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Good afternoon and welcome to
Alexandra Palace. | 0:00:37 | 0:00:39 | |
A fortnight ago, the PDC darts final
ended here at this famous old venue, | 0:00:39 | 0:00:46 | |
with Phil Taylor signing off after a
glittering career. Now snooker's | 0:00:46 | 0:00:52 | |
Masters tournament takes centre
stage, and we focus on Mark William, | 0:00:52 | 0:00:56 | |
who beat snooker's greatest ever
player in the most dramatic finals | 0:00:56 | 0:01:02 | |
we've ever seen at the Masters, 20
years ago. | 0:01:02 | 0:01:08 | |
COMMENTATOR: You cannot get any
closer! This is incredible again. | 0:01:14 | 0:01:20 | |
Mark thought he had the black, but
the one that Stephen is left with, | 0:01:20 | 0:01:24 | |
the white close to the side cushion,
he is absolutely dead straight on | 0:01:24 | 0:01:30 | |
the black. This is not an easy shot. | 0:01:30 | 0:01:38 | |
Is that in! It will be this time,
I'm sure. The lead has got away from | 0:01:41 | 0:01:54 | |
Stephen Hendry. Nothing is easy,
Dennis, is it? It wasn't the easiest | 0:01:54 | 0:02:00 | |
of blacks. It was absolutely
straight on. He had to roll it. | 0:02:00 | 0:02:06 | |
Tremendous joy! Really deserved for
young Mark Williams from Wales. He's | 0:02:06 | 0:02:16 | |
never been in front of this final
against the world number one until | 0:02:16 | 0:02:20 | |
the last frame. He's had a
tremendous week. He will is the 1998 | 0:02:20 | 0:02:28 | |
Masters champion. | 0:02:28 | 0:02:33 | |
20 years on from that final, Mark
Williams has won 19 ranking titles, | 0:02:33 | 0:02:38 | |
but today comes up against the world
number one, a man who has won the | 0:02:38 | 0:02:44 | |
Masters three times, the first
coming ten years ago. | 0:02:44 | 0:02:49 | |
What a way to win! Mark Selby equals
the highest break, a break of 144. | 0:03:04 | 0:03:17 | |
He wins the 2008 Masters
championship. Unbelievable! | 0:03:17 | 0:03:27 | |
championship. Unbelievable! He may
attempt the double to clinch this | 0:03:27 | 0:03:31 | |
year's Masters. It's right in the
middle of the pocket! | 0:03:31 | 0:03:41 | |
middle of the pocket! Ronnie comes
forward and shakes the hand of Mark | 0:03:41 | 0:03:44 | |
Selby. It has been a remarkable
final. It has been a remarkable | 0:03:44 | 0:03:50 | |
comeback from the Jester from
Leicester. He was 9-6 down, and he | 0:03:50 | 0:03:56 | |
won four frames in a row, and takes
the Masters for the second time. | 0:03:56 | 0:04:05 | |
He is enjoying every pot now! And
why not finish off with a trick | 0:04:05 | 0:04:12 | |
shot? | 0:04:12 | 0:04:17 | |
shot? Why not? He wants to pot the
black as well. Well played, Mark | 0:04:17 | 0:04:26 | |
Selby, and well played, Neil
Robertson. But in this final, Mark | 0:04:26 | 0:04:31 | |
Selby done good. He's won three
Masters titles now, and he is the | 0:04:31 | 0:04:39 | |
2017 Masters champion. | 0:04:39 | 0:04:40 | |
Masters titles now, and he is the
2017 Masters champion. | 0:04:40 | 0:04:41 | |
Well played. Good afternoon to you
and welcome to Alexandra Palace, and | 0:04:41 | 0:04:47 | |
Day one of the 2018 Masters. The
best players in the world. The top | 0:04:47 | 0:04:52 | |
16 are here, and what a week we have
ahead of us. This is how they line | 0:04:52 | 0:04:58 | |
up. The reigning champion, Ronnie
O'Sullivan, plays 2011 runner-up | 0:04:58 | 0:05:04 | |
Marco Fu. | 0:05:04 | 0:05:09 | |
Marco Fu. Mark Allen takes on Luca
Brecel, making his Masters debut. | 0:05:09 | 0:05:15 | |
Anthony McGill also making his first
appearance. 2011 winner, Ding | 0:05:15 | 0:05:20 | |
Junhui, plays Ryan Day, back at the
Masters. 2015 champion Shaun Murphy | 0:05:20 | 0:05:28 | |
up against Ali Carter. Barry
Hawkins, runner-up in 2016, takes on | 0:05:28 | 0:05:36 | |
Kyren Wilson. And world number one
Mark Selby takes on Mark Williams | 0:05:36 | 0:05:40 | |
today. It is going to be a special
match to kick off this year. Good | 0:05:40 | 0:05:46 | |
afternoon to Ken Doherty and Steve
Davis. There's something very | 0:05:46 | 0:05:50 | |
special about turning up at
Alexandra Palace, isn't there? You | 0:05:50 | 0:05:56 | |
have to earn your place. It is a bun
fight now to get the spaces in this | 0:05:56 | 0:06:01 | |
event, such is the standard of the
players. The Masters has always been | 0:06:01 | 0:06:06 | |
a flagship event, but to think that
some people say that the sport is | 0:06:06 | 0:06:12 | |
struggling a bit. Day one, the venue
is packed. The Crucible is very | 0:06:12 | 0:06:16 | |
special to us, as is York, but there
is something different about walking | 0:06:16 | 0:06:22 | |
up the steps here at Alexandra
Palace. There is a real buzz in the | 0:06:22 | 0:06:26 | |
crowd today. There always is. It is
steeped in great history and | 0:06:26 | 0:06:32 | |
nostalgia. The tournament is only
second to the World Championships. | 0:06:32 | 0:06:36 | |
You have the best players in the
world, the top 16 in the world, and | 0:06:36 | 0:06:44 | |
every match could grace any final.
You are on TV, only one table, you | 0:06:44 | 0:06:48 | |
are centre stage. One of the best
tournaments. And what a start we | 0:06:48 | 0:06:52 | |
have with these two today. Proven
winners in this event. I think Mark | 0:06:52 | 0:06:58 | |
Selby and Ronnie O'Sullivan are the
two players who have made this | 0:06:58 | 0:07:01 | |
tournament their own in recent
years. When it comes to a one-table | 0:07:01 | 0:07:06 | |
set-up, it seems to sort the men out
from the boys. Some of the players | 0:07:06 | 0:07:10 | |
like to get through on the outside
tables, because they are used to | 0:07:10 | 0:07:15 | |
that. But there is no hiding place
out there. Day one, round one, you | 0:07:15 | 0:07:22 | |
have to produce the best. Can Mark
Williams pull off the odd shock? | 0:07:22 | 0:07:27 | |
Absolutely. He's playing some of the
best snooker he has ever played. One | 0:07:27 | 0:07:32 | |
of the most consistent players on
the circuit. He has won here, one | 0:07:32 | 0:07:37 | |
the World Championship and the UK.
He's going to give a tough match. | 0:07:37 | 0:07:42 | |
But he has changed. Look how young
he looked in that CT! He looks | 0:07:42 | 0:07:47 | |
different. Testament to Mark
Williams, competing at the age of | 0:07:47 | 0:07:53 | |
42. Doing very well recently as
well. Even though Mark Selby is the | 0:07:53 | 0:07:59 | |
favourite, the start is important.
You want to get off to a good start. | 0:07:59 | 0:08:05 | |
Arguably, Mark Selby... You might
say Mark Williams wants to get off | 0:08:05 | 0:08:09 | |
to a better start. Mark Williams has | 0:08:09 | 0:08:16 | |
a better form player. Although Selby
has had a good season. I am going to | 0:08:24 | 0:08:29 | |
wish Stephen Hendry happy New Year,
but I am not expecting a return | 0:08:29 | 0:08:31 | |
greeting, when I ask in what his
memories are of that final against | 0:08:31 | 0:08:36 | |
Mark Williams! I have won this thing
six times, but I am almost more | 0:08:36 | 0:08:42 | |
famous for missing that black! It
was one of those matches. I had | 0:08:42 | 0:08:47 | |
chances to win it. But that black
ball, just off straight, rolling it | 0:08:47 | 0:08:53 | |
in dead weight, is a tough shot. Is
it | 0:08:53 | 0:09:00 | |
it hard to watch back? Yes. That is
all you see these days, Mark | 0:09:00 | 0:09:03 | |
Williams' name, and the black ball
underneath it. How special is this | 0:09:03 | 0:09:09 | |
tournament for snooker players? This
was number two on my wish list every | 0:09:09 | 0:09:15 | |
season after the World Championship.
Mark Selby will want to prove why he | 0:09:15 | 0:09:19 | |
is world number one this week. A
sparkling opening match, a great | 0:09:19 | 0:09:24 | |
match to kick off the tournament.
Absolutely. Two players who can win | 0:09:24 | 0:09:30 | |
ugly. They don't mind the scrappy
games, but fantastic tactical | 0:09:30 | 0:09:35 | |
brains. Mark Williams has won
tournaments. He will need to win | 0:09:35 | 0:09:38 | |
more frames in one visit and score
heavier to give himself a chance | 0:09:38 | 0:09:43 | |
today. Thank you. Enjoy your week
here | 0:09:43 | 0:09:48 | |
today. Thank you. Enjoy your week
here at Alexandra Palace. Let's see | 0:09:48 | 0:09:51 | |
how these two matchup. | 0:09:51 | 0:09:56 | |
how these two matchup. They have
been playing each other for years. | 0:09:59 | 0:10:01 | |
Selby won this meeting last year. He
has beaten the Welshman twice at the | 0:10:01 | 0:10:04 | |
Masters. We are all set for a
cracking match here. It is about to | 0:10:04 | 0:10:09 | |
get under way. Mr Dennis Taylor in
the hot seat. A very good afternoon | 0:10:09 | 0:10:16 | |
and a warm welcome to be 2018
Dafabet Masters. And what a match we | 0:10:16 | 0:10:23 | |
have got lined up for you this
afternoon! | 0:10:23 | 0:10:29 | |
Ladies and gentlemen, please welcome
into the arena, a player who has won | 0:10:40 | 0:10:45 | |
the Masters title on two occasions.
Twice the world champion, the | 0:10:45 | 0:10:51 | |
reigning Northern Ireland open
champion, from South Wales, Mark | 0:10:51 | 0:10:53 | |
Williams! | 0:10:53 | 0:11:03 | |
MUSIC: Delilah by Tom Jones. | 0:11:06 | 0:11:14 | |
And Mark's opponent this afternoon,
a player who has won the Masters on | 0:11:27 | 0:11:32 | |
three occasions. He's been world
champion three times. He is the | 0:11:32 | 0:11:37 | |
reigning world professional snooker
champion, Mark Selby! | 0:11:37 | 0:11:44 | |
STUDIO: Such a prestigious
tournament in a truly wonderful | 0:12:10 | 0:12:15 | |
venue, one of the leading sporting
championships of the year. Live on | 0:12:15 | 0:12:20 | |
the BBC all year. A very warm
welcome to you, and a warm welcome | 0:12:20 | 0:12:25 | |
to our commentary team, Stephen
Hendry, and Dennis, who is running | 0:12:25 | 0:12:33 | |
up the stairs! Thanks. An intriguing
first match of this Masters. | 0:12:33 | 0:12:44 | |
Mark Williams breaks off. He would
like to have that one again! He will | 0:12:44 | 0:12:54 | |
be nervous today, Mark Williams.
He's not been in this event for a | 0:12:54 | 0:12:57 | |
while. Doubting -- not doubting his
pedigree in the game. Catches the | 0:12:57 | 0:13:05 | |
read a little bit thin. | 0:13:05 | 0:13:14 | |
Not bad pot, but he's faced with a
tricky black, Mark Selby. | 0:13:23 | 0:13:32 | |
I think Mark Selby today... Normally
he doesn't mind playing scrappy | 0:13:32 | 0:13:37 | |
frames. He's got the perfect match
temperament. I think today he will | 0:13:37 | 0:13:43 | |
not want to get involved in that
against Mark Williams. A long way | 0:13:43 | 0:13:46 | |
off the black. | 0:13:46 | 0:13:55 | |
REFEREE: Foul. That was never the
natural angle to go in off this. | 0:14:13 | 0:14:23 | |
Obviously a brand-new cloth. Very
slippery. | 0:14:23 | 0:14:28 | |
Stephen mentioned before play
commenced, you can see some | 0:15:01 | 0:15:08 | |
fantastic tactical battles between
these players. They are excellent | 0:15:08 | 0:15:12 | |
safety players. | 0:15:12 | 0:15:20 | |
Well, he's pushed a red towards the
pocket, but I think the Greens will | 0:15:44 | 0:15:48 | |
be covering that one, so that makes
it very difficult for Mark to get a | 0:15:48 | 0:15:55 | |
good cue ball here. He might just
roll into these. It is a very quick | 0:15:55 | 0:16:01 | |
table, and I think that is going to
reach. | 0:16:01 | 0:16:07 | |
reach. Couldn't risk taking the cue
ball back down the table because of | 0:16:08 | 0:16:12 | |
that red near the left corner. Bit
of a stalemate now. I think today, | 0:16:12 | 0:16:21 | |
Dennis, in terms of playing
containing safeties, you couldn't | 0:16:21 | 0:16:28 | |
get better players for that part of
the game than these two. This has | 0:16:28 | 0:16:35 | |
already got the makings of, well...
Either AV rack or a very long | 0:16:35 | 0:16:42 | |
exchange. It is a touching ball. I
think they are going to have a | 0:16:42 | 0:16:50 | |
re-rack here. Couldn't see a way of
getting out of that stalemate. Was | 0:16:50 | 0:16:59 | |
that touching ball? Mark Selby, when
he agreed with Mark Williams, I | 0:16:59 | 0:17:04 | |
don't think he knew it was a
touching ball. With a touching ball, | 0:17:04 | 0:17:08 | |
he could have put the ball into an
awkward spot. I think that is a | 0:17:08 | 0:17:13 | |
pretty good decision, but a
surprising one, with it being | 0:17:13 | 0:17:17 | |
touching. A fabulous crowd in this
afternoon. The atmosphere is | 0:17:17 | 0:17:22 | |
incredible. Standing in for Rob
Walker, who is doing the final of | 0:17:22 | 0:17:27 | |
the darts. | 0:17:27 | 0:17:37 | |
What a buzz to stand in front of
this crowd. This venue, the | 0:17:44 | 0:17:47 | |
Alexandra Palace, has become
synonymous with this tournament now. | 0:17:47 | 0:17:49 | |
It's got an identity here. Not quite
the old Wembley conference Centre, | 0:17:49 | 0:17:51 | |
but pretty close. | 0:17:51 | 0:17:56 | |
REFEREE: First frame. Mark Williams
to break. | 0:18:04 | 0:18:13 | |
Mark Williams, then, breaks up for
the second time in this opening | 0:18:14 | 0:18:20 | |
frame of this first 211. It's a
pretty good break of shot. His first | 0:18:20 | 0:18:28 | |
attempt, he caught the pack weighed
too thin. That was a lot better. A | 0:18:28 | 0:18:34 | |
thicker contact on the fifth of red
of the triangle. | 0:18:34 | 0:18:44 | |
What you don't see very often from
these two players is very aggressive | 0:18:44 | 0:18:48 | |
safety shots, splitting the reds
open. They like to keep it quite | 0:18:48 | 0:18:54 | |
tight. | 0:18:54 | 0:18:59 | |
That was well negotiated through the
gap. Played it at a nice pace as | 0:19:33 | 0:19:39 | |
well. Left-hand side, stocked the
cue ball short. A decent chance, | 0:19:39 | 0:19:44 | |
this, with the open reds. | 0:19:44 | 0:19:54 | |
An excellent positional shot. | 0:19:58 | 0:20:05 | |
He floats the ball is in, Mark
Williams. A lot of the top players | 0:20:05 | 0:20:09 | |
prefer to play with a bit more pace,
stunt in. Mark Williams drops so | 0:20:09 | 0:20:16 | |
many in dead weight. | 0:20:16 | 0:20:20 | |
A chance to go into the bunch, if he
so wishes, but there's two or three | 0:21:09 | 0:21:14 | |
loose reds. A nice angle on the
black. Then possibly, Mark Williams | 0:21:14 | 0:21:24 | |
wouldn't go into the reds as soon as
some of the other players. The first | 0:21:24 | 0:21:32 | |
frame very important, so has to get
a good start in this match. | 0:21:32 | 0:21:40 | |
May have to use a touch of left-hand
side. | 0:21:58 | 0:22:08 | |
Nice to see Mark's wife and son
here. | 0:22:08 | 0:22:20 | |
here. Jo nearly back to her good old
self. She is a delightful lady. An | 0:22:20 | 0:22:27 | |
absolute gem. So is Keenan as well. | 0:22:27 | 0:22:32 | |
Mark Selby will be sitting in his
seat now, thinking he should have | 0:22:50 | 0:22:55 | |
played that touching ball, and tried
to put Mark in a bit of trouble. I | 0:22:55 | 0:23:00 | |
think he definitely would have
played the shock-macro if he knew it | 0:23:00 | 0:23:04 | |
was a touching ball. But I think the
players had agreed beforehand. | 0:23:04 | 0:23:14 | |
players had agreed beforehand. Mark
Williams obviously played for the | 0:23:14 | 0:23:16 | |
red to the left middle. The first
tricky shot of the break coming up. | 0:23:16 | 0:23:23 | |
If he can reach it, I think he can
pot this and just stand past the | 0:23:23 | 0:23:30 | |
pink, and pot of the cushion for the
black. A very good shot. | 0:23:30 | 0:23:41 | |
Worth another look at that one. He
is perfect on the black to get onto | 0:23:41 | 0:23:47 | |
the red that's just do the right of
the little bunch there. A slight | 0:23:47 | 0:23:53 | |
angle to work with. He's played to
leave onto the middle pocket. That | 0:23:53 | 0:24:05 | |
might have been a little bit of
adrenaline. He got into that cue | 0:24:05 | 0:24:10 | |
ball far too much. It's there. Great
shot. Exactly what he would have | 0:24:10 | 0:24:18 | |
wanted. | 0:24:18 | 0:24:26 | |
He made that look very easy. That
was a tough shot he took on there. | 0:24:27 | 0:24:33 | |
Just finished a little straight on
the black this time. | 0:24:33 | 0:24:44 | |
He's got into this well. He's played
that beautifully. | 0:24:44 | 0:24:51 | |
that beautifully. What a start for
the Welsh Potting Machine. That's | 0:24:52 | 0:24:54 | |
his nickname. | 0:24:54 | 0:25:03 | |
his nickname. I had a few different
nicknames for him, but I don't think | 0:25:03 | 0:25:06 | |
I can say what they are! | 0:25:06 | 0:25:15 | |
U2 are still at it, winding each
other up. You've done it throughout | 0:25:15 | 0:25:20 | |
your whole careers. | 0:25:20 | 0:25:28 | |
Yes, when he was giving it to me, I
said I would get my own back up here | 0:25:34 | 0:25:41 | |
in the commentary box. But so far,
I've not been able to. This has been | 0:25:41 | 0:25:47 | |
a fantastic start. | 0:25:47 | 0:25:55 | |
Looking at a player here who's made
404 centuries in his professional | 0:26:08 | 0:26:14 | |
career. Made 21 this season, 26 last
season. Great to see Mark Williams | 0:26:14 | 0:26:22 | |
back where he belongs, world ranked
number ten at the moment. | 0:26:22 | 0:26:33 | |
Another good shot. | 0:26:39 | 0:26:48 | |
Makes the century. Absolutely
brilliant from Mark Williams. | 0:26:53 | 0:26:59 | |
brilliant from Mark Williams. The
first century in this year's Dafabet | 0:27:01 | 0:27:05 | |
masters. And that's a mark Williams
special. Never seen another player | 0:27:05 | 0:27:11 | |
able to do that. | 0:27:11 | 0:27:21 | |
Mark Selby had said before the match
that if there was one player he | 0:27:39 | 0:27:46 | |
wanted to avoid in the draw, it was
Mark Williams. And you can see why. | 0:27:46 | 0:27:52 | |
Another shot played under Ron. It's
remarkable how he can do that, and | 0:27:52 | 0:27:58 | |
screw the ball, and judge the weight
of the cueing like that. It has been | 0:27:58 | 0:28:05 | |
a phenomenal break. | 0:28:05 | 0:28:11 | |
a phenomenal break. Before the
re-rack, it looked like it was going | 0:28:11 | 0:28:14 | |
to be a really scrappy first frame.
But this has been fantastic. | 0:28:14 | 0:28:25 | |
Oh, a kick on the black. What a
shame. After the re-rack, he had one | 0:28:38 | 0:28:48 | |
chance, and he made that magnificent
break. He leaves 1-0. | 0:28:48 | 0:28:55 | |
STUDIO: I promised you before this
programme that we were in for some | 0:28:55 | 0:28:59 | |
cracking snooker, but what a | 0:28:59 | 0:29:00 | |
programme that we were in for some
cracking snooker, but what a start | 0:29:00 | 0:29:01 | |
by Mark Williams. Nothing better
than to see him in full flow. A | 0:29:01 | 0:29:07 | |
flawless start. They both looked a
bit edgy before the re-rack, but | 0:29:07 | 0:29:13 | |
that start was superb. I'm lucky to
get a kick on the black, otherwise | 0:29:13 | 0:29:16 | |
it would have been marvellous. A
good target to set for the rest of | 0:29:16 | 0:29:20 | |
the lads. We know Mark Williams has
great pedigree within the game, and | 0:29:20 | 0:29:25 | |
in his pomp and prime you would have
expected a start like that. Since | 0:29:25 | 0:29:30 | |
then, things haven't gone so well,
but he's back in the top 16. | 0:29:30 | 0:29:35 | |
Something like that is a great
confidence booster, the fact you can | 0:29:35 | 0:29:48 | |
do it on centre stage. The table
looks lightning fast. Expect players | 0:29:48 | 0:29:51 | |
to overhit shots, overscrew, and
then these thin shots, they will | 0:29:51 | 0:29:53 | |
probably hit a few of those. The
cushions look very fast as well. And | 0:29:53 | 0:29:58 | |
just the manner he dealt with the
break, floating around the table. | 0:29:58 | 0:30:02 | |
Looked like he was in a snooker
club, hitting a few balls for sleep | 0:30:02 | 0:30:07 | |
when you talk about great talents in
the game and natural ability, | 0:30:07 | 0:30:11 | |
sometimes Mark Williams would be
like that. He's got such great | 0:30:11 | 0:30:16 | |
ability and talent, not just the
flair, but the ability he's got. | 0:30:16 | 0:30:21 | |
What a fantastic start. Mark
Williams leads Mark Selby 1-0. | 0:30:21 | 0:30:34 | |
On the point of the table is
lightning fast, it's suits the way | 0:30:45 | 0:30:50 | |
Mark Williams plays. He has a great
touch. | 0:30:50 | 0:30:59 | |
touch. Never see him overhit, in
terms of swinging at anything with | 0:30:59 | 0:31:03 | |
his cue. Oh, he got away with that.
Very lucky. | 0:31:03 | 0:31:14 | |
Very lucky. Mark had tapped the
table for the shot. And Mark Selby | 0:31:14 | 0:31:22 | |
came to the table and tapped. You
can see Mark, good shot. Smiles all | 0:31:22 | 0:31:30 | |
around. | 0:31:30 | 0:31:32 | |
He did not go for the pot. No value
because the red next to the black is | 0:31:51 | 0:32:00 | |
blocking it. There was no value. He
almost got the kiss, but he was | 0:32:00 | 0:32:08 | |
safe. | 0:32:08 | 0:32:13 | |
I like this shot. That has cleared
the black. He is thinking | 0:32:18 | 0:32:29 | |
positively. Why would he not, after
the opening frame? | 0:32:29 | 0:32:39 | |
He does not have the same escape
route if he goes up past the yellow. | 0:33:42 | 0:33:47 | |
He could leave a red to the right
middle pocket, which is why he is | 0:33:47 | 0:33:53 | |
making sure he covers that red if he
plays that shot. He does not like | 0:33:53 | 0:34:00 | |
it. | 0:34:00 | 0:34:00 | |
Just a little bit of an awkward
frame with the way the two reds are | 0:34:09 | 0:34:14 | |
either side of the blue. | 0:34:14 | 0:34:23 | |
You will not see many mistakes made
with these players in this situation | 0:34:50 | 0:34:55 | |
will stop they both have all of the
patients in the world. They will | 0:34:55 | 0:34:58 | |
just keep finding good safety shots.
I think there will be very few | 0:34:58 | 0:35:05 | |
unforced errors today in the safety
Department. | 0:35:05 | 0:35:08 | |
Very unlucky. He picked one out. It
was very unfortunate indeed. To | 0:35:18 | 0:35:27 | |
knock the yellow in. | 0:35:27 | 0:35:35 | |
At least the penalty shot has not
left Mark Selby with a chance at a | 0:35:36 | 0:35:41 | |
red. But a chance to get a telling
safety shot. Moving the cue along | 0:35:41 | 0:35:52 | |
the cushion, trying to pick the spot
he would like to leave the cue ball. | 0:35:52 | 0:36:03 | |
And it was pretty clever, because he
knocked the other red away from the | 0:36:11 | 0:36:17 | |
middle pocket, the one that was
pottable. That was a clever little | 0:36:17 | 0:36:20 | |
shot. | 0:36:20 | 0:36:29 | |
We can look at the way Mark played
this. Look at this. The cannon on | 0:36:29 | 0:36:37 | |
the red. Very clever. | 0:36:37 | 0:36:44 | |
It is terrific to watch the high
breaks going in but also | 0:38:12 | 0:38:18 | |
entertaining to watch a good
tactical rattle to see who will make | 0:38:18 | 0:38:22 | |
the first mistake. | 0:38:22 | 0:38:27 | |
Just one of those frames where there
are three reds at the other end of | 0:38:27 | 0:38:31 | |
the table. | 0:38:31 | 0:38:37 | |
And what an effort. What an effort
that is. | 0:38:37 | 0:38:46 | |
that is. He screwed back a little
bit further than he wanted but the | 0:38:48 | 0:38:52 | |
in-off is not on because there is a
red over the middle pocket and he | 0:38:52 | 0:38:59 | |
can roll that. I said the in-off was
not on, the red near the middle | 0:38:59 | 0:39:04 | |
pocket, but it has worked out
perfectly. He almost knocked it in | 0:39:04 | 0:39:08 | |
the pocket. | 0:39:08 | 0:39:14 | |
He knew he could not go in-off. But
he almost planted the red in the | 0:39:14 | 0:39:20 | |
pocket. | 0:39:20 | 0:39:27 | |
And he is in first in the second
frame. Can he continue where he left | 0:39:27 | 0:39:33 | |
off in the opening frame? It was
going to take something special to | 0:39:33 | 0:39:42 | |
end the safety exchange because both
players were playing high-quality, | 0:39:42 | 0:39:45 | |
tactical stuff. | 0:39:45 | 0:39:51 | |
tactical stuff. Obviously playing
this with an element of safety. He | 0:39:51 | 0:39:57 | |
would have left Mark Selby a similar
shot, should he have missed that. If | 0:39:57 | 0:40:03 | |
he continues the form of the
previous frame, this should be the | 0:40:03 | 0:40:07 | |
second frame over, the way the reds
are. He looks in control, composed, | 0:40:07 | 0:40:13 | |
focused. He is cueing beautifully. | 0:40:13 | 0:40:24 | |
The two reds touching, he may flick
one to the left. | 0:41:22 | 0:41:30 | |
Can he get through to the red? It is
tight. He played for the other one | 0:41:55 | 0:42:02 | |
and he overran that, but he... Well,
that will go through the gap. He | 0:42:02 | 0:42:08 | |
would like the red to the right,
rather than that. He can play for | 0:42:08 | 0:42:15 | |
the blue if he feels he will cannon
the red on the run through. I think | 0:42:15 | 0:42:20 | |
winning the Northern Ireland Open in
November has given Mark Williams a | 0:42:20 | 0:42:27 | |
boost. His first ranking title in a
couple of seasons. He lost in the UK | 0:42:27 | 0:42:36 | |
6-5. Two Ryan Day. But he had tip
trouble in that. | 0:42:36 | 0:42:50 | |
One more good shot here. It will
give him a great chance to secure | 0:43:06 | 0:43:11 | |
this second frame, but it is not
perfect. | 0:43:11 | 0:43:15 | |
It needed to pull up and it did. | 0:43:28 | 0:43:36 | |
What I thought was stopping him from
being a competitor as far as winning | 0:43:43 | 0:43:47 | |
majors was not winning enough frames
in one visit, not scoring heavily | 0:43:47 | 0:43:53 | |
enough. But that has been put to bed
this afternoon. An awesome start. | 0:43:53 | 0:44:05 | |
I think he is getting a great buzz
out of the terrific crowd this | 0:44:10 | 0:44:17 | |
afternoon. It is really helping him. | 0:44:17 | 0:44:19 | |
It is all about the red on the left
side of the table and being a | 0:44:34 | 0:44:39 | |
left-hander, it might not cause a
problem for the second century. He | 0:44:39 | 0:44:44 | |
can drop in behind it, or he can
move it. Being a left-hander, it is | 0:44:44 | 0:44:50 | |
how he feels. Playing to dropping
behind. | 0:44:50 | 0:44:55 | |
What a shame. Not back-to-back
centuries. But as Stephen said, he | 0:45:10 | 0:45:15 | |
got one chance and that was all that
was needed. | 0:45:15 | 0:45:21 | |
got one chance and that was all that
was needed. He now leads 2-0. | 0:45:21 | 0:45:24 | |
STUDIO: What is most impressive is
Mark Williams looks comfortable. The | 0:45:24 | 0:45:28 | |
cue ball is on a string and he is
potting fantastic balls, | 0:45:28 | 0:45:34 | |
cue ball is on a string and he is
potting fantastic balls, a great red | 0:45:34 | 0:45:35 | |
to the middle and knocks in the
yellow. Look at this, very hard to | 0:45:35 | 0:45:39 | |
control. It set him on his way. The
black was not too shabby. You cannot | 0:45:39 | 0:45:47 | |
underestimate how good a start this
is when all eyes are on view as a | 0:45:47 | 0:45:50 | |
player. | 0:45:50 | 0:45:51 | |
is when all eyes are on view as a
player. If the first frame had | 0:45:51 | 0:45:55 | |
unfolded with Mark Williams making a
bad break off and ball is going | 0:45:55 | 0:46:01 | |
scrappy, no way would this have
happened so a strange fluke that it | 0:46:01 | 0:46:07 | |
was restarted and suddenly Mark
Williams had a couple of shots to | 0:46:07 | 0:46:10 | |
get his ongoing and Mark Selby on
the back foot, which has happened to | 0:46:10 | 0:46:14 | |
Mark recently. It is tough as world
number one sometimes. We have to | 0:46:14 | 0:46:20 | |
bear in mind, Mark was disappointed
to crash out of the UK Championship. | 0:46:20 | 0:46:26 | |
He had trouble with the tip. His
wife was ill, when he was in York, | 0:46:26 | 0:46:32 | |
but he should have won that match.
It came off the back of winning the | 0:46:32 | 0:46:39 | |
northern Ireland and going to then
play in York, tiredness might have | 0:46:39 | 0:46:43 | |
kicked in. He wanted to get home to
his wife, who had not been well, so | 0:46:43 | 0:46:48 | |
many factors involved. For Mark
Williams, he is the form player and | 0:46:48 | 0:46:54 | |
Mark Selby needs to start potting
balls quickly. Mark Selby indeed has | 0:46:54 | 0:47:00 | |
a game on his hands. | 0:47:00 | 0:47:06 | |
Mark Selby has not had a pot to go
at. We had one before the re-rack in | 0:47:34 | 0:47:40 | |
the opening frame, but he has not
had a chance since. | 0:47:40 | 0:47:44 | |
What a way to start the match, a
break of 135. | 0:47:52 | 0:47:59 | |
Just a bit of distraction in his
eyeline. You could see the referee | 0:48:18 | 0:48:25 | |
holding up his hand. It could be a
photographer or someone in the | 0:48:25 | 0:48:29 | |
background. | 0:48:29 | 0:48:37 | |
The referee from Belgium. One of the
top referees and has been for many | 0:48:37 | 0:48:41 | |
years. He works in a hospital and
has time off for his referee duties. | 0:48:41 | 0:48:51 | |
What a fluke. | 0:48:52 | 0:48:54 | |
Awkward bridging. He caught the red
to thick and then he got the fluke | 0:49:02 | 0:49:12 | |
on the plant. | 0:49:12 | 0:49:13 | |
I am not sure... The black will not
go in the right corner and the red | 0:49:16 | 0:49:23 | |
might be blocking it from the left.
The pink is available. | 0:49:23 | 0:49:27 | |
It will not go in that pocket and
certainly not the other, so this is | 0:49:42 | 0:49:47 | |
not a good chance for Mark Williams
just yet. What a body blow if he | 0:49:47 | 0:49:54 | |
could knock a sizeable break in
after that fluke. | 0:49:54 | 0:50:05 | |
It was too far for the blue. I think
it will be a red to the right | 0:50:26 | 0:50:39 | |
corner. One of the reds above the
black. So, the first piece of bad | 0:50:39 | 0:50:49 | |
cueing that Mark Williams has put
into this match. There was a lot of | 0:50:49 | 0:50:52 | |
movement. I do not think it will
cost him too many points, the fact | 0:50:52 | 0:51:00 | |
he missed the yellow, he did not get
the cue ball anywhere near he | 0:51:00 | 0:51:05 | |
wanted. They red will pot between
the pink and black, but there is no | 0:51:05 | 0:51:12 | |
colour available, so there is no
value in it. That is why he is not | 0:51:12 | 0:51:16 | |
even entertaining the pot. | 0:51:16 | 0:51:18 | |
He could have played that better. | 0:51:22 | 0:51:28 | |
Mark's target will be to get the
white somewhere near the yellow and | 0:51:30 | 0:51:34 | |
he might be able to take a shot to
nothing on. The red may pot into the | 0:51:34 | 0:51:39 | |
right corner. | 0:51:39 | 0:51:47 | |
It all depends on the angle he has
on the brown as to whether he can | 0:51:53 | 0:51:57 | |
get up to the reds. He has the angle
to get up to the red Mark Selby had | 0:51:57 | 0:52:07 | |
available, but it was no use to him
because there was no colour | 0:52:07 | 0:52:10 | |
available. | 0:52:10 | 0:52:16 | |
That was well played. He still has a
lot of work to do. | 0:52:17 | 0:52:27 | |
The red closest to the black
cushion, he played to finish lower | 0:52:27 | 0:52:32 | |
because he could have possibly
developed the black and flick the | 0:52:32 | 0:52:38 | |
red away to the right. If you place
this to the right corner, he is | 0:52:38 | 0:52:45 | |
trusting to luck with the position.
He gets top spin on the cue ball, | 0:52:45 | 0:52:53 | |
and he would be unlucky to not be on
anything. Well, he played that well. | 0:52:53 | 0:53:01 | |
The cue ball is going to the
cushion, but that was pretty well | 0:53:01 | 0:53:06 | |
controlled. The gap he finds. | 0:53:06 | 0:53:08 | |
It was not easy, tucked up on the
cushion, so the first half chance | 0:53:21 | 0:53:26 | |
falls to Mark Selby. When you are
tight on the cushion at that angle, | 0:53:26 | 0:53:30 | |
they are never easy. It is not a
good chance for Mark Selby. The | 0:53:30 | 0:53:41 | |
black is out, the pink is awkward,
the blue is off its spot. He is | 0:53:41 | 0:53:46 | |
looking at the red to the right
corner. I think the pink is | 0:53:46 | 0:53:51 | |
available to the left middle. | 0:53:51 | 0:53:58 | |
At the moment it is a half chance.
Mark Selby will not see it that way. | 0:54:15 | 0:54:23 | |
He will look at it as an opportunity
to get his first frame on the board. | 0:54:23 | 0:54:31 | |
The black is tied up, but everything
else is pretty well situated. | 0:54:31 | 0:54:36 | |
With only the pink to play for,
pinpoint accuracy is required with | 0:55:32 | 0:55:37 | |
the position every shot. | 0:55:37 | 0:55:45 | |
He could've done with a good two,
more inches to make this pink | 0:56:47 | 0:56:57 | |
He could've done with a good two,
more inches to make this pink. He | 0:56:57 | 0:57:01 | |
could still hold for one of those to
the left corner. | 0:57:01 | 0:57:04 | |
It could have gone wrong. | 0:57:18 | 0:57:26 | |
As long as he is not dead straight
on the blue he is OK and he has a | 0:57:38 | 0:57:44 | |
slight angle to work with. | 0:57:44 | 0:57:51 | |
There are still a couple more reds
available into the left corner | 0:58:03 | 0:58:06 | |
pocket. | 0:58:06 | 0:58:10 | |
He is doing what Mark Selby does
well indeed, when his back is | 0:58:10 | 0:58:17 | |
against the wall, he produces his
best, usually. | 0:58:17 | 0:58:21 | |
The red just above the black and
cannon the other one away and leave | 0:58:31 | 0:58:37 | |
himself on the black. Would he be
too high, possibly? | 0:58:37 | 0:58:47 | |
He ran slightly out of position. We
saw Mark's wife Vikki watching on. | 0:58:49 | 0:59:01 | |
She knows he is faced with a tricky
shot. | 0:59:01 | 0:59:09 | |
shot. I think he took the risk out
of covering the black as Stephen | 0:59:09 | 0:59:15 | |
suggested and that is why it went
slightly wrong. He played a good | 0:59:15 | 0:59:18 | |
recovery shot. That is a pretty good
recovery shot if it keeps coming. | 0:59:18 | 0:59:32 | |
It was a natural angle on the blue
to drop on the reds but he still | 0:59:34 | 0:59:38 | |
have to play it, and he played it
well. He has turned this half chance | 0:59:38 | 0:59:46 | |
into a frame-winning visit, it looks
like. He needed it. | 0:59:46 | 0:59:51 | |
Just this red needed to leave Mark
Williams at the | 1:00:00 | 1:00:10 | |
Williams at the snookers required
stage. What a cracking match we have | 1:00:10 | 1:00:13 | |
on our hands here. One mistake and
the frame is over, at the moment. | 1:00:13 | 1:00:24 | |
Frame over. Can he flew the green? | 1:01:26 | 1:01:34 | |
Just the one mistake from Mark
Williams, the miss of the yellow, | 1:01:34 | 1:01:42 | |
which was all Mark Selby needed. | 1:01:42 | 1:01:48 | |
Williams, the miss of the yellow,
which was all Mark Selby needed. | 1:01:48 | 1:01:49 | |
STUDIO: Mark Selby comes firing out
of his corner. That is the beauty of | 1:01:49 | 1:01:54 | |
the Masters tournament, especially
when you have best of 11 matches. | 1:01:54 | 1:01:57 | |
You might be 2-0 in front, but all
you need is to take your eye off the | 1:01:57 | 1:02:03 | |
ball, and your opponent is back in
it. That was a great frame. To get | 1:02:03 | 1:02:08 | |
off to a good run was an important
thing to do in that break. He knows | 1:02:08 | 1:02:14 | |
the significance of that, as great
champions do, and he settled down | 1:02:14 | 1:02:18 | |
quite | 1:02:18 | 1:02:28 | |
well, considering he hadn't hit a
ball in the first two frames. Just | 1:02:31 | 1:02:34 | |
what he needed. Quite a few balls.
That's what great champions do. They | 1:02:34 | 1:02:36 | |
have the confidence, when a chance
comes their way, that they are going | 1:02:36 | 1:02:39 | |
to take it. Mark Williams will be
aware that if he goes two or three | 1:02:39 | 1:02:42 | |
frames, Mark Selby never gives up.
He has a history of flooring match | 1:02:42 | 1:02:47 | |
back when he's been so far behind.
When you are playing a great player, | 1:02:47 | 1:02:55 | |
you have to keep on top of them all
the time. And there is pressure as | 1:02:55 | 1:03:00 | |
well. You know if you miss, you are
giving him a chance. We've had | 1:03:00 | 1:03:07 | |
breaks of 135, 89 from Williams, and
that one from Selby. That's only | 1:03:07 | 1:03:11 | |
going to get better. Exceptional.
For Mark Selby, not having had the | 1:03:11 | 1:03:20 | |
best of seasons so far, to have the
temperament to prepare for this | 1:03:20 | 1:03:23 | |
event and get going, and then you
lose the first two frames to a | 1:03:23 | 1:03:31 | |
player who is just buzzing. The
temperament you need to not let your | 1:03:31 | 1:03:36 | |
head drop and not panic... We are
talking about two champions here, | 1:03:36 | 1:03:43 | |
two guys who are very seasoned. They
know these championships so well, | 1:03:43 | 1:03:49 | |
and they can handle these moments.
They have been in this situation | 1:03:49 | 1:03:54 | |
many times. When you are out there,
Edu try and recall some of those | 1:03:54 | 1:03:58 | |
great matches you've been involved
in. Certain situations will remind | 1:03:58 | 1:04:02 | |
you of that. You will think, I did
it against this player while ago. | 1:04:02 | 1:04:08 | |
That will give you the calmness and
the confidence to think, if the | 1:04:08 | 1:04:13 | |
chance comes, I will do it again. In
this position however many years | 1:04:13 | 1:04:18 | |
ago, however many champions to go --
championships ago, do you think you | 1:04:18 | 1:04:25 | |
have a chance? | 1:04:25 | 1:04:26 | |
championships ago, do you think you
have a chance? As he has got older, | 1:04:26 | 1:04:31 | |
he will expect Mark Selby to produce
on the big stage. More impressed at | 1:04:31 | 1:04:36 | |
the moment with Mark Williams'
performance. Looks like a cracking | 1:04:36 | 1:04:41 | |
match is unfolding.
COMMENTATOR: Mark went out for a | 1:04:41 | 1:04:47 | |
couple of minutes there, but there's
no trophy there, I suddenly noticed. | 1:04:47 | 1:04:54 | |
It was shining in Mark's byline. | 1:04:54 | 1:05:01 | |
It was shining in Mark's byline. A
beautiful Waterford Crystal trophy. | 1:05:01 | 1:05:07 | |
It was potting Mark off a bit, so it
has been removed. He's not been here | 1:05:09 | 1:05:16 | |
a few years, and his first match
back, he wants the trophy moved. | 1:05:16 | 1:05:24 | |
Have you still got the one they
presented to you. You won five, and | 1:05:24 | 1:05:32 | |
got the original trophy? Yes, still
got it. I was very fortunate that | 1:05:32 | 1:05:39 | |
the sponsors did that. | 1:05:39 | 1:05:46 | |
the sponsors did that. It's strange,
though, because he only missed one | 1:05:46 | 1:05:49 | |
ball, Mark, so is potting him off? | 1:05:49 | 1:05:55 | |
The only mistake Mark Williams made
in the match was this one here. Just | 1:06:21 | 1:06:27 | |
didn't cue that as smoothly as the
rest. That is the only mistake he's | 1:06:27 | 1:06:32 | |
made in the match so far. | 1:06:32 | 1:06:36 | |
Once again, another awkward frame
here, with the red up on the green | 1:06:41 | 1:06:45 | |
spot. | 1:06:45 | 1:06:53 | |
I think, in this event, the Masters,
when you've got the best 16 players | 1:07:00 | 1:07:06 | |
in the world, although Mark Williams
hardly missed a ball the first two | 1:07:06 | 1:07:12 | |
frames, Mark Selby wouldn't be too
bothered. That's what you expect the | 1:07:12 | 1:07:17 | |
best to do. Sometimes when you are
playing in the field, you are in | 1:07:17 | 1:07:22 | |
your chair and you don't expect the
lower ranking players to do that. | 1:07:22 | 1:07:26 | |
But this will not upset Mark Selby
too much. | 1:07:26 | 1:07:37 | |
Not quite as intended. That cue ball
should have been tight to the baulk | 1:07:48 | 1:07:53 | |
cushion. A difficult shot he
attempted there. The cue ball | 1:07:53 | 1:07:59 | |
bounced a little bit, because he
raised the butt of the cue so much | 1:07:59 | 1:08:06 | |
in the air. | 1:08:06 | 1:08:09 | |
I think he was nicely on the pink,
but I think he's looking to see | 1:08:32 | 1:08:36 | |
where it gets re-spotted after he
pops it. | 1:08:36 | 1:08:46 | |
If it won't go back on its own spot,
it will have to go on the green | 1:08:47 | 1:08:52 | |
spot. That won't hinder Mark Selby
from getting on the red their back | 1:08:52 | 1:09:00 | |
it to the right of the pack if he
wishes. | 1:09:00 | 1:09:10 | |
He wobbled it a bit. Safely in the
pocket. | 1:09:10 | 1:09:19 | |
pocket. That tells the referee if
the ball will spot. I think there's | 1:09:19 | 1:09:25 | |
enough room. You need a steady hand
to do that. | 1:09:25 | 1:09:35 | |
Maybe there wasn't just enough room,
so it goes on to be only spot | 1:09:36 | 1:09:40 | |
available, the green. | 1:09:40 | 1:09:46 | |
They had a brilliant match here last
year in the first round. It went the | 1:10:02 | 1:10:07 | |
distance. Five frames all, and Mark
Selby knocked in... I think it was | 1:10:07 | 1:10:14 | |
an 80 plus match that clinched it.
The way both players are playing | 1:10:14 | 1:10:19 | |
here, I wouldn't be surprised if we
didn't have another 6-5 result. | 1:10:19 | 1:10:27 | |
Nice angle on the blue. Tricky going
into the pack because of that one | 1:11:09 | 1:11:17 | |
lose red just to the top of them. | 1:11:17 | 1:11:26 | |
You see, the cue ball just goes to
ride before the top spin takes | 1:12:07 | 1:12:14 | |
effect. That's why he didn't get
into the middle of the bunch with | 1:12:14 | 1:12:18 | |
the cue ball. | 1:12:18 | 1:12:21 | |
REFEREE: Foul. Mark Williams, four.
That has cost him four points, but | 1:12:34 | 1:12:45 | |
he hasn't left anything easy for
Mark Williams here. | 1:12:45 | 1:12:50 | |
If he can find an angle... He
doesn't like it. He was thinking | 1:12:56 | 1:13:02 | |
about taking the red on and playing
up for the black, but decided to try | 1:13:02 | 1:13:07 | |
and put Mark Selby in a spot of
bother here. Oh, he's played the | 1:13:07 | 1:13:13 | |
double. I'm surprised. I'm surprised
he's done that. I'm very surprised | 1:13:13 | 1:13:22 | |
as well. OK, he put the cue ball in
a place where he thought he couldn't | 1:13:22 | 1:13:28 | |
miss it, but a very risky shot. A
pretty simple safety shot could have | 1:13:28 | 1:13:35 | |
put Mark Selby in a lot of trouble.
He is excellent at doubles, Mark | 1:13:35 | 1:13:43 | |
Williams, to be fair, but they are
never guarantees. | 1:13:43 | 1:13:50 | |
never guarantees. The last thing you
want to be doing is giving Mark | 1:13:50 | 1:13:53 | |
Selby gifts. | 1:13:53 | 1:14:01 | |
As I mentioned earlier, these
matches are the best of 11. The | 1:14:04 | 1:14:09 | |
interval will be after this frame. | 1:14:09 | 1:14:18 | |
There may be a chance now that we
will go to that mid-session interval | 1:14:20 | 1:14:27 | |
all square, two frames each. Just
finished a little awkward there. | 1:14:27 | 1:14:37 | |
He has to be careful not to screw
off the reds and into the middle | 1:14:37 | 1:14:42 | |
pocket. That's OK. Played it well. | 1:14:42 | 1:14:51 | |
That's just OK. Always a little
concerned, when you are playing a | 1:15:40 | 1:15:48 | |
delicate cannon like that. | 1:15:48 | 1:15:59 | |
This blue will leave Mark Williams
needing a snooker. | 1:16:03 | 1:16:13 | |
This has been a match so far
befitting this event, a premier | 1:16:28 | 1:16:33 | |
event in World Snooker, the best
players in the world. A great match | 1:16:33 | 1:16:38 | |
so far. The first two frames to Mark
Williams. The second two to Mark | 1:16:38 | 1:16:44 | |
Selby. Where is that white going? It
pulled up. Here is a tester, Dennis. | 1:16:44 | 1:16:59 | |
Wants to drop this in dead weight
for the black. It's the sort of shot | 1:16:59 | 1:17:08 | |
he's pretty good at. | 1:17:08 | 1:17:16 | |
He looked round at Mark Selby and
said, that's enough. What a fabulous | 1:17:20 | 1:17:26 | |
match so far. Breaks of 135, 89 and
70, and all square at the | 1:17:26 | 1:17:34 | |
mid-session interval. Two frames
each. | 1:17:34 | 1:17:37 | |
STUDIO: I'm going to let | 1:17:37 | 1:17:39 | |
each.
STUDIO: I'm going to let you into a | 1:17:39 | 1:17:40 | |
secret here. On frame two, you said
it was going to go all the way. I | 1:17:40 | 1:17:46 | |
thought, have you seen the score?
Back you were bang on. It's amazing | 1:17:46 | 1:17:51 | |
how one frame can change everything
sometimes. Mark Selby now looks the | 1:17:51 | 1:17:56 | |
stronger of the two players. He will
be much happier. Although Mark | 1:17:56 | 1:18:01 | |
Williams never missed a ball, Mark
Selby will be the happier of the two | 1:18:01 | 1:18:07 | |
players in the interval. What seems
to happen, and I noticed it when I | 1:18:07 | 1:18:12 | |
played, in a game where you got off
to a good start and you hadn't | 1:18:12 | 1:18:15 | |
missed a ball, and you win the first
frame and the other guy doesn't pot | 1:18:15 | 1:18:20 | |
a ball, and then the same thing
happens... There is pressure on you | 1:18:20 | 1:18:24 | |
to keep on keeping the pressure on
your opponent. And at some stage you | 1:18:24 | 1:18:29 | |
are going to miss, and that is when
the bubble seems to burst. If the | 1:18:29 | 1:18:36 | |
other guy is strong enough, he gets
back into it. Doesn't matter how | 1:18:36 | 1:18:39 | |
good the start was... The other guy
gets his tail up because he has | 1:18:39 | 1:18:45 | |
recovered. Take us into the dressing
room, Ken. If you are Mark Williams | 1:18:45 | 1:18:50 | |
now, you have played well, got a
break of 135 and 89, and somebody | 1:18:50 | 1:18:57 | |
like Mark Selby draws back at you,
what are you thinking? If I was in | 1:18:57 | 1:19:02 | |
the dressing room, I would say, you
haven't missed a ball. It's 2-2. It | 1:19:02 | 1:19:08 | |
is a new match now when you go back
out. Just relax and keep doing what | 1:19:08 | 1:19:12 | |
you are doing. The interval has had
at a good time for Mark Williams. | 1:19:12 | 1:19:21 | |
But for Mark Selby, he will be going
into the dressing room thinking, | 1:19:21 | 1:19:26 | |
well, I have turned this match
around. That is the beauty of the | 1:19:26 | 1:19:31 | |
Masters. And it is interesting,
having in interval. And interval is | 1:19:31 | 1:19:36 | |
not what the players need in a game
of snooker sometimes. Obviously, the | 1:19:36 | 1:19:41 | |
crowd needs it. Mark Williams has
lost the chance to capitalise on | 1:19:41 | 1:19:47 | |
jumping the gun on Mark Selby. He's
back to square one. Certainly, he | 1:19:47 | 1:19:52 | |
will be going, I could have kept
that up, I could have done better. | 1:19:52 | 1:19:57 | |
There is a pressure on the guy in
front. Always has been, always will | 1:19:57 | 1:20:03 | |
be. Especially because you know, if
you get a great start, you can beat | 1:20:03 | 1:20:07 | |
your opponent 4-0 in the first
session. If you don't do that, you | 1:20:07 | 1:20:13 | |
can be disappointed. Remember when
we were here two years ago, when | 1:20:13 | 1:20:18 | |
Ronnie O'Sullivan wiped the floor
with Ricky Walden in 45 minutes? | 1:20:18 | 1:20:23 | |
That can happen. Anything can happen
when you are playing Ronnie | 1:20:23 | 1:20:26 | |
O'Sullivan. The standard of the
first four frames has been great. We | 1:20:26 | 1:20:32 | |
thought it was going to be a little
more safety, more tactical, but it | 1:20:32 | 1:20:38 | |
hasn't been like that at all. Both
players have scored well when | 1:20:38 | 1:20:41 | |
they've got the chance. Lets focus
on Mark Selby. It has been a couple | 1:20:41 | 1:20:47 | |
of fantastic years with Leicester,
with Leicester winning the league, | 1:20:47 | 1:20:54 | |
and then Mark Selby doing so well in
snooker. He's not the only king | 1:20:54 | 1:20:59 | |
there. | 1:20:59 | 1:21:06 | |
there. Jamie, good to see you. An
interesting place, this. Looking | 1:21:07 | 1:21:09 | |
forward to seeing the history. Shall
we have a look around? Why not? I | 1:21:09 | 1:21:19 | |
know it's been here for many years,
but I've not really set foot in the | 1:21:19 | 1:21:23 | |
place, which is a shame, being a
local lad from Leicester, and the | 1:21:23 | 1:21:29 | |
history in this building. Especially
when I used to practice at a club | 1:21:29 | 1:21:33 | |
down the road. It's nice to be here
today, and I'm sure I will leave | 1:21:33 | 1:21:38 | |
here with some great memories.
COMMENTATOR: What a win for Mark | 1:21:38 | 1:21:42 | |
Selby! His third world title. I
still have to pinch myself a bit. | 1:21:42 | 1:21:51 | |
When I won it for the first time, it
was something I would always strive | 1:21:51 | 1:21:57 | |
for, as a professional. To win it
for a third time was remarkable. Do | 1:21:57 | 1:22:02 | |
you feel like a legend? Because you
are a legend. Do not really. I just | 1:22:02 | 1:22:08 | |
feel like I am Mark Selby, a lad who
grew up in Leicester, didn't have | 1:22:08 | 1:22:17 | |
much money. I'm the same person. Is
that the secret of your success? | 1:22:17 | 1:22:21 | |
That you are the same person and you
don't get emotional? Possibly. That | 1:22:21 | 1:22:26 | |
is a credit to my father. Keep your
feet on the ground, don't let | 1:22:26 | 1:22:30 | |
anything change you. I think I had
that instilled in me as a boy. One | 1:22:30 | 1:22:36 | |
of only four players to retain the
title. You are currently on the | 1:22:36 | 1:22:43 | |
fourth longest run as world number
one as well. Some great players | 1:22:43 | 1:22:47 | |
above you have achieved that, Ray
Reardon, Steve Davis, Stephen | 1:22:47 | 1:22:52 | |
Hendry. That seems strange. You just
asked me if I think I am a legend, | 1:22:52 | 1:22:58 | |
and I don't. But I'd class those
players as legends. To be in the | 1:22:58 | 1:23:05 | |
category with them, when I finish my
career, perhaps I will look at it | 1:23:05 | 1:23:08 | |
like that, but at the moment, I
don't see it like that. | 1:23:08 | 1:23:17 | |
don't see it like that. We are going
to get you dressed for battle. No | 1:23:18 | 1:23:21 | |
problem. Let's go. It is the weight
that makes it heavy. That will go | 1:23:21 | 1:23:31 | |
round like that. Let's buckle you
up. This will hopefully protect you | 1:23:31 | 1:23:38 | |
from sword cuts. Nothing like a
waistcoat! Lovely. I'm not sure | 1:23:38 | 1:23:43 | |
lovely... How did you know it was my
size? It's a gift. I'm going to go | 1:23:43 | 1:23:53 | |
with Ebacc and breastplate now. This
is going to go over there like that. | 1:23:53 | 1:24:00 | |
You might have to hold on for -- to
me in a minute, so I don't collapse. | 1:24:00 | 1:24:08 | |
For a best-of-7, I might get away
with it, but not the 11s! Do you | 1:24:08 | 1:24:15 | |
feel comfortable? I could run the
100 metres in it! 32 waste, is it? | 1:24:15 | 1:24:28 | |
There we go. That's better. Let's
make the helmet fit. It might ruin | 1:24:28 | 1:24:33 | |
your hair a bit. Now that's a look,
isn't it? What a look. This is | 1:24:33 | 1:24:41 | |
lovely. Beautiful. Look at that. A
good two-handed sword there. I'm | 1:24:41 | 1:24:53 | |
strong enough to hold it one-handed.
Go on! | 1:24:53 | 1:25:02 | |
Go on! That's why I'm all padded up.
I think I might keep the hat. I feel | 1:25:02 | 1:25:08 | |
like I've squeezed into a baked bean
tin. I'll be off then! Going for a | 1:25:08 | 1:25:16 | |
walk through town. It's a good look.
Like a cricketer. When you take all | 1:25:16 | 1:25:23 | |
that off, is going to be awful. Like
Edward Scissorhands. Being the world | 1:25:23 | 1:25:30 | |
champion three times, does that give
you an aura when you go out there? I | 1:25:30 | 1:25:35 | |
suppose it gives you more of a fear
factor from your opponents when they | 1:25:35 | 1:25:40 | |
play you. I don't feel it gives me
an aura myself. If you go out there | 1:25:40 | 1:25:45 | |
and play well, it feels good, if
not, get back on the practice table. | 1:25:45 | 1:25:50 | |
To win the World Championships again
would be my aim. If I did have any | 1:25:50 | 1:25:56 | |
goals to set, that would be my aim. | 1:25:56 | 1:26:00 | |
would be my aim. If I did have any
goals to set, that would be my aim. | 1:26:00 | 1:26:01 | |
This is a big moment for Ronnie, to
break Stephen Hendry's record. He | 1:26:01 | 1:26:07 | |
will be absolutely delighted when he
reflects on this, because, for the | 1:26:07 | 1:26:13 | |
seventh time, he is Masters
champion. Congratulations. No | 1:26:13 | 1:26:18 | |
seventh time, he is Masters
champion. Congratulations. No | 1:26:18 | 1:26:19 | |
disrespect to any other player, but
Ronnie is still the pinnacle of our | 1:26:19 | 1:26:22 | |
sport. He is the one everyone is
aiming for. To play him in a final, | 1:26:22 | 1:26:28 | |
if I could pick anyone, it would be
him. Is there a bigger respect | 1:26:28 | 1:26:34 | |
between the two of you, because he
has said complimentary things about | 1:26:34 | 1:26:38 | |
you? I have played him in finals and
beaten him, so hopefully I have his | 1:26:38 | 1:26:44 | |
respect. I can just carry on and
keep doing what I'm doing. If I have | 1:26:44 | 1:26:49 | |
his respect, great, if not, I will
carry on doing what I'm doing. Do | 1:26:49 | 1:26:55 | |
you only enjoy it if you win, or
would you still want to play beyond | 1:26:55 | 1:27:00 | |
tour if you are competitive? I would
still play. You enjoy it more if you | 1:27:00 | 1:27:07 | |
are winning than if you are losing.
I still enjoy the practising, and I | 1:27:07 | 1:27:12 | |
still get a buzz when I go to the
tournaments. I am hopefully still at | 1:27:12 | 1:27:17 | |
the pinnacle of my career. I've
never played for the money since I | 1:27:17 | 1:27:22 | |
turned professional. I just want to
try and win as many tournaments as | 1:27:22 | 1:27:26 | |
possible. I've always enjoyed the
game. | 1:27:26 | 1:27:33 | |
game. Mark Selby, some competitor,
isn't he? When you look at him at | 1:27:35 | 1:27:38 | |
the moment, it's probably a good
thing that Ronnie O'Sullivan is | 1:27:38 | 1:27:42 | |
still around, because any sport, you
want to chase the very best. We | 1:27:42 | 1:27:47 | |
could sit around and discuss all day
long whether Mark Selby all Ronnie | 1:27:47 | 1:27:51 | |
O'Sullivan is the best player on the
circuit. I think Ronnie is the | 1:27:51 | 1:27:56 | |
barometer. If he wants to beat
anyone in the final, it would | 1:27:56 | 1:28:01 | |
definitely be Ronnie O'Sullivan. To
beat the best in the world in a | 1:28:01 | 1:28:05 | |
final, it is every player's dream.
They want to play against the best | 1:28:05 | 1:28:11 | |
players in the biggest finals.
Ronnie has set the benchmark, just | 1:28:11 | 1:28:16 | |
like Stephen Hendry did for the
likes of Ronnie O'Sullivan. | 1:28:16 | 1:28:25 | |
Conversations we have had with Mark,
in the practice tables and the | 1:28:25 | 1:28:31 | |
studio and out and about, I get the
feeling he is not the type of player | 1:28:31 | 1:28:37 | |
who gets rattled. Do you think it
privately rattles him the fact that | 1:28:37 | 1:28:41 | |
the media focus on Ronnie O'Sullivan
and the fact he is still around, | 1:28:41 | 1:28:45 | |
despite the fact Mark Selby is the
world champion? I don't think so. He | 1:28:45 | 1:28:50 | |
speaks highly of Ronnie, and has
respect for him. In what sport would | 1:28:50 | 1:28:56 | |
you have the world number one saying
he looks up to Ronnie O'Sullivan? In | 1:28:56 | 1:29:01 | |
another sport, they wouldn't say
that. They would say, I am the world | 1:29:01 | 1:29:05 | |
number one, look at me. That is why
he has had so much success. He is | 1:29:05 | 1:29:11 | |
very grounded and doesn't get
carried away, and just wants to win | 1:29:11 | 1:29:15 | |
trophies. In other sports there is
the trash talking, which doesn't | 1:29:15 | 1:29:19 | |
happen in snooker. We need more of
that! Talking of trash talk, I have | 1:29:19 | 1:29:26 | |
no idea what has happened to snooker
trophies, but when I was watching as | 1:29:26 | 1:29:31 | |
a kid, they were much bigger. What
has happened? This has been replaced | 1:29:31 | 1:29:36 | |
by Steve Davis, and you will
probably get more chat out of it | 1:29:36 | 1:29:40 | |
than Steve Davis. This is the Irish
Masters trophy. It is a trophy that | 1:29:40 | 1:29:48 | |
Steve has won before. It is there
because we are going to have a chat | 1:29:48 | 1:29:53 | |
with Steve now and ask him about it.
He is far too modest and doesn't | 1:29:53 | 1:29:57 | |
want to spend too much time talking
about it! Kvitova tour has been | 1:29:57 | 1:30:04 | |
created for the over 40s. If you are
an ex-snooker player and want to get | 1:30:04 | 1:30:10 | |
into the game, this is a chance for
you. I was brought into play at the | 1:30:10 | 1:30:16 | |
Irish Masters at short notice, and I
accidentally won it. Getting back to | 1:30:16 | 1:30:21 | |
the proper Masters here and how good
a player Mark Selby is, a superb | 1:30:21 | 1:30:28 | |
player. Technique wise, over the
years, we know from when he plays, | 1:30:28 | 1:30:32 | |
he | 1:30:32 | 1:30:32 | |
years, we know from when he plays,
he seems to move his head a lot. It | 1:30:32 | 1:30:35 | |
is not on the shot, but during the
preparation. He gets down and his | 1:30:35 | 1:30:40 | |
head seems to be swaying like this.
An unusual thing to do. | 1:30:40 | 1:30:47 | |
You are taught to keep as still as
possible when playing. Sometimes he | 1:30:48 | 1:30:53 | |
sways a little bit by going short
of. He wants to go shorter | 1:30:53 | 1:30:57 | |
sometimes. But fantastic Key West.
If you are watching from five, six | 1:30:57 | 1:31:04 | |
years ago, a lot of movement
beforehand -- cueist. It is | 1:31:04 | 1:31:13 | |
important to keep as still as
possible on the shot, which is | 1:31:13 | 1:31:17 | |
something I did not do in the 1985
final against Dennis Taylor on the | 1:31:17 | 1:31:23 | |
black and over the years I have been
asked to play that black again but | 1:31:23 | 1:31:30 | |
in the 1998 final against... I see
where you are going. We have some | 1:31:30 | 1:31:36 | |
footage of you playing this black.
It was not as close to the pocket as | 1:31:36 | 1:31:41 | |
that. Fair enough. You are trying to
keep still on the shot. Of course, | 1:31:41 | 1:31:48 | |
especially on these shots, dead
weight shots. Did it roll off? I | 1:31:48 | 1:31:57 | |
think it did. No, it didn't. Would
you put the balls in the same | 1:31:57 | 1:32:04 | |
position. The black was over the
pocket. Was it their? Fair enough. | 1:32:04 | 1:32:12 | |
About their? Yes. It was a smelly
shot. You want me to play it? Try to | 1:32:12 | 1:32:19 | |
keep your head still. It is a
horrible cue, by the way. Exactly | 1:32:19 | 1:32:29 | |
the same result. I cannot play that
shot. Unlucky, never mind. Another | 1:32:29 | 1:32:36 | |
ten, 20 years to go.
Back to the studio. | 1:32:36 | 1:32:38 | |
ten, 20 years to go.
Back to the studio. | 1:32:38 | 1:32:41 | |
STUDIO: Before we go back to the
match, we can remind you how we | 1:32:41 | 1:32:45 | |
STUDIO: Before we go back to the
match, we can remind you how we line | 1:32:45 | 1:32:46 | |
up this evening. You will not miss a
shot with the BBC coverage. Mark | 1:32:46 | 1:32:51 | |
Allen and Luca Brecel and highlights
also. | 1:32:51 | 1:33:03 | |
All the coverage on the BBC Sport
website and app. If you are joining | 1:33:03 | 1:33:08 | |
us, this is what you have missed so
far. | 1:33:08 | 1:33:12 | |
us, this is what you have missed so
far. Mark Selby and Mark Williams, | 1:33:12 | 1:33:16 | |
two players who know each other well
and a fantastic start from Mark | 1:33:16 | 1:33:21 | |
Williams with a break of 135 in
frame one. The Alexandra Palace | 1:33:21 | 1:33:29 | |
crowd loving this from Mark
Williams, rolling back the years. A | 1:33:29 | 1:33:33 | |
fantastic reds to set up a break of
89. Mark Selby fired back in frame | 1:33:33 | 1:33:41 | |
three with a break of 17. 14 minutes
and 30 seconds. -- 70. In frame | 1:33:41 | 1:33:51 | |
four, he'd drew level with 37 and 36
breaks, which means we went into the | 1:33:51 | 1:33:59 | |
mid-session interval two apiece. | 1:33:59 | 1:34:08 | |
And here we are, these are the live
pictures. The fans, having coffee or | 1:34:08 | 1:34:15 | |
tea, maybe something stronger on
this Sunday lunchtime, heading back | 1:34:15 | 1:34:19 | |
into their seats. Ken, it is a high
quality contest and this is what you | 1:34:19 | 1:34:24 | |
would expect. Absolutely. Top
quality first four frames and | 1:34:24 | 1:34:29 | |
important this frame for Mark
Williams to steady the ship and stop | 1:34:29 | 1:34:35 | |
the run from Mark Selby and it will
be interesting to watch the opening | 1:34:35 | 1:34:40 | |
exchanges. They have played each
other on so many occasions. Let's | 1:34:40 | 1:34:45 | |
hand you back to Stephen Hendry and
Dennis Taylor. | 1:34:45 | 1:34:50 | |
DENNIS TAYLOR: Thank you, Jason.
People are still coming back. A | 1:34:50 | 1:34:54 | |
packed house at the Alexandra
Palace. What a treat, watching for | 1:34:54 | 1:35:03 | |
the first four frames. | 1:35:03 | 1:35:11 | |
the first four frames. Mark
backstage as usual, having a little | 1:35:11 | 1:35:14 | |
sandwich, totally chilled out, as he
always is. | 1:35:14 | 1:35:24 | |
As I said earlier, there is nothing
Mark Selby did in the last two | 1:35:31 | 1:35:36 | |
frames that Mark Williams would not
have been surprised about. He would | 1:35:36 | 1:35:40 | |
have expected a reaction from his
opponent. He would have been | 1:35:40 | 1:35:45 | |
disappointed at missing the yellow
in frame three, because he was | 1:35:45 | 1:35:48 | |
flying at that point. | 1:35:48 | 1:35:50 | |
He may be able to take this red on,
although the angle is not good, no, | 1:36:04 | 1:36:10 | |
he can't, he will play the safety
shot. A little bit straighter, he | 1:36:10 | 1:36:15 | |
could have had a go and got on the
black in such a way he would not | 1:36:15 | 1:36:20 | |
have left anything available. | 1:36:20 | 1:36:26 | |
have left anything available. There
seems to be a lot of noise in the | 1:36:26 | 1:36:28 | |
arena somewhere. | 1:36:28 | 1:36:29 | |
Not his best. A bit slack, that
safety shot. | 1:36:35 | 1:36:50 | |
REFEREE: Foul. What a miss that was.
He needed the red to stay tight, | 1:37:04 | 1:37:17 | |
cushion. He finished up screwing
into the pocket. If he had hit the | 1:37:17 | 1:37:26 | |
red fuller, that would not have
happened. And he underhit that. It | 1:37:26 | 1:37:32 | |
was a tricky red he was faced with.
I think he put everything into the | 1:37:32 | 1:37:41 | |
pot. They are difficult along the
cushions. He forgot to hit the white | 1:37:41 | 1:37:46 | |
hard enough. Should have been beyond
the baulk line. | 1:37:46 | 1:37:56 | |
The fact there is a red either side
of the bunch, the normal escape | 1:37:57 | 1:38:02 | |
route to the side of the reds is not
straightforward and he could leave a | 1:38:02 | 1:38:07 | |
pot on, so he will have to give this
a little bit of thought. | 1:38:07 | 1:38:17 | |
REFEREE: Foul and a miss. That was a
misjudgement. He will have it put | 1:38:32 | 1:38:39 | |
back. Mark has blocked the one
cushion skate to the right side of | 1:38:39 | 1:38:44 | |
the reds, which is why he was trying
to go twice across -- one cushion | 1:38:44 | 1:38:51 | |
escape. He still has to be careful.
He could hit the wrong red and leave | 1:38:51 | 1:39:00 | |
a pot on. | 1:39:00 | 1:39:05 | |
He is just saying to the referee he
could not go off two cushions to | 1:39:10 | 1:39:16 | |
clip the red. | 1:39:16 | 1:39:22 | |
clip the red. Just a slight
adjustment was required. | 1:39:25 | 1:39:27 | |
Is that the pink? REFEREE: Foul and
a miss. | 1:39:33 | 1:39:40 | |
He is trying to get to the red just
behind the pink. | 1:39:40 | 1:39:51 | |
Because if he comes off two
cushions, if he hits that red, he | 1:39:55 | 1:40:00 | |
would need the other red, which is
why he is having to be precise to | 1:40:00 | 1:40:05 | |
avoid hitting that one. | 1:40:05 | 1:40:11 | |
This looked better. Yes, well
played. | 1:40:11 | 1:40:20 | |
In fact, there is no way back down
the table for Mark Williams. There | 1:40:23 | 1:40:29 | |
is not a lot available here. | 1:40:29 | 1:40:37 | |
That was all he could do. He just
hand speed tactical advantage to | 1:40:43 | 1:40:48 | |
Mark Selby. -- he handed the
tactical advantage to Mark Selby. | 1:40:48 | 1:41:01 | |
It is very fast flowing action in
the match so far. I expected a lot | 1:41:54 | 1:42:01 | |
more tactical play. Both players
have been playing so well. They got | 1:42:01 | 1:42:09 | |
a chance, that was all they needed
to take the frame. This might be a | 1:42:09 | 1:42:14 | |
more tactical frame now the black is
on the cushion. | 1:42:14 | 1:42:20 | |
That was unlucky to cannon and send
it right over the pocket. It always | 1:42:54 | 1:43:03 | |
can happen. He played the shot well
enough but he could not have | 1:43:03 | 1:43:07 | |
envisaged knocking it over the
pocket. | 1:43:07 | 1:43:14 | |
The first chance for this frame
falls to Mark Selby. It was a nicely | 1:43:20 | 1:43:29 | |
controlled shot. A touch of drag on
the cue ball to make control easier. | 1:43:29 | 1:43:34 | |
Nicely on the blue. | 1:43:34 | 1:43:41 | |
He may play a cannon into the bunch
to the right of the pink. No. | 1:43:41 | 1:43:50 | |
to the right of the pink. No. Taking
the cue ball away from the pack. | 1:43:50 | 1:43:57 | |
He may be reluctant to play for the
pink. It will go on the black spot, | 1:44:20 | 1:44:27 | |
I think, if he pots it. He is
looking to see if it is available to | 1:44:27 | 1:44:31 | |
the left corner. | 1:44:31 | 1:44:34 | |
It is fascinating to watch different
players how they build their break. | 1:44:39 | 1:44:47 | |
Stephen suggested potting the blue
and the cannon. Quite a few players | 1:44:47 | 1:44:53 | |
would have played that shot. But
Mark is going about it in a slightly | 1:44:53 | 1:45:03 | |
different route. The concern is keep
knocking the ball is in. That is | 1:45:03 | 1:45:11 | |
what it is all about. | 1:45:11 | 1:45:16 | |
I do not think you plan to play this
but he is going into the bunch. And | 1:45:16 | 1:45:23 | |
that is why, because you never
guarantee control. He wanted to be | 1:45:23 | 1:45:26 | |
straight on the pink. | 1:45:26 | 1:45:32 | |
He made that look easy but almost
tight on the cushion. Needed | 1:45:49 | 1:45:55 | |
extremely good cueing. | 1:45:55 | 1:46:02 | |
extremely good cueing. And now he
has the pink in the open. And, | 1:46:02 | 1:46:08 | |
gradually, it is developing into a
decent chance. | 1:46:08 | 1:46:16 | |
That yellow, if it was on its spot,
that is where he would want to hit | 1:46:27 | 1:46:34 | |
the cushion with the cue ball where
the yellow is now so he will have to | 1:46:34 | 1:46:39 | |
play with left-hand side, side
cushion for red to the right corner | 1:46:39 | 1:46:43 | |
so he has played the shot a little
bit awkward. If he screws past the | 1:46:43 | 1:46:50 | |
yellow, he could get too much side.
That is why he played to bring the | 1:46:50 | 1:46:58 | |
cue ball on the right-hand side of
the table and that is good. | 1:46:58 | 1:47:02 | |
It has just finished awkward with
the angle. Straighter would have | 1:47:15 | 1:47:21 | |
been better to screw back off the
cushion for the pink. He can still | 1:47:21 | 1:47:26 | |
do it but it is a more awkward
angle. | 1:47:26 | 1:47:34 | |
I think he is OK. | 1:47:34 | 1:47:42 | |
He hit the last shot really well. It
was quite a good angle on the red. | 1:47:46 | 1:47:55 | |
You could see by the reaction of the
cue ball how well he timed it. | 1:47:55 | 1:48:00 | |
He seems to have moved up a gear,
Mark Selby. Just slowly starting to | 1:48:23 | 1:48:29 | |
dominate this match. | 1:48:29 | 1:48:36 | |
He could not do much in the first
two frames he lost, but since then, | 1:48:39 | 1:48:43 | |
an excellent reply. | 1:48:43 | 1:48:45 | |
I think it hurt him badly losing the
first round of the UK Championship. | 1:48:51 | 1:48:58 | |
He wants to be involved in the
biggest events until the end. I | 1:48:58 | 1:49:05 | |
think he has put in the hours on the
practice table since then. When you | 1:49:05 | 1:49:11 | |
are reigning world champion and
world number one, those defeats do | 1:49:11 | 1:49:15 | |
not half hurt. | 1:49:15 | 1:49:19 | |
You could see the head movement.
Very slight now offer Mark Selby. | 1:49:33 | 1:49:39 | |
Steve Davis and Stephen Hendry were
talking about five, six years ago, | 1:49:39 | 1:49:44 | |
the movement was more than it is
now. You can see the eyes focused on | 1:49:44 | 1:49:49 | |
the object ball before he delivers
the cue. | 1:49:49 | 1:49:57 | |
For a top snooker player there is
still an incredible amount of | 1:50:03 | 1:50:06 | |
shaking in the head. I bet he does
not even feel it. | 1:50:06 | 1:50:16 | |
51 ahead, 51 on, or will he risk
going into the bunch? If you want to | 1:50:26 | 1:50:31 | |
keep the break going, he will have
to do. | 1:50:31 | 1:50:38 | |
He was unlucky. He made sure of the
blue. He is glancing at the | 1:50:38 | 1:50:44 | |
scoreboard. He knows Mark Williams
now needs a snooker. Unlucky to get | 1:50:44 | 1:50:50 | |
the double-kiss. | 1:50:50 | 1:50:54 | |
One four point snooker needed to tie
at the moment. | 1:51:38 | 1:51:51 | |
Almost achieved his goal. He was
trying to knock the green tight on | 1:51:54 | 1:51:58 | |
the baulk cushion. | 1:51:58 | 1:52:01 | |
That was short of pace. It would
have been a good shot played harder | 1:52:15 | 1:52:21 | |
so this red to make certain of this
fifth frame. | 1:52:21 | 1:52:24 | |
It does not matter about that. Mark
Williams will stay in his seat. He | 1:53:45 | 1:53:51 | |
got off to a flyer, leading 2-0 but
now the champion leading 3-2. | 1:53:51 | 1:53:57 | |
MUSIC. | 1:54:13 | 1:54:18 | |
It has been a fabulous career for
Mark Selby, 13 ranking titles and | 1:55:00 | 1:55:05 | |
winning this great championship on
three occasions. He looks focused | 1:55:05 | 1:55:10 | |
sitting in his seat. So Mark
Williams will be out in this frame | 1:55:10 | 1:55:14 | |
to get back to the way he started
the match. A lot of people did not | 1:55:14 | 1:55:21 | |
get back in after the mid-session
interval. They are just coming back | 1:55:21 | 1:55:25 | |
in. They will not allow them in
while the frame is on. A fabulous | 1:55:25 | 1:55:30 | |
crowd at Alexandra Palace. And
probably a lot of people here for | 1:55:30 | 1:55:38 | |
the first time and they will enjoy
the atmosphere. And they are saying | 1:55:38 | 1:55:44 | |
and absolutely cracking match. It is
still difficult to pick a winner but | 1:55:44 | 1:55:47 | |
you would have to say, Stephen, Mark
Selby, as you mentioned, he has | 1:55:47 | 1:55:54 | |
moved up a gear. He seems to be
slowly stamping his authority on the | 1:55:54 | 1:55:58 | |
match. Mark Williams has not done
too much wrong but a couple of Slack | 1:55:58 | 1:56:05 | |
safety shots. The double in the
previous frame was risky. I think | 1:56:05 | 1:56:10 | |
these people must have been out
watching you play that black! It was | 1:56:10 | 1:56:16 | |
unfair to make you recreate that.
One of the great finals I | 1:56:16 | 1:56:22 | |
commentated on, Stephen. I managed
to miss it in the same way. I think | 1:56:22 | 1:56:27 | |
the tables run-off, definitely. | 1:56:27 | 1:56:35 | |
We are almost ready. A few more
spectators getting back into their | 1:56:35 | 1:56:45 | |
seats. | 1:56:45 | 1:56:55 | |
seats. Both players patiently
waiting. It is quite unusual for | 1:56:55 | 1:56:58 | |
this to happen. It is not good, to
be fair. Both players will be | 1:56:58 | 1:57:05 | |
frustrated, especially Mark Selby
because he has the upper hand and | 1:57:05 | 1:57:08 | |
will want to keep up the momentum. I
think, finally, we have everyone in. | 1:57:08 | 1:57:14 | |
Not quite in their seats yet. | 1:57:14 | 1:57:23 | |
Not quite in their seats yet. But a
fantastic audience on the first | 1:57:23 | 1:57:25 | |
Sunday of the tournament, Dennis. | 1:57:25 | 1:57:32 | |
And then it is deathly quiet as Mark
Selby breaks off. They do not mind a | 1:57:43 | 1:57:52 | |
bit of noise, as long as it is not
on the shot. | 1:57:52 | 1:58:01 | |
He played the more aggressive safety
shot and a thick contact to open the | 1:58:34 | 1:58:39 | |
red clover lot but he might have
left one to the left middle. -- to | 1:58:39 | 1:58:44 | |
open the reds up. Pretty much no
idea where the cue ball is going. He | 1:58:44 | 1:58:54 | |
will settle for vat. | 1:58:54 | 1:59:00 | |
will settle for vat. -- for vat. It
has turned out to be an amazing | 1:59:00 | 1:59:05 | |
safety shot. As Stephen said, he had
no idea what was happening with the | 1:59:05 | 1:59:10 | |
cue ball but he had a result. The
way Mark Selby is playing, and | 1:59:10 | 1:59:15 | |
little bit of good fortune coming at
the right time for Mark Williams. | 1:59:15 | 1:59:27 | |
That read is going very close to the
corner pocket. It is in! | 1:59:58 | 2:00:12 | |
I think he thought the red would
probably cannoned into the blue, or | 2:00:18 | 2:00:24 | |
maybe the yellow. It kept on going.
Good thing it did drop in, because | 2:00:24 | 2:00:29 | |
it could have left mark in with a
chance. He could have got through to | 2:00:29 | 2:00:38 | |
that red. Trying to keep the cue
ball as tight on the baulk cushion | 2:00:38 | 2:00:44 | |
as possible. | 2:00:44 | 2:00:52 | |
Left a tempter to the far right
corner. | 2:01:18 | 2:01:26 | |
Just wondering if that is the one he
could be tempted with. But there | 2:01:26 | 2:01:32 | |
might be another to the right middle
pocket, if it passes the reds. Could | 2:01:32 | 2:01:38 | |
play it in such a way that he
finishes on the black. I think that | 2:01:38 | 2:01:43 | |
red mustard pot. You're right,
Dennis, that's the shot. | 2:01:43 | 2:01:56 | |
It's there. | 2:01:59 | 2:02:02 | |
It is a lot easier when you know
you're not leaving a lot, but still, | 2:02:09 | 2:02:16 | |
a great pot. All of the sudden, he's
turned this into a great | 2:02:16 | 2:02:25 | |
opportunity. | 2:02:25 | 2:02:28 | |
Definitely starting to take a hold
of this match, Mark Selby. | 2:02:37 | 2:02:50 | |
As Steve Davis mentioned at the
start of the match, the table seems | 2:03:38 | 2:03:43 | |
to be very, very quick. That is how
the players prefer it. That last | 2:03:43 | 2:03:49 | |
shot that he played, he timed it so
well. | 2:03:49 | 2:03:58 | |
When you are playing well, these
vast tables are terrific to play on. | 2:03:58 | 2:04:03 | |
When you are struggling a little
bit, it's so easy to run out of | 2:04:03 | 2:04:08 | |
position. It has been such an
entertaining match so far. Mark | 2:04:08 | 2:04:17 | |
Williams with breaks of 135 and 89,
and then Mark Selby with two 70 | 2:04:17 | 2:04:26 | |
breaks. Could be a few more here. | 2:04:26 | 2:04:35 | |
It's amazing. Just one point the
difference, in total points scored. | 2:04:46 | 2:04:56 | |
A little fly on the white. I think
it's gone. You could see it, just | 2:04:56 | 2:05:05 | |
crawling along the white there. It
is a little and! A baby and. | 2:05:05 | 2:05:15 | |
I think that's a first. | 2:05:15 | 2:05:19 | |
Didn't hit that one as well as he
would have liked. A slightly heavy | 2:06:00 | 2:06:05 | |
contact, but didn't get the action
at all on the cue ball. A little bit | 2:06:05 | 2:06:10 | |
of a jump on the black. Maybe that's
what caused the lack of pace. | 2:06:10 | 2:06:22 | |
He's just a bit in between both
shots here. The red that he looked | 2:06:22 | 2:06:29 | |
at first, to the right middle, is
quite a path for the cue ball to | 2:06:29 | 2:06:35 | |
miss the yellow. | 2:06:35 | 2:06:43 | |
I think he thought he was going to
get a full ball cannon on the yellow | 2:06:52 | 2:06:57 | |
to drop on a baulk colour, and I
think he took his eye off the ball. | 2:06:57 | 2:07:10 | |
That red won't pass the other red
into the middle pocket. The brown's | 2:07:15 | 2:07:21 | |
blocking the path through to the
red. | 2:07:21 | 2:07:30 | |
What a shot! | 2:07:30 | 2:07:39 | |
Probably have to say one of the best
in the business at that type of | 2:07:39 | 2:07:44 | |
shot. Just dropping it in. | 2:07:44 | 2:07:52 | |
shot. Just dropping it in. Yes,
people used to always say, he was | 2:07:52 | 2:07:56 | |
one of the best single ball Potter.
I don't really know what that means, | 2:07:56 | 2:08:01 | |
but it was certainly a Mark Williams
special, when he dropped it in dead | 2:08:01 | 2:08:05 | |
weight. The sort of shot when you
are sat in the chair, like Mark | 2:08:05 | 2:08:10 | |
Selby, you don't think he's going to
go for it. Has he put himself in a | 2:08:10 | 2:08:15 | |
bit of bother here? He was a wee bit
unlucky that cannon. He's opened all | 2:08:15 | 2:08:21 | |
the game up, | 2:08:21 | 2:08:32 | |
and it's finished a bit awkward for
him. Probably hit that red a bit | 2:08:33 | 2:08:36 | |
fuller than he wanted. Still a bit
unlucky not to be nicely on an easy | 2:08:36 | 2:08:39 | |
read. This one is an awkward one.
Might have to play it with a trace | 2:08:39 | 2:08:42 | |
of side to make the potting angle. | 2:08:42 | 2:08:50 | |
I think, in practice, he probably
would have already been downplaying | 2:08:57 | 2:09:01 | |
that red with a touch of right-hand
side to square up the angle. | 2:09:01 | 2:09:13 | |
Now, what a chance. A fantastic
opening red. | 2:09:13 | 2:09:23 | |
Got a bit of a bounce there. He sort
of stopped in his tracks when he was | 2:09:32 | 2:09:37 | |
walking around the table. | 2:09:37 | 2:09:43 | |
walking around the table. That
doesn't look as if it pots from that | 2:09:43 | 2:09:46 | |
angle. | 2:09:46 | 2:09:53 | |
An important visit to the table,
this is, for Mark Williams. He has | 2:09:55 | 2:10:03 | |
pretty much sat out for three
frames. Selby started to dominate | 2:10:03 | 2:10:08 | |
the match. This is a big moment. | 2:10:08 | 2:10:17 | |
He was back looking at those two
reds. It looks a bit tight, but | 2:10:22 | 2:10:31 | |
maybe the back one can go. Still got
two easy reds to go for here. Not a | 2:10:31 | 2:10:39 | |
bad choice of shot there. Brilliant
shot. Terrific thinking there, | 2:10:39 | 2:10:46 | |
because he knew he was bound to be
on a read. And he thought it was | 2:10:46 | 2:10:52 | |
very, very tight and that was going
to cause him a problem. No problem, | 2:10:52 | 2:10:58 | |
but they still need potting. When
you talk about top players having a | 2:10:58 | 2:11:07 | |
great touch, that cannon was an
excellent example. The pacey played | 2:11:07 | 2:11:11 | |
it at, he hit the red exactly as he
wanted, half ball. | 2:11:11 | 2:11:22 | |
The yellow is obviously the only
problem you could see for Mark | 2:11:43 | 2:11:48 | |
Williams winning the frame at this
visit. Good idea to play the pink | 2:11:48 | 2:11:56 | |
here. | 2:11:56 | 2:11:59 | |
It's one of those he can play to
drop in behind the yellow, rather | 2:12:04 | 2:12:08 | |
than try to move it. | 2:12:08 | 2:12:11 | |
Just dropped in behind it. It's
perfect. He's played it really well. | 2:12:16 | 2:12:28 | |
Oh! | 2:12:31 | 2:12:39 | |
From the opening long read that he
dropped in dead weight, this has | 2:12:48 | 2:12:51 | |
been a tremendous response to Mark
Williams -- from Mark Williams to | 2:12:51 | 2:12:59 | |
losing three frames in a row. That
is the reason he was one of the top | 2:12:59 | 2:13:05 | |
players in the game for so long. To
sit out for virtually to frames... | 2:13:05 | 2:13:13 | |
And produce this, is absolutely
superb. | 2:13:13 | 2:13:25 | |
Great snooker, coming just at the
right time. Mark Selby was getting | 2:13:29 | 2:13:35 | |
hold of this match, but Mark
Williams now all square. | 2:13:35 | 2:13:40 | |
STUDIO: This | 2:13:40 | 2:13:41 | |
Williams now all square.
STUDIO: This is utterly brilliant | 2:13:41 | 2:13:42 | |
from these two. It's great. First
day, and a cracking match. From that | 2:13:42 | 2:13:49 | |
red that Mark Williams seemed to
casually not in. When you are | 2:13:49 | 2:13:53 | |
playing under pressure and you roll
that Reading, you've got to keep | 2:13:53 | 2:13:57 | |
your body and head as still as
possible. He is such a great player | 2:13:57 | 2:14:04 | |
in that department. He came round to
have a look. Look where the cue ball | 2:14:04 | 2:14:08 | |
is. He's perfect on the black, but
he's not going to leave anything | 2:14:08 | 2:14:12 | |
unless the red jangles in the
pocket. A clever shot. But he had to | 2:14:12 | 2:14:18 | |
get it, and fully committed to it.
The way he went about winning the | 2:14:18 | 2:14:23 | |
frame from that position... After
being frozen out, that shows the | 2:14:23 | 2:14:26 | |
mark of a great champion. And that
thing about keeping your head still. | 2:14:26 | 2:14:33 | |
It's not just when you hit the ball.
For club players, train yourself to | 2:14:33 | 2:14:37 | |
stay down on the shot long after the
ball has gone. That is the way to | 2:14:37 | 2:14:43 | |
play and practice. Stay down on the
shot, even though the cue ball has | 2:14:43 | 2:14:48 | |
left the cue. Stay there a bit
longer, and it beds in the fact that | 2:14:48 | 2:14:53 | |
your technique is strong enough that
your body will not move a muscle. | 2:14:53 | 2:14:57 | |
That is your best chance of keeping
your cue online. A great piece of | 2:14:57 | 2:15:02 | |
analysis. | 2:15:02 | 2:15:10 | |
analysis. We saw him they're staying
down. Mark stayed down before the | 2:15:10 | 2:15:13 | |
cue ball hits the red. You try and
exaggerate. You stay still, give the | 2:15:13 | 2:15:15 | |
cue enough chance of keeping as
still as possible. It's great for | 2:15:15 | 2:15:20 | |
any amateur watching. Once you have
hit the ball, stay down on it. Even | 2:15:20 | 2:15:25 | |
if you miss it. It's good training.
Can I ask you about Mark Williams? | 2:15:25 | 2:15:31 | |
For all he has achieved in the game,
when we arrive at these tournaments | 2:15:31 | 2:15:34 | |
and we talk about him, he flattered
to deceive. But today there is | 2:15:34 | 2:15:40 | |
something different about him. He is
one of the greats of the game, and | 2:15:40 | 2:15:44 | |
under pressure he is great. It's
good to see | 2:15:44 | 2:15:46 | |
under pressure he is great. It's
good to see him back centrestage, | 2:15:46 | 2:15:50 | |
because as a player, he adds a lot
to a tournament. | 2:15:50 | 2:15:59 | |
COMMENTATOR: Dennis, you mentioned,
in a 6-5 last year, and I wouldn't | 2:15:59 | 2:16:06 | |
bet against another one here, the
way the match is going now. I must | 2:16:06 | 2:16:11 | |
admit, I thought Mark Selby was
possibly starting to pull away, but | 2:16:11 | 2:16:15 | |
that clearance from Mark Williams
shows he's back in this match. | 2:16:15 | 2:16:23 | |
That little tickle on the black
bear. He dropped his shoulders when | 2:16:36 | 2:16:41 | |
he potted the red. | 2:16:41 | 2:16:44 | |
What a flick that was. It looked, as
you said, as if he was going to be | 2:16:52 | 2:16:59 | |
out of position, and then all of a
sudden, watch this. Delightful. | 2:16:59 | 2:17:12 | |
He's got an angle on the blue to go
into the bunch. Is there a plant to | 2:17:14 | 2:17:19 | |
the left corner, with those reds? It
is an option, but I think the angle | 2:17:19 | 2:17:26 | |
he has on the blue... | 2:17:26 | 2:17:33 | |
A little bit surprised he isn't
playing the blue into the bunch. | 2:17:33 | 2:17:43 | |
Maybe he feels there is a bit too
much angle. | 2:17:45 | 2:17:54 | |
I'm not absolutely dead straight,
but because he has a distance | 2:18:01 | 2:18:09 | |
between the two reds... If he hit it
absolutely square on, that red is | 2:18:09 | 2:18:15 | |
going to the left of the park-macro.
So if he plays that first red as if | 2:18:15 | 2:18:20 | |
he is going to the left of the
pocket... And now, a key shot coming | 2:18:20 | 2:18:29 | |
up, brown and then into the bunch. | 2:18:29 | 2:18:31 | |
Plenty of pace. How is your luck? It
might be OK. | 2:18:40 | 2:18:48 | |
Couldn't have played it any better.
He can pot that red, but he's got to | 2:18:48 | 2:18:56 | |
be a bit careful, because of that
red then near the black. The brown, | 2:18:56 | 2:19:03 | |
potted with lots of left-hand side.
Just got to be a wee bit careful | 2:19:03 | 2:19:09 | |
here. Decided to go up. | 2:19:09 | 2:19:15 | |
here. Decided to go up. Blue all
baulk colour, because of that red to | 2:19:15 | 2:19:17 | |
the right of the black. | 2:19:17 | 2:19:26 | |
Didn't quite get into the cue ball
enough to be straight on this read | 2:19:56 | 2:20:02 | |
to the right corner. And drop on the
black. | 2:20:02 | 2:20:06 | |
I don't know if he has the angle to
drop the red in. There is a red to | 2:20:26 | 2:20:33 | |
the left to just brush off. Looks to
me as if he's got too much angle. | 2:20:33 | 2:20:45 | |
Played a top spin shot. I think he
played the shop I mentioned, but... | 2:20:52 | 2:21:03 | |
REFEREE: Green ball. | 2:21:03 | 2:21:10 | |
The brown is preventing him from
hitting a red to get back down the | 2:21:38 | 2:21:45 | |
table. And the one that's near the
pink, he can only see it on one | 2:21:45 | 2:21:53 | |
side, so not a lot of use. | 2:21:53 | 2:22:01 | |
Had to be careful with that is and
try and get it thin. Not that thin! | 2:22:01 | 2:22:09 | |
REFEREE: Frau and this. -- foul and
a miss. Needs the thinnest of | 2:22:09 | 2:22:20 | |
contacts to stop the red from coming
off the cushion and double-kissing | 2:22:20 | 2:22:25 | |
the white. If he hits it on the sick
side, the White could go in to the | 2:22:25 | 2:22:32 | |
red on the right of the black. I
don't think he could hit this red, | 2:22:32 | 2:22:37 | |
surely? | 2:22:37 | 2:22:45 | |
REFEREE: I'm definitely sure you can
hit it. | 2:22:46 | 2:22:54 | |
hit it. Mark? When you are a player,
you know what shots you can play | 2:22:54 | 2:23:01 | |
when you are down at the table.
Let's have a look. That is before. | 2:23:01 | 2:23:06 | |
That is where it is now. I think the
referee has got that absolutely spot | 2:23:06 | 2:23:10 | |
on. | 2:23:10 | 2:23:14 | |
REFEREE: Foul, and a miss. Mark
Selby, four. The three miss rule | 2:23:19 | 2:23:28 | |
doesn't apply here, because he can't
see a red full on. | 2:23:28 | 2:23:36 | |
see a red full on. He's better off
giving a few penalty points rather | 2:23:36 | 2:23:40 | |
than leaving this to sick. | 2:23:40 | 2:23:43 | |
APPLAUSE | 2:23:52 | 2:24:01 | |
He didn't quite want it that thin,
because Mark can have a go at this | 2:24:13 | 2:24:19 | |
red. | 2:24:19 | 2:24:20 | |
One good positional shot here, when
potting the blue, and he could be | 2:24:31 | 2:24:46 | |
around the black spot area. | 2:24:46 | 2:24:54 | |
around the black spot area. 96% pot
success rating, and Mark Williams | 2:24:54 | 2:24:57 | |
92%. A very good standard of play
here. Mark's | 2:24:57 | 2:25:06 | |
here. Mark's potted four out of four
long ones. Maybe that hasn't bounced | 2:25:06 | 2:25:12 | |
far enough. | 2:25:12 | 2:25:16 | |
The other one will go. Both reds are
available. | 2:25:17 | 2:25:22 | |
He played that well. It is a good
chance now. | 2:25:29 | 2:25:34 | |
He will want that one again. May
have a red to the left middle. The | 2:25:48 | 2:25:54 | |
last thing he wanted to be was low
on this red. This red, near the pink | 2:25:54 | 2:26:05 | |
spot, a tougher pot than he was
wanting to play. | 2:26:05 | 2:26:15 | |
Just not got pinpoint control of
that cue ball yet in this break. | 2:26:15 | 2:26:28 | |
And that can happen, when you keep
struggling for perfect position. | 2:26:48 | 2:26:54 | |
Sometimes it gets to you in the end.
He probably took his eye off the | 2:26:54 | 2:27:02 | |
pot. Concentrating on the cannon. We
saw what happened in the previous | 2:27:02 | 2:27:06 | |
frame. Selby made a break of 45, and
was sitting in the seat as Mark | 2:27:06 | 2:27:11 | |
Williams cleared up with an 81.
Could that happen again? | 2:27:11 | 2:27:22 | |
Could that happen again? He's not
too bothered with the black going on | 2:27:22 | 2:27:24 | |
the pink spot. It actually makes it
easier. Straightaway, the green is | 2:27:24 | 2:27:29 | |
the obstacle. Will he have that in
the back of his mind? He will not be | 2:27:29 | 2:27:38 | |
happy with that shot. He wanted to
be straight on the black to this | 2:27:38 | 2:27:42 | |
left middle. Didn't get into the
cue. This is missable. | 2:27:42 | 2:27:52 | |
It was the shot before, as you said,
Stephen. That could definitely be | 2:27:59 | 2:28:04 | |
very costly. | 2:28:04 | 2:28:10 | |
From a psychological point of view,
Mark Williams not being able -- if | 2:28:15 | 2:28:24 | |
Mark Williams had pinched this
frame, certainly would have been | 2:28:24 | 2:28:30 | |
favourite. | 2:28:30 | 2:28:36 | |
favourite. Mark Williams never gives
anything away in his demeanour. But | 2:28:36 | 2:28:40 | |
he will be fuming inside. | 2:28:40 | 2:28:48 | |
Red, black, and one more red would
be enough to clinch the frame. | 2:29:08 | 2:29:19 | |
This is maybe the first sign of
weakness from Mark Williams. A | 2:30:07 | 2:30:12 | |
slight deceleration. Did not get
into the cue ball. And he missed the | 2:30:12 | 2:30:15 | |
black. You always look for turning
point in matches, shots that aside | 2:30:15 | 2:30:24 | |
matches. Could that be one? -- that
decide matches. | 2:30:24 | 2:30:35 | |
It is one of the most frustrating
things, you have the chance and make | 2:30:37 | 2:30:41 | |
a slight mistake and you have to sit
and watch your opponent knock in the | 2:30:41 | 2:30:46 | |
balls you should have been knocking
him. | 2:30:46 | 2:30:52 | |
-- knocking in. | 2:30:52 | 2:30:58 | |
He will be very pleased, Mark Selby.
Mark Williams had a chance to get | 2:31:22 | 2:31:26 | |
back in the frame and did not take
it and now Mark | 2:31:26 | 2:31:30 | |
back in the frame and did not take
it and now Mark Selby leads 4-3. | 2:31:30 | 2:31:33 | |
STUDIO: The smile Mark Williams had
when he first | 2:31:33 | 2:31:40 | |
when he first came out, has gone.
Critical, positional play sometimes | 2:31:40 | 2:31:45 | |
is the way tension shows its | 2:31:45 | 2:31:47 | |
Critical, positional play sometimes
is the way tension shows its face in | 2:31:47 | 2:31:47 | |
the game and this shot, he has to
play a soft screw back. The problem | 2:31:47 | 2:31:54 | |
with that is if you do not hit it
positively enough you do not get | 2:31:54 | 2:31:59 | |
back spin. It was a deft shot he had
to play Andy -- and he underhits it. | 2:31:59 | 2:32:12 | |
There was tension. Sometimes you can
overhit them and if you do, you are | 2:32:12 | 2:32:15 | |
on nothing. | 2:32:15 | 2:32:16 | |
overhit them and if you do, you are
on nothing. Can you get too good a | 2:32:16 | 2:32:20 | |
start in a match like this, Steve
and almost be too relaxed? We have | 2:32:20 | 2:32:26 | |
been praising Mark. You can never
get too good a start. You are right. | 2:32:26 | 2:32:35 | |
Only as much as if the other guy
comes back you are in a worse | 2:32:35 | 2:32:41 | |
situation than the start. You feel
you have thrown it away. You are | 2:32:41 | 2:32:47 | |
right. If you said I will give you a
two frame lead against Mark Selby, | 2:32:47 | 2:32:55 | |
you would bite their hand. That Mr
black. To get on the black in the | 2:32:55 | 2:33:02 | |
middle, Mark Williams missed a
trick. He was coming back, he had | 2:33:02 | 2:33:08 | |
won a great previous frame. If he
had won that he would have had Mark | 2:33:08 | 2:33:14 | |
Selby where he needed him. We talk
about Mark Williams winning the | 2:33:14 | 2:33:18 | |
Northern Ireland Open, I suppose
that is when you progress in | 2:33:18 | 2:33:22 | |
tournaments. One of Mark Selby's
strengths and any player in the game | 2:33:22 | 2:33:29 | |
who is winning, at the end of the
match, they are strong. The start, | 2:33:29 | 2:33:34 | |
you do not know what will happen but
if you get better as the match | 2:33:34 | 2:33:40 | |
progresses and your adrenaline
levels go up and start to perform at | 2:33:40 | 2:33:44 | |
the business end, that is when you
start to win the 6-5s, 5-4s and get | 2:33:44 | 2:33:51 | |
yourself to the final. Mark Selby
beat Mark Williams 6-5 at this stage | 2:33:51 | 2:33:56 | |
at this venue last year. It could
still go 6-5. Very small margins | 2:33:56 | 2:34:02 | |
between them. Mark Williams could
pass it off as if the missed black | 2:34:02 | 2:34:10 | |
never happened. It will be
interesting to see how much of an | 2:34:10 | 2:34:14 | |
edge it will put on Mark Williams. I
do not think it will have too much | 2:34:14 | 2:34:19 | |
effect. Head scratching going on
from Mark Williams. He needs to do | 2:34:19 | 2:34:24 | |
something to stay in the Masters.
Back to Dennis and Stephen. | 2:34:24 | 2:34:33 | |
DENNIS TAYLOR: Every frame is a key
frame, but this is very important. | 2:34:37 | 2:34:42 | |
Mark Williams to draw level, Mark
Selby to leave himself one frame | 2:34:42 | 2:34:47 | |
away from victory. I have noticed
with the break | 2:34:47 | 2:34:59 | |
with the break of shot, the balls
are opening out nicely. | 2:34:59 | 2:35:06 | |
There is no easy escape back. He
took the pot on. | 2:36:02 | 2:36:16 | |
took the pot on. Played it as a shot
did nothing but that is a Mark | 2:36:16 | 2:36:20 | |
Williams special. | 2:36:20 | 2:36:24 | |
When he came on the scene and turned
professional in 1992, we said he was | 2:36:30 | 2:36:36 | |
one of the greatest potters we had
seen in the game and that proves he | 2:36:36 | 2:36:41 | |
is still doing it all these years
later. | 2:36:41 | 2:36:48 | |
A fantastic pot but I was not sure
about the second shot. He would | 2:36:50 | 2:36:56 | |
never get that advantage by the
green. May be placed the cue ball | 2:36:56 | 2:37:01 | |
near the baulk cushion and make Mark
Selby play a tough safety shot. | 2:37:01 | 2:37:12 | |
Mark Williams has been left this red
to the left corner but it is the | 2:38:00 | 2:38:05 | |
path the cue ball will take that is
making him refuse it. | 2:38:05 | 2:38:13 | |
Excellent safety. Appreciation from
his opponent. | 2:38:17 | 2:38:26 | |
There is a path back down the table
of the two reds to the left of the | 2:38:33 | 2:38:41 | |
pink. He played it pretty well. That
is another flick. | 2:38:41 | 2:38:56 | |
It was always a good safety because
if he misses the yellow the white | 2:39:02 | 2:39:06 | |
goes close to the cushion, but that
was a bonus. | 2:39:06 | 2:39:15 | |
It was a well played shot, anyway. | 2:39:22 | 2:39:30 | |
But that was a delightful nudge.
Even if Mark Williams comes off the | 2:39:30 | 2:39:41 | |
right side cushion to land on the
red near the right corner, he could | 2:39:41 | 2:39:45 | |
leave a pot on. If he risks coming
off two cushion is to get back up | 2:39:45 | 2:39:53 | |
the table, he would have to be so
precise. A tough shot coming up. | 2:39:53 | 2:40:03 | |
Sometimes when Mark Williams has to
play two cushion escapes, he plays | 2:40:03 | 2:40:08 | |
them one handed. I do not think he
will do it here. The cue ball is | 2:40:08 | 2:40:12 | |
just away. | 2:40:12 | 2:40:18 | |
He must not be able to get to the
two cushion escape otherwise he | 2:40:30 | 2:40:35 | |
would have played that shot. | 2:40:35 | 2:40:44 | |
There is a gap through the reds to
play off the one next to the pink | 2:40:47 | 2:40:54 | |
off the side top cushion, but it is
such a narrow gap to find. Whichever | 2:40:54 | 2:40:59 | |
way he goes, he will have to be so
precise. | 2:40:59 | 2:41:02 | |
The reason he is taking so long,
almost two and a half minutes, it is | 2:41:09 | 2:41:20 | |
such an important shot he will play. | 2:41:20 | 2:41:22 | |
It is not often you get to three
minutes thinking about a shot. | 2:41:41 | 2:41:51 | |
LAUGHTER.
REFEREE: Foul. | 2:41:51 | 2:41:59 | |
REFEREE: Foul. Well, in the end, it
is not that bad. | 2:41:59 | 2:42:06 | |
is not that bad. He did it. Red
first. He has got away with it, | 2:42:07 | 2:42:10 | |
slightly. | 2:42:10 | 2:42:16 | |
Three minutes and then that. That
was a black, wasn't it? | 2:42:16 | 2:42:26 | |
was a black, wasn't it? The referee
can come and check. It was the | 2:42:26 | 2:42:30 | |
black.
REFEREE: They confirm it is the | 2:42:30 | 2:42:41 | |
black. It was in a split second. | 2:42:41 | 2:42:52 | |
black. It was in a split second. Do
you want to put it back? | 2:42:52 | 2:42:56 | |
LAUGHTER.
Well, what a situation. Mark | 2:42:56 | 2:43:05 | |
Williams was thinking three minutes
about that shot. How long will the | 2:43:05 | 2:43:09 | |
referee take? The fact he hit the
black means it can be replaced. We | 2:43:09 | 2:43:16 | |
will show you again. Can we count
them? He hit the black. One, two, | 2:43:16 | 2:43:25 | |
three | 2:43:25 | 2:43:28 | |
them? He hit the black. One, two,
three, four. | 2:43:28 | 2:43:33 | |
three, four. There are five reds
that need replacing. | 2:43:36 | 2:43:41 | |
LAUGHTER.
APPLAUSE | 2:43:41 | 2:43:50 | |
With all the tension and all that is
going on. | 2:43:52 | 2:43:55 | |
He is a wind-up merchant.
REFEREE: Thank you! | 2:43:55 | 2:44:08 | |
He is one of the top referees,
Olivier Marteel. | 2:44:08 | 2:44:17 | |
Olivier Marteel. If Mark Williams
plays the same shot, it does not | 2:44:17 | 2:44:20 | |
matter if the reds are exactly...
Look at the cheeky Mark Williams. He | 2:44:20 | 2:44:26 | |
has nicked the white. | 2:44:26 | 2:44:36 | |
has nicked the white. I think he
will probably have to play this | 2:44:39 | 2:44:41 | |
shot. Did anything else move? | 2:44:41 | 2:44:50 | |
shot. Did anything else move? Where
does it go? We can show you where | 2:44:53 | 2:44:58 | |
they work. Let's have a look where
they are now. It is not too bad. | 2:44:58 | 2:45:06 | |
Yes, that is good. That will do. As
Stephen said, it does not make a | 2:45:14 | 2:45:18 | |
great deal of difference. | 2:45:18 | 2:45:28 | |
great deal of difference. He is now
starting to smile. I do not know | 2:45:29 | 2:45:32 | |
what the referee will do when he
starts to look for the white. Mark | 2:45:32 | 2:45:38 | |
took three minutes to decide to play
that shot. Surely if he plays it | 2:45:38 | 2:45:44 | |
again, it will not take that long.
The referee is looking for the | 2:45:44 | 2:45:48 | |
white.
APPLAUSE | 2:45:48 | 2:45:55 | |
CHEERING | 2:45:55 | 2:46:01 | |
That was a little bit of brilliance. | 2:46:07 | 2:46:17 | |
What if he plays the same shot and
fluked the red? It would take the | 2:46:17 | 2:46:29 | |
house down. | 2:46:29 | 2:46:36 | |
Here we go, attention all pockets. I
tell you what, it still might not | 2:46:38 | 2:46:44 | |
be... If he has hit a red, the white
has left the arena. Check to make | 2:46:44 | 2:46:54 | |
sure it is not chipped. He has not
left anything easy. | 2:46:54 | 2:47:06 | |
left anything easy. Back again, is
it? | 2:47:06 | 2:47:15 | |
Back to normal again. This is a key
shot. He can cut the red. He could | 2:47:25 | 2:47:34 | |
do with finding a gap between the
other two reds, coming up the table. | 2:47:34 | 2:47:43 | |
Where will the cue ball finish? I
think he could just get past the | 2:47:45 | 2:47:52 | |
blue. Well, he will need a little
bit of swirls, that he will pot | 2:47:52 | 2:47:57 | |
this. | 2:47:57 | 2:48:02 | |
this. -- swerve. That was too much. | 2:48:02 | 2:48:11 | |
He got too much swerve. He wanted to
hit it on the side. | 2:48:13 | 2:48:22 | |
It is Mark Selby's turn to think
about the shot he has to play. | 2:49:27 | 2:49:37 | |
I think it pulled up in time. I'm
not sure. He wanted to get the white | 2:49:46 | 2:49:55 | |
closer to the cushion. Is the pot
on? No. | 2:49:55 | 2:50:03 | |
He is just coming around the table
to pick a spot he would like to put | 2:50:09 | 2:50:13 | |
the cue ball in. | 2:50:13 | 2:50:16 | |
Just over the two hours. A
fascinating first round match. | 2:50:33 | 2:50:45 | |
Every match in the Masters could be
a final, with the top 16 playing. | 2:50:45 | 2:50:52 | |
That is why it is one of the
toughest tournaments to win. | 2:50:52 | 2:50:59 | |
He could be in behind the yellow, is
he? Oh, very good. | 2:51:14 | 2:51:24 | |
he? Oh, very good. Not quite. | 2:51:24 | 2:51:31 | |
He could pot this. You need good
eyesight. | 2:51:31 | 2:51:42 | |
eyesight. It just seemed to catch
the cushion first. A flick on the | 2:51:46 | 2:51:58 | |
red and he would have potted it. | 2:51:58 | 2:52:05 | |
Judging by his body language he has
not finished nicely on this yellow. | 2:52:18 | 2:52:27 | |
A deep screw, right-hand side. | 2:52:29 | 2:52:40 | |
This is already the longest frame so
far. | 2:53:41 | 2:53:48 | |
It has been fast and furious snooker
up until now. | 2:53:52 | 2:53:58 | |
There are still quite a few reds
available to Mark Selby. | 2:54:09 | 2:54:14 | |
I can see another five pottable reds
available to him, if he can keep | 2:54:36 | 2:54:45 | |
close control of the cue ball. It is
a good chance to extend his lead to | 2:54:45 | 2:54:52 | |
5-3 and be one away from victory. | 2:54:52 | 2:54:58 | |
He did not quite getting to that. I
think he is just OK. | 2:55:14 | 2:55:23 | |
He is looking for 67 points, which
would leave Mark Williams at the | 2:55:53 | 2:56:01 | |
snookers required stage. He wanted
to leave the two reds for the right | 2:56:01 | 2:56:07 | |
corner pocket. They are only
available into the right corner and | 2:56:07 | 2:56:13 | |
he overscrewed that. This is
slightly more difficult now. | 2:56:13 | 2:56:21 | |
I think he still has to play the
pink. The only colour that offers | 2:56:34 | 2:56:39 | |
the most straightforward position on
the next red. He does not like it. | 2:56:39 | 2:56:50 | |
If he had have got on the pink in
such a way he could have screwed to | 2:56:58 | 2:57:03 | |
where the circle is. He had to
change his plan because of that. | 2:57:03 | 2:57:09 | |
The open reds with pinks and blacks
would be enough. | 2:57:54 | 2:58:08 | |
He has been pretty impressive today,
Mark Selby. He went 2-0 down doing | 2:58:22 | 2:58:28 | |
nothing wrong and from then he has
been very solid. He seems to be | 2:58:28 | 2:58:33 | |
getting stronger as the match goes
on. | 2:58:33 | 2:58:38 | |
He has a chance of possibly making a
century. He has to pot this and | 2:59:36 | 2:59:42 | |
leave the angle on the black to
disturb the two reds. | 2:59:42 | 2:59:50 | |
Well, I think Mark is looking
surprised. This | 2:59:59 | 3:00:06 | |
surprised. This is like 9-ball, that
going in. Great effort. But that | 3:00:07 | 3:00:17 | |
looks like end of break. The red is
touching, so it gives him a chance. | 3:00:17 | 3:00:26 | |
That was not going to go in. An
excellent break from Mark Selby. | 3:00:26 | 3:00:40 | |
And Steve, you quite rightly
predicted that that's what sets the | 3:00:40 | 3:00:44 | |
very best players in the world apart
from the rest. Mark Selby just | 3:00:44 | 3:00:48 | |
getting into the final stages and
looking to seal the deal as quickly | 3:00:48 | 3:00:51 | |
as possible. It seems to be. | 3:00:51 | 3:00:55 | |
The | 3:00:55 | 3:00:55 | |
The likes of Mark Williams who have
been world champion and one here as | 3:00:55 | 3:01:01 | |
well, cutting edge players seem to
get themselves out of trouble. What | 3:01:01 | 3:01:06 | |
happened to Mark Williams? It's
difficult to play someone who is | 3:01:06 | 3:01:11 | |
such a tough match player. And
possibly one of the best that we've | 3:01:11 | 3:01:16 | |
ever seen. Steve Davis, John
Higgins, Mark Selby have taken over | 3:01:16 | 3:01:20 | |
that until. And even though he is
not the top of his game, he's so | 3:01:20 | 3:01:27 | |
hard to beat. He plays all the right
shots, the safety is in the top 10% | 3:01:27 | 3:01:32 | |
of everyone in the game. Even when
he's not at the top, as I said. Is | 3:01:32 | 3:01:37 | |
so hard to break down. I'm not
trying to put a downer on this, it | 3:01:37 | 3:01:43 | |
looks like the pockets are playing,
once again, the bit generous, a | 3:01:43 | 3:01:47 | |
brand-new cloth, they are very
strongly templated. If the pockets | 3:01:47 | 3:01:51 | |
are playing a bit easier, it
sometimes the most accurate players | 3:01:51 | 3:01:55 | |
in some ways they have an advantage.
Once they get in, they don't ever | 3:01:55 | 3:01:59 | |
get a miss, they don't get cheated
by the table. Tight pockets, you get | 3:01:59 | 3:02:05 | |
scrappy snooker which helps other
players. If the pockets are playing | 3:02:05 | 3:02:08 | |
more generous, the players who are
more accurate position Lee starter | 3:02:08 | 3:02:12 | |
home in on them and they are tough
to beat. We should also say well | 3:02:12 | 3:02:18 | |
done Mark Williams and Mark Selby
for giving this crowd a chuckle, a | 3:02:18 | 3:02:22 | |
lesson that snooker can be a lot of
fun. Even under the pressure, and | 3:02:22 | 3:02:27 | |
what they are playing for today,
Mark Williams hiding the cue ball, | 3:02:27 | 3:02:32 | |
it was quite funny. We're always
laughing and joking around the | 3:02:32 | 3:02:35 | |
table! Wonderful, alliterative Welsh
humour. Back to Dennis. -- a little | 3:02:35 | 3:02:43 | |
bit of Welsh humour. | 3:02:43 | 3:02:44 | |
Mark Williams breaks off and he is
hoping it's not good to be his last | 3:02:50 | 3:02:53 | |
break of in this match. | 3:02:53 | 3:02:59 | |
break of in this match. Because he's
got to win three frames in a row. | 3:02:59 | 3:03:04 | |
And he's got to be thinking about
how he started the match. He | 3:03:04 | 3:03:16 | |
how he started the match. He was
victorious in two very quick match. | 3:03:16 | 3:03:19 | |
Never write him off. | 3:03:19 | 3:03:27 | |
REFEREE: Foul. What a cracking pot
on the red. Amazing how he could | 3:04:37 | 3:04:46 | |
knock the black in. He was hoping he
might go around the back of the | 3:04:46 | 3:04:50 | |
black but at that time to knock the
backing, amazing. | 3:04:50 | 3:05:02 | |
A little bit of misfortune, might
just open the door slightly for the | 3:05:03 | 3:05:07 | |
Welsh potting machine here. | 3:05:07 | 3:05:10 | |
Again, you might have seen a stand
into the bunch from that black. Stay | 3:05:16 | 3:05:23 | |
on this thread that he's going to
play, but he's got a different way | 3:05:23 | 3:05:29 | |
of playing the game. | 3:05:29 | 3:05:35 | |
Just likes to pick the reds off
almost one by one. | 3:05:54 | 3:06:02 | |
A little bit unlucky here to be
honest. Hope to be a lot easier on | 3:06:16 | 3:06:21 | |
this red. | 3:06:21 | 3:06:27 | |
Happens so often. But as the
follow-through shot. When you go | 3:06:27 | 3:06:32 | |
through the bunch, and you get the
cue ball jammed in the side cushion. | 3:06:32 | 3:06:39 | |
I do think there's much use in
taking the black on here. That's the | 3:06:39 | 3:06:45 | |
well played and well executed shot.
He's got a slight bit of angle. But | 3:06:45 | 3:06:52 | |
not much there. | 3:06:52 | 3:06:53 | |
Just decided to take the seven
points. Rather than pot the black, | 3:07:08 | 3:07:18 | |
but decided that the points might
prove invaluable later on. | 3:07:18 | 3:07:26 | |
That's a brave shot, offer cushion.
-- often percussion. | 3:07:28 | 3:07:37 | |
He's got the upper hand now with
rolling in behind the yellow, but a | 3:07:37 | 3:07:43 | |
terrific attempt there almost from
the cushion. Look at the brown. No, | 3:07:43 | 3:07:50 | |
this is the shot. | 3:07:50 | 3:07:52 | |
I think we can possibly see that
every game he is going to become | 3:07:57 | 3:08:02 | |
more aggressive, take the shots on.
That was an excellent shot. A clever | 3:08:02 | 3:08:05 | |
shot, he could see, only read he
could leave. And if he had had | 3:08:05 | 3:08:14 | |
slipped past the yellow, he would
have won the frame. The cake, he has | 3:08:14 | 3:08:19 | |
got Mark in all sorts of trouble
here. | 3:08:19 | 3:08:27 | |
here. I think he was so determined,
when he hit the yellow, that's when | 3:08:27 | 3:08:31 | |
he thought about it. But as I
mentioned, he will do well to do | 3:08:31 | 3:08:42 | |
things safely here. | 3:08:42 | 3:08:43 | |
That's about the best he could do,
to make contact with the ball from | 3:09:11 | 3:09:16 | |
that position was excellent. | 3:09:16 | 3:09:23 | |
It's not bad, needs to keep on
running otherwise he leaves the red | 3:09:28 | 3:09:32 | |
to the right of the black. I think
he has left that. | 3:09:32 | 3:09:36 | |
So that 40 point advantage could
disappear rapidly. | 3:09:42 | 3:09:53 | |
Starting to look ominous now for
Mark Williams. It's hard to see | 3:12:22 | 3:12:30 | |
where Mark Selby will go wrong here. | 3:12:30 | 3:12:37 | |
Looking better by the shot, Mark
Selby. He could convert from this | 3:13:35 | 3:13:42 | |
opportunity, if he does, it's a very
good win this afternoon for Mark | 3:13:42 | 3:13:47 | |
Selby. He'll because appointed he
went out of the first round in the | 3:13:47 | 3:13:54 | |
UK, this is the second of the triple
Crown, he was 2-0 down, didn't do | 3:13:54 | 3:14:00 | |
anything wrong, but if Selby does
convert, he will have won six out of | 3:14:00 | 3:14:06 | |
the last seven frames, very solid
indeed. And if he does clinch the | 3:14:06 | 3:14:12 | |
match here, he's got a bit of a
break before his quarterfinal match, | 3:14:12 | 3:14:17 | |
he won't play again until Friday. So
probably will head home with his | 3:14:17 | 3:14:23 | |
wife Vikki. | 3:14:23 | 3:14:30 | |
There is Vikki there, watching on.
Still got a little bit to do to | 3:14:35 | 3:14:38 | |
clinch the match. | 3:14:38 | 3:14:46 | |
Got a kick, he got a terrible kick
there. Just when he was about to | 3:14:46 | 3:14:53 | |
clinch the match should, this
happens. You could see the red jump | 3:14:53 | 3:14:59 | |
there. Amazing. That's incredible,
it really is. Looked for all the | 3:14:59 | 3:15:11 | |
money that it was game over, 6-3. | 3:15:11 | 3:15:13 | |
Slight grimace there, left himself
dead straight on the blue. He will | 3:15:39 | 3:15:44 | |
be playing from further away than he
would have liked. He will | 3:15:44 | 3:15:47 | |
follow-through the cue ball.
Straight enough to be able to play | 3:15:47 | 3:15:53 | |
the bottom. | 3:15:53 | 3:15:58 | |
the bottom. Well, it wobbled a
little bit but safely in the pocket. | 3:15:58 | 3:16:01 | |
I'm sure that he felt that he was in
the quarterfinal, unless he gets | 3:16:14 | 3:16:19 | |
kick. That's the sort of thing that
happens in this game, when it's not | 3:16:19 | 3:16:26 | |
your fault. It's pretty annoying. | 3:16:26 | 3:16:35 | |
He was going to be in the
quarterfinal, as it is, Mark | 3:16:42 | 3:16:47 | |
Williams was offered a lifeline and
he took it. He still trails Mark | 3:16:47 | 3:16:54 | |
Selby by five frames to four. | 3:16:54 | 3:16:56 | |
We are a few thought that Mark Selby
was currently popping into this | 3:16:59 | 3:17:02 | |
studio in the next five or ten
minutes for a chat, but that's a | 3:17:02 | 3:17:05 | |
cruel twist of fate. The sport is
all about accuracy and under | 3:17:05 | 3:17:12 | |
pressure playing well, but there's
also an element of luck in any sport | 3:17:12 | 3:17:15 | |
and one of the lucky thing that can
happen in a game of snooker is the | 3:17:15 | 3:17:19 | |
bad contact between cue ball and
object ball. Destroyed the potting | 3:17:19 | 3:17:22 | |
angle, look at his face. That is
obviously what happened. Mark | 3:17:22 | 3:17:26 | |
Williams was good enough to
capitalise. You have been talking | 3:17:26 | 3:17:30 | |
about staying down on the shots, and
Mark Selby knew straightaway. He | 3:17:30 | 3:17:34 | |
knew from the contact, obviously.
It's one of those anomalies in the | 3:17:34 | 3:17:41 | |
game that you have to contend with.
If I had one criticism, I'd say he | 3:17:41 | 3:17:44 | |
wasn't on the red straight enough.
It was a poor positional shot, the | 3:17:44 | 3:17:47 | |
cue ball could have been straighter,
that's picking at straws slightly. | 3:17:47 | 3:17:52 | |
But a twist of fate, and how much
will it affect Mark Selby? You saw | 3:17:52 | 3:17:59 | |
him talking to himself, Mark
Williams, dead right, going out, let | 3:17:59 | 3:18:03 | |
him stew in his chair, perfect time
to go out after winning a frame. | 3:18:03 | 3:18:07 | |
There was a shot of Mark Selby, if
we look at him now, that's exactly | 3:18:07 | 3:18:12 | |
the pose he was in when Mark
Williams one that frame. And you | 3:18:12 | 3:18:15 | |
thought, if you had a little speech
bubble, you would wonder what you | 3:18:15 | 3:18:19 | |
put in there, I don't think we could
fill in what's going through his | 3:18:19 | 3:18:23 | |
mind. Any good lip readers in the
area would have known. But it's | 3:18:23 | 3:18:28 | |
unlikely that he's going to stew for
very long. There he is, still | 3:18:28 | 3:18:31 | |
stewing! He's unlikely that he will
let that spill into the next frame. | 3:18:31 | 3:18:37 | |
Mark Williams is going to compose
and soft as well. That was a good | 3:18:37 | 3:18:41 | |
parent under pressure as well. All
to play for, who is to say that Mark | 3:18:41 | 3:18:46 | |
Williams can't make a recovery? Mark
Williams knows he's very well in | 3:18:46 | 3:18:52 | |
this. Yes, six - five still
possible. I did say at the start of | 3:18:52 | 3:19:01 | |
the afternoon, you said it was 6-5. | 3:19:01 | 3:19:08 | |
Mark Selby gets this tenth frame
under way, and not the best break | 3:19:15 | 3:19:19 | |
off that he has made this afternoon.
You'll want to put that heavy | 3:19:19 | 3:19:26 | |
contact out of your mind as as
possible, but easier said than done. | 3:19:26 | 3:19:37 | |
Needs the brown to come to the
rescue and I think it has, he has | 3:20:09 | 3:20:14 | |
got the red over the left corner but
he had a pretty good safety shot. | 3:20:14 | 3:20:24 | |
I think you might be tempted to
taking this read | 3:20:32 | 3:20:40 | |
A fabulous long pot for Mark
Williams but look where he put the | 3:20:55 | 3:21:00 | |
cue ball. Oh, would you believe it?
He potted the red and he left it in | 3:21:00 | 3:21:11 | |
such a way that he wasn't leaving
the red over the pocket, playing a | 3:21:11 | 3:21:16 | |
shot to nothing, and then after that
fabulous read, this is a blue that | 3:21:16 | 3:21:22 | |
he would normally not in. -- not in.
-- knock in. Not an easy positional | 3:21:22 | 3:21:33 | |
shot here, the black only available
into the pockets that he is taking | 3:21:33 | 3:21:37 | |
this red. | 3:21:37 | 3:21:39 | |
God is to find a path for the cue
ball here. -- he has got to find a | 3:21:43 | 3:21:49 | |
path. Those three red, or the reds
behind the pink. Getting plenty of | 3:21:49 | 3:21:57 | |
work on the cue ball, really
striking down on it. Beautiful shot, | 3:21:57 | 3:22:02 | |
brilliant shot. | 3:22:02 | 3:22:09 | |
You won't see very many better
controlled positional shots than | 3:22:10 | 3:22:15 | |
that. | 3:22:15 | 3:22:25 | |
This is that what he needed after
what happened in the last frame, a | 3:22:26 | 3:22:30 | |
good chance straightaway. | 3:22:30 | 3:22:36 | |
Look how low he gets this, right
down to the bottom of the cue ball, | 3:22:54 | 3:22:58 | |
to get that action on it. Brilliant.
You don't get to win three World | 3:22:58 | 3:23:06 | |
Championship in the last four years
without being able to cope with that | 3:23:06 | 3:23:10 | |
kick and come straight back like
this. | 3:23:10 | 3:23:17 | |
Yes, snooker, granted, any sport at
this level, is about temperament. | 3:23:21 | 3:23:31 | |
A little bit of luck on that shot,
going for the red on the left-hand | 3:24:30 | 3:24:34 | |
side of the table to the right
middle. He could power through off | 3:24:34 | 3:24:38 | |
to cushions, he chose to play with a
lot of left-hand side. A tough shot. | 3:24:38 | 3:24:49 | |
That's turned out OK. He was a bit
short with his safety shot, the fact | 3:25:31 | 3:25:36 | |
that he has finished in front of the
brown makes it quite difficult. | 3:25:36 | 3:25:45 | |
Mark Selby, you might have heard
that, tapped the chalk on the table | 3:26:36 | 3:26:41 | |
for the acknowledgement of the good
safety shot. They have had some | 3:26:41 | 3:26:44 | |
great battles down the years, they
first played each other way back in | 3:26:44 | 3:26:49 | |
1999. Mark Williams has good ten
wins to Mark Selby's nine. | 3:26:49 | 3:26:57 | |
Their first meeting, I'm sure Mark
Selby has long forgotten, that was | 3:26:58 | 3:27:01 | |
in the UK championship in 1999. Mark
Williams defeated the reigning world | 3:27:01 | 3:27:12 | |
champion 9-0, believe it or not. | 3:27:12 | 3:27:15 | |
Far too thin. Much too thin a
contact there. Unusual for Mark | 3:27:56 | 3:28:04 | |
Selby in that sort of area. | 3:28:04 | 3:28:12 | |
Pink goes to left corner so nothing
to do with the cue ball here, just | 3:28:41 | 3:28:45 | |
concentrating on keeping still. | 3:28:45 | 3:28:52 | |
He's going to get a fixed contact on
the bunch here. -- a fixed contact. | 3:29:27 | 3:29:34 | |
He played it at a very soft pace but
he needed to be harder than that. | 3:29:34 | 3:29:43 | |
Played it at that pace because he
didn't want to lose the cue ball | 3:29:43 | 3:29:46 | |
near either corner pocket. Surely
that doesn't go, is he looking at | 3:29:46 | 3:29:53 | |
the plant? | 3:29:53 | 3:29:59 | |
I don't think you can hit the first
read thinly enough to make plant. If | 3:30:08 | 3:30:15 | |
he was in behind the first red, he
might have a chance of making it, | 3:30:15 | 3:30:21 | |
but this has to be struck so thinly,
percent of the other red onto the | 3:30:21 | 3:30:27 | |
red to make the plant, I don't know
if he can hit this hardener. -- hard | 3:30:27 | 3:30:32 | |
enough. | 3:30:32 | 3:30:38 | |
You see dead in line, so he'd have
to hit that first red fullbore. I | 3:30:38 | 3:30:44 | |
don't think the shot is on. | 3:30:44 | 3:30:45 | |
And he is looking at a cut to the
middle pocket. | 3:31:13 | 3:31:16 | |
They lovely shot -- a lovely shot.
Side on the cue ball to kill the | 3:31:35 | 3:31:48 | |
pace. Do not take your eye off the
pot. He's playing the cannon. Good | 3:31:48 | 3:31:59 | |
shot. | 3:31:59 | 3:32:06 | |
That little smile tells me he will
have to bend it. Playing it with | 3:32:08 | 3:32:14 | |
side. Yes, nicely played. | 3:32:14 | 3:32:21 | |
Very difficult with the reds as they
are. | 3:32:29 | 3:32:41 | |
are. He could try to bring one
interplay if he has a good enough | 3:32:41 | 3:32:46 | |
angle, but I do not think he has. A
little bit more angle he could have | 3:32:46 | 3:32:53 | |
had the cannon and he would have
been guaranteed to be on the one | 3:32:53 | 3:32:59 | |
left of the blue spot. A long look
at the red in the middle. He's | 3:32:59 | 3:33:07 | |
taking on the double. | 3:33:07 | 3:33:08 | |
A little unlucky. | 3:33:47 | 3:33:53 | |
Would he risk it? This is tough, if
he is taking it on. Brilliant. | 3:33:53 | 3:34:12 | |
he is taking it on. Brilliant. Is it
natural to cannon the red out? | 3:34:12 | 3:34:19 | |
This attempt to develop that red.
The other will pot, but it is tough. | 3:34:31 | 3:34:42 | |
If you potted the red and black he
would be 35 in front with 35 on the | 3:34:42 | 3:34:49 | |
table. He changed his mind. He was
going to play underarm. | 3:34:49 | 3:35:01 | |
There is a chance now for Mark
Selby. We show you the attempt. Once | 3:35:12 | 3:35:21 | |
you touch the near jaw they do not
go in. If that red does not pot into | 3:35:21 | 3:35:32 | |
the middle, he could have the angle
to nudge it out. | 3:35:32 | 3:35:46 | |
An anxious look to see if he has
covered that and I think he has. | 3:35:54 | 3:36:02 | |
Yes. | 3:36:02 | 3:36:07 | |
He had to bring that red interplay.
Although he has the 27 point | 3:36:22 | 3:36:30 | |
advantage, you would think that
whoever pots the first red will take | 3:36:30 | 3:36:34 | |
the frame. And in Mark's case, the
match. | 3:36:34 | 3:36:44 | |
Looking to see a piquancy enough to
cut this red in. | 3:37:12 | 3:37:23 | |
cut this red in. -- looking to see
if he can see enough. | 3:37:25 | 3:37:34 | |
It was a good effort. He left it
over the pocket. We could have a | 3:37:36 | 3:37:41 | |
deciding frame. | 3:37:41 | 3:37:46 | |
You can guarantee Mark Selby is
sitting in his chair, thinking about | 3:37:58 | 3:38:01 | |
that kick on the red. Thinking that
he should not still be in this | 3:38:01 | 3:38:08 | |
arena. | 3:38:08 | 3:38:10 | |
All credit to Mark Williams for
keeping this alive. | 3:38:18 | 3:38:27 | |
It has been a cracking match. The
standard has been superb. I suppose | 3:38:32 | 3:38:36 | |
it is fitting of a deciding frame.
Although Stephen said it looked all | 3:38:36 | 3:38:42 | |
over until that bad contact for Mark
Selby. | 3:38:42 | 3:38:52 | |
This is the special shot he has made
his own. | 3:38:56 | 3:39:05 | |
A terrific performance from the
Welsh Potting Machine, as he is | 3:39:13 | 3:39:21 | |
known. We have a deciding frame.
What a match we have had this | 3:39:21 | 3:39:29 | |
afternoon. All square. A | 3:39:29 | 3:39:32 | |
What a match we have had this
afternoon. All square. A one frame | 3:39:32 | 3:39:34 | |
shoot out.
STUDIO: Which pundit came into the | 3:39:34 | 3:39:37 | |
arena and said it is going down to a
final frame decider? Well done, | 3:39:37 | 3:39:42 | |
Kenna. You could say it is deserving
of going into the final frame | 3:39:42 | 3:39:47 | |
decider because of the start Mark
Williams had. The standard has been | 3:39:47 | 3:39:54 | |
fantastic with good safety play.
Great breaks. One visit. Thoroughly | 3:39:54 | 3:40:01 | |
entertaining, enthralling, gripping.
And it through the kick interplay. | 3:40:01 | 3:40:07 | |
Mark Selby should have been into the
quarterfinals 6-3 and now he looks | 3:40:07 | 3:40:12 | |
the more nervous of the players. I
think we will see high-scoring | 3:40:12 | 3:40:16 | |
matches. The pockets look generous.
Which is easy, sitting here! Coming | 3:40:16 | 3:40:23 | |
down to the final frame in this
match, we have been told, 62%, Mark | 3:40:23 | 3:40:30 | |
Selby winning last frame deciders
and 54% Mark Williams winning last | 3:40:30 | 3:40:36 | |
frame decider is over his career. A
fractional difference but on the day | 3:40:36 | 3:40:41 | |
it is anybody's. Mark Williams was
beaten 6-5 in this very arena in | 3:40:41 | 3:40:49 | |
this championship against the same
opponent last year. Will that play | 3:40:49 | 3:40:53 | |
on his mind? I do not think so. Of
the two, Mark Williams will be more | 3:40:53 | 3:41:00 | |
confident because he has come from
two frames back. The wind is him his | 3:41:00 | 3:41:06 | |
sales. But as Steve said, fine
margins. It is one chance and it | 3:41:06 | 3:41:12 | |
could be all over for either Blair.
They are clever tacticians. You | 3:41:12 | 3:41:18 | |
would not think Mark Selby would
still be upset about the kick but it | 3:41:18 | 3:41:22 | |
could play on your mind, especially
if he gets behind, that it is | 3:41:22 | 3:41:27 | |
written in the stars he would lose.
But the best champions are usually | 3:41:27 | 3:41:33 | |
able to look forward and play one
shot at a time. Your adrenaline will | 3:41:33 | 3:41:39 | |
pump up. You usually get decent last
frame decider is between two great | 3:41:39 | 3:41:45 | |
players. I feel it is unlikely to be
scrapping. You read my mind. As | 3:41:45 | 3:41:51 | |
sport fans we often do not ask the
questions that seem obvious. You | 3:41:51 | 3:41:57 | |
have been in this situation, does
the heartbeat faster in this | 3:41:57 | 3:42:02 | |
situation? This is a big match for
both players in the second biggest | 3:42:02 | 3:42:08 | |
tournament of the calendar year and
they both want to be in with a | 3:42:08 | 3:42:15 | |
chance of getting into the
quarterfinals so a lot of pressure. | 3:42:15 | 3:42:18 | |
Even though they have been in this
situation before, the pulses racing? | 3:42:18 | 3:42:24 | |
It is that they are experienced
enough to know they have to keep | 3:42:24 | 3:42:27 | |
calm under pressure. They look for
one good chance and also the first | 3:42:27 | 3:42:33 | |
chance, because they know that could
be the frame-winner. Mark Selby | 3:42:33 | 3:42:37 | |
against Mark Williams. Wow. A final
frame decider. Dennis and Stephen, | 3:42:37 | 3:42:45 | |
take it away. | 3:42:45 | 3:42:46 | |
frame decider. Dennis and Stephen,
take it away. | 3:42:46 | 3:42:51 | |
DENNIS TAYLOR: Mark might have been
thinking about last year, in the | 3:42:52 | 3:42:57 | |
deciding frame he got one chance and
he made an 80 plus break to clinch | 3:42:57 | 3:43:03 | |
it. But that was last year. | 3:43:03 | 3:43:10 | |
Very little tactical play early on
in this match. Both players playing | 3:43:22 | 3:43:27 | |
superb snooker. | 3:43:27 | 3:43:33 | |
As John Parrott always says, in the
deciding frame you want one chance, | 3:43:35 | 3:43:42 | |
that is all you want. Whether you
take it is another story. | 3:43:42 | 3:43:53 | |
That is an attacking safety shot.
Catching the green was not the order | 3:44:09 | 3:44:16 | |
of the day but he played in such a
way that he opened up the reds. | 3:44:16 | 3:44:27 | |
He does pot fantastic long balls.
Nine out of ten he has potted. I was | 3:44:44 | 3:44:56 | |
watching Mark Selby when the red
went in and there was a little shake | 3:44:56 | 3:44:59 | |
of the head. Almost like one of
those resigned shakes of the head. | 3:44:59 | 3:45:06 | |
You think after that kick, is it
destined I lose this match. | 3:45:06 | 3:45:19 | |
Mark Williams is normally good at
taking match winning chances. | 3:45:21 | 3:45:24 | |
An excellent shot. | 3:45:35 | 3:45:43 | |
He lost 6-5 to Mark Selby last year.
2016 at this stage she lost 6-5 to | 3:46:12 | 3:46:22 | |
Ronnie O'Sullivan. Will it be his
year? There is a long way to go. | 3:46:22 | 3:46:34 | |
He would love to get on the red to
the right of the black, but he | 3:46:44 | 3:46:49 | |
cannot at the moment. | 3:46:49 | 3:46:51 | |
He tried to drop on it and it has
gone a little bit far. It was | 3:47:00 | 3:47:05 | |
difficult, he had to find the gap.
If he finished in the gap and had | 3:47:05 | 3:47:10 | |
been able to pot that he would have
freed up the black and it would have | 3:47:10 | 3:47:15 | |
been a terrific chance. | 3:47:15 | 3:47:22 | |
He rescued the situation with an
excellent pot. Again, a clever shot. | 3:47:45 | 3:48:00 | |
He may have a red to this right
corner. A thin cut back. He could | 3:48:00 | 3:48:10 | |
play so he could put the cue ball
near the cushion. | 3:48:10 | 3:48:18 | |
The green is available and he has
the angle to get back up to the | 3:48:27 | 3:48:31 | |
reds. | 3:48:31 | 3:48:39 | |
This has finished awkward. He is
certainly not making it easy. | 3:48:39 | 3:48:52 | |
But he keeps potting the balls. | 3:48:55 | 3:48:59 | |
There was an untimely cough on his
backswing. | 3:49:39 | 3:49:53 | |
And just enough to upset his
concentration. He got up from the | 3:49:54 | 3:50:02 | |
shot and back down again. | 3:50:02 | 3:50:10 | |
That was not good timing. Just
enough to put him off. | 3:50:17 | 3:50:27 | |
He has not played the best
positional shot. He will need a good | 3:50:32 | 3:50:37 | |
recovery. | 3:50:37 | 3:50:39 | |
That was a shocker. So much margin
for error. | 3:50:42 | 3:50:54 | |
He will not even go for a pot now. | 3:50:55 | 3:51:04 | |
He seems to have lost composure at
the moment, Mark Selby. | 3:51:04 | 3:51:10 | |
There is an escape route but he has
to be careful he does not push a red | 3:51:26 | 3:51:31 | |
over the right corner. | 3:51:31 | 3:51:39 | |
over the right corner. He has come
up short. But he did not want to hit | 3:51:39 | 3:51:44 | |
it with more pace. | 3:51:44 | 3:51:50 | |
Can Mark Selby create a chance for
himself with a very good safety? | 3:51:54 | 3:52:03 | |
Mark Selby is worried about doing
exactly as mentioned, pushing a red | 3:52:22 | 3:52:28 | |
towards the right corner. | 3:52:28 | 3:52:33 | |
He knows one mistake and his Masters
could be over. | 3:52:33 | 3:52:52 | |
At first glance, Mark Williams might
be forced into taking this red on. I | 3:53:16 | 3:53:23 | |
do not see a shot on the left-hand
side of the table to get the cue | 3:53:23 | 3:53:31 | |
ball back to baulk. He might have to
pot himself out of trouble. | 3:53:31 | 3:53:41 | |
There was a generous round of
applause for that excellent safety | 3:53:54 | 3:53:58 | |
shot. It had to be very thin. With
the black in this situation it is, | 3:53:58 | 3:54:06 | |
it is an advantage for Mark
Williams, with the 38 points | 3:54:06 | 3:54:09 | |
advantage. | 3:54:09 | 3:54:15 | |
Well that was a terrific long pot.
And look at the gap he had to find. | 3:54:38 | 3:54:49 | |
Two fairly easy reds and then we
have four reds almost typed on the | 3:54:54 | 3:55:03 | |
cushion behind the black -- tight on
the cushion. | 3:55:03 | 3:55:08 | |
This could go down to the covers. --
colours. | 3:55:12 | 3:55:24 | |
He has left himself straight on the
red. Does the black go to the left | 3:55:31 | 3:55:37 | |
corner? Not the best angle. | 3:55:37 | 3:55:47 | |
If he plays the cannon he is
trusting to luck with the position. | 3:55:51 | 3:56:02 | |
That will do. I said he trusted to
luck and he got some. | 3:56:08 | 3:56:21 | |
It would be some effort to win the
match at this visit to the table. | 3:56:33 | 3:56:43 | |
He would like to pot at least
another couple of reds and blacks | 3:56:44 | 3:56:48 | |
and get back into this frame. | 3:56:48 | 3:56:50 | |
This time there was noise backstage
that caused Mark to step away. | 3:56:57 | 3:57:07 | |
He may have the angle to take the
red out to the left of the other | 3:57:18 | 3:57:25 | |
two. | 3:57:25 | 3:57:31 | |
two. That was to thin. There is
pressure on this. | 3:57:31 | 3:57:42 | |
We have talked about the pockets
playing generous. Mark Selby need | 3:57:48 | 3:57:53 | |
that now. | 3:57:53 | 3:58:02 | |
That was very good, playing for the
father -- for knuckle. | 3:58:02 | 3:58:14 | |
He has played it well. What an
effort this is. From the reigning | 3:58:28 | 3:58:38 | |
world champion. Four reds tied up on
the back cushion. He has to get high | 3:58:38 | 3:58:48 | |
on the black. | 3:58:48 | 3:58:54 | |
on the black. He is dead straight,
which is fine, he can just drop on | 3:58:54 | 3:58:57 | |
this red. I do not know if he has
the angle to follow through on two | 3:58:57 | 3:59:03 | |
cushions. But he is just going to
drop it in. Another tricky shot and | 3:59:03 | 3:59:14 | |
the yellow being offered its spot
makes it slightly more awkward, but | 3:59:14 | 3:59:20 | |
all of his effort will be on this
red. | 3:59:20 | 3:59:27 | |
No. Can you believe it? They are
always tricky. | 3:59:27 | 3:59:41 | |
REFEREE: Quieten down, please. | 3:59:41 | 3:59:49 | |
With the yellow off its spot, it
makes it slightly awkward for the | 3:59:49 | 3:59:53 | |
clearance. I wonder whether he will
risk a cannon on the brown. If he | 3:59:53 | 4:00:05 | |
plays to drop off the cushion and
onto the yellow, there is definitely | 4:00:05 | 4:00:09 | |
the brown but the green, as well,
you could snooker yourself behind. | 4:00:09 | 4:00:19 | |
He could hold it, that's a beautiful
shot. Really dead straight. Have a | 4:00:22 | 4:00:30 | |
look at the schools. Five frames
all, 45 points all. What an opening | 4:00:30 | 4:00:36 | |
match in this year's masters. And
look at the points, just six points | 4:00:36 | 4:00:43 | |
separating them. | 4:00:43 | 4:00:50 | |
Pace on the cue ball needs to move
on a little bit further. | 4:01:02 | 4:01:17 | |
They could have gone anywhere on the
brown there. | 4:01:18 | 4:01:27 | |
Just the blue. | 4:01:27 | 4:01:36 | |
What a match these two players have
given us this afternoon. At and it's | 4:01:43 | 4:01:59 | |
in, Mark Williams has one. -- the
Welsh potting machine has done it. | 4:01:59 | 4:02:07 | |
He takes the match by six frames to
five. | 4:02:07 | 4:02:11 | |
Just an unbelievable match. The
opening game of this year's masters | 4:02:15 | 4:02:22 | |
and what a game, two former
champions and it's lived up to its | 4:02:22 | 4:02:26 | |
billing. What a game, that's all you
can say. Two great champions of the | 4:02:26 | 4:02:33 | |
game have really entertained the
crowd. You expected Mark Selby, | 4:02:33 | 4:02:38 | |
after plotting to reds to get that
last one but the tension rises. To | 4:02:38 | 4:02:44 | |
be fair, it was never in. If it had
dropped, it would have been a | 4:02:44 | 4:02:48 | |
travesty. Mark Williams held himself
together. The break-up but easy to | 4:02:48 | 4:02:51 | |
get the colours. | 4:02:51 | 4:02:54 | |
As Mark Selby looked like he was
going to win again, he handled these | 4:02:54 | 4:03:02 | |
big pressure moments, but Mark
didn't look happy going down onto | 4:03:02 | 4:03:04 | |
the shot. He didn't look happy. He
needed to be high on the back so he | 4:03:04 | 4:03:09 | |
could get closer with the cue ball
to the red, never hit it well at | 4:03:09 | 4:03:16 | |
all, that was the frame and match
ball for both players. If the red | 4:03:16 | 4:03:20 | |
would have gone in, Mark Selby would
have won the match but Mark Williams | 4:03:20 | 4:03:23 | |
held himself so well. The
significance of this for Mark Selby, | 4:03:23 | 4:03:31 | |
crashing out of the UK championship
as well, this is a big moment. I | 4:03:31 | 4:03:34 | |
tell you what, doesn't matter how
many times you have one events... | 4:03:34 | 4:03:42 | |
Congratulations! To keep on winning,
especially as you get older, putting | 4:03:42 | 4:03:46 | |
in great performances, I think as
you get older, you get prouder. Well | 4:03:46 | 4:03:52 | |
done, great to see you. It's like
eventually quit act! -- eventually | 4:03:52 | 4:03:59 | |
quest! I thought it was a good much
all the way through. I got some good | 4:03:59 | 4:04:08 | |
breaks. When I was 5-3 down, I went
for a lot of difficult shots, I | 4:04:08 | 4:04:12 | |
thought I wouldn't attack it and go
out attacking. I done one shot in | 4:04:12 | 4:04:16 | |
the last frame, if I lost that, I
would have never have forgiven | 4:04:16 | 4:04:20 | |
myself. Always rather go out on a
pot than the safety. I turned the | 4:04:20 | 4:04:24 | |
red, it wasn't easy. Looked like it
was going to clear up. I would have | 4:04:24 | 4:04:31 | |
been fuming. I don't mind losing but
I don't want to play safe. That | 4:04:31 | 4:04:42 | |
break of 135, the boys were glowing,
you looked so relaxed and | 4:04:42 | 4:04:46 | |
comfortable. I should have plotted
the black, but I set it up well. I | 4:04:46 | 4:04:49 | |
just missed it. Mark had a wide at
the end, was he talking about the | 4:04:49 | 4:05:00 | |
kit? Since we have used this mutual,
we have had some kicks. I think we | 4:05:00 | 4:05:09 | |
both played -- this new chalk. I
think we both played quite well. I | 4:05:09 | 4:05:14 | |
thought when you are down, it would
not bother you because you have been | 4:05:14 | 4:05:19 | |
playing so well. I have been playing
so well all season, it's tough to | 4:05:19 | 4:05:24 | |
beat Selby, I knew it was going to
be tough. I didn't think I was going | 4:05:24 | 4:05:30 | |
to lose until he had that kick. We
have not got a microphone for you, | 4:05:30 | 4:05:35 | |
hopefully will be able to use your
dad's microphone, how does it feel | 4:05:35 | 4:05:38 | |
to watch him play in such a
alternating match, diesel is amazing | 4:05:38 | 4:05:43 | |
that are ready you think he's as
nervous -- do you get as nervous as | 4:05:43 | 4:05:50 | |
him? Yeah. No swearing! You still
gets tense when you walk out? I | 4:05:50 | 4:05:58 | |
hardly ever get butterflies or
nervous. The only time I got nervous | 4:05:58 | 4:06:03 | |
was when I was 39, missed the red,
wasn't easy but I should have got | 4:06:03 | 4:06:11 | |
it, then I got the butterflies which
is not like me. You still get the | 4:06:11 | 4:06:16 | |
buzz going out, final frame in the
match. This is what you want, you | 4:06:16 | 4:06:21 | |
play table setups and qualifiers,
it's difficult. You don't get to | 4:06:21 | 4:06:26 | |
experience this very often now.
Every time I come back, I enjoyed | 4:06:26 | 4:06:30 | |
more. You have been having a good
run recently. You must be proud of | 4:06:30 | 4:06:34 | |
your performance to get back on top
16 but also starts to be | 4:06:34 | 4:06:39 | |
competitive. That's a great feeling
on your way up. Definitely, I have | 4:06:39 | 4:06:42 | |
been in and out of top 16 for so
many times. I have managed to claw | 4:06:42 | 4:06:47 | |
my way back in again. I'm actually
playing quite good stuff. I don't | 4:06:47 | 4:06:52 | |
mind now. What about the fact that
you have lost 6-5 to Selby in the | 4:06:52 | 4:06:56 | |
first round in this venue last, does
that play on your mind? I think the | 4:06:56 | 4:07:01 | |
last two or three times I played
here, I lost to run a 6-5 twice and | 4:07:01 | 4:07:09 | |
Selby 6-5. It was five all again. So
when the draw comes out, they are | 4:07:09 | 4:07:14 | |
the two players I want to miss. I
don't mind playing any of the other | 4:07:14 | 4:07:17 | |
ones. Where have you found this
resurgence of form? You've always | 4:07:17 | 4:07:23 | |
the rate consistent but all of a
sudden you have won a tournament, | 4:07:23 | 4:07:29 | |
and you have been very consistent.
It's no coincidence, it's Steve | 4:07:29 | 4:07:34 | |
helping me with the site, and how I
lay the ball. If you are in the | 4:07:34 | 4:07:39 | |
white line before you get down, you
have got a chance of potting it. I | 4:07:39 | 4:07:44 | |
was so far out, no wonder I had not
ported a long ball for five years. | 4:07:44 | 4:07:49 | |
He won in Northern Ireland, are you
practising more? Yeah, loads. I play | 4:07:49 | 4:07:56 | |
with a couple of youngsters in the
club, is to be fair, they are | 4:07:56 | 4:08:00 | |
killing me, getting me in the club
at 9am after dropping him off to | 4:08:00 | 4:08:06 | |
school. And I'm still here at 5pm
playing with those two. When I say I | 4:08:06 | 4:08:13 | |
have had enough, they have another
11 after I've gone. It's pushing me | 4:08:13 | 4:08:17 | |
on, I'm enjoying it as well. You can
see your stats, 92% | 4:08:17 | 4:08:27 | |
see your stats, 92% pot success.
Stephen Hendry will still be | 4:08:27 | 4:08:31 | |
whingeing, I could be 100% and he
Would still whinge! We were talking | 4:08:31 | 4:08:42 | |
about 20 years ago, you have changed
in the last 20 years. I looked like | 4:08:42 | 4:08:47 | |
him! You can't say much! But we do
have to say, other sports need to | 4:08:47 | 4:08:57 | |
take a leaf out of the snooker
sport, because you had a bit of fun | 4:08:57 | 4:09:00 | |
pinching the cue ball. I will
probably get fined for that. You're | 4:09:00 | 4:09:03 | |
not supposed to touch it. It
certainly got the crowd going as | 4:09:03 | 4:09:07 | |
well. What did you think, you
thought, I'm going to have some fun? | 4:09:07 | 4:09:11 | |
My first hit it, he said it looks
like red, and I thought it was | 4:09:11 | 4:09:20 | |
blacked first. I knew it was going
to take ages so I thought I would | 4:09:20 | 4:09:24 | |
make the white. He said, he's got
the white! I had him they're going, | 4:09:24 | 4:09:32 | |
I don't know where it is! You have
all sorts of luck in the game, you | 4:09:32 | 4:09:39 | |
can have a kick or get away with the
safety shots. To try and get away | 4:09:39 | 4:09:45 | |
from that snooker and twice not
leave him shot, that was | 4:09:45 | 4:09:48 | |
unbelievable. Was there another
shot? I could not see another one. | 4:09:48 | 4:09:53 | |
To smash into the balls twice and
not leave your opponent a shot but | 4:09:53 | 4:09:57 | |
not the way it jumped off the table,
it was a result for me. I thought, | 4:09:57 | 4:10:01 | |
happy days. You will not wait till
Friday, so home tonight? Straight | 4:10:01 | 4:10:05 | |
home now. He will try and get a day
off school. I didn't say that! No | 4:10:05 | 4:10:12 | |
child! Teachers are watching! His
eyes perked up, amazing! The other | 4:10:12 | 4:10:19 | |
one was going to come up but he
said, I'm not coming to watch, | 4:10:19 | 4:10:24 | |
you're too boring. Is he watching at
home? He's probably on his Xbox, he | 4:10:24 | 4:10:29 | |
doesn't care how I get on! Safe trip
back. Thank you both for coming in | 4:10:29 | 4:10:34 | |
to see us. We will see you on
Friday, Mark. Our match this evening | 4:10:34 | 4:10:41 | |
sees Luca Brecel taking on Mark
Allen. | 4:10:41 | 4:10:50 | |
Luca Brecel was born in Belgium. On
the 8th of March 1990. He turned | 4:10:50 | 4:11:01 | |
professional in 2011. In 2012, aged
17, he became the youngest man to | 4:11:01 | 4:11:09 | |
play at the Crucible. He's already
won over half £1 million in prize | 4:11:09 | 4:11:14 | |
money. His nickname is the Belgian
bullet. In 2010, he was named Young | 4:11:14 | 4:11:22 | |
Belgian Sportsman of the year. He
won the European Championships under | 4:11:22 | 4:11:34 | |
1920 was 14. In August 2017, he
became the first player from | 4:11:34 | 4:11:38 | |
mainland Europe to win a ranking
event when he took the China | 4:11:38 | 4:11:41 | |
championship. He is a big hip hop
fan. This season has seen him into | 4:11:41 | 4:11:48 | |
the top 16 for the first time. | 4:11:48 | 4:11:55 | |
He is a big hip hop fan. So will
have these winning on the dance | 4:11:55 | 4:12:00 | |
floor tonight? He plays with style
and panache, that's for certain. You | 4:12:00 | 4:12:04 | |
never know what shot he's going to
play. He compounds players, very | 4:12:04 | 4:12:08 | |
attacking. Identikit will be a -- I
do not think it will be a slow | 4:12:08 | 4:12:14 | |
match. We saw him at the Crucible,
he was really great. He has won his | 4:12:14 | 4:12:19 | |
first ranking tournament, full of
confidence, great potter, exciting | 4:12:19 | 4:12:23 | |
to watch. I think it's going to be
another cracking match. All of these | 4:12:23 | 4:12:27 | |
first round matches are potentially
cracking. The very fact that he's | 4:12:27 | 4:12:31 | |
making his debut, does that make an
impact, taking on someone like Mark | 4:12:31 | 4:12:36 | |
Allen who has been here before? This
could be because this is an over or | 4:12:36 | 4:12:39 | |
inventive. It's always been for new
commerce. -- this is a very awesome | 4:12:39 | 4:12:44 | |
venue. It was has been for
newcomers. He's playing the modern | 4:12:44 | 4:12:50 | |
form of the game, which has been
aggressive. It gets more aggressive | 4:12:50 | 4:12:54 | |
every era. If you play the game and
you start getting the ball is in, | 4:12:54 | 4:12:58 | |
your confidence can override the
arena so he's got a chance. The | 4:12:58 | 4:13:02 | |
worst thing would be to come in here
and go into his shell and don't | 4:13:02 | 4:13:06 | |
think that'll happen. Do you think
you will get out on the front foot | 4:13:06 | 4:13:09 | |
early on? That will be his but he's
playing a very experienced play in | 4:13:09 | 4:13:14 | |
Mark Allen, and of the outsiders,
outside the top four. He could have | 4:13:14 | 4:13:21 | |
good run here. Very dangerous
opponent, scores quickly but they | 4:13:21 | 4:13:25 | |
both play similar games. I think
Mark Allen, a bit of experience | 4:13:25 | 4:13:29 | |
might be the difference but as I
said, a close game. Mark Allen a few | 4:13:29 | 4:13:32 | |
years talked in this very venue
about how we would love to win the | 4:13:32 | 4:13:40 | |
Masters. | 4:13:40 | 4:13:43 | |
If you suddenly became master of
woodworking, will you make? Are you | 4:13:43 | 4:13:49 | |
mad? I have no DIY is killed at also
that would never happen. -- no DIY | 4:13:49 | 4:13:59 | |
skills. I'd like to have a go at
making a snooker table. I know their | 4:13:59 | 4:14:04 | |
slate involved but I would give it a
go. What was the most memorable gift | 4:14:04 | 4:14:07 | |
you have ever received? Probably
when I was younger, I got a snooker | 4:14:07 | 4:14:12 | |
table for Christmas. That sounds bad
but it's my most memorable. I was | 4:14:12 | 4:14:18 | |
getting into snooker at the time and
I remember waking up Christmas | 4:14:18 | 4:14:21 | |
morning, I was devastated that it
was not in the living room. I went | 4:14:21 | 4:14:25 | |
and sulked on my bed in my room. And
then I was in my half, I went | 4:14:25 | 4:14:30 | |
straight past the book a table in my
bedroom -- I walked straight past | 4:14:30 | 4:14:38 | |
Mike stick a table and didn't even
see it! If your childhood had a | 4:14:38 | 4:14:42 | |
smell, what would it be? Mud. When I
was younger, I used to always play | 4:14:42 | 4:14:48 | |
football and come in stinking of
mud. My mum used to want to kill me | 4:14:48 | 4:14:52 | |
all the time. What would be your
spirit animal? The dog. I think I'm | 4:14:52 | 4:15:00 | |
very loyal. I think people like me
for the most part. But there's | 4:15:00 | 4:15:07 | |
always a little bit of viciousness
in there as well. What lied you tell | 4:15:07 | 4:15:12 | |
most often? That I'm on a diet and
losing weight. That's the biggest | 4:15:12 | 4:15:18 | |
lie ever. I love my food too much. | 4:15:18 | 4:15:25 | |
So, Mark Allen gets his master 's
campaign underway at 7pm. As you can | 4:15:25 | 4:15:33 | |
see, it is on the red button. I did
that interview talking about his | 4:15:33 | 4:15:38 | |
attitude to snooker, practising, but
also many people saying, you never | 4:15:38 | 4:15:41 | |
know with Mark Allen what you're
going to get at is a bit frustrated | 4:15:41 | 4:15:44 | |
by some of that analysis. Yeah, I
think he's been a bit inconsistent. | 4:15:44 | 4:15:50 | |
For someone who's very talented and
he can beat any of the top players | 4:15:50 | 4:15:54 | |
on his day, without a shadow of a
doubt, he has not talked up as many | 4:15:54 | 4:15:58 | |
victories that would have liked.
He's always there or thereabouts. | 4:15:58 | 4:16:02 | |
Always expecting a big run from him
at any stage. He just hasn't | 4:16:02 | 4:16:10 | |
produced the consistency is the like
of Selby and the other top players. | 4:16:10 | 4:16:15 | |
That's his downfall at the moment.
But that can change may quickly. But | 4:16:15 | 4:16:21 | |
I think if you can get your name on
the trophy of one of the majors, | 4:16:21 | 4:16:25 | |
especially the BBC events, but even
the biggest one in China, break the | 4:16:25 | 4:16:30 | |
ice in the way, it can lead to
winning big events. It's tough to | 4:16:30 | 4:16:35 | |
get that first one because you're up
against some great players. One | 4:16:35 | 4:16:41 | |
great performance and winning this
event one year, all of a sudden, | 4:16:41 | 4:16:44 | |
it's not the albatross around your
shoulder. The floodgates could open. | 4:16:44 | 4:16:49 | |
It's one thing to be described as, I
hear it a lot, people say Mark Allen | 4:16:49 | 4:16:54 | |
is a dangerous opponent for someone.
Converting that danger into going | 4:16:54 | 4:16:58 | |
really deep into the big tournaments
like these. Yeah, and he has enough | 4:16:58 | 4:17:06 | |
chances to get in that situation and
he's got to dominate the top | 4:17:06 | 4:17:10 | |
players. I suppose he has not
dominated that many of the big | 4:17:10 | 4:17:13 | |
names, strong enough to outplay them
throughout the tournament. He's | 4:17:13 | 4:17:16 | |
always knocking on the door on the
semis and finals, he's won a few big | 4:17:16 | 4:17:21 | |
ranking tournaments, but one of
these tournaments, it hits your | 4:17:21 | 4:17:25 | |
waiting for it to happen and it
hasn't happened. If you want to | 4:17:25 | 4:17:30 | |
watch Mark Allen versus Luca Brecel,
it's on the red button live and then | 4:17:30 | 4:17:42 | |
on the app as well. We are back for
the highlights tonight. Tomorrow, | 4:17:42 | 4:17:49 | |
Ryan Day back at the Masters, taking
on Ding Junhui. Before we leave you, | 4:17:49 | 4:17:55 | |
which took about the application
this has forced the truck would we | 4:17:55 | 4:17:58 | |
should talk about the indication --
we should talk about the | 4:17:58 | 4:18:05 | |
implications this has four Mark
Selby. It's nice to be in good form | 4:18:05 | 4:18:09 | |
coming into the tournament, but he
is a long match player. The World | 4:18:09 | 4:18:15 | |
Championship suits him. He likes to
keep on top of his technique and if | 4:18:15 | 4:18:21 | |
you think things are wrong, he will
be trying things to change them. So | 4:18:21 | 4:18:24 | |
it's tough. You can see how much it
meant to him missing that last red, | 4:18:24 | 4:18:30 | |
you don't usually seek such emotion
from him and it will haunt him | 4:18:30 | 4:18:34 | |
today. Thank you very much, thank
you for watching. 7pm on the red | 4:18:34 | 4:18:39 | |
button for further live coverage,
Williams leaves his mark on the | 4:18:39 | 4:18:42 | |
Masters. | 4:18:42 | 4:18:49 |