:00. | :02:05. | |
pink. He may favour the one down the right side of the table. | :02:06. | :02:10. | |
If you can't avoid the pink, positional side could go wrong. Oh, | :02:11. | :02:14. | |
well, he could avoid it, so no problem. | :02:15. | :02:19. | |
Maybe a little bit more angle than he would like. | :02:20. | :02:39. | |
To win the frame at this visit he's got to bring some reds into play in | :02:40. | :02:44. | |
that cluster. Won't be happy with this. Won't be | :02:45. | :03:00. | |
happy with that. Yeah. Certainly won't. He was | :03:01. | :03:07. | |
stretching a little bit there. Didn't get the follow through and | :03:08. | :03:10. | |
the back swing. Should have got the little extension. | :03:11. | :03:19. | |
Schoolboy error there from Barry. A good chance to win the frame from | :03:20. | :03:22. | |
that position or put himself in a position where Mark would have | :03:23. | :03:26. | |
needed snookers. Now he is going to try and get green or yellow safe. | :03:27. | :03:49. | |
That was a golden opportunity, as you say, all because he didn't put | :03:50. | :04:00. | |
the little extension on to his cue. He was overstretching. It's little | :04:01. | :04:04. | |
things like that, just drop your guard as we have seen in a couple of | :04:05. | :04:09. | |
frames so far this afternoon, it can cost you frames. OK, Mark Selby has | :04:10. | :04:17. | |
the problem of getting this safe. Just overstretching. | :04:18. | :04:21. | |
A good safety shot needed here. He is going to leave a pot on here. | :04:22. | :04:33. | |
Needs the cover, hasn't got it. So Barry Hawkins is going to get | :04:34. | :04:41. | |
another chance immediately. He's been solid with these | :04:42. | :04:43. | |
particular pots. Got one at the beginning of this | :04:44. | :04:49. | |
frame. He has been knocking these in throughout the match. | :04:50. | :04:57. | |
Yeah, very solid and secure on that particular type of shot. It's not | :04:58. | :05:07. | |
too bad. Excellent pot. Got to avoid the kiss on the yellow. | :05:08. | :05:28. | |
This looks to be absolutely inch perfect. Two reds, two colours, | :05:29. | :05:34. | |
would be more than enough to put him one frame away from a place in the | :05:35. | :05:40. | |
semifinal. And the world champion firmly on the | :05:41. | :05:41. | |
ropes. Can't see a problem now. | :05:42. | :05:54. | |
The black and the red will be enough. | :05:55. | :06:23. | |
That takes him 62 points ahead with only 59 remaining. | :06:24. | :06:32. | |
And Mark Selby has only had two shots. Poor break-off and couldn't | :06:33. | :06:41. | |
get the next one safe that he had. That's how quickly and easily a | :06:42. | :06:49. | |
frame can slip away. No matter how good you are. | :06:50. | :06:55. | |
And that will mean Mark Selby will not be getting back to the table. | :06:56. | :06:56. | |
Really up against it now. Every time Mark Selby got himself | :06:57. | :07:28. | |
back into the match Barry Hawkins has responded. Just when you think | :07:29. | :07:38. | |
he might see the winning post, he's definitely responded in superb | :07:39. | :07:41. | |
fashion. Yeah, you know, a lesser player | :07:42. | :07:44. | |
losing the type of frames he did you thought it would affect his | :07:45. | :07:49. | |
confidence, but he's knocked in good long balls. | :07:50. | :08:02. | |
Doesn't matter about the red. He took the chances that Mark Selby | :08:03. | :08:10. | |
gifted him. Now with one frame away from a place in the semifinal. The | :08:11. | :08:12. | |
world champion with it all to do. If successful he will play either | :08:13. | :08:19. | |
Ding Junhui or Joe Perry, that match is live on Dean two tonight at 7pm. | :08:20. | :08:24. | |
He is one frame away. On the evidence of what we have seen today | :08:25. | :08:28. | |
thoroughly deserved, John. It's the right scoreline, probably should be | :08:29. | :08:33. | |
all over if we are honest. A couple of chances he has had, he has been | :08:34. | :08:37. | |
the best player in every department. His safety and score something bet | :08:38. | :08:41. | |
every -- better. He deserves to be in front. I don't sense Barry is | :08:42. | :08:45. | |
going to throw it away. Mark has to steal it from him. That requires a | :08:46. | :08:50. | |
massive upturn in his form. And he has left it late if that's going to | :08:51. | :08:55. | |
be the case. The boys in commentary said in many ways Mark Selby stolen | :08:56. | :08:58. | |
the frames from Barry. Is that a fair assessment? It seems to be, the | :08:59. | :09:03. | |
only time he gets his concentration levels up is when those clearances | :09:04. | :09:07. | |
can be made. The rest of the game his safety has been poor. Even the | :09:08. | :09:11. | |
safety shot off the side of the pack there that Barry knocked a long red | :09:12. | :09:15. | |
in, he is trying to hide the white but he hit it too thin. He has been | :09:16. | :09:18. | |
out of sorts. It's unusual to see the world number one like that. If | :09:19. | :09:22. | |
Barry Hawkins holds himself together he has won this match. One more | :09:23. | :09:28. | |
frame. Barry Hawkins needs to make the last four of this year's | :09:29. | :09:29. | |
Masters. Excellent break-off shot there from | :09:30. | :09:39. | |
Barry. I agree with the guys in the studio, | :09:40. | :09:47. | |
Ken, been the more solid player in this match this afternoon. Yeah, and | :09:48. | :09:54. | |
there is a good break-off, as well. The cue ball hiding behind the | :09:55. | :09:57. | |
green. Well, turned out he played it very | :09:58. | :10:16. | |
well. APPLAUSE | :10:17. | :10:21. | |
Needs a few more of those to keep Barry Hawkins at bay. | :10:22. | :10:44. | |
Left a chance for this red. There is an interesting couple. | :10:45. | :10:54. | |
Elaine and Mick, good afternoon. They met 50 years ago at a roler | :10:55. | :11:00. | |
disco here at the Ally Pally. Mick is 72 today. | :11:01. | :11:06. | |
You look well, bud! 50 years, eh! Roler disco. | :11:07. | :11:14. | |
That was a lovely pot from Mark Selby. | :11:15. | :11:20. | |
Great pot. The stage of the match now where he | :11:21. | :11:29. | |
has to play don't-miss snooker. Leaving the cue ball low on this | :11:30. | :12:33. | |
black, now needs a good split on the reds. | :12:34. | :12:39. | |
It's not an ideal pack the way they're situated to go in. That red | :12:40. | :12:45. | |
to the right - doesn't want to be hitting that full ball. Has to hit | :12:46. | :12:50. | |
the one directly above the black, almost like half-ball. He is blessed | :12:51. | :12:54. | |
with a lot of cue power. Maybe the gap of those two reds might help, as | :12:55. | :12:57. | |
well. The one thing you don't want to do is for the cue ball to stick | :12:58. | :13:00. | |
in them. Unless it's obvious if you nudge one | :13:01. | :13:12. | |
red you are going to be on another. In these situations you always rely | :13:13. | :13:18. | |
a little bit on luck. He found the gap. | :13:19. | :13:23. | |
He's just about on a red to the right corner. | :13:24. | :13:33. | |
And maybe one to the right middle. It may timent him even more. | :13:34. | :13:35. | |
-- tempt him even more. A bonus that the pink is available | :13:36. | :13:46. | |
to this left centre. The referee just checking to see the | :13:47. | :14:03. | |
pink spot. He has had a look at the two reds | :14:04. | :14:27. | |
above the black. Are they a plant into this bottom right corner | :14:28. | :14:32. | |
pocket? Doesn't look like it from that camera angle. | :14:33. | :14:40. | |
He will try and take these loose reds and look at a better | :14:41. | :14:43. | |
opportunity. If this red wasn't here he just | :14:44. | :15:47. | |
rolls the green. He has to put the cue ball on the right side of the | :15:48. | :15:51. | |
table. But that's not good. Particularly if Barry can get past | :15:52. | :15:55. | |
the yellow to play safe off the red near the baulk line. | :15:56. | :16:03. | |
Mark will be kicking himself there. He had a good chance. Poor | :16:04. | :16:04. | |
positional shot. He certainly knows his way around | :16:05. | :16:37. | |
the snooker table, Mark Selby. But he is not guaranteed to get this | :16:38. | :16:38. | |
safe. There is the player's view. | :16:39. | :16:51. | |
Easy to hit a red, but as I say, the main object is not to leave your | :16:52. | :16:55. | |
opponent the chance. Of course he will be thinking if he does leave | :16:56. | :17:00. | |
his opponent the chance, it could be end of match. | :17:01. | :17:20. | |
Foul and a miss. He turns away in disgust. | :17:21. | :17:30. | |
That was nowhere near. A miss? Could have been called a wide! | :17:31. | :18:08. | |
He has the red but he hasn't got position. Now, will he have a look | :18:09. | :18:17. | |
at these two reds. Can he make them into a plant? Needs to below on the | :18:18. | :18:33. | |
two of them. Yeah, I think the position he has landed on the black, | :18:34. | :18:38. | |
that's the only thing he can play is for the plant. As you say they're | :18:39. | :18:43. | |
not dead set. But because it's a chance to win | :18:44. | :18:47. | |
frame and match, is it worth the risk? | :18:48. | :18:57. | |
He can certainly make it. The first red he is going to hit is going to | :18:58. | :19:02. | |
be pushing into the other five reds and it's going to bring them all | :19:03. | :19:06. | |
into play here. He has left this red but it's | :19:07. | :19:31. | |
certainly no gimme. It's tight to that side cushion. | :19:32. | :19:43. | |
He's played a decent shot. I was going to say he may force Barry to | :19:44. | :20:05. | |
take it on but he's covered it with the blue. | :20:06. | :20:13. | |
It's funny, I get the feeling earlier on in the match Mark Selby | :20:14. | :20:17. | |
would have taken that red on. He is at that point where he can't afford | :20:18. | :20:19. | |
to make any more mistakes. He has a big target, he could slide | :20:20. | :20:44. | |
off the side of the pack here and try and get that cue ball up behind | :20:45. | :20:49. | |
the brown again. Has he left a path to this red to | :20:50. | :21:09. | |
the left corner? I think he may have done. | :21:10. | :21:14. | |
He's been knocking plenty of these in. | :21:15. | :21:21. | |
And there is another one. APPLAUSE | :21:22. | :21:30. | |
Just about on the yellow. APPLAUSE | :21:31. | :22:03. | |
A chance. A lovely positional shot. He can win frame and match with high | :22:04. | :23:09. | |
value colours and just the reds. What an opportunity. | :23:10. | :23:33. | |
Thought it was risky to play for a red into the same pocket as the | :23:34. | :23:39. | |
black, so will play for the red to the middle. This will release one of | :23:40. | :23:47. | |
the other reds into more open play. He is giving a little bit of | :23:48. | :23:48. | |
thought. The one on the right may be too | :23:49. | :24:01. | |
straight. Playing with top spin running up for the blue. | :24:02. | :24:08. | |
Cued it beautifully. APPLAUSE | :24:09. | :24:11. | |
It's a good sign when you can cue it as good as that under pressure. | :24:12. | :24:15. | |
Couldn't have played it much better. He will get on that loose red now. | :24:16. | :24:24. | |
Has he hit it hard enough? Just about maybe. | :24:25. | :24:34. | |
The only red that may pose a problem is that one that's close to this | :24:35. | :24:42. | |
bottom right cushion. Yes and in playing that awkward red, as you | :24:43. | :24:47. | |
point out, Ken, he is going to need a colour off it. | :24:48. | :24:54. | |
Another good solid shot. Seven points is the lead. Three reds, | :24:55. | :25:01. | |
three high value colours and world number one, UK champion, world | :25:02. | :25:06. | |
champion, will be out. Just lost the cue ball slightly. | :25:07. | :25:38. | |
Needs an angle on the blue or pink here. Looks pretty good. Doesn't | :25:39. | :25:47. | |
want to be potting this pink, doesn't want to be straight on the | :25:48. | :25:53. | |
red. A slight little angle with the cue ball will be able to come off | :25:54. | :25:58. | |
the cushion. He has a slight angle to drop behind | :25:59. | :26:03. | |
it and closer you can get to this red on the cushion the easier the | :26:04. | :26:06. | |
pot will be. But he will still need this red and the colour. | :26:07. | :26:22. | |
He is going to leave himself a tricky black because he has to make | :26:23. | :26:28. | |
certain he pots the red and he can't get the cue ball away from the | :26:29. | :26:29. | |
cushion. No! Would you believe it! If you | :26:30. | :26:48. | |
miss it, you leave it. I don't blame him for playing it like that. | :26:49. | :26:53. | |
Wow! Are we going to have another twist | :26:54. | :27:00. | |
as we see this red again? He wasn't comfortable on it. What has Mark | :27:01. | :27:07. | |
Selby got left? Could have played that a bit better. | :27:08. | :27:19. | |
Well, another missed opportunity from Barry Hawkins. | :27:20. | :27:23. | |
This positional shot from blue to yellow made easier with the brown | :27:24. | :27:27. | |
not being on its spot. But that brown being on - not being | :27:28. | :27:30. | |
on its spot makes it a difficult clearance. | :27:31. | :27:37. | |
It's bounced nicely. I thought it was going to be a little bit | :27:38. | :27:42. | |
straight on that yellow. It came off the cushion nicely. | :27:43. | :27:45. | |
The yellow is no problem now. He needs an angle on this green to | :27:46. | :27:57. | |
get over behind the brown. He has a nice angle. This is the shot. Yeah, | :27:58. | :28:03. | |
this is the one. Just got to judge the pace. | :28:04. | :28:07. | |
Just wants it to bounce just a little bit off the cushion. | :28:08. | :28:16. | |
Brown, blue, pink and black for another steal. | :28:17. | :28:24. | |
This is a little bit awkward. Would have loved to have been another | :28:25. | :28:30. | |
couple of inches with the cue ball off that side cushion. | :28:31. | :28:32. | |
A big shot. Just a little bit awkward. Thank | :28:33. | :28:40. | |
you, settle down please! Yeah, that type of shot, always | :28:41. | :28:58. | |
prefer to play it sort of around off two or three cushions. It's run | :28:59. | :29:03. | |
safe. All's not lost. But it was a golden opportunity | :29:04. | :29:05. | |
that's gone. No. You always err on the side of | :29:06. | :29:45. | |
hitting it too thin, it was such an important brown and Barry hau | :29:46. | :29:47. | |
conditions has a chance of potting it now. | :29:48. | :29:52. | |
If he was to pot this and get on the blue it would be the match winner. | :29:53. | :29:59. | |
Well, in the end he decided not to play it. Will he get a better | :30:00. | :30:15. | |
chance? Surprising he didn't take the brown on and just about fired | :30:16. | :30:21. | |
enough past the middle pocket. Mark Selby can't pot it there but... . | :30:22. | :30:29. | |
I'd' be careful here. If he plays the brown across off the side | :30:30. | :30:35. | |
cushion to get it into the middle of the ball cushion, there is a | :30:36. | :30:39. | |
possibility the brown could go towards that green pocket. If he | :30:40. | :30:45. | |
plays to try to bring the brown back towards the black he could get a | :30:46. | :30:47. | |
double-kiss. He needs a good length for the brown | :30:48. | :31:07. | |
here. He needs it to run. And it hasn't. | :31:08. | :31:18. | |
Well he's been knocking these in all day. | :31:19. | :31:23. | |
A bit of pressure on this one, though. Yes! | :31:24. | :31:35. | |
APPLAUSE Mark Selby, he knows it's all never | :31:36. | :31:41. | |
now. Barry hawk yearnings well, you could | :31:42. | :31:51. | |
say it could have been easier than this but never the less, he's played | :31:52. | :31:58. | |
some superb snooker. Barry Hawkins, last year's beaten | :31:59. | :32:02. | |
finalist is absolutely delighted and he's through to the Masters | :32:03. | :32:06. | |
semi-final. He wins by 6-3. Well played! The world champion, | :32:07. | :32:12. | |
Mark Selby is out of this year's Masters. That is Barry Hawkins' | :32:13. | :32:19. | |
seventh career win over Mark Selby. The last time he beat him was in the | :32:20. | :32:28. | |
Shanghai Masters, and goodness me, that was pulsating stuff. | :32:29. | :32:32. | |
Listen, Jason, he was the best player this afternoon. It seems | :32:33. | :32:37. | |
strange to say it but Mark Selby had breaks of 71, 76 and a century but | :32:38. | :32:43. | |
always second best. You can see how he won it, Steve? Barry was not | :32:44. | :32:48. | |
imperious but he did enough to win the match. Mark Selby was under par | :32:49. | :32:54. | |
and could not dig himself out of the hole he has been able to achieve in | :32:55. | :32:59. | |
the past. The miss on the brown, he will be disappointed with that | :33:00. | :33:03. | |
performance. Barry, he missed that brown as well but saw no signs of | :33:04. | :33:08. | |
being tetchy. In previous tournaments there have been brig | :33:09. | :33:12. | |
pressure moment, John, he has admitted it himself, there was | :33:13. | :33:16. | |
hesitation there. We didn't expect him to miss that brown? It's a | :33:17. | :33:23. | |
massive scalp to get through. A big event. I was more impressed for him | :33:24. | :33:29. | |
to come back on the frames he lost. Well done, Barry. | :33:30. | :33:34. | |
Big cheer, Barry, you are through to the semi-final, how do you feel? | :33:35. | :33:40. | |
Very good. I ain't going to feel bad, am I?! Well, you could, | :33:41. | :33:49. | |
sometimes people say, they have won but did not play so well? Well, I | :33:50. | :33:54. | |
have battled. You impressed us today. Obviously | :33:55. | :33:59. | |
you can get sickened by some of the mistakes. | :34:00. | :34:06. | |
Oh, yeah. I missed a couple but then started to feel good, then Mark | :34:07. | :34:12. | |
would punish me, and then I had to come back strong. | :34:13. | :34:17. | |
And on the brown, we thought you were going to get the brown. But | :34:18. | :34:20. | |
then the massive cheer from the crowd? It is a good atmosphere. But | :34:21. | :34:26. | |
a horrible sort of shot. You just have to play it right and drop it | :34:27. | :34:29. | |
in. Did you sense Mark had not settled | :34:30. | :34:34. | |
down and not firing? You were involved in your own game but he | :34:35. | :34:38. | |
didn't seem as comfortable? No. If he got off to a better start, he | :34:39. | :34:44. | |
might have settled quicker but the first round was a scrappy affair. | :34:45. | :34:53. | |
It was a long one. 41 minutes and 6.seconds. | :34:54. | :35:01. | |
And Mark Selby, with some of the shots, a kick in the pack and | :35:02. | :35:06. | |
another story unfolds. It is weird how some things happen. | :35:07. | :35:13. | |
And Barry, the moment at which you won the first-round match, did you | :35:14. | :35:16. | |
come into the match feeling confident? I would not say really | :35:17. | :35:20. | |
confident. Quietly confident in my game. I had played well against | :35:21. | :35:25. | |
Shaun. But the last couple of times I have played against Mark, I have | :35:26. | :35:32. | |
not settled at all. I played him and not the table. | :35:33. | :35:36. | |
What is it like playing against Mark Selby? I remember you gave an | :35:37. | :35:42. | |
interview after beating Ronnie, you admitted to being tetchy when Ronnie | :35:43. | :35:46. | |
is in full flow, it is really tough. What is it out there, playing the | :35:47. | :35:51. | |
world number one? You put the extra pressure on yourself. Not so much a | :35:52. | :35:56. | |
couple of years ago but off late, he's been a machine. So starting to | :35:57. | :36:03. | |
create that aura about him. Getting the way like Ronnie does, oozing | :36:04. | :36:06. | |
confidence around the table if you like. | :36:07. | :36:10. | |
Are you ever really comfortable playing players like that? They have | :36:11. | :36:14. | |
a way of digging themselves out of situations, and you think it could | :36:15. | :36:19. | |
happen to you. He is such a player, he is granite. | :36:20. | :36:26. | |
And did you think you had thrown it away? Oh, yes, I dropped in the red. | :36:27. | :36:32. | |
I had to drop the black, I came across it a bit. I missed it. | :36:33. | :36:40. | |
It was never going in. And did you think he would pot the | :36:41. | :36:46. | |
brown? I still fancied it for him even under pressure. | :36:47. | :36:51. | |
That's exactly what he said up here! It looked a little smelly. | :36:52. | :36:57. | |
From our angle, not totally smelly, just a little bit whiffy. A tiny | :36:58. | :37:04. | |
bit. And the next round, Joe Perry? You | :37:05. | :37:11. | |
don't care, do you? No, I don't care, I'm still in. | :37:12. | :37:18. | |
Joe has played great against Bingham, and everyone nows about | :37:19. | :37:23. | |
Ding. The crowd gave you a massive welcome | :37:24. | :37:28. | |
but when you walked out, in the last few minutes, what Foreign Secretary | :37:29. | :37:32. | |
does it have on you when you have the fans on your side? You are under | :37:33. | :37:37. | |
all sorts of pressure, when they start to go mad, especially if you | :37:38. | :37:40. | |
have had a chance, an opportunity to win. Then it can build. That is the | :37:41. | :37:46. | |
heart of it, trying to stay as calm as you can under a lot of pressure. | :37:47. | :37:52. | |
Well, Barry, the best of luck. And another treat, Steve Davis has | :37:53. | :37:56. | |
been out in the car, this time with Ding Junhui. | :37:57. | :38:02. | |
Anyone order a taxi? Right. | :38:03. | :38:31. | |
Are you driving? I'm driving. OK. | :38:32. | :38:39. | |
Are you a good passenger? Not sure. What it like for you in China? Me? | :38:40. | :38:46. | |
Generally, when you go out to a bar, can you do this? Or are you so | :38:47. | :38:52. | |
famous in China that they go crazy? What's the experience like? | :38:53. | :38:56. | |
Actually, I never did that before, so I don't know what is going on. | :38:57. | :39:02. | |
Every time, I am just on a tournament or between tournaments | :39:03. | :39:09. | |
and it's big. So on a normal day I take sunglasses. I just want my life | :39:10. | :39:15. | |
back. I live in the UK. I'm enjoying it, very relaxed. Nobody coming. No | :39:16. | :39:22. | |
excuse... If one person is coming, maybe. Some people are too excited. | :39:23. | :39:28. | |
They shout and then everybody hears that and it comes together. So, | :39:29. | :39:35. | |
sometimes it is mad. I step carefully. | :39:36. | :39:41. | |
And the equivalent of Twitter, Weebo, how many followers have you | :39:42. | :39:46. | |
got now? Over 5 million. 5 million! That's David Beckham | :39:47. | :39:55. | |
territory! Sorry! Surely if you go back to China, you can get a | :39:56. | :39:59. | |
helicopter everywhere? Helicopter? I haven't. | :40:00. | :40:04. | |
No? Why not? I haven't tried a helicopter before. | :40:05. | :40:09. | |
Have you never been in? It's great. More fun than a plane. | :40:10. | :40:14. | |
OK, I will take the chance. What have you got on your list of things | :40:15. | :40:19. | |
to do? Have you heard of bucket list? Bad list? Bucket list. It's a | :40:20. | :40:26. | |
thing, a bucket, you make a list of ten things you want to do in your | :40:27. | :40:31. | |
life. Ten things you haven't yet done. | :40:32. | :40:34. | |
OK. What would you say? Ten things you | :40:35. | :40:41. | |
want to do on your list. Would you like to jump out of parachute? Yes. | :40:42. | :40:47. | |
You want to do that? Yeah. That's number one. | :40:48. | :40:53. | |
Bungie jump? No, not yet. Do you want to? Oh, maybe I have to | :40:54. | :41:00. | |
take a long time to get ready! Do you think you would jump or would | :41:01. | :41:05. | |
you have to be pushed? I think I would jump. It's the thrill seeker | :41:06. | :41:11. | |
in you. The adrenaline rush! Sometimes I am like that, I go for | :41:12. | :41:15. | |
it, then there's nothing to lose. You have to trust that somebody has | :41:16. | :41:19. | |
tied the rope around your legs properly! Oh, yes, I have to trust. | :41:20. | :41:25. | |
You want your friends to do it for you? I would like my friends to pack | :41:26. | :41:28. | |
my parachute. Somebody you trust. Yeah, yeah, | :41:29. | :41:35. | |
totally. Yeah, thank you very much at the last event in China, I was | :41:36. | :41:41. | |
presented with a special tea pot from your father. | :41:42. | :41:44. | |
Yes. He makes tea pots? Yeah, my father | :41:45. | :41:48. | |
makes tea pots. How long has he been doing that for? | :41:49. | :41:57. | |
He likes tea pots. He got his business about now for about four | :41:58. | :42:02. | |
years. He loves that. He loves to fly with the pigeons. | :42:03. | :42:09. | |
Oh, racing pigeons?! Oh, yeah? Yes. Oh, great. | :42:10. | :42:13. | |
They are things I couldn't understand. Maybe too young for | :42:14. | :42:17. | |
that. But I like to have a tea, Chinese tea. | :42:18. | :42:26. | |
They are all waiting around! Where's he gone? Has he gone straight to the | :42:27. | :42:30. | |
airport? No, back to the hotel, first. | :42:31. | :42:34. | |
They are phoning up to find where you are! Cheer, Ding. | :42:35. | :42:40. | |
Thank you very much. Cheers. Thank you! Yes, thank you. | :42:41. | :42:53. | |
And Deng will be out of the car and into Alexandra Palace this evening. | :42:54. | :43:00. | |
He takes on Joe Perry tonight. -- Diing. | :43:01. | :43:07. | |
Ding to win tonight? I don't know. It's hard to judge. But if he gets | :43:08. | :43:12. | |
on a roll. Maybe. So, lots to reflect on. Mark Selby, | :43:13. | :43:22. | |
the world champion, out. Barry Hawkins deserved his win. A | :43:23. | :43:25. | |
bad day at the office for Mark Selby. | :43:26. | :43:31. | |
Well, that's it for today. The big story from Alexandra Palace is Barry | :43:32. | :43:38. | |
Hawkins has knocked out the world champion. Goodbye for now. | :43:39. | :43:50. | |
To break someone physically... Agh! ..is not a problem. | :43:51. | :43:55. |